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In this Turkish series Sen çal kapimi “You Knock on My Door”, talk about great love between two young people. Eda Yldyz is a young and charming florist; she dreams of getting a prestigious education abroad. Only she has to face great financial difficulties and there will come a moment when there is practically no money left to pay for expensive training. Ed is not going to just give up, and she decides to seek help from private foundations. After all, she had been striving for her dream for so long, she couldn’t just refuse it.
A young guy named Serkan Bolat responds to her request. The family of the protagonist of the Turkish series “Sen Çal Kapımı” with English subtitles owns a large company, and he decided to provide a scholarship for Eda. Some time passes and for some reason Serkan begins to reduce the private scholarship for the girl. Eda, of course, decided to find out exactly why it was happening. And then Serkan sets a condition for Eda, and if she fulfills it, then he will return full funding for her further studies abroad. Only Ed will have to play the role of Serkan's bride and tell everyone that they are supposedly engaged. The girl was shocked by such a statement and for this reason her hatred of the impudent guy only increased.
#loveisintheair #handelercel #eda
In this Turkish series Sen çal kapimi “You Knock on My Door”, talk about great love between two young people. Eda Yldyz is a young and charming florist; she dreams of getting a prestigious education abroad. Only she has to face great financial difficulties and there will come a moment when there is practically no money left to pay for expensive training. Ed is not going to just give up, and she decides to seek help from private foundations. After all, she had been striving for her dream for so long, she couldn’t just refuse it.
A young guy named Serkan Bolat responds to her request. The family of the protagonist of the Turkish series “Sen Çal Kapımı” with English subtitles owns a large company, and he decided to provide a scholarship for Eda. Some time passes and for some reason Serkan begins to reduce the private scholarship for the girl. Eda, of course, decided to find out exactly why it was happening. And then Serkan sets a condition for Eda, and if she fulfills it, then he will return full funding for her further studies abroad. Only Ed will have to play the role of Serkan's bride and tell everyone that they are supposedly engaged. The girl was shocked by such a statement and for this reason her hatred of the impudent guy only increased.
#loveisintheair #handelercel #eda
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TVTranscript
00:00son ki üç dört
00:08yanlışlarından ters alacak kadar olgun değil bu yalan bir mecburiyet yoksa sana vurgun değil
00:25ama gözlerinde bir ışık kalbimin tıkırtısı içim içime sığmıyor ya bu neyin kıpırtısı
00:36dön yüzüne gökyüzüne bak bir aşkın yıldızına aman
00:43parlayacak sönecek biliyorum
00:49her şey olur her şey biter yıldız gökyüzünde kayar biter her şey olur her şey biter yalnızlık hep aynaların eski
01:36kalıcı
01:38çok
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02:46çok
02:48Mom, Aida is busy right now.
02:50And I told you not to call Aida, didn't I?
02:53Who are you to tell me not to call her?
02:55If I don't want to talk to her, I'll tell her myself.
03:05Is there a baby there?
03:08Hello Mrs. Aiden.
03:10Oh, hello Aida.
03:13Whose baby is this?
03:16Who is this baby?
03:17Little Sarkar.
03:18Little Sarkar.
03:21Little Sarkar?
03:23He'll wake up.
03:25Mom, I'm busy right now.
03:27I have some work to do.
03:28I'll see you at home.
03:34Did she just say Little Sarkar?
03:37Yes.
03:45I've brought the drawings.
03:47You can go in and see if you want.
03:49Okay.
03:51Let's take Sarkar inside.
03:55Thanks.
03:58Can you carry my phone and bag?
04:01Yes.
04:03Wow, first pick up the phone.
04:07And now pick up this lady's bag.
04:27Is this okay for you?
04:29No, no. This looks beautiful.
04:31We chose this cutlery set.
04:33We want everything to be perfect.
04:35Is this okay?
04:36Candlestick and all?
04:37Yes, everything is fine.
04:38Thank you very much.
04:39Good job.
04:40You're welcome.
04:42Emre, tell me something.
04:43How many more babysitters are going to run away?
04:45You know that I don't like babysitters.
04:48I don't think any babysitter wants to work here.
04:53Yes.
04:56I've seen all the rooms.
04:58We can start the renovation any time.
05:00That's good.
05:01We also want to move soon.
05:03Great.
05:04Should we cancel tomorrow's party?
05:06We can't even prepare for it.
05:08Yes, you're right.
