BLACK DRAGONS
| Horror, Thriller, War | 1942 |
Plot:
A cabal of American industrialists, all fifth-columnists intent on sabotaging the war effort, are methodically murdered by the malevolent Monsieur Colomb. It is only until detective Dick Martin is assigned to the case that everyone's true motives and identities are revealed.
Crew:
• Directed by: William Nigh
• Written by: Harvey Gates, Robert Kehoe
• Starring: Bela Lugosi, Joan Barclay, George Pembroke, Clayton Moore
• Produced by: Jack Dietz, Sam Katzman
• Music by: Johnny Lange, Lew Porter
• Cinematography: Arthur Reed
• Edited by: Carl Pierson
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COPYRIGHT
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AYA Media Private Limited & TRENDEST Media Private Limited are companies registered under the laws of India and located in the state of Kerala, India.
| Horror, Thriller, War | 1942 |
Plot:
A cabal of American industrialists, all fifth-columnists intent on sabotaging the war effort, are methodically murdered by the malevolent Monsieur Colomb. It is only until detective Dick Martin is assigned to the case that everyone's true motives and identities are revealed.
Crew:
• Directed by: William Nigh
• Written by: Harvey Gates, Robert Kehoe
• Starring: Bela Lugosi, Joan Barclay, George Pembroke, Clayton Moore
• Produced by: Jack Dietz, Sam Katzman
• Music by: Johnny Lange, Lew Porter
• Cinematography: Arthur Reed
• Edited by: Carl Pierson
About TRENDEST MOVIES - ENGLISH:
Welcome to TRENDEST MOVIES - ENGLISH, your ultimate destination for timeless Hollywood classics, thrilling blockbusters, and hidden gems from the world of English cinema. Dive into a vast collection of iconic films spanning genres like action, drama, romance, comedy, sci-fi, and more. Whether you’re a fan of vintage masterpieces or the latest hits, our channel brings you the best of English-language movies, carefully curated to entertain and inspire.
Subscribe now and join our community of movie lovers to enjoy cinematic experiences that will keep you on the edge of your seat. At TRENDEST MOVIES - ENGLISH, the magic of movies never fades!
Subscribe now: www.youtube.com/@TRENDEST_MOVIES_ENGLISH
Follow Trendest Media:
• YouTube:
1. TRENDEST INFOTAINMENT: www.youtube.com/@TRENDEST_KIDS1
2. TRENDEST KIDS: www.youtube.com/@TRENDEST_INFOTAINMENT
• Instagram:
TRENDEST INFOTAINMENT: https://www.instagram.com/trendestinfotainment/
• Facebook:
TRENDEST INFOTAINMENT: https://www.facebook.com/TrendestInfotainment/
COPYRIGHT
We hold the proper licenses for all movies published on YouTube. For any questions, please contact: mail@trendest.in
AYA Media Private Limited & TRENDEST Media Private Limited are companies registered under the laws of India and located in the state of Kerala, India.
Category
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Short filmTranscript
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00:01:13I say, Reynolds, what's this I hear about the Army being interested in this project you're lobbying for?
00:01:19Well, it's not for publication, but they're planning to build an ammunition dump near the dam.
00:01:24I thought they were spending all that money just to help out a handful of bombers.
00:01:28Ha, ha, ha.
00:01:31And when I mentioned to the committee that more than 50,000 troops were stationed within a mile of the depot,
00:01:37they immediately increased the appropriation by a half a million dollars.
00:01:4250,000 troops.
00:01:4350,000 troops.
00:01:45Don't forget, Mr. Hanlon, all of our shipyards are not located on the coast.
00:01:49I don't think I understand.
00:01:51Believe it or not, we have four shipways on the lakes.
00:01:55We're turning out an average of a ship a month.
00:01:58That explains a lot of things.
00:02:00With your influence in Washington,
00:02:02why don't you get a bill passed to increase the old age pension for Glamour Girl?
00:02:06Ha, ha, ha.
00:02:08Oh, now listen here, girlie.
00:02:10We're not following this precarious occupation for, uh, love.
00:02:14What our friend is trying to say is that you ought to organize, start a revolving fund,
00:02:18and you'll be able to speak the language that he understands.
00:02:21Right?
00:02:23Now that you mention it, it is an ideal location for an air base.
00:02:26The enemy could never spot us in the air,
00:02:28and it's out of the range of the naval gun.
00:02:30Well, perfect.
00:02:32Coffee is served for now.
00:02:34Oh, coffee.
00:02:39Wait for me, blondie.
00:03:24Ooh!
00:03:33Well, gentlemen, if you ask me, I would say this has been a most successful day.
00:03:37Well, it has for me.
00:03:39Now I can postpone that strike until the project has eaten up more of the appropriation.
00:03:44Ha, ha, ha.
00:03:46But, gentlemen, since war has been declared,
00:03:49we've learned one lesson.
00:03:51We must proceed cautiously.
00:03:53I think we should make plans to slip into some neutral country
00:03:56before the intelligence bureau gets after us.
00:03:58Perhaps when the war hysteria dies down, they will become more lax.
