Agatha Christie's Poirot playlist
https://dailymotion.com/playlist/x8r1g0
Soccer (Football) playlist: https://dailymotion.com/playlist/x8nz5q
Baseball playlist: https://dailymotion.com/playlist/x7wkxu
Music playlist: https://dailymotion.com/playlist/x7wkxs
Music 2 playlist: https://dailymotion.com/playlist/x878im
Umi no Triton playlist:
https://dailymotion.com/playlist/x8gx12
Betty Boop playlist:
https://dailymotion.com/playlist/x85kg0
Archie's Funhouse playlist:
https://dailymotion.com/playlist/x83psu
Action Man (2000 TV series) playlist:
https://dailymotion.com/playlist/x82ed6
Action Man playlist:
https://dailymotion.com/playlist/x81c5s
Men In Black: The Series playlist: https://dailymotion.com/playlist/x7y6jg
Super Mario Brothers Super Show playlist: https://dailymotion.com/playlist/x7xlu0
Super Mario World Playlist: https://dailymotion.com/playlist/x7x79j
Kirby Right Back at Ya Playlist: https://dailymotion.com/playlist/x7r0sn
101 Dalmatians (Disney dog animation) playlist: https://dailymotion.com/playlist/x7u52l
https://dailymotion.com/playlist/x8r1g0
Soccer (Football) playlist: https://dailymotion.com/playlist/x8nz5q
Baseball playlist: https://dailymotion.com/playlist/x7wkxu
Music playlist: https://dailymotion.com/playlist/x7wkxs
Music 2 playlist: https://dailymotion.com/playlist/x878im
Umi no Triton playlist:
https://dailymotion.com/playlist/x8gx12
Betty Boop playlist:
https://dailymotion.com/playlist/x85kg0
Archie's Funhouse playlist:
https://dailymotion.com/playlist/x83psu
Action Man (2000 TV series) playlist:
https://dailymotion.com/playlist/x82ed6
Action Man playlist:
https://dailymotion.com/playlist/x81c5s
Men In Black: The Series playlist: https://dailymotion.com/playlist/x7y6jg
Super Mario Brothers Super Show playlist: https://dailymotion.com/playlist/x7xlu0
Super Mario World Playlist: https://dailymotion.com/playlist/x7x79j
Kirby Right Back at Ya Playlist: https://dailymotion.com/playlist/x7r0sn
101 Dalmatians (Disney dog animation) playlist: https://dailymotion.com/playlist/x7u52l
Category
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FunTranscript
00:00But, well, I think she's beginning to appreciate the Waverley way.
00:12Miss Collins, can I ask you about the boy's nurse?
00:14She'd only been here for about six months.
00:17Was she trustworthy?
00:18Eminently, I should have thought.
00:20And she'd left the house by the time of the kidnapping, anyway.
00:23Quite so, quite so.
00:26House.
00:28Was there anyone she was particularly friendly with, anyone on the staff?
00:33I'm sure I couldn't say.
00:35I don't listen to chittle-tattle from below stairs, I'm afraid.
00:38Oh, no, no, quite.
00:39Yes.
00:40Oh, excuse me.
00:41I did not know you were still in here.
00:44No, no, that's fine.
00:45We were just about finished.
00:46Eh, Miss Collins?
00:47You're sure?
00:48Oh, yes.
00:50Merci, mademoiselle.
00:52Merci, mademoiselle.
01:00Anything?
01:02What about you?
01:04Oh, I learnt a lot from Monsieur Treadwell.
01:07And?
01:08There is one thing I do not understand.
01:11I don't understand any of it.
01:13Non, non, non, mon ami, it is simple.
01:15But for the one thing.
01:18Ah, here is the child, eh?
01:20Here, in this room.
01:22Guarded by his father and the inspector, Jeanne.
01:26Now, the arm is raised, and the inspector and Waverly foolishly rush out,
01:32leaving the child undefended, yes?
01:34Yes.
01:35Bon.
01:37Now, the kidnapper comes in and takes away the child.
01:41Where?
01:44What do you mean, where?
01:45Well, they cannot go out this way.
01:47Waverly and the inspector have just gone,
01:49and there is still a policeman standing not twenty meters away.
01:55But to what end?
01:59Has the policeman outside the door?
02:03Has the policeman outside the door?
02:05The door?
02:07The back door?
02:08Likewise.
02:10That side of the house is where Rogers has been caught,
02:13and excitement reigns.
02:17A problem, eh?
02:18I see what you mean.
02:19The tunnel.
02:21What?
02:22The tunnel.
02:23What tunnel?
02:25A lot of Catholic houses used to have priest holes,
02:28places where the priests used to escape to,
02:30if the king's men came looking for them.
02:33Where is it, this tunnel?
02:43It comes out.
02:45It comes out of the mausoleum, about half a mile away.
02:48About half a mile away.
02:52Need a lamp to push.
02:54What is that, a lamp of the pocket?
02:56A torch?
02:57Torch.
02:58Oh, I've got one in the car.
02:59Bon.
03:01Not easy to say.
03:03A few people who've visited...
03:05A few people who've visited the house, I suppose.
03:09But mainly just family.
03:10I see.
03:11Servants?
03:12One or two of them, I suppose.
03:14Miss Collins?
03:15Oh, no, I'm sure not.
03:17Treadwell?