05:09We need someone to take care of Sarkar.
05:11We also need to prepare.
05:14I have an idea.
05:19Her and her ideas.
05:22We'll take care of it for a few hours.
05:25This way, you'll get your work done and you'll get help.
05:29Is that okay?
05:31What do you say?
05:34What do you think?
05:36I have an idea.
05:39Mr. Sarkar, you'll be with her, won't you?
05:42You won't leave her alone, will you?
05:44No, not at all.
05:46Sarkar is very good at such things.
05:49He'll take good care of her.
05:52Okay, Mr. Sarkar.
05:53I'll send this stuff.
05:55Okay.
05:56I'll go get some of Sarkar's stuff and give it to you.
05:59Okay?
06:00Okay.
06:04This is a good test for you.
06:06Oh, a test?
06:09I don't need this test.
06:11I'll never have a child.
06:13Look at him.
06:14Don't you want a child like him?
06:16No.
06:17I like him from a distance.
06:19Take this.
06:20Pick him up.
06:23You know I'm not feeling well.
06:25Pick him up.
06:26His father is here.
06:28Is the bathroom upstairs?
06:30Yes, it's upstairs.
06:32Yes.
06:33This is really difficult.
06:35Yes, don't ask.
06:37Yes.
06:45Check if there's anything on my shoulder.
06:47Oh, yes.
06:48He must have eaten a lot today.
06:50Let me take this.
06:52He vomited.
06:53Vomited?
06:55Okay, great.
06:57I'll go to the bathroom upstairs and clean this up.
07:00I'm sorry.
07:01Actually, I vomit a lot.
07:09Are you pregnant?
07:12Tell me what happened.
07:16I have to talk to Emre.
07:19We have to find a way out.
07:22We can't sleep or eat.
07:24If another child comes, I'll go crazy.
07:27Calm down.
07:28I'll take care of Sarkar.
07:30You talk to him.
07:31Thank you, Aida.
07:32You're like an angel.
07:34It's a baby girl.
07:36Yes, I know it's a baby girl.
07:38And she's very cute.
07:40How do you know?
07:41My heart tells me.
07:44I want a daughter, too.
07:47A son and a daughter.
07:51What's wrong with Aida?
07:53She's not feeling well.
07:56I think she has a cold.
08:05Are you okay?
08:06Yes, I'm fine.
08:11I hope you get what you want.
08:14I hope so.
08:15Don't tell anyone.
08:17Okay.
08:20Can I use the bathroom?
08:22Yes.
08:26Okay.
08:36No, no, no.
08:51Aida.
08:57Are you okay?
08:59Yes.
09:02Did she throw up?
09:05Did she throw up?
09:08Yes, she did.
09:10That's great.
09:11She knows who she's dealing with.
09:21No, no.
09:23That's not possible.
09:25That's not possible.
09:27No, no, don't be silly.
09:38Quick results.
09:48What do you mean you have a backache?
09:50Let's go straight to Ms. Dilek.
09:52Why? I have a headache.
09:54I'll be right back with the medicine.
09:57Come here, dear.
09:59You're so cute.
10:02Why are you crying?
10:07Take this.
10:09I have a headache.
10:11Where did this baby come from?
10:13Are they rehearsing?
10:14I'm going crazy.
10:15That's a good thing.
10:17Ms. Aida wouldn't have given birth to this baby.
10:19Even if she did, we would've understood.
10:21She's fit. She can give birth.
10:23Did you study biology in school?
10:25It's obvious that Aida didn't give birth to this baby.
10:28It's been a few days.
10:30They adopted the baby and named it Little Sarkar.
10:36Don't laugh, Saifi.
10:38Give me the phone.
10:39I'll call you back.
10:41She called me back.
10:49My best friend is calling.
10:51I don't know what's going on.
10:53Hello?
10:55Mrs. Aidan, how are you?
10:57How did you call me today?
10:59I think you don't know anything yet.
11:01Aida is carrying a baby.
11:03Where did the baby come from?
11:05What?
11:06Which baby?
11:08Hello?
11:10How many times have I told you to charge it fully?
11:13The battery is dead.
11:14My life is ending because of you.
11:16Charge it quickly.
11:18Did she say baby?
11:19What baby?
11:20She said baby and the phone turned off.
11:21What baby?
11:22She said baby in the end and then the phone turned off.
11:24But baby?
11:25What are you saying?
