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Movie Fire
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Woman of the Hour (2023)

Cheryl Bradshaw, a single woman looking for a suitor on a hit 1970s TV show, chooses charming bachelor Rodney Alcala, unaware that, behind the man's gentle facade, he hides a secret.

#hollywoodmovies#Drama#Movies
Transcript
00:00:00I've never done this before, what do I do?
00:00:09Just be yourself.
00:00:11Try and forget that there's a camera here.
00:00:15Tell me about yourself.
00:00:16Where are you from?
00:00:17Texas.
00:00:18Texas?
00:00:19Really?
00:00:20What brings you to Wyoming?
00:00:24My boyfriend and I wanted to, uh, well, ex-boyfriend, we wanted to see all 50 states, like, to say
00:00:33that we had seen all of the states before, um, um, shit, I'm so sorry.
00:00:53Hey.
00:00:56You don't need to apologize.
00:00:58It's so embarrassing.
00:00:59No, it's not.
00:01:00Hey, look at me.
00:01:08You're beautiful, okay?
00:01:10It's fine.
00:01:12Just keep talking, okay?
00:01:19So, yeah, we, we wanted to have this big adventure before the baby came, so, that was the plan.
00:01:34Um, and then he just left, and I, I, I, and I don't know if it was me or if he just, he
00:01:49just didn't want to be a dad.
00:01:55Have you told your family?
00:01:58No.
00:02:02No, my mom, she never liked him, and I, I don't want to hear I told you so.
00:02:13Yeah, I'm, I'm terrified.
00:02:18Like, I knew he was risky, but, like, fuck it, everyone's risky.
00:02:30I don't know.
00:02:33I'm so sorry.
00:02:36I'm just, blah, you know?
00:02:37I just, I haven't really had a chance to talk to anyone about it yet, and I, um, I really
00:02:42needed that.
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00:05:04What about her look?
00:05:05It's okay.
00:05:06She kind of looks like that one girl in that thing, from the ...
00:05:07From the movie about the junkies in Central Park?
00:05:08Yes, I hated it.
00:05:09Did you like it?
00:05:10Oh, god.
00:05:12It's bad.
00:05:13It's horrible.
00:05:15Didn't you want me to try it again?
00:05:24No, that was great
00:05:25It says here that you did your BFA in acting at Columbia.
00:05:29Yeah.
00:05:30I have a friend who went through that program.
00:05:32It's a great program, yeah.
00:05:34What year did you graduate?
00:05:37Hm?
00:05:38We might know each other.
00:05:40I might. What's his name?
00:05:44Kevin Wetmore.
00:05:45Mm, he might have been before me.
00:05:49How do you know he wasn't after you?
00:05:55And you're okay with nudity, right?
00:05:58Uh, no. Um, just not for me.
00:06:01Oh. No, I'm sure they're fine.
00:06:09All right. Well, we'll be in touch.
00:06:14Okay.
00:06:15Um, well, great.
00:06:17Yes.
00:06:18Thank you guys so much.
00:06:20Um, just have a great rest of your day.
00:06:23Always nice to see you.
00:06:24Likewise.
00:06:25You too.
00:06:26Thanks.
00:06:27Hey, Cheryl.
00:06:28Yeah.
00:06:29No.
00:06:30No.
00:06:31Uh, oh, Janet?
00:06:33Janet.
00:06:34Janet.
00:06:40I really appreciate that you keep inviting me to audition.
00:06:44I would just love it so much if you could look up from the table when I'm reading the scene.
00:06:50I would just, just really make my day.
00:07:00Olive!
00:07:06Okay.
00:07:10Sort of a big deal. Network execs don't always give actors direct notes, but that's like the best part.
00:07:14This one pulls me over and what does he say?
00:07:16He says, your face. Something about your face has a lot of character.
00:07:18Which is great, which means if I test well, they'll make me a recurring cast member.
00:07:21You know, not every single episode, but you know.
00:07:24Hey, how's it going?
00:07:26Hi.
00:07:27How'd it go?
00:07:28Um, yeah, not, I don't, not that great I don't think.
00:07:32What? You're kidding.
00:07:34Yeah, I know, I know. I made you run all those lines with me again for nothing.
00:07:38Okay, no, acting is never a waste of time.
00:07:40I was acting, you were acting, actors act.
00:07:42Well, that's very sweet.
00:07:44No.
00:07:45I'm being real.
00:07:46Alright, I'm not being sweet, I'm being sincere.
00:07:48That choice you made when you started whispering when you were talking about your mom.
00:07:51Yeah.
00:07:52You need goosebumps.
00:07:53It sounds like your thing went well, huh?
00:07:55Well, I don't want to talk, yes, I mean it went very well.
00:07:58Well, I want to hear all about it.
00:07:59You're just so good, I don't know how you're not booking anything.
00:08:04Hello?
00:08:05Hi Cheryl, I have Helen for you.
00:08:06Terry.
00:08:07I just need a minute.
00:08:08Oh yeah, no problem.
00:08:10Hey, sorry I missed your call.
00:08:11Mm-hmm.
00:08:12I had a client walk off set.
00:08:13Yeah.
00:08:14Director fired a gun, it's just chaos.
00:08:16Oh wow, that's um...
00:08:18No, that sounds crazy.
00:08:20No, I just walked in the door.
00:08:21Did they call already?
00:08:22They loved you.
00:08:23No, I really don't think they did, actually.
00:08:25Well, they thought you weren't quite right for this role, you know?
00:08:28So good.
00:08:29Yeah.
00:08:30So good.
00:08:31Yeah, I'm auditioning in a couple weeks, I think.
00:08:33They just weren't sure that you were passionate about the project.
00:08:37I mean, I am trying, but sure, yeah.
00:08:40I feel like we've been getting that feedback a lot lately.
00:08:43Are you still working with that acting coach?
00:08:45Can we find you a...
00:08:47Um, look, Helen.
00:08:48Yeah, yeah.
00:08:49Um, I think I can maybe just beat you to the punch a little bit here.
00:08:55Yeah, I'm rambling, you go ahead.
00:08:57I'm working really hard and I'm accomplishing very little.
00:09:00So, I'm not really sure what I'm doing in L.A. anymore.
00:09:06Oh, lots of people go through that.
00:09:09Right.
00:09:10Helen, I can barely afford my rent.
00:09:14Hold that thought.
00:09:15Promise.
00:09:16Hand me my music.
00:09:18Cheryl, honey.
00:09:19Yeah.
00:09:20Okay, sweetie, you know the ABC studios where they shoot all those things?
00:09:23Mm-hmm.
00:09:24You know the ones.
00:09:25The stages in the Valley.
00:09:26Yeah, yeah, yeah.
00:09:27Well, I booked you a guest spot on a TV show.
00:09:30Wait, really?
00:09:31Yeah.
00:09:32Yeah, you bet.
00:09:33Friday.
00:09:34Right, but I didn't audition.
00:09:36You didn't have to.
00:09:37I sent them your resume.
00:09:38They think you're perfect.
00:09:40Um, what's the show?
00:09:43Bachelor number three.
00:09:46If I were an ice cream sundae, what flavor would you want me to be?
00:09:49And how would you eat me?
00:09:52Well, if you were my ex-wife, I'd have to say Rocky Road.
00:10:01Um, I need a drink.
00:10:03I'm a vanilla man myself.
00:10:05You know, I didn't think I'd come out here and be famous.
