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Les Enfants d'Isadora (2019), directed by Damien Manivel, is a beautiful and contemplative film that explores the intersection of grief, art, and legacy. The movie is a tribute to the influential American dancer Isadora Duncan and her tragic personal story, focusing on how her final dance piece, Mother, continues to inspire modern performers and audiences. ️

Plot Overview:
The film draws inspiration from the devastating loss Isadora Duncan experienced—the death of her two children—and how she expressed that grief through choreography. The narrative follows three women in different stages of life, each interpreting the Mother dance in her own way. Through their movements, the film connects past and present, reflecting on the emotional power of dance as a way to process sorrow and express the unspeakable.

✨ What to Expect:

A Meditative Approach: The film uses long takes, subtle gestures, and minimal dialogue, allowing the emotional depth to unfold through movement.
Multiple Perspectives: We see a young dancer rehearsing Mother, an older woman revisiting her memories through the dance, and a mother sharing the piece with her child. These vignettes highlight how art transcends time and personal experience. ️
Visual Poetry: With elegant cinematography, the film captures the quiet beauty of spaces and gestures, turning every frame into a piece of art. ✨
Themes of Loss and Healing: It’s a touching reflection on how people cope with tragedy, exploring how art can be both an outlet and a form of preservation. ️
Why You Should Watch It:
Les Enfants d'Isadora is a must-watch for fans of arthouse cinema, contemporary dance, and emotional storytelling. Its profound meditation on grief and artistic expression makes it more than just a movie—it’s an immersive experience that will resonate deeply with those who appreciate quiet, introspective films.

Stream Les Enfants d'Isadora (2019) and discover more thought-provoking films on Darkmattor.com!

