所さんの世田谷ベース 2024年10月12日 「観てるかね、鹿正くん？」
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00:00SEPTEMBER 2011
00:02It's September, and I'm in Zansho.
00:05Zansho is always hot.
00:07It's raining today.
00:09It was a great day yesterday.
00:11I thought the typhoon was going to pass,
00:14but it's raining again.
00:16I wonder if the typhoon is still there.
00:19It's like that.
00:21Doesn't it feel like the rain is coming later?
00:24It's drizzling.
00:26It was drizzling,
00:28but it's like the rainy season is here.
00:31That's why I'm indoors today.
00:34Well, today,
00:36I'm going to show you what I'm doing.
00:40What should I do?
00:44Before that,
00:46this grass.
00:48Mr. Kami bought it
00:50when he went to Kakegawa
00:54when he went to Kakegawa.
00:58This grass was
01:001,000 yen for three of them.
01:04One of them was this big.
01:07He picked up the white flowers
01:10and said,
01:12If you don't pick them up,
01:14they'll grow big.
01:16He picked up the flowers
01:18and brought them here.
01:21This grass has been living in water for a long time.
01:25It's strong.
01:27It's a leaf-like grass.
01:29When you plant it,
01:31the roots grow and grow.
01:33So,
01:35I thought I'd plant it
01:37in the grass of the field.
01:39If it's all like this,
01:41I can use the same grass.
01:43If I grow this grass,
01:45other grasses won't grow.
01:47So, I'm going to grow this grass.
01:49I'm going to grow this grass.
01:51I don't know the variety of this grass,
01:53but I bought it in Kakegawa.
01:55I bought it in Kakegawa.
01:57I bought it in Kakegawa.
01:59It was 1,200 yen.
02:01It was cheap.
02:03It's a white flower.
02:05It's a white flower.
02:07It's a white flower.
02:09I'll tell you about it later.
02:11I'll tell you about it later.
02:13I don't know what to do.
02:19I don't know what to do.
02:21I don't know what to do.
02:23I don't know what to do.
02:25I don't know what to do.
02:27I don't know what to do.
02:29I don't know what to do.
02:31I don't know what to do.
02:33I don't know what to do.
02:35I don't know what to do.
02:37I don't know what to do.
02:39I don't know what to do.
02:41I don't know what to do.
02:43I don't know what to do.
02:45I don't know what to do.
02:47I don't know what to do.
02:49I don't know what to do.
02:51I don't know what to do.
02:53I don't know what to do.
02:55I don't know what to do.
02:57I don't know what to do.
02:59I don't know what to do.
03:01I don't know what to do.
03:03I don't know what to do.
03:05I don't know what to do.
03:07I don't know what to do.
03:09I don't know what to do.
03:11I don't know what to do.
03:13I don't know what to do.
03:15What is your favorite film?
03:17What is your favorite film?
03:19You know what?
03:21I can't explain why I'm
03:23digging so much.
03:25Mr. Shikamasa,
03:27who was digging
03:29the deer horn,
03:31visited this place
03:33during our day trip,
03:35and he told me
03:37that we were digging
03:39the deer horn.
03:41Last time
03:43I've been doing this radio show called Kinashi no Kai for 2 or 3 years now.
03:47It's not even a regular show, but I still go there in the morning.
03:52It's amazing. I get up at 4 and leave before 5.
03:56If I don't, I won't make it in time.
03:58I want to do a radio show 30 minutes before the show starts.
04:00And I need gas.
04:02It's a good routine.
04:04When I leave at 1 in the morning, the gas station is empty.
04:07So I fill it up with gas and leave.
04:11It's a good routine.
04:13I have a Mercedes Benz or an Audi on the way.
04:18I ask him how he decides when to go to the gas station.
04:24He says it's the one with gas in it.
04:28That's the order.
04:30If the gas is running out, he tells me to use the other one.
04:32When the gas is running out, I go to the gas station and fill it up.
04:35The next week, I don't have gas, so I fill it up again.
04:41So I'm always at the gas station around 5.
04:47In the summer, I love the smell of gasoline.
04:52I love the smell of gasoline, gas, and carbon dioxide.
04:56I love the smell of gasoline.
04:58I'm attracted to the smell of gasoline.
05:00There aren't many gas stations in the city.
05:03But when I'm at the gas station, I'm attracted to the smell of gasoline.
05:07When I'm at the gas station, I'm looking at the gas tank.
