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Category
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Short filmTranscript
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00:09:14Taxi!
00:09:16Taxi!
00:09:20Police.
00:09:21So?
00:09:22Which floor is your client's house on?
00:09:23Third on the right.
00:09:24She had a little beige suitcase in her hand
00:09:26while taking your taxi to the station.
00:09:27What did she do with it?
00:09:28She gave it back to someone.
00:09:29She made me walk a few hundred meters
00:09:31and she made me read on my feet
00:09:33and she had to give me the instructions herself.
00:09:34It's okay, you can have it,
00:09:35but keep your tongue on all that.
00:09:36Of course, I'm not a pervert.
00:09:46♪
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00:09:55First of all, check your bill.
00:09:57Have you noticed that you spend twice as much as before
00:10:00and the last time?
00:10:01Yes, maybe.
00:10:02And yet I'm never here.
00:10:03No more reason.
00:10:04It's because there are curlews.
00:10:05Well, I found them myself, the curlews.
00:10:07And I don't even need this tool.
00:10:09I sniff them.
00:10:10It's like for dogs.
00:10:11There are some that are strong with their paws,
00:10:12there are some that are strong with their paws,
00:10:13but I'm a curlew.
00:10:14And do you feel it around here?
00:10:16Oh, not yet.
00:10:17I have to go here,
00:10:18I have to go here,
00:10:19I have to go there.
00:10:20You have to go where?
00:10:21Madam, the sewers.
00:10:23Ah, okay.
00:10:27So the counter is in the kitchen on the right
00:10:30and the bathroom is on the left.
00:10:31Yes, of course.
00:10:34Phone ringing
00:10:36Phone ringing
00:10:38Phone ringing
00:10:40Phone ringing
00:10:42Phone ringing
00:10:45Hello?
00:10:47Who is it?
00:10:48Anthony Brighton.
00:10:49What are you doing?
00:10:50You don't waste time.
00:10:52My suitcases are not even open.
00:10:57A misfortune never comes alone.
00:10:59There are plenty of curlews in my house.
00:11:03But Mr. Brighton,
00:11:04you shouldn't laugh at the curlews.
00:11:06Especially when they are curlews.
00:11:10What?
00:11:11What did you say?
00:11:12Repeat, please.
00:11:13I'm afraid I understood.
00:11:19The following week.
00:11:26That's it.
00:11:27Later.
00:11:28Much later.
00:11:32Ah, you have the view
00:11:33that I can't go through there.
00:11:34It's the sewers.
00:11:36Well, it's repaired.
00:11:37I fixed it.
00:11:39There's nothing to say.
00:11:40Work is freedom.
00:11:43One day,
00:11:44when there will be no capital,
00:11:45we won't have to work anymore.
00:11:47You must be tired.
00:11:48Would you like a glass of wine?
00:11:49No, no, I drink milk.
00:11:50No, thank you, young lady.
00:11:52Goodbye.
00:12:07Here's the number.
00:13:43Your name is O'Sullivan,
00:13:44and you were born in Dublin, Ireland.
00:13:47It's written in my passport.
00:13:49I suppose you know how to read.
00:13:52You have a ticket to Marseille.
00:13:54What is the purpose of this trip?
00:13:56Tourism.
00:13:57I was told that France
00:13:58was a welcoming country.
00:14:00But we are especially disturbed
00:14:02to receive you, Mr. O'Sullivan.
00:14:05You're welcome, Mr. O'Sullivan.
00:14:09Is this tape recorded?
00:14:11No.
00:14:12Let's listen to this tape.
00:14:14It's possible that there is
00:14:15a little music on it.
00:14:16Nothing interesting.
00:14:17I don't even know what it is.
00:14:19That way you'll know.
00:14:20And I love music.
00:14:22Well, we'll listen to it.
00:14:24In the meantime,
00:14:25take care of this gentleman.
00:14:26You have no right.
00:14:27I protested in my embassy.
00:14:29What do you accuse me of in the end?
00:14:31Nothing.
00:14:32The theft of ultra-secret documents
00:14:33concerns the security
00:14:34of the British Empire.
00:14:36Nonsense.
00:14:43So, Henri, is it ready?
00:14:45It's going to be all right.
00:14:48You will hear the continuation
00:14:49of Tristan's waltz
00:14:51in A minor by Bielansi.
00:15:12© BF-WATCH TV 2021
00:15:42Mr. O'Sullivan, I don't know
00:15:43if you find this interesting,
00:15:44but as far as I'm concerned...
00:15:45You're wrong.
00:15:46This music has more meaning
00:15:47than any other.
00:15:49The musical notes correspond
00:15:50to letters or numbers.
00:15:52The recipient is in possession
00:15:53of a code that allows him
00:15:54to translate into English.
00:15:56And you want us
00:15:57to work on this?
00:15:58Absolutely not.
00:15:59My mission is to find
00:16:00the beneficiary of the leaks
00:16:01in the atomic laboratory
00:16:02of Orwell,
00:16:03not to know the nature of it.
00:16:04I would ask you to keep
00:16:05this job in your safe.
00:16:06With pleasure.
00:16:09So, Pradier,
00:16:10is there anything interesting?
00:16:11We found this
00:16:12in the lining of his jacket.
00:16:13A billet by Didier Osterling
00:16:14and painted in Prospectus.
00:16:16All right.
00:16:23Didier Osterling.
00:16:26The cabaret Castillon.
00:16:28His guitarist.
00:16:29His flamenco singer.
00:16:31The Montalban.
