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Short filmTranscript
00:00As soon as the money has entered the account, the contract is legal and the two horses belong to you.
00:10Oh, this is all so exciting.
00:12Yes, well, now you just have to do the real-time transfer as agreed.
00:17When we come back, Markus will sell a share and disappear from here.
00:22Or he will end up in prison with your help because of fraud.
00:25Unless you want to put the future of your daughter at risk.
00:32What, what, what, what happened?
00:34My father, he wants to pull Anna over the table.
00:36What?
00:37Quick, call her!
00:38Roland is a cheater.
00:40The studies are not the right ones.
00:42He drew up the papers for you.
00:44He wants to get your fortune.
00:46What?
00:47I'll call the police.
00:49I'll try to stop him as long as I can.
00:51We didn't want any secrets from each other.
00:53Has anything changed?
00:56Please!
00:58I can't help you if you don't tell me what's going on with you.
01:03Be honest with me!
01:09You can tell me everything.
01:14I'm sorry.
01:17Go to your first grandchild, of course.
01:21Carry on.
01:24So you're not hiding anything from me?
01:29Is there someone else?
01:31What?
01:32No!
01:35Whatever it is, talk to me!
01:40I...
01:42I'm sorry.
01:44I...
01:46I don't even know what's going on with me.
01:51I'm sorry.
01:55Please don't be mad at me.
01:57Mad?
01:59Why should I be mad at you?
02:01I'm so worried!
02:06Oh my God.
02:08Philipp's father is a cheater.
02:10He almost lost all his money.
02:14How can I stop him until the police come?
02:17I can't lie so badly.
02:20Is everything okay?
02:22Yes.
02:24Although... not quite.
02:26Why?
02:28The transfer didn't go through.
02:30That's why I just called the bank.
02:33They said they'd sort it out and get in touch.
02:36Because of the big sum.
02:38And that as a real-time transfer.
02:40Did you forget to raise the limit?
02:43No, no, I did.
02:45But I don't know, there are some problems.
02:48As I said, they'll sort it out and get in touch.
02:54I have a few more questions for you, as an expert.
02:57Sit down, or it'll kill you.
03:02You have a new menu concept.
03:05This will be a big step towards my first star.
03:10Enlighten me, master.
03:12Plum essence with calpis breeze.
03:16And truffle baguette.
03:18Can you read my mind?
03:20You're scaring me.
03:22And what's for dessert?
03:24I have to go to the evening shift.
03:26Pomegranate-apple-foam with pot-cake.
03:30You've had pomegranate-apple-foam before.
03:33And now you say foam.
03:35I'm on the right track.
03:37You inspired me with your enthusiasm for my menu ideas.
03:42The application for the Green Paper?
03:44The application has to come out soon.
03:47This is my favorite.
03:52There's no pomegranate-apple in it.
03:55Unfortunately, only regional and seasonal products are allowed.
03:58Really? I can't stand it anymore.
04:03Why?
04:04Well, herbs and rhubarb and licorice from the Einmach-glass.
04:08In summer, you use what grows above the ground.
04:11And in winter, you use what grows below the ground.
04:13Grandma's cuisine is in full swing.
04:15That's just a gimmick.
04:17In Germany, sweet potatoes and amaranth are already growing.
04:20Yes, they are.
04:22Besides, the nutrition has nothing to do with the quality of the product.
04:26Come on, these are just the specifications for the Green Paper.
04:29It's about sustainable gastronomy.
04:32I'm still in on that.
04:34No part of the ingredients must remain unused.
04:37Resource-saving and so on and so forth.
04:39In the end, it all comes down to whether it tastes good in a restaurant.
04:43Do you mean to say that you don't like my menus?
04:47I didn't say that.
04:49You know, I'd love to try it out with you right away.
04:52What do you mean, right away?
04:54Yes, in the FĂŒrstenhof.
04:56I'm sure there's not that much going on in the restaurant right now.
04:58Well, not for me. Louis is booked out.
05:00There's a waiting list.
05:02Besides, I have to pick up the morsels right away.
05:04And in the evening?
05:06It could be late again.
05:09Will we see each other then?
05:11I'll be there today and tomorrow, okay?
05:13I promise.
05:15I have to go.
05:16Okay, bye.
05:26Supplies for food supplements are available at HAUF.
05:29They're all the same.