00:04:02These Americans are like children.
00:04:04They forget quickly the fire that burnt their fingers.
00:04:07Well, doctor, we've actually found a very efficient method of prosecuting our war of nerves.
00:04:12No, no, no. I'm not going to accept all credit.
00:04:14Gentlemen, I insist that we destroy more ammunition plans before we have to leave.
00:04:20Last operation of yours, carried out with such finesse.
00:04:24Beautiful.
00:04:40Thanks.
00:04:42Do you want me to wait for you, sir?
00:04:44No, thank you.
00:04:45I may be detained here for some time.
00:04:50Oh, uh, are you going back to Cleveland tonight, Kenny?
00:04:53No, I'm staying over for a couple of days.
00:04:55Fine. You're stopping at my office tomorrow morning.
00:04:57The gentleman Patience is here, sir.
00:04:59Patience? I see Patience only at my office during the day.
00:05:02Ask him to go elsewhere.
00:05:04I explained to him you saw Patience at your home.
00:05:06What's his name?
00:05:08Mr. Cologne, or rather Monsieur.
00:05:10I've never heard of him.
00:05:12He seems very urgent, sir.
00:05:14He insists it's a matter of life and death.
00:05:16Why don't you see him and get it over with?
00:05:18Oh, very well.
00:05:20Be back in a moment.
00:05:21Oh, doctor.
00:05:22Don't forget your bedside manners.
00:05:24Oh, no.
00:05:32Oh, that'll be all, Stevenson.
00:05:40Dr. Sanders?
00:05:41That's right.
00:05:43I'm not in the habit of receiving Patience in my home, especially at night.
00:05:47I have come a long way to see you.
00:05:51Plenty of other good doctors.
00:05:54I'm a very sick man.
00:05:57Sit down, please.
00:06:08You don't appear to be in any danger of dying.
00:06:12You are quite wrong.
00:06:14All men are in danger of dying.
00:06:17The important question is when.
00:06:32Who are you?
00:06:36Just why did you come here?
00:06:40Wallace, how are things with you in Detroit?
00:06:42Fine.
00:06:43I'm faced with a strike that may tie up my whole plant.
00:06:4510,000 men.
00:06:46That's too bad.
00:06:48Yes, because I'll have to close one of my factories waiting for parts.
00:06:52Trouble is, you boys should hire me as a lawyer.
00:06:55Then you could really wreck your business.
00:06:57Listen to him.
00:06:59With that Van Dyke, my plant might be able to use you over in Pittsburgh to throw a few monkey wrenches into the legal machinery.
00:07:05You must be mistaken.
00:07:07I don't know what you're talking about.
00:07:10That's strange.
00:07:12I was sure you would remember me.
00:07:16Your voice seems familiar.
00:07:18But I'm positive I've never seen your face before.
00:07:21In that, you are but half right.
00:07:24You did see me before.
00:07:26But I've changed since then.
00:07:29Just as you have.
00:07:34Nurse!
00:07:35Hey, doctor!
00:07:36No, no, please!
00:07:37Please, I don't deserve this!
00:07:39Please!
00:07:42Please!
00:07:48From a squeeze.
00:07:49Sounded like a banshee.
00:07:51Just a momentary upset.
00:07:53Nothing serious.
00:07:55Sorry we intruded.
00:07:57Are you sure everything's all right?
00:07:59Yes, quite.
00:08:01Gentlemen, please accept my apologies.
00:08:04I shall be detained longer than I anticipated.
00:08:07In that case, I think we can go.
00:08:10Good night.
00:08:11Good night.
00:08:30Well, I hope the doctor knows what he's doing.
00:08:32So do I.
00:08:33This patient looks crazy to me.
00:08:36Weird sort of fellow at that.
00:08:38Like a European.
00:08:39Seems to me I've seen him before.
00:08:41Well, let's go, come on.
00:08:42No, very strange.
00:08:53Can we drop you someplace, Kearney?
00:08:54No, thank you. I have a cab.
00:09:10And be sure that your servant understands the instructions I have given you.
00:09:23Dr. Saunders wants you.
00:09:31You may prepare the guest room for Mr. Cano.
00:09:34He'll be with us for some time to come.
00:09:40Very well, sir.
00:10:02What are you doing in my cab?
00:10:04I thought perhaps you were going in my direction.
00:10:07Well, I'm not going in your direction.
00:10:09Mr. Kearney, are you quite sure you know in what direction you're really going?
00:10:15Why, of course I know.
00:10:17Incidentally, how did you learn my name?
00:10:21Did you rob that car you toco ony toby?
00:10:37Yes, I did.
00:11:08Whistle.
00:11:34Well, the taxi driver identified the body.
00:11:36Somebody picked him up in front of Dr. Saunders' place.
00:11:38Then all we have to do is grab this Dr. Saunders and ask him what he knows.
00:11:41Sure, and put him on his guard and then where are we?
00:11:44I don't know.
00:11:45This is the one time that we've got to watch our step.
00:11:47What do you want me to do?