00:10:07I just, I thought if I was disciplined.
00:10:10And I have been.
00:10:11Yeah, you're locked in your apartment, running lines.
00:10:14I can hear you most of the time.
00:10:16I have notes.
00:10:17I have a few notes.
00:10:19And I haven't even been on a date in two years, because I didn't want the distraction.
00:10:23And now, I don't know, Helen, Helen says it's good because it'll get me seen.
00:10:31And Sally Field was on the show, so she's not totally wrong.
00:10:37It still just feels...
00:10:40Beneath you?
00:10:42You think I'm being a brat?
00:10:44No, it's beneath you, but I still think it's a good thing.
00:10:47The show?
00:10:49No shit.
00:10:50Why?
00:10:51Because you're going to meet some cheeseball guy who you'll spend all of two minutes with.
00:10:55And you'll hate.
00:10:57And then, you'll be back here.
00:10:59Right here at the bar, laughing about it with me.
00:11:01Why will I hate him?
00:11:03Because he's going to be a dork.
00:11:06And you'd rather be hanging out with me.
00:11:09Yes, obviously.
00:11:10Obviously.
00:11:11I mean, you're basically my only friend out here.
00:11:13Well, that's good.
00:11:22Alright, shall we? Another?
00:11:24No, I probably shouldn't.
00:11:26I've got my big break coming up, so...
00:11:30I don't want to look like garbage for that.
00:11:33You could never look like garbage.
00:11:35You always look beautiful.
00:11:38That's sweet.
00:11:42Oh, oh my god, sorry!
00:11:45That just took me by surprise.
00:11:49No, that just tickled for...
00:11:53That just took me by surprise.
00:11:56Sorry.
00:11:58I think I'm a little jumpy. I had a weird...
00:12:01Pretty weird day.
00:12:04Yeah, no, I...
00:12:06I get it.
00:12:17Okay, great.
00:12:23Do you want to leave?
00:12:28No, um...
00:12:31No, we should have another one.
00:12:52Wake up!
00:12:58You can't stay here.
00:13:00Let's pack it up.
00:13:01Yeah, okay.
00:13:02Let's keep it moving.
00:13:28Everybody's fine.
00:13:59Hey!
00:14:03We need to keep this all clear.
00:14:07I can't sleep here.
00:14:10Unbelievable.
00:14:28Shit.
00:14:40Shit, shit, shit.
00:14:43Hey!
00:14:44Hey!
00:14:45Come back here!
00:14:50Hey!
00:14:51Hey!
00:14:52Hey!
00:14:53Hey!
00:14:54Fuckin' bitch.
00:15:25Can I help you with something, buddy?
00:15:29I'm sorry, I didn't mean to...
00:15:33I just saw you sitting there.
00:15:37The light is perfect.
00:15:49You're beautiful.
00:15:54What?
00:15:56Did I say something?
00:15:59Dude, I look pretty fuckin' far from beautiful right now.
00:16:01What are you talking about?
00:16:03You're gorgeous.
00:16:05You got this, uh, like a...
00:16:07Like a Linda Mance thing going on.
00:16:09I don't know who that is.
00:16:11She was in that movie, uh...
00:16:12Days of Heaven.
00:16:16Well, consider me fuckin' swept.
00:16:21So you ever done any, uh, modeling before?
00:16:25Dude, I'm broke as shit.
00:16:27So whatever you're trying to sell me...
00:16:29I'm not trying to sell you anything, I'm serious.
00:16:32There's this photo contest that I want to enter and I've been looking for a subject.
00:16:36I think you'd be perfect for it.
00:16:39Hold that pose.
00:16:41What pose?
00:16:42That pose.
00:16:45Now look over your left shoulder.
00:16:47That's your right, your other left.
00:16:51There you go.
00:16:53Now look right into the lens, right here.
00:16:55And give me that look you just gave me.
00:16:57Come on.
00:16:59There she is.
00:17:01Look at you, one more.
00:17:03You know, Farrah Fawcett, she's got nothing on you.
00:17:09So what do you say?
00:17:18Okay.
00:17:31Lisa?
00:17:32Farrah!
00:17:33Hi!
00:17:34I'm so sorry I'm late.
00:17:36No, it's fine.
00:17:37There was an accident on the 101.
00:17:39It's fine.
00:17:42Do you need anything?
00:17:43I can get you a coffee, water.
00:17:45Uh, no, thank you.
00:17:46I can get you a bagel.
00:17:47No, really, I'm fine.
00:17:49Helen tells me you're from Pennsylvania.
00:17:51Um, Allentown, yeah.
00:17:52Oh, I went to Penn State.
00:17:54Oh, uh, go Lady Lions.
00:17:57Can I get you a water?
00:17:58Oh, you asked me that already.
00:18:00Right through here.
00:18:01Great.
00:18:02Great.
00:18:05So, you excited about this?
00:18:07How are you feeling?
00:18:08Um, good.
00:18:09Yeah, I think it'll be fun.
00:18:11It'll be so fun, I promise.
00:18:13We're going to get you through hair and makeup.
00:18:15I saw your bachelors backstage.
00:18:16You got a good batch.
00:18:18Oh, really?
00:18:19What are they like?
00:18:20They're idiots.
00:18:21All of them.
00:18:22I don't know where they get them from.
00:18:24From under a rock.
00:18:25Right?
00:18:26Do you remember that one guy that we had on the show?
00:18:28Um, filmmaker.
00:18:29Oh, Jesus Christ.
00:18:30Oh, my God, he was beautiful.
00:18:33But I'm telling you, the IQ of a lug nut.
00:18:35Oh, it was really too bad.
00:18:37You want some?
00:18:38No, I'm good.
00:18:39So, he shows up with his identical twin brother and he says,
00:18:42Oh, I'm making a movie.
00:18:44And he's acting in it.
00:18:45I'm the star.
00:18:46But he's playing my best friend.
00:18:49His identical twin brother is playing his best friend.
00:18:52What the hell is that about?
00:18:53Brilliant.
00:18:54I love it.
00:18:55Oh, God.
00:18:56Is it possible to get a guy in this town that isn't a maniac?
00:18:58Or a total moron.
00:18:59Hello.
00:19:00Hey, how's everybody doing?
00:19:01Whoa, a room full of beautiful women.
00:19:03Hey, let's put that skunk away.
00:19:04You're going to get me in trouble.
00:19:05What's up, Marilyn?
00:19:06So, this is Cheryl.
00:19:08Yeah, hi.
00:19:09They told me that you went to Juilliard.
00:19:11No.
00:19:12No, that's fantastic.
00:19:13So, I guess you're a real music freak.
00:19:14Do you like this?
00:19:15Do you like the sound of this?
00:19:16Yeah, it's cool.
00:19:17There you go.
00:19:18See?
00:19:19Women love that black sound.
00:19:21Come on.
00:19:23Whatever happened to Tony Bennett?
00:19:25Whatever happened to Bing Crosby?
00:19:27If you want soul, listen to Perry Como singing Moon Glow.
00:19:30Hey, can you do me a favor?
00:19:32Yeah.
00:19:33Okay.
00:19:34You're an intelligent girl.
00:19:35Anyone can see that.
00:19:36But when you get on that stage, though,
00:19:38I don't want you to play so smart.
00:19:39All right?
00:19:40The guys are getting intimidated.
00:19:42You know, boys, they're babies.
