Category
🎥
Short filmTranscript
00:00LA, LA, LA, LA, LA, LA, LA, LA, LA, LA, LA...
00:05LA, LA, LA, LA, LA, LA, LA, LA, LA, LA...
00:08LA, LA, LA, LA, LA, LA, LA, LA, LA, LA, LA, LA...
00:13¿Ya llegamos?
00:15Sí, ya casi, llegaremos pronto.
00:18De acuerdo, olvídalo.
00:20Ya deberíamos de estar ahí.
00:21Llevamos horas caminando.
00:22¿Cuándo vamos a llegar?
00:23No hemos llegado porque te la pasas todo el camino
00:25preguntando cuándo, Mira ya vamos a lle...
00:26¡Patty!
00:26¡Ay, Dios!
00:27¿Qué estás haciendo?
00:28¡Me asustaste!
00:29Yes, of course, we're going to start eating strawberries, and then plums, and then apples, and everything we find.
00:35Don't you see that we look like well-carried camels? We have work.
00:38If you want, I can help you, no problem.
00:40Oh, no, no, no, don't touch me. You have the dirty hands of having been touching those strawberries.
00:44We have spent a lot of money on this material. We even got extra copies. Why did we do it?
00:49Why did we do it? Because the posters could be damaged accidentally.
00:53They can get dirty or get wet, you know? Advertising is like that, it's the risks.
00:57Stop questioning my work methods, Musa!
01:00Are you the only one who can get mad? Huh? Are you the only one who has problems? Huh?
01:11I'm going to eat a strawberry. You did well picking them up. You look like a caperucita.
01:15Okay. They're good.
01:17They're sour. They're burning my tongue. Let's go.
01:20That's not true. I just picked them up.
01:22Yes, of course. They're the only ones who have problems. The only ones who can complain.
01:27Everyone has the right to talk about their problems, but I can't even ask a little question.
01:31We can face our difficulties and virtues. You know that, right?
01:35I didn't say anything. I don't want misunderstandings.
01:37I know, but sometimes...
01:41Don't turn around.
01:52Musa, why did you act like that?
01:55That girl picked up the strawberries because she likes you. Why do you treat her so badly?
01:59She doesn't deserve it.
02:00But what do you say? I have adequately rejected her offer. And what did you do? Tell me.
02:05You just scream and scold me in front of her. Why do you always have to yell at me, little brother?
02:11I didn't yell at you?
02:12Of course you did. You yelled at me and that hurt me.
02:15Didn't you realize how you broke my heart at that moment, asshole?
02:19No, not at all.
02:20Rejection. You always use the rejection tactic.
02:23But you yelled at me, brother. You yelled at me very loudly.
02:26It's very easy to break a glass.
02:28But do you think it would be so easy to hit the little pieces again, or what?
02:33Okay, I'm sorry. I apologize. It was my fault.
02:36May your evil grandmother forgive you.
02:38What glass did you break?
02:39It's broken and I even cut myself.
02:41Let's see, try to fix all that if you can.
02:43Why did the glass break if it's made of plastic?
02:46I don't know.
02:47Maybe I cut my hand. I didn't do it on purpose.
02:50I also make mistakes. I already apologized.
02:54Do you forgive me?
02:55Always the same, the same.
02:58It's just that lately I feel very sensitive.
03:01I got everything out.
03:02Yes, yes, I don't know what it is.
03:05Look, my beautiful heart has become a moss-covered rock.
03:12So from now on I will avoid any kind of love,
03:15even if that makes me an unhappy man.
03:17Because one day you wake up with the smell of strawberries,
03:20and the next day you are nothing more than a dreamy bird at the door of an ugly house.
03:28I guess I got too excited.
03:32I really miss Ejen, that's why I have such a rebellious and unstable attitude.
03:36I know you miss her a lot, but I've never yelled at you,
03:38or hurt you with the petal of a rose.
03:41I didn't do it on purpose. You're hurting me.
03:43Don't tell me anymore or I'll go back to my mom.
03:46Hey, is something wrong?
03:47No, we're just talking.
03:49What's going on?
03:50What do you want?
03:51Are you okay?
03:52Yes, of course.
03:54Why wouldn't we be okay, boy?
03:56We're very well.
03:58That's crazy.
