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00:00This is a work of fiction. Any similarity to actual people, living or dead, is purely coincidental.
00:30This is a work of fiction. Any similarity to actual people, living or dead, is purely coincidental.
01:00If you need anything, call me. I'm in the kitchen.
01:06You'll live like you're in heaven, son of the lucky one.
01:09Nadoub, let's go. You know, these things don't last long.
01:14It's good that you know that this woman, at the end of the day, wants you to take good care of her.
01:20She's like a bomb. She can explode at any time.
01:23I know, and I've done my math. You can stand next to me sometimes.
01:26I let him stand, by the way.
01:27I'm sorry, I'm sorry. I'll tell you the truth. Your friend in Thailand, we haven't spoken to him since the concert.
01:33And we were so scared.
01:35No, my love. You were like a fool. He's just not serious.
01:40Strange, even though he doesn't look like it.
01:42I told you, I want to break you up. Don't believe anyone, my love. Especially if it's a warrior.
01:48I went to him once in the morning, and I asked the gatekeeper of the koshk about the man's apartment.
01:53The man? He's a real man.
01:55So Rida doesn't have a dream?
01:57No, the man doesn't have an income. He was a judge and a judge.
02:01So he's a tough guy?
02:03No, not all of them are tough. Some of them go out of their homes without a koshk.
02:08Yes, but he's one of them. When I asked about him in the neighborhood, I found people loving him and no one was afraid of him.
02:13Are you sure he's the one who brought Rida to the neighborhood?
02:15Yes, I saw him with my own eyes when he left the club.
02:18That's why. That's why I didn't send anyone to the neighborhood.
02:21Because there's no one to send him anyway.
02:25Now you can go back to the neighborhood and you're the sun of the Najd religion.
02:28God bless him. God bless him.
02:30No, Hammo. I won't go back until I teach him and Rida at home.
02:34How are you going to teach them?
02:36I'm going to throw him in the man's apartment, where no one is afraid of him.
02:39No, no, Souda. Go ahead.
02:41I'm going to burn this house down.
02:43That's why, Hammo. I want you in this house.
02:48Yes, Hammo. I'm going to burn this house down.
02:51I told you, if you want someone in this house, his prayers will be answered.
02:55And don't forget, the drummer dies and his finger is still playing.
02:59And then you still have the talent.
03:01No, I don't have the talent.
03:03The talent, I mean the way. You don't have a tongue that's lost.
03:06Yes, but it's been a while and my finger is still playing.
03:09But if I'm going to get it, I'm going to postpone repentance and go back to my memories.
03:13Yes, that's it. We want to go back to the time of the beautiful theft.
03:16And don't worry, you're going to get it. I've been working on this for a long time.
03:20And when and how is this going to be done?
03:22I'll tell you.
03:23After the success of Wad Rizq in Nadorgi's role, Nadorgi will stay as he is.
03:27Again? Didn't you tell me you were going to kick me out?
03:29Yes, I did. You're going to kick me out in the man's apartment in Shanghai.
03:33And as soon as he comes down, you're going to give me a massage.
03:35And in a minute, I'm going to come with this nice guy and throw him in the apartment.
03:39Great, your mother's stupidity is enough. I'm free now.
03:41What's free? Someone else is telling me I'm dead.
03:43And are you working with me or working security in Cairo Mall? Prove it.
03:47Are you sure, Azimah, that I'm going to get this story?
03:50Shame on you. The girl is satisfied with a heedlessness of time.
03:53It's clear.
03:54I mean, in the past days, the ignorance of the knowledge has made me talk.
03:57I mean, this look can pass us over.
04:00And you know his religion. Don't be late, Tal'at.
04:03Your brain is ruined, Azimah.
04:05Welcome to Valentine Warner, the author of the mobile phone specializing in cooking and the hero of the hunting of food.
04:11Did you see? I've been here before.
04:13I wish I hadn't come down at all.
04:15This is not a business trip or anything.
04:17What is this?
04:18A friend of mine I just met.
04:20He wants to work with me. Where will he take me?
04:22The place is full of high music.
04:24And dancing, and dancing, and I won't tell you.
04:26What is this, a friend of yours?
04:28He's joking and dancing.
04:29And of course, I'm happy to go out with him.