05:31What's that supposed to mean? Why are you asking me that?
05:34Your friend, he's a vet.
05:36Yes, he is.
05:38But vets aren't experts on food, nutrition and breeding at the same time.
05:46What else can I ask?
05:48What about the transfer?
05:53I don't know what's taking so long with the callback.
05:57Call again.
05:59I'm starting to get the impression that you want to stop me and Heinz.
06:02Why should I do that?
06:04I don't know. Tell me.
06:07We have a contract.
06:09You transfer the 860,000 euros right now.
06:12What if I can't do it?
06:14Do it now.
06:16Transfer the money right now.
06:18Otherwise you'll get to know me, okay?
06:24I won't transfer a single cent to you.
06:27You're a cheater.
06:29But you won't get away with it.
06:37Anne, watch out!
06:39Hey!
06:41Stay still!
06:42Hey!
06:43Everything's fine, everything's fine. Yes, go!
06:46Stay still!
06:49I'm sorry.
07:05Here you go.
07:06Tanzania Schilling.
07:08$10 in the desired amount.
07:10That was quick.
07:11Self-printed?
07:12A driver had to go to the airport with guests anyway.
07:15So he could change for you.
07:17Wow, perfect.
07:18As always, thank you very much, Mr. SonnenbĂŒchler.
07:20You're welcome.
07:21So, re-booking is more expensive than rescheduling and re-booking.
07:25We're looking for you.
07:26Did I just hear re-booking?
07:28Yes, we just made a video call with the young parents.
07:31Nah, he's sleeping right now.
07:33Yes, well, as soon as their game clock rings, of course he's awake.
07:38Oh, it was supposed to be exactly the other way around.
07:41Hopefully I didn't interrupt Eleni and Leander.
07:44How was it with re-booking?
07:46Leander says Eleni is still very concerned about the birth, which was probably quite exhausting.
07:51He asked us to postpone our visit.
07:54Yes, the freshly baked mother needs a little more rest in the weekend bed.
07:59Yes, well, but we could have helped too.
08:01Max Richter and Imani Karigi are probably already on their way.
08:04We are also a little disappointed and I was so happy.
08:07Too bad.
08:08Well, the baby won't run away from us.
08:10At least not so fast.
08:17Mr. Flixt.
08:19Are you working on your menu for the green plate again?
08:23I mean, lamb is not on our menu today.
08:26Could you try the marinade, please?
08:37Mmh, excellent.
08:40Yes, excellent, but without surprise.
08:44Without surprise?
08:46Why are you always so strict with yourself?
08:50I mean, this competition is mainly about sustainability.
08:56I know, but I'm still not satisfied with myself.
09:01So if I just think of the ideas you had to avoid kitchen waste.
09:06That was so great.
09:08Yes.
09:09Well, everyone knows that you can make a broth out of onions and vegetables.
09:14But such a good pesto out of carrots.
09:23Yes, you would get the green leaf from me right away.
09:26Yes, you are also nice.
09:28You can't do it any other way.
09:30I can do it differently.
09:33Ask the people from the city council.
09:36Yes, sometimes the places fly.
09:40A judgment from Louis would be helpful now.
09:43Yes, but he is also nice.
09:45Yes, of course, but when it comes to food, he doesn't understand fun and criticizes mercilessly.
09:51Well, I'm sorry, I can't help you now.
09:54I think it's good the way you did it.
09:58You can only love.
10:01Somehow a bitter note is missing.
10:08But what?
10:10Hanna.
10:11Hey.
10:12All good?
10:13Yes, and with you?
10:14Yes, but he unfortunately got away from us.
10:16Faster than you think, the man.
10:18He can be removed.
10:19Could you keep the money back?
10:21Yes, but it was close.
10:24Okay.
10:25I'll go over to the police and tell them where he ran, okay?
10:29Okay.
10:32Philipp, what happened?
10:36Ronald knocked me down, tied me up and dragged me to this cabin.
10:40What?
10:42Fortunately, Vincent was there in time and found me.
10:47I can't do that to myself.
10:49I'm his son.
10:51I don't think he ever realized what that really meant.
10:58It was far too greedy and selfish of him.
11:01I'm so ashamed of him.
11:03Did he do all this on his own?
11:06No, he has an accomplice.
11:09He got him the right equipment from the valuable studs.
11:12Yes, and the two studs?
