有吉のお金発見 2024年9月28日
有吉のお金発見 2024年9月28日
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
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TVTranscript
00:00The theme of this episode is manga, a culture that Japan is proud of.
00:11I love manga too!
00:14In our house we have a living room only for manga.
00:18We love manga!
00:21For example, Naruto, One Piece and the modlayer Shinjyaki no Kyojin are the most popular.
00:30Manga, a culture that Japan is proud of.
00:35Now, more than 40% of Japanese manga are published in Japan.
00:41The total sales of manga in Japan is about 6,937 billion yen.
00:48I didn't know that almost half of Japanese manga were published in Japan.
00:55In the last 10 years, the sales of books and magazines have decreased, but the sales of manga have increased by 1.5 times.
01:07By the way, 2 out of 3 of the manga sold are e-books.
01:17In recent years, manga and anime events have been held all over the world.
01:23This is also a great success.
01:27Japan is the pride of manga.
01:30With the popularity of manga, the number of people who want to be a manga artist is increasing.
01:36The number of manga apps is increasing, and the number of manga magazines is increasing.
01:41The number of manga series is increasing, and the number of manga artists is increasing.
01:48I see. The number of manga artists is increasing.
01:55This time, we will cover the forefront of manga.
02:01Then, there is a dramatic change that has happened in the past 10 years.
02:07In the past, it was a very troublesome task to create a manga.
02:12Now, it's easy.
02:17That's great.
02:19This is convenient.
02:21That's great.
02:22And what is the behind-the-scenes story of that masterpiece?
02:28Hello, Kaneo. Welcome.
02:30The main character, Maeda Taisen, is wearing a T-shirt.
02:34But he is wearing only one piece of T-shirt.
02:37That's right.
02:39Learn modern society by borrowing various amounts of money.
02:43That is...
02:45Ariyoshi's money discovery.
02:47Totsugeki Kaneo.
02:49Totsugeki Kaneo.
02:54I'm Tora Tamaki, assistant director of Totsugeki Kaneo.
02:58Nice to meet you.
03:01Nice to meet you, Kaneo.
03:03Ariyoshi.
03:04This is the first time that Sora-chan is 18 years old.
03:09Congratulations.
03:12Are you an adult?
03:14That's right.
03:16Sora-chan was 11 years old when Kaneo's regular program started.
03:2011 years old.
03:22That's great.
03:24Do you have any aspirations as an adult?
03:27I like to eat ice cream in the bath.
03:30You still eat ice cream.
03:34I often drop ice cream.
03:37I don't want to do that.
03:40That's right.
03:41You are an adult.
03:42Please be careful.
03:44Sora-chan hasn't changed since he was 11 years old.
03:47That's right.
03:48That's great.
03:50Today's guest is a man who is interested in money.
03:55The first guest is Kenjiro Yamashita.
03:58Nice to meet you.
04:00What do you spend your money on?
04:03I bought high-end denim.
04:08This is a denim called ZENKI in the late 1940s and early 1950s.
04:14This is a new denim called DEAD STOCK.
04:18I bought this and wore it.
04:21I'm raising this now.
04:24I often hear that it's very expensive.
04:27That's right.
04:32This is expensive.
04:34What do you mean?
04:36I often sell this.
04:38That's not true.
04:40That's not true.
04:41This is more expensive than mine.
04:44This should be expensive.
04:47That's right.
04:48I have a romance.
04:50That's right.
04:51I have a history.
04:53You like this, right?
04:54I like this, too.
04:55I happened to be shopping at a second-hand store in Toyama.
04:58I met Yamashita.
05:00I was surprised that he came to Toyama.
05:03That's right.
05:04There is a jacket that Yamashita recommends.
05:08This jacket is shorter than my waist.
05:11It's short.
05:12Yamashita recommended this to me.
05:14I bought this and wore it in Tokyo.
05:16I was embarrassed and didn't wear it once.
05:19It's too short.
05:20You didn't wear it?
05:21I didn't wear it once.
05:22I was embarrassed.
05:24What does that mean?
05:26It's true that it's short.
05:29This is the first guest.
05:31This is SUDA AKI from the Super Exciting Advertisement Club.
05:36Nice to meet you.
05:38Nice to meet you.
05:40This is SUDA AKI from the Super Exciting Advertisement Club.