04:31You know I'm not in the mood for this.
04:33Of course, I know.
04:34You met someone there, right?
04:35Yes.
04:36A friend of yours?
04:37Yes.
04:38And he's with someone I've never seen before.
04:41I'll take you next time and I'll tell you where he is.
04:43And what's the rush to go there?
04:45I honestly don't understand. What do you like about these places?
04:48Yasmeen, the songs, the people's voices, their moves.
04:52I love this atmosphere.
04:53Well, what do you think?
04:55Should we go out here?
04:56Or should we hang out here together?
04:58Light candles, listen to soft music, dance, and the atmosphere is romantic.
05:03Honey, there's nothing more romantic than the atmosphere and everything.
05:06I mean, the atmosphere and the people's joy.
05:09Personally, I enjoy both ways.
05:11You're the only one who doesn't, by the way.
05:13I'm not in the mood at all.
05:15Look, honey.
05:17There are hundreds of ways to make yourself happy.
05:20But you have to try all the ways to make sure that the way you make yourself happy is the best one.
05:28Just like that.
05:31Go ahead.
05:32Tomorrow morning, I'll have the permission.
05:34Maya.
05:35Is this a new atmosphere, or what?
05:36A new atmosphere, yes.
05:37This Maya is Dr. Selim Fayyad's sister.
05:39We're going to meet her tomorrow to discuss health insurance.
05:41Where do you think you're going?
05:42You're going to do the important work and surprise the Russian tourists who are coming next month.
05:46And you're going to focus on renewing licenses and health insurance.
05:48What's the good in that, Caramella?
05:49You do the important stuff, I do the stupid stuff.
05:52Go ahead.
05:53Okay, honey.
05:54Consider me like your sister, Wassim.
05:55What's with all this talk?
05:57Look, you'll find out everything at the right time.
05:59The important thing is that you get ready for the meeting tomorrow night.
06:01And the most important thing is that you have the license at the meeting.
06:03That's why life is like this.
06:04For better or for worse.
06:05Yousef.
06:06Caramella.
06:07I have a million things to do.
06:08I have to do them tomorrow morning.
06:09Leave me alone.
06:10Good night.
06:11You're one of his family, uncle.
06:12You're a hard worker.
06:14Good night.
06:32Live and learn, Pasha.
06:33Don't worry about it.
06:34Take care of yourself.
06:35You're welcome.
06:44Yaseen, the son of your wife will be here soon.
06:46Gote go to her and tell her to wait for some time.
06:52Yaseen was at your crib waiting for you to come back.
06:54I'm coming to pick you up tomorrow when she gets home.
06:56Yeosef!
06:57I've told you 5 or 6 times.
07:00Get up.
07:01We are all the same.
07:02Get up.
07:04I told you we are the same.
07:05Go on.
07:07I'm coming fast, guys.
07:08There's no waste of time.
07:09Go.
07:10Go.
07:11Go.
07:12I'll tell the legal department to prepare the contracts and send them to you.
07:16You decide when you want to sign and run the insurance program.
07:19I want to sign and run it today.
07:21I told you, doctor, we're in a hurry.
07:22We'll catch up.
07:23We'll catch up.
07:24Look, we'll have the meeting tonight in the same place.
07:27As if the first meeting was going to happen.
07:29No, don't worry. This time it will happen.
07:32We'll go early, at 8 o'clock, before it's too late.
07:34We'll sign the contracts, then we'll dance and eat and ruin them.
07:37Yes, Mr. Youssef.
07:38Mr. Youssef, please.
07:39Look, I'm used to this after every signing.
07:44Okay, no problem.
07:45But let's find a quieter place.
07:47I'll tell you what.
07:49I'll bring you the city.
07:51Just buy from me.
07:52You don't tell the city that you like places like this.
07:55That's enough, Mr. Youssef.
07:56You tried running it once, and it ended up running you.
07:58I'll tell you something else.
07:59Your sister, Maya, came with you.
08:00And you became a lover, a family business.
08:03And her CDs are beautiful.
08:04Believe me, this story can make you think.
08:06They will really enjoy it if they come.
08:08I mean, if I come on my own, it's not a problem.
08:11We'll all enjoy it.
08:12Just listen to me.
08:13But Youssef, please make sure your partners don't leave before I call them.