05:12And when I'm about to leave the gas station, the gas is overflowing.
05:17I'm doing this seriously.
05:19Mercedes Benz or Audi don't fill up the whole tank.
05:23The holes are small and the corners are bent.
05:26If you do that, the gas will hit the tank and overflow.
05:30So I'm filling it up a little bit.
05:33If I miss it, the gas will overflow.
05:36So I'm doing it seriously.
05:38When I do that, Kaga-kun says,
05:40You're noisy.
05:42I'm doing it so that I don't get in the way while moving.
05:45It's a routine.
05:47I went to the morning program radio.
05:52Nori-chan was in Harajuku.
05:56There were four girls at a crepe shop.
06:01She said she took a picture with them in her video.
06:05I called the four of them to the radio.
06:07When I opened the lid, they said,
06:09She's not a crepe shop girl.
06:11She's an underground idol.
06:13I don't think she's selling as an idol.
06:18I said, Oh, it's a four-member group.
06:20It's not a four-member group.
06:22They're all separated, but they're a good four.
06:25What's the total?
06:27It's a four-member group, a four-member group, a five-member group, a five-member group.
06:30There are 18 people.
06:32I brought a great one.
06:34I'm going to make a song with the usual flow.
06:37There are 18 people.
06:39I don't know what kind of song is good.
06:41I don't know about those girls.
06:43I met them in front of a crepe shop in Harajuku.
06:46There are 18 people.
06:48I want to sell.
06:50I made a song just in this situation.
06:52The song is...
06:54According to three people, it's called the wisdom of Monju.
06:58There are 18 people, so it's six times.
07:01It's not Monju, but Monju is...
07:04Monju Bosatsu is the god of learning.
07:07The wisdom of Monju, Monju.
07:10It's called Saburoku 18, 6 Monju.
07:12I made this song.
07:14It's not a group of 18 people, but there are 18 people.
07:17I made a song called Saburoku 18, 6 Monju.
07:20It's kind of like a Buddha.
07:24And this one.
07:26First of all, I was moved by Horishi's life.
07:34I'm not very wealthy, but I don't have a job.
07:40I'm not wealthy, but I'm trying to make a living.
07:43He gave me wild tea.
07:45He baked it with his own powder.
07:50He cut the bread that I was going to eat at night and gave it to me.
07:57He didn't just put it on the table.
08:00He put it on the table in front of me.
08:04He made plum jam and gave it to me.
08:09I was moved by that.
08:11The next day, he sent me plum jam.
08:14I put it in a tupperware that my mother often uses.
08:17I said, what the hell is this?
08:19It was delicious, so I finished eating it.
08:22It was fun to talk to him.
08:25I thought that's what it means to be rich.
08:29I'm riding a Benz, but I'm not riding a luxury car.
08:37I thought that's what it means to be rich.
08:41He doesn't even turn on the air conditioner.
08:44He doesn't just spend the summer in Yoshizu with the wind.
08:49He steals the grass and leaves the edible grass.
08:53He lets the neighbors visit his grave.
08:55That kind of conversation made me feel like I was rich.
08:59That's where the song of Rokumonju came from.
09:03A lot of things piled up.
09:06I thought I could buy a carving knife and carve it.
09:11I bought a carving knife that I used to use when I was in elementary school.
09:16I bought it because I wanted to buy a carving knife.
09:19I bought a carving knife, but it was a luxury knife with a label on it.
09:28I thought it was a shame.
09:31I put a label on it and drew it.
09:34I wrote a luxury knife on it.
09:38I didn't know it was a luxury knife.
09:40I wrote the name of the manufacturer on it.
09:43I didn't know it was a luxury knife.
09:45I didn't know it was a luxury knife.
09:48I carved my name on it.
09:50From now on, I'm going to put my name on the case and the base specifications.
09:58I'm going to do this as a setting.
10:02I'm going to go with this set.
10:04This is about 2,000 yen.
10:06I bought it on Amazon.
10:08I bought it for about 900 yen.
10:11I thought it would be better to cut it in half.
10:14This is about 2,000 yen.
10:16I can cut this well.
10:18I bought this.
10:20I bought this wood.
10:22I bought this wood for about 2,000 yen.
10:26This is cypress.
10:28It smells good.
10:30The powder smells really good.
10:35I don't think insects will come.
10:37Because it's covered with cypress.
10:39I think cypress is in my body.