04:00We just had a great talk.
04:02Hahaha.
04:07Gentlemen, I'm glad to see you're having a great time.
04:10This looks like a coffee shop. Yay yay.
04:13You know me well, so I don't know why you're doing this to me.
04:16Why aren't you in the set?
04:18Why are you yelling?
04:20Why do you have to yell?
04:21Don't you have any other way of expressing yourself?
04:23Why are you forcing me?
04:26Dear friends, today we have to finish the job.
04:30I think you don't understand the gravity of the situation.
04:33In order to perform my interpretation properly,
04:36you have to show me more attention and affection.
04:39Because Cleopatra is a very important historical figure
04:43and very feminine.
04:45I have to be able to feel that character.
04:47I have to focus on who I am
04:50to feel like her and I still can't feel it.
04:54It's the method.
04:56Are you still sitting?
04:58Where's the wardrobe?
04:59Calm down, okay?
05:01And you're wasting time.
05:03Move, yay yay.
05:05Come on.
05:06I don't even know where the set is.
05:08They're slower than a turtle.
05:10How can they be so lazy?
05:13I understand why they killed Julius Caesar.
05:15Behave yourself.
05:17When I get upset, I wrinkle my face.
05:20And that's not good because it makes wrinkles.
05:24I forbid you to get upset again.
05:55This stings a lot.
05:57I told you I can't use synthetic fabrics.
05:59They irritate my skin and it stings my whole body.
06:02Tell me what we're going to do now.
06:04If not, I won't see it.
06:05I'm not an advertiser.
06:07Tell me why I have to be here.
06:09You are Cleopatra and you, Marco Antonio,
06:12are the couple of the century.
06:14Cleopatra's beauty has captivated Marco Antonio.
06:17Don't forget it.
06:18You must stick to your characters.
06:20Jan, the costume still stings me.
06:23You'll get used to it.
06:26Musa, I really like this job.
06:28I really love it.
06:29And you know why?
06:30Because it allows me to feel like a slave of that time,
06:33even though I'm actually the head of the agency.
06:37Jan, look.
06:38I have experience in the world of interpretation.
06:41Once I acted in a cheese ad for a local chain,
06:43they were two-milk, cow and sheep cheeses.
06:45And I had a lot of fun.
06:47Yay, yay, and me.
06:48We can record and then you replace him for me.
06:51Do you understand what I'm saying?
06:52I won't notice, Musa,
06:53but now I'm busy preparing the camera.
06:55Of course.
06:56Call me if you need me.
06:57Goodbye.
06:58Do you think I missed the makeup?
06:59Tell me.
07:00You're very tanned.
07:01Of course.
07:02I'm a slave and they're always under the sun.
07:04That's why I put on so much makeup.
07:06Very well thought out.
07:07Well, listen.
07:08Let's rehearse.
07:09Everyone get a little closer.
07:10Neren, you stay where you are.
07:12Try to get more straight.
07:14Bulut, you behind her.
07:15Of course.
07:16I'm going.
07:17That's right, behind Neren.
07:18And you have to look at her with eyes of love.
07:24Sanem, you sit there.
07:27You'll do a crown with the flowers.
07:29Hmm, okay.
07:30Denise, take the instrument.
07:32You'll be playing music.
07:34But I don't know how to play.
07:36It's okay.
07:37Just pretend you do.
07:39And you guys fan out.
07:41Cleopatra, from right to left.
07:43Okay.
07:44Well, Neren, I'll explain the scene.
07:47You take out the cream and put it on your face.
07:50At that moment, Bulut comes up behind you.
07:53And he wants to kiss you.
07:55But no.
07:56You see that he starts to smell you and looks at you like nobody.
08:00Hey, his eyes open.
08:03There's too much tension on his face.
08:05That's not good.
08:06That doesn't help.
08:07You guys calm down.
08:08Everything will be fine.
08:09Try to relax.
08:10Ready?
08:11Let's get started.
08:12And me?
08:13You're fantastic.
08:14The character suits you very well.
08:16I can feel it.
08:17Excuse me a minute.
08:18I want to say something before we start shooting.
08:21In this project, I'm the protagonist.
08:24I'm Cleopatra.
08:25So you have to praise me and tell me nice things.
08:28That's what I always do when I deal with actors.
