Prison Break s1 ep5

  • 2 days ago
Transcript
00:00Let's go.
00:00You won't.
00:01You kill him, you kill our express ticket out of here.
00:04What are you doing here?
00:05Where's Miley Cruz?
00:05She's with me now.
00:07Fish, I gotta be back in.
00:09Nick Saverin with Project Justice.
00:11My boss may not think Lincoln's case is worth looking into,
00:14but I do.
00:16When do we get started?
00:17Getting through this wall is just the beginning.
00:19There's a whole lot of real estate
00:21in between here and the outside walls.
00:23That is a transfer request.
00:25Michael Schofield is getting shipped out tomorrow.
00:30♪♪
00:40♪♪
00:50♪♪
01:00♪♪
01:04I assume this is about your transfer request
01:06for Michael Schofield.
01:07More specifically, why you denied it.
01:10Look, Mr. Kellerman, do I come into your house
01:13and tell you where to put your furniture?
01:16We're just asking for professional courtesy.
01:18But you're asking for federal courtesy
01:20in a state penitentiary.
01:21Most people in your position would be happy
01:23to have another body taken off their hands.
01:25These men are my responsibility.
01:27From the minute they walk through those walls
01:29to the time that they paid their debt to society,
01:32I'm responsible for them.
01:33Which means that unless Mr. Schofield
01:35has done something I don't know about,
01:37he is gonna stay here at Fox River under my watch.
01:41Mr. Pope, in our line of work,
01:43we've discovered that just about everyone
01:44has done something that someone doesn't know about.
01:50What's this?
01:51Right now, just a piece of history.
01:53Whether it becomes a current event,
01:55now that's up to you.
01:57♪♪
02:02My wife already knows about Toledo.
02:05Does she really?
02:07♪♪
02:14You're a smart man, Morton.
02:16I'm sure if you look hard enough,
02:18you can find a reason why Michael Schofield's presence
02:21is no longer required at this particular correctional facility.
02:24♪♪
02:31♪♪
02:39Bring us more PVC here, boss.
02:41♪♪
02:51♪♪
02:55Boss?
02:56It's your thing, Burroughs.
02:58But, hey, I don't want to check your trunk for splinters.
03:01I want every piece accounted for.
03:02Sure.
03:05I got a ripped fertilizer bag inside.
03:11Hey, you!
03:13You!
03:15Get in there and clean it up
03:17before this whole place starts smelling like San Juan.
03:24Okay, he's on his way.
03:26Do you mind telling me what this is all about?
03:33These are the guys we're breaking out with.
03:37I don't think it's a fish.
03:39That was not our agreement.
03:42I'm not gonna work with this crazy rhino.
03:46Keep pushing it, John.
03:47Yeah, I keep pushing it, you know.
03:49Huh?
03:50What's your deal, man?
03:52Touch my brother again, I'll show you.
03:57Brother?
03:59Your brother?
04:05We've only got a few minutes.
04:07Are we gonna spend them spitting on each other
04:09or are we gonna talk some business?
04:11But the reason we're all here today
04:13is we have a decision to make.
04:15Yeah?
04:16English, Fitz, or Percy.
04:18If we're gonna pull this off,
04:20we need to take one of them out.
04:22And you want us to tell you which one?
04:25I just want you to help me get to them.
04:28I'll take it from there.
04:29You're crazy, you know that?
04:30All I need is five minutes.
04:32Oh, you won't even get five seconds.
04:34Well, you had everything worked out, fish.
04:36We're not breaking out of a Jamba Juice, gentlemen.
04:39It's gonna take a little more than digging a few holes.
04:41There are eyes, ears, dots
04:43that couldn't be connected from the outside.
04:46And English, Fitz, or Percy?
04:48One of those.
04:51And how exactly are you supposed to pull this off?
04:56With a little help from my friends.
05:21Suit Gray, hold up.
05:24Schofield got company.
05:36Why do I get the feeling
05:38that there's more to you than meets the eye, Schofield?
05:44Anything you want to tell me?
05:47Some other reason you're in here besides holding up a bank?
06:05You're being transferred.
06:07What?
06:08We're moving you over to Statesville.