10:41I'm sucking it.
10:43I cut this with a saw.
10:47I'm going to dig it.
10:49I've come this far.
10:51I'm digging this.
10:57I'm playing music.
11:00This is a song called Sabu 68 Rokumonju.
11:08When I dig a grave, I think about someone.
11:16I'm going to get out of the world.
11:18I'm going to go deep into the mountains.
11:20I'm doing it alone.
11:25I feel like an old man.
11:29I don't want to talk to you.
11:33I'm close to God.
11:36There are people like that.
11:38It's not popular.
11:40It's not popular.
11:42I know.
11:44I put my heart into it.
11:46That's not what I'm doing.
11:48I'm doing it because I'm having fun.
11:50I'm playing music.
11:52I'm turning it into an explosion.
11:55When I go outside, I feel like the sound is leaking.
12:00I close the door so that I can't hear it outside.
12:03I'm doing it with a loud sound.
12:10This is about the 10th day.
12:16I can do this sound for 6 or 7 hours.
12:22It's funny.
12:24I'm standing up.
12:26I fall asleep.
12:30When I fall asleep, I hold a choker.
12:32I think it's dangerous.
12:34I don't have any power.
12:36I hold a choker.
12:41I'm in trouble.
12:43I was sleeping for a few seconds.
12:46What am I doing?
12:48I fall asleep again.
12:52It's funny.
12:57Sub-6086 Monji.
12:59It's wonderful.
13:18Sub-6086 Monji.
13:20It's wonderful.
13:48Sub-6086 Monji.
13:50It's wonderful.
13:52Sub-6086 Monji.
13:54It's wonderful.
13:56Sub-6086 Monji.
13:58It's wonderful.
14:00Sub-6086 Monji.
14:02It's wonderful.
14:04Sub-6086 Monji.
14:06It's wonderful.
14:08Sub-6086 Monji.
14:10It's wonderful.
14:12Sub-6086 Monji.
14:14It's wonderful.
14:16Sub-6086 Monji.
14:18It's wonderful.
14:20Sub-6086 Monji.
14:22It's wonderful.
14:24Sub-6086 Monji.
14:26It's wonderful.
14:28Sub-6086 Monji.
14:30It's wonderful.
14:32Sub-6086 Monji.
14:34It's wonderful.
14:36Sub-6086 Monji.
14:38It's wonderful.
14:40Sub-6086 Monji.
14:42It's wonderful.
14:44Sub-6086 Monji.
14:46It's wonderful.
14:48Sub-6086 Monji.
14:50It's wonderful.
14:52Sub-6086 Monji.
14:54It's wonderful.
14:56Sub-6086 Monji.
14:58It's wonderful.
15:00Sub-6086 Monji.
15:02It's wonderful.
15:04Sub-6086 Monji.
15:06It's wonderful.
15:08Sub-6086 Monji.
15:10It's wonderful.
15:12Sub-6086 Monji.
15:14It's wonderful.
15:16Sub-6086 Monji.
15:18It's wonderful.
15:20Sub-6086 Monji.
15:22It's wonderful.
15:24Sub-6086 Monji.
15:26It's wonderful.
15:28Sub-6086 Monji.
15:30It's wonderful.
15:32Sub-6086 Monji.
15:34It's wonderful.
15:36Sub-6086 Monji.
15:38It's wonderful.
15:40Sub-6086 Monji.
15:42It's wonderful.
15:44Sub-6086 Monji.
15:46It's wonderful.
15:48Sub-6086 Monji.
15:50It's wonderful.
15:52Sub-6086 Monji.
15:54It's wonderful.
15:56Sub-6086 Monji.
15:58It's wonderful.
16:00Sub-6086 Monji.
16:02It's wonderful.
16:04Sub-6086 Monji.
16:06It's wonderful.
16:08SUB-6086 Monji.
16:10It takes about 3 min.
16:12But
16:14I can go back and forth back and forth.
16:18Over and over again.
16:20over and over again.
16:22From time to time,
16:24I get tired of this music in general.
16:26I get tired of this music in general.
16:30This is my gift.
16:32This is my gift.
16:34When I have nothing
16:36It's a song about life being beautiful even if you don't have anything.
17:06It's love. It's overflowing.
17:12Your tears that look like they're about to fall.
17:19To live is to shine.
17:26Your tears that look like they're about to fall.
17:41Ah, life.
17:47It's a song about life being beautiful even if you don't have anything.
