Eva Mon
  • last year
Transcript
00:00🎵Lalalalala🎵
00:03Pajaro soñador
00:10Sanem, I couldn't ask you. You left the cabin running. Where did you go?
00:14No, it's not important. Forget it.
00:17Hmm, but if I know you, something's wrong. Tell me.
00:21Well, you'll see. The evil king is back.
00:26Okay, pay attention. I have an announcement to make.
00:29I'm sure King Malmo will talk to her.
00:34Listen, everyone.
00:36If we have this campaign, it's basically thanks to Leila.
00:40Over the years, she's gained a lot of experience,
00:42so if she agrees,
00:44we'll promote her to Accounting Executive.
00:47Congratulations, Leila!
00:49What a great job! You deserve it!
00:52Good job!
00:53Excellent!
00:56Thank you very much.
00:58Yes, you deserve it, Leila.
01:01If you'll excuse me...
01:03Mr. Jan, Mr. Jan.
01:05I also want to have a higher position.
01:07If I could consider my situation, it would be great.
01:10Of course, JJ.
01:11Thank you, super friend.
01:14What are you doing?
01:16I just talked to Mr. Asim's assistant.
01:18He told me he had to go on a trip urgently,
01:21but he'll take care of his brother in an hour.
01:24Shall we go, Sanem?
01:25Of course.
01:26Congratulations! You did it, JJ!
01:28Maybe they'll accept you, too!
01:29Yes! Let's hope so!
01:31Thank you! I'm so happy!
01:32Congratulations, too!
01:33Thank you!
01:38Don't go this way.
01:39Let's go along the coast.
01:40No way.
01:41Forget it.
01:42This way is better.
01:43Oh, really?
01:44Yes, that's right.
01:45Asim again, another meeting with him,
01:47again you ask me to go along the coast,
01:49and I'm sure we'll take twice as long.
01:51Forget it.
01:52Let's go this way.
01:53But if you take that path,
01:54we'll find a jam.
01:55My navigator says so.
01:57I trust my intuition.
01:58I'll go along the path I know,
01:59and if you don't like it,
02:00you can get off and take a taxi.
02:03I won't stop you.
02:04Very good, Jandivit.
02:05You know traffic very well,
02:07and you don't care about the jam?
02:08Well, go ahead.
02:09Yes, I'll go along the path I know.
02:12Make that clear.
02:25You told me to get off and take a taxi.
02:27I didn't do it.
02:28Just for education.
02:30Sanem, I'm pretty tense because of the traffic.
02:33Don't overwhelm me anymore.
02:35If you had listened to me,
02:37we wouldn't be trapped here now.
02:39I warned you, Jan.
02:41Well, yes, it's true.
02:43We couldn't make it to the first meeting,
02:45and we had to lie so they'd quote us again.
02:47Now what are we going to do?
02:48Make up another lie?
02:49We're halfway along the path.
02:50Who's going to quote us again?
02:52Look, we're halfway along the path.
02:54Who knows when we'll get to the meeting?
02:56It's not that bad.
02:57You wanted us to spend more time together, right?
03:00Well, look, this is a great opportunity.
03:07Hey, wait!
03:08Yes, beautiful?
03:09What are you doing, Sanem?
03:10Where are you going?
03:11To Kadikov.
03:12Can you take me to Oscudar?
03:14I'm not going there.
03:17Sanem, what are you doing?
03:18Solving the problem.
03:19That's what I'm doing.
03:21Come on, get in.
03:23Sanem, are you going to leave?
03:24That easy.
03:25Don't be stupid, Sanem.
03:26Very easy.
03:30It can't be.
03:31This girl is not only crazy,
03:32she's completely crazy.
03:38Sanem, hey!
03:39It's better to have a motorcycle
03:41than a last model car.
03:43Aulano!
03:44I have to go.
03:47That's incredible.
04:04Asis.
04:07Mirivan.
04:09How are you?
04:10Fine.
04:11Very well.
04:12And you, how are you?
04:13Fine.
04:14Sit down, please.
04:22I wanted to tell you
04:24that I've thought about it a lot.
04:26And you were right.
04:29Yes, I exaggerated a lot.
04:33I'm very sorry.
04:34Thank you for apologizing.
04:37But it wasn't necessary.
04:38Lately, we've been too stressed out.
04:42Do you think it's worth it?
04:44No.
04:46I don't think it's worth it.
04:49No.
04:51And you're right, but...
04:54When I see Uma,
04:56it makes me...
04:57I swear I can't stand her anymore.
05:00I know.
05:01I can't help it.
05:02That woman drives me crazy.
05:04Oh, okay.
05:05Forget it.
05:06I was a little upset too.
05:08Anyway.