08:17No, they'll leave.
08:18But today in particular, no one will leave.
08:25Why are you shaking your hand?
08:27Don't shut up.
08:28I want to know what you're thinking.
08:29Where's the storekeeper?
08:31The one who had a door in his hand, and he's like a foreigner.
08:33I'll open a great door.
08:35I'll open a great door.
08:36No, no, I didn't mean that.
08:37But you're the one who's in a hurry at work.
08:39Come on, before he catches us.
08:40I'm not in a hurry.
08:42Come on, come on.
08:44In the name of God, the Merciful, the Compassionate.
08:46Come on, come on.
08:52Come on.
08:55Get on your left foot.
09:07What do you think?
09:09What do you think?
09:10You brought us to the left foot of the books.
09:12These are all books.
09:13What do you think?
09:14I have something in the fourth floor, and it's on the street.
09:16The same building?
09:17I brought you to buy.
09:18I mean, what do you think of the place where we came?
09:22There's a great place, but you're in a hurry.
09:24What are we going to do today, uncle?
09:25I'm going to go to the bedroom.
09:27I'm looking for something that has value, like the one we saw yesterday.
09:30Prove it, you and him.
09:32No one will move from here.
09:34We're going to take this precious jewel and get out of here.
09:37Is this gold?
09:38The original is 24 carats.
09:40Don't worry about its weight.
09:41It's worth its weight.
09:42It will destroy your head like a storm.
09:44Don't go inside.
09:45Look for a gold sword.
09:46A shield.
09:47Maybe you'll find it.
09:48A sword?
09:49What shield?
09:50We're here to steal the castle of Saladin.
09:51We're going to take this beautiful dagger and get out of here.
09:54That's it?
09:55Patience.
09:56The one who has patience and a little satisfaction.
09:58The basis of happiness.
09:59By God's grace.
10:00The one who has patience and a little satisfaction.
10:02The basis of happiness.
10:03By God's grace.
10:04It will destroy your head like a storm.
10:06And the one who knows his worth.
10:07Turn his head.
10:08Let's go, guys.
10:10You came to me and rejected me.
10:12And you're just going to give up?
10:14I didn't think you'd give up so easily.
10:16I changed my mind this time.
10:18There's nothing I can do.
10:20Do you know what I want right now?
10:22Nothing.
10:23Then buy from me.
10:24No.
10:25Give me back.
10:26The apology doesn't come from you.
10:28It doesn't come from me.
10:30Pay as much as I tell you.
10:31Grandma, tell me and get me out of here.
10:32I solved something.
10:44This time, when I tell you to go right, you listen to me and go right.
10:48Peace be upon you.
10:49And upon you peace.
10:50I'm sorry, my daughter.
10:52We're late.
10:53Don't worry, sir.
10:54Of course, he's the reason.
10:56I entered the street by mistake.
10:57There was a crowd.
10:58I told him to get out of the way.
10:59When I entered the first right, I saw a crowd.
11:01It was a crowd.
11:02Have you been waiting for a long time?
11:04No, I just got here.
11:05The transportation took me a long time.
11:07I'm sorry, Rida.
11:08It's the anniversary of Faiza's visit.
11:11I couldn't make it in time, no matter what the reason was.
11:14Live and remember, sir.
11:15God bless you.
11:16You go with Rida and I'll get the car and pick you up.
11:19No problem.
11:20Go ahead, sir.
11:21Go ahead.
11:29Come on, come on.
11:42What is it?
11:43What is it?
11:44The apartment door was open, sir.
11:46Yes.
11:48It's obvious that the work is professional.
11:53You're lying.
11:54How old are you, sir?
11:56Shhh!
11:58Wait, I'll go in.
12:13Can I come in?
12:15Come in.
12:16But be careful, don't step on the door.
12:20Okay, thank you.
12:26Okay.
12:31Aren't you going to tell the police?
12:34I don't need to.
12:36I'm going to go in and check all the lockers.
12:39I'm going to see who came in and why.
12:42Okay.
12:54Oh my God!
12:57What is this? You're not dressed yet?
12:59I'm almost done.
13:01You know I don't like to be late.
13:03It's 7.30 now.
13:04I'm coming, don't interrupt me.
13:06I'm the one interrupting you.