#LesEnfantsDIsadora #IsadoraDuncan #ContemporaryDance #ArthouseCinema #GriefAndArt #VisualPoetry #DamienManivel #DarkmattorTV #DanceLegacy #EmotionalStorytelling
Transcript
00:00:00You
00:00:30Oh
00:00:33The fink of was a live wire and this is a bunny twice
00:01:00You
00:01:02You
00:01:04You
00:01:27After the more than a dozen phone
00:01:30Je pense a me jour et minuit dans le studio rideau bleu
00:01:35Dans mon chagrin je cherchais à composer une danse
00:01:40Mais je ne trouvais plus le courage de faire le moindre geste
00:01:45Comme j'aurais aimé que cet horrible accident fut transformé en beauté
00:01:59I
00:02:29You
00:02:59You
00:03:29You
00:03:59You
00:04:29You
00:04:59You
00:05:08You
00:05:29You
00:05:59You
00:06:29You
00:06:59You
00:07:22Le lendemain à l'aube je me levais subitement et je dansais
00:07:29C'était ma première danse depuis l'accident
00:07:59You
00:08:29You
00:08:59You
00:09:29You
00:09:59You
00:10:29You
00:10:59You
00:11:29You
00:11:59You
00:12:29You
00:12:59You
00:13:29You
00:13:59You
00:14:29You
00:14:59You
00:15:29You
00:15:59You
00:16:29You
00:16:59You
00:17:29You
00:17:59You
00:18:29You
00:18:59You
00:19:29You
00:19:59You
00:20:29You
00:20:59You
00:21:29You
00:21:44Je sens la chaleur du soleil
00:21:49Je sens la tiédeur de mon propre corps
00:21:54Je baisse les yeux sur mes jambes nues
00:21:57Sur la douceur de mes seins
00:22:00Sur mes bras qui flottent en douce ondulation
00:22:06Et je réalise que depuis la mort de mes enfants cette poitrine enferme une douleur intarissable
00:22:17Que ses mains ont été marquées à jamais par la tristesse
00:22:23Et que lorsque je suis seule ses yeux sont rarement sec
00:22:29Je sens la douleur
00:22:33Je sens la douleur
00:22:37Je sens la douleur
00:22:59Je sens la douleur
00:23:03Je sens la douleur
00:23:08Je sens la douleur
00:23:13Je sens la douleur
00:23:19Je sens la douleur
00:23:25Je sens la douleur
00:23:29Je sens la douleur
00:23:34Je sens la douleur
00:23:59Je sens la douleur
00:24:29Je sens la douleur
00:24:37Je sens la douleur
00:24:43Je sens la douleur
00:24:49Je sens la douleur
00:24:55Je sens la douleur
00:24:59Je sens la douleur
00:25:05Je sens la douleur
00:25:13Je sens la douleur
00:25:45I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a
00:26:15good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm
00:26:45going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good
00:27:15boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going to be a good boy, I'm going
00:27:45to be a good boy.
00:29:45She was very inspired by ancient Greece.
00:29:52Let's see...
00:29:56I'll leave you to it.
00:30:10There's a picture of...
00:30:14I think it's over there.
00:30:17There.
00:30:19With her children.
00:30:21Yes, Dertre and Patrick.
00:30:24It was the year before he died.
00:30:28What's beautiful here,
00:30:30and what can inspire us,
00:30:32are the gestures,
00:30:34the pose of the arms around them,
00:30:37when we hold them.
00:30:39It makes me think of when her children come back.
00:30:42Yes, before she...
00:30:44Before she...
00:30:45Completely, yes.
00:31:38Hi, Manon.
00:31:39Hi.
00:31:42Are you OK?
00:31:43Yes.
00:31:44Have you been here for a long time?
00:31:46No, it's OK.
00:31:53Sorry, I have a little backache.
00:31:58You turn your palms, please.
00:32:02Try it.
00:32:03Upwards.
00:32:04Like this.
00:32:06Try it like this.
00:32:08It's different.
00:32:09Like this, it changes.
00:32:10And upwards.
00:32:12It changes.
00:32:13Yes.
00:32:14You hold your arms, you look down.
00:32:17And then you understand,
00:32:19you grasp what happened.
00:32:22Your arms become wings, they go down.
00:32:25To cover.
00:32:30Yes.
00:32:32Your left hand towards your head,
00:32:34your right hand towards your feet.
00:32:36They're not bigger than that.
00:32:39And here is the right hand,
00:32:42which caresses,
00:32:44which goes towards the head.
00:32:46It starts again with the head.
00:32:48You can do...
00:32:49Just a detail.
00:32:50But from here,
00:32:51you can do...
00:32:52Here are the feet.
00:32:53Hop.
00:32:54And you can...
00:32:55The head and the sensation of caressing the head.
00:32:58Except it's on the other side,
00:33:00with your right arm.
00:33:02Yes.
00:33:03Yes.
00:33:04And then the head,
00:33:05everything comes back through the head.
00:33:07You go towards the feet.
00:33:09You take the lance,
00:33:10you cover,
00:33:11one last time.
00:33:14You can throw them into space.
00:33:20Yes.
00:33:27And then they tighten,
00:33:28you tighten them hard.
00:33:30You want to stop them.
00:33:31On the other hand,
00:33:32it's better to be in the right direction.
00:33:34There.
00:33:35You tighten them hard.
00:33:36And there...
00:33:37And they go.
00:33:38And you follow them.
00:33:39You follow them.
00:33:43The children come back to you.
00:33:45You look for them.
00:33:50The arms go up.
00:33:52And then you come back.
00:33:56You come back.
00:33:57You take them in your arms.
00:34:00And there...
00:34:02It's the vertigo.
00:34:03I look down at you.
00:34:05They are slipped.
00:34:06No, they are at your feet.
00:34:08Completely at your feet.
00:34:10Yes.
00:34:11Your arms open.
00:34:14They become wings.
00:34:15They float a little.
00:34:17And there,
00:34:18you have to go on your knees.
00:34:21You take a right step.
00:34:23There.
00:34:24And you lean.
00:34:26And in this leaning,
00:34:28I would like you to imagine
00:34:29the volumes we worked on earlier.
00:34:32That is,
00:34:33lean towards them.
00:34:35And there,
00:34:36there is still a volume in the arm.
00:34:38Yes.
00:34:39It's extremely soft.
00:34:40And there too,
00:34:41this arm,
00:34:42you imagine the volumes.
00:34:43Unlock your elbow.
00:34:45There.
00:34:46The elbow is not tense.
00:34:47It is not very tense.
00:34:49Okay?
00:34:50And there too,
00:34:51you imagine the volumes of
00:34:53what we worked on earlier,
00:34:54this morning,
00:34:55this volume there.
00:34:56Like a ball,
00:34:57you have it there.
00:34:58Okay?
00:34:59There, there is no volume in the arm.
00:35:02Try it.
00:35:08Try it.
00:35:10Take me in your arms.
00:35:12Hold me.
00:35:17I am the volume.