00:11:49Suppose you drop in on the doc and see what you can find out without letting him know that we suspect the place.
00:11:53We have a report that a niece lives there.
00:11:56You might work through her.
00:11:57Don't tell me. Let me guess.
00:11:59She's 50, flat-footed and fat, with buck teeth and probably wears glasses.
00:12:03Now, now, look, Sheila.
00:12:05This is your first case and we don't want you to come up, see?
00:12:08We don't expect you to marry the girl.
00:12:10Just see what you can find out, huh?
00:12:12Okay, Chief. I can dream, can't I?
00:12:14Cute kid.
00:12:30Hello.
00:12:31You're Stevens, aren't you?
00:12:33I'm Alice Saunders.
00:12:34How do you do, Miss Alice?
00:12:36Won't you step in, please?
00:12:45It's good to be back.
00:12:47Where's Uncle?
00:12:48He's not very well this morning. He's still in bed.
00:12:51I wouldn't disturb him just yet.
00:12:53So sorry.
00:12:54Is it anything serious?
00:12:56Well, I don't know, Miss.
00:12:57He took ill last night after his dinner party.
00:12:59Oh, dear.
00:13:02Everything looks just the same.
00:13:04Anything new?
00:13:05Only myself, I'm afraid, Miss.
00:13:16Yes?
00:13:17Miss Saunders was expecting me. Dick Martin.
00:13:19Yes.
00:13:20Come in, Mr. Martin.
00:13:23Miss Saunders, will you see a Mr. Martin?
00:13:26How do you do?
00:13:27I'm from the department.
00:13:30I'd like to see your father, Dr. Saunders.
00:13:32He's my uncle. He isn't feeling well.
00:13:35Is there something I could do?
00:13:37Why, yes.
00:13:38Your uncle gave a dinner party here last night.
00:13:40Do you know who his guests were?
00:13:42I just arrived myself.
00:13:44Maybe Stevens could tell you.
00:13:46Stevens, was there a man by the name of Kearney here last night?
00:13:49Yes, sir.
00:13:50Do you know anything about him?
00:13:51No.
00:13:52If you could tell me what this is all about, maybe I could help.
00:13:55Well, you see, the police found the body of Kearney last night.
00:13:58He was either murdered or committed suicide.
00:14:00Oh, how awful.
00:14:01And if I could see your uncle, it might clear the matters up.
00:14:04I'll try to see him.
00:14:12Stevens, where's the dining room?
00:14:13In there, sir.
00:14:22Uncle Bill!
00:14:23Hmm?
00:14:29Uncle Bill!
00:14:30It's Alice.
00:14:31I just got in.
00:14:32Oh, what is it, dear?
00:14:35Uncle Bill let me in.
00:14:36I'm back.
00:14:37Oh, Alice, dear, forgive me.
00:14:39But I was dozing.
00:14:41Stevens said you didn't feel well.
00:14:43No, nothing serious.
00:14:45Nerves, that's all.
00:14:48I've decided to remain in my room for a long rest.
00:14:52I'm so glad you're back, dear.
00:14:57Can't I come in for a moment?
00:15:00I have so much to tell you.
00:15:03It's been so many years since I've seen you.
00:15:06Oh, I'm sorry, dear.
00:15:09Isn't there something I can do for you?
00:15:17Are you a new servant?
00:15:19Not exactly.
00:15:20Rather, a very old friend of your uncle's.
00:15:23Monsieur Coulombe.
00:15:25I'm Alice.
00:15:26Here's me.
00:15:27Greetings.
00:15:30You're very sweet.
00:15:32And a beautiful young woman.
00:15:34You'll excuse me.
00:15:55What's your first name?
00:16:09Richard, but you can call me Dick.
00:16:12Oh, Dick, this is Monsieur Coulombe.
00:16:15He's an old friend of Uncle Bill's.
00:16:17Dick Martin.
00:16:18How do you do?
00:16:19It's a pleasure.
00:16:20Were you here at the dinner party last night?
00:16:22No.
00:16:23I came later.
00:16:24Do you know a Mr. Kearney?
00:16:26Kearney?
00:16:27I'm afraid not.
00:16:29Is there something wrong?
00:16:30Just a slight case of murder.
00:16:32That's too bad.
00:16:33Can I help you in any way?
00:16:35Nope.
00:16:36Excuse me.
00:16:54Handsome devil, isn't he?
00:16:55I'd hate to meet him in a dark alley.
00:16:58Oh, I don't know.
00:16:59Make it a moonlight night in a park bench.
00:17:01It might be exciting.
00:17:03Oh, yeah?
00:17:07What's this first name business?
00:17:10Well, I didn't know him any better than you did.
00:17:13How long has he lived here?
00:17:15I don't know that either.
00:17:16How about yourself?
00:17:17It's been years.
00:17:19Listen, do I see the uncle or don't I?
00:17:22He must be terribly ill.
00:17:24He wouldn't even see me.
00:17:26Funny business.
00:17:28Aren't you scared living here like this?
00:17:31You'd better come along with me.
00:17:33I think I can take care of myself.
00:17:36What's your name?