06:11You can't do that.
06:13Yes, I can.
06:14I'm the boss here.
06:15This is my house.
06:19Three weeks.
06:20What for?
06:21Linton Burroughs is being executed in three weeks.
06:26I'm aware of that.
06:27What's that to you?
06:29He's my brother.
06:33When I knew I was being sent to prison,
06:35my attorney petitioned the DOC.
06:38So you could be near him?
06:40That's right.
06:43Don't take that away from me.
06:46Not until it's over.
06:50I'm not the one behind the transfer.
06:53You're up against much bigger fish than me.
06:59I'll arrange for you to say goodbye.
07:02You ship out tomorrow.
07:42You ship out tomorrow.
08:12I'm sorry.
08:43I'm going into the walls tonight.
08:45See if I can access the roof.
08:46You gonna tell me about the transfer?
08:49I'm taking care of it.
08:51You're taking care of it.
08:53Sounds to me like you're reaching.
08:56Maybe.
08:58A little.
08:59A little.
09:02You know, I had made my peace of what was coming,
09:04and you show up and give me the one thing a man in my situation shouldn't have.
09:09Hope.
09:10Now that's gonna be taken away.
09:12Don't do this, Luke.
09:13I got three weeks.
09:15What do you want me to do?
09:23Come on, Michael.
09:25What do you want me to do?
09:29Bring her back.
09:31You know I can't do that.
09:33But look, there's some stuff that I can do.
09:37It's not gonna be the same.
09:39But we're gonna figure it out.
09:41And no matter what, it's still gonna be me and you.
09:47Okay, but what if something happens to you?
09:52You just have a little faith.
10:03Just have a little faith.
10:10All right, here's the deal.
10:12We believe Link in this tape is a lie.
10:14It has to be.
10:15He saw it. It's all there.
10:17Yeah, but maybe what we're looking for is what's not there.
10:22Okay.
10:23Stedman.
10:24You see, what's he looking at?
10:26A car, a pedestrian, a...
10:28No, no, no. His eye line is too high, right?
10:30It's like he's looking right into the camera.
10:32Might as well be saying cheese.
10:36Now he just sits there.
10:38Like 10, 15 seconds as if he was maybe...
10:40Waiting for someone.
10:41Right.
10:44There.
10:45That's a 9mm.
10:46Shouldn't there be some kind of kick or something?
10:48Lincoln's pretty strong.
10:49Yeah, but strong enough to bury a recoil?
10:52Now, you shoot someone.
10:55Supposedly for revenge.
10:57Do you take the time to go back in and hit the glove box
11:00or do you just get the hell out of there?
11:02Ed said he was trying to make it look like a robbery.
11:04Yeah.
11:06Look.
11:08Look at Lincoln's angle as he leaves the frame.
11:11Mm-hmm.
11:12Walks away from the car.
11:15Now this guy,
11:17who conveniently hides his face from the camera,
11:20he comes back in. Why?
11:22To explain the bloody pants they'd already planted in his apartment.
11:25Nick, this is great.
11:27Yeah.
11:28Who should we go to?
11:30Nobody. Yet.
11:31I mean, to the unbiased side,
11:33we're just backing a horse that died in a gate.
11:35A lot of what-ifs and conjecture.
11:36You know, we don't have anything.
11:37We need some evidence.
11:39Look, if Lincoln didn't fire this gun,
11:42then somebody with some serious skills
11:44went to work on this tape to prove that he did.
11:46Fine, but how do we prove that?
11:50I know a guy.
11:52You know a guy?
11:54Yeah, I know a guy.
11:56Thanks.
11:59It seems we need to add another power-up.
12:02There's been talk about you packing your bed.
12:04Don't believe everything you hear.
12:06I'm not going anywhere.
12:12You know, I have a really hard time trusting your bitch.
12:16The important thing is that we stay on schedule.
12:19Yeah? English fits in person?
12:21English fits or person.
12:23You want to know which one I think we should take out?
12:26All due respect, I don't need opinions.
12:29I need answers.
12:31Remember, the warden leaves at 5 tonight,
12:33so by 5 after 5, we're going to need that key.
12:35And how is this key going to give you the answers?