08:31I don't know what to say.
08:33Cleopatra wants you to praise her and pamper her.
08:36Yay, yay.
08:37I heard you.
08:38Don't worry.
08:39Everything will be perfect.
08:40We're going to shoot.
08:41Hey, Dennis.
08:42Touch something animated.
08:43Do you want to?
08:44Animated?
08:45Director, I've lost my concentration.
08:47I don't know what I have to do.
08:50And my revenge has arrived.
08:52Six doubles.
08:53What?
08:54Six doubles again?
08:55You always get the same thing.
08:57This is suspicious.
08:58I don't know what to do.
09:00I don't know what to do.
09:02This is suspicious.
09:03Could it be that this neighborhood brings me very good luck?
09:06Ah, then buy the house next to mine and we'll be neighbors.
09:10Oh, no.
09:12Oh, it can't be.
09:14What's wrong?
09:15Big dangers are coming.
09:18I know that look and I'm very scared.
09:23I know.
09:24Medkiveh also looks at me like that.
09:26I'd tell you to hide in the store, but I think it's too late for that.
09:29Yeah, it's too late.
09:31Hello, nice to meet you.
09:32How are you?
09:33Hello, welcome.
09:34What a pleasant surprise.
09:35Very kind.
09:40Good morning.
09:41Good morning.
09:43As I saw you didn't come back, I came to look for you.
09:48How long would you have had me waiting at home if I hadn't come?
09:52It's just that I stopped here.
09:54Yes, I just remembered that I have to look for something in the warehouse,
09:58but you guys keep talking.
10:00I'll go inside.
10:01Okay.
10:07It's time for you to return to the place where you belong,
10:10if you also consider it.
10:12Come with me.
10:14Are you sure?
10:17I don't want to bother you.
10:19I'm sure, Aziz.
10:22Wait here.
10:24Uh, friend, we'll continue playing another time.
10:27Whenever you want, you know where we are.
10:30See you later.
10:31See you later.
10:34Goodbye.
10:35Come back soon.
10:36Of course.
10:39I realized something.
10:41What?
10:42I think the other day gave me an insolation.
10:46Wait, wait, wait.
10:47I'm exhausted.
10:48Don't make me talk, I'm sweating.
10:50Don't move.
10:51I'm running all over the mattress.
10:53I told you not to move.
10:54You're a clown.
10:55I know it's hot, but it's fantastic.
10:58Wake me up when the slavery has been abolished.
11:00It's hot and I don't want to look like a dead man.
11:02I have to stay in the character.
11:04Wait, but Cleopatra wants to leave.
11:06Yay, yay, yay.
11:07Cleopatra wants to leave the interior of Deren, did you hear?
11:09And where do you want me to get her out?
11:10Where do you want to leave?
11:11I don't know.
11:12I can't control her.
11:13She's crazy.
11:14I'm telling you.
11:15What are you doing?
11:16Guys, don't eat the grapes, please.
11:18Don't tell me.
11:19We don't have a budget.
11:20This is all.
11:21Where's my caravan?
11:22Yay, yay, Deren asks for his caravan.
11:24Where is it?
11:25At that time there was nothing.
11:26What?
11:27Don't eat my caravan.
11:28How are we going to save a caravan?
11:30Besides, at that time they used shovels.
11:32Hey, try to calm down.
11:33I'll be right back.
11:34Here we wait for you.
11:35Yes.
11:37Yay, yay, water.
11:38Water for Sanem.
11:39I asked you, didn't I?
11:41Sanem wants a smoothie.
11:43A smoothie?
11:44A smoothie.
11:45A smoothie.
11:46Prepare one.
11:47I feel like it.
11:48What would you do if you were a real actress?
11:49You don't stop asking for things.
11:50It's unbearable.
11:51I knew it.
11:52I'm the protagonist.
11:53Cleopatra is the protagonist.
11:55It's to go crazy.
11:56Why are we doing this?
11:57Tell me.
11:58How is it possible that they didn't rent me a caravan?
12:27Here I am.
12:28Hi.
12:29Hi.
12:30The set is ready.
12:31There's a bit of chaos out there, but I think the beauty comes from the chaos.
12:33Exactly.
12:34Are you sure you didn't lose anything?
12:35Do you want to ask me something?