05:11I think it's better
05:12to change the subject.
05:13I just made lemonade.
05:15Do you want some?
05:16Of course.
05:17Very well.
05:19That's right.
05:26Would you like to hug me?
05:28Yes.
05:34Shall we toast to peace?
05:36Of course.
05:37Of course.
05:47It's there.
05:48It's that house.
05:49It's that one.
05:50Right there.
05:51I'm going to get off.
06:00My leg fell asleep.
06:01No problem.
06:03Well, this is for you.
06:05Very well, thank you.
06:06See you later.
06:09Phone call.
06:14What's up?
06:15Sanem, I called you several times.
06:16Why don't you answer?
06:17Because I was on the motorcycle.
06:20Oh, yes, it's true.
06:22If you answer, it's because you're sure you're here.
06:24Yes, and where are you?
06:25I'm coming.
06:26I'll be there in 20 or 25 minutes.
06:28Well,
06:29in 25 minutes exactly.
06:31Entertain him a little more while I get there.
06:33How am I going to entertain him
06:34for half an hour?
06:35You'll think of something.
06:36You can do it.
06:37Wait.
06:38Don't you trust me?
06:39Don't you think I can talk to that man alone?
06:41No, no, no, no.
06:42I didn't mean to say that.
06:43Well, you're insinuating it.
06:45But what are you saying?
06:46I'm the director of the agency.
06:47Or at least that's what they tell me.
06:49I have to be at the meeting,
06:50don't you think?
06:51Stop it, Yann.
06:52It's okay.
06:53I'll entertain him as best I can.
06:54Now, if you'll excuse me,
06:55I'm going to hang up
06:56because I don't want to be late.
07:06Guman Art.
07:10And then,
07:11Mr. Yann's car broke down
07:12and he had to call the crane
07:14in the middle of the traffic.
07:15Can you imagine?
07:16And of course,
07:17not to make him wait,
07:18I decided to take a taxi
07:19and I came here.
07:20But don't worry,
07:21Mr. Yann will be here soon.
07:22Miss,
07:23you've told me several times.
07:24I understand the situation.
07:25But I have another meeting later,
07:27so let's start with Mr. Yann, please.
07:29Really?
07:30First of all,
07:31my niece Aisha,
07:32who runs the advertising department,
07:34will be in charge of this campaign, okay?
07:36Very well.
07:37I have a question.
07:38What happened with that foreign director?
07:40Because I understood
07:41that you wanted to work with him specifically.
07:46He has a lot of talent.
07:48It's amazing.
07:49The success chases him.
07:51He's a very good director.
07:52And his fees are very high.
07:54I can imagine.
07:55You know,
07:56famous directors.
07:57And how much is he asking for?
08:01I can't tell you.
08:05I'll write it down.
08:12I'm still writing.
08:15Is it going to stop?
08:18Not yet.
08:20To give you an idea,
08:22this is the amount.
08:29In euros?
08:31In euros?
08:33No, dollars.
08:35It's a lot.
08:36Correct.
08:37Besides,
08:38I can't bother my brother
08:40the first day he leaves me in front.
08:42So,
08:43I'll tell you what we're going to do.
08:45I'll pay myself
08:46that amount of my pocket.
08:48What?
08:49No, wait.
08:50How are you going to pay that?
08:51What's wrong? Isn't that what you asked for?
08:53Well, ready.
08:54Yes, but ...
08:55But what?
08:57Arthur is a very important director.
08:59As I asked for so much money,
09:01we didn't insist,
09:02and now he's very busy.
09:04I don't know if he'll have time
09:05to do our campaign.
09:06Miss Sanem,
09:07with that money you can convince him.
09:09Your agency is well known
09:10and the sum is very quantitative.
09:11It's decided.
09:12Don't talk anymore.
09:13Yes, I'm sure the money will convince him.
09:15But I'm not very sure about something.
09:17Wait.
09:18I want to show him the figure.
09:19Yes, I already told you.
09:20I'll pay him.
09:21I'm sorry.
09:22How are you?
09:23Hi, how are you?
09:24Sanem will have explained the situation to you.
09:26It's okay.
09:27Everything has been resolved.
09:28You will work with the director you want.
09:31Excellent day.
09:35What are you talking about?
09:37They are millionaires, Jan.
09:39They have a lot of money.
09:40They are very rich.
09:41Goodbye.
09:51You just had to tell a simple lie, Sanem.
09:53How did you get me in this mess?
09:55I can't believe it.
09:56And how am I going to know?
09:57If he said he was willing to pay that amount,
10:00what could I do?
10:01You could make up another lie.
10:03You're an expert, aren't you?
10:04If you listened to me, instead of complaining,
10:06you would have arrived on time for the meeting.
