Sturm der Liebe 4290 - Die Eröffnung
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00:00The poor Mr. Seifeld. If he tries this and I have to teach him that you can't do a show here after all.
00:10Now wait for the opening. Who knows, maybe I'll have a lot of time soon.
00:14A restaurant will be a huge success.
00:16Deceiving the death of his own sister. Who does something like that?
00:20Tom Dammann. Deceived his own death to get me out of the way.
00:25There is nothing that does not exist.
00:28Do we know each other?
00:30Not as well as we should.
00:34I'm your father.
00:37Can you imagine that we try it again?
00:44It's true. I...
00:48Me too.
00:54I love you too.
00:58I love you too.
01:09Okay. No answer is...
01:11No, Vincent...
01:16We were so happy.
01:19And we can be so happy again.
01:24I'll do better this time.
01:26I promised you.
01:32I don't feel as comfortable with anyone as I do with you.
01:36Just arrived.
01:40And I would do anything to make you happy.
01:43Yes.
01:54Yes.
02:06Where are we going?
02:08None of your business.
02:10What do you want here?
02:12I'm your father. You are my son.
02:15Okay. And what did you forget all these years?
02:17No, not one day.
02:19Yes, I admit, I hesitated for a long time.
02:21Over 20 years.
02:23Yes.
02:24I understand. It would have been so bad if you had taken care of your son.
02:28My life is different than great.
02:30I spent years in prison.
02:33What?
02:35Mom told me something else.
02:37Yes, of course she told you something else.
02:39Do you understand who I believe now?
02:42Philipp, don't run away now.
02:44You ran away when she was still a little child.
02:47Now listen to me.
02:48What don't you understand?
02:49I don't want to know anything from you anymore. Just run away.
02:53I'll leave my number in the prince's court, okay?
02:56I love you.
03:10Now I finally know what I've been longing for all this time.
03:16Yes.
03:21Here it comes.
03:24With this, I swear ...
03:30... that I will not do anything in the future ...
03:33... that endangers our relationship.
03:39I can imagine what it sounds like ...
03:42... when you've said something like that again and again and don't stick to it.
03:47Well, you haven't done anything about it lately.
03:52And it should stay that way.
03:57We have to trust each other.
03:59Completely.
04:04Now nothing should separate us anymore.
04:12Are you looking?
04:15Are you skeptical?
04:19No.
04:22Let's just forget what happened ...
04:26... and just look ahead.
04:33Agreed.
04:45Thank you for not leaving me alone.
04:47Of course.
04:48No.
04:49Not after the stupid number I withdrew.
04:52But real friends are there for that ...
04:54... when it comes down to it.
04:56And I never had a better one.
04:58I don't think so.
04:59Yes.
05:00Or Tamara, maybe.
05:03I have to go to the hotel now, unfortunately.
05:05Okay.
05:06Bye.
05:08You know, Tamara still prophesied it.
05:11What?
05:12That we will be together again.
05:15In her last message she wrote ...
05:17... Lale is a good and smart man.
05:19She will forgive you and ...
05:22... now death is expected for you and I only have you.
05:27Hey, you still have other friends.
05:29And your parents are there too.
05:31For them I was always just a burden.
05:33When you killed the second born child ...
05:36... and had to feed them too.
05:39Because they never had money.
05:41And they were happy when I was gone.
05:43Like everyone is always happy when they are gone.
05:46Except Tamara.
05:51You told me a lot about your parents.
05:54But poor?
05:55I mean, USA ...
05:57... it costs money.
05:59Flights, hotels, three people.
06:03Yes.
06:04They just inherited.
06:05Not much, but ...
06:07... it was enough ...
06:09... to pay part of it.
06:11And I contributed to it.
06:13You?
06:14Yes.
06:15Relax.
06:17I mean, it was Tamara's biggest wish to fly to the USA ...
06:20... and if I hadn't done it, it would have been enough.
06:23You can't think like that.