12:36No.
12:37No.
12:38No.
12:39No.
12:40No.
12:41No.
12:42No.
12:43No.
12:44No.
12:45No.
12:46No.
12:47No.
12:48No.
12:49No.
12:50No.
12:51No.
12:52No.
12:53No.
12:54No.
12:55Is it alright if I ask you something?
12:56No.
13:08You . . .
13:09You make . . .
13:11I'm going to make a smoothie.
13:13Our famous protagonist wants one, and I have to go get it.
13:18See you later partner.
13:25My love, my love, are you okay?
13:29Yes, I'm fine.
13:32My love, I came as soon as I could, but I have to go back right away.
13:36Are you sure everything is okay?
13:38You don't have to go back.
13:39What?
13:40Leave the job.
13:42What?
13:43I already received the money for the sale of the car.
13:46That's great news, love.
13:47We'll buy another one later.
13:49Look, don't be scared, but I already quit.
13:52Why?
13:54I couldn't stand my boss. He had me on the edge.
13:57You made a good decision.
13:59Now you quit.
14:01But what are we going to do without a job?
14:03Come here.
14:05I thought we could create our own business.
14:09Okay, let's do it, but what do we do?
14:13I have no idea.
14:15Sit here.
14:17Think about it for a moment.
14:20What would you like to do?
14:22No limits, no obligations.
14:24Just us.
14:26What?
14:28I would love to dedicate myself to music.
14:32Well, I love to sing and I would like to be a singer.
14:36Although that sounds impossible, maybe a related business to be in contact with music.
14:42Emre, you know I really like my job,
14:45but lately I feel like I'm tired of working in an office.
14:50Well, we'll enter the music industry.
14:53It's decided.
14:55You're crazy.
14:57Yes, you have to go crazy.
14:59Now leave your job.
15:01I already did.
15:03It's your turn.
15:05Do you really think I should do it?
15:08Well, if I can do it, why not?
15:11That's it.
15:13I'll do it.
15:15Okay, this torture is over.
15:17It's decided.
15:31If you're done, we still have to record.
15:33I'll be right there.
15:45Can I drink...
15:47this?
15:56Of course.
15:58There you go.
16:00Are there strawberries?
16:02Yes.
16:27I have to make the smoothie.
16:29I wanted to ask you if you would put strawberries.
16:38Sanem.
16:48I love you.
16:58Now tell me why you did it.
17:05What? Are you jealous?
17:10Do you remember?
17:11Yes, that's right.
17:13There are difficult things to forget.
17:17Things that we value and are important.
17:22And if we lose them, we end up in madness.
17:29Did we talk about the strawberries?
17:34I'll wait for you outside.
17:48Guards!
17:50Take these slaves and cut their heads off!
17:53What guards?
17:54There are no guards here.
17:55Are you crazy?
17:56I mean security guards.
17:58Ah, bodyguards.
17:59Yes, of course.
18:00I remembered.
18:01Yes, of course.
18:02I'm not an advertiser.
18:03Tell me why I have to be here.
18:05You can't go anywhere, Marco Antonio.
18:07You're also a partner in this company.
18:09I order you to stay still!
18:11Guys, can you...
18:13Can you leave us alone for a second?
18:15Of course, Marco Antonio.
18:16Come here.
18:17Where do we get another Marco Antonio?
18:19Let's get out of here.
18:20Yes, let's go.
18:21You first, Musa.
18:22Please, Marco Antonio.
18:23Talk to her.
18:24What Marco Antonio are you exactly?
18:26Well, come on, Musa.
18:27Let's review the image.
18:28Good.
18:29I'll stay here and you...
18:31I still don't see anything here.
18:33The camera is off.
18:34Wait a second, please.
18:35Ah.
18:37The power corrupts you.
18:39Don't let that happen to you.
18:41I used to be like you.
18:43Ambitious.
18:45Passionate.
18:46Crazy.
18:47A greedy businessman.
18:49Don't do this to yourself and everyone else.
18:53Do you think I'm exaggerating?
18:55Look, we're characters.
18:57Cleopatra and Marco Antonio.
18:59We're characters.
19:01We're characters.
19:03We're characters.
19:05Cleopatra and Marco Antonio.
19:07Consider it a game.
19:09It's a drama.