00:17:37Alice.
00:17:39Okay, Alice.
00:17:43See you later.
00:18:14Oh, your room is ready, Miss Alice.
00:18:17Stephen, tell me something about our guest.
00:18:21Well, there's not much I know.
00:18:23When he came here last evening,
00:18:24I thought he was simply another patient of your uncle's.
00:18:27He's an interesting man.
00:18:29He is.
00:18:31Get him.
00:18:44Immediately.
00:18:46He's not very well this morning, sir.
00:18:47He's still in bed.
00:18:48He'll see me.
00:18:49Send him in tomorrow.
00:18:50Yes, sir.
00:18:51Will you please wait?
00:19:13I told you I wasn't to be disturbed, David.
00:19:39Yes, Mr. Wallace, sir.
00:19:40He's below.
00:19:41Please obey my orders.
00:19:55Well?
00:19:57It's impossible, sir.
00:19:58Dr. Sanders can't see you.
00:20:00Don't.
00:20:31I'm sorry.
00:20:55Could the medical history of a sick person
00:20:57possibly interest an industrialist from Detroit?
00:21:01You're the man who came here last night.
00:21:04As a patient, Mr. Wallace.
00:21:06As a patient.
00:21:09Get up.
00:21:11Get up.
00:21:37Is there someone here?
00:21:38Mr. Wallace, miss.
00:21:39He just left.
00:21:41I heard a funny noise.
00:21:42Is this room below mine?
00:21:44Yes, miss.
00:21:45Then it came from here.
00:21:53Is there something wrong?
00:21:55I heard a strange noise like a body falling.
00:21:57Oh, I was stumbling.
00:21:58I was awkward.
00:21:59Yes, but there were gurgling sounds.
00:22:02Oh, I was humming.
00:22:05Is my voice as bad as that?
00:22:08Humming.
00:22:15Have you known my uncle very long?
00:22:18Time passed so swiftly, it's hard to say.
00:22:22I think I first met him abroad.
00:22:25Some kind of international meeting, I believe.
00:22:28Are we going to have the pleasure of your company very long?
00:22:31It depends on circumstances.
00:22:37You sound like a man of destiny.
00:22:40One must not flirt with one's destiny.
00:22:44With the world and the condition it is today, aren't we all flirting with destiny?
00:22:51I suppose I'll finish my book upstairs.
00:22:53Oh, no, please.
00:22:54I didn't mean to disturb you.
00:22:56Excuse me.
00:23:26Yes?
00:23:55Yes?
00:23:58Put him on.
00:24:01Hello, John.
00:24:02What is the time?
00:24:04Nine, add three, plus nine.
00:24:06And you tell me.
00:24:07Two, one, three, one, four, one.
00:24:09Okay.
00:24:10Listen, Ryder.
00:24:11Have you seen the headlines?
00:24:13I certainly have.
00:24:14I never knew Kearney had heart trouble.
00:24:16He didn't.
00:24:17He was only 34.
00:24:18Sound is a dollar.
00:24:19And that Japanese dagger.
00:24:21What about that?
00:24:22One of us ought to go immediately back to Washington.
00:24:25I tried to get Dr. Saunders on the phone, but he is sick, according to the butler.
00:24:29Wallace is still registered at his hotel, but he's out.
00:24:33Maybe we can catch him before he returns to Detroit.
00:24:36Both of us should go back.
00:24:37I'll grab the first plane out of Pittsburgh here and meet you in front of Wallace's hotel.
00:24:41Good.
00:24:42See you then.
00:24:48Morning mail, Mr. Ryder.
00:24:50Here's the letter.
00:24:51Perhaps it should have been thrown in the basket, but it seemed rather strange.
00:24:55Why?
00:24:56It's a plastic surgery ad, but it mentions no name.
00:24:59That'll be all, Miss Hanson.
00:25:13Yes, Mr. Ryder?
00:25:15Get me Amos Hanlon in New York, the exchange bank.
00:25:23Mr. Hanlon, Mr. Ryder calling long distance from Pittsburgh.
00:25:32Mr. Hanlon speaking.
00:25:58Mr. Philip Wallace, is he in?
00:25:59I think I saw him walk to the elevator a few moments ago.
00:26:01You may telephone his room, if you please.
00:26:08Mr. Wallace's room?
00:26:12Yes.
00:26:13Wallace, is that you?
00:26:15Who is it?
00:26:16Ryder.
00:26:18What time is it, Wallace?
00:26:21Nine and three plus nine, and you tell me.
00:26:26Two one, three one, four one.
00:26:29Van Dyke is with me.
00:26:31We'd better see you right away.
00:26:33Come up to my room.
00:26:56No.
00:26:59No.
00:27:20Wallace.
00:27:34Wallace.
00:27:42Wallace.
00:27:47What can it be?
00:27:48He obviously isn't here.
00:27:50I'm going to try again to get Saunders.
00:27:55I want Dr. Saunders.
00:27:57National 6516.
00:28:02I want to talk to Dr. Saunders.
00:28:04I'm very sorry, but Dr. Saunders is still confined to his room.