11:26I don't know. She said baby.
11:29Oh, I'm waiting for you.
11:32He'll be here soon.
11:35Good.
11:37Are you okay?
11:40You look angry.
11:42Angry? No.
11:45You're angry because you have to take care of the baby, right?
11:48No.
11:49But I have so much work to do and I'm babysitting here.
11:55You should be happy.
11:57You've made such a good client happy.
11:59So be happy.
12:00You mean take care of her baby?
12:02Yes.
12:07She hung up.
12:12What are you doing?
12:15It was auntie's call.
12:17Then why didn't you answer it?
12:20And if she finds out I'm with you, she'll be angry.
12:23She'll think there's something going on between us.
12:25But we're working together.
12:28The Yildiz family doesn't like the Bulat family at all.
12:31Oh, really?
12:32Yildiz-Bulat wars.
12:34Yes.
12:36Didn't you eat anything?
12:37Because I'm not feeling well.
12:39Okay, don't eat.
12:40But at least sit down.
12:42But why should I sit?
12:43I told you I'm fine.
12:45I didn't think so.
12:46That chemist and nausea.
12:48You're not feeling well.
12:50Anyway, your phone is ringing.
12:53It's a hanging phone.
12:55Then pick it up.
12:56Yes, I'll pick it up.
12:57Pick it up.
12:58You have a cold, right?
12:59I'm fine.
13:00Really?
13:01Yes.
13:02Okay, I'm picking it up.
13:03Okay.
13:04I picked it up.
13:05Yes, tell me, Engin.
13:06My brother, where are you?
13:10I can't come, Engin.
13:11Because I have to work till late at night.
13:14But why?
13:15Aida and I are taking care of the cafe CEO's baby.
13:18That too, very well.
13:19What did you say?
13:20Babysitting with Aida?
13:21Babysitting?
13:22Wow, that's great.
13:24By the way, do me a favor, Engin.
13:30Can you send me the files for the port project?
13:32No, no, don't send it.
13:33You bring it yourself.
13:34Okay?
13:35It's already in your computer.
13:37No, Engin.
13:38I don't have it.
13:40Actually, there's been a problem.
13:42If you come, we'll solve it together.
13:45I'll be happy too.
13:46Okay, I understand.
13:47Okay, I'll get out of here soon.
13:49I'll call you when I get out, okay?
13:51Meet me there soon.
13:55Erdem.
13:56Yes, Mr. Engin.
13:57Have you taken out those printouts?
14:00Printouts...
14:02Printouts...
14:04Yes.
14:05Actually, I wanted to take them out, but I forgot.
14:10I came without taking them out.
14:13What nonsense are you talking?
14:15My luck is bad.
14:18Gozde is coming.
14:20Who is it?
14:21Laila, she'll take your job.
14:23I'm sure.
14:24I don't know what will happen now.
14:26Hello, Ms. Gizem.
14:28This is Gozde.
14:29What difference does it make, Engin?
14:31Can I help you?
14:32Mr. Engin, I'm not a cafe assistant from now on.
14:35So, I need a job now.
14:38Yeah, blue.
14:39It's my favorite color.
14:42I had to give you these documents.
14:44I've also written my number in them.
14:45You can call me whenever you want.
14:48Here you go.
14:49Here you go.
14:57Okay.
14:58I'll see you later, Mr. Engin.
15:05Okay.
15:06That's good.
15:07Very nice.
15:10What's going on?
15:13I'll be waiting for your call.
15:18Did you see that?
15:19This is not my job.
15:20She's trying to take Mr. Engin's job.
15:21Just wait and see.
15:22She's leaving now.
15:23But she'll be back soon.
15:25Mr. Engin, I forgot to tell you something.
15:28I'm really looking for a new job.
15:29Done.
15:31If you're going to fire someone,
15:33keep me in mind.
15:35Exchange.
15:38Stop it.
15:42No.
15:43Listen.
15:44The government is very happy with its staff.
15:48But I have to fire someone.
15:51That's why I'm leaving.
15:53Yes, of course.
16:08You've made me worried.
16:10This blue color looks good on you.
16:14Listen, Gonja.
16:15You're here with me.
16:16Your boss is having a party.
16:18Yes.
16:19So you should go to that party.
16:21It's very difficult to find a job at this age.
16:25Do you like blue so much?
16:27This idiot will drive me crazy.
16:30This really suits you.
16:33Everyone has gone crazy.