00:16:33Direction Gonzales y Gonzales.
00:16:37That's why our friend
00:16:38is going to Marseille.
00:16:40You want to go there
00:16:41and get to know the Montalban.
00:16:43It will be easy.
00:16:44According to his passport,
00:16:45Sullivan never came to France.
00:16:47And you think you can
00:16:48make yourself French
00:16:49for an Irishman?
00:16:50Easier than you
00:16:51for a gentleman.
00:16:53Can you prepare
00:16:54another roll
00:16:55identical to this one
00:16:56with the same announcement
00:16:58and a music
00:16:59more or less similar?
00:17:00I would need it.
00:17:01But it's very easy.
00:17:03I'll tell you
00:17:04how to do it.
00:17:05But it's very easy.
00:17:06Inspector Vadé
00:17:07will go to Marseille
00:17:08by another train.
00:17:09Yes, Mr. Commissioner.
00:17:10And I'll tell the Brigade
00:17:11to stay at your disposal.
00:17:12Perfect.
00:17:13And above all,
00:17:14that Sullivan
00:17:15is isolated
00:17:16from all contact
00:17:17with the outside world.
00:17:18It's an extremely serious matter.
00:17:19Count on me, Mr. Currier.
00:17:21And the 50,000 pounds
00:17:22as a reward for the key.
00:17:24How much is that in francs?
00:17:25Oh, not more
00:17:26than 50 million.
00:17:27Well, too bad.
00:17:28We'll settle for that.
00:17:29All right.
00:17:50After that,
00:17:51we feel better, don't we?
00:17:53A second glass, please.
00:17:55Have we met
00:17:56somewhere before?
00:17:57No.
00:17:58And when I think
00:17:59it could never have happened,
00:18:00I'm overwhelmed.
00:18:02It's your entry
00:18:03into the world,
00:18:04I suppose.
00:18:05I have a good dozen like that.
00:18:06Do you prefer anything else?
00:18:07It's not very original,
00:18:09but it's more than enough for me.
00:18:11We feel better like this, don't we?
00:18:13Certainly.
00:18:22Leave us the bottle.
00:18:24The whole bottle?
00:18:25The whole bottle.
00:18:28For the convenience of the conversation,
00:18:30my name is O'Sullivan.
00:18:31Daria Vaet.
00:18:32You're an Irishman
00:18:33above the market.
00:18:34You don't like it?
00:18:35I didn't say that.
00:18:36Let's not approach
00:18:37a subject whose opinions
00:18:38differ.
00:18:39Do you think of anything
00:18:40in particular?
00:18:41It could be
00:18:42that it's you who thinks so.
00:18:43Would you be angry?
00:18:44I don't know yet.
00:18:45As long as it's going to be
00:18:46exciting, Daria.
00:18:58It really was crazy
00:18:59at La Moranée.
00:19:00There were a lot of
00:19:01people.
00:19:02It was extraordinary.
00:19:03One night,
00:19:04we were robbed.
00:19:05It was terribly exciting.
00:19:06If only it could happen
00:19:07to us at Countess Aragos's.
00:19:09I would be curious
00:19:10to see her face.
00:19:11Her brother invited me,
00:19:12Count Aragos.
00:19:13I think he's in love with me.
00:19:15It's a kind of brute
00:19:16that I made an offensive.
00:19:18If he saw us together,
00:19:19he would kill you.
00:19:21Not sure.
00:19:22You must be pretty strong
00:19:23too.
00:19:24It would probably be
00:19:25a nice fight.
00:19:26Let's organize
00:19:27that on occasion.
00:19:28What do you think of me,
00:19:29Mr. Sullivan?
00:19:31Your case is not
00:19:32completely hopeless.
00:19:33With a little bit of luck,
00:19:34a determined guy
00:19:35could maybe get
00:19:36a result.
00:19:37A guy like you?
00:19:38For example?
00:19:39You don't lack a good taste.
00:19:41I sell fridges
00:19:42and washing machines.
00:19:43Clients,
00:19:44I have them
00:19:45at the conversation.
00:19:46Hold it like this.
00:20:02We are in Marseille, sir.
00:20:06My dear,
00:20:07I arrived.
00:20:08Me too.
00:20:10Let's see.
00:20:41You're good.
00:20:42You're beautiful.
00:20:47Come on, my soul.
00:20:48Come on, my soul.
00:20:49Come on.
00:20:50Come on.
00:20:52You have to be strong.
00:20:53You're going to win.
00:20:55You're a good fighter.
00:21:00Montaner.
00:21:02Come on.
00:21:03Fuck.
00:21:04Ha.
00:21:07Come on.
00:21:08Come on.
00:21:10Come on.
00:21:20Let's go.
00:21:21Yeah.
00:21:28Consolés and Consolés.
00:21:31I didn't get your package.
00:21:34But don't worry
00:21:36As soon as it arrives,
00:21:37let me deliver it myself.
00:21:39Yes, goodbye. Thank you.
00:23:09He who always calls you
00:23:14To whom you never wanted to give yourself
00:23:22Remember that the gypsy predicted
00:23:30That you would burn your life
00:23:38Count Chaperes, take care of yourself
00:23:41Because love is in your heart
00:23:45Count Chaperes, one day you will be the winner
00:23:52One day you will be the winner
00:24:08Count Chaperes, one day you will be the winner
00:24:38Aborto! Aborto!
00:24:41Aborto! Aborto!
00:24:44Aborto! Aborto!
00:24:47Aborto! Aborto!
00:24:50Aborto! Aborto!
