Category
🎥
Short filmTranscript
00:00La, la, la, la, la.
00:02La, la, la, la, la.
00:03Pajaro soñador.
00:04La, la, la, la, la.
00:06La, la, la, la, la.
00:07La, la.
00:12Ay, ay.
00:13Ya, ya, ya.
00:14No lo hice para que me tomaras la mano.
00:16Pues no.
00:18¿Sabes qué?
00:19Después de comer te vuelves un poco más razonable,
00:21la verdad.
00:23No soy una nena.
00:24Yo intento ser razonable.
00:26Yo también me calmo cuando como.
00:27If I'm hungry, I'm more irritable, more restless.
00:30I can't control it.
00:33John.
00:33What?
00:34A sled.
00:35Let's go ride the sled, please.
00:37You just said you're not a girl,
00:39and now you want to do kid stuff.
00:42I don't, but maybe the girl I'm carrying inside does.
00:45You're capable of making them get canes,
00:47but that's another story.
00:48Wait, shut up.
00:49Let me look at you.
00:50I want to see you.
00:51And those earrings?
00:52Yes, you are a girl.
00:54Come on, let's go ride the sled.
00:56No, I don't want to.
00:57Hey, what's going on is that you don't know.
00:59What?
01:00Maybe you're afraid of breaking something
01:01and spending three weeks in bed with plaster.
01:04Me?
01:04In my neighborhood, we'd roll down the hill
01:06in plastic bags when it snowed.
01:08My son was second.
01:09Really?
01:10And I was first.
01:11That's kid stuff, and you're not a girl anymore.
01:14Oh, yeah?
01:14Well, I challenge you to a race.
01:16All right, then, let's race.
01:17I accept the race.
01:18All right, let's go.
01:19Stop, stop.
01:20I can run.
01:21Watch out, you're going to fall.
01:22The government is coming.
01:25Why don't you want to understand me?
01:27My grandmother called me and told me
01:29that she would die if I didn't get married.
01:31What could I do?
01:32So I came up with this idea,
01:33take a picture of me so she wouldn't die,
01:35as if I had gotten married.
01:37I've said it a thousand times,
01:38but I lost control.
01:39I was going to explain it to Ai-han,
01:41but then her brother came and I lost consciousness.
01:43Shut up.
01:44I understand, JJ.
01:45Don't you scream, okay?
01:46I understand.
01:47You don't want to marry Ai-han, it's clear.
01:49Yes, I do.
01:50But not now.
01:51It's not the time yet.
01:53I've said it a thousand times,
01:54and everyone has understood it, except you.
01:56Right?
01:57You see?
01:58I'm tired of repeating it.
01:59You see?
02:00Don't scream.
02:01Don't scream, please.
02:02I understand.
02:03What's the problem?
02:04You want to fool her, is that it?
02:06You don't understand.
02:07I'm telling you the plan.
02:08Now we're going to the butcher shop
02:09and we're going to talk to Ai-han.
02:10I want to tell her that you explain the situation to her,
02:12because I can't and she doesn't listen to me.
02:14Okay, calm down, calm down.
02:16How can I calm down?
02:17Yes, leave it to me.
02:18I'll talk to her, okay?
02:19Don't worry, I'll convince her.
02:21I'm going to pay.
02:24You're welcome.
02:25If it works, give it back to me.
02:26Let's go.
02:27And you, stay there.
02:28I left the tip.
02:29Have a good day.
02:30But I think I went a little too far.
02:31Let's go.
02:32Keep the change.
02:33We're leaving now.
02:39Musa?
02:45Gulisita.
02:46Hi, how are you?
02:51What are you doing?
02:53Nothing, just holding some bags
02:55and we distribute them for free to help.
02:57I'm the secretary of the neighborhood association
02:59and I distribute these bags among the elderly.
03:01It's a public service.
03:03I do it without interest and I like it a lot.
03:06Yes, of course, of course.
03:08It's just that Musa has a golden heart.
03:10He's always helping people,
03:12especially the elderly.
03:13It's a social work plan, right, Musa?
03:15Oh, no, not at all.
03:17I only do this from the heart.
03:19It's voluntary.
03:20From the heart?
03:22Women like men who make them laugh, right?
03:25I can't believe it.
03:26You're a charm, Musa.
03:28Why?
03:29It's a voluntary job.
03:30Really, believe it.
03:31I distribute them for free just to help.
03:33Look how many I have today.
03:35We're leaving.
03:36Yes, we don't want to be late.
03:37See you later.
03:38See you later.
03:39I'm going to continue with my volunteer work
03:41to help those who need it.
03:42Hey, distributor.
03:45I think that lady is calling you.
03:47Yes, I'm going.
03:48As if I didn't hear it.
03:49Let's go.
03:50Up here, Musa.
03:52What?
03:53You didn't give me the change.
03:54You said you'd be right back.
03:55I'm going to continue with my volunteer work.
03:57Don't throw the shells out the window.
03:59If you need anything else,
04:00just ask for a nice day.
04:02Let's go.
04:03Of course.
04:04Go, go.
04:05Excuse me.
04:06Tell me.
04:07Musafer, you're the distributor of the supermarket.
04:10I'm not the distributor.
04:12Besides, what's wrong with that?
04:14It's a very decent job like any other.
04:16JJ, come.
04:17We'll be late.
04:18Come.
04:19We have to go.
04:20Yes, we're leaving, Musa.
04:21I'll see you later.
04:22Bye.
04:23I'm in the wrong place.
04:24I don't do this.
04:25It's really confusing.
04:26I'm not the distributor guy.
04:27I swear.
04:28Believe me.
04:29Here are the sleds.
04:32You wanted a race, didn't you?
04:33Well, let's go.
04:34I'll wait for you downstairs.
04:35The sled is my lifestyle.
04:36What is your lifestyle?
04:37I don't know.
04:38I don't know.
04:39I don't know.
04:40I don't know.
04:41I don't know.
04:42I don't know.
04:43I don't know.
04:44I don't know.
04:46I don't know.
04:47I don't know.
04:48I really don't know.
04:49I don't know.