05:46Nice to meet you.
05:48Nice to meet you.
05:51Are you famous?
05:53I'm doing my best now.
05:56Don't ask me like that.
05:58What do you do?
06:00I'm an idol.
06:02I met him once.
06:04Really?
06:05I met him at the Ariyoshi Reflection Meeting.
06:07That's not good.
06:12The theme of this time is the secret of the money in the manga.
06:17I heard you have something to say.
06:21What is it?
06:22Thank you for your wonderful manga.
06:26SUDA AKI, you are not a child anymore.
06:29That's true.
06:30You were pushed by your smile and innocence when you were 11 years old.
06:36I'm an adult.
06:38Do you understand?
06:40That's not good.
06:43This time, KANE-O attacks the forefront of manga culture in Japan.
06:53Let's visit the manga artist.
06:59But the manga artist's office is...
07:02The assistants line up at the desk.
07:05I think it's a place where they work all night.
07:13Excuse me.
07:17Welcome, KANE-O.
07:19I'm SESHIMO, a manga artist.
07:21This is SESHIMO TAKESHI, a manga artist who is currently serializing a manga called
07:26HEIWA NO KUNI NO SHIMAZAKI E in SEINEN MANGASHI MORNING.
07:34This work is about a Japanese man who was trapped in an international terrorist organization when he was a child and was specially trained in a foreign country.
07:44It's an action drama about a man who lives between the battlefield and everyday life.
07:49There are currently six volumes of the manga.
07:52It is a popular work that has exceeded 600,000 volumes in total.
07:57I've never seen a manga artist's office.
08:03It's more beautiful than I thought.
08:06It's very beautiful.
08:07It's refreshing.
08:08That's right.
08:13Do you draw manga on your computer?
08:16I don't do that anymore.
08:18In the past, everything was handwritten on paper.
08:21Recently, there are more and more teachers who use computers to draw digitally.
08:26In my case, it's an analog and digital fusion.
08:29How to make a manga that has changed dramatically in the past 10 years.
08:33Digitization.
08:35The work that used to be hard is now one-click.
08:41The biggest evolution in the manga world in the past 10 years is the popularization of digital.
08:48In fact, about 90% of manga artists are now said to be drawing manga on their computers.
08:56In the case of Mr. Seshimo,
08:58From the draft to the main character and a part of the background.
09:03It's a conventional analog formula that uses paper and pen.
09:08Scan the manuscript you wrote to digitize it.
09:12Read it on your computer.
09:14Draw a plane.
09:16Write the background.
09:18The work to be finished is digitized.
09:22Recently, there are more and more people who use computers to draw digitally.
09:25In my case, it's an analog and digital fusion.
09:28In the past, everything was handwritten on paper.
09:31But after this, you're going to work on your computer, right?
09:35What's so good about drawing on your computer?
09:40It's a lot easier to work with.
09:42It's a lot more efficient.
09:44For example, look at this.
09:46I drew the main character too big.
09:50The distance between the back door and the background is a little weird.
09:56I learned how to make the character bigger and smaller like this.
10:02Compared to the manuscript after the correction,
10:05There's definitely a difference.
10:08When I was doing it in analog,
10:10I cut out only the character, copied it, pasted it on the manuscript.
10:14I fixed the surroundings.
10:16It took a lot of time.
10:18It's a lot of work.
10:20It's definitely a lot of work.
10:25Of course, it's easy to move to the right a little bit.
10:28It's easy to fix where you made a mistake.
10:36Everything is easy.
10:38It's a one-click.
10:40It's so convenient.
10:42In addition, this change may be due to digitization.
10:46The assistant works remotely at home.
10:52It's true that in the analog era,
10:54This is a common sight in a manga artist's workplace.
10:59That's right. I had this image.
11:03There's definitely no assistant in this room.
11:08I used to work side by side with a desk.
11:11But now the assistant is completely remote.
11:16In the case of Mr. Seshimo,
11:18Due to the influence of COVID-19,
11:20From around 2020,
11:22All three assistants are working remotely.
11:27They all live in completely different places.
11:30They're working from home.
11:34Shinjuku, Chiba, Saitama.
11:37They're all really separated.
11:40Let's take a closer look.
11:44It's the same scene as the third and fifth frames.