00:24:53Aborto! Aborto!
00:24:56Aborto! Aborto!
00:24:59Aborto! Aborto!
00:25:02Aborto! Aborto!
00:25:05Aborto! Aborto!
00:25:23Don't stop!
00:26:05The police are here!
00:26:08The police are here!
00:26:35The police are here!
00:26:38The police are here!
00:26:41The police are here!
00:26:43The police are here!
00:26:46The police are here!
00:26:49The police are here!
00:26:52The police are here!
00:26:55The police are here!
00:27:02Is it possible to invite the lady to lunch?
00:27:05Oh, sir, Mrs. Montalva will never allow us to dine with our family.
00:27:10Not even with the sausage?
00:27:11Sausage?
00:27:13Take my invitation anyway.
00:27:15And change it.
00:27:24Here's the bill.
00:27:25Here's the bill.
00:27:37If you want to follow me, Mr. Gonzales will change the bill for you.
00:27:43It's good.
00:27:47It's good.
00:27:55It's good.
00:28:13It's not good.
00:28:14It's good.
00:28:22Where are you, Mr. O'Sullivan?
00:28:24I'm Gonzales, Gonzales of Mendoza and Bucasil.
00:28:27Count of Castelmejor, Marquess of...
00:28:29Et cetera, et cetera.
00:28:31My friend Countess Aragosa called three times from her residence.
00:28:34She's waiting for you with a feverish impatience.
00:28:36We're late.
00:28:38I understand.
00:28:40You know...
00:28:42I...
00:28:45I...
00:28:49I...
00:28:51The residence is three hours away.
00:28:53Give us a few orders and we'll leave.
00:28:56Don't forget my money.
00:28:58I don't think so.
00:29:14Here's the bill.
00:29:16The wine is served by the house.
00:29:19A kindness wants another.
00:29:22May I?
00:29:58Thank you very much.
00:30:00At your disposal.
00:30:14THE END
00:30:44THE END
00:31:15Throw it on the floor.
00:31:30Back off.
00:31:32Back off!
00:31:45THE END
00:32:08With a car like that, you let yourself be caught?
00:32:15Here.
00:32:23I understand everything.
00:32:25It's a trick of Volonine.
00:32:27Who?
00:32:28It's a very powerful enemy who wants to take the rouleau at any cost.
00:32:31To do what?
00:32:33To sell it to us.
00:32:35That's not stupid.
00:32:37So if it's a question of money, it must be able to be arranged.
00:32:40It's up to the decision makers, isn't it?
00:32:41It's up to the decision makers.
00:32:43But in the meantime, we're not going to mess it up here.
00:32:45We still have to go and get them.
00:32:47Who?
00:32:48Well, the others.
00:32:50Yes, you're right.
00:32:52A wheel of this size, I'm going to put it on.
00:32:54A wheel is a bit short for two punctured tires.
00:32:56So, what to do?
00:32:58We are a few kilometers from the village.
00:33:00Let's go find a dealer.
00:33:02Do you want me to go while you change a wheel?
00:33:04No story, no phone calls.
00:33:06To whom?
00:33:08To the others.
00:33:11To the others.
00:33:42Hello? This is H2O.
00:33:44Give me the X-67.
00:33:47Hello?
00:33:49Watch the café El Castillon and its surroundings.
00:33:52A traction number 13-12-72-806 may be parked there.
00:33:57Two men are taking care of it.
00:33:59I think Gonzales is doing the job.
00:34:01He was unloaded by fellow workers on the road who stole our rouleau.
00:34:05Gonzales is now going to try to get the bank to sing.
00:34:07I will contact you tonight by transmitter because I don't know where he is going to take me.
00:34:12OK.
00:34:16The road is on the left.
00:34:23Here I am.
00:34:27Goodbye.
00:34:38Madame the Countess of the world is waiting for you much earlier.
00:34:41Yes, but we are going to die twice.
00:34:43Let's go.
00:35:07Marquis and Marquise Planoza. Commodore Schuberti.
00:35:11Charming.
00:35:23Everything is fine, Commodore. It's them.
00:35:38Come on, Countess.
00:35:45Hello, Gonzales.
00:35:47Madame the Countess of Aragos.
00:35:49Monsieur O'Sullivan, I suppose.
00:35:51Pleased to meet you, Countess.
00:35:53Call me Sabine.
00:35:55Pleased to see you at last.
00:35:57Did you have a good trip?
00:35:59Except for a small puncture.
00:36:01Take these gentlemen.
00:36:03The turquoise room for Monsieur O'Sullivan.
00:36:05The turquoise room for Monsieur Gonzales.
00:36:08Ah, I forgot.
00:36:12I can't wait to play some new music to my guests.
00:36:15And to Commodore Schuberti.
00:36:17Monsieur O'Sullivan, don't make us wait.
00:36:20I think the Commodore will have to wait a bit.
00:36:23But why?
00:36:25There is no music.
00:36:27No music?
00:36:29No music.
00:36:31The reason, please.
00:36:33We were attacked on the road by men with powerful weapons.
00:36:35They blocked my car.
00:36:38For the love of God, smile.
00:36:41They hit us like rabbits.
00:36:44They shot on the car,
00:36:46punctured the tires
00:36:48and stole the music.
00:36:51She is very good.
00:36:53Very funny.
00:36:55It remains to be seen if she is appreciated.
00:36:57By whom?
00:36:59By him.
00:37:22I can't wait to hear the end.
00:37:24Will we be able to dance it together?
00:37:26There has been an excess of precautions.
00:37:28Nothing serious.