06:25You fulfilled her wish.
06:30Hey, it was an accident, okay?
06:34Come here.
06:37Lale takes care of Stella.
06:40Yes, that's good.
06:42She always trusted her fears here in the hotel.
06:48You don't like it, do you?
06:51Yes.
06:54If it's true ...
06:56What?
06:59That ...
07:01... Stella's sister is really dead.
07:07What?
07:09Stella behaves strangely.
07:12In one moment she cries and in the next ...
07:15... I saw her smile.
07:17Nobody can cry without a break.
07:19Yes, but ...
07:20... Stella seems to cry only when someone sees her.
07:23Wait a minute, Theo.
07:27Why should Stella ...
07:29... play such a terrible trick on all of us?
07:32So that Lale will take care of her again.
07:35No.
07:36Unfortunately, she didn't tell Lale anything about the accident.
07:39It was just Hilligkeit and me.
07:40If that was exactly her plan ...
07:44Well ...
07:45With all the problems that Stella has for sure ...
07:50... I don't trust her.
07:53And Theo ...
07:54... you have to be very careful with such bad assumptions.
08:00I know.
08:06I love you.
08:20And did Vincent enjoy the private concert?
08:22Yes, very much. He was really happy.
08:25And Bernbaro? Also about the apple pie?
08:28Yes, he liked it very much.
08:30Nice.
08:31And he really didn't want any money?
08:34The story of Vincent and you touched him very much.
08:38Then I have to take revenge on him somehow.
08:40Do him a favor somehow.
08:42He is committed to social projects.
08:45Maybe you can donate something?
08:47Yes.
08:48That's a good idea.
08:50Because without him ...
08:53What?
08:55Because without him what? What's going on?
08:57You're shining all the time.
09:03Vincent and I ...
09:05... are a couple again.
09:08Because of the music ...
09:10... the mood in the room was just ...
09:13... magical.
09:15And then he asked me if I wanted to give us another chance and ...
09:19... I said yes.
09:26I finally decide.
09:28And everything you have to say about it is A.
09:31I'm happy for you.
09:33Yes, but apparently not so much.
09:36I'm just a little surprised.
09:38About what? That I finally realize my feelings.
09:41You wanted that all the time.
09:43Anna, I just really want you to be happy.
09:46And I was with Vincent.
09:49I even dreamed last night that we would kiss and be together again.
09:54A dream as an advisor.
09:57Mom, what is it now?
09:59It just comes so suddenly.
10:01I've been whining for weeks.
10:03Yes, exactly.
10:04You didn't even know where you were with your feelings.
10:07And now you decide so quickly.
10:10In a romantic moment.
10:13It just felt right.
10:17Now don't look so skeptical.
10:19I'm sorry.
10:21I wish you both all the best.
10:33Mrs. Alves?
10:34Yes?
10:35Check-up.
10:53Your verdict?
10:54My verdict, yes.
10:56I would say ...
10:58Your verdict is fantastic.
10:59Superb!
11:01And you know what?
11:03Amazingly, not even salty.
11:05Yes, why should it be salty?
11:10We're not in love or something.
11:13He's more my ...
11:15Representative, you mean.
11:17Exactly.
11:18And excuse my lie of necessity.
11:20Oh, I can't say anything about necessity.
11:22Besides, he didn't even wait for me to say anything about his verdict.
11:27Unfortunately, I had to go back to his restaurant urgently.
11:30You both have deceived me.
11:33No, it's not ...
11:34Of course, that has consequences.
11:36Unless ...
11:38What?
11:39Mr. Sommer really takes over the holiday representation in the kitchen.
11:43I'll ask him.
11:44Fine.
11:47Oh, did I miss something?
11:50Oh, Katja and I, we got along again.
11:53A little more harmony in the prince's court is also in your interest.
11:56That with Mrs. Bergmann, was that something important?
11:59Oh, it was just a representation.
12:00Did she cancel it?