11:48I'd like you to draw a corridor.
11:52In a remote meeting,
11:54With instructions from Mr. Seshimo,
11:57While separating,
11:59The assistants are working on the background and drawing the accessories.
12:05Mr. Seshimo is working hard.
12:13He's working hard.
12:17Because it's remote,
12:19You can work without worrying about others.
12:22You're going to get in trouble with your seniors.
12:25When I'm tired, I exercise.
12:28I can do it at my own pace.
12:31I think it's very easy.
12:37I'd like you to confirm this.
12:41The assistant drew it.
12:44It seems to have arrived in the online sharing folder.
12:47In this way,
12:49The work assigned to the assistant
12:52Data is collected at Mr. Seshimo's disposal.
12:56Mr. Seshimo will finish the manuscript.
13:02The work is being completed without meeting the face.
13:07It's just like the present era.
13:12And with the digitalization of the manga world,
13:15What has increased in the past ten years is
13:18The two-person system of increased drawing and original work.
13:25Mr. Seshimo's work,
13:27Peace in the Land of Peace.
13:29The story is based on the original work by Mr. Hamada.
13:34It's a two-person system work.
13:38In fact, in the manga world in recent years,
13:40This two-person system has increased.
13:43Many popular works that are currently serialized are in the same pattern.
13:49By the way, Mr. Akasaka Aka, who is mainly in charge of the original work,
13:55Not only the original work, but also as a manga artist who draws by himself.
13:59Mr. Kaguya wants to promote it, etc.
14:02He's creating a hit work.
14:05Also, in the category,
14:07In addition to the current manga,
14:09There is a spin-off series that changes the protagonist.
14:13These are the same original authors,
14:16All the original works are in charge of different manga artists.
14:20Even when serialized at the same time.
14:22You can do that, too.
14:24It's a trade that can be done because each author is different.
14:29In my case,
14:31When the story and the original work are all done by one person,
14:34It takes about three days just to interview and think about the story and lines.
14:39Weekly serialization is hard.
14:41In the current two-person system,
14:43It takes a lot of time to draw a good picture, so it's helpful.
14:47It's good for a manga artist.
14:52But I wonder what the original author is doing.
14:57So I asked Mr. Hamada, who is in charge of the original work to Shimazaki, the country of peace.
15:06Welcome, Kanayo.
15:08Nice to meet you.
15:12But what kind of work is the original work?
15:16I think about the story and the setting.
15:19For example, I think about the setting of the character like this.
15:25It's a sentence.
15:28Shimazaki, the protagonist, is modeled by Mikeru Matsu and Ken Takakura.
15:35It's got an atmosphere.
15:38It's like this.
15:40I've got a rough idea of what's going on.
15:43I've got a rough idea of what's going on.
15:48And in the case of Mr. Hamada,
15:51In this way,
15:52In this way,
15:57He even made a blueprint called a name and gave it to Mr. Seshimo.
16:03I'm in charge of the skeleton of the manga.
16:06Mr. Seshimo is very good at drawing, so he's good at writing.
16:14What are the merits of focusing on the story?
16:19Shimazaki is a setting where you can see the past of various countries around the world.
16:27I usually spend my time drawing.
16:30I read guidebooks from overseas.
16:33I watch travel videos from overseas.
16:36I spend my time collecting information like that.
16:40The more time we have, the better the quality of the work, right?
16:47But when I'm doing weekly serialization,
16:50We're both busy with our daily work, so we don't get a chance to meet.
16:56Last year, we only met once or twice a year.
17:01What did you say?
17:03That's right.
17:04In fact, the original author wrote the manuscript.
17:08In order to communicate with the editor of the publisher,
17:13In the case of Shimazaki, the country of peace,
17:16They only meet a few times a year.
17:20It's just a meeting with the media and a meeting with the editor.
17:27Actually, I'd like to talk more about the movie and Shimazaki, but I can't.
17:36I haven't written it yet.
17:38But every week, it's like a diary between the original work and the manuscript.
17:42I'm the one who's looking forward to Mr. Hamada's story the most.
17:47I feel like I trust him completely.
17:51It's because we trust each other that one manga has been completed.
17:58It's a manga industry where digitalization is advancing.
18:01On the other hand, there are also manga artists who continue to draw manga in analog.