12:38Don't worry about that.
12:40You worry about getting the key.
12:43This key better be worth it.
12:46Understand?
12:49Afternoon, Mr. Schofield.
12:52I need to know if there's any way to block a transfer order.
12:56There's about 50 ways.
12:58All right. I'll take the quickest.
13:01You file a motion for what they call
13:04an interlocutory injunction.
13:06How long does that take?
13:08How fast can you write?
13:10A man can claim almost anything
13:12that violates his constitutional rights.
13:15It's environmental issues, allergies,
13:18religious requirements. Take your pick.
13:20What if they don't buy it?
13:22Don't matter.
13:24Court's required by law to hear your motion.
13:26Till they do, you can't be transferred.
13:28Hell, they've been trying to move my tired grave
13:31behind for 10 years.
13:33God bless the American legal system.
13:36Why do you want to stay in here so badly?
13:39Someone here I can't bear to leave behind.
13:42I guess that means we got something in common.
13:47The state's requiring a physical for Lincoln Burroughs.
13:50You heard the news, didn't you?
13:52Thanks. Now what?
13:54The brothers.
13:56Who?
13:58Burroughs and Schofield.
14:00Michael Schofield?
14:02Heard it from one of the COs over in Jampop.
14:04He didn't say anything new about it?
14:06No.
14:08It must be hard to be here.
14:10It must be hard to be here so close to your brother
14:13and not be able to do anything to help him.
14:24What's this?
14:26More bathroom reading.
14:28Westmoreland again?
14:30Schofield. He's blocking his transfer.
14:36Even if the motion is denied,
14:38it's gonna take 30 days to process.
14:40And that means...
14:44All right, I'm going in.
14:46I'm gonna need your help.
14:48You mean in-in?
14:50Not now. I thought you were waiting to...
14:52I need to make sure I know how I'm getting up there
14:54so when the time comes...
14:56Yo, yo, yo. In case you didn't notice,
14:58the lights are all on.
15:00We got a live studio audience, Fesh.
15:02How are you gonna get around that?
15:04Don't we have some laundry to do?
15:09Just to be clear,
15:11I ain't touching your drawers.
15:28Keep it moving.
15:30Keep it moving.
15:32Him?
15:34Him.
15:36Keep it moving. Keep it moving.
15:38Him.
16:00Get him up.
16:02Get him up.
16:06Get up.
16:11Come on.
16:36Come on.
17:06Come on.
17:22Fesh.
17:24I can't deal with that.
17:36I can't deal with that.
18:07Fesh.
18:09Come on.
18:28Yo, Fesh.
18:30Fesh, you're taking too long, bro.
18:36Come on.
19:03This ain't gonna fly, man.
19:05You know, Rickens,
19:07we got genetically higher blood pressure.
19:09You know that?
19:11My cousin, he died from too much stress.
19:13Thought you said your cousin was moving in on your girl.
19:15That's my other cousin,
19:17but thanks for bringing that up, jackass.
19:19Look, the good news is
19:21I can get to the roof.
19:23So what happens now?
19:25Now?
19:27It's all about timing.
19:35♪♪
20:06This is a top-dollar job.
20:08You know who did it?
20:10No. You?
20:12People who do this kind of work are ghosts, man.
20:14The guy behind the guy behind the guy.
20:16You know what I mean?
20:18You see anything, definitive cuts,
20:20any place that proves the tape might have been doctored?
20:22The thing's clean. No footprints.
20:24I mean, usually you peel the video back a couple of layers,
20:26and anything bogus comes off.
20:28You know, now you see it, now you don't.
20:30But not this one.
20:32It's laced.
20:35Whoa, whoa, whoa, whoa.
20:37You see something? No.
20:39The problem with your eyes is that they play tricks on you.
20:41Now, put your ears in.
20:43Ears don't lie.
20:45Look, here's the audio track from the tape.
20:49Sound pretty true, right? Yeah.
20:51But noise is alive.
20:53See, it doesn't just die like that.
20:55Stripped down, those levels should be dancing.
20:58I mean, a room that size would give you a...
21:01A blam, blam, blam, blam, you know?