00:19:43Right.
00:19:44So, that's right.
00:19:45I just need you to laugh and smile just over and over.
00:19:47Oh.
00:19:48Can you do that for me?
00:19:49Yeah, sure.
00:19:50I appreciate it.
00:19:51Of course.
00:19:52There you go.
00:19:53You have a beautiful smile.
00:19:54Mr. Burke?
00:19:55Yeah?
00:19:56Your wife's on the phone.
00:19:57Okay, thanks.
00:19:58Is this the dress you're wearing?
00:19:59Yeah, yeah.
00:20:00Hey, Bruce?
00:20:01Hey, Bruce, can you hear me?
00:20:02Yeah.
00:20:03Yeah.
00:20:04Can we get her in something just a little more flattering?
00:20:06I mean, she's got the body, so let's use it.
00:20:08All right, thank you so much.
00:20:11Looks perfect.
00:20:13The audience is filling up.
00:20:15Everyone's getting excited.
00:20:17Great.
00:20:18Looks great.
00:20:19Um, actually, you know what?
00:20:20We should try that up, too.
00:20:21Yeah, whatever you want.
00:20:23I like it down.
00:20:24You like it down?
00:20:25Okay, let's do, let's do down.
00:20:26All right.
00:20:27Nice and flowing.
00:20:28Fabulous.
00:20:40Careful.
00:20:41Smooth it out.
00:20:42Watch the car.
00:20:43Relax, Mom.
00:20:44It's fine.
00:20:45This is it?
00:20:46It doesn't look like a television studio.
00:20:48Mom, how would you know?
00:20:49You've never seen one.
00:20:50Hey, don't talk back to your mother.
00:20:52It just looks so drab.
00:20:53Look what you see on TV, all these lights and stages.
00:20:56There's lights inside, I promise you.
00:20:58Doesn't it look drab to you?
00:20:59Should we grab the umbrellas?
00:21:00I think it's gonna rain.
00:21:01It's gonna rain?
00:21:02Come on.
00:21:03Let's hurry it up.
00:21:04How are you holding up?
00:21:06I don't know.
00:21:08I'm feeling a little drab.
00:21:11You know, on TV they have all those big lights and stages.
00:21:14Yeah, yeah.
00:21:16So, what do you think?
00:21:18It's great.
00:21:19Awesome.
00:21:25We're ready for you.
00:21:29Okay.
00:21:31All right, everybody, let's get started.
00:21:33It's fine to start without the line feed.
00:21:38Yeah, it's fine.
00:21:39Good to go.
00:21:40It's great backstage.
00:21:41Live from the Japan-estated Hollywood Billboard, it's The Dating Game.
00:21:42And now, your host, Ed Burke.
00:21:43Thank you so much.
00:21:44Thank you so much.
00:21:45For two times.
00:21:46Welcome back to The Dating Game.
00:21:47I'm your host, Ed Burke, and we're absolutely thrilled you're all joining us tonight.
00:21:48And who knows?
00:21:49We'll see you next time.
00:23:05I gotta get out of here, somewhere I can see the sky.
00:23:11I can't wait.
00:23:13No, the place is great.
00:23:19It's coming together.
00:23:23I'm still seeing you this weekend.
00:23:26Right?
00:23:27No.
00:23:28You better.
00:23:29You're in the doghouse now.
00:23:32Ok.
00:23:33Shit.
00:23:34Damn.
00:23:35**Water running**
00:23:41**Humming**
00:23:58**Door opening**
00:24:04Shit!
00:24:06Sorry! Coming!
00:24:10Coming!
00:24:12Hey! Hey!
00:24:14Hey, is this for 2A?
00:24:15It is.
00:24:16Okay, great. Here, I'll let you in.
00:24:18We've been ringing the apartment for 10 minutes.
00:24:20Sorry, I was in the shower. I didn't hear it.
00:24:24Tommy, let's go!
00:24:27What?
00:24:29You're just gonna leave it all out here?
00:24:30Wish we could help, but we have a schedule to keep.
00:24:34**Car engine starting**
00:24:46Hey, Ansel Adams!
00:24:49This is like the last thing.
00:24:50Yeah.
00:24:51Yeah, I think it is.
00:24:53Okay.
00:24:55Almost.
00:24:57Okay.
00:24:59You want a beer?
00:25:00You've never heard of Roman Polanski?
00:25:01He's the doorman at the Ice Palace, right?
00:25:03No, no, no.
00:25:04Big guy with the tattoos?
00:25:05No, no. He's the short guy who directed Repulsion and Rosemary's Baby.
00:25:10Are those movies?
00:25:11What do you mean? You're killing me. I'm trying to name drop here.
00:25:13Drop away, man!
00:25:14No, because you don't know who I'm talking about, so it's not as impressive.
00:25:21You're fucking with me.
00:25:22Have I seen Rosemary's Baby? Come on!
00:25:25I don't know. Maybe you don't like scary movies.
00:25:27I don't like scary movies, but I've seen Rosemary's fucking baby!
00:25:31Okay, so I took a class with him at NYU, all right?
00:25:34With Roman Polanski, I mean.
00:25:36And that's it. That's all I wanted to say.
00:25:39Very impressive.
00:25:42Do you feel better now?
00:25:49You still go there?
00:25:50I just graduated.
00:25:52Congratulations! That's amazing.
00:25:54So, what now?
00:25:56I'm off to New Hampshire, actually.
00:25:58Yeah, I'm going to be teaching kids photography.
00:26:01Very cool.
00:26:02Yeah. You know, it's crazy.
00:26:06It's my last day here, and I meet you.
00:26:11Like, it's so hard to meet people, you know, that you can connect with.
00:26:15So, when I do, I just, I like to savor the moment, you know?
00:26:23Yeah.
00:26:24Yeah.
00:26:26Yeah, no, I'm, I'm the same way.
00:26:34Hey, so I should probably get this shit together.
00:26:37I mean, this place is a mess.
00:26:39I have to get unpacking. It's, like, such a disaster.
00:26:42I don't know where anything is going to go.
00:26:44It's, ugh, I don't know. It's insane.
00:26:46But thank you so much for your help.
00:26:48It's very, very, very useful.
00:26:54So, you said you were a stewardess?
00:26:56Uh, yeah.
00:26:59What's that like?
00:27:01Well, I get to get groped by sweaty businessmen while putting things in the overhead, so.
00:27:06That's not to love.
00:27:08But it, no, it is great.
00:27:10I mean, I get to see the world and travel for free, and...
00:27:15I mean, I get to go to Egypt next week.
00:27:18I've always wanted to go to Egypt, so I'm very excited.
00:27:22I think at first I was afraid that I was going to get lonely, being away from home, but...
00:27:27Can I take a picture?
00:27:51No!
00:28:21There she is. What a beauty.
00:28:23Come on down here, darling. Come on down.
00:28:28There we go. You can stand right there for me.
00:28:31Cheryl is an aspiring actress from Scranton, Pennsylvania.
00:28:34She used to work massaging feet, but quit when her boss asked her to work her way up.
00:28:39She moved here from L.A. after graduating college and now is hoping to find a Romeo to compliment her Juliet.
00:28:45My goodness, you are a beauty. What a knockout.
00:28:47How are you doing, Cheryl?
00:28:48Uh, doing well.
00:28:49Okay, fantastic. Are you ready to get this party started?
00:28:51Yep.