10:09And now what do we do?
10:10Tell me what we do.
10:11If you want, we go back to the coast,
10:13and maybe a miracle happens and we meet
10:15Arthur Crapelo.
10:17Arthur Capello.
10:18Crapelo, Capello, Cabello.
10:19What else?
10:20That guy doesn't exist.
10:21Don't talk to me like that, Jan.
10:22I swear you're going to drive me crazy.
10:24Yes, you wrote it in your book.
10:26Not in that sense.
10:27I say you stress me out.
10:28Well, well.
10:29Look who's talking.
10:31My novel is a love story.
10:32An authentic one.
10:33And I assure you,
10:34you were crazy about me, too.
10:36You can't imagine how much you were in love.
10:38I can't believe it.
10:40Deren calling.
10:44Deren, are you on speaker?
10:45How was the meeting?
10:47Fantastic.
10:48Sanem has a surprise for you.
10:50We'll get in the car and she'll explain.
10:59There's a lot of grass.
11:08Aziz.
11:09What?
11:10Look how beautiful the flowers are.
11:13And I hadn't planted anything there.
11:15I don't know how,
11:16but they came out on their own.
11:20It's because we have a very fertile land.
11:29The last time we saw these flowers,
11:31you wanted to make me a crown with them.
11:35Yes.
11:44I think the lemonade fell heavy on me.
11:47Do you want me to make you an apple tea?
11:49No, no, thank you.
11:50I'm going to take some pills.
11:59I don't like lies,
12:00and I don't like hiding things from people,
12:02but there's no other way.
12:05Let's think about something.
12:07About Arthur Capello.
12:09We said he had experience,
12:10so he'll be about 70 years old.
12:12Where is this Arthur from?
12:14Iraqi.
12:15No, he's English from Spanish parents.
12:17The Iraqi thing was invented by J.J.
12:19But actually, Mr. Capello is Spanish
12:21and lives in England.
12:23Perfect.
12:24Very good.
12:25Bravo.
12:26Bravo.
12:27Bravo.
12:29Let's see.
12:3070 years old and intellectual.
12:33Does he speak English and Spanish?
12:35That's right.
12:36Of course.
12:38We'll have to look for an unknown actor.
12:40So,
12:41start calling the casting agencies.
12:43There's another problem.
12:45If it's about such a famous director
12:47and he's been so successful,
12:49we'll have to create a website.
12:51I'll take care of that, friend Jan.
12:53Oh yeah? How are you going to do it?
12:54He said create a website.
12:55Don't you have instructions on how to make coffee?
12:57Shut up, Medichef!
12:59Enough. We'll take care of it.
13:01You don't know how to create websites either.
13:04Em recognized a hacker who worked with Aileen.
13:06Do you remember?
13:07He said Aileen.
13:08He named Aileen.
13:09Yes, I remember.
13:10How can I forget?
13:11Good. We'll have to find him.
13:13All right. I'll take care of that.
13:15Well, then.
13:16See you later.
13:17I'll be back.
13:18We'll look for the actor.
13:21J.J., you wanted more responsibility, didn't you?
13:23Well, help us with the casting.
13:24Go get a laptop.
13:25Of course, super friend.
13:26And?
13:28I'm going to work at that table.
13:30And that?
13:32What?
13:34Well, I don't want to bother you, Mr. Jan.
13:36And besides, everything stings me.
13:37Do you have an allergy?
13:39Well, no. Not in that sense.
13:41Oh, but what's wrong with you?
13:43It's a metaphor.
13:44A metaphor?
13:45Oh, he doesn't want company.
13:47Nothing to do with allergy.
13:49Oh, it stings me too.
13:50Although just a little.
13:51No, it's not true.
13:52It's just a metaphor.
13:56What do you think of that one over there?
13:58I see him.
13:59Yes, it may be that he works.
14:01What's wrong with you?
14:02What are you looking at?
14:03Calm down.
14:07Okay.
14:11I'm going to write down the number of that agency.
14:16Listen to me.
14:17Look for Sanem in the depths of your heart.
14:20And even if you don't find her,
14:22never let go of her hand.
14:43I don't remember her.
14:44And I understand it's because of that accident.
14:47But why don't I feel anything?
14:49I don't understand.
15:16I don't understand.
15:32Finally!
15:33Yes, of course, why?
15:34I found Arthur Capello!
15:36Here it is!
15:37Ah!
15:38Yes, here it is.
15:39Let me see.
15:40Yes, he can see Capello.
15:42I think that's perfect.
15:44It's ideal.
15:45Yes, it would look good.
15:47Ramos, Sanem, you are effective when you get angry.
15:49Ayati Tokmak, theater actor.
15:52And he has fluent English because he lived in England for several years.