04:50I don't know.
04:51I don't know.
04:52I don't know.
04:53I don't know.
04:54I don't know.
04:55No?
04:56What am I supposed to do, rer?
04:57I don't know.
04:58It doesn't seem like you have many lives to spare.
04:59The thing is, I have many interests.
05:00I'm curious.
05:01tired?
05:02I am.
05:03And you?
05:04I always am.
05:05So?
05:062.
05:071.
05:082.
05:093!
05:10Aah!
05:11It's almost there.
05:12It's almost there.
05:13I'm going to fall.
05:14I'm going to fall.
05:15Don't touch me! You did it on purpose!
05:30I'm going to fall!
05:46I saved you again.
05:48Did you notice?
05:49Well, yes.
05:50That's right.
05:51Can I know why you threw me?
05:53You ran too fast, that's very dangerous.
05:55Because you saw that you were going to lose.
05:56No, not at all.
05:57You couldn't get ahead of me.
05:58I was the one who got ahead.
05:59Did you realize you were going to lose?
06:00No, no.
06:01And you threw me.
06:02I even waited for you.
06:03That's a lie, you don't even believe it.
06:04I told you yes, that's what happened.
06:05It's a story, you don't believe it.
06:06Look, I stopped you.
06:07You have to accept defeat.
06:08Come on, accept it.
06:12Hey, let's close.
06:15Oh, it can't be.
06:16I think we have to go.
06:37Come on, let's close.
06:39He did it on purpose.
06:40Very good.
06:41Very good, we're leaving.
06:43Better calm down.
06:46Congratulations, Ayhan.
06:48I'm very happy for you.
06:49I mean, for both of us.
06:50Oh, thank you very much.
06:52My little one has given me a surprise.
06:54It's a little weird.
06:55Yes, madness.
06:56Take advantage of the fact that you're crazy, Yan.
06:57Come on.
06:58Yes, crazy.
06:59Our Yeji is really crazy and ...
07:01And?
07:02What?
07:03And, and he can be a little impulsive.
07:06And sometimes he's a little impulsive.
07:08It's true.
07:09Sometimes he's impulsive and a little exaggerated too.
07:12But that's why I like him.
07:14By the way, did you see that I'm working?
07:16I have a lot of orders.
07:17Maybe I didn't explain the details.
07:19Uh, Yeji couldn't explain the details.
07:22Oh, we'll have time to talk about the details.
07:27Well, tell him I was kidding.
07:29Maybe I was kidding.
07:30Don't repeat it.
07:31Don't repeat it.
07:32Why?
07:33Well, let's focus.
07:34You told him that ...
07:35Oh, look at those cute little eyes.
07:37You know what?
07:38I know him so well that I know what he means when he looks at me that way.
07:43That's great.
07:44Yes, of course.
07:45But wait.
07:46Ay, Han.
07:47Uh, looks can be deceiving.
07:48One can have myopia, astigmatism.
07:50You can even be half asleep.
07:52You just woke up and ...
07:54Uh, Goulis, is it true?
07:56Is it true?
07:57They are things that can happen.
07:59It's normal.
08:00Of course.
08:01For example ...
08:02When you wake up, you can have scabs in your eyes.
08:05It's possible ...
08:06What kind of support is this?
08:07Say something.
08:08Speak.
08:09Why don't you say anything?
08:10If you don't say anything ...
08:11He has a knife in his hand.
08:12He has a knife in his hand.
08:13I'm sure.
08:14Speak now.
08:15Excuse me.
08:16Goulis, uh ...
08:17When two people really love each other, everything else loses importance, right?
08:22Well, yes.
08:23It could be.
08:24Are you going to stay a long time?
08:26If you want, I can order you a tea.
08:28It doesn't cost me anything.
08:29No, no, no, no, no, no.
08:30I have to go to work.
08:31I'm leaving another day.
08:32Come on, I'll have tea with you.
08:33Goodbye.
08:34Well, stay, dear, and have a tea.
08:35They make it delicious here.
08:36Uh, no.
08:37Then we'll see you later.
08:38Yes.
08:39I'm leaving.
08:40Be careful.
08:41Please.
08:42No.
08:43Why don't you have a tea?
08:44Come on.
08:45No, thank you.
08:46It doesn't matter.
08:47Come back whenever you want.
08:48When we get married, you can come visit us whenever you want.
08:51Yes.
08:52To the house.
08:53He wants to visit us at his house.
08:55Well, see you.
08:56We'll wait.
08:57Goodbye.
08:58We'll wait here.
08:59See you later.
09:00My baby.
09:01Finally alone.
09:02You know, with that kiss, I think I'm going to have a baby.
09:10You know, with that kiss, I think I'm going to have a baby.
09:14Can I go in the freezer?
09:15What?
09:16Where is it?
09:17It's there, but...
09:18Where?
09:19Wow, but I'm hot.
09:20That kiss was fantastic.
09:21Really?
09:22Then I'm coming with you.
09:23I'm hot too.
09:24Let's lock ourselves in the freezer.
09:25A misunderstanding, yes.
09:26Hey, hey, hey.
09:27Did you find your half orange?
09:28Oh, Curly.
09:29I scared you.
09:30Forgive me, please.
09:31It wasn't my intention.
09:32Musa.
09:33Of course it's me.
09:34Who was going to be?
09:35Who was going to be?
09:36Who was going to leave a corner of this neighborhood?
09:37Well, Musafer.
09:38Of course.
09:39I think there was a misunderstanding between us before and I wanted to clear it up.
09:40If you don't mind.
09:41No, there was no misunderstanding.
09:42Careful, careful.
09:43You're going to crush.
09:44Careful.
09:45Mom, I've saved your life.
09:46You thought I was the boy distributor, but it's not like that.
09:47No, no, I didn't think that at all.
09:48I'm really the distributor.
09:49I'm really selling underwear in my mother's store.
09:50Underwear?
09:51You know, the lingerie.
09:52We have all the colors.
09:53We have all the colors.
09:54We have all the colors.
09:55We have all the colors.
09:56We have all the colors.
09:57We have all the colors.