00:37:30You will have it before long.
00:37:32My yacht will still be 48 hours away from the islands.
00:37:34It's a last delay.
00:37:35Don't worry.
00:37:37We will listen to the end of the Waltz Priest
00:37:39on your yacht tomorrow.
00:37:54I think we did our little trick.
00:37:56She will calm down.
00:37:58I hope so.
00:38:00She is charming when she is angry.
00:38:02We are not here to laugh.
00:38:03Let's take a bath.
00:38:11What a surprise!
00:38:13Mr. Sullivan.
00:38:15This is Count Aragos,
00:38:17Sabine's brother.
00:38:19Everyone knows each other here.
00:38:21Richard, be a lover.
00:38:23You have to buy a frigidaire for Mr. Sullivan.
00:38:25For Sabine, it will be a washing machine.
00:38:27He has a way to explain to you how it works.
00:38:30Excuse me, Miss Doria.
00:38:31Stop the champagne and the music.
00:38:33The music of Bielotti.
00:38:35Tell me right away that I am free.
00:38:38Mr. Sullivan, can a woman do that?
00:39:02See you tomorrow, dear Commodore.
00:39:04I will show you my latest bikini,
00:39:06the style of the 90s.
00:39:08Don't make me see that.
00:39:10I will get wet in Port-Croz in one day.
00:39:12The bath of these gentlemen is ready.
00:39:22Please, Mr. Sullivan.
00:39:24Can you explain to me how this washing machine works?
00:39:27This demonstration is strictly reserved for pretty women.
00:39:29You seem to be unaware that I am Judoka Satur-Noir, 6th Dan.
00:39:32This information has nothing to do with my washing machine.
00:39:35What if I did the demonstration of the Japanese board number 10-10?
00:39:39What would you say?
00:39:41I will give you my impressions later.
00:40:00Richard, get out of this piano.
00:40:02You have no talent.
00:40:05And I play wrong.
00:40:18Good evening, Countess.
00:40:20The party was excellent.
00:40:22Sensational attractions.
00:40:24But the music was weak.
00:40:26Very weak.
00:40:28Dear Countess, if you don't mind,
00:40:30Lieutenant Suvarov will stay at your disposal in the villa.
00:40:34Take care of your flu, Suvarov.
00:40:50Come in.
00:40:51Come in.
00:40:55Room service ordered by Mr. Ella.
00:40:58And his whiskey, Johnny Walker.
00:41:00Special reservation.
00:41:02Special reservation.
00:41:05It's been a long time since you've been paid.
00:41:07And why, please?
00:41:09You're making a fool of yourself.
00:41:11It's my natural look, sir.
00:41:13No, it's different. One second, please.
00:41:15No moral in there.
00:41:17My friend Johnny doesn't like that very much.
00:41:19I imagine you know that.
00:41:28No, no moral.
00:41:30Good night, sir.
00:41:32Good night.
00:41:50Who's there?
00:42:03The situation is very serious.
00:42:05We're all in danger.
00:42:08If we don't have a job in 48 hours, it's a collective suicide.
00:42:13Charming. 48 hours is short.
00:42:16But if we succeed,
00:42:18it's 500,000 pounds worth of shares.
00:42:20What do you think?
00:42:22Don't you think that Volonine...
00:42:24Who talked about Volonine?
00:42:26Gonzales, after the assault.
00:42:28He said, it's a Volonine hit.
00:42:30I prefer that. It's just a matter of money.
00:42:32Who's there?
00:42:34Open the door.
00:42:42We're asking the Countess on the phone.
00:42:43Who?
00:42:46Mr. Volonine.
00:42:48Connect the line to my room.
00:42:50Come, Mr. O'Sullivan.
00:43:09Hello, yes.
00:43:11This is Countess Aragos.
00:43:13I know. Please abbreviate.
00:43:15Fifteen? No way.
00:43:17Eight? Learn where to leave it.
00:43:19Twelve?
00:43:21You don't believe in yourself.
00:43:23Ten? Okay.
00:43:26The island of Bago?
00:43:28I know.
00:43:30Two men will bring the funds.
00:43:32Gonzales and another.
00:43:3910,000 pounds sterling.
00:43:41That's what costs me Gonzales' incapacity.
00:43:44He should have removed Volonine when he delivered the last roll.
00:43:48How do you know that?
00:43:50Admit that if all went well,
00:43:52that's what I want to happen to me too.
00:43:55Isn't it, my dear Sabine?
00:43:58But no, let's see.
00:44:00You, it's not the same thing.
00:44:02We don't treat all men the same way.
00:44:43It's the wind.
00:44:48Here, some music.
00:44:51The appointment is for tomorrow on the deserted island of Bago.
00:44:54You'll have the money, they'll have the roll.
00:44:56It's a game to take the roll and keep the money.
00:44:59You play to that?
00:45:01If I were in your place, surely.
00:45:13Don't you happen to have some good grenades too?
00:45:16There will be two.
00:45:18There are six rounds.
00:45:20That's two bullets for each.
00:45:22Two times two, four.
00:45:24Two times three, six.
00:45:26Let's not forget Gonzales.
00:45:28Because he has the right to distribute too.
00:45:31Well, that's true.
00:45:33After all, why not?
00:45:35But in this way, it's not 10,000 pounds that we win, but 50.
00:45:38Couldn't you stop for a moment in your calculations?
00:45:41You didn't understand anything.
00:45:43Yes.
00:45:45Precisely.
00:45:59Do you see the boat that raises the anchor?