19:10Play with me, will you?
19:12Very well.
19:13I will.
19:34I'm going to make a panning.
19:36A side shot.
19:37Ready.
19:38Let's continue to your positions.
19:39We already recorded the press.
19:43Marco Antonio.
19:47I'm here.
19:48With your smoothie.
19:50Sanem, dear.
19:51You took a lot of trouble.
19:53Thank you very much.
19:54I'll take it later.
19:55But I want you to know that I thank you very much
19:58and that I adore this whole team.
20:00No, no.
20:01I made it for you.
20:02Please take it.
20:03No, hey.
20:04I won't make you wait any longer.
20:05Under the sun.
20:06I'll take it later.
20:07Okay?
20:08Fine.
20:09As you wish.
20:10I'll write it down in your account.
20:11What?
20:12Are you going to charge me?
20:13It's time to start.
20:15Ready.
20:163, 2, 1 and action.
20:31Well meet.
20:32If you'll excuse me.
20:43How are you?
20:46Good morning Mr. Nihat.
20:49Do you have pearls?
20:52How long is this going to last?
20:54What's the matter?
20:55You don't like it?
20:56I'm not pretty?
20:57Yes, of course.
20:58It's not that.
20:59You're always pretty.
21:00But...
21:01What?
21:02I can't get used to it.
21:04If you want to dress like this, of course you can.
21:08But I liked you more before.
21:10That's right.
21:11Yes, dear.
21:12It's true.
21:13I'm prettier.
21:14I'm prettier.
21:15I'm prettier.
21:16I'm prettier.
21:17I'm prettier.
21:18I'm prettier.
21:19I'm prettier.
21:20I'm prettier.
21:21It's true.
21:22I'm Mekibe and this is not my style.
21:24It's Uma's style.
21:25Oh, good!
21:26That's right.
21:27Come here.
21:31Well then, I'm leaving to change.
21:35Okay.
21:36See you later.
21:37See you later, Uma.
21:40This woman will end up with us.
21:42She's going to ruin our lives.
21:44Keep it safe.
21:45It's very expensive.
21:46May God protect you.
21:48I love you so much.
21:50See you later.
21:51See you later, dear.
21:54What are you looking at? Mind your own business.
22:21Red, I'll sit next to you.
22:23We're still recording.
22:34JJ, don't look at the camera.
22:36Ready? Let's continue to your positions.
22:38Yes, sir.
22:39Sanem, you...
22:40Didn't you have a crown of flowers?
22:42That's right. I still have them.
22:45I preferred to put them on my ankle.
22:47Do you have a problem?
22:49No, not at all. There's no problem.
22:51You look great there.
22:53You look great, great, great there.
22:55I like it a lot.
22:56Whose idea was it?
22:57It was mine.
22:58Of course, it's obvious. You can tell.
23:00Tell me, what do you think?
23:05Jan says not to look at the camera.
23:07But we can't keep recording
23:09because she doesn't take her eyes off Sanem.
23:11She's my friend and I love her a lot,
23:13but we're working. That's not professional.
23:15She's not even looking at the camera.
23:17I just went to the bathroom and no one noticed,
23:19and I left the scene.
23:20Because I wasn't recording you, Musa.
23:22I realized you had left. I noticed.
23:24You know, it's your fault.
23:26It was inevitable not to notice.
23:28By the way, I broke the continuity of the scene twice,
23:30on purpose, to see if she noticed,
23:32and she didn't say a single word.
23:34She didn't notice anything.
23:36So that voice is the recording on purpose.
23:38You won't check your clothes.
23:40The cream is still on.
23:42The cream is still on.
23:44But how is that possible?
23:46Listen to me now.
23:48Please, everyone, leave the talk for later.
23:50And pay attention.
23:523, 2, 1, action.
23:54Now I'm going to improvise.
23:56Oh, no, don't do it.
23:58When he starts improvising, he makes me laugh,
24:00and now he's just thinking about it.
24:02I'm sorry.
24:04I can't help it.
24:06Denise, give one cream to Deren.
24:08And the other to Sanem.
24:10And then take one for you.
24:16Sanem, we're going to change your salt of that scene.
24:18Okay.
24:20No, you stay.
24:22Why do I have to go out?
24:24Am I doing it wrong?