09:58We have all the colors.
09:59Oh, sorry about that.
10:04Yeah, yeah, but it doesn't matter.
10:09I just reminded your mother the day we talked there about...
10:12It's true.
10:13Mom spoke to you there.
10:14And our store is over there.
10:17We have really nice models and many nice customers.
10:21Well, if that's the case, I guess I'll talk to my mom about that.
10:26And our store is over there. We have very beautiful and very original models.
10:30If you want to renew your underwear, come visit us. I have some very sexy ones.
10:33Thank you, but I have to go. Where do I get out of here?
10:36Over here. Come, I'll show you.
10:37Oh, over there. Good. Thank you.
10:38Come. No problem. Hey, would you like to have a coffee before you go?
10:42I can tell you about my inner world, which is very rich.
10:44My secrets, my fears, my hopes. All my plans for the future.
10:47And you tell me yours. We can chat a little. Do you dare?
10:51I have to go back to the office. I'm in a hurry.
10:53Really? We'd better leave it for another day, okay?
10:56Ah, look, a taxi. See you later, Moses.
10:58Ah, very well. Let's go.
11:00Oh, Moses, goodbye.
11:02Oh, I take your word for it.
11:03Another day we'll have a coffee, I'll show you the store, and we'll chat quietly.
11:07So have a good day and a very good taxi ride.
11:11Now what do you do?
11:13Hey, Elas, I kept your registration number and I won't forget it.
11:16Take the lady wherever she tells you and make sure she gets there safe and sound.
11:20Very careful. I know where you live, huh?
11:22Hey, we're honest people.
11:23Oh, now's not the time to talk about that.
11:25Can I get in now, please?
11:26Sure, get in. Excuse me.
11:28Very well.
11:31And you know it, I'm watching you.
11:34Let's go, please. Get me out of here.
11:39I've got her crazy with this attitude, Mr. Juanesca.
11:42Now she's thinking of me. I'm sure this girl is crazy about me.
11:54¡Ay!
12:19¡Qué bonito!
12:22¡Qué bonita vista y qué bonitos paisajes! ¿Verdad?
12:25¡Es precioso! Como si se hubiera congelado el tiempo.
12:28La nieve tan blanca y tan silenciosa.
12:32¿Chocolate caliente?
12:34¡Ay! ¡Y con crema!
12:38Sabes, cuando era pequeña ponía mermelada sobre la nieve y me la comía.
12:43¿Cómo le llamábamos? No me acuerdo.
12:45Pero ahora ya no se puede hacer eso porque la nieve ya no está tan limpia.
12:49¿Qué pasa?
12:51Ahí.
12:55¿Qué tengo?
12:56Chocolate en los labios.
13:00Tú, en cambio, no te has manchado.
13:03Ni de crema ni nada.
13:21¿Qué suene? No pasa nada.
13:23Y si es importante, responde.
13:25Déjalo que suene.
13:27Responde.
13:28No.
13:29Contesta.
13:30¿En serio?
13:31Sí.
13:32¿De verdad?
13:33Sí.
13:34Responde.
13:35Hazlo.
13:37Bien. ¿Es polen?
13:40Parece una broma.
13:43Voy a contestar para que no vuelva a llamarme.
13:45Como quieras.
13:47Sigue soñando, Saner.
13:49Sigue soñando.
13:50Sigue soñando tonterías que nunca pasarán.
13:52Dime, polen.
13:53Tenía que responder el teléfono.
13:54¿Pero por qué? ¿Era necesario?
13:57Ya te dije que estoy bien.
13:58No te preocupes.
13:59Jan, dime cómo no voy a preocuparme.
14:02Estabas como loco.
14:03Secuestraste a Sanem delante de todo el mundo.
14:06Dime, ¿dónde estás?
14:07¿Y qué estás haciendo?
14:08Estoy muy preocupada.
14:09No lo puedo evitar.
14:10Esto es muy fuerte.
14:11¿Dónde estás?
14:13Polen, estoy bien.
14:15Hola, chiquit.
14:16¿Hola?
14:17Sí, dime.
14:19Ay, no me digas.
14:24Disculpa, disculpa.
14:27Sí, te escucho.
14:28Mira, lo entiendo perfectamente.
14:30Pero las cosas se pueden hacer de otra forma, ¿no crees?
14:33Pueden irse a tomar un café y hablan como personas civilizadas.
14:37Y además, no sé qué más tienes que decirle a esta rantura.
14:42No te preocupes.
14:43Estamos bien.
14:44Estamos hablando como dos adultos.
14:48Teníamos cosas que aclarar.
14:49Ayer me puse en contacto con Emre y hablé con él.
14:55¿Algo más, Polen?
14:56¿Cuándo vuelves?
14:58Jan, es que tenemos pendiente las fotos para el libro.
15:02Por eso te pregunto.
15:03No sé exactamente.
15:04Volveré cuando termine y nos ocuparemos de tu libro.
15:07Tranquila.
15:08Jan, dices que volverás cuando termines,
15:10pero quedan dos días y justo en dos días nos vamos.
15:13Voy a entrar a un túnel y no podré oírte.
15:16Si oye corta...
15:17Adiós.
15:19Jan?
15:21Jan.
15:24¿Me colgó?
15:25No puedo creerlo.
15:26Simplemente colgó el teléfono.
15:29Estoy muy bien.
15:30No pasa nada.
15:31Siento que te hayas preocupado,
15:33pero de verdad estoy perfectamente bien.
15:36Claro, Sanem.
15:37En realidad tenía que decirte otra cosa.
15:39¿Recuerdas que hablamos de una escritora?
15:41¿O qué te arden?
15:42¿Que te gustaba?
15:43Te dije que había hablado con su agente.
15:46Creo que vamos a poder trabajar con ella.
15:48¿En serio?
15:49Me da mucho gusto, Jigit.
15:50Es una buena noticia.
15:51Sí, yo también lo creo.
15:52Va a estar en la feria del libro de Smirna.
15:54Tiene la agenda muy apretada,
15:56así que le dije que nosotros podemos ir a Smirna a conocerla
15:59y ella aceptó.