03:18Oh, he's bound to, I suppose.
03:19He's been with us so long.
03:22And the child's nurse?
03:24Misses with us?
03:25I wouldn't have thought so, no.
03:27Here we are, one each.
03:29Good.
03:30Come, Captain Hastings,
03:31we embark on a voyage into darkness.
03:38No, no, Captain Hastings and I must go alone.
03:41There's some steps...
03:42Must go alone.
03:43There's some steps going down.
03:57Forward, mon bras.
04:02Tell me, what do you make of this case?
04:05You don't expect me to think in the dark, do you?
04:07Ah, Hastings, the little grey cells,
04:09sometimes they work even better in the dark.
04:12But always we come back to the same question.
04:15Why would anyone warn the Waverleys
04:17before they kidnap the child?
04:19I suppose they hoped to get the money
04:21without actually being forced to do it.
04:22At least that does not alter the fact
04:24that they were making a thing difficult
04:25that was perfectly easy.
04:27At time or date, nothing would be easier.
04:30Nothing would be easier.
04:31For them to wait their chance,
04:33carry off the child in a motor,
04:34one day when he is up with his nurse.
04:36I suppose so.
04:39What's with this tunnel?
05:10See, the car could be waiting here, well away from...
05:14See, the car could be waiting here,
05:16well away from the house.
05:18See, the car could be waiting here,
05:20well away from the house.
05:22The child could be brought through the tunnel to the car.
05:27The driver makes the getaway hooting
05:29as he passes inside of the house.
05:39Ah!
05:45The mysterious poisoning of Madame Waverley.
05:47Poison!
05:48Ah, my poor esteem.
05:49Oh, innocent.
05:50Poisoning of Madame Waverley.
05:51Poison!
05:52Ah, my poor esteem.
05:53Oh, innocent.
05:54But...
05:55No, no, no, no, no.
05:56No, no, no.
05:57It is nice.
05:58But surely you cannot imagine it was by accident
06:01that Madame Waverley was conveniently kept out of the way
06:04on the day of the kidnapping?
06:06Good God!
06:07Point number two.
06:09Someone in the house must have pinned the final note
06:12to Monsieur Waverley's pillow.
06:14Yes, I see that.
06:15Point number three.
06:17The putting on of the clock, ten minutes.
06:19All inside jobs.
06:21Now, we have four people inside the house.
06:25Madame Waverley and Miss Collins we can exclude.
06:28The one is, how you say, elite?
06:32Bedridden, yes?
06:34The other, Miss Collins, is with her.
06:36Well, that only leaves Mr Waverley and Trenwell.
06:38So it does.
06:46There is a train to London in 40 minutes.
06:49There is a train to London in 40 minutes.
06:52Well, I'll drive you to London.
06:54No, no, Hastings.
06:55I'll take the train.
07:01Mum!
07:07Captain Hastings is being kind enough to drive me to the station.
07:10Then kind enough to drive me to the station.
07:12Then I shall proceed to London.
07:14But the case.
07:16My son.
07:17You haven't done anything.
07:19But I have done everything, Monsieur.
07:21Then where is he?
07:24I'll give you the address.
07:32For me.
07:34Hastings and me to the boy.
07:38Hastings and me to the boy now.
07:41To the boy now.
07:45Madame Waverley will be informed of the exact sequence of events that made up this dastardly crime.
07:59He's alright.
08:03He's alright.
08:07He's well cared for.
08:09Of that I have no doubt.
08:33Very well.
08:50Daddy!
08:55Daddy!
08:58Daddy!
09:00Who's that?
09:01Of course, of course, of course.
09:04You are Mr. Treadwell's daughter.
09:06Niece.
09:27I am sure your ingenuity will be equal to the task
09:29of explaining the boy's reappearance.
09:33If I did not believe you to be a good father at heart,
09:36I would not be so willing to give you another chance.
09:40I'll do anything to avoid a scandal.
09:45That was why it was intolerable that your wife
09:47should call a halt to the restoration work on the house.
09:50Intolerable that your wife should call a halt
09:52to the restoration work on the house.
09:55Having a rich wife is not the same
09:57as being rich oneself, monsieur.
10:00Don't worry.
10:03Good.
10:05Your name is...
10:07Your name is an old and honored one.
10:10Do not jeopardize it again.
10:58Won't you let me into the secret?
11:00It was obvious.
11:02Who sends away the servants can write...
11:04Who sends away the servants can write the notes?
11:07Who can drag his wife?
11:09Who can put the hands of the clock forward?
11:11Who can establish an alibi
11:13for his faithful retainer, Treadwell?
11:18As never liked his mistress, Mrs. Waverley.
11:21Miss, Mrs. Waverley.
11:23As never liked his mistress, Mrs. Waverley.
11:26Miss, Mrs. Waverley.
11:28But he is devoted to his master.
11:35Waverley, Treadwell, and his niece, Jessie Withers,
11:40who gets herself sacked as noisily as possible
11:42so that she can arrange the decoy Rogers,
11:45pick up the boy from the mausoleum,
11:47and drive him away to the little cottage in the woods.
11:54The train has one advantage over the car.
11:58The train has one advantage over the car.
12:02He does not often...
12:04The train has one advantage over the car.
12:07He does not often run out of...
12:09Has one advantage over the car.
12:11He does not often run out of coal.
12:23He does not often run out of coal.