00:28:52Okay, well, let the games begin.
00:28:55All right, now the rules of the game are simple.
00:28:57There are three bachelors behind this partition.
00:28:59You can ask them whatever you'd like, except for their name, age, or occupation.
00:29:02When this game is over, you simply pick which one you'd like to go out with.
00:29:05Sound good?
00:29:07Great.
00:29:08That's another one. Could you please say hello, Cheryl?
00:29:11Hi, Cheryl. Pleased to make your pleasure...
00:29:14No, I mean, pleasure to meet your...
00:29:18Save that talk for the date.
00:29:19Pleasure to make your acquaintance.
00:29:21There we go.
00:29:22Third time's a charm. Bachelor number two?
00:29:24Hello, Cheryl.
00:29:26Hello, hello, hello.
00:29:29If you want a groove, pick number two.
00:29:31Oh, God, is it stuck like that?
00:29:33We'll have to find out.
00:29:35And would you please say hello to Cheryl, bachelor number three?
00:29:39Lights up on number three.
00:29:41We're gonna have a great time together, Cheryl.
00:29:45Oh, he's confident.
00:29:52Well, now that you know what they sound like, are you ready to take it to the next step?
00:29:55I think I am.
00:29:56Do you have your questions set?
00:29:57Sure do.
00:29:58All right, let's take a seat and make yourself comfortable.
00:30:00And here we go.
00:30:07Oh, Jesus, Ed.
00:30:08Okay, can you hear the applause sign?
00:30:15Bachelor number one.
00:30:17We're in a drama class, and it's the big audition.
00:30:20You're a nerdy schoolboy asking me out on a date.
00:30:23Take it away.
00:30:25Uh...
00:30:27Hey.
00:30:29Uh, I'm a...
00:30:31You know, I'm a nerdy schoolboy.
00:30:34Do you want to go on a date?
00:30:37Is that it?
00:30:39Yeah.
00:30:41Well, we got a genius.
00:30:43We got a genius.
00:30:44He did it simple. I like it, bachelor number one.
00:30:46Um, bachelor number two.
00:30:48You're the captain of the football team.
00:30:50Go.
00:30:52Hey there, Peggy Sue.
00:30:54You okay?
00:30:55What are you looking at?
00:30:56I'm fine.
00:30:57I was thinking if you weren't doing nothing,
00:30:59maybe we could play a game of touch football.
00:31:01I'd be sure it'd be scandalous.
00:31:03I don't know. That sounds awfully rough.
00:31:06Rough and rowdy, that's the way I like it, babe.
00:31:09Bachelor number three.
00:31:11You're the accomplished professor.
00:31:13Go for it.
00:31:15Young lady, I'm going to need you to stay after class
00:31:19and have a word with me.
00:31:21Oh, do you need to teach me a lesson?
00:31:25Yes. Yes, I do.
00:31:27In fact, you're going to have to bend over...
00:31:31backwards with dedication.
00:31:41Okay, um, bachelor number one.
00:31:50If I served you for dinner, what would you be?
00:31:53Uh, I am the buffet.
00:31:56I've got to get out of here.
00:31:58Right now? It's the middle of the show.
00:32:00I've got to go to the bathroom.
00:32:02Stop.
00:32:04Bachelor number two.
00:32:06Oh, I'm the big old green salad
00:32:08with the vinaigrette on the side
00:32:10because I like things undressed.
00:32:14Oh, that's funny.
00:32:21Bachelor number one.
00:32:30Jesus, what the fuck was that?
00:32:32Guys, what was that?
00:32:34Was that part of the show?
00:32:36What do we do?
00:32:41Somebody down there can catch a picture.
00:32:47Say something.
00:32:49Uh, well, ladies and gentlemen,
00:32:51that is the end of round one,
00:32:53and I think we're going to hear from our sponsors.
00:32:59Go to commercial. Go to two. Go to two.
00:33:03What the fuck was that?
00:33:05Okay, everyone, we're resetting.
00:33:07Someone clean that up.
00:33:10Oh, baby, you're doing amazing.
00:33:12Just knocking it out of the park, seriously.
00:33:14Great.
00:33:16Hey, the magic of television, huh?
00:33:19Well, we got some time.
00:33:21Who's here from out of town, huh?
00:33:23Hollywood? First time?
00:33:25Oh, bet you didn't think it was going to be that exciting.
00:33:29Let's clean this up.
00:33:31Oh, shit.
00:33:34Oh, shit.
00:33:57Oh, damn it.
00:34:04Aah!
00:34:28Um, do you know where...
00:34:30Probably somewhere upstairs holding court.
00:34:36Yeah, I met her at Warren Beatty's house.
00:34:38Warren Beatty's house.
00:34:40Let's see this fucking guy.
00:34:42Hey, uh, Rodney?
00:34:44This is new guy, uh, Mario, right?
00:34:46Yeah.
00:34:48And her parents let you take this?
00:34:50Let me. They paid me.
00:34:52No.
00:34:56Yeah, I know how it works.
00:35:01Oh.
00:35:16You know, I took that one in Malibu a few weeks ago.
00:35:20Yeah.
00:35:22It's nice.
00:35:24I was just thinking maybe go in there later today.
00:35:27I usually find my subject on the beach,
00:35:29but I feel like you'd look great in that light suit, you know?
00:35:32If you're around.
00:35:34Yeah. Yeah.
00:35:36I mean, I'm not... I'm not busy.
00:35:38You're not busy?
00:35:44Rod.
00:35:46Rod?
00:35:48Yeah.
00:35:50Some people are here to see you.
00:35:52Yeah, who? Warren Beatty?
00:35:54It's the police.
00:35:56Oh, yeah, I know.
00:35:58My place, it was jacked last week, so...
00:36:01You know, some of the camera equipment was lost.
00:36:04They're probably just following up on that, you know?
00:36:07All right, I'll see you guys later.
00:36:12Bar's over.
00:36:18Yeah, okay.
00:36:20Okay, good night.
00:36:39Yeah.
00:36:41Yeah, you know, we always got to check these things out.
00:36:43Hey, just doing your job.
00:36:45Sorry for the misunderstanding.
00:36:47That's okay. Thank you, guys, yeah? Appreciate it.
00:36:56Just sit in this bed, babe.
00:37:26Okay.
00:37:56Hey.
00:38:16Uh, so, um...
00:38:18Later?
00:38:20I can't, because they actually want me to stay late,
00:38:23and I, there's, like, nobody here.
00:38:25Short on staff.
00:38:27Um...
00:38:31Another time?
00:38:35Yeah.
00:38:39I'll find someone else.
00:38:41Okay.
00:38:45Sorry.
00:38:54Okay.
00:38:56Allison?
00:39:20Allison?
00:39:22Al, are you in there?
00:39:24Hey, Al, I've been calling for a while.
00:39:26I'm just a little worried about you.
00:39:30Okay, I'm gonna need you to sit in the spare.
00:39:32Now, I'm coming in, okay?
00:39:34If you're in there, I'm coming in.
00:39:36Okay.
00:39:38Okay.
00:39:40Okay.
00:39:42Okay.
00:39:44Okay.
00:39:46Okay.
00:39:48Okay.
00:39:50Okay.
00:39:52Okay.
00:40:02Excuse me.
00:40:04We're working here.
00:40:06What'd I tell you?
00:40:08Lug nuts.
00:40:10How am I doing?
00:40:12You're great. Fabulous.
