The Man from U.N.C.L.E. :
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00:00See, it wasn't so far, was it?
00:18I'm glad we didn't take the scenic route.
00:21Well, you're going to agree she's worth it.
00:23Just you wait.
00:24I hope so.
00:33Tramps are maybe testing her again.
00:35I don't want to disturb them.
00:44All right, Clemency.
00:46Now, concentrate.
00:48What car is this?
00:51Number eight of the diamonds.
00:54And this one?
00:57Number four of the hearts.
01:01And this one?
01:03Number two of the hearts.
01:09And this?
01:11Oh, that's that young fella in the clubs.
01:15The prince?
01:16Jack.
01:17The Jack.
01:18She hasn't missed a one.
01:21Didn't I tell you she was incredible?
01:23Well, Professor Glum, I am well aware
01:26that you're one of the leading scholars in the field
01:29of extrasensory perception.
01:31But even the most impressive of tests
01:33have produced results only slightly
01:35above the laws of chance, and using five cards.
01:37No one has ever gotten an entire deck right.
01:39No one.
01:41That's true.
01:42But what about that bomb under the United
01:44Nations Assembly Hall?
01:45You found it, didn't you?
01:46That's why I'm here, to get to the bottom of this.
01:51Your name's Mr. Solo?
01:54Uh, yeah.
01:55Hello, yes.
01:56There, now, I didn't tell her your name.
01:59Did you, Mr. Trenson?
02:00No, sir.
02:01I just told her you'd gone to pick up a man.
02:04And you work for U-N-C-L-E, a store called Uncle?
02:12Professor, you promised if we came here to check this out
02:15that you would not disclose.
02:16I didn't.
02:17And you're trying to tell me that you
02:19didn't.
02:20And you're trying to find out some information
02:22about a bird, thrush, or something like that.
02:26I don't really understand.
02:36Who told you this, Clemency?
02:38Nobody.
02:39I got the knowin' way.
02:41Grandpa, we got company.
02:42Turn that thing down.
02:44It's all right.
02:45You can turn it back on later.
02:47After the, Ilya.
02:51Hm?
02:52What kind of name's that?
02:54Ilya Kyriakin.
03:00What about Mr. Kyriakin?
03:03Well, he's a friend of yours.
03:04And he's in terror.
03:05He's got a gun.
03:06He's got a gun.
03:07He's got a gun.
03:08He's got a gun.
03:09He's a friend of yours.
03:10And he's in terrible danger.
03:13Oh?
03:14He's in Spain, ain't he?
03:15Yeah.
03:16Spain.
03:17And he's in terrible danger from a bull's horn.
03:20Oh, I see.
03:22Well, I'm very glad to hear you say that, Clemency.
03:25Because I was just beginning to believe you.
03:28It happens that Mr. Kyriakin is not in Spain.
03:32He's in Stockholm.
03:33Hooray!
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07:27Ah, here we are now.
07:30Clemency, I'd like you to meet Mr. Alexander Waverly.
07:33How do you do?
07:34How do, sir?
07:35He's your boss, ain't he?
07:37Did you think that, Clemency?
07:40No.
07:41He just looked like he would be.
07:43Mr. Waverly, this is Mr. Transom, my research associate.
07:46Mr. Transom.
07:47Well, Clemency, are you ready to prove yourself to another skeptic?
07:51Well, to tell the truth, Professor Glum,
07:54this isn't exactly what I'd like to do the rest of my life.
07:57I mean, just sitting here reading off names of these silly cards.
08:00I think Clemency is right.
08:02I think we ought to vary the experiment today.
08:04What would you suggest?
08:06Why not try it with a different set of cards?
08:09Well, isn't this rather irregular, Mr. Solo?
08:13I mean, it's hardly in keeping with the basic principles of objective scientific research.
08:18Well, I thought if Miss McGill could place Mr. Kuriokin in Madrid,
08:22she ought to be able to identify a few picture postcards.
08:26Mr. Solo is quite right, Glum.
08:28I have perfect faith in Clemency.
08:31My dear, gentlemen.
08:34Come on.
08:50It's the, um...
08:52What do you call them things?
08:54The pyramid.
08:57It's kind of a big horseshoe on end.