16:41Sir.
16:47Sir.
16:49Did you miss me?
16:53Easy, Aida.
16:54Aida, what are you doing?
16:56What am I doing?
16:57No, you shouldn't sit suddenly.
16:59No, Sir.
17:00Please get up.
17:01Who are you talking to?
17:03Do as I say.
17:05Do you miss walking with me in the evening?
17:10Yes, in the evening.
17:12Will Sir Khan come with us?
17:14Say yes once and say no twice.
17:19Aida, is this a joke?
17:20Yes, it's a joke.
17:21You know I'm carrying a child.
17:23Okay, let's go inside.
17:29I've uploaded the drawings.
17:31Okay.
17:32We'll see them after talking to the client.
17:34Am I right, Mr. F?
17:35Okay.
17:36Okay.
17:37Viral, can we talk?
17:40What can we talk about?
17:41It's about the under construction building.
17:44We'll decide the color together.
17:47What do you say?
17:50No need.
17:51Do you know, Engin?
17:53You keep a color chart in front of you.
17:55We'll use blue color from it.
17:58Blue color?
17:59But what does blue color have to do with all this, Viral?
18:02No, blue is my favorite color, not yours.
18:05Everyone likes blue, right?
18:07Blue is the best color for business life.
18:10Oh, man.
18:11Oh, my God.
18:12Where's Sarkar?
18:13He's not here.
18:14I'm here.
18:15Tell me.
18:17Sarkar won't come today.
18:19He's taking care of the children of the Cafeschu family with Aida.
18:23Sarkar will leave his job and take care of the children?
18:27He has started the renovation work.
18:29To be honest, I want to see those drawings too.
18:33Sarkar has fixed those drawings.
18:36So, there's no need for you to see them.
18:39Okay?
18:40Yes, yes, he has.
18:42But they are very important clients.
18:45And I'm the one who brought them to the holding.
18:47So, I have to see those drawings.
18:50Okay.
18:51But Sarkar doesn't want anyone to control him.
18:55Okay.
18:56As you wish.
18:57See you later.
19:01Excuse me.
19:04Do you know?
19:05Sarkar wants what this company wants.
19:10Why don't we have a drink and talk a little?
19:14Okay.
19:16But...
19:17Ferid won't have any problem, right?
19:19He won't misunderstand, right?
19:21I'm not his problem.
19:22He's our dog.
19:31No, no, no.
19:32Come here, come here.
19:34You're still not used to me, right?
19:36Yes, and to be honest, he won't get used to me.
19:39When you called me, I came running here.
19:42Actually, I escaped from there.
19:44Sarkar, to be honest, I'm in a lot of trouble.
19:47Anyway, we'll talk about my problem later.
19:49You tell me.
19:51It's serious.
19:52Very serious.
19:54So, don't tell anyone about this.
19:56But why are you saying that, brother?
19:58I won't tell anyone.
19:59Do you know who?
20:00Who?
20:01Ferid.
20:02Erdem.
20:03You know about Erdem.
20:05So, don't tell Erdem at all.
20:07Okay, I won't tell anyone.
20:08I'll go crazy if I don't tell this to anyone.
20:14Aida.
20:17Aida.
20:20Look, I don't know for sure.
20:22But I think that...
20:24Yes?
20:25Maybe Aida is pregnant.
20:28What?
20:29Oh, wow!
20:31What are you doing?
20:32Everyone is standing here.
20:33So, am I going to be an uncle?
20:34You're going to have a baby, Sarkar.
20:36Wow, that's great.
20:37I'm very happy to hear this.
20:39I can't believe it.
20:41But if he gets angry like you,
20:43it will be a problem for the next generation.
20:46He'll get angry at everyone and trouble everyone.
20:49Wow, you're such good friends.
20:51What do you mean?
20:52Look, try to understand.
20:53We won't talk about this anymore.
20:55You know everything about Aida and me.
20:57We don't even talk much.
20:59I don't even remember anything.
21:01And now we've broken up.
21:02Yes, you're right.
21:05But now you can talk to her, right?
21:08But I don't know what and how to talk to her.
21:11You know we're talking about Aida, right?
21:14Maybe she didn't even tell you anything.
21:16What if she didn't tell me?
21:17Think about what will happen to me.
21:19You understand, right?
21:20There's nothing to talk about.
21:21But you still talk to her.
21:23This is a very serious matter.
21:24You should talk to her.
