El Día Más Feliz De Can Y Sanem - Pájaro Soñador Capitulo
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Short filmTranscript
00:00You did it, Sanem. Congratulations. You drive wonderfully.
00:09I don't see any light. They haven't arrived yet. I don't see them clearly. No, I don't see them.
00:36Maybe it's been a long time since they arrived.
00:39What did you say?
00:40That if they arrived a long time ago, now they'll be sleeping in the same bed.
00:45Shut up! If you say one more word, I won't answer.
00:56Jan?
01:04Stop here.
01:10I arrived without him. He's alone. I came so far for nothing. I always trust him.
01:26Keep the change, thank you.
01:35What was that?
01:36Hey, you shouldn't drive if you don't know, Sanem.
01:39Who hit me? Who's behind me?
01:41This, no. No, what's going on? Oh, no. What's going on?
01:48Don't move. If I press both at the same time, will they stop?
01:55Sanem?
01:59Hey!
02:07There's no handle. You have to press it.
02:09Press it so that the window goes down. Go down the window, please.
02:20Are you drunk?
02:21No, I drank alcohol.
02:22What are you doing here, Sanem?
02:24I was parking, but I didn't look in the rearview mirror and I hit the tree too much.
02:30Normally, I park very well. Maybe I should move forward a little and leave space in case someone else arrives.
02:36No, don't do anything. Leave it here. It's not worth moving the car. That would be another problem.
02:41Why did you come, Sanem? And most importantly, why were you leaving without saying a word? Can you answer me?
02:49I was worried. I wanted to know about you. That's why I came.
02:54Worried?
02:55A lot.
02:56You couldn't call?
02:59You don't use your phone while driving. Those are the rules. If you don't follow them, you'll get a good fine.
03:04That's why I didn't call you. You can't do that.
03:06I got in the car, turned on the engine, put my two hands on the steering wheel and came here.
03:10Bravo.
03:11Whose car is it?
03:12Desmond. It's new.
03:14Almost. He bought it recently, but...
03:17I wish it wasn't so new.
03:19Well, what are you doing? Huh? Are you coming straight from the bar? Huh?
03:24Did you come back alone? Yes, it seems so. You're coming alone, right? All alone.
03:28I see. I wanted to know if you were with Seyda.
03:32Who?
03:33I don't know.
03:35Ah, the one with long legs and curly hair.
03:38No, why are you asking that question?
03:41I don't know. It just occurred to me. I came back home alone.
03:44Oh, very good. Very good. People should be at home safe and sound, and especially alone. That's the best, don't you think?
03:51Actually, you didn't care about me. You only cared if I was with Seyda. You came to verify that, didn't you?
03:58Yes, I was worried about that. After all, I'm your girlfriend and I can worry about those things. That's right.
04:06It means you don't trust me.
04:09What? I don't trust you? How can you say that? Don't get me wrong. I don't want you to think something like that about me.
04:15You have to believe me. I swear I trust you. It's Seyda I don't trust.
04:19In your head, there's a possibility that I'm with her, right?
04:22Oh, John. You misunderstood. It's nothing like that. But she went to the bar. Why did she go?
04:30I didn't ask her to go to the bar. In fact, I didn't want her to go. But she came. What should I do?
04:36She came without you inviting her? Huh? She stayed without being welcomed?
04:40Now those are your questions?
04:41Correct.
04:42Why did she stay without being welcomed?
04:43That's right.
04:44And how did she get to the bar without being invited?
04:49What?
04:50You're not with me. You decided to reject me. And yet you come and question me. Do you realize what you're doing, Sanem?
04:58Of course you don't trust me. You don't trust me so much that you came in the middle of the night to spy on me, to see if I was with Seyda.
05:07How dare you think that of me, knowing that I love you with all my heart?
05:11Take the phone. Take it.
05:13John, please. I didn't do it with that intention.
05:15I want you to check it.
05:16No, I don't want to check your phone.
05:17Read all my messages. Check it for yourself. I have nothing to hide.
05:19No, no, please, John. Don't tempt me. Take it.
05:23John, I'm so sorry. I'm sorry. Yes, I was jealous. I don't know. For a moment I got confused. I didn't know what to do.
05:33When you told me that Seyda was with you, I started to think about...
05:37No, Sanem. You're absolutely right.