00:28:07Don't bother.
00:28:08I just want to make sure he was there.
00:28:16Get your hand away.
00:28:17You think I was a child?
00:28:19You think you're Nick Wood the way you fellow?
00:28:21I see it in his hand.
00:28:35Japanese dagger.
00:28:40Now, Wallace.
00:29:08There's nothing in the hall.
00:29:10I'm going to call the police, you fool.
00:29:12You want them prying around in our business?
00:29:14Better that than to be like Wallace there.
00:29:16Don't you realize we're at war with this country?
00:29:19Brace yourself.
00:29:20We're forewarned.
00:29:22Now we're forearmed.
00:29:23I guess you're right.
00:29:26He's down the back stairs.
00:29:55He's down the back stairs.
00:30:24There's someone in my room.
00:30:43What's the matter with you?
00:30:45There was a horrible something in my room.
00:30:47Are you quite sure it wasn't a nightmare?
00:30:50It most certainly wasn't.
00:30:53There was no one in your room, miss.
00:30:55I couldn't find a trace.
00:30:56Shall I look outside?
00:30:58Yes, please do.
00:31:00No one.
00:31:01You see?
00:31:02You think my eyes are playing tricks on me?
00:31:06When a young woman's nurse commenced to give way,
00:31:09it is time she sought refuge in a strong man's arms.
00:31:13I just ran into yours.
00:31:15Mine might be dangerous.
00:31:22You're a strange man.
00:31:24I've been trying to make you out.
00:31:26Why try?
00:31:27Curiosity killed the cat.
00:31:29Oh.
00:31:30Don't misunderstand.
00:31:32I'm not worth bothering your pretty head about.
00:31:35What if I think differently?
00:31:37Then I would say that you're a silly young creature.
00:31:39Why did we leave the cab down the street and walk?
00:31:42Just a precaution.
00:31:43I still think we should notify the police.
00:31:45After all, we can prove we're Americans.
00:31:47We just can't afford to risk the publicity.
00:32:04I want to see the doctor immediately.
00:32:05I'm very sorry, sir.
00:32:06If you will, I'll go to his room.
00:32:07Perhaps I'd better speak to him first.
00:32:18Hey.
00:32:21Which is his room?
00:32:23I won't need you.
00:32:34Saunders.
00:32:36Ryder.
00:32:37Let me in.
00:32:38I've got to talk to you.
00:32:39Go ahead and talk.
00:32:40I'm not seeing anyone.
00:32:42You know, of course, about Kearney.
00:32:44He's dead.
00:32:45Yes, I know.
00:32:46Well, so is Wallace.
00:32:48Van Dyke and I found him in his hotel room.
00:32:51The point is, Van Dyke isn't breaking.
00:32:54Lost his nerve.
00:32:56Wants to seek protection with the police.
00:32:58There's only one protection against a weakling, Ryder.
00:33:02Take the outside door to my cellar.
00:33:05I needn't tell you more.
00:33:15Saunders is going to meet us in the cellar.
00:33:30He wants to talk to us.
00:33:31I thought he was ill, confined to his room.
00:33:33Only a subterfuge.
00:33:45Close the door.
00:34:09Why?
00:34:10Hurry.
00:34:15You seem to know your way around, Ryder.
00:34:18I was down here once before.
00:34:29Brighton.
00:34:31I have a strange feeling this is a trap.
00:34:36Where are the lights?
00:34:38Right now.
00:34:40Why isn't Saunders here?
00:34:42The important thing, you're here.
00:34:46You turn weakling, Van Dyke.
00:34:48We can't afford to take any chances with you.
00:35:08You were both very accommodating, Mr. Ryder.
00:36:21I don't know what it's all about, but I like it.
00:36:41There's a body in the basement.
00:36:43A what?
00:36:44A body.
00:36:45Right by the cellar stairs.
00:36:46I stumbled over it.
00:36:48Let's take a look.
00:37:02It was right here.
00:37:04Isn't there now?
00:37:14Let's get out of here.
00:37:15There's nothing to be frightened of.
00:37:17I don't like it.
00:37:18Come on.
00:37:44I can't understand it.
00:37:51I know I stumbled over something.
00:37:53Maybe I'm going daft.
00:37:55Here's something else that's darn queer.
00:37:57This man was with another guest of your uncle's.
00:37:59That makes two of them.
00:38:01Oh, this is terrible.
00:38:03Stevens, where have you been?
00:38:04In the dining room, sir.
00:38:06You haven't been in the cellar, have you?
00:38:07No.
00:38:11Have you seen this?
00:38:14Boy, that's incredible.
00:38:16I saw both at that dinner, too.
00:38:19Alice, I'm going upstairs and talk to your uncle if I have to break that door in.
00:38:22It might be better if I spoke to Dr. Saunders.
00:38:25I might have more influence.
00:38:27Monsieur Colon, I stumbled over a body in the cellar.
00:38:31It's still there?
00:38:32No, it disappeared.
00:38:33Perhaps it is your nerves, I guess.
00:38:35There's nothing wrong with Miss Saunders' nerves.