12:01No, no, no, no.
12:02How do you come up with that?
12:04No, no, she's feeling very comfortable right now.
12:06So comfortable that she's even snuggling in the kitchen.
12:09Oh, I see.
12:10The Flurfunk will certainly report on it.
12:12But you always have a heart for love, don't you?
12:15I'm just wondering how the discipline of the staff stays here.
12:20Hmm.
12:51I just released you.
12:53Ah, the boss releases me.
12:55Mhm.
12:57Well then?
13:12Oh, God.
13:21Knock, knock, knock.
13:24Hey.
13:25Hey.
13:28Am I in the wrong room?
13:30No, Anna is under investigation.
13:36I understand.
13:40Is everything okay with you?
13:45Well, it's okay.
13:48I somehow just felt like I was in the wrong movie.
13:55But with you, so far, everything is fine?
13:59Yes, I'm fine.
14:02I'm fine.
14:03Everything's back to normal.
14:06I'm glad.
14:10What do you want from Anna?
14:14I want to talk to you.
14:16I'm just waiting for her here.
14:19We should also discuss something about Guttalheim.
14:22I still need some documents from you.
14:24My father is here.
14:26What?
14:31My father came to the prince's house today.
14:46Vincent.
14:49You've experienced something similar before.
14:55What should I do now?
15:01See you later.
15:02Hey.
15:03Hi.
15:04I'll just get my stuff out of the bin.
15:06Okay.
15:07Should I buy you something for tonight?
15:09I told Stella about the wedding.
15:12What?
15:13She's so lonely and lost because of the funeral planning and stuff.
15:16But the sunflowers are there.
15:18She's not alone.
15:19I'm her official caretaker.
15:21Yes, but...
15:24Please say yes.
15:27You agreed that I should go with her.
15:32I saw Stella and you at the picnic.
15:36How she enjoyed it again, the closeness to you and...
15:39how she talks about the funeral.
15:42That's so weird.
15:44What are you getting at?
15:49I just have a really bad feeling about this.
15:55I was also wondering about something earlier.
15:58Really? About what?
16:00She told me her family is Ahn.
16:03And how could she travel to the USA?
16:05She told me something about Aspartame and Herb.
16:12I don't know.
16:15It wouldn't be conceivable.
16:17Stella is just pretending to die for her sister.
16:26How did he find you?
16:30I guess at the hotel website.
16:35And you just let him stand there?
16:39He left my mother and me in the lurch.
16:43And since then I never heard from him again.
16:46I understand you completely.
16:50I hope he just gets it.
16:54Do you think so?
16:59No.
17:03What should I do if he won't leave me alone?
17:08Talk to him.
17:10Don't waste any time.
17:15I don't want to.
17:17Come on, we always want to know where we come from.
17:21I know enough about him.
17:24And how? If he hasn't contacted you for years?
17:27But that shows what kind of character he has.
17:31He's cowardly, he's irresponsible and...
17:34he just has no interest in me.
17:38And yet people change sometimes.
17:43But I...
17:45I can't dance to his tune just because he suddenly has a conscience bite.
17:50Philipp, if you send him to the desert now...
17:53then you'll have a conscience bite.
17:58Why should I?
18:00Because he's your father.
18:03He's your father.
18:08He failed in this role.
18:13It doesn't connect us anymore.
18:17It always does, whether you want it or not.
18:25He doesn't mean anything to me anymore.
18:29And that's why he's taking your meeting with him?
18:35Hey, Philipp.
18:38You don't have to like him.
18:41But listen to what he has to say.
18:45What do you have to lose?
18:58I'm sorry.
19:10Write as Stella a very emotional mourning ad for her sister Tamara...
19:14who died in a hiking accident.
19:22Tamara...
19:24I...
19:26I don't...
19:36Tamara, I told you not to call here anymore.
19:40I told you several times on the mailbox.
19:45I don't have to explain anything to you.
19:48No.
19:50I'm fine. Lale is my best friend.