00:46:03We can be on its side tomorrow.
00:46:07We'll land in a safe place.
00:46:09Very far away.
00:46:10We'll have enough money to do a lot of things.
00:46:13You and me.
00:46:15And him, where is he?
00:46:17Did you forget him?
00:46:19You think of everything, Mr. Sullivan.
00:46:21You still think of my proposal.
00:46:24It's all thinking.
00:46:32Two times three, six.
00:46:35Good night, Countess.
00:46:40Good night.
00:47:10Good night.
00:47:40Good night.
00:48:10Good night.
00:48:40Good night.
00:49:11Quack! Quack quack!
00:49:13It was you!
00:49:20Oh my God! Oh my God!
00:50:10I don't know what you're talking about, I'm not going to let you get away with it.
00:50:37I don't know what you're talking about, I'm not going to let you get away with it.
00:51:07I don't know what you're talking about, I'm not going to let you get away with it.
00:51:37I don't know what you're talking about, I'm not going to let you get away with it.
00:52:07Ha ha ha ha ha ha ha ha!
00:52:38Ha ha ha ha ha ha ha!
00:52:55Ha ha ha ha ha ha!
00:53:07Ha ha ha ha ha ha!
00:53:15I made it!
00:53:38Ah!
00:53:44Ah!
00:54:07Ha ha ha ha ha ha!
00:54:37Ha ha ha ha ha!
00:55:08Firmin, have you rung the doorbell for the guests?
00:55:11Yes, madame la comtesse.
00:55:18Tiens, bonjour comte. Vous avez bien dormi?
00:55:22Suffisamment pour vous poser une petite question.
00:55:24Qu'est-ce que vous faisiez cette nuit dans la chambre de mademoiselle Lauria Barrette?
00:55:27J'ai joué au billard.
00:55:28Très drôle.
00:55:29Et bien monsieur, considérez-vous comme giflé?
00:55:31Et vous, considérez-vous comme mort?
00:55:33Ha ha! Vous refusez de vous battre?
00:55:35Quelle arme choisissez-vous?
00:55:37Six coups à quatre points au revolver d'ordonnance.
00:55:39Et après le sabre de cavalerie.
00:55:40Oh, pas suffisant. Je propose le bazooka et le 75 sans recul.
00:55:44Vous jouez au plaisantin.
00:55:46Peut-être que la manchette javalaise numéro 12 bis vous calmera.
00:55:49Ha ha ha ha ha!
00:55:51Ha ha ha ha ha!
00:55:53Ha ha ha ha ha!
00:55:55Ha ha ha ha ha!
00:55:57Ha ha ha ha ha!
00:55:59Ha ha ha ha ha!
00:56:01Ha ha ha ha ha!
00:56:04GROWLING
00:56:09SCREAMING
00:56:21SCREAMING
00:56:26Celle-là, mon cher cote, c'est la douille ferme.
00:56:29GROWLING
00:56:31I'm going to kill you!
00:56:32Grisha!
00:56:33Get out of there!
00:56:34You're ridiculous!
00:56:35Firmin!
00:56:36Take Mr. Lecomte off the piano.
00:56:37Come, Mrs. Lecomte!
00:56:38Oh, shit!
00:56:39Oh, God!
00:56:40Oh!
00:56:41Oh!
00:56:42Oh!
00:56:43Oh!
00:56:44Oh!
00:56:45Oh!
00:56:46Oh!
00:56:47Oh!
00:56:48Oh!
00:56:49Oh!
00:56:50Oh!
00:56:51Oh!
00:56:52Oh!
00:56:53Oh!
00:56:54Oh!
00:56:55Oh!
00:56:56Oh!
00:56:57Oh!
00:56:58Oh!
00:56:59Oh!
00:57:00Oh!
00:57:01Oh!
00:57:02Oh!
00:57:03It's nothing. It's a friend of mine, Loriot.
00:57:06The coffee in the milk of Madame La Contesse is served!
00:57:10You have a new hotel manager? I don't see how I can help.
00:57:13It's his day. This one is an extra who has no style.
00:57:27Pass me the butter, please.
00:57:31Pass me the butter, please, Mr. Sullivan.
00:57:35Let's see, Firmin.
00:57:45Get out, Firmin!
00:57:47I'll end up going to live at the hotel.
00:57:49Contesse at the hotel?
00:57:51You who have the horror of the noise and the agitation?
00:57:54It's not done to rest here.
00:57:57These nights are unbearable.
00:57:59Too much!
00:58:02Tell me, dear Sabine,
00:58:04you know that we are invited by Commander Schubersky
00:58:06on board his yacht for a swimming cocktail.
00:58:08I must first have a conference with Gonzales and Mr. O'Sullivan.
00:58:11We'll meet again later.
00:58:13If I had my revenge in swimming,
00:58:15on a hundred-meter butterfly,
00:58:17or in diving,
00:58:19the double-jump carpe tirbuchelé.
00:58:22What do you think, Mr. O'Sullivan?
00:58:25Pass me the jam.
00:58:28Mr. O'Sullivan is certainly a champion.
00:58:31Well, you see, it's at the billiards that I defend myself best.
00:58:35I understand why you came to my room this night,
00:58:38with that big billiard tail in your hand.
00:58:41Petit cachottier.
00:58:45There is sun and life is beautiful.
00:58:48Trichard, don't waste your coffee on milk like that.
00:58:51So, it's agreed, Mr. O'Sullivan,
00:58:53we'll take the washing machine stuff to Sabine,
00:58:55you replicate,
00:58:56and we'll take a bath in the sun at the beginning of the wind.
