مسلسل وماذا بعد الحلقة 1 الاولى مدبلج HD
Category
📺
TVTranscript
00:00You
00:30I
01:00He continues what Hakan Ouzalb did in the press after he was expelled from the political media.
01:10He is following the news of famous people.
01:17The journalist Hakan Ouzalb lives in his house, which is 60 square meters, and consists of two rooms and a kitchen.
01:25He is far from the political arena.
01:32He traveled to Ankara to broadcast the news directly from there.
01:40They are pushing me to work in the magazines.
01:44Do you know what I have to do today?
01:47Interview with Manuela Dini.
01:49Even her name is not real.
01:54It is an artistic name.
01:59Do you know who Manuela is?
02:02She is an actress. She has a new lover every day.
02:05And of course, I am a first-class actress.
02:08I act in romantic and comedic works.
02:12This is a man's home.
02:14This is what the audience wants.
02:20I'm going, mom.
02:22I'll be back tomorrow at the same time.
02:24Do you want me to bring you something?
02:26Do you need anything?
02:34It's time for your medicine.
02:38God bless you.
02:42And now it's your turn.
02:46Come on, take the medicine.
02:50Let's go.
02:57What's up?
02:59I have an interview.
03:01It will take an hour or more.
03:03And I have to go to Ankara.
03:05No, I'm not ready.
03:08Why are you not ready?
03:10Love or money?
03:12Why do you like men so much?
03:15Can you act in a soap opera?
03:20Do you see how far your friend has come?
03:23I'm going to hang up now.
03:25I'll call you back.
03:32Hello.
03:35Hello, I'm Hara.
03:37Hello, I'm Manuela.
03:39How are you?
03:41Fine, and you?
03:43Fine, come in.
03:45No, let's sit on this table.
03:46No, I booked this table, but I have to go to Ankara.
03:49It's okay, I'll take care of it.
03:51I'll sit here.
03:53No, no, I'll sit on this table.
03:55I'm sorry I'm a little late.
03:57It's okay, I know it's hard to get here in this crowd.
04:00No, no, it's not because of the crowd.
04:02By the way, my house is here on the corner.
04:04But I got more calls before I left.
04:06Come on, let's go.
04:10Hello.
04:12Hello.
04:13I'm following all your work, especially the new series.
04:16Are you going to find the messages that your father hid from us?
04:19I can't tell you, but the next episode will be out today.
04:22Can we take a picture with you?
04:24Of course, no problem.
04:26Can you take a picture of us? This is the button.
04:28I can. Thank you.
04:33Perfect.
04:35And another picture, but straight.
04:41Here you go.
04:43Thank you very much.
04:45You're welcome.
04:47You're welcome.
04:53What do you think of the series?
04:55It's not bad.
04:57It got a 6.5 rating this week.
04:59The ratings are negative, more than positive.
05:01But the audience is what matters to me.
05:03Did you act in the series from the beginning?
05:07Yes, from the first episode.
05:08I have a contract on this basis.
05:10I have to act in every episode, even if it's just one scene.
05:13And I get half the pay for the flashback.
05:15It was your turn in this series,
05:17The Rich Man's Daughter, wasn't it?
05:19No.
05:21His wife, excuse me.
05:23As if you don't watch the series, right?
05:25They sent me 32 episodes.
05:27And each episode is about two hours.
05:29That's why I looked at the scenes you have.
05:31You know...
05:33It's too long.
05:35That's why all the audience is watching the digital platforms.
05:36Because the production is foreign.
05:38I don't understand.
05:40As if you don't know anything about TV series.
05:42No, I know a little.
05:44I know it's long.
05:46And the director adds scenes that have nothing to do with the scenario.
05:48A flashback to a music video.
05:50Do you watch the episodes every week?
05:52Don't you know the name of the series?
05:54The Rich Man's Daughter?
05:56The Competition.
05:58You didn't answer my question.
06:00Don't you know the name of the series?
06:02Where did you get the idea of a wedding?
06:04So, why don't you work on the platform?
06:06Let's see.
06:08I got more than one offer.
06:10Let's see if I'll agree.
06:12What do you mean?
06:14Excuse me?