15:58Good job.
15:59Let's call his agency.
16:01I already did.
16:02He's working on a play, The Old Man and the Sea.
16:05Well, we can go see her.
16:07Okay, I accept.
16:08Anything else?
16:09I take my bag and now I drink.
16:11Uh, call Emre and find out how they are doing.
16:14Very well.
16:15I'll call him right now.
16:17The theater is a way of life for me.
16:20The problems are being solved.
16:22How wonderful.
16:23But once again, they don't count on us.
16:25They meet and decide, but we are left out.
16:27Why would they ask you?
16:29Your opinion is intranscendent.
16:30But I don't understand why they don't count on me.
16:32I'm a veteran in this company.
16:34Veteran?
16:35If we find an actor of 70 years,
16:37that's a veteran.
16:38Do you have any idea how old I am, Musa?
16:40My town is a private place.
16:42Well, but we're not talking about that.
16:46I hope he hasn't moved house after the trial.
16:48Don't worry, we'll find him.
16:49Isn't that him?
16:51Ah, hello.
16:52What a coincidence.
16:53We were just coming to see you.
16:54If it's because of that case, don't bother.
16:56It's been a while since it closed.
16:58Hey, calm down.
16:59We didn't come for that.
17:01Come.
17:03So what are you doing here?
17:06So what do you want from me?
17:08Come.
17:09It's for you.
17:11What is it?
17:12It's money.
17:14Come on, take it.
17:15We want to work with you.
17:17Who am I going to hack?
17:19It's not about that.
17:21You're going to create a profile from scratch.
17:35I don't think the work will be very successful.
17:38It's summer, it's normal.
17:41Yes, of course.
17:42I guess people are on vacation.
17:45Artists put a lot of passion in their work.
17:48But of course, those things don't go with you, Mr. Jan.
17:53Mr. Jan again?
17:54Yes, Mr. Jan.
17:56I'm sorry.
17:57I'm sorry.
17:58I'm sorry.
17:59I'm sorry.
18:00I'm sorry.
18:01I'm sorry.
18:02I'm sorry.
18:03Mr. Jan again?
18:04What's your name?
18:08Sanem, what's wrong?
18:09Do you want to tell me something and you don't dare?
18:15I'm going to start.
18:21Hello, Captain.
18:22Hello.
18:23Tell us about the smell of the sea.
18:25The sea is our mother, great and generous.
18:28Tell us about the language of the sea.
18:30Take us to him, to his beauty and his way.
18:43Oh, I can't anymore.
18:44It was delicious.
18:45You cook great.
18:46Everything was exquisite and delicious, the truth.
18:48I'm very happy.
18:50That's all?
18:51Yes.
18:52And there's nothing else to eat?
18:53Do you want more, Dad?
18:55What are you saying?
18:56I only ate tofu.
18:57It's like not eating anything.
18:58What did he say?
18:59You'll be healthy from that.
19:00Give thanks to JJ.
19:03Listen, JJ.
19:04Yes?
19:05As you cooked, I'll make the coffee.
19:07Oh, I've never been here.
19:10It was delicious, wasn't it?
19:12Yes, a lot.
19:13I know, thank you.
19:14Stay there.
19:15Well, no.
19:16What do I care about being healthy?
19:18I'm going to starve.
19:20I know, father-in-law, I know.
19:22Look what I saved for you.
19:23Look, take it.
19:25Thank you, son.
19:28Toasted bread.
19:31They don't even let me eat toasted bread in peace.
19:34It was very funny.
19:38Oh, how beautiful it is.
19:43It can't be.
19:44I'm going to hide you.
19:47Yes, this sea, this union, this connection.
19:51That's what will always bring us closer.
19:56Yes!
20:00Yes!
20:01Bravo!
20:03Yes!
20:05Yes!
20:06Yes!
20:07Yes!
20:08Yes!
20:09Yes!
20:10Yes!
20:11Yes!
20:12Yes!
20:13Bravo!
20:19Well done, Sanem.
20:20We found Arthur Capello.
20:22Well, you found him.
20:24You're the best.
20:25Come here.
20:26Oh, they tell you two kind words and you forget everything.
20:30How fast you convince yourself, girl.
20:32Yes, you're right.
20:34Of course I have it.
20:35You solved the problem.
20:37I just do my job, Mr. Yan.
20:43Good afternoon.
20:44Good afternoon.
20:45How are you?
20:46We are from the FICRIARICA agency.
20:48Can we see Mr. Ayati?
20:50Of course.
20:51It will be a pleasure.
20:52Great.
20:53This way.
21:03Mevkiber!
21:05Nihat!
21:07What are you doing?
21:08I'm going to see Mr. Ayati.
21:11Nihat!
