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Short filmTranscript
00:00Hey, someone get me some tea!
01:01Experience, sir. Experience.
01:04You see, my TV experience is so useful to me.
01:07There are so many shots, reaction shots, expressions.
01:10So many expressions on my face.
01:12It's full of talent.
01:14Should I show you? No, should I show you?
01:16Romance.
01:18Cut.
01:19Intense.
01:21Cut.
01:23Revenge.
01:25Cut.
01:26The joy of becoming a father.
01:28Cut.
01:29Mother's death.
01:32Cut.
01:33This is what you call talent, sir.
01:34Experience.
01:35This is what you get.
01:36Hey, he too has experience.
01:38Your mother, sir.
01:39In blue films,
01:42you don't get acting if you do all this.
01:44If you have to do one emotional scene, you get tired.
01:50Sunny.
01:51Maddy.
01:53There is no one here.
01:56Not even a camera.
01:58That's it.
01:59You are alone.
02:01And what you have been trying for so long,
02:04it actually happens.
02:07I come to you.
02:09I take off my clothes.
02:11Then I take off your clothes.
02:14I hold your hair
02:17and kiss you.
02:21And now what will you do?
02:23Come on.
02:24Come on.
02:25Do it with a full, full feeling.
02:28I'll give you cues.
02:30Okay?
02:36Maddy.
02:55Oh.
02:58Oh Maddy.
03:03Oh yeah.
03:05Maddy.
03:09Oh Maddy.
03:12Oh Maddy.
03:15Oh Maddy.
03:20Oh Maddy.
03:24What's the matter, Maddy?
03:27I know you can't become an actor by just saying ooh-ahh in a blue film.
03:32But you couldn't even do that.
03:42When the blood from the bottom reaches the top,
03:46then answer me. Okay?
03:49Ready for my take?
03:50Keep this mood.
03:59I think you did the right thing.
04:01Such people understand this language.
04:07Only those who have brains in their pants.
04:20It's not your fault.
04:22I don't know what's wrong with me.
04:25Ever since I've been here, I've been feeling weird.
04:29Come with me.
04:33Why do you feel weird?
04:35Are you okay?
04:37I don't know. I mean, I have a headache.
04:41Sunny ma'am, can I touch up your hair?
04:44In five minutes.
04:46What happened?
04:50Nothing.
04:52Remember one thing.
04:54No matter what happens,
04:56I won't let anything happen to you.
04:58Okay?
05:02Satya?
05:04You were right.
05:06Not all men are the same.
05:13Keep in touch for this scene.
05:15I want the lighting a little subdued.
05:17No more lights. Got it? Let's go.
05:20Let's go.
05:25Hello, babyness.
05:27Hi.
05:31Come.
05:32Excuse me?
05:34I mean, come. Sit.
05:37Mr. Rox, why don't you show me the monitor?
05:41I'm fully the director's actor.
05:44Yeah, yeah.
05:45What I'll do now?
05:46We'll hang you upside down.
05:49And you have to act like a witch.
05:54Remember the lines?
05:56Help! Help!
05:59I've been practising since childhood.
06:01Hang her now!
06:04Come, come. Please.
06:06Come, sit.
06:14Okay, ready?
06:16Roll sound.
06:18Rolling.
06:20Camera.
06:22Rolling.
06:24Shot 5, take 1.
06:26Action!
06:47Very good.
06:49Move the performance.
06:51Very good.
06:53Scream.
06:55Move the performance.
07:17Cut.
07:19More.
07:21More, more.
07:23Get me down.
07:25Cut it.
07:27Cut it.
07:29Get her down.
07:35Munali, what happened?
07:37Two girls.
07:39Who two girls?
07:41What are you saying?
07:43Brilliant performance, Munali.
07:44Brilliant.
07:46What an improvisation.
07:48You got into the character.
07:50It was fun.
07:52Clap.
07:54What a performance.
07:56Very good, Munali.
07:58It was fun.
08:02Enough. Shut up.
08:04Pack up.
08:11Come on, guys. Move it.
08:12Move it.
08:14Hurry up, guys.
08:16We have to leave before dark.