18:06There are various techniques for drawing manga in analog.
18:13This is Naoki Urasawa and Yuji Terajima, among others.
18:18He has been an assistant to an analogist for many years under the famous cartoonist.
18:24Now, he teaches how to draw manga and technology at school.
18:28Mr. Seiji Sato
18:31After all, it's hard to draw manga in analog.
18:34Screen tone.
18:36Screen tone?
18:38Screen tone is an adhesive film with various patterns like this.
18:44When I was a kid, I thought it was hand-drawn.
18:46It is used to express the person's hair and clothes or to add shadows.
18:53There are more than 700 types, including fine dot patterns, line patterns, and gradations.
19:03In the case of digital, the shadow of the character and the color of the clothes are easy to draw on the computer.
19:13However, analog manga artists put this screen tone on top of the character and carefully cut it out with a cutter knife.
19:24Then...
19:26Oh, there are shadows and colors.
19:30You can put it on beautifully.
19:32If you're not used to it, you can cut the important lines below with a cutter knife.
19:42Then you can put tape on the back and fix it.
19:46You have to remember the subtle amount of force without cutting the lines below.
19:52In addition...
19:54You're going to cut it.
19:57I'm going to cut this thin screen tone and add shadows and gradations.
20:04This screen tone cutting is used to make the hair shine.
20:11It is also a technique used to express the clouds in the sky and the light of the sun.
20:18It's a skillful thing.
20:21In addition, it is said that there are various techniques for drawing with analog.
20:28For example, the highlight of this kind of character is the line of effect.
20:35I'm going to draw with a pen and ruler like this.
20:41Kanayo-kun, look at this.
20:44What is it?
20:46The drawing pen is taped, right?
20:48That's right.
20:49Really?
20:50Well, I'm going to stick my hand in the sleeping hat.
20:54No.
20:56I'm going to move the ruler to the axis of the drawing pen.
21:00I see.
21:02Oh, I see.
21:04With this, you can draw a beautiful line in a radiant way.
21:08I see.
21:10In this way, people have been thinking about various techniques to draw manga in a beautiful way.
21:19It's the wisdom of the predecessors.
21:22Wow, that's a good idea.
21:25By the way, I've been wondering about this for a while.
21:28The one-yen coin that was lying on the desk.
21:32Why don't you put it in your wallet?
21:35This is also a very important technique that is indispensable for analog.
21:41What? One-yen coin?
21:44That's...
21:45What?
21:49That's right.
21:50What? You're going to use a one-yen coin for that?
21:56So, it's sudden, but here's the Kanayo Quiz.
22:01How do you use a one-yen coin that is used in the field of analog manga?
22:10Here's the Kanayo Quiz.
22:12Sora-chan, let's think about it.
22:15What is it?
22:17It's the first quiz for an adult.
22:21It's an adult-like answer, isn't it?
22:23It's an adult-like answer.
22:24It's difficult.
22:27Use a one-yen coin like a scratch.
22:33I see.
22:34Like a screen tone.
22:35It's a good feeling to scrape the screen tone.
22:40This is...
22:41As expected of an adult.
22:43It's a good answer.
22:46Now, Suda-chan.
22:48What is it?
22:49Use a one-yen coin between your fingers.
22:53Use it when you want to write something at the same interval.
22:58It's funny.
22:59It's funny?
23:00What is it?
23:01It doesn't match the tension.
23:03It's funny, isn't it?
23:05It doesn't match the tension.
23:06That's true.
23:07Now, Jun-san.
23:09When you pay 803 yen for an eraser and a drink,
23:14you should pay 1,000 yen and put 3 yen on it.
23:20As expected of an adult.
23:22It's too much like an adult.
23:24It's the same as now.
23:26I see.
23:27You can make it float.
23:29For example,
23:30don't draw a perfect line with a ruler.
23:33When you want to blur it with a spray,
23:35put a ruler on it and float a little.
23:38For example, when you want to blur it with a spray,
23:40put a ruler on it and float a little.
23:44Make a gap and float it.
23:46I see.
23:47It's the same as an adult.
23:48It's the same as an adult.
23:50Now, the correct answer.
23:52Kaneo-kun, look at this.
23:57Use a ruler.
23:58Oh, no.
23:59Use a one-yen coin under the ruler like this.
24:03Under the ruler?