18:07Someone sees someone else's love and waits for tomorrow's morning.
18:20If possible, everyone should be the same.
18:28How much courage have you given me?
18:46It's like this.
18:49Fufufufufufufu
18:53At the end, if you do it a little bit, you can feel it with your fingers.
19:00The interesting thing is that if you file it, you can't see where you carved your hand.
19:08You can't see it with a file.
19:10You can feel your thumb at the tip of your finger.
19:14You can feel your stomach.
19:18When you file, you want to round this part.
19:24You can feel the protruding part and put your feelings in it.
19:28You want to get rid of the protruding part.
19:32You can't see it at the tip of your finger.
19:38That's what's interesting.
19:44Oh, it smells good.
19:48I made this hand last night.
19:56It's interesting, isn't it?
19:58You're a couple, and you're drinking tea with a lot of Hinoki powder in it.
20:04It's good for you, isn't it?
20:07I don't know what to say.
20:09It's interesting.
20:11This is 2,000 yen, and this is 2,000 yen.
20:15You can play with 4,000 yen.
20:18You can play with 5,000 yen.
20:34A few days later
20:42Today, I'm going to write the name of this drink.
20:47It's called Sabu 68 Rokumonju.
20:54It's cool when you write it in kanji.
20:57Sabu 68 Rokumonju
21:01It's convenient for us.
21:03Sabu 68 Rokumonju
21:07You write it like this.
21:10You write it like this.
21:13But I don't know how nice kanji is.
21:17It's good.
21:19It's 3 times, so it's Jo.
21:23It's Jo.
21:25It's Jo.
21:273 × 6
21:29Wa
21:31Waga
21:33Togo
21:353 × 6
21:37Wa
21:393 × 6
21:41Togo
21:4318
21:451
21:4710
21:498
21:523 × 6
21:54Togo
21:561
21:5818
22:00Rokumonju
22:02It's like this.
22:043 × 6
22:06Togo
22:081
22:1018
22:12Rokumonju
22:14It's like a spell.
22:18Genpo
22:24Joho
22:27It's Joho.
22:29It's like this.
22:31Tasu, Hiku, Kakeru, Waru
22:35It's much better than this.
22:39Right?
22:41When I was a police officer,
22:44I could write 2 × 3 × 6, 2 × 3 × 6, 2 × 3 × 6.
22:49But,
22:51it's like this.
22:53Kako, Genpo, Joho, Joho.
22:55This one is more like
22:58Asian beauty.
23:01Oriental smell.
23:03It's like
23:05deep.
23:07How can I say?
23:09It's like there is a depth in a number.
23:12Don't you think so?
23:14There is a god in the gold.
23:16There is a god in the stone.
23:18When people dig,
23:20they can find it.
23:22It's like this.
23:24When I make this,
23:26I get a lot of ideas.
23:28It's so much fun.
23:30This one.
23:32Yes.
23:34So,
23:36I write it down.
23:38Kako, Genpo, Joho, Joho.
23:40Kagenjojo.
23:42Kagenjojo.
23:44Sanjo, Roku, Go, To.
23:46Sanjo, Roku, To, Go.
23:48Sanjo, Roku, Go, To.
23:50Sanjo, Roku, To, Go.
23:52Ichi, Jyu, Hachi, Roku, Mon, Jyu.
23:54Hachi also has a character like this.
23:56It's separated from Tehen.
23:58Yes.
24:00It's like this.
24:02Well,
24:04I write it down in kanji.
24:06Gradually.
24:08In the old days.
24:10This is Ichi.
24:12This is Ichi.
24:14This is San.
24:16This is San.
24:18I write it down in kanji.
24:20When I go back to the beginning,
24:22I feel like
24:24I have a lot of trouble in my life.
24:26I feel like
24:28I have a lot of things to do.
24:30I feel like
24:32I have a lot of things to do.
24:34When I live a simple life,
24:36there is a lot of things in the treasure box.
24:38But I don't write down
24:40the things I have to do until I die.
24:42No, no, no.
24:44I want to fill up the treasure box
24:46and live my life
24:48no matter how short it is.
24:50I want to live my life
24:52not by the length of the box
24:54but by how much
24:56I have in the treasure box.
24:58I'm talking like a god, right?
25:00I'm talking like a god, right?
25:04I say, shut up.
25:06It's funny.
25:08When I started this,
25:10I started writing songs.