11:15Stolen.
11:18And the breeder doesn't know?
11:22If you had given him the money, he would have let you sit with the worthless stud.
11:31I really hope they catch him.
11:36Or not.
11:39My father made a mistake.
11:41He has to stand up for it.
11:53The world is cooler than the other.
11:55Thank you, but it's just a good camera.
11:57Hey.
11:58Hey.
11:59Are you looking at pictures?
12:00Yes, Mira just made some.
12:01They are really awesome.
12:03Well, I went for a walk and there are a lot of great motifs here.
12:06Why?
12:07Amateurish hobby photographer?
12:09The best.
12:10The best.
12:11The best.
12:12The best.
12:13The best.
12:14The best.
12:15The best.
12:16The best.
12:17The best.
12:18The best.
12:19The best.
12:20The best.
12:21The best.
12:22I liked the squirrel.
12:23That the other squirrel was wearing a hookah suit.
12:26Nice suit.
12:27Cool.
12:28Wow.
12:33And that's it.
12:35Too bad, but I have to go anyway.
12:37Me too.
12:38Bye.
12:39See you later.
12:40In the kitchen, an unsolvable problem is waiting for me.
12:44Can I help you?
12:45Can you conjure herbs?
12:47Only on pictures.
12:49I usually take urban pictures, but here it's so beautiful.
12:53There are plants and maybe I photographed some herbs.
12:56Yes, I need real herbs.
12:58Real, real herbs.
12:59My dish would be perfect with them.
13:01For the crust of a lamb roast.
13:04I want to apply for an award.
13:06Of course, I could submit the recipe like that, but with herbs it would be really perfect.
13:12Describe it.
13:13What does it look like?
13:15Describing herbs is difficult.
13:17Straight stalks, square stems, fine shoots.
13:21The place looks like this.
13:25I see.
13:26Of course, I know that.
13:28Okay.
13:31Wait a minute.
13:32Is this it?
13:34Yes.
13:35This is a dewdrop.
13:36Yes, it's a dewdrop on a herbal branch.
13:39The view was so beautiful here, I took the panorama with me.
13:43Look.
13:44You can zoom in.
13:47No, that's not it.
13:50A little further.
13:51Wait a minute.
13:52I zoom in a little closer.
13:53Yes.
13:55Real herbs.
13:56Or?
13:57That's not possible.
13:58Would you still find the place?
13:59I think so.
14:00Okay, let's go.
14:01I have another appointment later.
14:03That means you have time now.
14:04I have time now.
14:22You're lucky.
14:24Tanzania is cancelled for now.
14:26Why is that?
14:28Eleni needs rest.
14:32But don't relax too much.
14:34Use the opportunity.
14:38Markus already notices that something is wrong.
14:40I can't put even more pressure on him.
14:42That's your problem.
14:43Yes, yours too, if it doesn't work.
14:45I'd rather say it's your daughter's problem.
14:47I can show you the confession again.
14:51I will not hesitate for a second to show your daughter because of dangerous physical injuries.
15:04And now?
15:05Do you seriously think I didn't secure the confession?
15:09It's well hidden somewhere in a cloud like Damocles sword above your heads.
15:16The only way to protect your daughter is to do exactly what I say.
15:34Markus is supposed to sell his shares and disappear from here.
15:40I don't want to see him again.
15:55And you're mainly photographing plants?
15:58Well, anything that can't run away or cut crevasses.
16:02What about animals?
16:04Yes, but they're always up insanely early.
16:08Sorry.
16:10It's alright.
16:11Everything okay?
16:12Yes.
16:15Tell me, where are we anyway?
16:17Huh? I thought you knew where we are.
16:20You've been living here for so long.
16:22Yes, but not exactly here.
16:27Show me.
16:30Well, the view looks different on the picture.
16:32At least there is a view.
16:34Okay.
16:36So, orientation isn't your thing?
16:40Somehow not, no.
16:43But I hope I know where we have to go now.
16:46You hope?
16:47Earlier you said you think you know.
16:49The little change in the vocabulary somehow worries me.
16:53You're right.
17:04Hey.
17:30Hey.
17:32Hey.
17:34Hey.
17:38All good?
17:42All good.
17:46I just realized that it could have turned out very differently earlier.
17:53Yes, it was very dangerous.
17:56And I wouldn't have trusted Roland Bandes.