24:04That's good.
24:06Float it and put it on the ruler.
24:11Yes, by putting a one-yen coin on it,
24:13the ruler will float a little.
24:14That's good.
24:15Look,
24:16the ruler won't touch the paper,
24:19and you can prevent the ink from smudging.
24:21It won't smudge.
24:22I see.
24:23Yes.
24:24When you draw a line in a row,
24:26the ink may be pulled by the ruler
24:29and the line may smudge.
24:32In this way,
24:33if you put a one-yen coin on it and float the ruler,
24:36you can prevent the ink from smudging.
24:41That's good.
24:42That's a nice wisdom.
24:44I see.
24:46When I was an assistant,
24:48it was natural to have a ruler with a one-yen coin on it.
24:54Digital evolution and analog techniques.
24:58By using both of them,
25:00Japanese manga has become a culture that is proud of the world.
25:05I learned a lot.
25:08The correct answer was to float the ruler
25:11and prevent the ink from smudging.
25:14Mr. Ijuin,
25:15it was correct to float the ruler.
25:17You did a good job.
25:18I see.
25:19I see.
25:20Does that mean it won't smudge?
25:21That's right.
25:22Yes.
25:23Mr. Ariyoshi also loves manga.
25:24I love manga.
25:25I wanted to be a manga artist many times.
25:27I bought a pen.
25:28I bought a screen.
25:30Did you do that?
25:32Yes.
25:33I threw everything away.
25:35It didn't work.
25:36It really didn't work.
25:37It's difficult.
25:39I respect you.
25:40I think everyone reads manga a lot.
25:43Is there a manga that makes you excited?
25:46Ms. Suda.
25:48There is a manga called Machine and Soare.
25:53When I was talking about manga,
25:56everyone didn't know about it.
25:57I wondered why they didn't know about it.
25:59It's really interesting.
26:00It's a story about a play.
26:02My brother and my older brother were both in a play.
26:05My older brother passed away.
26:07My older brother was very good at acting.
26:11He was an actor who became famous after he passed away.
26:16My younger brother was the second generation.
26:20When he passed away,
26:22he moved to the real world.
26:24My older brother was in the real world.
26:26The two of them were in a play.
26:29It's a story that makes you excited.
26:32It's really interesting.
26:34I see.
26:36It's interesting to hear.
26:38How was it?
26:39I like it.
26:40I thought it was a crane Shin-chan.
26:44I like that, too.
26:45You like Shin-chan, too, right?
26:48This time, we interviewed a manga artist.
26:53There are many stories about the industry.
26:57So, let's talk about the stories about the industry.
27:02First of all,
27:03the cover of a book that can be said to be the face of a manga.
27:07Actually,
27:09It's true.
27:14For example,
27:15In the case of Shimazaki in the Land of Peace,
27:18The cover of the book was drawn by Mr. Tsushima using watercolor paint.
27:25Like this,
27:26It's a cover of a book that emphasizes all the works.
27:31Actually,
27:33To be honest,
27:34The cover doesn't have a manuscript.
27:37What?
27:38Even though you put so much effort into it, it doesn't have a manuscript?
27:42I see.
27:43I didn't care about it.
27:45But it's a strange rule.
27:48That's right.
27:50About the zero-yen issue of the manuscript of the cover,
27:53We asked the manga editor.
27:56We don't usually pay for the cover illustration.
28:03Because the manuscript is a copy of the manga artist's work,
28:06There is no concept of manuscript fee.
28:10We pay the manuscript fee for the magazine because it is a copy of the manga artist's work.
28:18When the manuscript is compiled,
28:20At this time,
28:21Because it is a copy published under the name of the manga artist,
28:26The manga artist will draw the cover of his favorite illustrations.
28:34I didn't know it was such a mechanism.
28:37If it's a no-gala, I'll finish it with just the letters.
28:42I can't sell such a dark book.
28:43Of course, it's not zero.
28:45If the manuscript sells,
28:47You'll get a fee for that.
28:50If it sells a lot, you'll get a lot.
28:53By the way,
28:55The cost of the manuscript of the manga is generally 8% to 12%.
29:03The cost of one copy is 50 yen.
29:07It's 500 million yen for a total of 10 million copies.
29:11If you get one right, it's a dream job.