09:02I know, that thing in Paris.
09:07Mr. Solo, I declare...
09:10Oh, I'm sorry, but...
09:13I'd like to try, if you don't mind.
09:16Oh, a pleasure, sir.
09:20My, isn't that a handsome child.
09:23My, isn't that a handsome child.
09:26Sure is a good-looking boy.
09:28My grandson, Melvin.
09:31Now, if you'll excuse us.
09:41Well, sir?
09:43What do you think?
09:45I'm not quite sure, Mr. Solo.
09:47Of course, you could have second sight.
09:49Extra-sensory perceptions, we call it now.
09:52But it could be a trick.
09:54Or she could be involved with Thrush.
09:57Mind you, I'm not suggesting that.
09:59But, uh...
10:01Well, keep a close eye on her, will you?
10:03Yes, sir.
10:05Not too close.
10:15What do you call this again?
10:17A gourmet surprise.
10:1916 different delicious flavors...
10:21all made into one delectable soda.
10:23Why, back home, we could hardly get nothing but vanilla.
10:26Well, chocolate sometimes.
10:28Clemency...
10:30you're a very, uh, remarkable girl, to say the least.
10:33I mean, this, you know, gift that you have.
10:35Oh, well, shoot, fire, and save the matches.
10:37I can't very well be proud of something I was just born with, can I?
10:41When did you first discover it?
10:43My knowing way?
10:45I guess I've always had it.
10:47My granny said I inherited it from her.
10:49My granny raised me till she died last year.
10:51And she had this ability, too?
10:53Oh, yeah, she sure did.
10:55When any of the woman folk was expecting a young'un,
10:58she'd always come to my granny to find out whether to knit pink or blue.
11:01I think I'll just have me another one of them.
11:04Bartender.
11:06Freddy, fill her up.
11:10Well, when my granny died, folk started coming to me.
11:13I do hope her soul rests,
11:15but some do say I have the power stronger than she did.
11:18In what way?
11:20Well, take you, for instance.
11:22Now, I don't know how I know so much about you.
11:24What do you know about me?
11:26Oh, just silly little things like,
11:28now, why should I know that last night you went dancing
11:31with a girl named...
11:33Stephanie?
11:35How did you know that I went dancing with a girl named Stephanie?
11:38It just come to me.
11:40And you took her to the purple unicorn.
11:43And afterwards?
11:45Yes, I know what I did.
11:47Thank you, Fred.
11:49I hope you don't mind my making a pig of myself,
11:52but these are so good.
11:58What's the matter now?
12:00Mr. Currie Aiken.
12:02Yes.
12:04Now, I don't know why I keep getting thoughts about him.
12:07I never even seen him.
12:09Well, what thoughts are you getting about him now?
12:11Well, I keep thinking that
12:13if he wants to find what he's after,
12:15he should go to a place in...
12:18Seville?
12:20Seville.
12:22Yeah, what you said.
12:24Outside of this place, there's a sign
12:26with a wolf's head on it.
12:28It says...
12:30Quesa...
12:32Quesa del Lobo.
12:34La, la, la, la, la.
12:36La, la, la, la, la, la.
12:40La, la, la, la, la, la.
12:42La, la, la, la, la, la.
12:44La, la, la, la, la, la.
12:46La, la, la, la, la, la.
12:48La, la, la, la, la, la.
12:50La, la, la, la, la, la.
12:52La, la, la, la, la, la.
12:54La, la, la, la, la, la.
12:56La, la, la, la, la, la.
12:58La, la, la, la, la, la.
13:00La, la, la, la, la, la.
13:02La, la, la, la, la, la.
13:04La, la, la, la, la, la.
13:06La, la, la, la, la, la.
13:08La, la, la, la, la, la.
13:10La, la, la, la, la, la.
13:12La, la, la, la, la, la.
13:14La, la, la, la, la, la.
13:16La, la, la, la, la, la.
13:18La, la, la, la, la, la.
13:20La, la, la, la, la, la.
13:22La, la, la, la, la, la.
13:24La, la, la, la, la, la.
13:26La, la, la, la, la, la.
13:28La, la, la, la, la, la.
13:30La, la, la, la, la, la.
13:32La, la, la, la, la, la.