00:38:37Of course not.
00:38:38Come on, Alice.
00:38:40A body in the cellar?
00:39:02See that?
00:39:09Uncle Bill!
00:39:10Uncle Bill!
00:39:11Uncle Bill, I have to see you.
00:39:13Something terrible has happened.
00:39:14I'm very tired, dear.
00:39:16Please don't disturb me.
00:39:18Dr. Saunders, two of your friends who were here last night are dead.
00:39:20That's most unfortunate.
00:39:22Heart failure, probably.
00:39:24I know, Uncle, but there's someone dead down in our cellar.
00:39:27Alice, I'm afraid your imagination is running away with you.
00:39:31No, it isn't.
00:39:32Alice, I insist you allow no disturbance to be made.
00:39:35My own condition won't stand it.
00:39:37Matters are quite all right in the house.
00:39:40But Uncle...
00:39:41Please obey me, Alice.
00:39:44Very well.
00:39:50That door always been locked since you've been here?
00:39:52Yes.
00:39:53Well, haven't you even seen him?
00:39:54No, I haven't.
00:39:55Who takes care of him, feeds him?
00:39:57Well, Stevens or Monsieur Colon.
00:40:00That's a fine pair.
00:40:01I don't like either one.
00:40:04I'm going to take you out of here.
00:40:05It's too dangerous.
00:40:06I'm not frightened.
00:40:07I'll be all right.
00:40:08If anything happens, you take and call me here.
00:40:11All right.
00:40:12Good night.
00:40:13Good night.
00:40:27Good night, young man.
00:40:29Good night, Monsieur.
00:40:33Good night.
00:41:03Good night.
00:41:33One side.
00:41:39Two more.
00:41:42And it was right here I found the body of Mr. Kearney.
00:41:45And just about this time.
00:41:48No, I'll tell you this time.
00:41:50It's murder.
00:41:52Jacked daggers.
00:41:54Judging by their clothes, they were no tramps either.
00:41:57Well, get to it.
00:41:59All right.
00:42:00But Stevens the butler has disappeared.
00:42:02Do you have any idea where he could have gone?
00:42:05No, he just hasn't come back.
00:42:08Okay, I'll just watch your step, and I'll be over as soon as I can.
00:42:12That's a lot of buggers.
00:42:14I'll be back.
00:42:16I'll be back.
00:42:18I'll be back.
00:42:20I'll be back.
00:42:22I'll be back.
00:42:24I'll be back.
00:42:26I'll be back.
00:42:28That's a lot of bunkers, ain't it?
00:42:30Miss Saunders says the butler's disappeared.
00:42:32Well, this is one time I refused to suspect the butler in the case.
00:42:35There's no doubt those men found at the Jap embassy were murdered,
00:42:38but what do you make of those two daggers in their hands?
00:42:40Well, it adds up to only one thing.
00:42:42The man who did the job was also responsible for the Kearney and Wallace murders.
00:42:46Who was the first guest at Saunders' house that evening?
00:42:49Hanlon, the banker.
00:42:51Oh, I think I see what you're driving at.
00:42:53It may only be a hunch, but if we take Hanlon to Dr. Saunders,
00:42:56we may force the real murderer out until they open.
00:43:00Suppose you grab a plain dick and have a little talk with this Hanlon.
00:43:04Point out to him the danger that he's in
00:43:06and see if you can get him to come to Washington with you.
00:43:24Yes?
00:43:25Mr. Hanlon, a special delivery letter for you.
00:43:28And since the envelope has a black border, I thought you would want it immediately.
00:43:32Bring it in.
00:43:55Oh!
00:44:25Alice, will you marry me?
00:44:44What for?
00:44:45So I can beat you up.
00:44:46It's the only way I can get you out of here.
00:44:48Say, has the butler shown up yet?
00:44:50No, he's probably frightened and quit his job.
00:44:52Alice, you were right.
00:44:53There was a body in the cellar last night.
00:44:55You know that?
00:44:56I'm positive of it.
00:44:57Only there were two bodies.
00:44:59They were found on the steps of the Japanese embassy
00:45:01with a dagger clutched in each hand.
00:45:03And they weren't killed there.
00:45:04Their bodies were dumped there.
00:45:06Why should you think they came from here?
00:45:08There were two more of your uncle's dinner guests who were here that night.
00:45:13Mr. Martin, I found this note in the dining room from the butler.
00:45:19It's Stevens.
00:45:20He's gone to see a sick friend.
00:45:22Brand new alibi, eh?
00:45:24You recognize the handwriting?
00:45:26No.
00:45:27Yes, I recognize it.
00:45:29You would.
00:45:30You doubt me?
00:45:31I'm not accusing anyone, Cologne.
00:45:33All I know is that four men are dead under mysterious circumstances after leaving this house.
00:45:38Possible coincidence.
00:45:40At most, unfortunate.
00:45:41Yes.
00:45:42There's only one guest left alive.
00:45:44Hanlon.
00:45:45Hanlon.
00:45:46Let us hope that Mr. Hanlon escapes the fate of the others.
