A man wakes up in a strange location with a gun in his hand and a dead body, not knowing how the whole thing happened. He doesn't remember anything about the whole scenario.
Source: IMDB
Source: IMDB
Category
🎥
Short filmTranscript
00:00:00♪♪
00:00:29♪♪
00:00:59♪♪
00:01:09♪♪
00:01:29Good night, Mungo.
00:01:59♪♪
00:02:20♪♪
00:02:30♪♪
00:02:50♪♪
00:03:10♪♪
00:03:30♪♪
00:03:50I must have a double or I'm dreaming.
00:04:05I've never written a book on birds.
00:04:07I'm confident.
00:04:17♪♪
00:04:37♪♪
00:04:47♪♪
00:04:57♪♪
00:05:18Not it.
00:05:23I didn't get it.
00:05:26I couldn't.
00:05:29This must be a dream.
00:05:31Oh, could we use your telephone?
00:05:46We're on a walking holiday.
00:05:47This rain's beaten us.
00:05:48We want a phone for a car.
00:05:50I'm afraid I haven't got a phone.
00:05:51Why don't you try the next bungalow?
00:05:53They all seem to be deserted.
00:05:54You're the first person we've seen in miles.
00:05:56Yes, well, I daresay you're not well trained.
00:05:58I hope so.
00:05:59Oh, please.
00:06:00Couldn't we just come in to change our clothes
00:06:01so it stops raining?
00:06:02We're nearly dry.
00:06:03I'm sure you'll find somewhere further along.
00:06:06Oh, all right.
00:06:16I don't want to be disagreeable,
00:06:17but the fact is I only got here last night
00:06:19and the place is upside down.
00:06:21Do you live here all year round?
00:06:23Uh, no, no, no.
00:06:25Not in winter.
00:06:27I just look in once in a while, see everything's all right.
00:06:30Where were you aiming for?
00:06:31Were you going far?
00:06:32No, only to Guildford.
00:06:34Guildford?
00:06:35That's miles away.
00:06:37The bedroom's over there.
00:06:39Would you like a change?
00:06:48I'll make some tea.
00:06:49I expect you could do with a cup.
00:06:51Oh, I say we could.
00:06:53But please let me help.
00:06:54No, no, no.
00:06:55It's all right.
00:06:56I can manage.
00:06:57Well, that's very kind of you.
00:07:02Well, uh, my name's Dean Gilson
00:07:04and this is Marion Savage.
00:07:07Elliot.
00:07:08Peter Elliot.
00:07:12Well, come on, Marion.
00:07:28What on earth are you doing, Marion?
00:07:30Look, British Birds by M. Cornforth.
00:07:34I thought you said his name was Elliot.
00:07:38Made something to eat.
00:07:39Thought you might be hungry.
00:07:40Oh, no, you shouldn't.
00:07:42We're being an awful nuisance.
00:07:45Have you got everything?
00:07:46Can I get that?
00:07:47No, thanks.
00:07:48It's all under control.
00:07:54What's the nearest village?
00:07:55We've booked rooms at Guildford
00:07:56and we simply must get there.
00:07:58I don't know.
00:08:01At least I never can remember.
00:08:04Something unpronounceable.
00:08:09I'll fill up the teapot.
00:08:10I've got the kettle on.
00:08:11Oh, no, let me.
00:08:12No, no, no.
00:08:13It's all right.
00:08:14I can manage.
00:08:15Not all women are as helpless as men think.
00:08:24Marion's a market researcher,
00:08:26a sort of gallop pole.
00:08:28Her job is to travel around asking people
00:08:30why they use soapy soap flakes.
00:08:32And if not, why not?
00:08:33She'll be looking to see
00:08:34if your sink's full of dirty dishes.
00:08:37What would that show?
00:08:38That you don't use the right kind of soap flakes.
00:08:43Right.
00:08:51Marion's not really inquisitive.
00:08:53It's simply that she's very nervy and imaginative.
00:09:24She's always expecting to find
00:09:30bodies under the bed,
00:09:31bloodstains on the floorboard,
00:09:32and skeletons in the cupboard.
00:09:34Marion!
00:09:42She must have seen a rat.
00:09:44The place is running with them.
00:09:45I should have warned her.
00:09:46If you've got the same sorts in her bag, I'll get them.
00:09:53See if there's any brandy.
00:10:16I'll get it.
00:10:45Leave us alone.
00:10:46Come on, Marion.
00:10:47You'll be all right.
00:10:48Come on.
00:10:49Hurry.
00:10:57Come in here.
00:10:58I want to talk to you.
00:11:07Well, Mr. M. Cornforth,
00:11:08what's the M for?
00:11:10Murderer?
00:11:12Yes, please.
00:11:24And what's more, I can prove I was in London last night.
00:11:27My neighbor saw me.
00:11:28A chap called Mungo Petty.
00:11:30He saw me through a window in my own flat.
00:11:32He saw me go to bed.
00:11:34Did he say you'd get up again?
00:11:36But he's not here to ask.
00:11:38Maybe it's as well.
00:11:41You shot that man, didn't you?
00:11:45I don't know.
00:11:46I don't know.
00:11:48I wish I could answer positively yes or no, but I don't know.
00:11:52I may have had a blackout.
00:11:53I've been working hard lately and sleeping badly.
00:11:55I had to take sleeping pills.
00:11:57And I have got a terrible headache.
00:11:58Do you know who he is?
00:12:01Yes, that's the ghastly thing.
00:12:03He's my cousin.
00:12:04His name's Martin Cornforth.
00:12:06But you said you'd never been here before in your life.
00:12:08I haven't.
00:12:09I haven't seen Martin for years.
00:12:10I didn't even know he lived here.
00:12:12I do remember that he was interested in birds,
00:12:14but I didn't know he wrote about them.
00:12:16Well, where's the rest of the family?
00:12:18Only Martin and I left.
00:12:20Well, what does he do, his work, apart from studying birds?
00:12:23He doesn't do anything.
00:12:24He's got money.
00:12:25His father left him a fortune.
00:12:27Doesn't appear to have spent much of it.
00:12:29So he left a fortune, and you're his next of kin.
00:12:33I may be.
00:12:35But he wouldn't leave it to me.
00:12:37Why should he?
00:12:39He'd leave it to a home for old birds or something.
00:12:42Perhaps he didn't make a will, in which case the money's yours.
00:12:45Did he make a will?
00:12:46I don't know.
00:12:47I tell you, I haven't seen it for years.
00:12:49Don't move.
00:12:50You must believe me.
00:12:55What are you staring at?
00:12:56Your wrists.
00:12:57They look as if, when you woke, were you tied up.
00:13:01No.
00:13:02Are they sore?
00:13:03They're sore all over.