21:28Calm down, Aifur aunty.
21:30Maybe she's working.
21:31She'll call as soon as she gets time.
21:32She's not answering her phone.
21:33Whenever she doesn't answer her phone, something happens.
21:36I'm sure.
21:37But I'll find out.
21:39What do you think?
21:40What could it be?
21:41Maybe it's a baby?
21:42No, we all know it can't be a baby so soon.
21:46Then why did that woman say baby?
21:48Then why did she say baby?
21:49Why?
21:50Tell me why she said it?
21:51I can't sit here and wait.
21:53I'm going.
21:54I can't wait.
21:55I'm going.
21:56One minute.
21:57I'll find out.
21:58One minute, Aifur aunty.
21:59One minute, Aifur aunty.
22:00If we find out the truth, then...
22:14I just saw a baby walking here.
22:23Look, Saifi.
22:24Keep quiet.
22:25Don't talk too much.
22:26But I want to talk to you about something very important.
22:29I've found a house.
22:30What?
22:31Yes.
22:32So pack all my stuff so that she can go to that house.
22:35The furniture and everything else is ready.
22:37She'll call you.
22:38You organize everything, okay?
22:40All this will be done anyway.
22:41But the biggest question is, does your mom know about this?
22:44No, no.
22:45Don't worry too much about this.
22:47As far as talking to her is concerned, I'll do it.
22:49I'll be very happy.
22:50Because if she finds out from me, she'll vent all her anger on me.
22:55This trouble won't end like this.
23:00I'm glad I took a break.
23:01Sometimes I feel like I'm going to get buried in this office.
23:05Me too.
23:07Although I've only just arrived.
23:10But sometimes I can't stand it.
23:12Especially the way the government treats me is wrong.
23:16I don't trust you.
23:18Selene, our work cannot be done without trust.
23:21I've invested a lot of money.
23:23So that I can buy half of this company.
23:27The government and I have an equal right on this company.
23:32If he doesn't understand this, then he'll have to explain it to him in some other way.
23:36I'm not a newbie.
23:38What do you mean, in some other way?
23:41There's nothing hidden from you, Selene.
23:43And you know that.
23:47Should I be afraid?
23:50No, not at all.
23:51No, not at all.
23:53Everyone knows that way.
23:56We can't follow the government's way.
23:59We have to find a middle ground.
24:02Tell me something.
24:03What are the people of Istanbul doing here?
24:05Are you enjoying yourself here?
24:06I don't even remember when was the last time I had fun.
24:09Yes, that day on the off-road with you.
24:12Yes, I know.
24:13I had a lot of fun that day.
24:15And you played well.
24:17I was surprised to see you.
24:19Let's do one thing.
24:20Let's go out someday.
24:22Everyone here talks about work.
24:25Okay, we'll enjoy together.
24:27Of course, why not?
24:30He's been sleeping since we got here.
24:33He's so cute and smells so good.
24:35Thank you very much, Eda.
24:37I'll get some sleep because of you.
24:40Don't worry, the camera's rolling.
24:42See you.
24:43See you.
24:50Eda!
25:01Oh, my God.
25:03Always keep your promise.
25:05No one should doubt your love for me.
25:08No one should love your words.
25:16Eda, what are you doing here?
25:18What are you doing?
25:19What are you doing?
25:20What do you mean?
25:21Shut up. He'll get up.
25:23Why? Why? Why did you have to bring him here?
25:28What do you mean? You brought someone else's child to our house?
25:32What else could I have done?
25:34What do you mean? You shouldn't have brought him here.
25:38Do we have to talk about this?
25:40He'll get up now.
25:42You don't have to stay so far. Come closer.
25:45What will happen if he gets up?
25:47Just give him food.
25:50Should I give him food?
25:51Yes, you.
25:52I'll feed him. I'm not going to do anything like that.
25:55He has already vomited on me.
25:57You just have to feed him.
26:00Aida, look. He's so small.
26:02His mouth is so small. His throat is so small.
26:05I don't even know how he's going to eat.
26:08I won't touch him. I can't do this.
26:11Why won't you touch him?
26:12What do you mean?
26:13You got scared of such a small baby.
26:15You got scared, sir.
26:20He's up.
26:23Now hold him.
26:24He's up.
26:25Yes, he's up.
26:26Good morning.
26:27No.
26:28Come here.
26:29Aida.
26:30Come here.
26:31You take care of him.