06:16You told me, let's see if I'll agree.
06:18And this is a traditional answer.
06:20Welcome.
06:22Hello.
06:24I drink Miami Girls as usual.
06:26I drink the same as I drink at the bar.
06:28I don't know.
06:30But you are less.
06:31Do you want anything else?
06:33No, thank you.
06:40Where did you get the idea of a wedding?
06:42I wasn't sure.
06:44But I was sure of your answer.
06:46What answer?
06:48You kissed me.
06:50And you played with my hair.
06:52And luckily, the girl came to take our order.
06:54And you could think of an answer.
06:56The story is clear.
06:57Ghoumiat Ghawasa,
06:59Bint El Basha,
07:01and Yakamos.
07:03But Miami Girls is better.
07:05This is called digital business.
07:07I thought your name was Cocktail Hat.
07:09Excuse me.
07:11It happens.
07:13So, can we start the interview now?
07:15Why haven't you started yet?
07:17No, this was just a rehearsal.
07:19We can start.
07:21Okay, I'm ready now.
07:23Let's start with the name.
07:25What is this name?
07:27It's a flower name.
07:29Your real name?
07:31Yes, because people call me that.
07:33Yes, they call you that,
07:35but I think this is your real name.
07:37No, my parents call me Manolia
07:39because they like this name.
07:41Are your parents still alive?
07:43So, you want to call them and ask them?
07:45No, I'm asking you in general.
07:49Are your parents still alive?
07:51Do you have a brother?
07:53It's like you don't know anything about me.
07:55They sent me your biography.
07:57Yes, I read it,
07:59but it was written about the work you did,
08:01your latest activities, and so on.
08:03I said, on the contrary,
08:05we can talk face to face
08:07and get to know each other better.
08:09That means I can ask you too,
08:11since it's so obvious.
08:13Yes, of course, go ahead.
08:15Don't worry, I won't ask you.
08:18Why?
08:20I don't know.
08:22Maybe because you have your own speciality,
08:24or you have a secret
08:25that you don't tell anyone.
08:30I was just kidding.
08:32Okay, I understand that you don't know anything about me.
08:36No, it's not like that.
08:38Your name is well-known in the media.
08:40What do you mean by the media?
08:42Magazines, your personal life stories.
08:44So, you're following my emotional stories,
08:46is that what you mean?
08:48Your emotional stories,
08:50which are summarized in one night.
08:53Okay.
08:56Okay.
09:07Honestly, this is none of my business.
09:09Are you a journalist?
09:11No, no, I'm a journalist,
09:13but I don't do interviews with actors.
09:15I write about politics
09:17and public affairs,
09:19domestic politics and international relations,
09:21and I write about the economy.
09:23That's why you don't know me,
09:25like international politics.
09:27No, of course not.
09:29So, I'm attractive?
09:33You're beautiful, of course.
09:35No one can say otherwise.
09:37This is the traditional answer,
09:39like my answer when you asked me about digital offers.
09:44Don't take this personally,
09:46I'm doing my job.
09:48But this is not your job.
09:50Your job is political news.
09:52That's right.
09:54Since they turned you into political news,
09:57it means that you're doing something that the higher-ups don't like,
10:00like pushing the limits.
10:02That's not how it's done.
10:04What's wrong with you?
10:06You have to push the limits of your conscience.
10:08It's not right for you to tell me to push my limits.
10:10I don't want to talk to you.
10:12Okay, it looks like you work as a linguist.
10:14Very nice.
10:16There's no need to renew the order.
10:18I want the bill, if possible.
10:20Here you go.
10:21I don't want to interrupt your work.
10:23I don't know why
10:25they sent me here to interview you.
10:28But I think
10:30they think that my interview with you is more important than my job in Ankara.
10:33That's the only explanation.
10:35Enough.
10:37Unfortunately,
10:39it looks like
10:41there's no need to renew the order.
10:44I wanted to tell you that
10:46I was honored to meet you,
10:48but to be honest,
10:50I'm tired of sitting with you
10:52because of your name.
10:54It's normal for someone like you to find me very boring.
10:57Since you're used to spending the night alone,
11:00it's normal for you to get bored.
11:02I won't answer that.