00:13:05My neck, my back, my knees, my ankle.
00:13:12I suppose I could have tied myself up.
00:13:14How did you get here?
00:13:15Hop?
00:13:16But if someone brought me here, why?
00:13:19So the police would think what I thought, that you killed your cousin.
00:13:24We'd better get out of here.
00:13:26I've given you my address.
00:13:27Don't lose it.
00:13:28And get in touch with me.
00:13:29Yes, sir.
00:13:35It's all right, Marion.
00:13:40Marion, wait for me.
00:13:42It's all right.
00:13:44He's all right.
00:13:45Relax.
00:13:49What are you frowning about?
00:13:51I can't see how anyone could have broken into my flat.
00:13:53I'm always careful to lock up.
00:13:55If anyone had broken in, I'd have heard.
00:13:57Well, you take sleeping pills.
00:13:58I'm sorry.
00:13:59I'm making a slight assignment.
00:14:00That's for tying me up, whatever it was he did.
00:14:02How could he have done it?
00:14:03Well, not without experience, perhaps.
00:14:05But you don't know how much experience he's had.
00:14:07Maybe a great deal.
00:14:08Off the road.
00:14:17See what I saw?
00:14:18A blonde.
00:14:19I bet if we couldn't ask for a lift.
00:14:21Why are we going there?
00:14:24We're not.
00:14:55Mungo.
00:14:57Mungo Petty.
00:15:04Hello, Mungo.
00:15:05The door was open, so I came straight up.
00:15:07Just in time for some coffee.
00:15:10Or was it the smell of it that brought you over?
00:15:13I can't smell.
00:15:14I've started up a lousy cold.
00:15:17Get your feet wet last night?
00:15:22How's the antique trade?
00:15:24Genuine 17th century, I doubt it.
00:15:27Is there anything you can't make?
00:15:30Why do you do it?
00:15:31Money or the hell of it?
00:15:32It amuses me.
00:15:35You can't fool people all the time?
00:15:37No.
00:15:42Never mind.
00:15:43It'll make a change to sew mailbags.
00:15:46Do you know, I've got an idea.
00:15:48Your so-called friend was playing a practical joke on me.
00:15:52If you will have friends calling on you at a quarter to one in the morning...
00:15:56What time?
00:15:58Who was it?
00:15:59You should know.
00:16:00You let him in.
00:16:02You saw me?
00:16:03My dear fellow, I didn't have to see you.
00:16:06All I saw was this friend of yours arrive at your door and ring the bell.
00:16:09But I...
00:16:10And then I heard you say,
00:16:12Come on in, you're late, but I've got the trunk packed.
00:16:15It's all ready for you.
00:16:17After that, I went to bed.
00:16:20I got nicely to sleep when a car drove up.
00:16:24And you decided the time was now ripe to load that trunk into the car.
00:16:28Judging by all the bumping and the scraping.
00:16:32After which, I'm grateful to say, the car drove off and your door was kindly shut.
00:16:37More coffee.
00:16:39No, thanks.
00:16:41Tell me, did you see this man?
00:16:44Yes, he was average height.
00:16:47Slim.
00:16:48He wore a raincoat with a belt tightly drawn across it.
00:16:52Just to be sure you'd notice the slim.
00:16:54But his face, did you see it?
00:16:56No, it was too dark.
00:16:58I suppose the blonde hasn't anything to do with it.
00:17:01What blonde?
00:17:02The blonde in the shooting break.
00:17:04What do you know about the blonde in the shooting break?
00:17:06You were at home this morning, weren't you?
00:17:09Yes.
00:17:10Of course.
00:17:12When I woke up this morning, there was a shooting break outside your door.
00:17:17Then later, when I was dressing, your door slid open.
00:17:23The blonde slid out.
00:17:26And the car slid off.
00:17:28Did you see what she looked like?
00:17:30No, she was too quick for me.
00:17:33Don't worry, Michael.
00:17:35That long, soft hair.
00:17:40Michael.
00:17:43Oh, Michael.
00:18:09Hello?
00:18:12Hello?
00:18:39Hello?
00:19:09Hello?
00:19:39Hello?
00:20:09Hello?
00:20:39Hello?
00:21:09Evening, Paris.
00:21:21Is Mr. Bill Dottie near?
00:21:26Bill, it's Mike.
00:21:28Well, Mike.
00:21:29Bill, I'm in serious trouble.
00:21:31If you can use a scoop, I think I've got one.
00:21:34I can't talk on the phone now.
00:21:36Can you come round right away?
00:21:38Listen, I'm a crime reporter, not a...
00:21:39This is a murder.
00:21:41Whose murder?
00:21:42It's mine.
00:21:43What, you mean you did it, or you mean you're dead?
00:21:45I will be if you don't get moving.
00:21:47Okay, but if this is a joke, I'll personally cause you to regret it.
00:21:56You think it is a man's prints.
00:21:57It couldn't have been made by my charwoman.
00:21:59Oh, no, that's a man's prints, all right.
00:22:00I don't want to land you into any trouble.
00:22:02All the felonies I've compounded, I could spend the rest of my life in jail.
00:22:05Another ten years won't make any difference.
00:22:17But why, Bill?
00:22:18Why?
00:22:21Well, it's a 64,000 question.
00:22:28I don't know.
00:22:29I think it's fairly easy, Mike.
00:22:31You see, after they deliver you at the cottage, they bring the trunk back here.
00:22:36Then the blonde drives back to Shinglestrand to make sure that you've called the cops.
00:22:42Now, she sees no cops, no nothing.
00:22:47So you gas yourself instead.
00:22:49Murder first, suicide second.
00:22:52Mystery solved, case closed.
00:22:56These are the pills you were talking about?
00:22:57Yes, yes, I thought of getting them analysed.
00:22:59Yes, I should do that.
00:23:01Look, I'll drop them into the local chemist.
00:23:02You can pick them up later on.
00:23:04Meanwhile, I'll get a print of those dabs there and check down at the yard.
00:23:10The yard?
00:23:12Scotland Yard.
00:23:13The guy in charge of records there is a great old buddy of mine.
00:23:16Yes, but Bill, you...
00:23:17Now, don't panic.
00:23:18I can spin a yarn with anyone.
00:23:20See, I've got a friend in Scotland Yard.
00:23:23I can spin a yarn with anyone.
00:23:25Sometimes I even believe it myself.
00:23:38Morning.
00:23:40I've got Petty.
00:23:41Yes.
00:23:42They say he's the finest restorer of antiques in the business.
00:23:45They also say that he can fake a Chippendale so that even Chippendale wouldn't know.
00:23:49Can you get his dabs?
00:23:50Dabs?
00:23:51Fingerprints.