26:32I can't do this.
26:33I told you I can't do this.
26:35You just have to keep an eye on him until I get food.
26:37Aida.
26:38Aida.
26:39Come here.
26:40I'm an architect. I'm not a nanny.
26:42Come here, son.
26:43I'm sure you'll take care of him, sir.
26:45Here.
26:46Easy.
26:47It's not easy. He's a living baby.
26:49I'll feed him and be right back.
26:51No. Listen, Aida.
26:54What do I do now, Aida?
26:55I don't understand anything.
26:56Talk to him.
26:57Calm him down.
26:58Make him feel better.
26:59What else do you want to do?
27:01Look, my phone's ringing.
27:02Here, hold the baby.
27:03Okay, my phone's ringing.
27:04Talk to him later.
27:05I'll be right back.
27:09You're so lucky, little sir.
27:11You're the luckiest man in the world.
27:14You're always in Aida's arms.
27:28Let's go to sleep.
27:30Okay.
27:33Look at this.
27:36Let's talk about architecture for a while.
27:40Let's start with the Roman Empire.
27:44I'm sure it was Sarkar's card.
27:46Maybe he wants to be alone.
27:48We'll get caught again.
27:49I'm his mother.
27:51So, little Sarkar.
27:52What's this?
27:53The baby's here.
27:54The Roman Empire is a magnificent building.
27:58He's talking to the baby, Saifi.
28:00What is he saying?
28:01He's talking to the baby, Saifi.
28:03What is he saying?
28:04Maybe he's talking about his grandmother.
28:08Before we get caught, let's get out of here.
28:12Let's go.
28:23Tell me, do you think Aida is pregnant?
28:26What? Pregnant?
28:27Mrs. Aida called up Mrs. Aifar.
28:29She said, Aida, Sarkar, baby.
28:31My phone got disconnected.
28:33What are you saying?
28:35I tried to stop Mrs. Aifar.
28:37But she went to Mrs. Aida.
28:38I don't know what's going on.
28:39I don't know what's going on.
28:41But I'm asking you.
28:43I'm asking you.
28:44How would I know what's going on?
28:46You don't know anything.
28:57They used marble as a material.
29:00Do you know how difficult it is to carve it into shape?
29:02Think about it.
29:03How did they do it at that time?
29:05It's really a miracle.
29:07That's why the buildings there are the most magnificent in the world.
29:13What are you doing?
29:15We're talking.
29:16I mean, I was telling her something.
29:18I think little Sarkar knows everything about Rome and architecture.
29:22To be honest, Aida, I think little Sarkar will be like big Sarkar.
29:26He will be the most successful businessman of his time.
29:30How do you know?
29:32Because you see, he doesn't cry.
29:34Secondly, he was looking at me.
29:36Thirdly, he listens very carefully.
29:38Come on, come on.
29:39It's time to eat.
29:41Next lesson, sick bath.
29:43That's the best.
29:45What's this?
29:47I'll eat.
29:48No, no, you shouldn't eat this.
29:50Why not?
29:51You shouldn't eat chips.
29:52But I have to eat.
29:53Not at all.
29:54I told you not to.
29:55You shouldn't eat these useless things.
29:57You should eat healthy snacks, like figs, walnuts or apricots.
30:01Okay, I'll eat some fruit.
30:03I'll eat watermelon.
30:05Watermelon? Really?
30:07I...
30:09Actually, I'm worried about something.
30:12Come here.
30:19Won't you feed him?
30:21Let him cool down.
30:23I see.
30:25Okay.
30:32You know a lot about baby care.
30:34Hmm.
30:35When I was young, I did a lot of babysitting.
30:38And anyway, everyone knows how to babysit.
30:41You like kids, don't you?
30:43You love all the animals in the world, don't you?
30:45Yes.
30:46Good.
30:47Have you ever thought about giving birth yourself?
30:55You're asking too many private questions, Sarkar.
31:00Anyway, you have nothing to do with this.
31:05The food is cold.
31:08A complete...
31:09...birth order.
31:14I don't know what he wants.
31:17Where did this baby come from?
31:19Who is this baby?
31:21How? I just heard.
31:23Baby?
31:24Yes, there's a baby there.
31:26But how? Have you seen the baby?
31:28Yes, I've seen it myself.
31:29Really?
31:30Yes, Mrs. Seifer. I've seen it with my own eyes.
31:32Have you seen it with a doctor?