05:40Yes, people are jealous of their partners. Thank you for understanding.
05:43No, Sanem. I don't mean that. I think we should get to know each other better.
05:48Don't worry. You won't hear anything else about marriage.
05:51I won't make you another proposal.
05:52And I think you should mature a little more. You need it.
05:55Anyway, I'll drive the car and I'll take you back home.
05:59Okay?
06:00You probably left in secret.
06:02And if anyone notices your absence, they'll be very worried about you.
06:04You did that, didn't you? I know you very well.
06:07Let's leave things as they are.
06:09I'm going to leave you.
06:11John, I beg you. Don't leave me.
06:13You can't leave me. This is a little problem.
06:15Any couple has problems. Don't leave me.
06:18I'm talking about leaving you at your house.
06:21Oh, that's what you're talking about.
06:26Well, no. I'll go. I'll go back alone. Don't worry.
06:31Right. Right.
06:33So no one will see you with me and there won't be rumors in your neighborhood.
06:36Of course. We have to hide even though we're a couple.
06:39Even though I love you very much.
06:41It seems that love is a sin because I can only look at you from afar.
06:44That's not a shame, but my love is.
06:47John.
06:58John, good morning.
06:59Good morning.
07:00I'm here about last night.
07:02In the afternoon. I'll meet with Mr. McKinnon about the Red Mode campaign.
07:05There's still time, but let's think of ideas with the creatives to give him good alternatives.
07:10Good. I'll call the meeting right away. I almost have the preliminaries.
07:14Good. Great.
07:15You are too. Oh, sorry. I didn't mean that.
07:19Your ideas are great. That's what I meant, but...
07:23You are someone great.
07:31That's great.
07:33Very well, gentlemen. What are your ideas for the Red Mode campaign?
07:36Who wants to start?
07:39Go ahead, JJ. I'm listening. I expect a very good argument.
07:47It starts like this.
07:48This was a young man who had been living in the same house for six years.
07:52Some time later, the owner of the house decided to evict him,
07:56but he could not find a better tenant because he never delayed in paying the rent for a single day.
08:02He is our protagonist.
08:04Of course, he was worried, and he started looking for a place to live,
08:07but he had no luck, and then he went into a cosmetics store.
08:10Inside, he walked through the corridors and wondered where he would live.
08:15If you're sad, go to a cosmetics store.
08:17Suddenly...
08:18He looks for a moment and sees a nice bottle of Red Mode.
08:21Of course, he loves the design, and he takes the perfume in his hands.
08:24Then he asks himself,
08:26What does it smell like?
08:27He sprinkles a little, loves the aroma, and asks the employee if he can take the perfume,
08:31and she says yes, if he pays.
08:33Oh, I wonder how the story will end.
08:35I emphasize that in the dialogues we will go from drama to comedy so that people are more interested,
08:39because that's how life is, a mix between drama and comedy.
08:41Thank you very much.
08:42Hey, if I tell you the word perfume, is that what you imagine, Ye-Ye?
08:46I have not stopped thinking about the perfume, it is the center of our story,
08:49but the public will not know what will happen next.
08:52We will guide it step by step.
08:53It's okay, calm down.
08:54Where the perfume is the protagonist.
08:56Can I continue, Mr. Jack?
08:58Calm down, Ye-Ye, I'm listening to you.
08:59It's okay, it's okay, of course.
09:01Then the boy goes home, suddenly someone knocks on the door,
09:05it's the owner, and he comes with two more people.
09:07What will happen? Are they going to run me?
09:09I understand, the boys from Germany came back.
09:14What happened?
09:15I want to cry.
09:18Oh, Ye-Ye, what happened?
09:19I have a problem with my house, Mr. Jack.
09:21The owner wants to evict me, she said it was Germany,
09:23and suddenly I felt like crying, I'm sensitive.
09:26I'm sorry to tell you, Ye-Ye, but it always happens like this.
09:29One day the children of the owner return from abroad
09:31and kick the guy who lives in his house out.
09:33Really?
09:34The beginning of your story was good, do you want to continue?
09:37Well, Mr. Jack, I would like to do it when I feel better.
09:40While Ye-Ye recovers, does anyone have another idea they want to share?
09:43Jack, I was working on the campaign, in fact, yes.
09:46Super.
09:47My idea develops from the slogan.