11:18Guys, look who's here.
11:21Hello.
11:23Can I ask you a question?
11:25Yes, you can.
11:27Are you preparing for a new series?
11:29No, it's a normal interview.
11:31Are you sure about that?
11:33Yes, of course.
11:35Thank you for being here.
11:37Good night, guys.
11:39Bye bye.
11:43Bye bye.
12:14Manolia?
12:16Manolia Demir?
12:18Good evening.
12:20Did you know that you're the best actress in the drama?
12:25Are you acting in A New Age?
12:27No.
12:29Wait, I want you to talk to my girlfriend
12:31so that she believes that I saw you.
12:33She doesn't have anything against me.
12:35She'll be shocked when she sees you.
12:37Look who I'm standing with.
12:39Good evening.
12:41Wait, where are you going?
12:43Why are you so mad at us?
12:45What would happen to you if you waited a little?
12:47What are you doing?
12:49What's your problem?
12:51Didn't you hear what she said?
12:53Leave me alone.
12:55What's your problem?
12:57Leave her alone.
12:59What's your problem?
13:01Don't fight.
13:03Are you stupid?
13:05Are you okay?
13:07Are you stupid?
13:10Are you okay?
13:11Should I call an ambulance?
13:13No, there's no need.
13:15He's cleaning your nose.
13:20Put this on your nose.
13:22Wipe the blood off.
13:28Where did he go?
13:30What are you going to do?
13:32Are you going to follow him?
13:34Are you crazy?
13:35You have to go back to your head.
13:37My hand was fine.
14:06Oh.
14:24There was no need to come here.
14:27He's still talking.
14:36God bless his eyes.
14:42Hello?
14:44Honey?
14:46No, I didn't come back.
14:48I'm still at the restaurant.
14:51Yes, there's no crowd today.
14:53The atmosphere is very calm.
14:55Okay, I'm coming.
14:57No, you have to stay a little longer.
14:59No, I'm done.
15:01I'm sick of this.
15:06No, I'm not just sick.
15:09You're probably mentally retarded.
15:15No, it's not like that.
15:17You're a political journalist.
15:20Okay.
15:23I'll call you when I get home.
15:25Okay?
15:27Bye.
15:31Put this on your nose.
15:33No, stop cleaning.
15:34Can I just tell you to go to the hospital?
15:36It's obvious you're not going.
15:38What do you mean?
15:40Because you've been telling me the story all the time.
15:43Even though if I were you, I'd go right away.
15:45The flu is very sensitive.
15:47Don't exaggerate. It's a light blow, but I cleaned a little.
15:49But what if you fell on your head on the floor?
15:51Maybe you don't know this information.
15:53You don't have to sleep when you're like this.
15:56I mean, you have to find a way to stay awake.
15:58And keep your head up.
16:02And what's the best way?
16:04I don't know.
16:08I only have this cup.
16:10Don't take it from me.
16:12Are you sorry about the piano, or did you just buy it for decoration?
16:15In your opinion, isn't it too expensive for decoration?
16:18I mean, I could have bought a full set for this room instead.
16:26I don't know, but I'm used to seeing piano for playing, gramophone for music,
16:31and books for reading.
16:33It means you're sitting with the wrong people.
16:36It means you're sorry.
16:46Good.
16:49You won't be sorry?
16:51No.
16:53I expected this.
16:56And I also expected you to say this.
16:58I didn't expect you to say this.
17:00I don't have to make an offer to prove that I'm sorry.
17:03I understand that you're sorry.
17:05Are you interrogating me?
17:07No, interrogation is not like this.
17:09A political journalist, a linguist, and on top of that, a doctor of law.
17:13Let me go.
17:15I was a little late when we were in the restaurant.
17:18I'm sorry.
17:20I didn't mean to.
17:22I forgive you.
17:28I forgive you.
18:04Smell this.
18:06What is it?
18:07Rose oil.
18:08It'll help you.
18:11A pen holder.
18:16Try it.
18:21It's nice.
18:24Does it contain manolia oil?
18:25Yes, of course it does.
18:26But it's not as strong.
18:28I can see that.
18:30No, this is what I'm smoking.