18:00He took his own son down.
18:06But now it's over.
18:10Now there's good news.
18:12His accomplice was caught.
18:14The one who stole the liquid money?
18:16Yes.
18:20The alleged Heinz Stegmann, that's the one I called.
18:23That's why he was so nervous.
18:25It's just a matter of time before Roland Bandes is caught too.
18:33I'm too good, I think.
18:36Sometimes.
18:38But it's actually something nice.
18:41Sometimes.
18:46Anyway, you were right.
18:48The salesman is lazy.
18:50Well, when it comes to people, your gut feeling is usually right.
18:57It wasn't different with you.
19:09And why photography?
19:11And not a staff lift?
19:13I've already done all of that.
19:15But photography gives me something.
19:17What is it?
19:19Well, it somehow forces you to look.
19:22For the environment, the nature, the beautiful, the less beautiful.
19:26For the people, for life.
19:29And it's just nice when you look at the little things,
19:33the little things that make you happy.
19:36And that's what photography is for.
19:38And that's what photography is for.
19:41It's just nice when you can look at the little things in detail and in peace.
19:48Like children see the world.
19:50Exactly.
19:54Look here, for example.
19:57A little flower.
20:00If I look at it through the macro lens, it's so filigree, so perfect.
20:07I totally understand what you mean.
20:09I feel the same way about my work with food.
20:12Well, you think you won't be surprised anymore, but then you process it differently
20:17or combine it again and bam, a completely new taste.
20:23Ah, stop.
20:24There.
20:26Real grass.
20:31You really have a good eye.
20:40I'm a photographer.
20:41I'm a photographer.
20:42I'm a photographer.
20:43I'm a photographer.
20:44I'm a photographer.
20:45I'm a photographer.
20:46I'm a photographer.
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20:49I'm a photographer.
20:50I'm a photographer.
20:51I'm a photographer.
20:52I'm a photographer.
20:53I'm a photographer.
20:54I'm a photographer.
20:55I'm a photographer.
20:56I'm a photographer.
20:57I'm a photographer.
20:58I'm a photographer.
20:59I'm a photographer.
21:00I'm a photographer.
21:01I'm a photographer.
21:02I'm a photographer.
21:03I'm a photographer.
21:04I'm a photographer.
21:05I'm a photographer.
21:06I'm a photographer.
21:07I'm a photographer.
21:08I'm a photographer.
21:09I'm a photographer.
21:10I'm a photographer.
21:11I'm a photographer.
21:12I'm a photographer.
21:13I'm a photographer.
21:14I'm a photographer.
21:15I'm a photographer.
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21:17I'm a photographer.
21:18I'm a photographer.
21:19I'm a photographer.
21:20I'm a photographer.
21:21I'm a photographer.
21:22I'm a photographer.
21:23I'm a photographer.
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21:25I'm a photographer.
21:26I'm a photographer.
21:27I'm a photographer.
21:28I'm a photographer.
21:29I'm a photographer.
21:30I'm a photographer.
21:31I'm a photographer.
21:32I'm a photographer.
21:33I'm a photographer.
21:34I'm a photographer.
21:35I'm a photographer.
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21:37I'm a photographer.
21:38I'm a photographer.
21:39I'm a photographer.
21:40I'm a photographer.
21:41No, I just want to lie down.
21:42Well, get theăăff there.
21:43Mm-hmm.
21:44Now what's actuallyâ
21:45Really?
21:46Max mentioned it to me.
21:51You want to quit the World's Fortitle?
21:54I'm sure you'll find a new good sommelier soon.
21:57I'm not asking you to leave.
21:58What's wrong with you?
22:04What's bothering you?
22:07Christoph?
22:09Still?
22:12You know, even if it seems to be in harmony,
22:16the situation with him is really unbearable.
22:19I'll think about it.
22:21I know how far I have to deal with him.
22:23I've argued with him enough times.
22:26Better not.
22:28Defending yourself is legitimate.
22:32Running away is not a solution.
22:35Markus says so too.
22:37He wants to stay?
22:38Yes.
22:40He was ready for a new beginning.
22:43Unfortunately not at the moment.
22:47Would you go alone?
22:51To be honest, I don't know what to do at all.
22:54But I just know that I can't stand this anymore.
23:09Hello, Philipp.
23:11Hey, Nicole.
23:12May I?