25:12It could sound like a comment.
25:14It could sound like a comment.
25:16I think it's a comment.
25:18I say, shut up.
25:20The heart isn't for people.
25:22Nobody has a heart
25:24.
25:26Where is my heart?
25:28It doesn't matter if it's a person, a creature, or a thing.
25:33There's a heart in between.
25:36For example, if you're alone, you don't have to leave the house.
25:41You just need a lunch box.
25:44You can buy it at a convenience store.
25:47People who live alone don't have a heart.
25:50That's because they don't talk to people,
25:53don't greet people, don't lower their heads.
25:56People like that don't have a heart.
25:59That's because they don't have a partner.
26:02There's a heart between you and your partner.
26:05When people are active at the Olympics,
26:08they get moved and their hearts flutter.
26:11That's because there's a heart between you and your partner.
26:15People who realize that have a heart.
26:18So where is the heart?
26:21Is it in the heart? Is it in the brain?
26:24No, it's not.
26:27If you live alone on an uninhabited island,
26:30you don't have a heart.
26:33It's because you're alone.
26:36There's a heart between you and your partner.
26:39This is a sermon.
26:42It's a prophecy.
26:45It's a prophecy.
26:48I don't know why it starts with Saburoku 18, Rokumon 10.
26:51I'll paint it today.
26:54I'll paint it.
26:57I'll bring it to failure.
27:00I'll paint it with ink.
27:03I'll paint it with ink.
27:06I'll paint it.
27:09I'll bring it to failure.
27:12What I want to do is...
27:15There's a theme to this.
27:19This is...
27:22I want to make a story called
27:25Tochubosatsu Hanpakannon.
27:28What does Tochubosatsu Hanpakannon mean?
27:31What does Tochubosatsu Hanpakannon mean?
27:34It's a prophecy.
27:37Tochu...
27:40Tochu...
27:43Bo...
27:47Tochubosatsu Hanpakannon.
27:52Tochubosatsu Hanpakannon.
27:56I want to make Tochubosatsu Hanpakannon.
27:59I want to make Tochubosatsu Hanpakannon.
28:02What I mean is...
28:05If you make it all, it's like a god.
28:08If someone bows to a god,
28:11you bow to a god.
28:15Then you rely on a god.
28:18You think the god will do something.
28:21But if you bow to a god,
28:24it's like Tochubosatsu Hanpakannon.
28:27I wonder if it's okay.
28:30The god is still half.
28:33So I ask him to lend me half of his power.
28:36I ask him to lend me half of his power.
28:39I ask him to lend me half of his power.
28:42I want to make a god who can make people realize.
28:45I want to make a god who can make people realize.
28:48I go to Meiji Shrine, pay my debt,
28:51and pray for good things.
28:54I hope nothing changes this year and the next year.
28:57I hope nothing changes this year and the next year.
29:00I hope nothing changes.
29:03It doesn't change if I don't move.
29:06I want to make Tochubosatsu Hanpakannon.
29:09I want to make Tochubosatsu Hanpakannon.
29:12I want to make Tochubosatsu Hanpakannon.
29:15I want to make Tochubosatsu Hanpakannon.
29:18I want to make Tochubosatsu Hanpakannon.
29:21I want to make Tochubosatsu Hanpakannon.
29:24I want to make Tochubosatsu Hanpakannon.
29:27I want to make Tochubosatsu Hanpakannon.
29:30I want to make Tochubosatsu Hanpakannon.
29:33I want to make Tochubosatsu Hanpakannon.
29:37We humans have desires, right?
29:40We want to finish this part.
29:43We want to finish this part.
29:46We want to finish this part.
29:49We want to finish this part.
29:52We want to finish this part.
29:55We want to finish this part.
29:58We want to finish this part.
30:01We want to finish this part.
30:04I thought I could go on.
30:07I wanted to continue add some more.
30:10I wanted to continue add some more.
30:13It's funny.
30:15We think it's over by now.
30:18We think it's over by now.
30:21We think it's over by now.
30:24What about you?
30:27You think it's a joke.
30:30Is this funny to you?
30:33I think Mr. Shikamatsu is angry right now.
30:35I think he's saying, put your soul into it.
30:38I said, I don't have a soul.
30:40Mr. Toko said, um, what was it?
30:43He said, I don't feel it because the Shugo-Rei is big.
30:48Well, that's right. He says good things, too.
30:51That's right.