00:23:52Yes, I could try.
00:23:53But he's harmless enough.
00:23:55No man's harmless who lives by fraud, Michael.
00:23:57But how could my cousin Martin know Mungo Petty?
00:24:00Oh, it's just an idea.
00:24:02But there's got to be someone who knows you pretty well.
00:24:04Routine.
00:24:05Lay out of your flat.
00:24:06And your voice well enough to imitate it.
00:24:08You count your friends, Michael.
00:24:10You've got one too many, you know.
00:24:13Jeanne!
00:24:15Hello.
00:24:16I thought you were in Guildford with what's her name?
00:24:18Marion.
00:24:19Well, I was.
00:24:20But I had to see you.
00:24:21It's about Marion.
00:24:22Well, this morning she suddenly went into hysterics.
00:24:24And now she's in hospital.
00:24:26Did she tell him anything?
00:24:28No.
00:24:29But they've given her something to make her sleep.
00:24:31She won't come round for 24 hours.
00:24:33And that's tomorrow morning.
00:24:34Have you found out anything?
00:24:35No.
00:24:36I haven't found anything.
00:24:37Have you?
00:24:38No.
00:24:39She won't come round for 24 hours.
00:24:40And that's tomorrow morning.
00:24:41Have you found out anything?
00:24:43Come and look.
00:24:57I told you it was dangerous to play detective.
00:24:59I can't stop now.
00:25:06That blonde in the shooting break.
00:25:08Do you have any idea who she could be?
00:25:09Of course not.
00:25:10I don't even know any blondes.
00:25:11I don't even like blondes.
00:25:15Oh, look, Michael.
00:25:16I'm not being nosy about your friends or prying.
00:25:18It's just that I'm...
00:25:19No.
00:25:20Of course not.
00:25:21Well, I'm worried for you.
00:25:31I'm not sorry, you know.
00:25:33Nor am I.
00:25:39Who's that man?
00:25:40That's Mungo Petty.
00:25:41Odd name.
00:25:42I don't like the look of him.
00:25:45Probably my chance.
00:25:51I must get back to Guildford now.
00:25:52I've got to go out myself.
00:25:53So I'll come part of the way with you.
00:25:54Oh, lovely.
00:26:09Ah, Mrs. Dodge.
00:26:10Good morning, sir.
00:26:11I'm going out for a while, Mrs. Dodge.
00:26:12I'll leave you the spare key.
00:26:13Just leave it on the table as usual.
00:26:14Slam the door when you go.
00:26:15Yes, sir.
00:26:16Thank you, sir.
00:26:27It's certainly our bottle, sir.
00:26:28I won't deny that.
00:26:30They're not the tablets we supplied you with.
00:26:32But I bought them myself.
00:26:34They contain, amongst other things, a quantity of morphia.
00:26:36Quite an appreciable amount.
00:26:38In fact, they're what our American cousins would call a Mickey Finn.
00:26:42Frankly, sir, I think it's a matter for the police.
00:26:45No, no, no, no.
00:26:46I don't think that's necessary.
00:26:47It was obviously a joke.
00:26:49Dangerous joke, sir.
00:26:51All the more reason to inform the police.
00:26:53I'm not going to start sending my friends to the police.
00:26:56I'll take them back.
00:26:58In case I need them as evidence.
00:27:01I thought you said that Jean could take care of Marion Savage.
00:27:04She thought she could.
00:27:07So Marion wakes up in her right mind tomorrow and spills the whole story.
00:27:12First to the hospital and then to the cops.
00:27:15The cops go down to the bungalow to check her story
00:27:17and they find Martin's body in the cupboard.
00:27:20Boy, where does that leave you?
00:27:22You said you had some news.
00:27:24Sure, I've got news.
00:27:25It's going to take some time, though.
00:27:27Look at this.
00:27:29Now, that's the photograph of the fingerprints that I took in your flat.
00:27:36This is what I got from my pal in records.
00:27:39Incidentally, he wants it back with an explanation.
00:27:41And it's got to be a good explanation.
00:27:43This is an official copy.
00:27:47Well, they look the same to me.
00:27:49They are the same.
00:27:50Then he must be known.
00:27:52It's not as simple as that, Michael.
00:27:55Two years ago, the body of a woman was found floating in Sydney Harbour, Australia.
00:28:00Fair hair, face smashed in, purposely.
00:28:04Aged about 35, weight approximately 135 pounds.
00:28:08Australia.
00:28:10I should know.
00:28:11I was working in the Sydney Herald.
00:28:13Worked in the case at the time.
00:28:15Marks in the sand showed that a car had been driven up the harbour
00:28:18and that it had been hit by a car.
00:28:21At the time.
00:28:22Marks in the sand showed that a car had been driven up the harbour wall.
00:28:26Heavy object dragged from the car, thrown into the water.
00:28:30Close by, a greasy starting handle on which a fairly clear set of prints.
00:28:36These.
00:28:37Wasn't he caught?
00:28:38No.
00:28:39Prints were circulated through Interpol.
00:28:41No results.
00:28:42And the woman, who was she?
00:28:44Nobody knows.
00:28:45Except the man these prints belonged to.
00:28:47However, I intend to find out how and why
00:28:50a murderer moves from Australia to your back door.
00:28:53And why he murdered Martin Cornfost.
00:28:56I was to be his third victim.
00:28:59Third, fourth, fifth.
00:29:01Who knows?
00:29:03However, he's just lucky, Michael.
00:29:05He's careless.
00:29:07Too clever.
00:29:08Too fanciful.
00:29:10Does that description suit any of your friends?
00:29:12Only you, except for the careless.
00:29:14I'm worried about that dead body in that cupboard.
00:29:21No need to be alarmed, miss.
00:29:22My name's Ashbery from the county police, sir.
00:29:24This is Sergeant Wright.
00:29:26Oh, is it about Marion Savage?
00:29:28I'm just going to the hospital now.
00:29:30Miss Savage, yes.
00:29:32Now, young lady, I understand you had a rather unpleasant experience last Sunday.
00:29:35I'm a little surprised that you didn't think of reporting it.
00:29:37Well, there wasn't anything to report.
00:29:39If you don't know Marion, I do.
00:29:41So, Miss Savage is wrong in saying that you, as well as she,
00:29:44suspected this man of having a dead body on the premises.
00:29:46Did you think of looking in the cupboard yourself to make sure?
00:29:49Well, no, I... I didn't bother.
00:29:51I... Well, uh...
00:29:53You see, if I looked in every cupboard that Marion thought she saw a dead body in,
00:29:56I'd live in a cupboard.
00:29:58Besides, I was too busy looking after her.
00:30:00She'd fainted.
00:30:01Yes.
00:30:02What about the gun?
00:30:04Gun?