16:00Así que conoceremos también a otros editores.
16:02¿Yo también iré?
16:04Claro.
16:05Sí, sí.
16:06¿Cuándo?
16:07¿Mañana?
16:08¿A Smirna?
16:10Bien, como digas.
16:11Nos vemos.
16:12Perfecto.
16:13Nos vemos.
16:14Adiós.
16:16¿Eh?
16:17¿Eh?
16:18¿Eh?
16:19¿Otra vez?
16:20¿Ese idiota?
16:21¿Jigit?
16:22¿Qué quería?
16:23Hay una escritora que me gusta mucho,
16:25Buket Arden.
16:26Va a estar en la feria del libro de Smirna.
16:28Dice que a lo mejor empezamos a trabajar con ella.
16:31Y también me invitó a mí.
16:33¿Los dos?
16:34¿Juntos?
16:35Sí.
16:36Yo y Jigit.
16:37¿Y tú?
16:38Yo y Jigit.
16:39Yo y Jigit.
16:40Yo y Jigit.
16:41Yo y Jigit.
16:42Yo y Jigit.
16:43Yo y Jigit.
16:44Yo y Jigit.
16:45Jigit como dueño del editorial y yo como su asistente.
16:48Qué maravilla.
16:49Qué bonito.
16:52¿Y qué te dijo?
16:53Es decir, ¿qué dijo Polen?
16:55¿Eh?
16:56¿Está preocupada?
16:58¿Hay algún problema en Estambul?
17:00Todo va perfectamente.
17:02Marchando sobre ruedas.
17:04Qué bien.
17:09Desaparece sin decir nada.
17:11Se va a un lugar secreto.
17:14¿Cuándo volverá y me contesta?
17:15Ya veré.
17:16Vaya respuesta.
17:17Sin aclararme nada.
17:18Es totalmente inadmisible.
17:19Y dentro de dos días nos vamos a los Balcanes, Uma.
17:22Esto es raro de él.
17:24Nunca haría una cosa así.
17:25Es Sanem.
17:26No me cabe duda.
17:27Esa chica tiene la culpa de todo.
17:29No hay otra explicación.
17:30Estoy segura.
17:31Esa chica se le ha metido en la cabeza y hace con él lo que quiere.
17:34Ya basta.
17:35Basta.
17:36Ya es suficiente.
17:37Tranquilízate, por favor.
17:38Ya.
17:39Perdona.
17:40Lo lamento mucho.
17:41Pero es que estoy en pleno ataque de pánico.
17:44Toma, cariño.
17:45Tenía sueños.
17:46Lo tenía todo planeado de principio a fin.
17:49¿Cómo pudo ya no serme esto?
17:51Bueno, cálmate.
17:52Tranquila.
17:53Algo se me ocurrirá.
17:57Y se me acaba de ocurrir.
18:01Sujeta esto.
18:03¿Qué?
18:04¿Qué se te ocurrió?
18:05Dime.
18:07¿Sí, madre?
18:08Emre, hijo.
18:12Vaya.
18:13Vaya.
18:14¿Y esa tos?
18:15Es la garganta.
18:16Creo que es una alergia.
18:17Estoy en el hospital.
18:18¿En el hospital?
18:19Es que ayer empecé a sentirme mal.
18:20Me dolía la cabeza.
18:21Estaba muy débil.
18:22Fui a ver al doctor y me ingresaron.
18:23Y ahora quieren hacerme varias pruebas.
18:24¿Qué?
18:25¿Qué?
18:26¿Qué?
18:27¿Qué?
18:28¿Qué?
18:29¿Qué?
18:30¿Qué?
18:31¿Qué?
18:32¿Qué?
18:33¿Qué?
18:34¿Qué?
18:35¿Qué?
18:37Me hagan varias pruebas.
18:38Pero ¿qué tipo de pruebas?
18:39¿Qué fue lo que te dijeron?
18:40¿Tú estás bien?
18:41Dicen que puede ser de la tiroides, pero no es tan seguros.
18:43Yo tampoco lo estoy.
18:46Me harán varias pruebas.
18:48Estoy muy preocupada, hijo.
18:50Tranquila.
18:51¿En qué hospital estás?
18:52Voy ahora mismo.
18:54No, no.
18:55¡No vengas!
18:56Pronto me voy a marchar.
18:57Y me voy a casa.
18:58Muy bien.
18:59Yo también voy para allá, madre.
19:00No quiero que te preocupes.
19:01Y sobre todo, no le digas nada a tu hermano.
19:02Ya lo conoces.
19:03You don't know him. He gets very nervous.
19:05Well, I'll see you later. Bye.
19:11Oh, what a good mother I am.
19:14The poor thing found me and doesn't want to lose me again.
19:20It's a perfect plan. It's really wonderful.
19:26What else gives you to go to that book fair?
19:29Tell me. I'm asking you because you take Pauline's calls and you say you don't care.
19:33Ask, ask whatever you want. Ask. I always answer you. You know that.
19:37When have I not answered you?
19:39The phone didn't stop ringing. It was annoying.
19:41So I answered and talked to her for a moment so she wouldn't interrupt us again.
19:45You have to understand. Don't get like that, Sanem. It's not that bad.
19:48She interrupted you. So what?
19:50And you didn't have time to answer. You say you're worried.
19:53But I want to call so she doesn't worry about me and you don't let me.
19:56You're selfish.
19:57You're doing all this to annoy me.
19:59Liar. What bothers you is that I work in a publishing house.
20:02That's why you're in such a bad mood. Do you understand me? I don't want to.
20:05You already had a good job, but you left it and went looking for another one.
20:09In another company, in another sector, Sanem. In another world.
20:13And now you're going to Esmirna with a stranger. I think you're a little crazy.
20:17Look, at least I'm going to another city. Not abroad.
20:20And with the famous Pauline to the Balkans.
20:23You can go to hell. Do you understand me?
20:25Hey, don't say any more nonsense, Sanem. Calm down.
20:28Answer, answer. Come on, answer the phone. It's ringing.
20:31Emre, who's calling?