13:07You have an hour to get ready.
13:08Really? So I'm the one interrupting you now?
13:11Okay, you and Maya go ahead. I'm not going in.
13:14What is this? Is this a kid's job?
13:15A kid's job?
13:16Okay, I'm a kid and I'm not going in.
13:19Who's not going in?
13:21I'm telling you, I'm not going in.
13:23Salim!
13:24What?
13:25That's not true.
13:26Stop arguing. We're going out to have fun.
13:28You're going out, by the way.
13:29I'm really not going out.
13:31You guys go ahead, I don't want to bother you anymore.
13:35Did we come early?
13:36No, they're the ones who are late.
13:38Then talk to him.
13:39What's wrong with him?
13:40He's a doctor and his sister is a doctor.
13:41They're not related.
13:42I'm sure she's the one who interrupted him.
13:43What do you mean?
13:44Are we going to sit here and wait?
13:45Do you want me to do something?
13:46I'll send him a message.
13:50What's this?
13:51Hi!
13:52Why did you leave your house?
13:53Are you a refugee here?
13:54How are you?
13:55I'm fine.
13:56I'm Karma, my sister.
13:57I don't know this woman at all.
13:59Hi, nice to meet you.
14:00How many people came this time?
14:02I'm waiting for my friends, but he hasn't come yet.
14:05He's like us.
14:07You guys go ahead, I'll wait for you.
14:12What did he say?
14:15Don't be mad at me.
14:16I didn't mean to.
14:18You know I get upset when you're in a hurry.
14:20And this isn't the first time you're doing this.
14:22You're welcome.
14:23This is going to be the last time.
14:25But this is work.
14:26And the guy is bothering me every now and then on WhatsApp.
14:28And I don't want to look small in front of him.
14:30I told you from the start.
14:31If it's work, there's no need for us.
14:32So why are you upset?
14:33Tell her you're upset.
14:34He said he'd be done in two minutes.
14:35That's two words.
14:36I'm leaving because of you guys.
14:42Okay, Sleef.
14:44Can you give me five more minutes?
14:45Ten minutes, not five.
14:47But on one condition.
14:48When we get there, you apologize for the delay.
14:51Is this what you're so worried about?
14:53Okay, Sleef.
14:54When we get there, I'll talk to them.
14:56Don't talk to me.
14:57No, if that's the case, I'll take your leave.
15:01I'll tell you what.
15:02Next time you come to Sharma, just give me a call.
15:04I'll take care of you.
15:05Okay, Sleef.
15:06I'll try.
15:07Try?
15:08I'll take you to places you've never seen before.
15:09People in Sharma don't know them.
15:10I've never been to Sharma.
15:11No, I haven't.
15:12There's no place I've never been to in Sharma.
15:14No, you're crazy.
15:15I don't talk about myself a lot.
15:16I'll leave it to you.
15:17I'll make a phone call.
15:19No, really.
15:20Try it.
15:21No one will blame you.
15:22Wad!
15:24Who's this?
15:26What's this?
15:27Are you following me or what?
15:29By the way, Sleef told me you were here yesterday.
15:32Excuse me.
15:33Maya's account is still open.
15:34Do you know her?
15:35Karma.
15:36The Egyptian Karma.
15:37Dr. Selena.
15:38I'm the executive director of the company.
15:40Really?
15:41Welcome.
15:42My wife, Maya.
15:43Welcome.
15:44Sorry, we're late.
15:46No, it's okay.
15:47Where did you get this?
15:48Yes, this is the Kofta appointment.
15:49I swear to God.
15:50I swear to God.
15:51I've never been late for an appointment.
15:53I promise, my wife.
15:54I promise.
15:55This is Yusuf, my friend.
15:56Hello.
15:57This is Zekem.
15:58This is a very rare opportunity.
16:05The boss has a right.
16:06This is a professional job.
16:08But he has a right.
16:09There's nothing in the house.
16:11I think when we got back, the thief thought we were cheating.
16:15No, boss.
16:16He's missing something.
16:18But you didn't notice.
16:19What is it?
16:21The gold pot that was there.
16:28Really, boss?
16:30The gold pot was stolen.
16:32Well done, Reza.
16:34If it's that simple, it's simple.
16:36Simple?