21:12What are you doing?
21:13You almost scared me to death.
21:15That coffee smells good.
21:17I don't know.
21:18It's better than nothing.
21:19Yes.
21:20Mine puts a lot of sugar to sweeten my life.
21:23Forget it.
21:24Well, a little.
21:26I can't.
21:27At least a little.
21:29I'm tired of this, Mevkiber.
21:31My life is hell.
21:32I'm tired.
21:34Hey, it's not my fault.
21:36We were just worried about your health.
21:38JJ and everyone around you.
21:40And you thank me?
21:41What a shame.
21:49You know, the other day I passed by a pastry shop, Mevkiber.
21:54They had all the trays with the hot bread.
21:57There were pies and cakes.
22:00And it was as if they were all calling me.
22:04Eat them, eat them, eat them.
22:06The cakes were calling me, Mevkiber.
22:09And I couldn't eat them.
22:12Then I went back to the store with a broken heart.
22:15I went to a corner.
22:18And I started crying, Mevkiber.
22:21Hey, hands still.
22:23How is it possible, Nihat?
22:25Who would think of crying over some cakes?
22:27You can't go through life doing that nonsense.
22:30Be strong.
22:31You're right.
22:32Wait.
22:33What's the need?
22:34We're trying to take care of your health.
22:36You have diabetes, high blood pressure.
22:38You have to watch everything you eat.
22:40JJ is trying to help you.
22:42He cares a lot about you.
22:44Ah, but you don't care.
22:53Thank you very much, guys.
22:54Thank you for coming.
22:55It's been a pleasure.
22:59Well, tell them to come in.
23:05Hello.
23:06Congratulations.
23:08How are you?
23:09Mr. Hayati.
23:10It was wonderful.
23:11I have goosebumps.
23:12A great interpretation.
23:13What a realism.
23:14Thank you very much, miss.
23:16It's an honor.
23:18Excuse me.
23:21Now, tell me.
23:23I am Jan.
23:24Director of the agency.
23:25Sanem is from the creative team.
23:27Delighted.
23:28It's a pleasure for me.
23:29We would like to offer you a role.
23:31Really?
23:32Well, what a joy.
23:33My last role was in the series La Granja.
23:35I played the mayor.
23:37It was a long role, but...
23:39I had to leave it for an accident.
23:41A horse kicked me hard.
23:43Oh, I'm sorry to hear that.
23:44Yes, it was a shame.
23:45Since then, no more roles have come out on TV.
23:48Is this a ring?
23:51No.
23:53Let's say it will play a protagonist.
23:56I don't know.
23:57All right.
23:58I think it's great.
24:00I think it's great.
24:03Do you feel good, sir?
24:05Yes, it's just that I got a little nervous.
24:09You will play the role of a foreign director.
24:15You speak English fluently, right?
24:20Yes, of course.
24:21Of course.
24:22It's a perfect role for me.
24:24Yes, of course.
24:25It's an excellent opportunity.
24:27What luck.
24:29Mr. Hayati, if you want, I'll give you a little more water.
24:32Finish the glass.
24:33I'm fine, calm down.
24:41Sanem, call an ambulance.
24:43Act.
24:44This is not acting.
24:45Look.
24:46He's not breathing.
24:47It could be a heart attack.
24:49I understand.
24:54Hello, emergency.
24:56That's right.
24:57It's a fainted man.
24:59Mr. Hayati.
25:00What do you mean he's not a famous actor?
25:02Sanem.
25:03I'm not going to breathe mouth to mouth.
25:05We both have a beard.
25:06Mouth to mouth, Jan.
25:09Hurry up and call an ambulance.
25:10Don't you see it's urgent?
25:12Okay, I'll do it.
25:13But I'll think of someone else.
25:21We still don't have an actor.
25:24I don't know.
25:25I don't know.
25:26Maybe you can help us.
25:27Let's see.
25:28We need a man who looks Spanish.
25:30But you must pay close attention to his features.
25:32I want you to look at this and help me.
25:35Mark the ones you like the most.
25:36You call me and ask me.
25:38If I'm available and I am,
25:40you come to see me and show me the tickets of the actors you have selected.
25:44Agree?
25:45Come on.
25:46To work.
25:47I'm very busy.
25:48Come on.
25:49Take it like this.
25:50Take it.
25:55That's it.
25:59It's like he's our son.
26:01Don't you think?
26:03Drink your milk.
26:04Thank you, Mom.
26:07Oh, Nihat.
26:08Do you remember when Sanem and Leila sat like this to do the homework?
26:12What a time it was.
26:14Of course I remember.
26:15Of course.
26:16Because at that time, there was no hunger.
26:20Oh, JJ.
26:21And you're still working?