20:32Answer.
20:33Yes, tell me, Emre. What do you want? Tell me, what do you want?
20:35Mom is in the hospital. She's been feeling bad for a couple of days.
20:38And they have to do a lot of tests on her.
20:40Oh yeah?
20:42Is it serious? Do they know what she has? Have they said anything?
20:47What happened?
20:48Wait. She says she's fine, but her voice sounded strange.
20:51And they still don't know what's wrong with her.
20:53I didn't want to bother you, but I thought you'd want to know.
20:56Now I'm going home. Come on, you too.
20:58Yes, I'm going there.
21:00I can see you there. See you.
21:03Pauline called you? It was Pauline, right?
21:06My mother is sick. They don't know what it is.
21:09I'm sorry. I have to go see her.
21:11Are we leaving?
21:12Sure, let's go. I'll take my things.
21:16Hurry up.
21:18What happened to him?
21:24I guess it's the age. Maybe it's nothing.
21:28Well, let's go.
21:29Yes, it's fine.
21:35Deryn, where are you going? Deryn, wait a minute.
21:38Hey, wait.
21:39Don't run, Deryn. Please.
21:41Jan has kidnapped Sanem. Gullis told me.
21:45Don't tell me. Gullis talks a lot when he wants to.
21:48No.
21:49Gullis talks a lot when he wants to.
21:51No.
21:52Gossip. That's what you like.
21:54Why are you talking now and not at the butcher shop?
21:56You'll end up ruining my life.
21:58No.
21:59DJ, why are you screaming like crazy?
22:01Come on, answer me.
22:03Jan has kidnapped Sanem or has she not kidnapped her?
22:06She has kidnapped her.
22:09I'm overwhelmed. What are you happy about?
22:12What are you celebrating?
22:14That they love each other.
22:15That they will hug and be together.
22:17It's very romantic.
22:18I'm glad that Yigit is not still in love with Sanem.
22:21Seriously, they wouldn't have made a good couple.
22:26What's wrong?
22:27I don't trust Polnareff's brother.
22:30He's had a good effort because the publishing house has just opened
22:34and the first six months are very important.
22:36He still has to work very hard.
22:38The information saves lives and we really need it right now.
22:41Will you leave me alone, please?
22:43I would like to be alone until I get married.
22:45Please.
22:46And if you don't leave, then I'll leave.
22:48Okay, DJ.
22:54I'm going to the archives.
22:55Good.
22:57If you see that I'm taking too long to come back, I'm in the archives.
22:59It's okay if you want to be alone.
23:02In the archives room.
23:06My God, what a scandal. It's your fault.
23:09Oh, don't start again, Mevkibe. Please, I'm begging you.
23:12For God's sake.
23:13What do you know about health?
23:14You've turned the neighborhood into a hospital.
23:16This seemed like an emergency.
23:17How was I supposed to know that this shameless woman was going to cheat on us?
23:21That she was going to put something else in the jars.
23:23But you were delighted.
23:24You let yourself be fooled.
23:25Like a little girl.
23:26Let's see.
23:27Did you sign something?
23:28Oh, Mevkibe, that's enough.
23:29You're making me sick, Mevkibe.
23:31My patience has a limit.
23:33I'm warning you, it's very expensive.
23:34That's enough.
23:35Forget what we're talking about.
23:36You're a partner and nothing.
23:37Suddenly you showed up with all that stuff.
23:39You came out of nowhere.
23:41And I only agreed for the poor Musafer.
23:43Yes, the poor Musafer.
23:45Yes, for Musafer.
23:46We've come this far.
23:47From now on, we're not partners, we're not going to say hello.
23:49Please, don't exaggerate, woman.
23:50And tell the jackal of Izan that when I catch him, I'm going to chop him up.
23:54I'm going to put him in a jar and I'm going to sell him.
23:57Tell him to be careful, very careful.
24:00Don't say that.
24:01And who's going to want to say hello to you?
24:03I'm not going to talk to you again.
24:05I hope you don't sell anything in that store and you completely ruin yourself.
24:08I don't think so.
24:09I don't think so, because luckily it's not you who ruins everyone's life.
24:13Witch, come here.
24:29Mom.
24:32Mom.
24:33I'm here, honey. Come in.
24:35What happened? Emre told me you were feeling bad.
24:37Oh, wow.
24:38Look, I insisted that I didn't tell you anything.
24:42Why didn't you want me to tell him?
24:44Well, of course he told me.
24:46It's normal, it's the most logical thing.
24:48Tell me, what happened to you?
24:49What did the doctor tell you?
24:51Well, I went to the hospital and the nurse told me it could be a cold.
24:56You know, dizziness, muscle pain, all those symptoms.
25:00So I got scared.
25:03Thank you, son.
25:04Just the flu?
25:05Yes.
25:06Do you feel tired?
25:09You didn't have to come. It's not serious.
25:11I don't know why you called him.
25:13You told me you were feeling bad, that you were in the hospital, and that's why I called Jan.
25:17I'm glad you came.
25:19Every minute with my children is important to me.
25:22And tell me, where were you?
25:25A little birdie told me something.
25:27And why didn't he tell you everything, Mom?
25:30Maybe I'll tell you a different version.
25:33So, I'd better shut up.
25:35That's for that little birdie to tell you.
25:38Oh, my God. Come sit here with your mother. Come.
25:41I'll tell you in your ear.
25:44You're very bad.
25:46And very smart.
25:47Very intelligent.
25:49You always want to know everything.
25:51I'm going to the agency, Emre. Are you coming with me?
25:53Yes, I'm going.
25:54Mom, I've made tea. Please drink it.
25:56You're going to like it. Drink it.
25:58Thank you, son.
26:04Oh.
26:09And what? They didn't make up?
26:11No, and he didn't even apologize for kidnapping me.
26:14Hey, sister, it's obvious that he still loves you very much.
26:18But there are people who are not good at apologizing.
26:21It's hard, so you better not pressure him.
26:23What kind of love is this? He got in the car like a sack of potatoes.
26:26You should have seen it, Leila.
26:28Yes, but everyone shows love in their own way.