21:03Like, one off each wall, split second after the other.
21:06On yours, the reverb's bouncing at the same time.
21:10What does that mean?
21:12The sound of the gunshot.
21:14It wasn't recorded in that room.
21:20Would you testify to that?
21:22Oh, I-I don't know.
21:24I mean, the tape you gave me is a do.
21:26You know, for all I know, you guys tampered with it.
21:28Look, you want me to testify in court,
21:30I'm gonna need to get my hands on the original.
21:38How are those allergies?
21:40Excuse me?
21:42Your motion, you cited chronic, uh...
21:45Sinusitis.
21:47Hmm.
21:48It's not an allergy, actually.
21:50It's a bacterial infection.
21:52The moist air from the river along the east wall
21:55helps keep me, you know...
21:57clear.
21:59I'm impressed.
22:01It's not even a week in here,
22:03and you're already working it like an old con.
22:05Well, you've got one up on me, warden.
22:07You know why I needed to file those motions,
22:09but I have no idea why you needed to transfer me.
22:12Traffic controls, gopher.
22:14That's all. Traffic control.
22:16Look, it's coming up on 5 o'clock.
22:18What do you say we call it a day?
22:20I don't think I can do that, sir.
22:22Why not?
22:23If I let go of this support right now,
22:25the whole thing's coming down.
22:27See, the Taj was designed using axial force,
22:30a series of internal forces
22:32along a longitudinal axis that...
22:34Uh, how much longer?
22:36Depends on how long it takes to dry.
22:39If you need me to leave,
22:41I can show your secretary how to hold it.
22:43All right, you can stay till it dries.
22:45There'll be a guard waiting outside the door.
22:47Just check in with Becky when you're done,
22:49and she'll have somebody escort you back to your cell.
22:51All right.
22:52And, uh, Schofield...
22:55I want to thank you for showing up today.
22:58I would have understood it if you didn't.
23:00We had a deal.
23:02Right.
23:03Still, thanks.
23:05My wife is gonna love it.
23:07You're welcome.
23:21See you tomorrow.
23:23Good night.
23:28We just happen to be two people
23:30who happen to know each other,
23:32who happen to show up at the same movie theater
23:35at what happens to be the same time.
23:38I know.
23:53♪
23:59♪
24:22You know, from this angle,
24:24you look just as good as you did when we first met.
24:27How about from this one?
24:29Even better.
24:33Oh.
24:34Uh-uh.
24:35Those are for your guests.
24:37Guests?
24:38Your associates.
24:39They said you had a meeting.
24:41They're in the den.
24:52Evening, warden.
24:57♪
25:28Let's go.
25:33There's nothing I can do.
25:35I'm legally obligated to file every properly drafted motion
25:38with the court so that a hearing can be scheduled.
25:41And how long does that take?
25:43A month, maybe two if there's a log jam.
25:46I'm sorry, but it's only a matter of time.
25:48I don't care.
25:50I don't care.
25:52I don't care.
25:54I don't care.
25:56I'm sorry, but it's out of my hands.
25:58Why do I get the feeling you're not all that disappointed?
26:01May I ask you a question, warden?
26:04More of an observation, really.
26:07I was looking at the, um,
26:09morgue photos from that boy back in Toledo,
26:12Will Clayton,
26:14and, my lord, if he wasn't the spitting image of his daddy...
26:19He fell real far from the tree with that one, didn't he?
26:23He fell off the tree.
26:25Fell all over the pavement.
26:28You son of a bitch.
26:30Your wife gave you a pass on the affair.
26:33Something tells me that's pretty much all the forgiveness
26:36she's got left in her bag.
26:38Especially when it comes to an illegitimate child.
26:40What happened with young Will, warden?
26:44Get out of my house.
26:46Lose Scofield's paperwork.
26:50You gentlemen staying for dinner?
26:52Thanks, but I think we're on our way.
26:54Judy, it was a real pleasure.
26:57Thank you, and that just may have been
26:59the best iced tea I've ever had.
27:03Warden, render everything you can to hold on to this one.
27:06Uh, I will.
27:08Good.
27:14Is everything all right?
27:16Oh, yeah, just fine, Tanya.