19:54Yes!
19:56Why do you keep suspending me?
19:58You're not here at all!
20:01Tamara!
20:02No, no!
20:04Just leave me alone!
20:06Just leave me alone!
20:11Good evening.
20:17Stella?
20:19What's going on?
20:22Come here.
20:29Do you have a recommendation for me?
20:31Yes, I would recommend the roast pork.
20:33We're known for that.
20:35It's always very tasty.
20:37But take another look. I'll be right back.
20:39Yes, all right. Thank you.
20:41Philipp.
20:45It's nice that you wrote.
20:47I was very pleased.
20:49Take a seat.
20:55It's nice here.
20:57The floor is steady.
20:59Can I bring you something to drink?
21:01A mineral water, please.
21:03A light one.
21:05Do you come here often? I have questions.
21:08Yes.
21:09Why were you in prison?
21:12You'll get to the point right away.
21:14Boy, boy.
21:15I like it.
21:20I didn't kill anyone.
21:22And I didn't hurt anyone.
21:24What did you do?
21:29Betrayal on the horse race track.
21:33That's what you get in prison for.
21:35It was in style.
21:37I'm not proud of it.
21:39On the contrary.
21:43And why didn't you report?
21:47You can write letters in prison.
21:51Your mother...
21:53She forbade me to contact you at the time.
21:59And when I was released...
22:03I didn't dare anymore.
22:05So much time had passed.
22:07And...
22:09I was ashamed.
22:11So, a water.
22:13And a light one.
22:21Philipp.
22:23Can I ask you something?
22:27How did it go for you?
22:29I mean, all those years.
22:33That's what you want to know?
22:35Yes, of course. More than anything else.
22:41How does a child react...
22:44to be left in the clutches of his father right from the start?
22:51I think...
22:53it's pretty disturbed.
22:55It's insecure.
22:57It's sad.
23:00His soul gets a crack, an injury that doesn't heal so quickly.
23:11I was sad.
23:14But if you think that...
23:16his disappearance is still bothering me...
23:19then I have to disappoint you.
23:21It's good that way.
23:23I cut you off at some point and forgot.
23:25And I was looking for a new father.
23:27One...
23:29who supported me.
23:31Also professionally.
23:34A replacement father, you mean?
23:37I understand.
23:39I don't think so.
23:41Markus...
23:43made almost everything possible for me.
23:45Markus?
23:46Markus Schwarzbach.
23:48He's the shareholder of the hotel.
23:50Ah.
23:52He's here, too.
23:54Don't you know that?
23:56Yes, Philipp.
23:58But I have to get to know you again.
24:01And this gentleman...
24:03Schwarzbach?
24:05I mean, I'm your biological father, right?
24:08Yes.
24:12Let's order something.
24:20So...
24:22it warms up a little.
24:34Losing a loved one...
24:36is the worst thing that can happen.
24:43I'm really sorry that you just saw me like that again.
24:47It's just...
24:49I just miss him so much.
24:51Of course.
24:53Tears are not a sign of weakness.
24:59It's not the only reason why I cried.
25:04My parents just called from the USA and...
25:08they just criticized me again.
25:10No matter what I do, it's all wrong.
25:14Because of the funeral?
25:16Everything!
25:17No matter what I do, it's always all wrong.
25:20I only get accusations or I'm criticized.
25:23I...
25:24I just can't do anything right.
25:29It's always the same.
25:34What do you think?
25:36Very good.
25:40Well, my meal was great.
25:43There's no star cuisine here, but...
25:46at least you don't experience any bad surprises.
25:48I understand.
25:49Just like with me, right?
25:54No.
25:55I didn't mean you.
25:57Ah, a smile.
25:59A debut tonight.
26:03When you were a kid, you were a real sunshine.
26:06You laughed so much.
26:08You were so full of laughter.
26:10Even once when you fell off the horse.
26:13You were so big.
26:15And you really wanted to ride my big horse.