09:50The phrase of the slogan is, they will remember you.
09:56I like it, go on.
09:57Well, we know, according to science,
10:00that the sense of smell occupies most of the memory.
10:04It is a proven fact.
10:06For example, if we go to a place and smell a pleasant aroma,
10:10we could remember the person we love.
10:13Without realizing it, we leave in the memory of others a strong memory.
10:17I thought we could use this as a second campaign slogan.
10:21Your aroma makes you unique.
10:24Now, for the filming, I imagine a location with many people.
10:28The different fragrances mix in the air.
10:31But only the aroma of Red Mouth continues while the others are scattered.
10:35It stays as a distinctive in the air.
10:38And then the leading couple of the ad is found
10:41and the perfume makes them fall in love.
10:44It's silly, Mr. Jack.
10:46Why silly?
10:47The smell cannot remain in the air as a physical trace.
10:50It can't look like that. It's impossible.
10:52I don't understand what's going on.
10:55What's wrong, Sanema?
10:56That's my slogan.
11:00What?
11:01What are you saying?
11:02What do you mean?
11:03I was working on some ideas in my notebook
11:06and I wrote as a slogan...
11:10Do you remember? Do you see it?
11:12What?
11:13Are you trying to imply that I stole the ad from the campaign?
11:17I'm not trying to say that.
11:19It's just that that phrase was in the ideas I worked on.
11:22What do you think I did?
11:24I went to your place, checked your notes, stole the slogan you wrote
11:27and with it I developed the idea of my campaign?
11:29I can't think of my own idea?
11:31Do I need to steal your ideas?
11:32Do you think that my head doesn't work?
11:34That I'm not creative?
11:35Hey, wait, breathe.
11:36Calm down, Deren.
11:37It's okay.
11:38Sanema, Deren would be unable to do something like that.
11:42These situations arise when several people work on the same campaign.
11:45You have to see it as a coincidence.
11:47Nothing happens.
11:48Two people can have the same idea.
11:50It's something possible and so far normal.
11:52Is there anything you want to add to this slogan?
11:55Do you have another idea?
11:57No, because I couldn't develop them.
12:01I would recommend that you devote more time to your work.
12:05Advertising is a very serious activity.
12:08It's okay, Deren.
12:09Calm down.
12:10Don't get upset.
12:11To be a good creative, you need full concentration.
12:15I think you have a good slogan.
12:17It's a great idea we're going to work on.
12:19You'll be the creative in charge, Deren.
12:22Very good, team.
12:23The meeting is over.
12:24Get to work.
12:25There's no time to lose.
12:28Get to work, guys.
12:33I'm going to investigate.
12:35Listen, everyone get closer.
12:36He's here.
12:38Pay attention to me.
12:42Deren and I spoke to Mr. McKinnon.
12:44We came from a meeting.
12:47We exchanged some impressions and...
12:50we presented our idea.
12:54And he accepted it.
13:00And without making any changes.
13:04Coffee for everyone, Mr. Jan.
13:06Thank you, Yeye.
13:07I'll have one in a while.
13:08Very good.
13:09The guidelines for the Red Mode campaign are very clear.
13:12I'll let you know with general information.
13:14And Deren will give you all the details.
13:16Do you understand?
13:17The launch is next month.
13:19We're going to leave Fabrico in the open with this campaign.
13:23Good.
13:24Show them what you're capable of.
13:26Good, yes.
13:27Deren, what are you going to do?
13:29We have three coffees.
13:30Very good.
13:31Yes, we'll do a good job.
13:32Excellent.
13:33Thank you all.
13:40Knock, knock.
13:45I brought you tea.
13:49It's hot.
13:50Thank you very much.
13:52You're welcome.
13:55One more thing, sorry.
13:58Do you want us to do something tonight?
14:02We could go to the movies, maybe.
14:04I'm busy today.
14:05Really?
14:06I have to go watch football with my photographer friends.
14:09I've had them abandoned and I'd like to go see them.
14:13I understand.
14:15Another time.
14:17Very good.
14:19See you.
14:30I'm leaving.
14:33It's too early.
14:34I don't have anything else to do and I can't think of any more ideas for the campaign.
14:39I'll work from home.
14:40I have free time.
14:41You act like a girl whose toy has broken or something.
14:45Don't you think?
14:46Don't you think so?