00:40:14What is it? What's the matter?
00:40:16Nothing, nothing.
00:40:18Um, I'm trying to do what Ed said.
00:40:20It's a little weird.
00:40:22Oh, fuck Ed.
00:40:24I mean, no disrespect, but fuck him.
00:40:26This isn't a sitcom.
00:40:28You're not coming back next week.
00:40:30What's Ed gonna do?
00:40:32Fire you?
00:40:34You're supposed to be having fun.
00:40:36That's the whole point.
00:40:38So just be yourself.
00:40:40Say whatever you want.
00:40:46Um, do either of you have a pen?
00:40:48Here you go.
00:40:52She looks fine.
00:40:54Yeah, she's gorgeous.
00:40:56Look at those guys.
00:41:00Don't mind if I do.
00:41:02Oh, thanks.
00:41:06Too small.
00:41:08Seriously, anything under a C cup?
00:41:10Can't do it.
00:41:12What about her?
00:41:14What about her?
00:41:16You haven't seen her yet.
00:41:18What if she's petite?
00:41:20I'll let her blow me.
00:41:22No, you won't.
00:41:26I won't?
00:41:28Why is that?
00:41:36Because I always get the girl.
00:41:46Oh, shit.
00:41:54You guys all set down there?
00:41:56We'll check in with Matthew to see how close we are.
00:41:58He says he got these 30 seconds.
00:42:04In place, everyone!
00:42:06Ladies, stop messing with her hair.
00:42:08I know you're barely touching her.
00:42:10We're ready for you, Mr. Burke.
00:42:12Okay, don't let that throw you.
00:42:14You guys good? You need anything?
00:42:16Okay, great!
00:42:18We're on.
00:42:26Laura!
00:42:28Are you okay?
00:42:32Hey.
00:42:34I know, bachelor number three.
00:42:38Oh.
00:42:41Did you date him or something?
00:42:46No, I didn't date him.
00:42:48He...
00:42:56Do you...
00:42:58Do you remember
00:43:00my friend Allison?
00:43:02The one who was...
00:43:04Yeah.
00:43:06I remember you talking about her.
00:43:08And it was that guy at the beach.
00:43:10And...
00:43:14I shouldn't have left her there.
00:43:16I...
00:43:22I told her to be careful,
00:43:24and I knew that there was
00:43:26something wrong.
00:43:28I knew something was off about that guy.
00:43:30You gave his description to the police.
00:43:32Yeah. That's the guy.
00:43:38Bachelor number three?
00:43:44Um...
00:43:48How sure are you?
00:43:50I'm pretty sure.
00:43:52Pretty sure?
00:43:54Like 90%.
00:43:56But you're not positive.
00:44:00I'm just saying this guy might look really similar.
00:44:02Right?
00:44:05I'm not saying that I don't believe you, Laura.
00:44:07I'm just...
00:44:09I mean, if this guy did what
00:44:11you're implying, then...
00:44:13wouldn't he be in jail
00:44:15on a TV show?
00:44:19I don't know. I, um...
00:44:21I mean, it's a big TV show. You don't think they vet their contestants?
00:44:25I...
00:44:26Maybe it is the guy, right?
00:44:28Maybe the police, they looked into him,
00:44:30and they cleared him.
00:44:35Look, I love you.
00:44:38And I'm really sorry that you lost your friend.
00:44:41It must feel like he's around every corner.
00:44:43I can't even imagine, but...
00:44:47I'm just not sure what you want me to do.
00:44:49Get out.
00:44:51What?
00:44:53Get out.
00:44:55Laura.
00:44:56Now!
00:45:04Now.
00:45:20Okay, everyone, here we go.
00:45:22Look alive, we're back into it
00:45:24in five, four,
00:45:26three, two...
00:45:30All right, welcome back to the dating game.
00:45:32Thank you for bearing through that technical difficulty,
00:45:34but let's get back to the show.
00:45:36The floor is yours. Take it away.
00:45:39Bachelor number one.
00:45:41Einstein said that sitting on a hot stove for a minute
00:45:43feels like an hour, but sitting next to a nice girl
00:45:45for an hour feels like a minute.
00:45:47That was his theory of special relativity.
00:45:49What's yours?
00:45:51Um...
00:45:54What?
00:45:56I'll come back to you on that.
00:45:58Wait, hold on. Was that the actual question?
00:46:00When you invite a girl out for dinner,
00:46:02what do you expect in return?
00:46:04Uh...
00:46:06I guess that depends on the meal.
00:46:08Are we talking filet mignon or what?
00:46:10That's a good question, are we?
00:46:12Yeah, sure. I'm a generous guy.
00:46:14Good to know.
00:46:18I'd like to think that she could at least
00:46:20provide the dessert.
00:46:22Oh, and what would you order for dessert?
00:46:25Oh, you know.
00:46:27No, I don't. Tell me.
00:46:30Something hot.
00:46:32Like cherries flambé?
00:46:34Yeah, yeah, with lots of whipped cream.
00:46:36Sorry, I'm on a diet.
00:46:38Bachelor number one, how's that theory of special relativity coming along?
00:46:40Hmm?
00:46:42Groovy. Keep at it. Bachelor number three,
00:46:44what's the difference between a boy and a man?
00:46:46A boy thinks that buying a woman dinner
00:46:48means she owes him something.
00:46:52Okay, and what does a man think?
00:46:54Well, for starters,
00:46:56he knows better than to start talking about dessert
00:46:58before he's made it through dinner.
00:47:02That's not bad.
00:47:04Bachelor number one, any luck?
00:47:06Keep up, she's going back to the kitchen.
00:47:08I can't.
00:47:10Okay, should I be taking notes, teacher?
00:47:12Oh, it will be on the final exam, Ed.
00:47:14That's good.
00:47:16Bachelor number three, your buddy's drawn a blank.
00:47:18Do you want to help him out?
00:47:20With his theory of special relativity?
00:47:22Yeah.
00:47:24Whether it's for a minute
00:47:26or for an hour,
00:47:28I'd like to sit relatively close
00:47:30to a special girl
00:47:32whenever I get the chance.
00:47:34How's that?
00:47:36That's pretty good. That's not bad.
00:47:56Bachelor number one,
00:47:58I threw you a curveball last time.
00:48:00I'll say.
00:48:02I didn't know I needed to be an astrologer
00:48:04to be on this show.
00:48:06Do you mean an astronomer?
00:48:08Is there a difference?
00:48:10Do you want there to be?
00:48:12Um, no.
00:48:14By the way, Einstein was a physicist,
00:48:16not an astronomer.
00:48:18Are you going to ask me a question?
00:48:20I just asked you two, but sure.
00:48:22Bachelor number one,
00:48:24I'm kidding.
00:48:26Bachelor number one, I'm kidding.
00:48:28I'm just having fun with you.
00:48:30Bachelor number one,
00:48:32this is nice and easy.
00:48:34What are girls for?
00:48:38Uh, what do you mean?
00:48:40Just what I said.
00:48:42What are girls for?
00:48:44Jeez, you're getting edgy with this one.
00:48:46Oh, do you want to go back to Emanuel Kant?
00:48:48No, no, no. I can do this.
00:48:50Good to hear it. I believe in you, bachelor number one.
00:48:54Uh, girls are for...
00:48:58guys.
00:49:00And, you know, having fun with.
00:49:02Well, Gloria Steinem would be proud.