26:18You fall down.
26:20I get scared.
26:21The horse gets scared.
26:22And you?
26:23You laughed your ass off.
26:26Yes.
26:27Despite the stuffed ankle.
26:28You remember, right?
26:30Yes.
26:32That's why I always had great respect for horses.
26:36You were in bed for days.
26:38But I think you even liked that.
26:41Because I read a lot to you, right?
26:47Yes.
26:49Father of the year.
26:51Tell me.
26:53When was that exactly?
26:55Four years ago.
26:56That's not too bad.
26:58Philipp.
27:00I only remember common experiences.
27:06You know.
27:08I'm an adult now.
27:11I don't need you as a father anymore.
27:13But we could at least try to have a good relationship again, right?
27:18But what for?
27:20I think it makes more sense if everyone just goes their own way.
27:25Vicky.
27:26We would like to pay.
27:27No, no.
27:28Immediately.
27:29I pay.
27:35Philipp.
27:37Why don't we take a few more steps together?
27:43Have a good journey home.
27:45Wherever it is.
28:00Almost together.
28:02Already separated again.
28:04Everyone in their own bed.
28:11The kiss was so beautiful.
28:14Should I go over to him?
28:17No.
28:18It's annoying when a doctor catches me.
28:21Now Vincent is so close.
28:24And I miss him anyway.
28:27Who would have thought that a few days ago?
28:47Hey.
28:48How are you over there?
28:50Too bad there are no double beds here.
28:52Then I could take you in my arms now.
28:55Or are you already sleeping?
28:57As much as has happened today?
29:00My night is still not lonely.
29:02Because I am in your thoughts.
29:04And I always see you in front of me anyway.
29:06And I will dream of you.
29:08Anna everywhere.
29:09In the head.
29:10In the dream.
29:11In the heart.
29:12Just not here in bed.
29:14Beautiful crap.
29:16Dream something beautiful.
29:17I can hardly wait tomorrow.
29:26I miss you.
29:39Because a new life begins for us.
29:42That we celebrate and discover every day.
29:44Together.
29:45Hand in hand.
29:55I love you.
29:57I love you.
30:25Look.
30:26A heart.
30:28Or a kidney.
30:30What you see in the clouds.
30:33What do you see?
30:35Just you.
30:55I love you.
31:25Good morning.
31:27Good morning.
31:29I have to talk to you again.
31:31With you two.
31:33About Stella.
31:35Yes, Theo told me that you also have an eye on her.
31:38Yes, I do.
31:40Was she sad because Lale didn't go to the bridal chamber with her yesterday?
31:44Well, I don't know if it was because of that, but ...
31:47But she was happy.
31:49Yes.
31:51Well, I don't know if it was because of that, but ...
31:54But she was happy.
31:56Very happy.
31:58And what do you mean?
32:00Real or staged?
32:03Well, my feeling says ...
32:05Real.
32:07She was in her room all evening and cried.
32:10So much so that you could hear it all the way to the hallway.
32:15Apparently your parents criticized what you planned with the funeral or something.
32:22But they gave her free rein.
32:25I'll go to her during my break.
32:27That might be good.
32:29So you're really sure that the grief is real?
32:32Theo.
32:34I don't know if you can play such a despair.
32:39We will help you as best we can.
32:45Bye.
32:47Bye.
33:13Good morning.
33:14Good morning, Mrs. Alves.
33:16Did we sleep well?
33:18Yes.
33:19Did you have a good dream?
33:21What is this, amnesia?
33:23How does it look?
33:25Ah.
33:27Yes, doctor, I also had a very good dream, thank you.
33:30Very nice.
33:31Then please close your mouth wide.
33:35Close.
33:36Close.
33:38Yes, very good.
33:46Put your arms around me.
33:57How are you?
33:59Good.
34:00Even better now that you're here.
34:03I'm sorry for the somewhat cheesy news yesterday.