13:34La, la, la, la, la, la.
13:36La, la, la, la, la, la.
13:38La, la, la, la, la, la.
13:40La, la, la, la, la, la.
13:42La, la, la, la, la, la.
13:44La, la, la, la, la, la.
13:46La, la, la, la, la, la.
13:48La, la, la, la, la, la.
13:50La, la, la, la, la, la.
13:52La, la, la, la, la, la.
13:54La, la, la, la, la, la.
13:56La, la, la, la, la.
13:58La, la, la, la, la.
14:00La, la, la, la, la.
14:02La, la, la, la, la.
14:04La, la, la, la, la.
14:06La, la, la, la, la.
14:08La, la, la, la, la.
14:10La, la, la, la, la.
14:14Give me Thresh Central, this is 36.
14:16She got him here right on time.
14:20ALEX CHASE
14:23♪♪
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15:54You're an amusing chap, Mr. Kuriak.
15:56I shall be very, very sorry, too.
16:01Oh, do forgive me.
16:04I am Zark.
16:06Count Ladislaus Zark.
16:10You have heard of me, of course.
16:12Well, there's something familiar about you,
16:14but just what it is escapes me for the moment.
16:20You have shattered my ego!
16:24I had fantasies of uncle issuing orders,
16:26Get Zark at any price!
16:28And here you haven't even heard of me.
16:31Well, I...
16:33I can take comfort in the fact that after Thursday,
16:35you would have heard of me.
16:37Ha ha ha ha ha!
16:38If you had lived that long.
16:40Thursday?
16:43Then you must be involved in Operation Night Flight.
16:46Ha ha! My dear boy!
16:48I am Operation Night Flight in a very real sense!
16:52I see.
16:53I am director of flight research for Thrush.
16:58It was I who dreamed up the possibility.
17:02I who proved that it was feasible.
17:06And I who shall put it into operation.
17:11Which brings me back to you and...
17:14The reason why you were here.
17:15Forgive me for having digressed.
17:21The paper, please, Mr. Kuriak.
17:25Search him.
17:30Mr. Zark.
17:31Count Zark!
17:36Listen, I have no desire to be manhandled by your friend here, so...
17:39Watch him!
17:43I think that's what you're looking for.
17:47You gave us quite a start, Mr. Kuriak.
17:51It was quite unintentional, I assure you.
17:54Yes.
17:55It appears to be the original.
17:58Thank you, Mr. Kuriak.
18:00May I ask a question?
18:01Yes, please do.
18:02If you are so anxious to get the letter, why did you try to have me killed?
18:05Oh, you mean Madrid?
18:07The bullring?
18:08That was a dreadful mistake.
18:10My men were supposed to bring you back here, but misunderstood.
18:13Terribly sorry, your inconvenience.
18:16It happens.
18:17Yes, my men were a bit premature.
18:20But now I think the time has finally come.
18:23Goodbye, dear chap.
18:26I'm sorry you will not be here Thursday.
18:29You would have enjoyed night flight.
18:31You would have enjoyed night flight.
19:02And yours is not to reason why.
19:05Yours is...
19:06Well, you know what I mean.
19:08Yes, I do indeed.
19:10Thank you very much.
19:11The first thing you do when you land in Vienna
19:13is get the first bus to Transylvania
19:16and then proceed directly to the castle I told you about.
19:19Check.
19:22I still think I'm on a wild goose chase.
19:24Well, we got the information on the best authority.
19:27Can you give me a hint?
19:28Is it a Ouija board?
19:29Well...
19:32All right, we got the information from a...
19:35You know, a girl.
19:37A girl?
19:38A very pretty girl.
19:41Naturally.
19:43May I ask where she gets hers?
19:45Well, I tell you, we really don't know,
19:47but we expect that it might be...
19:52ESP.
19:53You know, E-S-P.
19:54All right.
19:56I'll send you a postcard from Transylvania.
20:00Out.
20:25ESP.
20:48Mr. Solon?
20:50I thought you were asleep.
20:53I was.
21:02Well, you look very fetching in your little pajamas there.
21:10Mr. Solon?
21:11Yes?
21:12Tell Mr. Kuriakin there's piranhas in the moat.
21:16Sure, I'll tell him.