26:22You're not done yet?
26:23I was looking for locations for the shoot.
26:25I want a tropical environment.
26:27So I had thought of the Galapagos Islands.
26:30Someone would also like to go there.
26:32Super.
26:33Yes.
26:34In fact, I already contacted an agency there.
26:36But we haven't been able to talk much because we don't understand each other.
26:39Because I speak little English.
26:41I've never been very good at saying it.
26:43It's the only obstacle in my career.
26:45In English.
26:46Don't scream.
26:47Don't worry.
26:48It will be solved.
26:49I'm hungry.
26:50My life.
26:51My life.
26:54I have a surprise for you.
26:55I bought tickets to the movies and we relax for a while.
26:58We have to work.
27:00It's because JJ has worked a lot.
27:02I'm going to check what he's done.
27:04Do you mind if we leave it for another night?
27:06But are you sure?
27:07I haven't told you what actors come out in the movie.
27:09That's right.
27:10And we don't know who Arthur Capello will be.
27:12Tell me, honey.
27:13Do you know who our Arthur Capello will be?
27:16No, I don't know.
27:17Me neither.
27:18That's why we have to work tonight.
27:20Right, JJ?
27:21We'll go another day, honey.
27:27Oh, JJ.
27:28Excuse me.
27:29Can I come in?
27:30Of course, son.
27:36Do you like popcorn?
27:39Oh, no.
27:40You're open.
27:46Don't worry, son.
27:47Please, don't.
27:48Don't do it.
27:49Don't do it.
27:50It's not worth it.
27:51Calm down.
27:52Please.
27:53You're going to kill him.
27:54Let me go.
27:55Let him go.
27:58It's amazing.
27:59Look at him pass out.
28:01By the way,
28:02I'm glad we took him to the hospital.
28:05Of course.
28:06What else could we do?
28:07He had a heart attack.
28:08We couldn't leave him lying there.
28:10Luckily, he's still alive.
28:11When he recovers,
28:12we'll offer to make an announcement
28:14so we can help him.
28:15He doesn't need it.
28:16He's having a bad time.
28:17I agree.
28:18We have to help that poor man.
28:21In a way,
28:22I feel responsible.
28:25I don't care.
28:29I'll make a sandwich.
28:30Do you want some?
28:31Yes, good idea.
28:32I'll make you some.
28:33Let me help you.
28:34Excellent idea.
28:35If you want.
28:36The tea is here, right?
28:37Yes.
28:38Take what you need.
28:49It's falling apart.
29:03Although it doesn't remind me of the love we had,
29:05I think...
29:07I get it.
29:09Really?
29:10Yes.
29:11And now?
29:12I don't know.
29:13I don't know.
29:14I don't know.
29:15I don't know.
29:16I don't know.
29:17And that?
29:19If you've looked at me like that for two years,
29:22it must have affected me.
29:48Let's see, Sanem.
29:49Even if you were an ice cream,
29:50you melt with every word I say.
29:52Why aren't you a little stronger?
29:54What are you talking about?
29:55I don't know what that is.
29:56We're tired today.
29:57That's why I have this look.
29:59I don't think that look is from exhaustion.
30:01You know?
30:02Uh-huh.
30:04You can't escape one.
30:07Well, even if you don't think so,
30:08you can't escape two.
30:10You're right.
30:11You're right.
30:12You're right.
30:13You're right.
30:14You're right.
30:15You're right.
30:16Well, even if you don't think so,
30:17it was a very long day.
30:19We went to the theater,
30:20and then we had to go to the hospital.
30:23I'm tired.
30:24That's why I have these little eyes.
30:27Why are you looking at me and resting?
30:32No, not at all.
30:34Actually, I wasn't looking at you.
30:36I was self-conscious.
30:37Look how weird.
30:38You always change your mind.
30:40I'm not weird.
30:41It's just that you don't understand.
30:42Get ready.
30:43I want to have a cup.
30:45I'm not going to make tea.
30:46You do it.
30:47See you tomorrow.
30:51Does it bother you?
30:53Did I offend you?
30:55As if I didn't know how to prepare one.
30:57I'll make you a sandwich.
30:59And if I want to eat?
31:00Onion?
31:02It's gone.
31:07My life.
31:08Emre?
31:10Oh, my love.
31:11I thought you were already asleep.
31:12No, no, no.
31:13Come here.
31:14It's a new slogan.
31:15We have to talk about it.
31:16I'm sorry.
31:17I know it's late,
31:18but lately I've been bringing all the work home, right?
31:20And why do you bring it, love?
31:21The work is already here.
31:22It's a regular guest.
31:23Come on, Emre.
31:24Don't talk like that.
31:25It's affected us a lot,
31:26and we're moving forward.
