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00:00There was a small scene where he was looking at his son and he was like
00:04Why is he sitting like me?
00:06He took a few moments for that
00:08He took his time and was like, okay ready
00:11I feel really blessed that I was able to see all that with my own eyes
00:14Do they usually go in one take or two or three takes?
00:16The take really depends
00:18Because the mistakes can be anything
00:20It could be something in the background
00:22Or it could be a camera shake
00:23Or it could be a shot that doesn't come out the way they wanted it to
00:25So it's not about the takes
00:27It's not about being a one take artist
00:29What if the fourth take was good?
00:32Are you going to lose the best shot ever?
00:34So there's no such thing as a one take artist
00:37Which means he's a good actor
00:39That's what it means
00:40It was very smooth
00:41The transition between Jeevan and Appa
00:43They did it really well
00:44The way you explained it was really beautiful
00:47We'll go back to that movie and watch it again
00:49The thing is, he's in such a big place
00:53But he still wants to do
00:55He wants to prove something
00:58That fire is the thing
00:59That's what keeps them going
01:01Because after that, when Jeevan and Gandhi
01:04When he becomes the head of the party
01:06You won't see such a humble man
01:09He didn't do anything
01:11He's nothing
01:12He would be sitting like this
01:14Even the tone of his voice would be slow
01:17But my brother is a joker
01:19He'll be quiet
01:20If they make fun of something
01:22That joke would be terrible
01:23I think I said this in an interview
01:26He was making fun of me with a Tamil word
01:29That side and this side
01:31Oh, the side
01:32Sometimes I would say this side and that side
01:34That side and this side
01:36He would be smiling and standing next to me
01:39I didn't expect that
01:41They use the word side
01:42Like left side, right side