00:30:05What gun?
00:30:07Well, I don't think there's any need to trouble you anymore, Miss Gilson.
00:30:10You'll be around if we want you, I expect.
00:30:12Yes, I'm here for a week.
00:30:14Oh, uh, this chap, uh...
00:30:16His name was Elliot?
00:30:18No, Cornforth. Martin Cornforth.
00:30:20He's a most charming person.
00:30:22I can't think what Marion's been saying.
00:30:24Yes, well, we'll pay him a little visit, I think.
00:30:27That would be the wisest course.
00:30:29Thank you very much.
00:30:30Goodbye.
00:30:40Goodbye.
00:31:10He's at home, thank goodness.
00:31:24Mr. Cornforth?
00:31:42Hello, anybody at home?
00:31:46Tell Marshall to give us a toot if he sees anyone coming.
00:31:48Right, sir.
00:32:05Found anything, sir?
00:32:06Not yet.
00:32:15Might be this one.
00:32:27What the?
00:32:32Gave me quite a turn for a moment.
00:32:34No wonder that girl took fright.
00:32:36Well, that solves the mystery of the corpse in the cupboard.
00:32:40Look sharp.
00:32:54The man coming this way, sir, I think it's him.
00:32:56We'll soon see.
00:33:18Doesn't look all there if you ask me.
00:33:22Excuse me, sir, Mr. Cornforth?
00:33:24Yes.
00:33:25I understand you had a bit of trouble Sunday.
00:33:27A trouble?
00:33:28Yes, didn't you have two young ladies call on you?
00:33:30Two young ladies?
00:33:31Oh, yes, yes.
00:33:32You mean the young woman who was frightened by my muffin gun?
00:33:35Rather hysterical, I think.
00:33:37Which was that gun?
00:33:38She mentioned a pistol.
00:33:40A pistol.
00:33:41And you learned the scissor.
00:33:42Twelve gone.
00:33:43Aye, that's right, indeed.
00:33:44Yes, well, I don't think we need trouble here anymore, Mr. Cornforth.
00:33:47Glad to have seen you.
00:33:48Goodbye.
00:33:50Well, that's that.
00:33:52I've lived with trouble so long, I can smell it.
00:33:56It's the Bastard Rowan.
00:33:57I want to see that girl again.
00:34:49God, I thought you were a ghost.
00:35:06Well, I'm not.
00:35:07How'd you get on?
00:35:08Did they show up?
00:35:09Yeah.
00:35:10And they swallowed it.
00:35:11Good.
00:35:12Give me a hand, will you?
00:35:14There are some kegs over there.
00:35:17Thanks.
00:35:24Well, he's behind that lot.
00:35:40Look, Michael, he's a great deal safer behind there than he was in that cupboard.
00:35:45You know, the more I think of it, the more there has to be a will.
00:35:49With just enough money left to you to provide a motive.
00:35:52And the rest to somebody else.
00:35:54Yeah, but who?
00:35:57Let's get out of here.
00:35:58Go on.
00:36:00Well, what's the next move?
00:36:03Well, the first thing you do when you get back is to get Mungo Petty's fingerprints.
00:36:07Yes, I've got that organized.
00:36:08He said he'd mend my electric arm.
00:36:10I'll take it over if Mrs. Dodge hasn't already taken it.
00:36:13That ought to hold a print all right.
00:36:15I don't think so.
00:36:16Well, I've got it.
00:36:17I've got it.
00:36:18I've got it.
00:36:19I've got it.
00:36:20I've got it.
00:36:21I've got it.
00:36:22I've got it.
00:36:23I've got it.
00:36:24I've got it.
00:36:25I've got it.
00:36:26I've got it.
00:36:27I've got it.
00:36:28That ought to hold a print all right.
00:36:29Bill, that spare key of mine.
00:36:32I mean, how they could have got in?
00:36:34I'm always lending the spare key to Mrs. Dodge.
00:36:36I never thought of her, but she works for Mungo.
00:36:38Suppose she dropped it there or left it or didn't.
00:36:41Oh, for Christ.
00:36:42Suppose she dropped it there or left it.
00:36:44What's wrong with her handing it?
00:36:46How long have you had her?
00:36:47A few months, but she's a wonderful child, Bill.
00:36:48She'd do anything for me.
00:36:49Oh, she'd do anything for me.
00:36:50She's poor, isn't she?
00:36:52She'd do anything for money.
00:36:53She wouldn't.
00:36:58She wouldn't.
00:36:59She wouldn't.
00:37:00She wouldn't.
00:37:01She wouldn't.
00:37:02She wouldn't.
00:37:03She wouldn't.
00:37:04She wouldn't.
00:37:05She wouldn't.
00:37:06She wouldn't.
00:37:07She wouldn't.
00:37:08She wouldn't.
00:37:09She wouldn't.
00:37:10She wouldn't.
00:37:11She wouldn't.
00:37:12She wouldn't.
00:37:13She wouldn't.
00:37:14She wouldn't.
00:37:15She wouldn't.
00:37:16She wouldn't.
00:37:17She wouldn't.
00:37:18She wouldn't.
00:37:19She wouldn't.
00:37:20She wouldn't.
00:37:21She wouldn't.
00:37:22She wouldn't.
00:37:23She wouldn't.
00:37:24She wouldn't.
00:37:25She wouldn't.
00:37:26She wouldn't.
00:37:27She wouldn't.
00:37:28She wouldn't.
00:37:31Let's move along.
00:37:42Let's move along.
00:37:55Where are we going?
00:38:08Well, I'm going back to the office.
00:38:09You're going down to the Public Records Office, and you're going to check on Martin Cornforth
00:38:13and check the lot.
00:38:15Marriage, death, divorce, the lot.
00:38:18Remember, your life can hang on this.
00:38:21I'm sorry about that.
00:38:23I can depend on this.
00:38:25Night.
00:38:53Shh.
00:38:54Shh.
00:38:55Shh.
00:38:56Shh.
00:38:57Shh.
00:38:58Shh.
00:38:59Shh.
00:39:00Shh.
00:39:01Shh.
00:39:02Shh.
00:39:03Shh.
00:39:04Shh.
00:39:05Shh.
00:39:06Shh.
00:39:07Shh.
00:39:08Shh.
00:39:09Shh.
00:39:10Shh.
00:39:11Shh.
00:39:12Shh.
00:39:13Shh.
00:39:14Shh.
00:39:15Shh.
00:39:16Shh.
00:39:17Shh.
00:39:18Shh.
00:39:19Shh.
00:39:20Shh.
00:39:21Shh.
00:39:22Shh.
00:39:23Shh.
00:39:24Shh.
00:39:25Shh.
00:39:26Shh.
00:39:27Shh.