31:33Which doctor?
31:34Have you seen the baby in Eda's womb?
31:36Mrs. Seifer, there's a baby in Eda's womb?
31:38Yes, we were talking about that.
31:40No, the baby is at home.
31:41How did you see the baby at home?
31:43The baby is in Eda's womb.
31:45She doesn't understand what I'm saying.
31:46Yes, I can see that.
31:47She doesn't understand what I'm saying.
31:48Yes, I can see that too.
31:49Where is the baby?
31:50Is the baby big?
31:51Chubby.
31:52What did you say? Chubby?
31:53No, it's small.
31:54How is it?
31:55Little Sarkar.
31:56It's not that small. It's that big.
31:57What did you say?
31:58I'm telling the truth.
31:59Is it a keychain?
32:00Is the baby that big?
32:01I'm so sorry.
32:02It seems like you two can't talk to each other.
32:04Why don't we go and see?
32:05Don't interfere.
32:06Let's go and see Eda's womb.
32:08What?
32:10I'll get some water.
32:13Yes, I'm sending the mail right now.
32:15Okay.
32:16Okay.
32:18Yes, I've brought the fruit.
32:20It has walnuts and raisins.
32:22Come on.
32:26Eat it.
32:27I'll work too.
32:28Okay.
32:29I want to work too.
32:31Can you get me a job?
32:33Excuse me?
32:34Can you get me a job?
32:36Sarkar.
32:37Sarkar Bolat.
32:38Yes, so?
32:39Architect Sarkar Bolat.
32:40I'm not a nanny.
32:41I don't know how to do all this.
32:42Sarkar, you don't have to do anything.
32:44Just lay it on your shoulder like this.
32:45And then just keep patting it.
32:47Nothing else.
32:48Okay, easy.
32:49What if I hit it hard?
32:50You'll do it.
32:51I won't do it.
32:52Why should I do all this?
32:53Because I'm a girl.
32:54That's why.
32:55What?
32:56You'll do it.
32:57I'm a girl?
32:58What is this?
32:59It's simple.
33:00I don't want to do all this.
33:01And to be honest,
33:02I don't know how to get the baby burped.
33:03Then you'll learn.
33:04Eda.
33:05Then you shouldn't have taken the baby.
33:06I didn't want to do all this.
33:07You wanted to do it.
33:09Hi.
33:17Cafe?
33:22Thanks.
33:39Go to him.
34:02Emre called.
34:03You started the renovation, right?
34:04Yes, he's right.
34:06I wanted to do it myself in an emergency.
34:08So, yes.
34:09It's good.
34:10Despite all the pressure,
34:11you're working so carefully.
34:13Yes, I'll start working too.
34:15If the government takes care of the baby.
34:17Can I help?
34:19No, no.
34:21Yes, if you want, I can...
34:24No, no.
34:25Really.
34:26I don't have any work.
34:27Well, okay.
34:31Did you hear that?
34:32He burped.
34:33Yes, I heard.
34:35Very good.
34:36Eda.
34:38Eda.
34:39Sir, come.
34:43Great.
34:44We're done.
34:45I'll put the baby to sleep.
34:49Please don't wake him up.
34:52Cafe, put him on the table.
34:53Yes, okay.
34:58It's really a baby.
35:01Yes, mom.
35:02It's a baby.
35:03But it's not yours.
35:06Not at all.
35:07How is that possible?
35:09But his name is Sarkar, right?
35:11Legend Sarkar.
35:13Just like that.
35:14You believe in coincidences, right?
35:16Yes, mom.
35:17This is a coincidence.
35:19There's a baby here in the hall.
35:23But I don't understand anything.
35:26Shh.
35:27He's sleeping.
35:28So, if you don't have any more questions...
35:30Yes, I have.
35:31I have.
35:32Come here, Eda.
35:33I have too.
35:34I have too.
35:36Wait a minute.
35:37Let's go.
35:39Wait a minute, Sarkar.
35:41Eda, come here.
35:46Eda, are you pregnant?
35:48Is Eda pregnant?
35:49No.
35:51Yes, maybe.
35:52Really?
35:53Yes.
35:54No.
35:56How will we know?
35:58I'll ask her.
36:00I hope we can see that day soon.
36:05Of course, not with Eda.
36:07Of course, not with Sarkar.
36:09A baby.
36:12A baby.
36:13Let's end this here.
36:16Okay, let's go.