16:37How is it simple?
16:38This gold pot is worth 24,000.
16:40You should appreciate your efforts.
16:42It's not important, sir.
16:43It's not important.
16:44I got a gift.
16:45I mean, I paid for it.
16:47A gift, not a gift.
16:48We have to report this to the police.
16:50Whoever has it will go to the crime scene,
16:52and get fingerprints,
16:53and open an official investigation.
16:55What scene?
16:56What's wrong with you, Mr. Tawa?
16:58Do you believe what you're hearing?
17:02We're working for the country.
17:04We're going to put the kids in danger,
17:06and beat them up,
17:08until they confess.
17:11Mr. Tawa has a right.
17:12At least we don't have to stand back and forth.
17:15But I don't need all this fuss.
17:17It gives me a headache.
17:19Get out, Mr. Tawa.
17:20Give us a new law, and shut the door.
17:22Is it possible?
17:23Is your wife a symbol of justice and law?
17:26Yes, I'm a symbol of justice and law,
17:28and that's what I'm saying.
17:29Your presence is obvious.
17:31No, I'm not, sir.
17:32What you see is your wife.
17:36Please come in.
17:38Aren't we measuring blood pressure and sugar today?
17:40No, no, it's okay.
17:41We'll do it tomorrow.
17:42No, it's okay.
17:43I don't want to take too long.
17:44I'm afraid I won't like it.
17:46It's okay, sir.
17:47I want to reassure you.
17:49Okay, okay.
17:51I want to buy it.
17:53Are you doubting me?
17:54No, he's been in prison for a long time,
17:56and he's been robbed since he was in jail.
17:58What a blessing!
17:59God bless you.
18:00That's enough, son.
18:01I'm in a hurry.
18:02Give me the money.
18:03Here you go.
18:04Be careful.
18:06Here you go, Uncle Shinawi.
18:08God bless you.
18:09God bless you.
18:10What's this candy?
18:11It's called Shinawi.
18:12In the name of God, the merciful.
18:16No, no, no.
18:18I just want to make sure of something.
18:20I'm sorry.
18:21No, I'm sure.
18:23This is what we call a doctor's gift.
18:25Yes, yes.
18:27That's enough.
18:28I'll take it.
18:29Okay, but give me the date in your hand.
18:31You mean the money?
18:32No, give it to me.
18:34Here you go, sir.
18:35Here you go.
18:36What did you say, Shinawi?
18:3815 pounds.
18:39That's a lot of money.
18:40I told you to give me the date in your hand.
18:42I told you from the beginning that you're a robber,
18:44and you came to rob us.
18:45It's 24 pounds.
18:47You want to take 15 pounds?
18:49It's 24 pounds.
18:52It's made of copper.
18:54Copper?
18:55Yes.
18:56I thought I was going to rob you.
18:57Don't rob me, brother.
18:58I brought you from the prayer mat.
18:59This is called a pig in a cage.
19:01No.
19:02Except for the honor of the job.
19:03And then if you don't believe me,
19:05here you go, sir.
19:06Here's your pig.
19:08Yes.
19:09This is the best copper in the world.
19:11I'm going to take the pig to your house
19:13and give you 15 pounds.
19:15In the end,
19:16no praise, no thanks.
19:18Oh, peace.
19:20Peace.
19:22Wait a minute, Shinawi.
19:24Shinawi.
19:26Why are you so rude?
19:27You made me kill my friend.
19:29Your friend?
19:30He's the one who finishes and brings the rest.
19:31He wants to give him gold for free.
19:33And we didn't know he was gold.
19:34Are you sure?
19:35Yes, I'm sure.
19:36I'm going to take the pig and make sure for myself.
19:39What if it's copper, dear?
19:40Oh, no, mother.
19:41If it's copper,
19:42you'll say,
19:44Your mother ruined you, son of a bitch.
19:54It's all right now.
19:55We've searched the crime scene
19:57and collected all the evidence.
19:58As if we were going to let the criminals get away,
20:00Mr. Counselor.
20:01This door closes every night.
20:04And Gaber says
20:05if he finds his place,
20:07he'll close the door behind him.
20:09Excuse me, sir.
20:10I still can't believe
20:12that you're dealing with a theft crime
20:14at this time.