34:07It's not a shame to be a little cheesy in the hospital.
34:10And your news wasn't really cheesy either.
34:13Well, a new life.
34:16It is somehow.
34:18Yes?
34:19Yes.
34:21I'm really curious what the future holds for both of us.
34:26Well, I'm actually already happy without a word.
34:41But it's nice that the two of us are together, isn't it?
34:47Yes, it just came so suddenly and went so fast.
34:51I mean, she hardly woke up from the anesthesia.
34:53Then she decided for Vincent.
34:55But I thought you liked Vincent.
34:57I do.
34:58I'm talking about Anna.
34:59Anna is happy.
35:01I'm just a little worried that she's just talking nicely about Vincent.
35:07Oh, you mean you're grateful for the donation?
35:10Really, yes.
35:12She decided it all from the moment.
35:14Someone plays the guitar romantically.
35:17Well, who organized it?
35:20Yes, but at least she could have waited until she was released from the clinic.
35:24You know, with a clear head, not clouded by medication.
35:28And until recently, she was still together with Philipp.
35:31He wouldn't have done so much wrong.
35:33But he did.
35:34And would Philipp prefer that now?
35:36No, I'm not saying that at all.
35:39Who actually put this curse on her?
35:41What curse?
35:43Well, that Anna is easygoing in terms of relationships.
35:47She really didn't make it easy for herself.
35:50It's really a bad state when you're not sure of your feelings, isn't it?
35:56Unfortunately, we don't have much time to think about it.
36:00Because you wanted to go to the café?
36:02Yes, that's right.
36:03And I really have to go to the clinic.
36:05Oh, by the way, has Yvonne already made an appointment?
36:08Right in front of the restaurant.
36:10Oh, okay. And Eric is coming too?
36:12Eric is coming too, yes.
36:14Good. I really have to go.
36:16Well, see you in Tölz.
36:19Bye.
36:44Thank you for the nice time.
36:46Do you mean me or your horse?
36:48You, you old fart.
36:50Then I'm calm.
36:56We'll see each other later?
36:57Yes, definitely.
36:59I'd like to come with you next time, but the old Saalfeld wrote to me.
37:02I'm supposed to clear something up with the stable boy.
37:05Three exclamation marks and where I am at all.
37:08Typical.
37:09Well, then you clear it up.
37:11Yes, I will. Bye.
37:13See you later.
37:18Bye.
37:26Good day.
37:28Hello.
37:30Great stable.
37:32Are you the stable manager?
37:34No. Why?
37:36I want to talk to him.
37:38And you are?
37:40Roland, Roland Brandes.
37:43Brandes?
37:44Yes.
37:45Oh, you must know my son, Philipp.
37:48Yes, very well even.
37:51Then you are Mr. Schwarzbach.
37:54The man who took care of Philipp.
37:57Yes, exactly.
37:58He told me a lot about him.
38:00So, did he?
38:02Yes. It's great that we meet.
38:04You can tell me how he was as a teenager, as a young man.
38:08Yes, I could, but why?
38:10Yes, I missed him. I missed a lot.
38:13Oh, really?
38:15Yes, if you hadn't left him and his mother at that time, then...
38:18Yes, you can see it that way, yes.
38:21I still have work to do.
38:23Uh, excuse me.
38:25Philipp said you were his shareholder.
38:28Maybe you can help me further.
38:33You are looking for a horse caretaker, right?
38:36I would like to apply.
38:44Hey.
38:45Hey.
38:47For you.
38:48Oh, wow.
38:53Wow.
38:56Your restaurant.
38:57How excited are you on a scale of 1 to 10?
39:00Uh, 5, 6. I think rather 7.
39:04That's you.
39:05That's me.
39:06And this is from...
39:08From you.
39:09Someone who wishes you a lot of success.
39:12You are really the best.
39:16I can't print a menu card.
39:18I don't know, then write it in your hand.
39:20I have to prepare plates, plates and bread. Nadine, get another one.