00:58:58And if you don't have a swimsuit, it doesn't matter.
00:59:01Bye-bye.
00:59:02She's charming, that girl.
00:59:04She looks like a little silly bird.
00:59:06Yes, a bit.
00:59:09Let's be serious, if you don't mind, Gonzales.
00:59:12Volodyne called yesterday.
00:59:1410,000 pounds sterling, that's what you owe me.
00:59:17We'll have the roll this morning.
00:59:19This afternoon it will be translated,
00:59:21and the day after, we'll have the ink.
00:59:23The case has been handled well.
00:59:25After three years of patience and cunning,
00:59:28I can tell you both,
00:59:29that no false maneuver should be made.
00:59:31Why, both of you?
00:59:33Mr. O'Sullivan will accompany you to Bago,
00:59:35where he has an appointment.
00:59:36Go and get ready.
00:59:37In five minutes, Chris Craft will be back.
01:00:22I see two men making signals.
01:00:24It's them.
01:00:51Get on board.
01:00:53Here's the money.
01:01:07Gonzales, you understand, don't you?
01:01:09Give, give.
01:01:21Give, give.
01:01:37Are you armed?
01:01:38No, sir.
01:01:39You know there's nothing to be afraid of.
01:01:41Why do you say that?
01:01:43Do you happen to imagine that I cut
01:01:45in the history of aggression on the road?
01:01:51No, sir.
01:02:07We did it!
01:02:11Inspector, put in the hands of Mr. Gonzales
01:02:14if Gonzales counts Castelmirror,
01:02:17Marquis de la Tour Pointue, etc., etc.
01:02:20Mr. O'Sullivan, the two friends ate the piece.
01:02:23It was Gonzales who organized the blow
01:02:25to make the Countess sing.
01:02:28Oh, you son of a gun,
01:02:30you dirty pig, I'm going.
01:02:36Well, there you are, Gonzales.
01:02:38You're dead.
01:02:39The Countess had decided so.
01:02:41The Countess?
01:02:42Caramba!
01:02:44Puerca indecente!
01:02:46I hope you're going to arrest her too.
01:02:48Mr. Marquis, as they say in the aristocracy,
01:02:50these are my onions.
01:02:52By the way, give me the little bag,
01:02:54the 10,000 pounds,
01:02:56little cashier.
01:02:58Give me the roll and follow all my instructions.
01:03:01OK, be serious.
01:03:02And if you can't be serious,
01:03:04be careful.
01:03:05Leave it to me.
01:03:08Hey, your information!
01:03:10The Iranian smuggler ran away from home.
01:03:12Go.
01:03:18Go.
01:03:24Countess,
01:03:25two times three, six.
01:03:32The roll?
01:03:33They were irregular.
01:03:35Here it is.
01:03:40And the money?
01:03:41I have it.
01:03:42Give it to me.
01:03:43We'll share it.
01:03:45It's natural.
01:04:16THE CRIME
01:04:34The only smart thing he did was bring you here.
01:04:37He just wanted to keep you.
01:04:38With him?
01:04:39With me.
01:04:40Oh, I'm breathing.
01:04:41You scared me.
01:04:42Listen, all this fuss,
01:04:43Zaragoza, Garcia, Sous-Yvonne,
01:04:45they look like incapable people to me.
01:04:47And me, incapable people?
01:04:48Do you understand me?
01:04:50I'll give them a little more sense.
01:04:52But anyway, I'll take the ink with you.
01:04:54And without them.
01:04:55Oh, what a good idea.
01:04:56And where are we going?
01:04:57Oh, the Almaty coast, the Peloponnese.
01:05:00I'm working hard.
01:05:01I'll think about it.
01:05:07What did he tell you earlier,
01:05:08by doing this with his hand?
01:05:10The way to cut ham in his country.
01:05:12Ah, well.
01:05:14Here, here's the cutter.
01:05:42The Almaty coast, the Peloponnese.
01:06:01And Gonzales, what did he do to you?
01:06:03He had seasickness.
01:06:04We got rid of him.
01:06:07Be careful, Mr. O'Sylvain.
01:06:09Your life is in danger here.
01:06:11Don't lose sight of Chris Kraft or of me.
01:06:18What do you propose, Mr. O'Sylvain?
01:06:20A sunbath on Levant Island.
01:06:22Go ahead, if you like.
01:06:24Come, Mr. O'Sylvain.
01:06:26Commodore Chouversky is waiting for you.
01:06:42CARACOS
01:06:56Caracos.
01:07:03You will hear the rest of the end of the sad waltz
01:07:06in A minor by Pia Lorsi.
01:07:12COUSINE
01:07:14Cousine, cousine,
01:07:16You're as fresh as another praline.
01:07:19Cousine, cousine,
01:07:21Like some sort of goldmine.
01:07:24Eddie, did you sleep well in the trunk?
01:07:26And I hope you had a quarter.
01:07:29What is this?
01:07:30Mr. O'Sylvain,
01:07:31this is the roll you brought from Paris.
01:07:36Him, O'Sylvain?
01:07:37Oh, let me laugh.
01:07:39When I met him, his name was Anthony Brighton,
01:07:42and he sold washing machines.
01:07:44What did he say?
01:07:48I had my doubts.
01:07:51It took me a while to discover his true identity.
01:07:55Let me introduce you to Slim Callaghan,
01:07:58who works for the Count of the Arwell Laboratory
01:08:01with the Interpolis.
01:08:02Congratulations, Mr. Callaghan.