27:19I just have a little unfinished work to take care of.
27:22I'll be right in.
27:24Okay.
27:52I'll be right back.
28:10Good evening, Lincoln.
28:12Doctor.
28:14I'm supposed to give you a physical this evening.
28:17Let me apologize in advance for the heavy dose of irony
28:20we're about to participate in.
28:22It's all right, just doing your job.
28:25Yeah, well, letting the state know
28:27that you're healthy enough to execute
28:29is not why I went to medical school.
28:32I apologize.
28:34It's okay.
28:40All right.
28:42I'm, uh, gonna need a family medical history from you.
28:46Any ailments or conditions that are hereditary.
28:49Start with your mom.
28:51Uh, cancer, liver.
28:53Okay, father?
28:56Um, split one of those young.
28:59Siblings?
29:01Anyone besides Michael?
29:07Box River's a small town, Lincoln.
29:09People around here don't have a whole lot to do
29:12besides time and talk.
29:16Are you close?
29:20We were.
29:25How about now?
29:27Huh?
29:28How about now?
29:33He's been abandoned his whole life.
29:37Dad, Mom, she died young.
29:41And now me.
29:45Think that's why he's here?
29:48Because your...
29:50your death would feel like it's happening again?
29:54I abandoned him a long time ago.
29:57That's why he's here.
30:19It's time.
30:21Time?
30:23Oh, God, here we go again.
30:25The count's in 15 minutes. What are you doing?
30:27Trust me. The less you know, the better.
30:30The less I know? Man, you got me in the dark.
30:33That's exactly where you want to go.
30:35I don't know.
30:37I don't know.
30:39I don't know.
30:41I don't know.
30:43I don't know.
30:45I don't know.
30:47That's exactly where you want to be.
30:56Don't normally find you here at this hour.
31:00Are you seeking his forgiveness or advice?
31:05I really don't know anymore, Ben.
31:11All I know is my son, Will,
31:14was my responsibility.
31:17And if I'd stayed in his life, I could have saved his life.
31:20His death was an accident, Henry.
31:27He was a criminal and an addict.
31:32But he was only 18 years old.
31:35His mother made it clear you couldn't be in his life
31:39if you weren't going to be in hers.
31:41You chose to stay with Judy. You understood that.
31:45I not only understood it, I was grateful for it.
31:49I told myself I was respecting her wishes.
31:55I cursed her under my breath.
31:58Well, every day, I thank God
32:01for allowing me to wash my hands of her.
32:04Of Toledo.
32:07All of the time.
32:11So I ran home to Judy.
32:17I buried the secret.
32:22But I never got a chance to...
32:26to bury my son.
32:28My son.
32:30My son.
32:44What kind of a person does that, Ben?
32:48Sacrifices somebody else's life
32:51just to make their own life easier?
32:55You can argue with me all night, believe me.
32:59I haven't got anything better to do.
33:01But it won't change the fact
33:03that I can't just hand out original copies of evidence.
33:07If you could just take a look.
33:09I don't care if your foil was signed by the Attorney General.
33:12I can't give it to you.
33:14What if we brought somebody here to watch it?
33:16Your supervisor could monitor the entire time.
33:18He'd strip down, swear on a stack of Bibles, whatever it takes.
33:21What did you say the docket number was?
33:24It's 296-SPE.
33:29What's wrong?
33:31Come with me.
33:38Last night, a pipe burst upstairs.
33:41Flooded the place.
33:43Files from over 100 cases.
33:45Pretty much lost all of them, including yours.
33:48Just this room.
33:50Some kind of freak accident.
34:05Found him.
34:07Callahan, night.
34:11Malinowski, Poland.
34:20Come on.
34:51Shit!
35:02Chance, Graziano.
35:06Schofield, Sucre.
35:17Schofield.
35:20Get the hell out of here.
35:32We got a runner!
35:50Watch out!
35:53Watch out!
36:08All right, for the last time, piñata.
36:11Where the hell's Schofield?
36:13He's gone, you're gone. You hear me?
36:16Call it off, Captain.
36:18I got Schofield right here.
36:20Where?
36:21In the warden's office.
36:24You looking at him?