39:23Yes, have the toilet rooms been checked?
39:26That's not possible. The guests come every second.
39:29Yes, then you do your stuff and Nadine, could you maybe check the toilet rooms?
39:35Okay, Greta, maybe you can, I don't know.
39:37Ready to cover.
39:38I'll do it.
39:40Are you nervous? You're usually so cool.
39:42Yes, that's what I always thought.
39:44Your menu will be perfect.
39:46At least the main course I was allowed to try yesterday.
39:49Yes, I hope the guests think so too.
39:51And the restaurant critics.
39:53For sure.
39:55Well, she has the biggest social media channel.
39:58If she writes any bad reviews, I can close it right away.
40:02Everything will be fine. Don't worry.
40:05Do you think so?
40:06Okay.
40:07Hey, Matteo, Nadine.
40:11Are you ready?
40:15Okay.
40:16Then I would like to say, we welcome the very first guests in Louis.
40:21Hello.
40:22Hey.
40:23Ah, there you are. Hello.
40:25Thank you for the invitation.
40:26Yes, you're welcome.
40:27Greta.
40:28And we have a very special pot with us.
40:31Yes, I made an extra loop around it.
40:33Yes, but it's very special.
40:34It's the best, yes.
40:35I'm sure I can use it.
40:37It looks so beautiful.
40:39It feels like home.
40:40Yes, it feels like home.
40:41And feel free to come here whenever you want.
40:43Yes, I'll take care of everything.
40:44Yes, yes.
40:45See you in a minute.
40:50Hello.
40:51Nice to meet you.
40:52That's very nice.
40:53Hello.
41:00A light.
41:03Have you already found something?
41:05Hm?
41:06Yes, do something for everyone.
41:08Sit down.
41:09I see.
41:11Yes, well, my feeling says yes.
41:13But I can't prove anything to you.
41:16Well, not yet.
41:19I'm waiting for the call back.
41:23Ah, damn.
41:25All good, all good.
41:27Oh, thank you.
41:31Nothing at all is good.
41:33These are the consequences of this accident.
41:36Well, Markus would be happy if I wasn't already on the loose.
41:39I'm sorry.
41:40Yes, compassion is not necessary, but...
41:43Still, thank you.
41:44Do you want me to get you a new tea?
41:47Yes, yes.
41:48That would be nice.
41:49No problem.
41:50Oh, no.
42:03The light?
42:06Yes.
42:24Good morning, Markus.
42:25Hello.
42:27Where were you yesterday?
42:28I tried to reach you.
42:29In non-disturbing mode.
42:32In non-disturbing mode?
42:34With a certain...
42:35Your father is here?
42:38How do you know that?
42:39Because he came up to me in a stupor.
42:43And why?
42:45Did he want to question you or...
42:47Yes, but I didn't let him.
42:50Good.
42:52I'm surprised.
42:53I thought he was going to run away again.
42:55No, I don't think he plans to.
42:59Why?
43:01A job as a horse caretaker has been posted on our website.
43:03And he wants to apply for it.
43:06He wants what?
43:07I didn't agree with him on anything concrete.
43:09I also didn't arrange a job interview or anything.
43:12I just wanted to hear what you had to say.
43:16Of course I said no.
43:18Where is he?
43:20Maybe still in the stable.
43:21He wanted to take a look at everything.
43:26That's enough.
43:30I'm sorry.
43:42Where's Nicole?
43:43She'll be here in a minute.
43:45But the appetizers are excellent.
43:48Erik, don't always eat all the appetizers.
43:51You know, the real menu is yet to come.
43:54I don't want to insult Louis.
43:55He's my favorite chef.
43:57And what about my Greta?
43:58What about Greta?
43:59What about Greta?
44:00Your cousin only liked her excellent cuisine.
44:04Yes, because I'm very supportive of you.
44:06You should be too.
44:08And I am too. Greta, the big Greta, is the most beautiful.
44:12She's a cook.