01:08:04I haven't heard much about you.
01:08:06You bother me a lot.
01:08:10Impostor!
01:08:12You know that if you kill me,
01:08:14you'll never get your roll back.
01:08:16And that poor Gonzales, what have you done to him?
01:08:18I bet he's arrested now.
01:08:20You'll see him soon.
01:08:22Oh, yes?
01:08:29Two times three.
01:08:30Six.
01:08:39Daniel!
01:08:41Don't let him get away!
01:08:57This way, Pocos!
01:09:00This way, Pocos!
01:09:10You bastard!
01:09:12Bastard!
01:09:42Get those beasts!
01:10:13What the hell are you doing?
01:10:26Give me back my doll!
01:10:29Get back!
01:10:30Get back!
01:10:32Get back!
01:10:35Follow me!
01:10:42Fire!
01:10:43Oh!
01:10:46Bruma Khan!
01:10:55Brusa!
01:10:56Start the hurricane!
01:10:57Start the hurricane!
01:11:10Bruma Khan!
01:11:11Start the hurricane!
01:11:12Start the hurricane!
01:11:14Start the hurricane!
01:11:27Bruma!
01:11:28Bruma!
01:11:29Start the hurricane!
01:11:41Bruma!
01:11:42Bruma!
01:11:43Bruma!
01:11:44Bruma!
01:11:45Bruma!
01:11:46Bruma!
01:11:47Bruma!
01:11:48Bruma!
01:11:49Bruma!
01:11:50Bruma!
01:11:51Bruma!
01:11:52Bruma!
01:11:53Bruma!
01:11:54Bruma!
01:11:55Bruma!
01:11:56Bruma!
01:11:57Bruma!
01:11:58Bruma!
01:11:59Bruma!
01:12:00Bruma!
01:12:01Bruma!
01:12:02Bruma!
01:12:03Bruma!
01:12:04Bruma!
01:12:05Bruma!
01:12:06Bruma!
01:12:07Bruma!
01:12:08Bruma!
01:12:09Bruma!
01:12:10Bruma!
01:12:11Bruma!
01:12:12Bruma!
01:12:13Bruma!
01:12:14Bruma!
01:12:15Bruma!
01:12:16Bruma!
01:12:17Bruma!
01:12:18Bruma!
01:12:19Bruma!
01:12:20Bruma!
01:12:21Bruma!
01:12:22Bruma!
01:12:23Bruma!
01:12:24Bruma!
01:12:25Bruma!
01:12:26Bruma!
01:12:27Bruma!
01:12:28Bruma!
01:12:29Bruma!
01:12:30Bruma!
01:12:31Bruma!
01:12:32Bruma!
01:12:33Bruma!
01:12:34Bruma!
01:12:35Bruma!
01:12:36Bruma!
01:12:37Bruma!
01:12:38Bruma!
01:12:39Bruma!
01:12:40Bruma!
01:12:41Bruma!
01:12:42Bruma!
01:12:43Bruma!
01:12:44Bruma!
01:12:45Bruma!
01:12:46Bruma!
01:12:47Bruma!
01:12:48Bruma!
01:12:49Bruma!
01:12:50Bruma!
01:12:51Bruma!
01:12:52Bruma!
01:12:53Bruma!
01:12:54Bruma!
01:12:55Bruma!
01:12:56Bruma!
01:12:57Bruma!
01:12:58Bruma!
01:12:59Bruma!
01:13:00Bruma!
01:13:01Bruma!
01:13:02Bruma!
01:13:03Bruma!
01:13:04Bruma!
01:13:05Bruma!
01:13:06Bruma!
01:13:07Bruma!
01:13:08Get ready to jump!
01:13:38Middleman!
01:13:39Voila!
01:13:40Take him!
01:13:42Les traîtres sont liquidés.
01:13:48Plus tard, je m'en occupe.
01:13:58Allez!
01:14:01Vite!
01:14:04Levez les ancres!
01:14:13Vite!
01:14:16Vite!
01:14:20Vite!
01:14:23Vite!
01:14:26Vite!
01:14:29Vite!
01:14:33Vite!
01:14:36Vite!
01:14:39Vite!
01:14:42Vite!
01:14:45Vite!
01:14:48Vite!
01:14:51Vite!
01:14:54Vite!
01:14:57Vite!
01:15:01Je ne les vois pas.
01:15:02Ils ont dû doubler port-côt et se diriger vers le large.
01:15:04Jusqu'à quelle limite pouvez-vous les poursuivre?
01:15:0620 000 marins.
01:15:07Après, ils seront en dehors des eaux territoriales françaises.
01:15:09Et l'aviation même ne peut plus rien.
01:15:12Je suis d'autant plus inquiet que Slim Callaghan est en leur pouvoir.
01:15:15Je vais envoyer un message radio au sémaphore de l'île du Levant pour savoir s'ils ont en vue un bâtiment correspondant au leur.
01:15:22Radio?
01:15:30Radio!
01:15:42Mustache!
01:15:43Machine gun!
01:15:44Tricky!
01:15:54Les voilà!
01:15:56Là!
01:16:00Go on, Bouchic!
01:16:04Go on!
01:16:08He refuses to stop.
01:16:10Send the rocket!
01:16:18It's an army guard. He's giving signals to stop us.
01:16:21You've been left to work like an idiot by Flynn Callaghan.
01:16:23Let's talk. If I hadn't told you, you would never have known it was him.
01:16:27There's going to be a fight. Let's not stay on the bridge.
01:16:29No one's afraid of Iranian Trasmontine.