20:16Sir,
20:17I forgive my rights.
20:19And what about society's rights, sir?
20:21Oh, that's right.
20:22Why did I come to you all of a sudden?
20:24Sir, I'm free.
20:25I'm with society.
20:26And you're not the official speaker
20:28on behalf of society,
20:30and I don't know that.
20:31Well, don't scare me, sir.
20:33How is it not harmful
20:34to steal something
20:35of great value to you, sir?
20:37Because
20:38what's in the bag
20:40is nothing.
20:42And thank God
20:43that it came to this.
20:45From my experience with you,
20:46Mr. Counselor,
20:47I feel that there's a big secret
20:49that you're hiding behind this theft.
20:51Right?
20:52And from my experience with you,
20:54I'm telling you
20:55that if you add one more word,
20:57I'll fire you.
20:58Would you like to fire me?
21:00Huh?
21:01No, why?
21:02Okay, fine.
21:03I'm saying the same thing.
21:05Disappear!
21:06He's the one who did it,
21:08there's no one else.
21:09How do you know
21:10that he's the one
21:11who showed up when you threatened
21:12the grown-up man
21:13who came here?
21:15And is this secret
21:16a threat or a threat?
21:17It was my fault
21:18when I pulled my tongue
21:19and told him about the gold
21:20and the goldmine.
21:21Okay, calm down.
21:22This man is a mountain
21:23and he's afraid of his imagination.
21:24He won't do it.
21:25No, he'll do it,
21:26but I won't keep quiet.
21:27Really?
21:28Wait a minute, Rada.
21:29Wait a minute.
21:30Rada?
21:31Yes?
21:32Yes, Mom.
21:33What do you want?
21:34What are you going to do, girl?
21:35I'm going to tell Nabil Besha,
21:36and he'll shut up.
21:37No, Rada.
21:38No, Rada.
21:39No, you can't go
21:40on your own.
21:41What do you mean, Mom?
21:42I'm going to let Azeema
21:43be humiliated for stealing
21:44and Nabil Besha
21:45be humiliated for losing?
21:46No, I'm going to tell Nabil Besha
21:47and whatever happens, happens.
21:48And if Azeema
21:49didn't do it,
21:50then he'll put you
21:51in his head
21:52and hurt you more
21:53than he knows you.
21:54What do you mean, Mom?
21:55So you're going to shut up
21:56and put me next to
21:57an old man who's deaf
21:58and doesn't know me
21:59and hurts my heart?
22:02What do you want, Mom?
22:03What do you want?
22:04You're hurting me,
22:05you know that?
22:06Okay, sit down,
22:07sit down.
22:12Did you take your medicine
22:13today?
22:15I don't know.
22:16I swear I don't remember.
22:17Why, Mom?
22:18I do everything
22:19in this house
22:20by myself.
22:21Why?
22:26Azeema?
22:27Mrs. Tamazi.
22:38Mom,
22:39go see what's wrong with her.
22:42She's usually
22:43depressed
22:44and in a bad mood.
22:45I'm here for her.
22:46I did something wrong
22:47and we're here for her.
22:48No, not at all.
22:49We didn't even follow her.
22:51She's been acting
22:52very strange lately.
22:53She has these
22:54problems that we don't have.
22:55I'm sorry, Yasmeen.
22:56Maybe you were
22:57doing it on purpose.
22:58All of a sudden, Mom?
22:59Don't leave her alone.
23:00Are you going to leave
23:01or are we going to leave?
23:02We're going to leave, of course.
23:03I just hope she doesn't
23:04get depressed like every time.
23:08Babylon Police Department
23:15What's with you, Sir?
23:16You thought this
23:18was your晚äñäâmä
23:21I don't believe it.
23:23A 24-gallon gold hook,
23:25calling it a سريع سكا?
23:26Are you kidding me?
23:28This isn't even a gold,
23:29nor an 18-gallon hook.
23:31This is a copper hook.
23:33Copper?
23:34Yes, copper,
23:35I didn't take anything from her.
23:37I didn't take anything from you, Zohor.
23:39I went to the teacher to make sure that it was fake.
23:42I mean, the dagger was fake.
23:44So, this wasn't the dagger that was in the Pasha's house?
23:47It was, my sister, the one I was holding in my hand.