00:45:51Yeah.
00:45:52Get your hat, Alice.
00:45:55As long as Mr. Cologne is here, I feel perfectly safe.
00:45:59Self-care.
00:46:01So long.
00:46:06Nice fellow.
00:46:08I hope you'll be happy.
00:46:09Goodbye.
00:46:10You're leaving?
00:46:12Yes, I must.
00:46:14It's most unfortunate.
00:46:15But your uncle will understand.
00:46:17Will we see you again?
00:46:19Who knows in this crazy world?
00:47:13All right, come on, Cologne.
00:47:24Well, that gentleman is my considered decision.
00:47:27This institution will not lend its support to any company, even in this emergency,
00:47:32which permits itself to be forced into bankruptcy because of the demand of its employees.
00:47:40What is it?
00:47:41There's a gentleman here to see you.
00:47:43No, I'm too busy.
00:47:44I think you should see this man immediately, Mr. Hanlon.
00:47:49Very well.
00:47:51There, there, gentlemen.
00:47:52You see what a slave, even a banker, can be to his secretary.
00:47:56We'll continue this talk after lunch.
00:47:58After lunch.
00:48:10Mr. Hanlon?
00:48:12Yes?
00:48:13I'm Dick Martin.
00:48:15Sit down, Mr. Martin.
00:48:17I don't have to tell you, Mr. Hanlon, but in the past 48 hours, four of your friends have died.
00:48:22Well, I'm not exactly illiterate, you know.
00:48:25I can read the newspapers.
00:48:27I'm glad that you're not frightened either.
00:48:29A busy man has very little time to indulge in feminine emotions.
00:48:33Just what do you want?
00:48:35I'm here in your interest, Mr. Hanlon, and possibly the interest of this country.
00:48:39In the present emergency, we can't afford to lose any of the much-needed business leaders.
00:48:44And you think my life is in danger?
00:48:46I'm almost certain of it.
00:48:51Here's something I received in the morning mail.
00:48:54I hadn't intended to speak of it.
00:48:57Do you have any idea who the murderer or murderers might be?
00:49:01I do not.
00:49:02If I had, I would inform the police.
00:49:04Of course.
00:49:05As a good American, Mr. Hanlon, possibly you will be willing to cooperate with our department in trapping the criminals.
00:49:12Just what have you in your mind?
00:49:15Well, we're reasonably certain that these killings have occurred in or near Dr. Saunders' home in Washington.
00:49:22I see. And you want me to act as a decoy or bait.
00:49:26Of course. There will be danger.
00:49:28Well, I'm not afraid of danger.
00:49:31I'd like very much to meet this murderer.
00:49:35Even more than you.
00:49:37Good. We'll take the first plane back to Washington.
00:49:39May I use that phone?
00:49:52Chief, you cover the inside of the house.
00:49:54Be sure you keep your eye on Hanlon. I'll take the outside.
00:50:07In there, Hanlon.
00:50:17All right, let's have a look at upstairs.
00:50:19You're not going to leave me here alone.
00:50:21He'll be here with you.
00:50:24Come on.
00:50:33This is Cologne's room.
00:50:34You mean it was.
00:50:36And this is Saunders'.
00:50:40All right, Saunders, come on out or we're coming in.
00:50:47I thought you said this was always locked.
00:50:49It always has been.
00:50:54Come on.
00:51:16I thought so.
00:51:18So they've been messing you up too, eh, old timer?
00:51:21Any other rooms?
00:51:22No.
00:51:23Servants' quarters, anything like that?
00:51:25One small one downstairs.
00:51:26Yeah.
00:51:31Listen, Chief.
00:51:32Oh, don't talk to me. You've messed up everything as it is.
00:51:35Take it easy, Stevens.
00:51:38You there on the couch?
00:51:41Sit down.
00:51:42No, no, no. No, I... I'm all right.
00:51:44Who is this?
00:51:45Stevens, the missing butler.
00:51:47What happened to you?
00:51:48He was slugged and tied up in that basement.
00:51:50You didn't happen to do that to yourself, did you?
00:51:52Why, no, sir, I...
00:51:53Stevens, did you write this?
00:51:55No.
00:51:57Cologne again.
00:51:58Or Dr. Saunders, who also disappeared.
00:52:00Saunders missing?
00:52:02Yeah.
00:52:03What do you know about that?
00:52:05Why, nothing, sir.
00:52:07Who fed him?
00:52:08Well, I did.
00:52:09What illness was he suffering from?
00:52:11Well, I don't know, sir.
00:52:12When I brought him his food, he always spoke of an ante room or a dark corner.
00:52:16You couldn't have possibly sneaked in there just once and fed him, could you?
00:52:19Well, I...
00:52:20Yeah, you fell down on the job.
00:52:22Who, Miss Saunders?
00:52:23Oh, Miss Saunders, my eye. She's my best girl.
00:52:25Your best girl?
00:52:26My best girl operator.
00:52:28Or was.
00:52:30So you're a flatfoot, eh?
00:52:32How well did you know Saunders?