23:13Sure.
23:16And where are you going?
23:19To Munich. To the theater. Shakespeare.
23:22Troilos and Cressida.
23:24An unknown play, except for one quote.
23:28Never heard of it.
23:30It's probably about love.
23:33Yes, that too.
23:36A difficult play.
23:37A hopeless mood.
23:40Well, the main thing is that you two get out of here together.
23:44That's the plan.
23:46Did Michael check if you have a concussion?
23:51Yes.
23:52Everything's fine.
23:53The wound heals quickly.
23:55Almost.
23:57An absolute madness, the thing with your father.
24:01Once again, I can only thank you and Vincent for protecting Anna.
24:06That was Vincent alone.
24:08I only brought trouble to Anna again.
24:11Philipp, your father played a mean game.
24:15He deceived you and instrumentalized you.
24:17Yes.
24:18And I still fell for it.
24:20You hoped that after such a long time you could get to know each other and start a father-son relationship.
24:26What I hoped for in the last weeks and months.
24:31Especially with Anna.
24:35Well, at least it's clear now that Vincent is the man who will make her happy.
24:40Hello, honey.
24:41Sorry, have you been waiting long?
24:43I had a good chat with Philipp.
24:46Does it still hurt?
24:47No, it's all right.
24:49Do you have nausea, dizziness?
24:52No.
24:54Really?
24:55Yes.
24:56Excellent.
24:57Well, then let's get started.
24:58I left cards in the theater.
25:00Balcony, you like that best, don't you?
25:02Yes.
25:04Good.
25:05Then we have to go.
25:06I'm looking forward to it.
25:07Have fun.
25:09The incredible thing about love is that the will is infinite and the execution is limited.
25:15The incredible thing about love is that the will is infinite and the execution is limited.
25:26Knock on the door.
25:37One, three.
25:38Yes.
25:39One, two, three.
25:40No, but you have to pull the three backwards.
25:43Why?
25:44Only the straights pull forward and the unstraights pull backwards.
25:47But that doesn't make any sense at all.
25:49Yes, but that's just the way it is for now.
25:51Hello, good evening.
25:52Ah, how are you?
25:53Good evening.
25:54Already finished?
25:55Yes, fortunately.
25:56Come on, sit down with us.
25:57Yes, gladly.
25:58Yes, why not?
25:59Yes.
26:00Thank you very much.
26:01If you like, you can also play with us.
26:03I invented a game myself and we're testing it right now.
26:08Yes, it's not that easy to invent completely new game rules.
26:13That's what it's all about.
26:14Yes.
26:15That sounds exciting in any case.
26:17So this game is called Hotel Carriera.
26:19Yes, but that's just a prototype for now.
26:23I want to do this with wood, maybe with intarsia to fold together and so on.
26:28So that's going to be great.
26:30Sounds great, yes.
26:31Yes.
26:32But you start as a couple and whoever is first in the goal will be the boss.
26:38I understand.
26:39So it all looks very nice, but I don't understand the rules.
26:47Not yet.
26:48It's all new.
26:50So you've fallen in love with the pretty cook.
26:55If he thought so.
26:59Move two fields forward or four back?
27:02Yes, that's because if you move forward twice in a row, you always have to move back first.
27:10Aha.
27:11No.
27:12You can have me.
27:14I'll get a beer now.
27:18It was an exhausting day at the Louise.
27:20Oh yes, you could say that.
27:22First I looked everywhere for the menu.
27:25Nowhere, no chance.
27:27Then I had to completely change my mind and come up with something completely new.
27:31Oh dear.
27:32Well, Greta was also very unhappy with her menu for the green sheet today.
27:37And she would have asked for your help.
27:39I know.
27:40I left her in the lurch.
27:41I didn't have time.
27:42I'll write her.
27:43Well, that's just the way it is at the hotel.
27:48Or I'll change the rules so that you always have to move forward and back alternately.
27:57Would you like a beer?
27:58Yes, definitely.
27:59Then you won't be able to come at all.
28:01I see.
28:03Yes, that's true.
28:05You know what?
28:06We'll just play a canister now.
28:08And I'll buy Finn a game that already exists.
28:11Very good.
28:13Cheers.
28:14Cheers.
28:26Cheers.
28:46Could you please turn that off again?
28:48Oh, sorry.
28:51Did you have a nightmare again?