29:16Next,
29:18If you look at the tourist books in detail, you'll find a little bit of them.
29:23I'm impressed.
29:25The one who told me this was...
29:29Excuse me.
29:33Who are you?
29:35Oh, Morita.
29:37Hi, Kaneno.
29:38I'm glad you came.
29:40This is a popular cartoonist known for his works such as Bruce and Rookies.
29:46Mr. Morita Masanori.
29:49Here's the application form.
29:52What is Mr. Morita going to tell us?
29:56The manuscript we finished...
29:58When it was serialized and when it became a comic,
30:00I was with the editor.
30:02I'm checking to see if there's any mistake.
30:05But I actually went through that check.
30:07In fact, there are quite a few cases where mistakes are added to the comic.
30:12What? A mistake in the manga?
30:15I didn't notice it at all.
30:18For example, look at this.
30:24This is one frame of Bruce in Rookies.
30:28The main character, Colonel Maeda, was wearing a T-shirt until then,
30:31but he changed only one frame.
30:34Really?
30:37And look at this.
30:39The character with his left cheek slapped is holding his right cheek on the next page.
30:46What a coincidence!
30:47It's likely to happen in the drama.
30:49It's true.
30:50And...
30:52Look at this opening.
30:54This part here.
30:57It's torn off.
30:59It's true.
31:00I'm scared.
31:01When I look at this, Mr. Morita is making a mess.
31:04It's torn off.
31:06I didn't notice it when I drew it.
31:08But I noticed it when I saw it in the magazine.
31:10I see.
31:11I was trying to be a good assistant.
31:14I didn't want to repeat the same mistake.
31:18So, I left it as it was in the comic.
31:21I see.
31:22I wish I hadn't done that.
31:25I don't know if this is a special feature.
31:29For a manga fan, this mistake is lovely.
31:35Mr. Morita, Mr. Seshimo.
31:38Thank you for your precious story.
31:41And finally, Mr. Seshimo gave us a surprise.
31:47I'm good at drawing faces.
31:51I often see this on TV.
31:54He draws quickly, but he's really good at it.
31:57I admire him.
31:59And so...
32:01The hurdle has been raised.
32:07Let's see.
32:13It's good.
32:14Is it like this?
32:16It's done.
32:18Look!
32:19I'm so happy.
32:20It's very good.
32:22It's Mr. Ariyoshi who got a special feature.
32:25It's good.
32:26By the way, how good is the professional?
32:29As a representative of non-manga fans,
32:31Mr. Nobu is also impressed.
32:35Nobu looks bad.
32:40It looks good.
32:42Mr. Ariyoshi, it's done.
32:44It's a self-made work.
32:47I wanted to take more time.
32:49I can't say anything.
32:51I wanted to add more time.
32:53I can't say anything.
32:54So, Mr. Ariyoshi.
32:56I'll bring these two special features to the studio.
33:03So, Mr. Ariyoshi.
33:04I brought the colored paper that Mr. Seshimo drew.
33:09It's amazing.
33:10I'm so happy.
33:12It's beautiful.
33:15It's very similar.
33:18It's amazing.
33:20The lines are beautiful.
33:22The lines are beautiful.
33:24I can't say anything.
33:26Mr. Ariyoshi's eyes are shining.
33:29It's very cute.
33:32It's amazing.
33:33It's amazing.
33:34Please display it at home.
33:35Is it okay?
33:37Thank you, Mr. Ariyoshi.
33:38Mr. Ariyoshi.
33:39It's not just this.
33:40It's what I drew.
33:41It's okay.
33:42It's okay.
33:46The lines are dirty.
33:47It's not dirty.
33:50It's good.
33:51It's good.
33:52My special feature is a round face.
33:55Your face is long.
33:57It's long.
33:59It's like Mr. Ukaji.
34:01Mr. Ukaji.
34:02It's like Mr. Ukaji.
34:04Let's send this to Mr. Ukaji.
34:07Mr. Ukaji can't do anything.
34:10So, Mr. Ariyoshi.
34:12There were many mistakes.
34:14There were many mistakes because he drew a lot.
34:17It's good that he didn't fix it.
34:20The fans will be happy.
34:22Maybe.
34:24Mr. Ijuin, how was it?
34:26I thought it was similar to the previous part.