21:18What moat?
21:20I don't know.
21:22Oh, the one around the castle, I guess.
21:25Ca...
21:32Mr. Solon, overseas relay, emergency.
21:35Mr. Solon, overseas relay, emergency.
21:46Kuriakin here.
21:47Ilya, are you anywhere near a moat?
21:51How did you know that?
21:53Listen, it's stocked with piranhas.
21:57Don't be ridiculous.
21:58How could they live in this climate?
22:00I don't know.
22:01Maybe the water's heated.
22:02In any case...
22:11Well, to avoid any argument,
22:13and assuming that I have to get into the castle,
22:15how else might one go about it?
22:18I think there's a tunnel under the moat.
22:21You go back down the road a piece and you'll find a cave.
22:32I don't know.
22:33I don't know.
22:34I don't know.
23:02Bass.
23:04Bass.
23:34Bass.
24:05Good evening, Mr. Kuriakin.
24:07Good evening.
24:08You were trying to find me,
24:10and I, in turn, was most eager to see you again.
24:12I trust we are both satisfied.
24:15I trust, too, that you were not too startled by my...
24:19my bats.
24:21They were very friendly.
24:23Just a few that I let out for a little romp.
24:26Of course, they were not treated.
24:29Would you mind shining that light somewhere else?
24:31Would you mind shining that light somewhere else?
24:33It's giving me a bit of a headache.
24:36No, I think I'd better keep it where it is.
24:39I'd also better tell you that I have a gun in my other hand.
24:43Oh, my dear Mr. Kuriakin,
24:45a gun really...
25:01I do declare it's a beautiful thing.
25:04Well, I'm glad you like it.
25:06Like it?
25:07Why, back home in Mr. Tuttle's general store,
25:09there ain't a thing that'll compare with it.
25:12Well, perhaps you'd better speak to Mr. Tuttle when you get back.
25:17Well, there's only one thing, though.
25:19What's that?
25:21My mama once told me...
25:23Clam, she said.
25:24She used to call me Clam.
25:26Clam, a girl doesn't get finery like this for nothing.
25:31You know what I'm getting at?
25:33I know. No, no, you tell me.
25:37Well...
25:39We may be just plain mountain folk,
25:42but when a girl gets stuff like this,
25:44somebody wants something.
25:46All we want is your cooperation.
25:49That's what I thought.
25:51Now, on matters of business...
26:02Good morning, Mr. Kuriakin.
26:04I trust you had a restful night.
26:07I slept like a baby.
26:09Would you be so kind as to let my man slip these on?
26:21Hello, Mr. Kuriakin.
26:24I've heard a lot about you.
26:27Hello, Mr. Kuriakin.
26:30Down to business.
26:32That list of numbers you gave me
26:35turned out to be a fake.
26:38Oh, I must compliment you, yes.
26:41The job you did was marvelous.
26:44The handwriting appeared to be mine.
26:47The grade and texture of the paper were the same.
26:50And even the watermark was identical,
26:53my compliments to your organization.
26:57However, now I would like the real list.
27:00I don't have it, I'm sorry.
27:03What did you call about, Margo?
27:06Mr. Waverly hasn't heard from Elia in quite a while.
27:10He wonders if you have.
27:12Uh, just a minute.
27:14Haven't we heard from, uh, Elia?
27:17Elia, Elia, that's all you ever care about.
27:20Please, now, this is very important.
27:22All right.
27:26Don't have to worry about him no more.
27:29He didn't find nothing at that castle,
27:31and he's coming back home.
27:33Yeah, you could put Western Union out of business.
27:36Uh, Margo?
27:38Elia is fine, and, uh, he's coming back home.
27:41Oh, incidentally,
27:43if you harbor any sad hope of being rescued,
27:46let me inform you your superiors
27:48have received a message from you
27:50stating that you are safe and on your way home.
27:54By the time they find out that is not the case,
27:57it won't really matter.
27:59And how did they get a message from me?
28:02Well, this...
28:05this marvelous, marvelous young girl,
28:08Clemency, I believe she calls herself,
28:11or something equally as bizarre.
28:13Oh, the, uh, the clairvoyant.
28:16Clairvoyant.
28:18Yes, yes.