28:56Did I wake you up?
28:57Oh, the walls are thin.
28:59I wake up easily.
29:00I'm sorry.
29:01It's okay.
29:02I'll go back to sleep quickly.
29:14But I'm sorry.
29:17So little sleep in the long run is not good for your health.
29:21Have you ever thought about talking to someone about it?
29:24Someone who knows about it.
29:26It can have many causes.
29:28Stress, trauma, side effects of medication.
29:32I already do.
29:33I'm talking to someone.
29:36I'm in treatment.
29:39And?
29:41We're working on it.
29:44How long has it been like this?
29:47A long time.
29:49Maybe you haven't found the right therapist yet.
29:53Yes, yes.
29:54He's good.
29:56It's getting much better.
29:57You know, but...
30:00I could take some sleeping pills, but I don't want to.
30:03I just hope it will stop at some point.
30:06I wish you that.
30:37Good morning, Helga.
30:38Good morning, Greta.
30:39You're already here.
30:40You're supposed to be here later.
30:42But I had to come, because you have to try it.
30:51It looks good.
30:57A bit unusual.
30:59But hopefully surprising.
31:02Perfect.
31:04What did you put in it?
31:06Real iron.
31:08But it should taste a bit bitter.
31:10Yes, but with water, the bitter substances can be dissolved.
31:13And as always with maromas, it makes the mixture and the amount.
31:17I think it's perfect.
31:19I think the green plate is safe for him.
31:22We'll see.
31:24You meet all the criteria.
31:26You focused on regional, tasty ingredients.
31:30Yes, and with matcha, for the dessert, I can luckily go back to a regional organic product.
31:34I just ordered it from a tea farmer.
31:36Yes, but then you would have to convince the jury.
31:39And then you could finally be satisfied.
31:42I am too.
31:44And grateful.
31:46Because without the help of a certain person, I wouldn't have found the real iron.
31:56Come in.
31:58Hi.
31:59The hours from the staff.
32:02Do you have a minute?
32:06I also have two.
32:10I haven't thanked you yet.
32:12For yesterday.
32:13It was all quite turbulent.
32:16That's true.
32:19Anyway...
32:20Philipp.
32:23It's okay.
32:24It was natural.
32:26No, it wasn't.
32:28And you know that.
32:32I'm glad you're with Anna.
32:34And not me.
32:40I'm sorry.
32:46And this one...
32:50...belongs to you.
32:53That's your fate, Philipp.
32:55That's the card you got from the fortune teller.
32:57Well, fate itself was wrong.
33:02Here.
33:09Maybe it's just not Anna?
33:11Obviously not.
33:15I know.
33:16It's not really your thing.
33:18I know how to appreciate the guest.
33:28Oh.
33:30Because of the party tomorrow in Thailand.
33:32Think about it again.
33:35We'll like it when you come.
33:39Okay.
33:47Thank you very much.
33:48And the bill?
33:49It will come to the room automatically.
33:51Very nice.
33:52Goodbye.
33:53Goodbye.
34:02You are my hero.
34:04What?
34:05The real horseradish.
34:06It was the absolutely glorious dip on the I.
34:09With that, my menu is perfect and round and...
34:12I'm absolutely happy.
34:14That was your idea with the menu on the horseradish.
34:16Well, without you, I wouldn't have found it.
34:26I'm sorry.
34:27That was maybe a little too stormy.
34:29Sorry.
34:30But...
34:31It's okay.
34:32I'm happy for you.
34:34Keep your fingers crossed for the...
34:36award.
34:37Yes, I will sit down for the presentation right after work.
34:40The audit committee must be thrilled and...
34:43then they have no choice but to award me.
35:04So, my darling.
35:06So.
35:07Did you see that?
35:08No, not yet, but...
35:09I heard a lot about it.
35:10Yes.
35:11Anna was very lucky...
35:12that she came to the bronze senior at the right time.
35:15Yes.
35:16You can say that again.
35:17Yes.
35:18She was very lucky.
35:19Yes.
35:20Yes.
35:21Yes.
35:22Yes.
35:23Yes.
35:24Yes.
35:25Yes.
35:26Yes.
35:27Yes.
35:28Yes.
35:29Yes.
35:30Yes.
35:31Yes.
35:32Yes.
35:33Yes.
35:34You can be crazy.
35:36But...
35:37she doesn't have any more stocks.