00:49:04You're being a little hard on the boys, aren't you, Cheryl?
00:49:06Oh, I think we're all having fun.
00:49:08Aren't we having fun?
00:49:12See? We're having so much fun.
00:49:16Bachelor number two,
00:49:18what are girls for?
00:49:20Why does this feel like a trap?
00:49:22I don't know. Why does it?
00:49:24Well, because...
00:49:26if I say girls are for
00:49:28whining and dining, then I sound like a jerk.
00:49:30And if I say
00:49:32they're for respecting or whatever,
00:49:34then I just sound like a schmuck looking to get laid.
00:49:36Okay, well, bachelor number two,
00:49:38I think you answered my question.
00:49:40Hey, wait, no. I didn't mean it like that.
00:49:42Moving on. Bachelor number three,
00:49:44I'm counting on you.
00:49:46What are girls for?
00:49:50I...
00:49:52No.
00:49:56No.
00:49:58No one's beaten Allie twice.
00:50:00I don't think so.
00:50:02Jim, give me a second.
00:50:04Can I help you with something?
00:50:06Um,
00:50:08I need to speak with someone on the dating game.
00:50:10If you want tickets to the show,
00:50:12you need to go to Guest Relations.
00:50:14Go back down the same hallway you came.
00:50:16Take a right.
00:50:18I just came from there.
00:50:20I need to speak with someone who works on it,
00:50:22like a producer or something.
00:50:24What for?
00:50:28There's someone on the show
00:50:30right now who shouldn't be there.
00:50:32Who shouldn't be there?
00:50:34Your boyfriend?
00:50:36No.
00:50:38Husband?
00:50:42Last year, a friend of mine was raped and murdered.
00:50:44And the police never...
00:50:48I think that the guy that killed her
00:50:50is up on that stage right now, Bachelor number three.
00:50:52And this is a very
00:50:54dangerous man, so can you just
00:50:56call someone for me?
00:51:00Please.
00:51:02Hey, Jim, I'm gonna have to call you back.
00:51:04Yeah.
00:51:08What are girls for?
00:51:10Yeah, that's right.
00:51:14I guess I'd have to say that that's
00:51:16up to the girl.
00:51:18That's a very good answer.
00:51:20Oh, yeah, we love that.
00:51:24Um...
00:51:28Bachelor number three, I have a follow-up question.
00:51:30Shoot.
00:51:32Well, you've been with the other bachelors for a while now.
00:51:34Uh, we've talked for a bit, yeah.
00:51:36Okay. Tell me, what's the most
00:51:38disgusting thing bachelors one and two
00:51:40have said or done backstage?
00:51:42Besides coming on this show, of course.
00:51:44That's good. Oh, gosh.
00:51:46Um...
00:51:48That's a tough one. If I'm being honest,
00:51:50um, bachelor number one didn't really say
00:51:52anything disgusting. That's, uh, that's true.
00:51:54I didn't.
00:51:56And what about bachelor number two?
00:51:58Um...
00:52:00I can't repeat it word for word as
00:52:02how we're on television and all, but
00:52:04he had some
00:52:06thoughts about bra sizes
00:52:08being a prerequisite for a meaningful
00:52:10relationship.
00:52:12Is that right?
00:52:14Aw, darn it. That signals
00:52:16the end of our game.
00:52:18Well, Cheryl, it's time to make a decision.
00:52:20Why don't you sit right there and analyze what you heard,
00:52:22and while Cheryl makes her decision, we're gonna take a little
00:52:24time for you to make a decision about
00:52:26the very fine product...
00:52:28I'll have you wait in the office here, and someone will be with you
00:52:30shortly.
00:52:32Who? George Elliott.
00:52:34Series producer.
00:52:38You can have a seat if you like.
00:52:43He'll be able to help you.
00:52:45Good luck.
00:52:49Really.
00:52:51And we'll be right back.
00:52:53And we're off.
00:52:57Once this show is over, I want this cunt out of here.
00:52:59I never want to see her fucking face again.
00:53:03So, who are you gonna pick?
00:53:05Oh, knock it off.
00:53:07What? I'm just asking.
00:53:09Do you think I went too far?
00:53:11I think he thinks you went too far.
00:53:13He thinks everything is too far.
00:53:16Yeah, but do you, though?
00:53:18Honey, I've been on this show since
00:53:201968, and I've seen more
00:53:22idiots flirting back and forth than I can count.
00:53:24The one thing I've learned is
00:53:26no matter what words they use,
00:53:28the question beneath the question
00:53:30remains the same.
00:53:33All right.
00:53:35What's the question?
00:53:37Which one of you will hurt me?
00:53:39He just has to clear the most.
00:53:49Hey, man.
00:53:51What the fuck?
00:53:53Why would you tell her that?
00:53:55She asked.
00:53:57Fuck you.
00:53:59You know what? As soon as this show's over,
00:54:01you and me, we're gonna have words.
00:54:03Is that right?
00:54:05What if I don't show?
00:54:07You gonna hire somebody
00:54:09to track me down?
00:54:11Fucking pussy.
00:54:13You know what? I have a better idea.
00:54:15Why don't we swap contact information
00:54:17so we know where to find each other?
00:54:19Hmm?
00:54:21Okay. Yeah.
00:54:27Stalker Street. Glendale.
00:54:29Yeah, I know where that is.
00:54:31Here.
00:54:34Jesus.
00:54:36What the fuck is that, man?
00:54:44It's fake.
00:54:46Fucking weirdo.
00:54:48Yeah.
00:55:04Fuck.
00:55:24All right, folks, everyone in place.
00:55:28That's enough. Come on. Let's get out of here.
00:55:30Let's move this chair. Get up. Get up, Cheryl.
00:55:32We've had an entire commercial break to get rid of this.
00:55:34Come on. Go, go, go, go, go.
00:55:36Here, you. You right there.
00:55:38And five, four, three, two...
00:55:40Boys are babies, right?
00:55:42Welcome back to the dating game.
00:55:44Cheryl, you have played this game beautifully.
00:55:46But now it is time to make a decision.
00:55:48Our bachelors were cool, candid, sharp,
00:55:50and, uh, patient.
00:55:52But only one of them can get the date.
00:55:54Will it be bachelor number one,
00:55:56bachelor number two,
00:55:58or bachelor number three?
00:56:00Who is the lucky guy?
00:56:02Number three.
00:56:04Number three. My, my, my.
00:56:06And let me ask you, Cheryl,
00:56:08what about number three appealed to you the most?
00:56:10He knows what girls are for.
00:56:12He knows what girls are for.
00:56:14Now, before we meet bachelor number three,
00:56:16let me introduce you to bachelor number one
00:56:18from Sherman Oaks.
00:56:20He is a medical intern and desires to own his own practice.
00:56:22His hobbies include reading and golf.
00:56:24Please welcome Josh Young.
00:56:26It's nice to meet you.
00:56:28Bachelor number two,
00:56:30he is a furniture designer from Glendale
00:56:32who enjoys frisbee and dancing.
00:56:34Cheryl, please meet Arnie Asley.
00:56:38Careful with that, asshole.
00:56:40All right, thank you, gentlemen.
00:56:42We have some very fine parting gifts for you
00:56:44right out this way.
00:56:46Now it is time to come face-to-face
00:56:48with the bachelor you did choose.
00:56:50But first, I'd like to tell you a little bit about him.