00:52:33I know him slightly, in a business way.
00:52:36Did you know that he was supposed to have mysteriously disappeared from a ship in the Orient ten years ago?
00:52:41Why, that's ridiculous.
00:52:42Something new, Chief?
00:52:43No, this is something old.
00:52:45See, the real Miss Saunders came to my office.
00:52:47She's been living abroad for the last ten years on the legacy.
00:52:50When she saw this picture of her uncle in the paper, she figured something was wrong.
00:52:53Well, I figured if somebody was posing as her uncle, I could put somebody...
00:52:56This has nothing to do with me. I'm leaving.
00:52:58Oh, sit down.
00:53:13We'll find out who you are by twelve o'clock.
00:53:15Better get him a drink.
00:53:17I'll get him.
00:53:34At last, we meet.
00:53:36And then...
00:53:38...shall I call you...
00:53:40...a sake?
00:53:46That's what was in my room!
00:53:47Who are you?
00:53:48I'm Dr. Saunders.
00:53:50Take him in there.
00:53:53All right, Doc, take it easy.
00:53:54Cologne! Cologne!
00:53:56Look out for Cologne!
00:54:07Hold it, fella!
00:54:11You know him?
00:54:12Sure, it's Cologne.
00:54:15Well, it looks like we're too late.
00:54:17At least your hunch was right.
00:54:19All right, come on, you.
00:54:26Is your man back?
00:54:27Yes! Yes!
00:54:29He's a man!
00:54:31That's Dr. Murcher, alias Mr. Cologne!
00:54:34Mad!
00:54:35Mad!
00:54:36Mad! Who would be mad?
00:54:38It all started some time ago in my homeland.
00:54:46THE END
00:54:50Heil Hitler!
00:54:52Heil Hitler!
00:54:55A tea, sir.
00:55:00It was considerate of your Fuhrer to...
00:55:04...permit you to come here to serve us.
00:55:07Your famous...
00:55:09...plastic surgeon is...
00:55:11...well known in lands of rising sun.
00:55:16This is my first request of wholesale surgery.
00:55:20Are these my subjects?
00:55:22Yes.
00:55:24All trusted members of...
00:55:27...the Order of...
00:55:29...Black Dragons...
00:55:32...ready to serve...
00:55:34...Empire...
00:55:35...until...
00:55:37...death.
00:55:40And Americans, they are to impersonate.
00:55:43You have photos of them?
00:55:44I will need many angles.
00:55:47Better than that.
00:55:50We have perfect...
00:55:52...replicas.
00:55:55Death masks.
00:55:57Good.
00:55:59I shall be ready to operate as soon as the surgery is prepared.
00:56:05This is Dr. Nacucci.
00:56:07He will assist you.
00:56:14This way, Herr Doctor.
00:57:44Remove your robes.
00:58:03The transformation is...
00:58:06...complete.
00:58:09Our faith in...
00:58:11...your ability was well founded...
00:58:14...Honorable Doctor.
00:58:16We owe you...
00:58:19...and your Fuhrer...
00:58:23...our dying gratitude...
00:58:26...for what you have done for us.
00:58:29Anything I can do to hasten the establishment of our new order...
00:58:32...and to destroy the archaic democracies...
00:58:35...is an honor and a privilege.
00:58:38Well, you...
00:58:40...you accompany these men...
00:58:43...and they will see that you are...
00:58:46...fittingly...
00:58:48...rewarded.
00:59:08Wait, Herr Doctor.
00:59:12What's the meaning of this?
00:59:14I'm a member of the party.
00:59:16The Fuhrer will hear of this.
00:59:18That's just what we're going to prevent.
00:59:20The little trick we learned from you Nazis.
00:59:22Leave no evidence behind.
00:59:24Let no sentimentality stand in your way.
00:59:26Since you're the only one who knows our real identity...
00:59:28...this is merely a test.
00:59:30I'm not going to let you get away with this.
00:59:32I'm not going to let you get away with this.
00:59:34Since you're the only one who knows our real identity...
00:59:36...this is merely a precaution to make sure that no one else finds them out.
00:59:42All right.
00:59:47Sorry we have to ask you to share these quarters with someone else.
00:59:57But he won't be with us for long, Herr Doctor.
01:00:01You will pay for this, you apes!
01:00:03You swine!
01:00:05The Fuhrer will wipe you off the face of the earth!
01:00:34So you get out of here, huh?
01:00:37He evidently made good his escape to America...
01:00:40...and set out to kill us one by one.
01:00:43Why didn't you kill him like the others?
01:00:45Oh, I was necessary to the completion of his plan.
01:00:49Then he inoculated us with his own blood.
01:00:52And now he's going to kill us all.
01:00:54I'm not going to let you get away with this.
01:00:56I'm not going to let you get away with this.
01:00:58I'm not going to let you get away with this.
01:01:00I'm not going to let you get away with this.
01:01:02Then he inoculated me with an insidious serum...
01:01:05...which quickly transformed me into this horrid monster you see before you!
01:01:14And you must go on living.
01:01:18No! No!
01:01:20I won't live!
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