36:27Stop trying to nail the secretary and check the damn office!
36:39Captain, he's gone.
36:48Come on.
37:18Come on.
37:49You can't do that here, Deputy.
37:51I know, sir.
37:52He never checked out with you?
37:53No.
37:54And the rear door? It's still locked, so I checked.
37:56How the hell did he...
37:58What's going on?
38:00You're in the warden's office after hours.
38:02I could kill you.
38:04And the paperwork wouldn't need much more than a date.
38:06Tell me, what were you doing in here?
38:08All right, Deputy, that's enough.
38:13The work wasn't dry. You said to stay until it was.
38:17You were in here the whole time?
38:19Yes, sir.
38:20It's true. I never saw him leave.
38:22I must not have seen him behind the table.
38:24Warden, all due respect, this is ridiculous.
38:26This prisoner was out of his cell. He missed the count.
38:29I understand, Deputy.
38:31The thing is, Mr. Schofield is not our problem anymore.
38:35Seems there was an error in his paperwork.
38:37He's gonna be transferred after all.
38:39That's not possible.
38:41Escort the prisoner back to his cell.
38:44Warden, all I need is three weeks.
38:47Get off me! Come on, now!
38:49Henry, please, just give me a little time.
38:52Just give me the time.
38:57Any chance you want to write this off as a coincidence?
39:00Me neither.
39:02How could they know we were coming for the tape
39:04three hours ago we didn't even know?
39:07Well, we're pissing someone off.
39:09You say that like it's a good thing.
39:11People start breaking the law, you know, you're getting warm.
39:18We still have our copy of the tape, so maybe...
39:25Nick.
39:27All right, stay here.
39:42Whoever it was is gone.
39:44Does it look like they got anything?
39:46No.
39:54Everything's exactly the way I left it.
40:12What? What?
40:17What?
40:19The tape, it's gone.
40:21Are you sure? How could they know?
40:23Let's think this through.
40:25How could they know exactly where to look?
40:27Wait, does anyone else have a key to this place?
40:29No. Are you sure this is where you put it?
40:31You were here, remember?
40:33I was talking to you, I walked toward the cabinet, and I said...
40:38What?
40:41Veronica, are you okay?
40:50Veronica.
41:01Open up!
41:05Breakfast, gentlemen! Let's move it!
41:08Super, let's go. Schofield, wait here.
41:11I'm sure your ride will be along any minute now.
41:22This can't be it.
41:25It can't end like this.
41:27Let's move it!
41:30Fitz.
41:32What?
41:34We were gonna take Fitz out.
41:37It was as clear as day.
41:41And the cops, how long did it take them to respond?
41:44We got all the timing down.
41:51I think we would have made it.
41:56Super, now.
42:06Let's go.
42:36Let's go.
43:06Yes, I had a dream I...
43:11Stood beneath an orange sky...
43:16Hey, fish-face! Where you going?
43:19With my brother standing by...
43:27With my brother standing by...
43:33I called my wife.
43:35Tell her to get the kids and get the hell out of the country.
43:55Sorry.
44:02I'm walking on...
44:21Don't forget to buckle up.
44:27What's this prisoner doing out of his cell?
44:29He's being transferred.
44:32No, no, no. There must be some kind of a mistake.
44:34This man filed a motion yesterday.
44:36He has a medical condition which precludes transfer.
44:40Sinusitis, right?
44:42Sinusitis.
44:45Take the prisoner back to his cell.
44:47But yank his rec time. He missed count last night.
45:02I'm sorry.
45:33Hey.
45:35You're home early. Everything okay?
45:38Yeah.
45:40Yeah, it is.
45:43There's just, um...
45:50Judy.
45:57There's something I need to tell you about.
46:01There's someone I need to tell you about.
46:08Yes?
46:10The transfer did not go through.
46:12That's disappointing.
46:14We can refile the court...
46:16It's a waste of time.
46:18I think it's time we stop beating around the bush, gentlemen,
46:22and go after the damn bush.
46:26Burroughs.
46:28What do you want, Dawn?
46:30Take the only thing Burroughs has left, time.
46:34After all, the chair isn't the only way to take a man's life in prison.