14:48Well, they always broke.
14:50So it's true.
14:52All my dolls were missing an arm or a leg.
14:57Sanem, I've thought about it.
14:59I've thought about it.
15:03And I respect the decision you made.
15:07I won't tell you I agree because I don't.
15:10But I have no intention of pressuring you or imposing anything on you that you don't want.
15:14No.
15:16On the contrary, you don't impose anything on me.
15:20I love you, but at the same time, this worries me a lot.
15:22I can't help it.
15:24It's because I've never loved anyone as much as I love you.
15:28Me neither.
15:32Have you ever seen two rivers merge?
15:37Never.
15:38I could see it in my travels.
15:42Two rivers of very calm waters that...
15:45that...
15:47when they merge, they form the greatest turbulence you've ever seen.
15:51It seems that the water boils, everything is full of foam, as if they were fighting and...
15:57they had stopped flowing.
16:01But then the waters calm down and...
16:04they flow again in peace and we...
16:07we are the same as those two rivers.
16:10Do I make myself clear?
16:13That's why we behave like this.
16:16And we have to find...
16:18the way to flow together.
16:21We will find it.
16:24We have found each other.
16:26From now on, we will not be equal.
16:28We just need a little time.
16:34What if we go straight to the point where those two rivers meet, Jan?
16:39If we wanted, we would be the best river.
16:47Well, I'm leaving.
16:49Okay, see you tomorrow.
16:50Goodbye.
16:56Call from Samuel.
16:58Hello, love.
16:59Love?
17:00Very well, since you called me love, I will go straight to the point.
17:04Tonight I will ask for my sister's hand.
17:06Really?
17:07From Leila?
17:08Yes.
17:09I will ask Osman for it and she will want it.
17:12Wow, that's unexpected. You had not told me anything about them.
17:17It's a surprise.
17:18Yes, it has been a surprise.
17:20And I have to tell you something.
17:22It's a surprise.
17:23Yes, it has been a surprise.
17:24And I was calling you in case you wanted to come.
17:27You are more than welcome.
17:28We will be alone in the family.
17:30Although you had already stayed with your friends.
17:32It's true.
17:33I'm sorry.
17:34I had forgotten.
17:36And right now I just remembered that.
17:40But you are invited if you want to come.
17:43But of course, Sanem.
17:44I do want to go.
17:47But the last time your parents fought because of me.
17:52Do you think it's convenient? I do not know.
17:54No.
17:55It's just that Melat created gossip that time.
17:59And then?
18:00That's why do not worry.
18:01Nothing will happen.
18:02You can come calm.
18:03Nothing will happen.
18:04Well, okay.
18:07Then I'll see you there.
18:08I wait for you.
18:09We wait for you.
18:10Very well.
18:13If you do not know how to lie, I do not know why you do it, Sanem.
18:16Well.
18:23How beautiful.
18:26The red color is wonderful.
18:31Well, thank you very much.
18:33Are not you going to say hello?
18:34Yes or no?
18:35I'm a fool.
18:36Is it a leaf?
18:38That's right.
18:39How beautiful.
18:40Those are stars.
18:41Stars.
18:42Yes, stars.
18:43Yes, stars.
18:44Yes, stars.
18:45Yes, stars.
18:46Yes, stars.
18:47Yes, stars.
18:48Yes, stars.
18:49Yes, stars.
18:50Yes, stars.
18:51Those are stars?
18:53You have a galaxy.
18:58Go ahead.
19:02You arrive just in time.
19:09The shoes.
19:10The shoes.
19:11Yes, of course.
19:13Even on a day like this I have to take them off?
19:15Yes, yes.
19:16And will you have enough for everyone?
19:18They must have many, right?
19:20Yes, it's just that the others brought their own.
19:25Maybe it takes a while to untie my boots.
19:28It's something complicated.
19:30Do not worry.
19:31I'll wait for you here.
19:33Stay there and so I see you.
19:35I put myself here?
19:36While I take them off.
19:41Oh, it can not be.
19:43How are they all?
19:44Are they tense?
19:45No, go ahead.
19:46I enter?
19:47Yes, yes.
19:48I enter and I hear good night.
19:50Hello, good night.
19:53Good night.
19:54Good night, Mr. Jan.
19:55But what are you doing here?
19:56Why did Jan come to a family reunion?
20:00Hello.