00:39:28Shh.
00:39:29Shh.
00:39:30Shh.
00:39:31Shh.
00:39:32Shh.
00:39:33Shh.
00:39:34Shh.
00:39:35Shh.
00:39:36Shh.
00:39:37Shh.
00:39:38Shh.
00:39:39Shh.
00:39:40Shh.
00:39:41Shh.
00:39:42Shh.
00:39:43Shh.
00:39:44Shh.
00:39:45Shh.
00:39:46Shh.
00:39:47Shh.
00:39:48Shh.
00:39:49Shh.
00:39:50Shh.
00:39:51Shh.
00:39:52Shh.
00:39:53Shh.
00:39:54Shh.
00:39:55Shh.
00:39:56Shh.
00:39:57Shh.
00:39:58Shh.
00:39:59Shh.
00:40:00Shh.
00:40:01Shh.
00:40:02Shh.
00:40:03Shh.
00:40:04Shh.
00:40:05Shh.
00:40:06Shh.
00:40:07Shh.
00:40:08Shh.
00:40:09Shh.
00:40:10Shh.
00:40:11Shh.
00:40:12Shh.
00:40:13Shh.
00:40:14Shh.
00:40:15Shh.
00:40:16Shh.
00:40:17Shh.
00:40:18Shh.
00:40:19Shh.
00:40:20Shh.
00:40:21Shh.
00:40:22Shh.
00:40:23Shh.
00:40:24Shh.
00:40:25Shh.
00:40:26Shh.
00:40:27Shh.
00:40:28Shh.
00:40:29Shh.
00:40:30Shh.
00:40:31Shh.
00:40:32Shh.
00:40:33Shh.
00:40:34Shh.
00:40:35Shh.
00:40:36Shh.
00:40:37Shh.
00:40:38Shh.
00:40:39Shh.
00:40:40Shh.
00:40:41Shh.
00:40:42Shh.
00:40:43Shh.
00:40:44Shh.
00:40:45Shh.
00:40:46Shh.
00:40:47Shh.
00:40:48Shh.
00:40:49Shh.
00:40:50Shh.
00:40:51Shh.
00:40:52Shh.
00:40:53Shh.
00:40:54Shh.
00:40:55Shh.
00:40:56Shh.
00:40:57Shh.
00:40:58Shh.
00:40:59Shh.
00:41:00Shh.
00:41:01Shh.
00:41:02Shh.
00:41:03Shh.
00:41:04Shh.
00:41:05Shh.
00:41:06Shh.
00:41:07Shh.
00:41:08Shh.
00:41:09Shh.
00:41:10Shh.
00:41:11Shh.
00:41:12Shh.
00:41:13Shh.
00:41:14Shh.
00:41:15Shh.
00:41:16Shh.
00:41:17Shh.
00:41:18Shh.
00:41:19Shh.
00:41:20Shh.
00:41:21Shh.
00:41:22Shh.
00:41:23Shh.
00:41:24Shh.
00:41:25Shh.
00:41:26Shh.
00:41:27Shh.
00:41:28Shh.
00:41:29Shh.
00:41:30Shh.
00:41:31Shh.
00:41:32Shh.
00:41:33Shh.
00:41:34Shh.
00:41:35Shh.
00:41:36Shh.
00:41:37Shh.
00:41:38Shh.
00:41:39Shh.
00:41:40Shh.
00:41:41Shh.
00:41:42Shh.
00:41:43Shh.
00:41:44Shh.
00:41:45Shh.
00:41:46Shh.
00:41:47Shh.
00:41:48Shh.
00:41:49Shh.
00:41:50Shh.
00:41:51Shh.
00:41:52Shh.
00:41:53Shh.
00:41:54Shh.
00:41:55Shh.
00:41:56Shh.
00:41:57Shh.
00:41:58Shh.
00:41:59Shh.
00:42:00Shh.
00:42:01Shh.
00:42:02Shh.
00:42:03Shh.
00:42:04Shh.
00:42:05Shh.
00:42:06Shh.
00:42:07Shh.
00:42:08Shh.
00:42:09Shh.
00:42:10Shh.
00:42:11Shh.
00:42:12Shh.
00:42:13Shh.
00:42:14Shh.
00:42:15Shh.
00:42:16Shh.
00:42:17Shh.
00:42:18Shh.
00:42:19Shh.
00:42:20Shh.
00:42:21Shh.
00:42:22Shh.
00:42:23Shh.
00:42:24Shh.
00:42:25Shh.
00:42:26Shh.
00:42:27Shh.
00:42:28Shh.
00:42:29Shh.
00:42:30Shh.
00:42:31Shh.
00:42:32Shh.
00:42:33Shh.
00:42:34Shh.
00:42:35Shh.
00:42:36Shh.
00:42:37Shh.
00:42:38Shh.
00:42:39Shh.
00:42:40Shh.
00:42:41Shh.
00:42:42Shh.
00:42:43Shh.
00:42:44Shh.
00:42:45Shh.
00:42:46Shh.
00:42:47Shh.
00:42:48Shh.
00:42:49Shh.
00:42:50Shh.
00:42:51Shh.
00:42:52Shh.
00:42:53Shh.
00:42:54Shh.
00:42:55Shh.
00:42:56Shh.
00:42:57Shh.
00:42:58Shh.
00:42:59Shh.
00:43:00Shh.
00:43:01Shh.
00:43:02Shh.
00:43:03Shh.
00:43:04Shh.
00:43:05Shh.
00:43:06Shh.
00:43:07Shh.
00:43:08Shh.
00:43:09Shh.
00:43:10Shh.
00:43:11Shh.
00:43:12Shh.
00:43:13Shh.
00:43:14Shh.
00:43:15Shh.
00:43:16Shh.
00:43:17Shh.
00:43:18Shh.
00:43:19Shh.
00:43:20Shh.
00:43:21Shh.
00:43:22Shh.
00:43:23Shh.
00:43:24Shh.
00:43:25Shh.
00:43:26Shh.
00:43:27Shh.
00:43:28Shh.
00:43:29Shh.
00:43:30Shh.
00:43:31Shh.
00:43:32Shh.
00:43:33Shh.
00:43:34Shh.
00:43:35Shh.
00:43:36Shh.
00:43:37Shh.
00:43:38Shh.
00:43:39Shh.
00:43:40Shh.
00:43:41Shh.
00:43:42Shh.
00:43:43You're getting lighter, you know, aren't you?
00:43:46Yes, I suppose it was really.
00:43:48Well, uh, if you'll excuse me, I ought to be getting along to see Michael.
00:43:50Don't want to be late or he might start worrying.
00:43:52Could I come with you?
00:43:53I must see him.
00:43:54It's very important.