31:28And why do we keep talking about work?
31:30Let's talk about babies.
31:31Now, silence.
31:32Let's talk about our love.
31:33Good idea.
31:34Let's talk about our love.
31:35Let's talk about our love.
31:36Now, silence.
31:37Let's talk about our love.
31:38Good idea.
31:42I'm sorry.
31:45Wait for me.
31:47I turned it off.
31:48That's it.
31:49They'll call us.
31:51Where were we?
31:56They wrote to me,
31:57but I don't care if they do.
32:00Answer.
32:01But...
32:02It doesn't matter.
32:03Answer.
32:04Anyway,
32:05answer.
32:06I won't take long.
32:07I see it and that's it.
32:10It's JJ, right?
32:11Yes, JJ.
32:16Why are you laughing?
32:17Oh, sorry.
32:18He had a brilliant idea.
32:19What brilliant idea?
32:20That he lives with us?
32:21I think it's a terrible idea.
32:22Oh, please calm down.
32:24This campaign is very important to us,
32:26and you know it.
32:27Maybe you don't realize it,
32:28but JJ and I have worked a lot.
32:35What do you say?
32:36What kind of music do you play at this hour?
32:39JJ found a great musician,
32:41he pays well,
32:42and it's his demo.
32:43I see.
32:44It's great.
32:45That's enough.
32:46Go work with him if you want.
32:47I'm not going to bother you anymore, okay?
32:49Ash, it's okay, honey.
32:50You're right.
32:51Turn off the phone.
32:52It's over.
32:53Turn off the phone.
32:54Baby.
32:57I'm here, honey.
32:58I'm here.
33:05Look at me.
33:06Don't touch my face.
33:07Listen, listen.
33:08If you want to go to work, go.
33:09Or I swear I'm going to fire that crazy JJ.
33:11Oh, what a good joke.
33:12I'm not kidding.
33:14Do you want me to go to work?
33:15Finish this or I'll fire you.
33:17Oh, you're the sweetest husband on earth.
33:19The best there can be.
33:22I won't be long.
33:24I promise.
33:25I'll check something and be right back.
33:26It'll be two minutes.
33:27In fact, you can count them.
33:28Well, start the countdown, okay?
33:30I'm going to fire him.
33:31I swear.
33:32And besides, he's...
33:33He's rude.
33:35He's crazy about finishing.
33:36And he doesn't do anything but mess everything up.
33:42The sandwich was delicious.
33:43It's not for nothing.
33:44But it's good.
33:46It's delicious.
33:47It's delicious.
33:56I hope you got tired.
33:59Did you put cheese in the sandwich?
34:03But I swear I wasn't looking at you.
34:10Don't scream.
34:11I'm going to work tomorrow and I need to sleep.
34:14Look.
34:15Now he sends me smiling faces.
34:17How old is he?
34:18Please, call Dura.
34:21Please, Sanem.
34:22Is it true?
34:23You were looking at him.
34:25Do you want to shut up?
34:27Now I don't want to hear you.
34:28That's enough.
34:33Oh, how rude.
34:34I wasn't telling you.
34:35Why do you take everything as something personal?
34:38Oh, what an intense day I have.
34:41I already told you.
34:44You think you're very important for being the boss.
34:51Similar.
34:53How delicious it is.
35:11It's delicious.
35:12It's delicious.
35:13It's delicious.
35:14It's delicious.
35:15It's delicious.
35:16It's delicious.
35:17It's delicious.
35:18It's delicious.
35:19It's delicious.
35:20It's delicious.
35:21It's delicious.
35:22It's delicious.
35:23It's delicious.
35:24It's delicious.
35:25It's delicious.
35:26It's delicious.
35:27It's delicious.
35:28It's delicious.
35:29It's delicious.
35:30It's delicious.
35:31It's delicious.
35:32It's delicious.
35:33It's delicious.
35:34It's delicious.
35:35It's delicious.
35:36It's delicious.
35:37It's delicious.
35:38It's delicious.
35:39It's delicious.
35:40It's delicious.
35:41It's delicious.
35:42It's delicious.
35:43It's delicious.
35:44It's delicious.
35:45It's delicious.
35:46It's delicious.
35:47It's delicious.
35:48It's delicious.
35:49It's delicious.
35:50It's delicious.
35:51It's delicious.
35:52It's delicious.
35:53It's delicious.
35:54It's delicious.
35:55It's delicious.
35:56It's delicious.
35:57It's delicious.
35:58It's delicious.
35:59It's delicious.
36:00It's delicious.
36:01It's delicious.
36:02It's delicious.
36:03It's delicious.
36:04It's delicious.
36:05It's delicious.
36:06It's delicious.
36:07It's delicious.