26:31At least that's what I think.
26:33We're all different.
26:34Why are you laughing?
26:35It's very funny.
26:36He didn't even let me call you.
26:38He's a savage, and I'm sure you were worried.
26:40Oh, Sanem, that's true.
26:42If he hadn't called me, Mr. Emre, I'd go crazy.
26:44I promise you.
26:45Even if he asked me to forgive him, I wouldn't know what to do.
26:48But he hasn't done it.
26:49Did he say something, Mom?
26:50I made him up something, don't worry.
26:52Sanem, you're back.
26:55Yes, I just got here.
26:57Are you okay? You should rest.
26:59No, there's no need.
27:01I'm fine, thank you.
27:03See you later.
27:04I have a lot of work to do.
27:05If you'll excuse me.
27:06Have a good day.
27:11I'm sorry you were worried, Chiquit.
27:14No, of course not.
27:15Why apologize?
27:16If anyone should apologize, it's Scan.
27:18We saw everything.
27:19How he forced you into the car.
27:21I hope I didn't hurt you.
27:23No, no, I'm fine.
27:25If you knew him, you'd know he's incapable of that.
27:28You say I don't know him, but at least you should go to the police.
27:32No, of course not.
27:34Look, what he did was wrong.
27:37You're right, it's unacceptable.
27:39But it's a complicated matter.
27:42It's true that we still have a lot of things to resolve.
27:45But I would never hurt myself again, I'm sure.
27:48Well...
27:49Okay, I have work to do.
27:52I'll continue with my things.
27:53Yes, of course.
27:54Have a good day.
28:09Hello, Jan. Can I come in?
28:10Come in.
28:11I wasn't expecting you.
28:12Olen, I'm sorry.
28:14I'm sorry to have worried you.
28:16I came with you and ended up leaving with Sanem without telling you anything.
28:20Yes, thank you for the explanation.
28:23But I was very upset.
28:25I didn't know what happened or where you were.
28:27You're right, it's normal to worry.
28:30It's just that we had to talk urgently.
28:33I got very tense in the workshop and...
28:35I ended up doing the first stupid thing that came to mind.
28:39I understand.
28:40And have you talked?
28:42Were you able to solve all your problems?
28:44I don't know, it's complicated.
28:46We haven't clarified it yet.
28:47You say there's nothing clear?
28:49And does that seem like an obstacle to our trip to the Balkans?
28:53We'll talk about that later.
28:55It's time to work, to focus on your book.
28:57Do you want to?
28:58Yes, that's what I came for.
28:59Let's see if we can finish it.
29:01I looked for several alternatives and I'm going to show you.
29:03For example, look at this.
29:07Very good.
29:08This one goes here and this one over here.
29:12Good morning, neighbor.
29:14Oh, president, good morning.
29:16Muzafer, I can't work with your mother.
29:20I can't answer for myself.
29:22You and I put that business together.
29:24Come on, go back.
29:26Hey, president.
29:27Lately I've been the most requested.
29:29Why is that?
29:30You want to beg, huh?
29:32I've reached an agreement with Nihat.
29:33Now I work for him here in his store.
29:35And I'm not going to move.
29:37I owe him something very important.
29:39Loyalty.
29:40Don't tell me.
29:42Yes, that's right.
29:43Now he works for me.
29:44Muzafer, I'm happy with you, son.
29:46Whatever you order, master.
29:48Are you trying to steal my assistant?
29:49Steal my partner?
29:51How am I going to steal you?
29:52The boy is here because he wants to.
29:54The boy?
29:55If I send this poor man with you, you'll end up in jail.
29:57Man?
29:58You don't know what they sell or what they buy.
30:00Here at least you'll have a decent job, right?
30:03Muzafer, I'll double the salary this one is paying you.
30:07Muzafer, I'll double the salary this woman has offered you.
30:10Thank you very much, thank you very much.
30:12I hope the benefits are doubled.
30:14The food, the insurance, the transport, and everything you need.
30:18Oh, how tempting.
30:20Muzafer, come on, let's get out of here.
30:22Muzafer, stay here.
30:24I'm staying, I'm staying, president.
30:25Let me go!
30:26I know what the organic ones are, I've tried them.
30:28Now I want to switch to the traditional trade with Nihat.
30:31And I'm happy with the conditions.
30:35You'll know what you're doing.
30:37What a shame, Muzafer.
30:41Well, what was I going to do?
30:42I don't want to spend the rest of my life in jail.
30:47What you offered me is serious?
30:50So little talent.
30:52Look, I don't think it's important.
30:54I don't think so.
30:55There's no contrast.
30:58Oh, sorry.
31:01Let's see.
31:03In short, we have reached an agreement to be able to establish a balance between text and images.
31:09Yes, that's what we've done.
31:11Yes, yes, yes.
31:12At the moment we have already chosen the font and colors, so we can start.
31:16I also agree, so thank you, Deren.
31:19You're welcome.
31:20And Polen, what do you think?
31:22I like it, I find it interesting.
31:24Actually, Jan and I were commenting together last night.
31:27Wow, together.
31:28Did you say something, Sanem?
31:30I couldn't hear you.
31:32She said together?
31:33Polen.
31:34Yesterday, Jigit and I were also talking alone for a long time.
31:38You were with Jan and we were also together.
31:41Jigit and I had a very long conversation.
31:44Very long?
31:47Then there's no need to talk for a long time.
31:50Let's review it so that there are no loose ends and finish it.
31:53And then we can send it to print.
31:56I think it's ready to be sent to print.
31:59Super.
32:00I liked it a lot.
32:01Great.
32:02We are all delighted.
32:03Perfect.
32:04Well, the meeting is over.
32:05Let's go.
32:08Mr. Jan.
32:10And what about the publisher?
32:11The writer may be happy with the book.
32:13But the publisher...
32:14I think the writer is fine with everything in general.
32:18The book publisher is very important.
32:20I remind you.
32:21I just say that you have to take it into account.
32:24With pleasure.
32:25We will hear your comments as a publisher.
32:27Go ahead, Sanem, please.
32:29Proceed, dear publisher.