00:43:55Oh.
00:43:56Yes, I suppose so.
00:43:57Yes, all right, why not?
00:43:58It might help you cheer him up.
00:44:01I'll just collect a couple of things and I'll be ready.
00:44:07I'm going to call the police.
00:44:34I'll call the police. I know you'll sort.
00:44:37Don't let me see you around here again.
00:44:39Well, it's an obscure person indeed who hasn't a place on our files.
00:44:52Kathleen Wanda McGill, better known as Colorado Kate,
00:44:55the sharp-shooting, knife-throwing cowgirl, is off to Australia.
00:44:59Australia?
00:45:01Australia.
00:45:03Australia for a season and is looking forward to a second summer down under.
00:45:10Got what you want?
00:45:12Yeah.
00:45:13Yeah, but that was four years ago, Ben.
00:45:15Who's likely to know her now?
00:45:18Oh, you could try Wally Gisard.
00:45:20He used to edit show news.
00:45:22He still keeps in touch.
00:45:24As far as he's able.
00:45:25Where do I find him?
00:45:27Oh, you know the baron staff at the back of St. Martin's Lane?
00:45:30Well, as you go in, he's the last customer on the left.
00:45:33Man after my own heart.
00:45:35Thanks, Ben.
00:45:36You're welcome.
00:45:45Nearly there.
00:45:47Where are we?
00:45:48Wantreff.
00:45:49He's staying on a houseboat I own with a friend of mine.
00:45:52Male or female?
00:45:54You're fond of Michael, aren't you?
00:46:00I suppose he is quite a catch with all that money.
00:46:03We don't know he'll get any yet.
00:46:05I do.
00:46:07His cousin Martin left two-thirds to his wife, one-third to Michael.
00:46:10Whichever dies first.
00:46:12The other one gets the lot.
00:46:15So there is a will and a wife.
00:46:18When did Michael find out?
00:46:20Don't ask me. It didn't go into details.
00:46:22A wife.
00:46:24Martin had a wife.
00:46:26Where is she?
00:46:27Somewhere.
00:46:28We'll find her.
00:46:35Here we are.
00:46:38Well, on that barge.
00:46:41Where better?
00:46:43Come on.
00:46:59Michael!
00:47:02Michael!
00:47:21He's left a note.
00:47:23Crossed it with boredom.
00:47:25Gone into Chertsey to see a film.
00:47:27Back about seven. Michael.
00:47:30Idiot.
00:47:35Oh, well, I suppose he's safe enough in Chertsey.
00:47:39I expect you'd like to wash and tidy up, wouldn't you?
00:47:43Oh, thank you.
00:47:45Bathroom's through there.
00:47:47See, second door on the right.
00:47:56I'll make some tea.
00:48:01Mister.
00:48:02I said Miss McGill's address is care of me.
00:48:05Cliff Darby.
00:48:08Look, all I want with her is just a friendly chat.
00:48:11For old time's sake.
00:48:12Yeah? Are you an agent?
00:48:14No.
00:48:16No, she's an old friend of mine.
00:48:18I knew her in Australia.
00:48:19Look, mister.
00:48:20I said Miss McGill's address is care of me.
00:48:24I heard you the first time.
00:48:26All right, then.
00:48:28Okay.
00:48:31If that's the way you want it.
00:48:40So long.
00:48:55I'm undoing Michael's thing.
00:49:11What's this about?
00:49:13She's dead.
00:49:19You killed her.
00:49:22You killed her.
00:49:34Taxi!
00:49:39Drop it.
00:49:42Jeanie.
00:49:44You mustn't jump to conclusions, even if appearances are against me.
00:49:48I can explain what's happened.
00:49:50Well, part of what's happened, anyway.
00:49:52All you've done so far is lie.
00:49:54No, not really.
00:49:56Listen.
00:49:57You were hanging about outside Michael's flat, weren't you?
00:50:00Did you see Mrs. Dodge take an electric iron into Mungo Petty's flat?
00:50:04Yes, I did.
00:50:06Very well.
00:50:08That electric iron killed Mungo Petty.
00:50:10Killed Mungo Petty?
00:50:16What happened to Mrs. Dodge?
00:50:19Mrs. Dodge.
00:50:21There never was a Mrs. Dodge.
00:50:23It was somebody masquerading as a char.
00:50:26Somebody who was watching every move Michael made.
00:50:29Someone else?
00:50:32You mean that Mrs. Martin Cornforth disguised herself
00:50:36and created a part of Mrs. Dodge.
00:50:39But then, why should she try and kill Mungo Petty?
00:50:42I understand her wanting to kill Michael so she could get all the money.
00:50:45Because Mungo Petty found out that Mrs. Dodge wasn't...
00:50:48Mrs. Dodge.
00:50:50Then why didn't you realize that, living in the same house?
00:50:52I hardly ever saw her.
00:50:54Then only for a few moments at a time.
00:50:56Then why did you help the murderess to get away by taking all these clothes?
00:51:02Bill?
00:51:03Oh, thank God. I've been trying to get you for hours.
00:51:05Take it easy.
00:51:07What happened? The police...
00:51:10Mungo Petty. He's dead.
00:51:12He's just come through on the tape.
00:51:14Mungo?
00:51:15What?
00:51:16One of his antique dealer friends found him.
00:51:18Lying on the floor with his head staved in.
00:51:20He's been hit with an electric iron.
00:51:22It's got your name scratched on the handle.
00:51:25It has not!
00:51:27Well, it has now. I saw it myself.
00:51:29Somebody wanted to make sure that it was identified.
00:51:32Listen, where are you?
00:51:34I'm in a phone box at Wimbledon Station.
00:51:37Right. Wait at the Broadway exit and I'll pick you up in about 20 minutes, OK?
00:51:42OK.
00:51:45OK.
00:51:59How do you know, anyway?
00:52:02This is Marlene Cornwall's wife, isn't it?
00:52:06She lives here with you.
00:52:09She was the blonde in the shooting break at Shingleston.
00:52:12And it's your shooting break.
00:52:14The two of you are in this together to get the money.
00:52:17Michael's never been here, has he?
00:52:19And you tricked me into coming down to Cornwall.
00:52:21And now you're here.
00:52:23I'm not here.
00:52:24I'm not here.
00:52:25I'm not here.
00:52:26I'm not here.
00:52:27I'm not here.
00:52:29And you tricked me into coming down because I'm practically an eyewitness
00:52:32and you want me out of the way.
00:52:38Yes.
00:52:40I'm afraid I do.
00:52:43Too bad, isn't it?
00:52:47You know too much.
00:52:50Not quite everything.
00:52:54But too much.
00:52:59Hop in.
00:53:12It must have been Mrs. Dodge.