36:34Let's go.
36:41Why aren't they leaving?
36:43How would I know?
36:45They were enemies until two days ago.
36:48Yes.
36:50But they look so good together.
36:53Yes.
36:54Why are they looking at us like that?
36:56I don't know.
36:58They'll leave, won't they?
36:59Yes.
37:01What kind of joke is this?
37:03I don't think so.
37:04No, it can't be.
37:05I don't think so.
37:06God forbid.
37:07God forbid.
37:08Yes.
37:15Let's go.
37:16Come here.
37:17What are you doing?
37:20You're so cute.
37:28Hi.
37:29Hi.
37:31Where are Mr. Sarkar and F.A.?
37:34They're not here.
37:38I've reviewed the files with my team again.
37:42Isn't that enough?
37:44What more do you want?
37:46Selin, you sold your shares at your own risk.
37:49I didn't buy your shares.
37:51And that has nothing to do with Agni.
37:53Okay?
37:54Jaren, can we continue?
37:56Everything is fine.
37:57Selin, these are copies of the files.
37:59If you want to see them...
38:10The project we applied for has got the results.
38:13Everything is positive.
38:16And yes, you can't change your mind whenever you want.
38:19Really?
38:20But I can get up from the wedding table at the last minute, can't I?
38:25I don't think your problem is with your dog.
38:28Will you give me the files?
38:30Yes, it's not about the dog.
38:32Besides, I don't think you have any other clients.
38:35Selin, I know you're angry.
38:37But you can't do this to me.
38:39Yes, I'm very angry.
38:41And listen to me.
38:43I don't like seeing you and Aida at my level.
38:52What is this?
38:53In normal circumstances, I don't keep quiet when I'm insulted.
38:57But I'm quiet because we're here for work.
39:00If I hear anything bad about Aida or myself again,
39:03I won't spare you.
39:24I've made some sketches of the garden.
39:26Would you like to see them?
39:28When did you make them?
39:30While playing on the game mat.
39:34Before seeing them, would you like to eat something?
39:39No, I'm not hungry.
39:40A little?
39:41No.
39:42Nothing?
39:43Okay.
39:44Are you okay?
39:47I'm absolutely fine.
39:48We always sit here.
39:50Okay.
39:52Okay.
39:53Okay.
39:54Good.
40:06Okay.
40:07Show me for a minute.
40:13So, you know that there's a slope in this garden, right?
40:19Am I right?
40:20So, I think this part is very good,
40:24but it can only be on the right side of the slope.
40:29But have you noticed that gap in the back?
40:33So, just like your beautiful drawing,
40:36we should decorate the backyard as well.
40:38Okay.
40:49Is this okay?
40:56I can understand what you're making,
41:01but it's possible that the Café Seoul couple
41:04may not understand this.
41:07So, it's possible that you'll have to explain it to them.
41:11And you know how much they love flowers, don't you?
41:14Just like you.
41:17So, you make flowers here?
41:18Yes.
41:20It makes me feel good.
41:27What are you doing?
41:29I'm thinking...
41:32I'm thinking how to make flowers.
41:35What are you doing?
41:36I'm thinking...
41:39I'm thinking of doing something different on the roof.
41:41But there's something wrong with this part of the roof.
41:43I want to do something cute and...
41:47I want to do something fun.
41:48Sarka?
41:49Huh?
41:50No, not you.
41:51I thought it was little Sarka.
41:54I think you heard that seagull above.
41:56Hmm.
42:06I'm not mature enough to learn from my mistakes.
42:14This is a false obligation.
42:16Otherwise, I'm not suitable for you.
42:21But there's a light in your eyes.
42:24The beating of my heart.
42:26I'm not mature enough to learn from my mistakes.
42:31This is a false obligation.
42:33The beating of my heart.
42:35I'm not mature enough to learn from my mistakes.
42:41Turn your face to the sky.
42:43Look at the star of love.
42:45But...
42:49It will shine and disappear.
42:51I know.
42:55Everything happens.
42:57Everything ends.
42:59Everything happens.
43:01Everything ends.
43:03Everything happens.
43:05Everything ends.
43:07Everything happens.
43:09Everything ends.
43:11Everything happens.
43:13Everything ends.
43:15Everything happens.
43:17Everything ends.
43:19Everything happens.
43:21Everything ends.
43:23Everything happens.
43:25Everything ends.
43:29Everything ends.