00:56:52Bachelor number three
00:56:54hails from the great state of Texas.
00:56:56He's a skydiver into motorcycling
00:56:58and is a fine photographer.
00:57:00Please welcome Rodney Alcala.
00:57:08Hi, how are you?
00:57:10Nice to meet you.
00:57:12Well, you did it, Rod.
00:57:14You offered some great answers to some very tricky questions
00:57:16and you got the girl.
00:57:18Rodney and Cheryl, pack your bags
00:57:20because you're going on an all-expense-paid trip
00:57:22to Carmel, California.
00:57:24Thank you for joining us, and we'll see you next time
00:57:26on The Date of the Day.
00:57:28And we're off!
00:57:32Oh, watch your step.
00:57:54Excuse me?
00:57:56Hi.
00:57:58I'm sorry to bother you.
00:58:00I'm supposed to meet with someone
00:58:02named George Elliott.
00:58:04He's a producer.
00:58:06Beg your pardon?
00:58:08George Elliott.
00:58:10He's an executive producer on The Dating Game.
00:58:12Do you know where I could find him?
00:58:14It's very important that I speak with him.
00:58:16I doubt that very much.
00:58:18Why?
00:58:20Because I'm George Elliott.
00:58:26What?
00:58:28Let me guess.
00:58:30Security guard out front, he set this up, yeah?
00:58:34He is a real asshole, all right?
00:58:44Excuse me.
00:58:46If there's something I can do, I'd be happy to try and...
00:58:48Thank you so much again.
00:58:50Did you have fun?
00:58:52Um, yeah, I had a lot of fun.
00:58:54Oh, this way?
00:58:56Okay.
00:58:58Oh, got it.
00:59:00I thought it went really well.
00:59:02I think so, too.
00:59:04All right, now safe travels.
00:59:06We'll be in touch.
00:59:08Thank you so much.
00:59:14Cheryl?
00:59:16Hi.
00:59:18Hey.
00:59:20I lost you back there.
00:59:22Yeah, I looked for you after I changed,
00:59:24but that was crazy.
00:59:26The whole thing was crazy.
00:59:28They showed me on stage,
00:59:30the lights went on,
00:59:32and here we go.
00:59:34Yeah.
00:59:36Yeah.
00:59:38It was kind of fun.
00:59:40I mean, it was evil and soul-crushing,
00:59:42but I had a little fun.
00:59:44I had a little fun.
00:59:46Yeah.
00:59:48But, yeah,
00:59:50I guess I'll see you
00:59:52in Carmel.
00:59:54I mean,
00:59:56do you want to go somewhere now?
01:00:02No fucking way.
01:00:06This is beautiful.
01:00:08Hey.
01:00:10You want some?
01:00:12Hell yeah.
01:00:14Man, who would have thought
01:00:16that I'd find the love of my life today, huh?
01:00:18Don't make me fucking laugh,
01:00:20you asshole.
01:00:22Take it easy.
01:00:38Is that your stuff?
01:00:40Yeah.
01:00:42It's some of my work.
01:00:44Let's see
01:00:46what I'm working with.
01:00:56Wow.
01:00:58These are, um...
01:01:00I won 500 with that one.
01:01:04No shit.
01:01:06Yep.
01:01:16All right, well,
01:01:18enough of this crap.
01:01:20Why don't you spill it out?
01:01:22Where are you from?
01:01:24Why do you want to know?
01:01:26Why are you not telling?
01:01:28Maybe because I didn't fucking like it there.
01:01:30Oh, okay.
01:01:32So you're a runaway.
01:01:34Oh, my God.
01:01:36You make me sound like
01:01:38I'm all over fucking Twist.
01:01:40I'm independent.
01:01:44You're folks.
01:01:46They must be worried.
01:01:50Cammy's too loaded
01:01:52to worry about anything.
01:01:54What about your dad?
01:01:56Where's he at?
01:01:58Who knows?
01:02:00He took off when I was a kid.
01:02:02That must have been tough.
01:02:06Growing up without him.
01:02:08No, please.
01:02:12When did your dad walk out on you?
01:02:16Did you make it to eighth grade?
01:02:28Did you ever try to find him?
01:02:30No.
01:02:32I'm afraid I'd kill him.
01:02:38It's amazing how one selfish asshole
01:02:40can fuck up your entire life.
01:02:54Here.
01:02:56What is this?
01:02:58It's chocolate.
01:03:00What's it for?
01:03:04It's Valentine's Day.
01:03:06For my valentine.
01:03:24That looks pretty far.
01:03:26It's not. It's just up that hill.
01:03:28Hill?
01:03:32You wearing comfortable shoes?
01:03:34Yeah.
01:03:36Good.
01:03:38Because you'll need them.
01:03:42Ready?
01:03:44Yeah.
01:03:46All right. Follow me.
01:03:56This way?
01:03:58Just keep it going.
01:04:02Yeah, right by the edge.
01:04:04Yeah, that's nice.
01:04:16Now turn around and face the light.
01:04:22Yeah, that's beautiful.
01:04:26You're a natural.
01:04:32All right, just one more.
01:04:40Now look up straight to the sky.
01:04:52Did you get the shot?
01:04:56Yeah.
01:05:00Rodney?
01:05:04Oh, my God. Where are we?
01:05:06What is this place?
01:05:08I don't know, but
01:05:10you know this is what happens when a pretty girl like yourself
01:05:12tells me to duck into the first place I find.
01:05:14Oh, my God.
01:05:16I thought it looked normal from the outside.
01:05:22What are you reading?
01:05:24Cowboy Mouth?
01:05:26It's this play.
01:05:28Sam Shepard? Patti Smith?
01:05:30Yeah.
01:05:32I saw the original run.
01:05:34Really? So you lived in New York?
01:05:36Yeah, NYU.
01:05:38Columbia?
01:05:40I probably passed you on the subway.
01:05:42I don't think I will remember you.
01:05:48Sometimes
01:05:50it's necessary to go a long distance
01:05:52in order to come back a short distance correctly.
01:05:54Is that Cowboy Mouth?
01:05:56No, The Zoo Story.
01:05:58That's right.
01:06:00Oh, my God.
01:06:02It's such a beautiful piece.
01:06:04I know it.
01:06:06Yeah, Albie's an incredible writer.
01:06:08He is.
01:06:10He's a genius.
01:06:12He's actually one of my favorites.
01:06:14Wow, you know your stuff.
01:06:16Um...
01:06:18Anyway, there's a
01:06:20production of Cowboy Mouth
01:06:22that's going up at the Odyssey,
01:06:24so I'm auditioning in a week.
01:06:26Cool.
01:06:28Well, I can't wait to see you
01:06:30in that.
01:06:32Yeah, I don't have a part yet.
01:06:34It's in the bag.
01:06:36Oh, yeah? You think so?
01:06:38Yeah, for sure. I mean, you have this, like,
01:06:40Patti Smith vibration thing going on.
01:06:42That's sweet.
01:06:44You have a vibration going on.
01:06:46I'm not talking
01:06:48about this.
01:06:50I'm talking about...
01:06:52soul, you know?
01:06:54Okay.
01:06:58That's very far out.
01:07:06I mean, it's...
01:07:08I think that's good.
01:07:10That's good. I'm into that.
01:07:14Okay.
01:07:24I'm probably making this
01:07:26harder than it has to be.
01:07:32I don't date much.