32:30The design of the cover is fine.
32:33I like it.
32:34But obviously we are looking for perfection.
32:36Mr. Jan.
32:37I'm going to make you work a little more.
32:39Sit down, please.
32:40If you are so kind.
32:42All right.
32:48With your permission, I begin.
32:49Okay?
32:50I think we should change the names of the boards.
32:54Play a little with them.
32:56I mean, this way.
32:57I think it will attract more readers' attention.
33:00And we'll have to do it before it goes to the Balkans.
33:04No need.
33:07Or are you going to go to the Balkans?
33:09I'm not talking about that.
33:10That has nothing to do with it.
33:12What I'm saying is that you don't have to change the names of the boards.
33:15I agree with Jan.
33:16It's not time to change anything.
33:18It's too late.
33:19Yes, Sanem.
33:20It's unnecessary and silly.
33:22I think so too.
33:23It could cause confusion.
33:27Keshet.
33:28Let's see.
33:29I don't say we change the names of all the boards.
33:32For example, Keshet.
33:33That's one.
33:34What comes to mind when you say that word?
33:36Let's see.
33:37What does it suggest to me?
33:38Keshkek.
33:40It's a word that transports you.
33:42It makes you travel.
33:43And it's also a dish that is usually served at weddings.
33:45Hey, you can serve it in yours soon, can't you?
33:49That's an association of ideas.
33:51Oh, what imagination.
33:52I mean.
33:53Sure, the usual.
33:55There are brains that don't stop, right?
33:57Not a minute.
33:58You always have to have creative minds.
34:00Mr. Jan, are you tired?
34:01We just started.
34:02What about the cover photo?
34:05We've missed it.
34:06We'll have to comment on the cover photo.
34:09Oh, yes.
34:10Very good.
34:11Bravo, Ms. Editor.
34:12Bravo.
34:13You're right, Ms. Editor.
34:15We had forgotten.
34:16Not to mention.
34:18Well, yes.
34:19We're editing a book.
34:20We've gathered to talk about it and we don't have a cover.
34:23We're missing a photograph.
34:26How silly.
34:27We hadn't thought of that.
34:29Look.
34:31Wait a second.
34:32What do you mean there are no cover photos?
34:34No.
34:35It's here.
34:36I haven't seen any photographs.
34:37Of course, woman.
34:38Here it is.
34:39Take a good look.
34:40I don't like it.
34:41Sorry.
34:43Here's more.
34:44We have alternatives.
34:45They're in a wider format.
34:47And, for example, this one, which is the one we like the most.
34:51I'm going to show you.
34:52Look.
34:55Very good.
34:56Perfect.
34:59And what do you think of this one?
35:02Look.
35:04What kind of cover is this?
35:06It's horrible.
35:07Sorry.
35:08Terrible.
35:09Sorry.
35:10Terrible.
35:11Why did you do that?
35:12Did you see what it is?
35:14They're very bad.
35:15Horrible.
35:16For example.
35:17It looks like wedding food.
35:19There's nowhere to choose from.
35:20Take it off.
35:21You don't like it.
35:22They're very bad.
35:23Terrible.
35:24I'm sorry.
35:25They're good.
35:26Horrible.
35:27Very bad.
35:28This is terrible.
35:29Terrible.
35:30Sorry.
35:31Stop throwing them.
35:32Very bad.
35:33Very bad.
35:34And this one is worse.
35:35This one either.
35:37That's the last one.
35:38The photos are running out.
35:39My patience is running out, too.
35:45Regular.
35:47I think it's pretty good.
35:48Could be.
35:49I like it, too.
35:50Can I take a look at it, please?
35:52They all like it.
35:53Are you happy, Sanem?
35:54I see there's no other choice.
35:56It's not that, Sanem.
35:57It's just that there hasn't been more time.
35:59Okay, I'll give you the good one.
36:01We'll keep this one.
36:02Great.
36:03Now we can breathe.
36:06The delivery is over.
36:07It's amazing.
36:08Well, thank goodness.
36:09Very good.
36:10Then let's go get some coffee.
36:11Great.
36:12Yes, I think we've won it.
36:14Let's go.
36:15Yes, Mr. Editor, we've won it.
36:17Aren't you coming, Sanem?
36:18I'm going to review everything.
36:20Now I'm going.
36:21You're difficult.
36:22A lot.
36:23I've learned from the best, Deren.
36:32Ayhan couldn't sleep last night.
36:34She's excited and she won't stop talking about Jay-Jay.
36:36Of course.
36:37It's normal.
36:38The man she loves asked her to marry him.
36:40How can she not be excited?
36:42Just like us.
36:45They called me from the real estate agency.
36:47There are several apartments they want to show us.
36:49And I said yes.
36:51Of course.
36:52We'll go see them.
36:53There's one around here.
36:54It's very close.
36:55It'll be close to your mother.
36:57Yes, that would be very safe.
36:59We could also look for wedding halls.
37:02We have to book.
37:04Do you want to see the halls?
37:06No, it could also be outdoors.
37:08But at this rate, I'm afraid it's going to be all occupied.
37:11The first thing is to decide what kind of wedding we want.
37:14But Osman, do you think it's necessary to celebrate the wedding?
37:18Of course, Leila.
37:20You're going to buy an apartment.
37:23And besides, the wedding represents a lot of money.
37:30If you're with me, nothing else matters.
37:41Well, we'll talk later, Osman. Take care.
37:44Goodbye.
37:59What are you doing, JJ?
38:01You're in trouble.
38:03Now it turns out I can't go home and I can't stay here either.
38:07I don't know what I'm going to do.
38:09What should I do? What should I do?
38:11What are you murmuring, JJ?
38:13Huh? Tell me.
38:15Oh, you're still here, Mr. Jan.
38:17He's like the captains.
38:18He's the last one to leave the ship.
38:20Sorry, I'm just saying nonsense.
38:22Hey, what's wrong with you?
38:24I'm not going to leave the ship.
38:26Sorry, I'm just saying nonsense.
38:28Hey, what's wrong with you?
38:31Well, yes.
38:33That seems...