24:26It's my fault, not yours.
24:28I can't make it look good.
24:30Three people in the shot saturates too much.
24:32Sanem, you bring those creams and then you go out.
24:34It has nothing to do with you.
24:36Sanem, it's not your fault, honey.
24:38Yes, it's not your fault.
24:40It's not your fault.
24:42It's not your fault.
24:44Yes, it's not your fault.
24:58Let's do another one.
25:00Why?
25:02I did something wrong.
25:04It's a technical problem.
25:06I didn't clean the cream well.
25:08Again.
25:10What?
25:12I would say not so well placed.
25:14But how is it possible?
25:16Another take, just tell me where I have to stay.
25:18It's not my fault.
25:20I have to stay here, right?
25:22You were interpreting.
25:24No, maybe that's why he cut the scene.
25:26I was very involved in my character.
25:28I agree, if you don't do it today, you won't be able to record.
25:30We have to hurry or the light will run out.
25:32Sanem, two steps forward.
25:34There's still one left.
25:36Another.
25:38But I just entered, I didn't even give him the cream.
25:40It's not your fault.
25:42It's not your fault.
25:44Three, two, one, action.
26:02Very good, listen, it's over.
26:04It's enough, I thank you all for your effort.
26:56There are difficult things to forget.
27:00Things that we value and are important.
27:06And if we lose them, we end up in madness.
27:10I love you.
27:40I love you.
28:10I love you.
28:40I love you.
29:04I have something that belongs to you.
29:06I always take it with me.
29:08Just one thing.
29:26I have something that belongs to you.
29:28Something that I always carry on my neck.
29:32Just one thing.
29:34Just one.
29:38Just one.
30:08Just one.
30:16This is not something that dirty people do.
30:20Yes, it's true.
30:22You're right, this is not right.
30:26If being so close bothers you,
30:28I want you to know that I didn't do it on purpose.
30:30It was something spontaneous.
30:32I didn't mean to do it.
30:34I swear.
30:36So?
30:38We're partners.
30:40That's right.
30:42That's the most important thing.
30:44I mean, we still value each other a lot.
30:46That's what it's about, right?
30:48We have to trust each other.
30:50Sanem, I promised I wouldn't do anything that could hurt you.
30:54I know.
30:58I thank you.
31:00I thank you very much.
31:06See you tomorrow.
31:08Good night.
31:12Good night.
31:30Dad, how can you eat all that food?
31:32I can't believe it.
31:36Besides, if you had told me you were very hungry,
31:38I would have made you homemade food.
31:40This is the least healthy thing you could find, Dad.
31:42So what do you want?
31:44There's no food that can be compared to your mother's.
31:48I know I don't cook as well as she does,
31:50but she'll be away for a while,
31:52and we have to find a solution to the problem.
31:54You can't keep asking for junk food.
31:56Not a word.
31:58Until your mother comes back, I won't eat anything made at home.
32:02At least your appetite hasn't gone away
32:04since you left home.
32:06I'm home.
32:08We'll have dinner in the yard. Come on.
32:10We'll be outside.
32:12Look what I brought. I know this is what you wanted.
32:14Oh, thank you, honey, but we have a problem.
32:16My father-in-law keeps eating junk food.
32:18Come on, help me convince him.
32:20Really?
32:22Come on, talk to him.
32:24Come here.
32:26Hi, Father-in-law. How are you? What are you eating?
32:28It looks good.
32:30We don't eat unhealthy food, do we?
32:32Are you alone? Huh?
32:34I'm so sad.
32:36My wife isn't here.
32:38How am I going to live without her?
32:40Where is she?
32:42Did you argue again?
32:44Not at all. She went to Mugla.
32:46What about that?
32:48My grandfather broke his leg.
32:50Don't tell me.
32:52He can't move, and my mom left because she has to take care of him.
32:54She left this afternoon,
32:56and she told me she felt she couldn't say goodbye.
32:58I'll call her. Is your father-in-law okay?
33:00I don't know what happened, but you know your mother-in-law.
33:02She was worried, and she decided to go with him
33:04to give him a hand.
33:06And how did you not go with her?
33:08Uh...
33:10I think you should have gone with your wife.
33:12Well, that's what I think.
33:14Forget about it, honey.
33:16And that?