00:53:14She's the only one who knew about my iron.
00:53:17Where the bears does she fit in?
00:53:19Mrs. Dodge, blonde and Mr. X.
00:53:21Three of them.
00:53:22Practically an army.
00:53:23Where are we going?
00:53:24Watford.
00:53:25I want to catch an act there.
00:53:26A certain Colorado Kate.
00:53:28Who's she?
00:53:29Martin Cornforth's wife, I think.
00:53:33A Green Lancia, licence number HDL413.
00:53:37Stop and question passenger, believed to be Michael Cornforth.
00:53:41Wanted for questioning in connection with the death of Mungo Petty.
00:53:44Ah, this is it.
00:53:45Come on.
00:53:49Good evening, ladies and gentlemen.
00:53:50It's nice to think we got some of you away from the television just for one evening.
00:53:54Mind you, I've got nothing against television.
00:53:56It's just the people on television.
00:53:58I'm afraid I have to go.
00:54:00I'll be back in a moment, certainly.
00:54:02I've got a lot to do.
00:54:03I'm a man of my word.
00:54:04I'm a man of my word.
00:54:05I'll be back in a moment, certainly.
00:54:07I'm a man of my word.
00:54:08I'm a man of my word.
00:54:09I'm a man of my word.
00:54:10I'm a man of my word.
00:54:11I'm a man of my word.
00:54:12I'm a man of my word.
00:54:13I've got nothing against television.
00:54:15Edward, Vodafone's dying.
00:54:16You ask me, it's dead.
00:54:18That's what I think about it, just medium.
00:54:21You know, what I really like about television
00:54:23is the big races.
00:54:24Don't you get excited when you see those horses
00:54:27come thundering down the street?
00:54:29And it seems to bring them right off the screen,
00:54:31right into your room.
00:54:33After the race is over, I usually go around
00:54:35with a dustpan and brush.
00:54:36But you know, tonight, I have a very, very pleasant duty.
00:54:41I should say a pleasure, really.
00:54:43I'm introducing an old favorite of yours,
00:54:46whom we haven't seen for quite some time.
00:54:48Direct from her triumphant tour of Australia,
00:54:51that queen of the spinning ropes, Colorado Cates.
00:54:54London.
00:55:24BANG!
00:55:54That's what it does.
00:56:19That's what it does.
00:56:47Fast ahead, we'll get her now, hang on.
00:57:15There she is.
00:57:42There she is.
00:58:10There she is.
00:58:39There she is.
00:59:08There she is.
00:59:36There she is.
00:59:37There she is.
00:59:38There she is.
00:59:39There she is.
00:59:40There she is.
00:59:41There she is.
00:59:42There she is.
00:59:43There she is.
00:59:44There she is.
00:59:45There she is.
00:59:46There she is.
00:59:47There she is.
00:59:48There she is.
00:59:49There she is.
00:59:50There she is.
00:59:51There she is.
00:59:52There she is.
00:59:53There she is.
00:59:54There she is.
00:59:55There she is.
00:59:56There she is.
00:59:57There she is.
00:59:58There she is.
00:59:59There she is.
01:00:00There she is.
01:00:01There she is.
01:00:02There she is.
01:00:03There she is.
01:00:04There she is.
01:00:05There she is.
01:00:06There she is.
01:00:07There she is.
01:00:08There she is.
01:00:09There she is.
01:00:10There she is.
01:00:11There she is.
01:00:12There she is.
01:00:13There she is.
01:00:14There she is.
01:00:15There she is.
01:00:16There she is.
01:00:17There she is.
01:00:18There she is.
01:00:19There she is.
01:00:20There she is.
01:00:21There she is.
01:00:22There she is.
01:00:23There she is.
01:00:24There she is.
01:00:25There she is.
01:00:26There she is.
01:00:27There she is.
01:00:28There she is.
01:00:29There she is.
01:00:30There she is.
01:00:31There she is.
01:00:32There she is.
01:00:33There she is.
01:00:34There she is.
01:00:35There she is.
01:00:36There she is.
01:00:37There she is.
01:00:38There she is.
01:00:39There she is.
01:00:40There she is.
01:00:41There she is.
01:00:42There she is.
01:00:43There she is.
01:00:44There she is.
01:00:45There she is.
01:00:46There she is.
01:00:47There she is.
01:00:48There she is.
01:00:49There she is.
01:00:50There she is.
01:00:51There she is.
01:00:52There she is.
01:00:53There she is.
01:00:54There she is.
01:00:55There she is.
01:00:56There she is.
01:00:57There she is.
01:00:58There she is.
01:00:59There she is.
01:01:00There she is.
01:01:01There she is.
01:01:02There she is.
01:01:03There she is.
01:01:04There she is.
01:01:05There she is.
01:01:06There she is.
01:01:07There she is.
01:01:08There she is.
01:01:09There she is.
01:01:10There she is.
01:01:11There she is.
01:01:12There she is.
01:01:13There she is.
01:01:14There she is.
01:01:15There she is.
01:01:16There she is.
01:01:17There she is.
01:01:18There she is.
01:01:19There she is.
01:01:20There she is.
01:01:21There she is.
01:01:22There she is.
01:01:23There she is.
01:01:24There she is.
01:01:25There she is.
01:01:26There she is.
01:01:27There she is.
01:01:28There she is.
01:01:29There she is.
01:01:30There she is.
01:01:31There she is.
01:01:32There she is.
01:01:33There she is.
01:01:34There she is.
01:01:35There she is.
01:01:36There she is.
01:01:37There she is.
01:01:38There she is.
01:01:39There she is.
01:01:40There she is.
01:01:41There she is.
01:01:42There she is.
01:01:43There she is.
01:01:44There she is.
01:01:45There she is.
01:01:46There she is.
01:01:47There she is.
01:01:48There she is.
01:01:49There she is.
01:01:50There she is.
01:01:51There she is.
01:01:52There she is.
01:01:53There she is.
01:01:54There she is.
01:01:55There she is.
01:01:56There she is.
01:01:57There she is.
01:01:58There she is.
01:01:59There she is.
01:02:00There she is.
01:02:01There she is.
01:02:02There she is.
01:02:03There she is.
01:02:04There she is.
01:02:05There she is.
01:02:06There she is.
01:02:07There she is.
01:02:08There she is.
01:02:09There she is.
01:02:10There she is.
01:02:11There she is.
01:02:12There she is.
01:02:13There she is.
01:02:14There she is.
01:02:15There she is.
01:02:16There she is.
01:02:17There she is.
01:02:18There she is.
01:02:19There she is.
01:02:20There she is.
01:02:21There she is.
01:02:22There she is.
01:02:23There she is.
01:02:24There she is.
01:02:25There she is.
01:02:26There she is.