30:52That's right, but...
30:53No, no, this is...
30:55I'm going to try to make it.
30:57What will it be like?
30:58And this part of the tree...
31:00I'm going to make good use of the tree.
31:03I'm just going to paint the part where I'm digging.
31:07Then, in this...
31:09What do you call this?
31:11I feel like there's a god.
31:14I'm going to put some paper on the joint.
31:17I'm going to dig from now on.
31:18I'm trying to get a sense of it.
31:20I'm talking about this.
31:22This is a big problem.
31:25I'm going to dig this up.
31:28It's about me.
31:29I'm going to tell my family.
31:31I finally got rid of it.
31:34It's almost the end of the entertainment industry.
31:39What's wrong with you?
31:40There are more people like that.
31:42I'm going to dig up the Bodhisattva.
31:44I'm going to dig up Lord Kannon.
31:46I don't know what to say.
31:49It's dark in my imagination.
31:52It's like the final chapter.
31:55That's right.
31:57It's Lord Kannon.
31:59It's Kannon, so it's visible.
32:03I can't see, I can't hear.
32:06It's all dead.
32:08It's called Kannon.
32:10Everyone worships it.
32:12When Lord Kannon is done,
32:15It's great.
32:18It's not great.
32:21I haven't seen it all yet.
32:24I haven't heard it all yet.
32:26Please worship me.
32:28I'll be your strength.
32:30Lord Kannon.
32:33It's interesting, isn't it?
32:35Why don't you try it?
32:56I'm going to dig up Lord Kannon.
32:58I'm going to dig up Lord Kannon.
33:00I'm going to dig up Lord Kannon.
33:02I'm going to dig up Lord Kannon.
33:04I'm going to dig up Lord Kannon.
33:06I'm going to dig up Lord Kannon.
33:08I'm going to dig up Lord Kannon.
33:10I'm going to dig up Lord Kannon.
33:12I'm going to dig up Lord Kannon.
33:14I'm going to dig up Lord Kannon.
33:16I'm going to dig up Lord Kannon.
33:18I'm going to dig up Lord Kannon.
33:20I'm going to dig up Lord Kannon.
33:22I'm going to dig up Lord Kannon.
33:25Wedding Record
33:35What was this?
33:37Oh! Right before I paint!
33:40It said here
33:42that this is 36 log 10 278.
33:48That's the number.
33:54This brush is amazing.
33:57This brush.
33:59This is a Tenbi brush.
34:02Tenbi is the tip of a horse's tail.
34:11It's the most elastic and soft.
34:14That's why it's called Tenbi.
34:17It's from the Nara period.
34:22The Nara period started with this brush.
34:25The brush from the Nara period is kept in a temple in Nara.
34:34It's the oldest Tenbi brush.
34:37The replica is displayed where you can see it.
34:42The person who made it is good at making brushes.
34:47The person who chose the brush was asked to make it.
34:53He made it for me.
34:55This one, too.
34:57It's the same as the one in the temple.
35:01But it's about this long.
35:04He gave it to me as a meter.
35:07It's about this long.
35:10It's attached here and it's used as a Tenbi brush.
35:14It's really soft and feels good.
35:18The reason why it's so long is because I want to stand up and draw the hardest part.
35:29You don't understand what I'm saying, do you?
35:33When I draw like this, I'm shaking the most.
35:38It's important to draw while shaking.
35:43It's a seppou today.
35:48I often draw the Fukuteji upside down.
35:52Like this.
35:56I draw the Fukuteji like this.
35:59This is just the beginning.
36:03I want to draw cleanly while holding down the shaking.
36:09But the more I try to draw cleanly, the more I can't draw cleanly.
36:14So I drew it once when I drew it roughly.
36:19Then I thought this character was nice.
36:24That's when I started to draw the Fukuteji upside down.
36:28Then I thought it would be nice to draw it normally and draw it upside down.
36:34If you think logically, it's easy.
36:40But if you draw it from this side, the beginning is like this.
36:45It's like this.
36:47If you draw it like this, the ends and wings will be reversed.
36:53So you have to draw it upside down.
36:58I don't mind if I draw it like this.
37:01If you draw it upside down, the wings will be reversed.
37:05If you draw it from this side, it will be like this.
37:14If you draw it upside down, it will be completely different.
37:17I don't know how to draw the wings.
37:23It will be like this.
37:25It's a seppou.