00:35:19And from here,
00:35:20we lean.
00:35:31Are these your children in the photo?
00:35:34Yes.
00:35:35But they were smaller.
00:36:02Here, the room is public.
00:36:03It is quite close.
00:36:07You risk
00:36:12to see them,
00:36:13to see people watching you.
00:36:25When there is an audience,
00:36:32I feel more comfortable
00:36:35in my way of dancing.
00:36:39It is interesting.
00:36:40Why?
00:36:42When there is an audience,
00:36:43it helps me.
00:36:47It helps me
00:36:48to look at people
00:36:49who are watching us dance.
00:36:54It helps you...
00:36:55Can you say more?
00:36:57When you are rehearsing,
00:36:58you dance,
00:36:59but it is not perfect.
00:37:05Everything is not perfect
00:37:06from the first time.
00:37:07You forget to adjust
00:37:08several things.
00:37:11On the other hand,
00:37:12when there is an audience,
00:37:13I put pressure on myself
00:37:14by saying to myself,
00:37:15I have to adjust
00:37:16to the audience.
00:37:17I have to adjust
00:37:18to the audience.
00:37:19I have to adjust
00:37:20to the audience.
00:37:21I have to adjust
00:37:22to the audience.
00:37:23I have to adjust
00:37:24to the audience.
00:37:25I have to get there.
00:37:26I have to get there.
00:37:27Every time,
00:37:28I start dancing
00:37:29in front of the audience
00:37:30Every time,
00:37:31I start dancing in front of the audience
00:37:32and it works
00:37:33from the first time.
00:37:55In the next days.
00:37:58I was in such a state
00:37:59that I forgot
00:38:00how to dance,
00:38:01how to go up
00:38:02how to go up
00:38:03how to go up
00:38:04my legs.
00:38:05I had to sit
00:38:06on my knees
00:38:07and I was like
00:38:08this.
00:38:09I was like this.
00:38:10I was like this.
00:38:12The more I dance,
00:38:13the more I feel
00:38:14the more I feel
00:38:15I feel
00:38:16I feel
00:38:17I feel
00:38:18I feel
00:38:19I feel
00:38:20I feel
00:38:21I feel
00:38:22I feel
00:38:23I feel
00:42:22M'am, on va reprendre, Manon.
00:42:42I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry,
00:43:12I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry,
00:43:42I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry.
00:44:12I can understand them, because the gestures tell me a little more.
00:44:18I can see a story.
00:44:20But from there, you hold them more.
00:44:22Why do you move forward? What's going on there?
00:44:24Why do you stop?
00:44:26Suddenly, you start running.
00:44:28What's going on here?
00:44:30All the gestures are too fast,
00:44:32because the story is there.
00:44:34I don't read it.
00:44:36I need it to be present for you.
00:44:38For you, this story,
00:44:40you tell it, it exists.
00:44:42You see it, you project it.
00:44:44You visualize where they are.
00:44:46You see what they do.
00:44:48They make you happy. Why?
00:44:50All the gestures follow your story.
00:44:52But I need to hear it to be sure
00:44:54that it's clear for you.
00:44:56Because in the gestures,
00:44:58we don't see it.
00:45:00You abandon the audience there.
00:45:02Even though it's an extremely important place.
00:45:04It's the center of the solo.
00:45:06And it's there, and in the continuation,
00:45:08that the drama happens,
00:45:10that everything is played out.
00:45:12So if we lose you here,
00:45:14we don't know.
00:45:16We won't be able to understand the rest.
00:45:18We don't follow you in the rest.
00:45:20And all the senses,
00:45:22it's extremely important,
00:45:24this place.
00:45:26So I need to hear it.
00:45:28I need you to live it.
00:45:30I need to feel it.
00:45:32And for that, let's go through the stories,
00:45:34that you tell them.
00:45:36You enrich them,
00:45:38and you plunge into this story,
00:45:40which is yours.
00:45:42It's your story.
00:45:44You have to make it clean.
00:45:46You'll be dancing alone.
00:45:48So it has to be rich for you.
00:45:50And precise in the gestures.
00:45:52Each gesture has a meaning.
00:45:54Each gesture tells a place,
00:45:56a moment in their story.
00:46:06I'm coming.
00:46:20I'm coming.
00:46:32And why do children resist?
00:46:36They resist because at first
00:46:38they don't dare.
00:46:40It helps them
00:46:46to get over
00:46:48their fear
00:46:50or to get over
00:46:52some
00:46:54difficult
00:46:56moments for them.
00:47:02And why does the mother collapse?
00:47:06Because the children are dead.
00:47:32And the last gesture
00:47:36is to
00:47:40see them again.
00:47:58I like this season.
00:48:00The colors are beautiful.
00:48:02Yes, it's true.
00:48:04Yes, it's true.
00:48:08We don't want the leaves to fall right away.
00:48:12Yes.
00:48:34Yes.
00:48:48We're lucky with this sun.
00:49:04Yes.
00:49:08Look how beautiful the rocks are in the middle of the sea.
00:49:10Yes.
00:49:24Do you want my hand?
00:49:26Yes.
00:49:34Yes.
00:50:04Yes.
00:50:14Are we going back?
00:50:16You're going to end up in the water.
00:50:18I'm going to end up in the water.
00:50:20You're right.
00:50:34Yes.
00:51:04Yes.
00:51:10What did your brother do
00:51:12in England?
00:51:16He went to study English.
00:51:20He's been in high school for a year.
00:51:24He plays basketball.
00:51:26Yes.
00:51:32And your daughter?
00:51:34My daughter has been in Brussels
00:51:36for three years.
00:51:40She studies theater.
00:51:52Are you sad?
00:51:54I'm not sad.
00:51:58I miss him.
00:52:00But I'm not sad.
00:52:10Do you know what she did
00:52:12to Isadora
00:52:14after her children died?
00:52:18She tried to found a school
00:52:20to teach her dance.
00:52:24It was the biggest dream of her life.
00:52:30But the war broke out.
00:52:36She said that dance doesn't belong to anyone
00:52:38but that everyone
00:52:40has to find their own gesture,
00:52:42their own way of doing things.
00:52:44It hurts me a lot.
00:53:14I love you.
00:53:44I love you.
00:54:14I love you.
00:54:30I love you.
00:54:36I love you.
00:54:40I love you.
00:54:44I love you.
00:55:14I love you.
00:55:16I love you.
00:55:18I love you.
00:55:20I love you.
00:55:22I love you.
00:55:24I love you.
00:55:26I love you.
00:55:28I love you.
00:55:30I love you.
00:55:32I love you.
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