35:41She'll buy some more.
35:42Yes.
35:43Thank God, she still has the money.
35:45I mean, it's a setback, but...
35:49she and Dr. Ritter won't be able to get it out of her head.
35:52Yes, but most of the time...
35:53Philipp Brandl will have something to say about it.
35:56His own father is a criminal.
35:59Yes, if he comes to the party to Talheim tomorrow, I would understand if not.
36:06Well, for him it is particularly difficult.
36:08Once the thing with the father and then to see Anna and Vincent together.
36:14Well, I'm glad in any case that we are both invited.
36:19Well, and for you, Talheim is something very special.
36:23Absolutely.
36:25It's just a shame that I can't experience the baroness anymore.
36:29Yes, that's true.
36:33By the way, the little herb excursion with Nero was totally nice.
36:36We chatted all the time.
36:38So now you know more about him?
36:40Yes, already.
36:44Greta, I'm all ears.
36:46He is totally nice.
36:48Aha.
36:50Yes, and we can talk very well.
36:53Aha.
36:55Aha.
36:57We have a lot in common.
37:00Do you have the same taste as men?
37:03Are you starting with that again?
37:05If you want to know if he's gay, ask him yourself.
37:07Me? I'm not looking around in the life of strangers.
37:11Yes, exactly.
37:13We just get along well.
37:15More platonic?
37:17In any case.
37:19I have Louis.
37:21And do you have him now to three quarters or do you have him now completely?
37:24I'm pretty sure that Nero doesn't like me.
37:27Because?
37:29He was totally reserved before.
37:31Well, when I thanked him and hugged him.
37:34I had the feeling that it was rather uncomfortable for him.
37:38Maybe he has a problem with physical affection.
37:42Yes, in contrast to me.
37:44I'll write Louis that I'll be home soon.
37:47Don't you have to prepare your presentation?
37:49I can do both.
37:57Can we talk?
37:59Of course.
38:01What is it about?
38:02Please.
38:12Katja and Christoph.
38:17Katja is not well.
38:19I'm more worried about her.
38:21Me too.
38:22And?
38:23And what?
38:24You are friends. What do you intend to do about it?
38:27I take care of her when the situation calls for it.
38:29I told Christoph that he should treat her respectfully and respectfully.
38:33And he agreed.
38:35I didn't like your relationship with Katja at the time.
38:38Indeed.
38:40I didn't notice that at all.
38:41But she meant it seriously with you.
38:43And I hope it's the other way around.
38:45Yes.
38:46Katja is the woman I'd like to grow old with.
38:49Then I'll give you an advice.
38:52Katja reminds me of Lia.
38:54Who?
38:55My son Robert and Lia were divorced at the time.
38:58Lia was her housewife and she suffered a lot under Ariane Kahlenberg.
39:02She couldn't stand it here either, although everything was rational and objective.
39:07And what does that have to do with me?
39:09Robert made the mistake of taking Lia's desire to leave seriously.
39:15He held her back and reacted far too late.
39:18In the end, he lost her and her love.
39:22Because he put the hotel above their relationship.
39:28I'd like to warn you.
39:30Don't make the same mistake again.
39:33I didn't mean to.
39:34Mr. Seidfeld, the message has arrived.
39:39It's just about Katja.
39:41Of course.
39:53May I?
39:57Yes.
40:02I'm very sorry.
40:06My aunt was right.
40:09My father is a cheater.
40:14Just because I was so blue-eyed and fell for him, I...
40:19You can hang me for that yourself!
40:24But you know what?
40:26Just for a moment.
40:28I really thought we could have a real father-son relationship.
40:32Of course you thought that.
40:34Because that's exactly what everyone wants.
40:38At least now I can understand why auntie never trusted me.
40:42Yes, but you can't be held responsible for what your father did.
40:46You must have guessed that his criminal energy is also in me.
40:51Mr. Brandes, you shouldn't say that.
40:53That's how it was.
40:57You are different from your father.
41:01You changed because you learned from your mistakes.
41:04And now you are a much better person.
41:10Yes.
41:12Unfortunately too late.
41:15I just ruined so much.
41:18The relationship with auntie Wilma, the relationship with Anna...
41:22And all of this just because of this goddamned heir!
41:26I...
41:31At least the money with Anna turned out better than with me.
41:48I love you.