20:01Hello Jan.
20:02How are you?
20:03I'm glad to see you.
20:04How are you?
20:05A little sweaty.
20:06Do not tell me.
20:08Mevkive is not?
20:10Very good question.
20:11You should be here, right?
20:13Mevkive!
20:14My mom is in the kitchen, dad.
20:17I'll say hello.
20:19Very good.
20:20Let's go, I'll go with you.
20:21Yes, very good.
20:22How will I say hello?
20:23Surely they will secretly ask for the hand of Sanen.
20:25Come here, you bastard.
20:26Do not do that.
20:28Calm down.
20:36Oh, this does not come out, mom.
20:38I do not know what to do to get foam.
20:40And what do you want to serve the guests?
20:42Machine coffee?
20:43Good night.
20:44Oh, but it's Jan.
20:46How are you?
20:47Very good.
20:48And you?
20:49Leila, how are you?
20:50Hello, Mr. Jan.
20:51You are very beautiful.
20:52Well, you always are, but today you are spectacular.
20:56How are you?
20:57Better pressure and that?
20:58I guess ...
20:59Yes, yes.
21:00Already.
21:01At first I got nervous, but I'm fine now.
21:04Yes, it's much better now.
21:07Great.
21:08Well, I'm very happy.
21:09And ...
21:10What time will the party be?
21:11We do not know anything.
21:12We do not know anything.
21:16I think the coffee is running out.
21:18Oh, no.
21:20Oh, mom.
21:21This is your fault.
21:22Why did you never teach me how to make coffee?
21:24You'll learn.
21:26I'm sorry, Jan.
21:27Do not worry.
21:28Mine is the office.
21:29I do not serve for this.
21:30I'm sorry, Mr. Jan.
21:31We already know that.
21:32We can see it.
21:33Sorry, Jan.
21:34No, do not worry.
21:36Do not take it the wrong way.
21:37It is with good intention.
21:38If you want, I can teach you how to do it.
21:40If you allow me.
21:42Yes, of course.
21:43Go ahead.
21:44Thank you very much.
21:45Yes, Mr. Jan.
21:46Teach me.
21:47Yes, please.
21:48There are four ways to make a good Turkish coffee.
21:51Once I went to Greece and learned an excellent method.
21:54I'm going to teach you.
21:55And there is a delicious coffee, really.
21:57The door, I think I'll go open.
21:58You can continue.
21:59So?
22:01Let's empty this.
22:02Yes, as you say.
22:03Be careful, do not get dirty.
22:08Hello, Melan.
22:10Hello, Sanem.
22:11We thought you were not coming anymore.
22:12Oh, I'm sorry for the delay.
22:13They are here, they have arrived.
22:15Of course, it was the order.
22:17Do not tell me that.
22:18Well, yes.
22:19They did not wait for me.
22:20It's a joke, Melan.
22:21I have to go back to the kitchen.
22:23Yes, it's okay, I'm going.
22:25Let's see.
22:26To serve it.
22:31Now you have to serve it slowly so that the foam does not come off.
22:35So, without hurry.
22:37It looks good, it's very foamy.
22:40I can not believe it.
22:41I can not believe it.
22:42I do not even get that good, really.
22:45No, I can not believe that.
22:49Did you see how it is done, Leila?
22:50It is not difficult.
22:51Yes, Mr. Jan, I see that it is not difficult.
22:52It is that my mother had taught me another more complicated method.
22:56Oh, please.
22:57Well, what did you learn?
22:58Start preparing more coffees for the guests.
23:01What are you waiting for, daughter?
23:02Very well, I'm going.
23:03Will he do it well?
23:05Because he learned it from the only Chef Jan.
23:12Mr. Emre.
23:30What are you doing here?
23:36Mr. Emre could not locate Jan,
23:38so he wrote to me and apparently there was a problem.
23:41Right, Mr. Emre?
23:43Yes, it was.
23:47Jan!
23:49Jan!
23:57What happened, Emre?
23:58I could not locate you, so I came here.
24:01It's true, I did not hear it.
24:04I'm going to say goodbye to everyone and leave.
24:06Wait for me in the car and do nothing.
24:09Did you understand?
24:12Congratulations again.
24:15Let's go.
24:24Are you okay?
24:27Very well.
24:28Are you okay?
24:31Very well.