34:29According to the legend of mistakes,
34:32there is a boxing manga called Tomorrow's Joe.
34:37It's about Joe and his rival, Rikishi.
34:41They have a great fight.
34:43The original work is by Mr. Kajiwara.
34:46Mr. Chiba is the one who draws the picture.
34:49Mr. Kajiwara loves martial arts and boxing.
34:52Rikishi is a great man with a strange power.
34:57Mr. Chiba doesn't know much about boxing.
35:00He doesn't know how many kilometers people can fight.
35:06So, he drew Rikishi big.
35:11When Mr. Kajiwara saw it, he said,
35:13There is no way.
35:15But Mr. Kajiwara said,
35:18Then Rikishi will lose a lot of weight.
35:24As a result, Rikishi will win the match, but he will die.
35:29That story is stuck in us.
35:33Mr. Chiba, who didn't know the class,
35:37In a sense, he drew it by mistake.
35:41That's the beginning of the drama.
35:45Is that so?
35:47Today's poop is good.
35:49No, it's not.
35:51I feel like I've had enough.
35:54I feel like I've had enough.
35:56What do you think?
35:57What do you think, Sono-chan?
35:59One more?
36:00Yes.
36:01One more?
36:03He used the hand of an adult.
36:07That was amazing.
36:09Yes, it was.
36:10This is a special feature of the manga.
36:12Mr. Osamu Tezuka.
36:14Mr. Osamu Tezuka's paper episode was published in 1981.
36:18It's a pirate version that neither Mr. Tezuka nor the production company allowed.
36:24It's a fake copy.
36:27It was sent to Mr. Tezuka.
36:30When Mr. Tezuka saw the fake copy, he said,
36:35It's terrible!
36:36He was angry.
36:38The editor was a great person.
36:40Let's have a meeting through the Ministry of Foreign Affairs.
36:44Mr. Tezuka is making money on his own without permission.
36:48That's terrible!
36:49I said,
36:50That's not true!
36:51This part is deformed.
36:55This copy is broken.
36:57This is terrible!
36:58I'll rewrite it and send it to you.
37:01What?
37:02I see.
37:04He said,
37:05It's free, isn't it?
37:07He corrected the bad part of the copy.
37:10He sent me the manga.
37:14That's amazing.
37:16He is a person who is passionate about spreading correct and interesting manga to everyone.
37:25He is the god of manga.
37:27Thank you very much.
37:29See you later.
37:30I've never seen him poop in a program.
37:33I'm sorry.
37:34I have a hard schedule today.
37:37I've never seen him poop in any other program.
37:41There are two poops here.
37:43To be continued.
37:46Next time on Kaneo.
37:48The secret of the V-shaped recovery of Atami, a tourist attraction.
37:53A large line of sweets.
37:55A super gorgeous popular hotel.
37:58I see.
38:02During the Second World War, Chiyune Sugihara saved many Jews.
38:06While the Gaza attack continues, the evidence is criticized.
38:10What does the V-shaped recovery of Atami mean?
38:12Tonight at 10 p.m.
38:14Next Week.
38:16The rain has come.
38:18For the first time in 221 years, two types of cicadas have occurred at the same time.
38:22There were several of them.
38:24There was a secret of the great response in the cry of a loud voice.
38:29Next Week.
38:31The drama Hikaru Kimie.
38:33I want to help Katako.
38:35Satsuki.
38:36I don't hate my mother.
38:38I heard that someone stole it.
38:40I read the story of Hikaru Kimie.
38:43Every Sunday.
38:46Hurry up.
38:48Did you say something?
38:50Yoru Dora.
38:51The incident is happening around it.
38:54Series 2.
38:55Start.
38:56I told you not to do it.
39:02The song is Kayo Yoru.
39:05A special karaoke song for snacks.
39:09Broadcast live at 7.57 p.m. on October 1.
39:16Shinkansen Kaimoto Series.
39:19Shinkansen is the 60th anniversary of opening this year.
39:22Time travel from birth to development.
39:26October 2 at 7.57 p.m.
39:32Friends who sang letters at the age of 15.
39:36Now 30 years old.
39:38I will send a letter to myself at that time.
39:41October 2 at 10 p.m.
40:01Good evening.
40:02It's 8.55 p.m.
40:04This is news from Koshien, Kanto.