01:16:34We have to shelter you. We're at sea. We're going to get wet.
01:16:38No, no. This time we're staying. They're going to be outside the limit.
01:16:43Watch out, Pierobis!
01:16:45Lieutenant, Callaghan is on their side.
01:16:47I'm sorry, sir, but the orders are formal.
01:16:49Fire!
01:16:59Pierobis!
01:17:01Fire!
01:17:03Fire!
01:17:20Let's go!
01:17:29Let's go!
01:17:54They blew themselves up.
01:17:57Oh, you're slim.
01:17:59A little whiskey for Callaghan.
01:18:01Help!
01:18:27Don't worry, sir.
01:18:29Listen to this radio message sent to us by the radio station in Lille.
01:18:32A man and a woman are joining you in a fishing park.
01:18:35Special details. They are not nudists.
01:18:37Their name is H2O.
01:18:40H2O! It's Callaghan!
01:18:57Steve, don't make a scene.
01:18:59We'll settle our scores later.
01:19:01Come here. Come here.
01:19:18That old nigger.
01:19:21Goodbye, miss.
01:19:23Goodbye. Thank you.
01:19:29Lieutenant Chénier, Mr. Slim Callaghan.
01:19:31You've given us a lot of trouble.
01:19:33Gentlemen, this is Miss Doria Varette,
01:19:36who helped me a lot in a difficult time.
01:19:38Tell me, Lieutenant, don't you have an ice cream and a pen?
01:19:41No, we don't have that in the navy.
01:19:43Then bring me quickly to the villa. I have to change.
01:19:45I have a cocktail at Princess Linnigrader's.
01:19:48That's perfect.
01:19:49Because we also have something to do in the city.
01:19:52So, this Commodore Chouberty who puts on the music, was he a spy?
01:19:55The Countess and her brother too?
01:19:57Oh, such distinguished people. We really don't know who to trust anymore.
01:20:00You've known them for a long time?
01:20:02Oh, I think so. For about fifteen days.
01:20:05And with that, the crusade is over.
01:20:07We organize a naval battle and you complain?
01:20:10It's banal. We see it every day in the cinema.
01:20:15Forward, all!
01:20:17Forward, all.
01:20:52Forward, all.
01:21:07Pontecorvo.
01:21:08I was expecting you, gentlemen.
01:21:11I will have the honor to play the third part of the Waltz in A minor by Bielogi.
01:21:22I will have the honor to play the third part of the Waltz in A minor by Bielogi.
01:21:32Mr. Pontecorvo, we have to talk to you.
01:21:34Silence!
01:21:35Let me do my job.
01:21:37And who allows you to interrupt me?
01:21:43Let me go!
01:21:45Poor imbeciles.
01:21:47You fight to use the fruit of my work.
01:21:49Too late!
01:21:50All of you will be exterminated. All of you!
01:21:52Man no longer deserves to live.
01:21:54Science will kill him. You will die.
01:21:56Poor insects, pretentious and stupid.
01:21:58All of you! All of you!
01:22:00He is crazy, but everything he says is true.
01:22:03Come on, get him on board.
01:22:06ZO-6, PH-28, and Galix-Y-103.
01:22:10That's all you need to know.
01:22:12You will all die, gentlemen. Too late! Too late!
01:22:15ZO-6, PH-28, and Galix-Y-103.
01:22:18ZO-6, PH-28, and Galix-Y-103.
01:22:23This is what they did to Pontecorvo,
01:22:25one of the greatest atomic scientists
01:22:27who came to work for us.
01:22:29Three years ago, a plane exploded over the Alps
01:22:32and all its passengers perished.
01:22:34I followed it. Pontecorvo was on board.
01:22:36That's what they wanted to make people believe
01:22:38when they boarded in his place,
01:22:40a poor guy with his papers.
01:22:42They caused the accident.
01:22:44Pontecorvo had been working for them for three years.
01:22:47He was looking for the bomb's secret in Cobalt.
01:22:50They almost found it.
01:22:54I think she's innocent.
01:22:56Well, to a certain extent.
01:22:58I want to question her myself.
01:23:00A third-degree interrogation.
01:23:03Ha, ha, ha!
01:23:33It's a name.
01:23:34And you who like a certain music.
01:23:36There's a little orchestra behind the five drops.
01:23:39Okay, baby.
01:23:40Go for the acoustics.
01:24:04What do you call a small inn next door?
01:24:07Four hours' drive with nothing in your stomach.
01:24:10I should have been more careful.
01:24:12Next time I'll have more sandwiches.
01:24:14I thought you were an artist.
01:24:16What a disappointment. You only think about eating.
01:24:18You're all like that in the English police.
01:24:20Exactly.
01:24:21And three times a day.
01:24:23And in the French police, what do we think of?
01:24:25Of love, of course.
01:24:27Mr. Callaghan.
01:24:29Mon Stradivarius s'incline devant une si parfaite beauté.
01:24:33Mon plus grand désir serait de le faire vibrer pour vous, Marina.
01:24:36Maestro, jouez-moi une valse lente, douce, profonde et irréelle à la fois.
01:24:41Antichornia. Les yeux noirs, peut-être.
01:24:44Non, vous plaisantez.
01:24:45Si vous vouliez me faire plaisir,
01:24:47vous me joueriez la suite et fin de la valse triste en laminaire de Bielotti.
01:24:51A vos ordres, Marina. Rien de plus facile.
01:24:59C'est la vraie, Mr. Callaghan.
01:25:59© BF-WATCH TV 2021