37:27The more I draw it from this side, the more I get a lot of treasure boxes.
37:35It's like I'm growing up.
37:38I don't grow up the things I get with money.
37:43I don't go to the side.
37:45It's boring to live like that.
37:47I'm going to break the paper and make it messy.
37:51I don't need people anymore.
37:52I'm going to break the paper and make it messy.
37:55It's interesting.
37:57Then you will have a lot of ideas.
38:05You will get a lot of ideas.
38:07That's right.
38:09If you start with a brush that is easy to draw, you won't be able to draw.
38:15Then you will go back to the Nara period.
38:18I'm going to ask a great person to make something that is difficult to draw.
38:24I'm going to make it difficult.
38:28That's what's interesting.
38:30It's fun.
38:32Simple things are better.
38:35If you press the button on the remote control, everything will work.
38:39You just have to talk.
38:42You have to do something.
38:44What do you do when you ask someone to do something?
38:47You wake up in the morning and it's your life.
38:50There is no point in asking someone to do something.
38:54I want to do something for someone.
38:57You wake up and you live.
39:00That's it.
39:02It's a tip.
39:05I should have dressed like that today.
39:10Something like that.
39:11I have something like that.
39:13What is it?
39:15It's glittery.
39:41This is a new product from Maruzen.
39:44It's a completely different story.
39:46This is Maruzen's CO2 gas.
39:49You put in a cylinder like this.
39:52I thought about safety.
39:57Normally, you put in a cylinder and turn it in a hexagon.
40:02You put it in a sphere like this.
40:08You hold it down and press it.
40:11If it comes off, it's dangerous because it's CO2.
40:17When you're playing a game, you put it in and turn it.
40:20If it comes off a little, it's dangerous.
40:23Don't put it in here.
40:26Put it in here.
40:28Make something like this.
40:29Don't put it in here.
40:31Don't put it in here.
40:33Put it in here and turn it.
40:36No matter how stupid you are, it won't fly.
40:41That's what safety is.
40:43When something happens in CO2, everyone thinks about this.
40:46I imagined this would happen.
40:49I said, do it first.
40:51I did it.
40:53You can shoot about 400 shots.
40:56If you put this in.
40:57It's for beginners.
41:00Put the bullet in.
41:02It's fixed and doesn't blow back.
41:05You can shoot 400 shots.
41:09It's good, isn't it?
41:11This is the light.
41:17That's what it is.
41:19I'm going to shoot a little to the left.
41:22You can shoot while thinking that you're going to shoot to the left.
41:24You can change this a little.
41:27If you shoot this, it goes a little to the left.
41:30This is in the case.
41:33It was about 19,000 yen.
41:35CO2 won't leak at all.
41:41It's safe here.
41:43I think this is good.
41:45I think this is the best for beginners.
41:47It doesn't blow back, but the trigger pull is very light.
41:51I think this is good.
41:54It's not hard.
41:56If you use this light in an accident, you won't say,
41:59What are you doing?
42:01Why are you?
42:03This is the only light I had.
42:07It's not for an accident.
42:11It's a complicated story.
42:15I don't usually put this kind of story in a story.
42:18I don't put it in.
42:22You don't have to use this this time.
42:26There's a brush like this.
42:29It's a story about how far you can go.
42:32This is what I used to use in elementary school.
42:35I used to be scolded by my teacher when I used a gun.
42:39Don't use a gun.
42:41Why?
42:43I think you're an adult.
42:45If I were a teacher, I'd say,
42:46Don't use a gun.
42:48Oh, that's a different story.
42:50It's all about how far you can go.
42:53Do it.
42:55This is plastic.
42:59It's not stone.
43:01Do it with stone.
43:03Please.
43:05I'm not in trouble with money.
43:08It's an elementary school set, so it's interesting.
43:11Wooden gun
43:14Why would you do that with a wooden gun?
43:17You put a wooden gun in when you didn't see it.
43:20What is it?
43:22I'm not trying to fool you.
43:24I don't want you to see it.
43:26I don't want you to get mad at the teacher.
43:28It's a good idea.
43:30I think it's a good idea.
43:32As a teacher.
43:38Well, well.
43:39Wait a minute.
43:41Three, four, six, five.
43:45I don't know if I can write it.
43:52I'm not good at it.
43:55I don't want to write it.
43:57Wait a minute.
43:59I need more power.
44:03I can't help it.
44:05This is good.
44:09I can't help it.