38:36Let's have a drink.
38:38All right?
38:39Yes.
38:40Let's go.
38:41Sir, right away.
38:45Where did I leave my coat?
38:56Let's go.
39:26Touch, touch, touch.
39:28Why are you so tense?
39:30Relax, come on.
39:31Release all that tension.
39:32Let's see, I'll give you a massage.
39:33Relax your shoulders.
39:35Like this.
39:38Don't look at me today like your boss, okay?
39:40We are two friends who come to relax.
39:42We can forget about the office.
39:43Relax, have fun.
39:45JJ, take advantage of the moment today.
39:48Friend Ismet, whenever you can, please.
39:50Tell me, Mr. Jan.
39:51Bring us white cheese to chop, please.
39:54Whatever today.
39:55And then smoked fish with mashed potatoes.
39:58The rest is up to JJ.
40:00He's a good friend of mine, so treat him well.
40:02Ask JJ, tell him what you want.
40:09That over there.
40:12And eggplant too.
40:13What else?
40:15That looks good too.
40:17Does it have a lot of salt?
40:18No, they know that I don't eat salt,
40:20so they do it to my liking.
40:21You can ask for it.
40:22You ask.
40:23But it's a little expensive, isn't it?
40:24Please.
40:25Did you say expensive?
40:26You don't worry, friend.
40:28Today I invite.
40:29Besides, I'm a good client.
40:30We have a good relationship.
40:32You don't get overwhelmed by the price.
40:34Ask for whatever you want.
40:35There's no problem.
40:36You just enjoy the food.
40:37Very good.
40:39So this, this, this, this, this,
40:42and also celery, spicy pasta, oranges,
40:44a little of this,
40:45boiled egg and artichokes too, please.
40:47And beetroot.
40:48Artichokes are very healthy.
40:50Do you know that an adult should eat at least 40 a year
40:52are good for the liver.
40:54Also bring us hummus, please.
40:56And that's it.
40:57I don't know if we can eat all this.
40:59I see you have a very good stomach
41:01for how small you are.
41:02It's to try them, Mr. Jan.
41:03I like to try everything.
41:05Very good.
41:06Well, bring us everything.
41:07As you say, sir.
41:08But just serve a little of everything
41:09to try them all.
41:10If we want more, we'll ask later.
41:12No problem, Mr. Jan.
41:13I think we asked too much, Mr. Jan.
41:15If you want, before they bring us the fish,
41:18we say that we are already full
41:20and we cancel it if we save.
41:22Don't worry and eat.
41:24Very good.
41:25Well, I also want prawns, please.
41:27Yes, bring him prawns.
41:29Did you write it down, Ismet?
41:30On the grill and very spicy.
41:32Also some peppers on the grill to accompany.
41:34You know how I like them.
41:35No salt, no fat.
41:36I leave it in your hands.
41:37I hope you take note well, Ismet.
41:39I hope everything is as delicious as always.
41:42Thank you very much.
41:51Welcome.
41:57The judges, welcome.
42:01Welcome.
42:09Girls.
42:11Good luck.
42:12I'll go see the game that's about to start.
42:14And they are the only ones that are going to have a good dinner
42:16It's your fault I lost my appetite.
42:19Everyone with their own ways.
42:21If you don't want to eat, don't eat.
42:23If you don't care, put your plate and glass in the dishwasher
42:27because I'm not your maid.
42:29So you know.
42:30Or better yet, call Musa so he can do it and not you, Nihat.
42:34Thank God I have hands and legs to do it.
42:37Don't worry.
42:39And one thing.
42:40I hope all your clients are like Musafer.
42:43That's clear to you.
42:45Musafer has to come back to my store
42:47or I'll lose my head because of Aysun.
42:50Well, sit down.
42:51He'll come back.
42:52No, he won't.
42:53He will.
42:54Don't even talk.
42:55He will.
42:56Enjoy.
42:57He will.
42:58Thank you, Dad.
42:59Are you talking about our Musa?
43:01What did he do now?
43:02He's our Severset.
43:03I'm bloated again.
43:05It's your father's fault.
43:11What's wrong with you?
43:12You haven't said a word all dinner.
43:14What's going on?
43:15Come on, tell me.
43:16Do you have a problem with Osman?
43:18No, Mom.
43:19It's nothing.
43:20Did he say something serious?
43:21Of course not.
43:22What is he going to tell me, Mom?
43:23I don't know.
43:24Maybe he got distracted with the wedding
43:26and you're afraid to tell me.
43:28Is that it, dear?
43:29Oh my God, Mom.
43:30Don't be so dramatic.
43:32It's nothing.
43:33We're fine.
43:35What's wrong with you?
43:36Nothing, Mom.
43:37I know what's wrong with you, but I'd rather be quiet.
43:40No, you don't know.
43:41It's something else.
43:42You don't know.
43:43It's nothing.
43:44Why do you think I don't know?
43:46Did something happen at work?
43:48Aren't you comfortable in your new office?
43:51No, I'm very comfortable.
43:53I wish everyone had an office like this.
43:55It's true.
43:56I don't know.
43:57Did you have a problem with the boss?
43:58It's a charm.
43:59I wish everyone were like him.
44:01Oh, so...
44:03Did something happen with your ex-colleagues at the agency?
44:09As neighbors, you must have fought, right?
44:11No.
44:12I try not to mix work with my private life.
44:14Ayhan is getting married.
44:15That's the best.
44:16I'm going to see her.
44:17So we can have tea and chat.
44:19I'll be fine.
44:20Wait.
44:21Wait a second.
44:22But didn't you sleep with her last night?
44:24Yes.
44:25Last night you were at her house and you fell asleep.
44:27I guess you shouldn't be there all day at her house.
44:30What a nuisance.
44:31And what's that about tea?
44:33They spend their lives drinking tea and they don't stop talking.
44:36Open the door, Ayhan.
44:38Open?
44:39See?
44:40It must be her.
44:41Wait, friend.
44:42I'm going to open the door.
44:43Yes.
44:44Tell your friend to come have tea.
44:45I don't know what he's gotten himself into.