18:32It's a different kind.
18:33Do they know that you smoke?
18:36I don't know.
18:37You'll be in trouble if they find out.
18:38I don't know, but I don't think so.
18:39I'll be in trouble.
18:45And she knows the secret about me.
18:48That I deal with the forbidden.
18:49And this is exclusive information.
18:50And Libyan as well?
18:52Although I'm not sure that you know about it.
18:55I don't know.
18:59This interview looks good.
19:01We can continue if you want.
19:13We started with your name.
19:16Ma?
19:19You told me that it's real.
19:22But you didn't believe me.
19:24I mean, if it's a stupid, weird, or embarrassing name,
19:26you could have understood.
19:27What do you mean by stupid?
19:30I don't know.
19:32For example,
19:34Danab.
19:35You mean Danab?
19:36No, Danab.
19:38Okay, what does that mean?
19:39I think it's a star or something like that.
19:41It means a bright star or a fairy star.
19:43Danab.
19:48How long does it usually take?
19:51Maybe I could answer you if your question was more understandable.
19:55So that women would run away from you.
19:58More than you think.
20:02Unfortunately.
20:03I can't get rid of this old way and throw it away.
20:05The image of a man who sees himself and likes someone is no longer beautiful.
20:09I mean, this trend has changed a long time ago.
20:11It's no longer possible to keep this in mind.
20:13Now the trend of the forehead?
20:15It depends on whether the forehead is warm or cold.
20:20And the more money there is in the forehead,
20:22the more the heart beats.
20:23It's not the problem that you don't know me.
20:25The problem is that you have a machine in your head
20:27and you're trying to put me in it.
20:30But it won't work with you.
20:32Don't let the appearance deceive you.
20:34But the judge on the appearance comes before the speech usually.
20:37So you're still insistent on your initial judgment.
20:39Nothing has proven the opposite so far.
20:44Do you need a tangible evidence?
20:46I'm not here to look for evidence.
20:49And that's why I'm going to give you what you want.
20:52The truth?
20:53Yes.
20:59The truth you're talking about can only be useful in your political articles.
21:03And with that, you won't have 10 million followers on the page.
21:06Do you care about the followers?
21:0810 million people don't know you.
21:10I mean, if you got sick or got imprisoned, for example,
21:12they won't ask about you at all.
21:14Most of them are not real.
21:15Why do you care about the truth so much? I don't understand.
21:17Because you can't stand lies.
21:21You're upset.
21:22Why?
21:23If I was born 50 years ago, I would have lived happily.
21:27And why 50 exactly?
21:2950, 60, I mean, as long as you want.
21:31I mean, if I was born in the days of our ancestors.
21:35Because now there is nothing real.
21:39We are in the age of speed.
21:42I mean, the concepts are all nonsense, but they were different a long time ago.
21:45What do we know about them now?
21:46I mean, they are fake.
21:47They are fake for you, but not for others.
21:50And this is what you don't understand at all.
21:52The truth and the illusion.
21:54There is a danger between them.
21:56Science is based on proven facts, not on illusions.
21:58Let's call it an illusion, not an illusion.
22:00You make people believe in the world you created in your imagination.
22:02The next step will be a breakup with you.
22:05Yes, yes, I mean, you used to believe in your imaginary world.
22:10Yes.
22:11If you didn't believe, no.
22:16The truth is like the sun, it doesn't go down.
22:18But the sun goes down after the sun rises.
22:20Unfortunately.
22:21For example, look at people.
22:24Everyone you know is suffering a lot in their lives.
22:27What do you want to say to the people you know who wish to die to end their suffering?
22:31Do you want to tell them that they don't have the right to live a dark and difficult life?
22:34They know this is true.
22:36But if they see something good on your page, how can they forget?
22:40No.
22:42It's like an antidepressant.
22:44If a person is in pain, you give him an antidepressant.
22:47So you believe that an antidepressant can cure a breakup?
22:51That's strange.
22:53You know, pride is harder than a breakup.
22:57Believe me.
23:00I mean, if you were standing, and someone came up to you and shook your hand,
23:04and told you that you are just a person, just a number.
23:08But can anyone make you feel that you are the whole world?