33:18You think I wouldn't go? But I can't.
33:20Well, it turns out that my grandfather has been angry with my parents
33:22since they got married and came to live in Istanbul.
33:24So my grandfather hates my father,
33:26and that's why he didn't come to our wedding,
33:28so he wouldn't see him.
33:30I'm here!
33:32Oh, thank goodness I have a key,
33:34because they didn't hear the bell.
33:36Are you sure you're okay?
33:38Look what I brought you. Who wants to eat?
33:40No, no, no, no, no.
33:42Father-in-law, let me see, please.
33:44But what is all this?
33:46Why don't you make your dad eat?
33:48You're an adult to cook for him.
33:50Look what you eat!
33:52Don't worry. From now on, I'll take care of you.
33:54My friend asked me to watch them.
33:56I'm going to tell him very tactfully.
33:58You leave me and I'll tell him little by little, carefully.
34:00Well, then I trust you.
34:02Yes, you trust me.
34:04I loved this dessert. It's delicious, Melat.
34:06Dad.
34:08What?
34:10Cute dad.
34:12I'm going to give you some news.
34:14Oh, what is it, daughter? Tell us.
34:16We quit our jobs.
34:18Oh, wow, what a surprise!
34:20Oh, what?
34:22Yes, that's it.
34:24Father-in-law, we've sold the car.
34:26And with that money,
34:28we're going to set up our own business.
34:30Great news!
34:32Dad.
34:34Father-in-law.
34:36Come on, take it off.
34:38I'll leave it here.
34:40But, daughter, why have you both left your jobs at the same time?
34:42What happened? Tell me.
34:44I need to know more details.
34:46I want more details.
34:48Oh, Melat, please, how can you go out with that now?
34:50Don't let him get away.
34:52I'm going to call an ambulance.
34:54There's no need for an ambulance.
34:56Wake up, wake up.
34:58What we needed.
35:22What are you doing?
35:42I was thinking about the word association.
35:44Yes.
35:46It can have many meanings.
35:50For example?
35:52For example...
35:56Common dreams.
36:00A common home.
36:04A common life.
36:12Yes, but...
36:14That common home...
36:16Where is it?
36:18Does it have...
36:20A good view?
36:24What area is it?
36:26Tell me...
36:28If we're going to have a common home...
36:34What home are you talking about?
36:38Denise?
36:40Was it you?
36:42Yes, of course. Who else could it be?
36:44One question.
36:46What did you mean by a common home?
36:52It's just that...
36:54I was remembering unforgettable moments.
36:58Reviving them.
37:00And when I think about the details of those moments,
37:02there are many questions.
37:06You don't understand.
37:08You don't understand.
37:10You should do some therapy.
37:12It would help you a lot.
37:14Try it.
37:16I'm leaving. See you later.
37:18You don't understand.
37:20No, I don't understand.
37:22I never do it.
37:34You don't know what a big scare you've given us all.
37:36Father-in-law.
37:38You don't know what a big scare you've given us all.
37:40But from now on, you'll have to take care of yourself.
37:44And now you're going to do what the doctor told you,
37:46at the foot of the letter.
37:48You understand?
37:50Look, you can't go on like this.
37:52My friend asked me to take care of you.
37:54You can't go on like this.
37:56From now on, I'm going to take care of you.
37:58And I'll make sure you do everything the doctor said.
38:00You can't do whatever you want.
38:02Let's put him here, carefully.
38:04No, no.
38:06Lie down.
38:08I'm going to put this cushion here.
38:10Leila, daughter, bring more cushions.
38:12Put them here.
38:14Here.
38:16That's enough.
38:18I'm fine.
38:20I'm not going to die of diabetes.
38:22I'm going to die of so much agitation for walking from top to bottom.
38:24I'm fine.
38:26Don't worry.
38:28Nothing happens to me.
38:30But hey, don't tell your mother or your sister, okay?
38:32Your mother will worry and want to run home again.
38:34We won't do it, but...
38:36I'll tell her.
38:38I'm sorry, but I have to tell her.
38:40I won't hide anything from my friend.
38:42I'll call her.
38:44But it better be tomorrow.
38:46Hey, Melat.
38:48I'm telling you very seriously.
38:50What are you saying?
38:52Yes, I know.