01:07:34I don't date at all, actually.
01:07:40But you decided to go to the dating game.
01:07:44Yeah.
01:07:50Yeah, that's funny.
01:07:56My agent said it would get me seen.
01:07:58It's good exposure.
01:08:00It'll get you seen.
01:08:08Did you feel seen?
01:08:14No.
01:08:16How do you feel right now?
01:08:22Fine.
01:08:26Fine.
01:08:34You know,
01:08:36most people don't like to be seen.
01:08:38They're afraid.
01:08:40They're afraid.
01:08:42Because you have to be comfortable
01:08:44with yourself.
01:08:46You have to stop
01:08:48performing.
01:08:52I never hide who I am.
01:08:54Excuse me, ma'am.
01:08:56Can you give us another round?
01:08:58We had the Mai Tais.
01:09:04Sorry, Ms. Lascaux.
01:09:06We're just closing up.
01:09:08It's a shame.
01:09:12Well, I guess
01:09:14we'll have to get out of here then, huh?
01:09:20Yeah.
01:09:38Park back at the lot?
01:09:40Yeah.
01:09:42I'll walk with you.
01:09:50What's your number?
01:09:52I figure we have to connect
01:09:54before we go to Carmel, so...
01:09:56Oh, yeah, that makes sense.
01:09:58Is something wrong?
01:10:02No.
01:10:06Well, I guess
01:10:08we'll have to get out of here then, huh?
01:10:10Yeah.
01:10:12Park back at the lot?
01:10:14Yeah.
01:10:16I figure we have to connect
01:10:18before we go to Carmel, so...
01:10:20Oh, yeah, that makes sense.
01:10:29Thanks.
01:10:52Good night.
01:10:58Good night.
01:11:08Hey.
01:11:10Can you tell me your number?
01:11:12I just gave it to you.
01:11:14Yeah, no, I know. I just
01:11:16want to make sure I have the right one.
01:11:18You know, sometimes the fours,
01:11:20they kind of look like nines.
01:11:24Right. Um...
01:11:28Yeah, just let me see it, and I...
01:11:30You can't repeat it from memory?
01:11:40So I guess this means
01:11:42we're not really meeting up in Carmel anymore?
01:11:46Yeah, I'm not going anywhere with you.
01:11:52All right.
01:11:54Fair enough.
01:11:58Maybe
01:12:00I'll see you around.
01:12:04Yeah, maybe.
01:12:08You get your fucking head bashed in.
01:12:18What?
01:12:28What?
01:12:58Fuck.
01:13:02Fuck.
01:13:12Fuck. Fuck.
01:13:14Fuck.
01:13:22Get your fucking hand off my car.
01:13:28Fuck.
01:13:58Fuck.
01:14:28Fuck.
01:14:48So great. Sarah,
01:14:50can you save that for later? Thanks.
01:14:54Really good. Really good. Try one more.
01:14:58All right.
01:15:28Fuck.
01:15:40You ready?
01:15:52I did file a report
01:15:54in December of last year.
01:15:56I don't know what else to tell you. This man,
01:15:58he was on national television.
01:16:00Look, I don't know who
01:16:02you spoke with, all right?
01:16:04I don't know who I spoke with either.
01:16:06How many times...
01:16:10Do your fucking job!
01:16:14Fuck!
01:16:20Cheryl, sweetie, I think you're making a mistake.
01:16:22Well, I can appreciate that, Helen.
01:16:24Right now, MGM
01:16:26is looking for an unknown pernet for this big thriller
01:16:28they've got, and they do want to see a swimsuit photo
01:16:30before you can audition.
01:16:32Yeah, I'm not going to do that.
01:16:34No, not just this audition.
01:16:36All of it.
01:16:42Yeah, I know.
01:16:44Listen, I'm really
01:16:46sorry that it didn't work out, and I appreciate
01:16:48everything. I really do.
01:16:50Um...
01:16:52Bye, Helen.
01:17:00I just, um...
01:17:04Okay.
01:17:20This is everything,
01:17:22so we're good to go.
01:17:50...
01:17:54...
01:17:58...
01:18:02...
01:18:06...
01:18:10...
01:18:14...
01:18:18I can't.
01:18:24No.
01:18:26No.
01:18:30I can't do this.
01:18:48No.
01:19:02No.
01:19:08I can't do this.
01:19:11No.
01:19:14I can't do this.
01:19:18No.
01:19:22Hey.
01:19:29Hey, are you okay?
01:19:37I guess things got pretty crazy last night.
01:19:49Do you think that you could do me a favor?
01:19:55Do you think that you could not tell anyone about this?
01:19:59Please?
01:20:08I would just be so fucking embarrassed.
01:20:14You know how judgmental people can be.
01:20:31So, do you want to go back to your place?
01:20:44Okay.
01:20:48Cool.
01:20:50Can you help me with these?
01:21:02Someone knows how to tie a knot.
01:21:13Something tells me you were a Boy Scout.
01:21:18Yeah.
01:22:01Hey, um.
01:22:03I just wanted to say, um.
01:22:08Sorry if I was rough with you back there.
01:22:15It's okay, baby.
01:22:18Everything's okay.
01:22:48It's okay.
01:23:18It's okay.
01:23:49I'm gonna take a leak.
01:23:51You want something?
01:23:53I'm okay.
01:23:54Okay.
01:24:18Okay.
01:24:48Okay.
01:25:18Okay.
01:25:48What the fuck?
01:26:18Get down!
01:26:42Get on the fucking ground!
01:26:46Tony, call backup!
01:26:48Get the cops up!
01:26:49Get your hands off of me!
01:26:51Stop resisting!
01:26:52Stop resisting!
01:26:53Get him!
01:26:54Get over here!
01:26:56I got him!
01:26:57I got him!
01:26:58Okay.
01:26:59Take a breath.
01:27:00He's done.
01:27:18He's dead.
01:27:19He's dead.
01:27:20He's dead.
01:27:21He's dead.
01:27:22He's dead.
01:27:23He's dead.
01:27:24He's dead.
01:27:25He's dead.
01:27:26He's dead.
01:27:27He's dead.
01:27:28He's dead.
01:27:29He's dead.
01:27:30He's dead.
01:27:31He's dead.
01:27:32He's dead.
01:27:33He's dead.
01:27:34He's dead.
01:27:35He's dead.
01:27:36He's dead.
01:27:37He's dead.
01:27:38He's dead.
01:27:39He's dead.
01:27:40He's dead.
01:27:41He's dead.
01:27:42He's dead.
01:27:43He's dead.
01:27:44He's dead.
01:27:45He's dead.
01:27:46He's dead.
01:27:47He's dead.
01:27:48He's dead.
01:27:49He's dead.
01:27:50He's dead.
01:27:51He's dead.
01:27:52He's dead.
01:27:53He's dead.
01:27:54He's dead.
01:27:55He's dead.
01:27:56He's dead.
01:27:57He's dead.
01:27:58He's dead.
01:27:59He's dead.
01:28:00He's dead.
01:28:01He's dead.
01:28:02He's dead.
01:28:03He's dead.
01:28:04He's dead.
01:28:05He's dead.
01:28:06He's dead.
01:28:07He's dead.
01:28:08He's dead.
01:28:09He's dead.
01:28:10He's dead.
01:28:11He's dead.
01:28:12He's dead.
01:28:13He's dead.
01:28:14He's dead.
01:28:15He's dead.