36:08It's delicious.
36:09It's delicious.
36:10It's delicious.
36:11It's delicious.
36:12It's delicious.
36:13It's delicious.
36:14It's delicious.
36:15It's delicious.
36:16It's delicious.
36:17It's delicious.
36:18It's delicious.
36:19It's delicious.
36:20It's delicious.
36:21It's delicious.
36:22It's delicious.
36:23It's delicious.
36:24It's delicious.
36:25It's delicious.
36:26It's delicious.
36:27It's delicious.
36:28It's delicious.
36:29It's delicious.
36:30It's delicious.
36:31It's delicious.
36:32It's delicious.
36:33It's delicious.
36:34It's delicious.
36:35It's delicious.
36:36It's delicious.
36:37It's delicious.
36:38It's delicious.
36:39It's delicious.
36:40It's delicious.
36:41It's delicious.
36:42It's delicious.
36:43It's delicious.
36:44It's delicious.
36:45It's delicious.
36:46It's delicious.
36:47It's delicious.
36:48It's delicious.
36:49It's delicious.
36:50It's delicious.
36:51It's delicious.
36:52It's delicious.
36:53It's delicious.
36:54It's delicious.
36:55It's delicious.
36:56It's delicious.
36:57It's delicious.
36:58It's delicious.
36:59It's delicious.
37:00It's delicious.
37:01It's delicious.
37:02It's delicious.
37:03It's delicious.
37:04It's delicious.
37:05It's delicious.
37:06It's delicious.
37:07It's delicious.
37:08It's delicious.
37:29It's good.
37:30Honey.
37:31It was good.
37:34You sure?
37:35Come on, honey.
37:36It's very messy. I'm going to make the bed and brush my teeth and I'm leaving.
37:39If you had called me before, you would have saved the trip.
37:45I wanted to help.
38:07What are you doing here?
38:10Can I know why you're here?
38:15Oh, I came to see my son.
38:17What's wrong? Do I have to ask you for permission?
38:19You can't use Jan as an excuse to come here whenever you want.
38:23This is my farm, you understand?
38:25If I'm here, it's for my son. That's how mothers are.
38:27But of course, you're not able to understand it because you don't have a family.
38:32If I had a son, I'm sure he wouldn't treat me like Jan treats you.
38:37At your age, it's impossible. But miracles can happen.
38:41You're a witch.
38:43You're evil.
38:47How sad. You'll be just the same.
39:02The next day
39:15Hungry strike.
39:18Delicious tofu omelette for you. Enjoy.
39:22Eat, do you want?
39:24I'll give it to you. You look a little tired and I don't know why.
39:28Open your mouth.
39:30Here comes the plane. Open.
39:32Open your mouth.
39:34Open your mouth.
39:44You're here. Good morning.
39:46Mom, I was...
39:47What's wrong? And that face?
39:49Nihat woke up very early.
39:51I made him breakfast, a delicious tofu omelette.
39:55But I saw that he wrote a sign. I think he's hungry and he has a knife in his hand.
39:59A knife?
40:01And sharp.
40:02And he threatened you?
40:04Don't worry, Cheche. Calm down, my child.
40:06He even gave me a kiss.
40:07Did he scare you?
40:08Yes, a lot.
40:09Poor thing.
40:10Good boy, don't worry. Leave it to me.
40:13My little baby.
40:25Good morning, Mr. Nihat.
40:27Good morning, Mevkive.
40:32Are you on a hunger strike?
40:34Yes, I'm on a strike.
40:36I'm starving. I'm hungry and I'm making a claim.
40:39And I'll continue on strike until you cook for me.
40:42I'm fed up with tofu. They're torturing me.
40:44Aren't you ashamed?
40:46Look, Cheche and I care about your health and you thank us for it?
40:51Well, look, before living many years on tofu,
40:53I'd rather die young eating your eggs with sausage.
40:57Oh, no way. How stubborn.
41:06Good morning, mother-in-law.
41:07It's no good. There won't be any good days until Cheche leaves.
41:10I agree, because I miss my wife and you miss food.
41:14Don't be afraid. As long as I'm here, he won't do anything to you.
41:18What if we give Nihat plastic blankets just in case?
41:21No, not at all. It's not necessary.
41:23But you, don't go near him when you bring tofu.
41:26Not even when you see he has metal things.
41:29What should I be careful of?
41:30He's obsessed with tofu.
41:32I think he's obsessed with me.
41:34But I didn't do anything to him.
41:36We have to make him leave this house.
41:38He's determined to eat tofu.
41:40I see that thing everywhere.
41:43Very good. Calm down.
41:45By the way, I left you a gift in the drawer.
41:47Oh, you do know.
41:50Well, I'm going to be hungry another day.