01:02:27There she is.
01:02:28There she is.
01:02:29There she is.
01:02:30There she is.
01:02:31There she is.
01:02:32There she is.
01:02:33There she is.
01:02:34There she is.
01:02:35There she is.
01:02:36There she is.
01:02:37There she is.
01:02:38There she is.
01:02:39There she is.
01:02:40There she is.
01:02:41There she is.
01:02:42There she is.
01:02:43There she is.
01:02:44There she is.
01:02:45There she is.
01:02:46There she is.
01:02:47There she is.
01:02:48There she is.
01:02:49There she is.
01:02:50There she is.
01:02:51There she is.
01:02:52There she is.
01:02:53There she is.
01:02:54There she is.
01:02:55There she is.
01:02:56There she is.
01:02:57There she is.
01:02:58There she is.
01:03:00There she is.
01:03:20It's all right, Jeane.
01:03:21We'll had you out.
01:03:22Michael, I know who killed Martin and Mango Petty.
01:03:25It was Martin's wife, an Oswald Castellan.
01:03:27Oh, good Lord.
01:03:28Ah...
01:03:29This is Jean, the girl I was telling you about.
01:03:32Hello.
01:03:33She said there's no Mrs. Dodge, it was Colorado Kate in disguise.
01:03:37That means we're only chasing two people instead of three.
01:03:40The man's called Oswald Castellan.
01:03:42They've only just gone.
01:03:43Castellan?
01:03:44Yes.
01:03:45I know that name.
01:03:46Was he an Australian?
01:03:47I don't know.
01:03:48Why?
01:03:49And you thought that Kate was an imposter.
01:03:52Boy, you might be right.
01:03:53Come on.
01:03:54Come on, Jude.
01:03:59Come on, Bill.
01:04:00Enough of it.
01:04:01Kate.
01:04:29Come on.
01:04:30Come on.
01:04:31Come on.
01:04:32Come on.
01:04:33Come on.
01:04:34Come on.
01:04:35Come on.
01:04:36Come on.
01:04:37Come on.
01:04:38Come on.
01:04:39Come on.
01:04:40Come on.
01:04:41Come on.
01:04:42Come on.
01:04:43Come on.
01:04:44Come on.
01:04:45Come on.
01:04:46Come on.
01:04:47Come on.
01:04:48Come on.
01:04:49Come on.
01:04:50Come on.
01:04:51Come on.
01:04:52Come on.
01:04:53Come on.
01:04:54Come on.
01:04:55Come on.
01:04:56Come on.
01:04:57Come on.
01:04:58Come on.
01:04:59Come on.
01:05:00Come on.
01:05:01Come on.
01:05:02Come on.
01:05:03Come on.
01:05:04Come on.
01:05:05Come on.
01:05:06Come on.
01:05:07Come on.
01:05:08Come on.
01:05:09Come on.
01:05:10Come on.
01:05:11Come on.
01:05:12Come on.
01:05:13Come on.
01:05:14Come on.
01:05:15Come on.
01:05:16Come on.
01:05:17Come on.
01:05:18Come on.
01:05:19Come on.
01:05:20Come on.
01:05:21Come on.
01:05:22Come on.
01:05:23Come on.
01:05:24Come on.
01:05:25Come on.
01:05:26Come on.
01:05:27Come on.
01:05:28Come on.
01:05:29Come on.
01:05:30Come on.
01:05:31Come on.
01:05:32Come on.
01:05:33Come on.
01:05:34Come on.
01:05:35Come on.
01:05:36Come on.
01:05:37Come on.
01:05:38Come on.
01:05:39Come on.
01:05:40Come on.
01:05:41Come on.
01:05:42Come on.
01:05:43Come on.
01:05:44Come on.
01:05:45Come on.
01:05:46Come on.
01:05:47Come on.
01:05:48Come on.
01:05:49Come on.
01:05:50Come on.
01:05:51Come on.
01:05:52Come on.
01:05:53Come on.
01:05:54Come on.
01:05:55Come on.
01:05:56Come on.
01:05:57Come on.
01:05:58Come on.
01:05:59Come on.
01:06:00Come on.
01:06:01Come on.
01:06:02Come on.
01:06:03Come on.
01:06:04Come on.
01:06:05Come on.
01:06:06Come on.
01:06:07Come on.
01:06:08Come on.
01:06:09Come on.
01:06:10Come on.
01:06:11Come on.
01:06:12Come on.
01:06:13Come on.
01:06:14Come on.
01:06:15Come on.
01:06:16Come on.
01:06:17Come on.
01:06:18Come on.
01:06:19Come on.
01:06:20Come on.
01:06:21Come on.
01:06:22Come on.
01:06:23Come on.
01:06:24Come on.
01:06:25Come on.
01:06:26Come on.
01:06:27Come on.
01:06:28Come on.
01:06:29Come on.
01:06:30Come on.
01:06:31Come on.
01:06:32Come on.
01:06:33Come on.
01:06:34Come on.
01:06:35Come on.
01:06:36Come on.
01:06:37Come on.
01:06:38Come on.
01:06:39Come on.
01:06:40Come on.
01:06:41Come on.
01:06:42Come on.
01:06:43Come on.
01:06:44Come on.
01:06:45Come on.
01:06:46Come on.
01:06:47Come on.
01:06:48Come on.
01:06:49Come on.
01:06:50Come on.
01:06:51Come on.
01:06:52Come on.
01:06:53Come on.
01:06:54Hey.
01:06:55Come on.
01:06:56Come here.
01:06:57Come on.
01:06:58Come on.
01:06:59Come here.
01:07:00Come on, I beg you.
01:07:01Come here.
01:07:02Come here.
01:07:03Come on.
01:07:04Come on.
01:07:05Come here.
01:07:06Come here.
01:07:07Come on, I need it.
01:07:08Come here.
01:07:09Come on.
01:07:10Come here.
01:07:11Come here.
01:07:12Come on.
01:07:13Stop me!
01:07:14Come back home.
01:07:15Oh, come here.
01:07:16Come here.
01:07:17, OMG.
01:07:18, They're taken off meere.
01:07:19.
01:07:20, It's a köfte!
01:07:21.
01:07:22.
01:07:23her sentimental ham. So I decided to kill her and collect the money for myself by
01:07:31impersonating her and removing Martin Cornforth. Michael here was to be the
01:07:38fool guy. Clever idea wasn't it? Put you in that trunk and take you down to
01:07:45Shingles Strand. Those wretched girls hadn't turned up, you'd have hanged. You
01:07:51dirty murdering swine. You take him away.
01:08:06Well you can never tell with blondes can you? Can't even tell whether they are
01:08:11blondes. I'll take a chance on this one.
01:08:21you