23:49Those who took advantage of it and cut it.
23:51But it turned out that my Pasha had a fake one, too.
23:54So, you admit that you stole it?
23:56I stole a piece of a toy.
23:57It was too big to fit in the room.
23:59And where did you get the gold from?
24:01It was everywhere.
24:02Of course, the Pasha is a thief.
24:04He hides them before he comes down.
24:05So, you're saying that I'm not done with him yet?
24:07What are you saying?
24:08You're saying that I'm with the Pasha.
24:09I mean, I have two ways.
24:11I can throw the dagger in the sewer
24:13and you can throw it to my daughter in the neighborhood to threaten me.
24:16Don't say my daughter.
24:18I said what I wanted to say in front of your mother
24:20so that you would be a witness to us.
24:22Do you think I'm a fool, Hajja Toto?
24:24I'll make you a drink, Hajja.
24:26No, Hajja.
24:27I drink my own juice and I don't offer it to your daughter.
24:30And if you know his religion, read his Fatah.
24:36Goodbye, sister.
24:44Are you tired or tired?
24:46Both. I'm tired and I'm tired.
24:48And what happened to all this?
24:49What happened is that I don't want to go out with people I don't know.
24:51But you know that we're going out with people you don't know.
24:54And you didn't have a problem with them.
24:56I didn't have a problem until I met this friend of yours.
24:59What's wrong with him?
25:01I don't know.
25:03I'm not comfortable with him.
25:04He looks like he's drunk and he's drunk and he's dancing.
25:07Wow.
25:08This is the first time I know that drinking, dancing and dancing are bad for you.
25:12It's not like that.
25:14I thought he didn't look like you at all because he's your friend.
25:17And then he was talking to Maya
25:19and you were flirting with his sister at work.
25:21It's not like I went out alone.
25:22What work did you flirt with his sister at?
25:24The work was done in four days.
25:25I don't know.
25:27It was a stupid idea and that's it.
25:29After that, when you want to go out with your friends, go out alone.
25:32My love, I'm going out for a reason.
25:34You know that I don't like these places.
25:36But you have a chance.
25:38Let's take a break and change the mood.
25:40I didn't know you were going to call me like this.
25:43If I had known that you were going out like this, I wouldn't have come.
25:46Like this? How?
25:48Like this and that's it.
25:51Yusuf
25:54Yusuf
25:55Of course, he was surprised that we didn't tell him.
26:01Yes, Yusuf.
26:02What is this?
26:03We can't go back to the table?
26:05What's wrong? Did something happen?
26:07No, not at all.
26:09It's a little tired.
26:11We had to go.
26:12Tired?
26:13No, I'm fine.
26:15Are you feeling better now?
26:18Yes, I feel better, thank God.
26:19There are diseases that the doctor can't cure.
26:22Should I get you a doctor?
26:25No, I'm serious.
26:27Do you need any help?
26:28No, thank you.
26:29Okay, sir.
26:30Send my regards to her.
26:31Tell her that Karima sends her regards to you too.
26:33Okay.
26:34I'm sorry, I'm late. I thought you were going out.
26:37Sir, I'm going out in 60 minutes.
26:39Take care of her.
26:40Okay.
26:41Good night.
26:44She's tired.
26:45She's tired, yes.
26:46She made this movie to leave me and go away.
26:49This is the first time I'm convinced of what you're saying.
26:51Ever since I saw you, she's become someone else.
26:53You mean she's become a real promise.
26:55She can't keep the mask she's wearing in front of her husband while I'm here.
26:58But her husband is a very respectable man.
27:00He's a great man.
27:01He's excellent.
27:02And she's like honey.
27:03But they're all the same.
27:04We can't find each other, Carmela.
27:06But you and her...
27:08Not like that.
27:09Omar and Salma.
27:10So what?
27:11Are you going to stay with her until she leaves her husband and stays with you?
27:13Or until she's convinced that she really wants to continue her life with him.
27:16Then I'll leave her and go back to the place I came from.
27:19And I won't show them anything else.
27:21This is a very dangerous game, Youssef.
27:23But it's worth it.
27:24And I have my head in the game.
27:25I'm still calm.
27:26Don't tell me what you're going to do.
27:27I'll tell you.
27:28But everything has a price.