44:13That's what I do. I'm a real chef.
44:14It's really nice of you.
44:15But today it's only about Louis.
44:18He also cooks.
44:19Ah, Nicole.
44:21What is she writing?
44:23She can't come.
44:25What a pity.
44:27Uh, yes.
44:29She probably has too much to do.
44:30This is the second time in a short time that she's cancelled.
44:33That's really a pity.
44:35Well, next time she'll definitely be there, Erik.
44:38Yes.
44:39So, dear guests.
44:40We now begin with the menu.
44:42Whoever is late or is still not there, has had bad luck.
44:46Or luck.
44:47Well, definitely bad luck.
44:49The appetizers were excellent, weren't they?
44:51Everything was great.
44:52Bravo.
44:57They're already eating out of their hands.
45:00Over there, I think that's her.
45:02Right.
45:03Well, hopefully the critic will like it too.
45:13That one.
45:14The oak sack?
45:15Yes, it looks robust.
45:17Tamara always protected me.
45:19It costs over 2,000 euros.
45:24Why are you saying that?
45:27Is she supposed to get a cheap funeral?
45:29No, she's supposed to get a nice funeral.
45:31The way you want it.
45:32Yes, I think so too.
45:34I'm just wondering how you want to pay for it.
45:36Or...
45:38your family.
45:40Listen, what are you getting at?
45:42I'm wondering if you have a death insurance or something.
45:46Because I'm not thinking about the money?
45:49I'm going emotionally through hell right now and you're asking me such weird questions.
45:52Excuse me, but 2,000 euros is a lot of money.
45:55And that's just the sack.
45:56Yes, I'll pay you, okay?
45:58Stella, I want to help you.
45:59By humiliating me right now?
46:01Don't you think I don't understand what you're getting at?
46:05I thought we were friends and we trusted each other.
46:07But what you're saying right now, it hurts.
46:09It's super hurtful and unfair.
46:12But I mean...
46:13No, that's heartless, Lala.
46:18Yes, you're a good boy.
46:20Now, look here.
46:21What do I have here?
46:22What do I have here?
46:24Ah, you know that, right?
46:25Yes.
46:27So you want to work here?
46:30Philipp!
46:31If you think you can sneak up on me with some kind of distraction, forget it.
46:36Hey, calm down.
46:37On the contrary.
46:39I'll have you thrown off the site right away.
46:41I... I'm not going to push you.
46:43I...
46:44Calm down.
46:46Well then.
46:47Please.
46:49Philipp, we've wasted so much time together.
46:52But it's never too late to do something better.
46:55I have to do something better!
46:56No, not you.
46:57I have to do it.
46:58But...
46:59How can I be a better father to you without your help?
47:04I don't need a father.
47:09Look.
47:10Look, we'll do it like this.
47:13Down in the village, at the old man's.
47:15I took a room there.
47:18Yes.
47:19Then I'll be close to you.
47:20If you need me, I'll be there.
47:22And if not, I'll remain invisible.
47:24What do you think?
47:27Huh?
47:33Stella, I'm so sorry.
47:35The oak sack seems appropriate.
47:37I... I can lend you money if you want.
47:41Liar!
47:42You only have a spark of decency in you.
47:44Theo!
47:45Tamara is alive.
47:46Hello, Stella.
47:50White doves and fireworks.
47:57What's wrong?
47:59Nothing.
48:00It'll be over soon.
48:01Are you in pain?
48:02I don't think Philipp wants him to stay here.
48:05That's understandable.
48:06After 20 years, you can be completely alienated.
48:09But there's something else behind it.
48:11I think...
48:12Brand is a bit unclear.
48:15As if he has something to hide.
48:17But...
48:18You don't even know him.
48:19You can't suspect him right away.
48:20It's just a feeling.
48:22I can understand that.
48:25Yeah, it doesn't matter.
48:26Whether he finds out today or tomorrow.
48:28I think he has other worries.