38:54Did you dare to say a single word of this to my mom?
38:56What?
38:58Just remember that meat pie you're so good at.
39:00What?
39:02Meat pie you're so good at all your life.
39:04Stop it. No more jokes, Leila.
39:06I swear that if you say anything to my mom,
39:08the dessert you brought tonight...
39:10Yes?
39:12You're not going to make it again all your life.
39:14Leila, don't do it.
39:16I'm going to tell you and put the universe as a witness.
39:18They say I'm good at that kind of thing, so you know.
39:20If you can't make that dessert again, it'll be...
39:22Okay, fine. I won't say anything.
39:24Let's see how I can shut up.
39:26Dad, for a moment I thought I had given you an attack
39:28when I told you that we had given up.
39:30What a scare you gave me.
39:32Oh, my God.
39:34Don't think I don't want them to start their own business, okay?
39:36Of course.
39:38It makes me very happy, and you know
39:40that I will always support you in everything, daughter.
39:42That's fatherly love.
39:44But...
39:46What are you going to put?
39:48Father-in-law, we want to enter the music industry.
39:50I think with Leila's talent and my contacts,
39:52we could go pretty far.
39:54Oh, yeah? So you're going to be a singer?
39:56That's great news.
39:58The doctor said you have to stay 21 days without sugar.
40:0021 days?
40:02It's only three weeks.
40:04After that time, you'll be a new man.
40:06You'll see how good.
40:08I think I'm feeling bad again.
40:10What's wrong, dad?
40:12No, it's what you said about sugar.
40:14And I'm craving a honey cake.
40:16Oh, how cute he is.
40:18I have cakes at home.
40:20But Melat, what are you doing?
40:22You didn't understand anything.
40:24I just remembered that I don't have any more.
40:26But if you want, I have rice pudding.
40:28That also has sugar.
40:30Without sugar.
40:32If it's without sugar, I want it.
40:34Well, this warehouse is huge.
40:36I only rent a part, not the whole building.
40:38How are you?
40:40Good evening, sir.
40:42I'm not the owner of this place.
40:44I understand.
40:46Here it is.
40:48Hello, Arda. How are you?
40:50Very well, sir. And you?
40:52You already know him.
40:54How have you been?
40:56Fine, thanks. And you?
40:58Very well. I think my friend already explained it to you, right?
41:00You're going to the court to file a complaint
41:02against the Sanem cream.
41:04Because it caused an allergic reaction.
41:06When you get there, you have to say,
41:08they recommended this cream to me, and then?
41:10When I applied it, my skin started to turn red.
41:12And look at me, Mr. Judge, my whole body started to itch.
41:14Then I went to the doctor and he told me
41:16it was an allergic reaction.
41:18And I checked the label of the cream,
41:20but there was no warning about allergies.
41:22What do you think?
41:24All right. I hope I can do it.
41:26What are you going to do, man?
41:28Take this paper and memorize it.
41:30Everything is written.
41:32And this is what we agreed on.
41:34Thank you very much.
41:36One last thing.
41:38If you talk about us,
41:40you'll have problems.
41:42Come on, you can go now.
41:44Easy. Everything will be very simple.
41:46Yes, thank you very much.
41:52He's a good person.
41:54I'm just not sure if he can do it.
41:56The important thing now is to entertain those on the farm.
41:58Tomorrow they will receive a notification.
42:00And while they fight in court,
42:02they won't be able to keep making creams.
42:04So we'll win time.
42:06The plan can't fail.
42:08How's the lab going, by the way?
42:10We already know the ingredients.
42:12We've started producing.
42:14While they fight us,
42:16we're going to make the cream.
42:18We're going to make the cream.
42:20And while they fight us,
42:22we'll be selling the creams on the market.
42:24Exactly.
42:26I'm telling you, the plan is perfect.
42:28I benefit from producing and selling those creams.
42:30It's normal for me to do it.
42:32Yes?
42:34But why are you doing it?
42:38I already told you before.
42:40The people on that farm have hurt me a lot.
42:42Sanem in particular.
42:44I have great esteem for her.
42:46We worked together in another department a long time ago.
42:48Before the happy cream changed everything.
42:50And that's why I want her back on the right track.
42:52I understand.
42:54Let's say I want to help her.
42:56I do it for her own good.