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00:30You
00:51Resume into my cuff
00:53Come on, that's cool. But it has to be a serious area. He puts on a giant metal money giant suffocate
01:00You're an actor, but you're taking drugs and cuffing. That's great.
01:06That's great.
01:07That's a good thing.
01:09Don't be a jerk. He's got three gloves.
01:11Quick, quick.
01:13All artists have 13 gloves.
01:15It's a difficult art form.
01:17It's all one cuff.
01:19If you can get it right from the first take.
01:21I don't know how many takes, but one cuff.
01:23One cuff.
01:25One cuff, and with a hand.
01:27Don't worry.
01:29From my pocket?
01:31Yes, from your pocket.
01:33It doesn't matter. I know it's the last thing I've seen before the cuff.
01:49Cut.
01:51Let's start with the script.
01:53This is the first phase of the production.
01:55Yes.
01:57Of course, I met him through Saleh.
01:59God bless him.
02:01At first, Abdullah and Abdulaziz
02:03were colleagues.
02:05It's nice that you're telling us the names
02:07so we can understand them.
02:09That's good. I've wanted the names for a long time.
02:11But it's good that I came from you.
02:13Abdullah and Abdulaziz worked together
02:15in the previous episode of Cut.
02:17We started the project together.
02:19Then Abdullah came in as an addition.
02:21Yes!
02:23You're a kid.
02:25I'm not a kid.
02:27Every time I come to see you, I have to teach you.
02:29I'm not a kid.
02:31What's wrong with you?
02:33I won't tell you what happened, but don't tell anyone.
02:35You ruined my house!
02:37That was episode 11.
02:39Before the workshop,
02:41Abdulaziz and I
02:43were just building the characters.
02:45There was a line, an arc,
02:47a beginning, a middle, and an end.
02:49But it was cut
02:51for the comedy.
02:53But the addition of Abdullah
02:55even before the workshop
02:57added a lot
02:59and added a soul to the work.
03:09I have a strong relationship with Khaled.
03:11There's a war.
03:13A cold war.
03:15It's based on hatred.
03:17But it's okay. We know each other.
03:19He knows I hate him, and I know he hates me.
03:21We make promises.
03:23We meet to hate each other.
03:25When he calls me, he says,
03:27maybe we should take a session.
03:29He calls me Camo.
03:31Okay.
03:33Abdullah, there are a lot of comments
03:35saying that the style of the show is new.
03:37The style we followed
03:39is well-known, and we've seen it in other series.
03:41We relied on
03:43the comedy of the situation.
03:45From the stage of writing.
03:47We were keen to stay away
03:49from the dialogues.
03:51The comedy is also
03:53black. Not everything
03:55has to be funny.
03:57If you understand the story,
03:59you'll know why these situations
04:01are still funny, even though they're hard.
04:03Can someone turn the car on?
04:05I think I hit my face.
04:09Excuse me.
04:11Hey!
04:13Don't come near me.
04:15What are you doing?
04:17I think this is the longest commitment
04:19you've ever had, Saad.
04:2160 days of filming.
04:23The longest I've ever been paid.
04:27Because the longest you've ever had
04:29to shave your head.
04:43I was supposed to act like I was tired
04:45but my friend woke me up.
04:47So he came over
04:49and shook my hand.
04:51I fell on the bed.
04:53Cut! Cut! Cut!
04:55There was a speaker
04:57and a light.
04:59I wanted to break my leg.
05:05When I was bringing the parrot
05:07it came from my house to film.
05:09I was putting it on my shoulder.
05:11You know, from my house to the location
05:13it was very dirty.
05:15The director didn't like it.
05:17It was a great story.
05:19But for the parrot,
05:21did you train it?
05:23Yes, I trained it.
05:25I trained it on the words.
05:27The words you said or not?
05:29I didn't say anything.
05:37No, but maybe we're in the car.
05:39You gave me a smile.
05:41The face on the camera
05:43doesn't smile.
05:45He turns his head like this.
05:47I feel embarrassed
05:49to act with you.
05:51God bless you.
05:53Excuse me.
05:55How many speakers did the parrot break?
05:57With enthusiasm.
05:59He doesn't like to make mistakes.
06:01Especially if everything is going well.
06:03The closest thing to him is the speaker.
06:053, 2, 1, action!
06:11The Parrot
06:15We can't hold each other.
06:17We can't hold our hands.
06:19He gets angry easily.
06:21I used to speak to him.
06:23I said,
06:25Hello, Samy.
06:27He would come down.
06:29He would come to me.
06:31Hello, Samy.
06:33Great!
06:41One of the things I remember
06:43from Youssef Dakhil
06:45is the cheeky blinder.
06:47It was improvised during the rehearsal.
06:49He saw the lines.
06:51I know.
06:53I know.
06:57We've been trying
06:59to get rid of
07:01the over-acting.
07:03Is this really
07:05your performance
07:07of the character of Nasser?
07:09No,
07:11it's the character of Nasser.
07:13But it's not the character of Saad.
07:15No, it's not.
07:17Nasser.
07:19Nasser, my son.
07:29Maybe the character
07:31of Nasser
07:33is one of your true characteristics.
07:35It's one of your true characteristics.
07:37It's one of your true characteristics.
07:39For example,
07:41your voice is low-pitched.
07:43It's low-pitched.
07:45People think it's normal.
07:47It's low-pitched.
07:49People think it's normal.
07:51Let me turn off the cameras.
08:07The COVID-19 crisis
08:09The COVID-19 crisis
08:11didn't come quickly.
08:13It didn't come in Saudi Arabia.
08:15The team's safety
08:17and the safety of the young people
08:19was a priority.
08:21There was a doctor
08:23who checked the temperature
08:25every day.
08:27We took all the precautions
08:29and instructions of the Ministry of Health.
08:31This made us have to change the script.
08:33This is one of the things
08:35we had to do.
08:37Changing the script
08:39was a big challenge.
08:41Changing the script
08:43and preparing it in a short time
08:45was a big challenge.
08:47Guys,
08:49what do you think we should do?
08:59I think it's an interesting experience.
09:01The artist's main asset
09:03in my opinion
09:05is his experience.
09:07Now, there are efforts
09:09from the government
09:11to revive and revive
09:13Saudi Arabia.
09:15His Highness Prince Mohammed bin Salman
09:17may he live a long life.
09:19I want a lot of instructions
09:21from the Ministry of Culture.
09:23I want to take this opportunity
09:25to thank MBC
09:27for this beautiful opportunity.
09:29I want to thank Sadaf
09:31and Mr. Hassan Asiri
09:33for their faith
09:35in young people's energy.
09:37This is just the beginning
09:39for all of us.
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