08:18What if it's a night shoot?
08:20We'll see then.
08:22We don't want to spend the night with ghosts and witches.
08:43Do you know?
08:45When Rox came to meet me for the first time,
08:48she said she was a fan of my acting.
08:54What did she say?
08:57That she likes my books.
09:00And you listened to her?
09:05Basically, she knew that Ragini's family
09:07would only give you permission to write her story.
09:12I understood that.
09:14She didn't read a single book of mine.
09:16Of course, she didn't.
09:18Even Pandey reads Rox's text messages.
09:29Come on, cheer up.
09:31How much more time will you waste on Rox?
09:33I'm not thinking about Rox. I'm thinking about Munali.
09:36What if Munali really saw something on the ceiling?
09:42Munali is a drama queen.
09:44She can do anything to get attention.
09:47There are no ghosts here.
09:49Ragini's mother doesn't think so.
09:51What do you mean?
09:53Ragini's mother believes that there is something in this house.
09:56That's why she told me to stay away from this house.
09:59But I'm still here.
10:00That's why she told me to stay away from this house.
10:03But I'm still here.
10:05But now I feel that for the sake of my career,
10:09I've put all of us in danger.
10:11Satya, don't be silly.
10:13We all came here for our careers.
10:16Not for you.
10:18If anything happens to anyone because of me,
10:21I'll never be able to forgive myself.
10:24Not to anyone, but to you.
10:26If you keep drinking whiskey at this rate,
10:28you'll hear an orchestra of hammers tomorrow morning.
10:31You're stopping me from drinking?
10:33No, I'm stopping you from drinking alone.
10:40Be careful, madam.
10:42After two drinks, guys like me also start looking handsome.
10:58It's raining.
11:00Shall we go?
11:03Yes.
11:29Oh, God.
11:32That's strange.
11:35The whole family is dead.
11:38But in the obituary, Patwardhan only mentioned the children.
11:45That's weird.
11:48What about the mother of the children?
11:50What about the mother of the children?
11:52What about the mother of the children?
11:54What about the mother of the children?
11:56What about the mother of the children?
11:58Coffee.
12:00Finally, here comes my great assistant, Nishant.
12:03Where were you?
12:05Did you go to get coffee beans from Brazil?
12:07What difference does it make?
12:09If I had come a little later, you'd still be here.
12:11Just stuck to your seat.
12:13I don't understand how you manage to do so much work.
12:15And you're so busy.
12:17And yet, you take out time for these freaky cases.
12:19I mean, what's the fuss, boss?
12:21I'm on to something.
12:22Dr. D has spread rumors about ghosts, ghosts, witches, haunted houses.
12:27It's all PR machinery.
12:29You know what the problem with you guys is?
12:31You guys are too cynical.
12:33Anyways, where's the footage of Ragini's mental asylum?
12:36I'll show it to you.
12:38Be careful.
12:40Ragini is sitting on her bed like this.
12:42And there's no expression on her face.
12:44And she's just rocking back and forth.
12:47For freaking two years.
12:49I nearly died of boredom, man.
12:50I'm so glad you liked it.
12:52I need the tapes on the table tomorrow.
12:54But listen, tomorrow...
12:56Tomorrow.
12:58But see, listen...
13:00Yes.
13:02Ragini...
13:20Ragini...
13:29Who is it?
13:50Who is it?
14:21Who is it?
14:46Hey, hey, hey, hey...
14:47Hey, check it out.
14:49Hey, check it out.
15:18Oh...
15:36Ow, my back hurts.
15:47Ow, my back hurts.
16:13Sunny.
16:15I've been looking for you.
16:17What are you doing here?
16:25I'm here...
16:27What am I doing here?
16:28What do you mean, what am I doing here?
16:30You haven't started sleepwalking, have you?
16:32Don't do that.
16:34The entire crew will follow you.
16:36Come on.
16:37Get some rest.
16:38And shoot?
16:39Shoot?
16:40It's a night shift today.
16:42Today's a special moonlight scene for Rox.
16:45Come on.
16:47Come on.
16:51Oh, no, no, no, no, no, no.