42:03Hey, come in.
42:05Careful, careful.
42:07What do you have there?
42:09This is my conspiracy gift for you.
42:11Conspiracy? Why?
42:14So you won't be angry with me.
42:17Why should I be angry with you?
42:19Because of yesterday.
42:21Your pomegranate-apple-foam-pot-kitchen.
42:25I brought you a few more pomegranate apples.
42:29Okay, conspiracy succeeded.
42:31I'm very sorry that I couldn't help you yesterday.
42:34Why are you sorry?
42:37You didn't want me to get the green leaf before you cooked your first star.
42:42Could it be that someone left without me?
42:45Keep dreaming.
42:47And it was the other way around.
42:49You didn't want me to get to your star-kitchen.
42:52Excuse me? I even helped you.
42:55The pomegranate-oil-baguette idea was mine.
42:57Did you forget?
42:58Yes, to make sure.
43:00While you were looking for the last ingredient in the prince's kitchen.
43:03Are you hiding something from me?
43:05Yes, I have my spies there.
43:07Mrs. Sonnbichler.
43:09Then she's a double agent.
43:11I heard you had a little problem with your mouth.
43:15Are you happy about that?
43:17No.
43:18Then why are you smiling?
43:20Because I can smile when and how I want to.
43:24I'll try your sandwich now.
43:31Delicious.
43:34Katja, can I talk to you for a moment?
43:42Katja.
43:45I can't leave this alone.
43:47And you're right.
43:50Let's leave the prince's court and everything related to it behind us.
43:55Let's leave this place together and start anew.
43:59Come on.
44:10I wouldn't have found it without you.
44:24I have a huge problem.
44:26What kind of fabric matches my wedding dress?
44:30White?
44:31Whatever you like.
44:32If I knew, I wouldn't be here.
44:34You're the fashion expert.
44:35I don't know.
44:36It says on the net.
44:38White.
44:39Fleece fits.
44:40White, black, brown or gray.
44:42But it harmonizes well with pink or pink.
44:49Is everything okay?
44:50Miro?
44:53Can I help you?
44:57No.
45:05I don't think so.
45:09I can try.
45:11I can hear pretty well now.
45:20Anna, the transporter is here.
45:22Yes, thank you very much.
45:24For the information.
45:28You too, thank you.
45:30Goodbye.
45:32That was the police.
45:34Did you catch Philipp's father?
45:36Unfortunately not.
45:37They even said they think he's out of the country.
45:40Brand is out of the country.
45:42Now?
45:43Hey, the main thing is that he's gone.
45:46Yeah.
45:48And the two studs were also brought back to their owners.
45:52That's good news.
45:54I mean, we can leave this fraud behind us.
45:57We can look ahead.
45:58Concentrate on Talheim.
45:59On our party tomorrow.
46:02That's right.
46:03We still have to organize everything here.
46:06First of all, we have to get colleague Apollo there, right?
46:09Is the transporter already there?
46:10Yes.
46:11Okay.
46:12Come on, Apollo.
46:13Yes, come on.
46:14Come on, come on.
46:33I think I'm in love.
46:35Hey, but that's nice.
46:38Or is he already dead?
46:40Or her?
46:42She's a woman.
46:43I've always been a hater.
46:44Okay?
46:45Okay.
46:48So, is she already dead?
46:50My God, that's not the point.
46:53I can't fall in love.
46:54Do you understand?
46:55I don't want to fall in love.
46:57Why?
47:02Did you have a bad experience?
47:05No.
47:08My girlfriend was wonderful.
47:11The best.
47:14Okay.
47:16And then she shot you cold in the wind, or what?
47:22She's dead.
47:26It's my fault.
47:30Mr. Antony recognized her immediately.
47:33You have fans!
47:34Yes.
47:35And I'm supposed to persuade her now to sing a birthday song for his beloved.
47:39I need your help, and it's urgent.
47:41Which herbs do you need this time?
47:44I don't need herbs, but I need a great photographer.
47:48I need professional pictures of me at work for my application for the Green Paper.
47:54Anna doesn't need me anymore.
47:55It's not about Anna, it's about you!
47:59You did an excellent job.
48:01Now let yourself be celebrated for it, you deserve it.
48:03What should I be celebrated for?
48:05That I agreed to realize Anna's and Vincent's life dream?
48:09Yes!
48:11To a new era!