23:11Maybe I know George Bernard Shaw.
23:14And maybe someone else knows a lot of things.
23:16I mean, maybe it's just a play you read and play.
23:19It's impossible.
23:21I said no.
23:22Don't let the appearances deceive you.
23:25If you're still in Egypt,
23:28let's stick to the usual questions.
23:31For example, ask me what I like most about men, like everyone else.
23:36Or, what do I prefer, love or money?
23:39Or, for example, what is the secret of long relationships?
23:42What is the secret of long relationships?
23:44Mutual respect is the basis of every relationship.
23:48Attraction is the secret, of course.
23:50What do you think, Khan?
24:05Ha ha ha ha.
24:13You're right.
24:22Have you ever had a long relationship?
24:25Was it short?
24:26How do you know?
24:28That's information from a pageant.
24:30So, it was with you?
24:31What do you mean long?
24:33At least a year.
24:35I had it.
24:37And you?
24:38I had it too.
24:40And why did you leave?
24:44It ruined our life.
24:46How? Explain.
24:48The car accident.
24:55You're good.
24:57Now tell me, why did you leave?
24:59And why should I be the one to blame?
25:01You're an annoying person. Just accept it.
25:04I'm not like that in my personal relationships.
25:06Why? Aren't our relationships personal?
25:08I think you understand me well.
25:15Do you know that I once went out for lunch with someone like you?
25:17Wait a minute. What do you mean someone like me?
25:20I'm annoying. We understand each other.
25:22Other than that?
25:23He's so arrogant.
25:26He's educated.
25:27He understands everything.
25:29And he took her back.
25:32This is something you shouldn't say to any man.
25:35He took her back.
25:36I've never said it to you before.
25:39You're the first person I've ever met.
25:43I've never felt this way about anyone.
25:47How nice.
25:49These are the words I should say to him.
25:52To everyone.
25:54To everyone.
25:56To everyone.
25:58To everyone.
26:00I've been quiet for a long time with someone like you.
26:02But he kept talking.
26:04He kept talking.
26:06And you didn't see him again?
26:08No, I stayed with him for six months.
26:10Because?
26:11He was attractive.
26:13He was attractive.
26:14Even though he was old.
26:19By the way, just in case,
26:21if there's any misunderstanding,
26:23don't think that I'm lying to you.
26:25Finally, I'm relaxed.
26:27Why?
26:28This sarcasm.
26:30Did you hear about it?
26:32Yes, of course.
26:34They use it a lot in scenarios.
26:36People say,
26:38when you talk, you look into the eyes of Oskar.
26:40And between two lines,
26:41in sarcasm.
26:52Do you think you're getting close to me?
26:55No, I don't think so, Noob.
26:57What if I want to?
26:59Get close to you?
27:00Maybe.
27:02How many cigarettes did you smoke?
27:04I don't know.
27:06Why are you asking me?
27:07Because it's obvious that you're lost.
27:09Excuse me.
27:11Since you're a typical person,
27:13you won't take advantage of women like this.
27:15I don't look at the subject as an exploitation.
27:17Subject?
27:19Which one?
27:21The one you asked me to.
27:22I asked you?
27:25I asked you a subject.
27:27It's called sarcasm.
27:36Do you know how many men
27:38want to be in your place now?
27:40If I think about it,
27:42the one I fell for a while ago
27:44is not many.
27:46So, I understand that you're not attracted to me.
27:50No.
27:52Why?
27:56I don't like celebrities.
27:58And I don't like men.
28:01Get close to me.
28:06You're not my type.
28:08And you're not my type either.
28:10I'm sorry.
28:25The truth is hard to accept.
28:27Okay.
28:29I'm leaving.
28:31No one wants to face it,
28:33even the brave ones.
28:36It's hard.
28:38Believe me.
28:39It's hard.
28:44There's no meaning to this pain in existence.
28:46It's all nonsense.
28:51And no,
28:52everyone tries to make up a truth
28:54to find meaning in their own existence.
28:57It's true that I'm not your type.
29:00And you're not my type either.
29:05But what prevents us?
29:09I don't know.
29:39¶¶
29:59¶¶
30:09¶¶
30:39¶¶