28:20Isn't it delightful?
28:22Oh, delightful. I wish I'd invented it myself.
28:25I don't say that very often about today's pretentious gadgetry.
28:28Invented what?
28:30A cortical stimulator.
28:33You see, what we call knowledge
28:36is merely the alteration
28:38of certain cells in the cortex of the brain.
28:41These cells are changed by electrical impulse
28:44through the neurological system.
28:47You know that, of course.
28:49Of course.
28:51You do?
28:53Yes.
28:55Oh.
29:07You'll appreciate this.
29:09The cortical stimulator
29:11can cause these alterations directly through his skull.
29:15It can literally implant knowledge,
29:18what we call thoughts, instantaneously.
29:21See, all we have to do is program our computers
29:25to the desired thought patterns
29:28and microwave them directly to the subject.
29:31The marvelous thing about it
29:34is Miss Begill doesn't even suspect a thing.
29:37Isn't that marvelous?
29:40It's difficult for me to contain my admiration.
29:49Where are you going?
29:51I'm going back home, back where I belong.
29:54Clemency, now wait just a minute here.
29:57Why? So you can treat me like a freak in one of them carnivals
30:01that passes through town?
30:03That's what you all think of me.
30:05Professor Glum, Mr. Transom, and you.
30:08Clemency, now you have a very unique gift.
30:11And you're all taking advantage of it.
30:15Keep me cooped up here like this.
30:18Here I am in the big city,
30:20and you haven't even taken me outside my hotel.
30:23Clemency, you're very important to us.
30:25We must protect you here.
30:27Sure I'm important, because I have this here gift, like you call it.
30:31But if I didn't have this gift,
30:34you wouldn't even look at me.
30:36No, that's not true.
30:38You've heard me say before, now, you're a very pretty girl.
30:42Bet you say it to all the girls with extra sense of whatever you call it.
30:47Extra-sensory perception.
30:49But of all those girls, you're the prettiest, you see.
30:53You ain't fooling me.
30:55You're spoofing me.
31:00Now, will you kindly step out of my way?
31:03Clemency, I wasn't spoofing. I really did mean it.
31:07You really like me, Mr. Solo?
31:10Yes, Napoleon.
31:12Miss McGill...
31:16I purely do.
31:28Please be careful, Mr. Solo.
31:30I mean, Napoleon.
31:32I'll be very careful.
31:34I mean, I don't want you to scratch your hand on my comb.
31:38Why don't you take it off?
31:40Well, I can't. I'm supposed to wear it all the time.
31:46You are?
31:48Mr. Transom told me to.
31:50For the life of me, I don't know why.
31:58Mr. Transom gave you this?
32:00Mm-hmm.
32:02But don't you pay that any mind.
32:04Clemency, just a minute.
32:06I've got a little business before my show.
32:10All right?
32:15Open channel D.
32:18Waverly here.
32:20Still no word from Elliot?
32:22Not a word.
32:24I think he may be in trouble, sir.
32:26I'd like to have your permission to get the next available plane and go after him.
32:29But you told us he was on his way back.
32:32We all make mistakes, sir.
32:35That was a word about Ilya from Miss McGill, you see,
32:39and I just found out she has been duped of thrush.
32:43They've been feeding her misinformation
32:46through a comb concealed in her hair,
32:49which has a microwave relay set in it.
32:52Very ingenious.
32:54I wonder why our people never thought of that.
32:57Very well, Mr. Solo.
33:00The next plane for Vienna leaves in 17 minutes.
33:03And one other thing, sir.
33:05Make two reservations.
33:07One for myself
33:09and one for a girl with a comb in her hair.
33:16But no uncle agent would destroy a document of obvious importance
33:20without first memorizing its contents,
33:22even if he didn't know what those contents meant.
33:26So I put it to you, Mr. Kuriakin.
33:29If by tonight you do not give me the information I want,
33:33I shall still salvage something from this affair
33:36by making you the first human test of my project.
33:40I don't even know what your project is.
33:59You know, of course, what this castle is named for.
34:02Castle Caraptera.
34:06It's, uh, Latin for bat.
34:10Ah.
34:12You do know.
34:14Yes, bats.
34:16Bats are such lovely creatures.
34:18Bless their hearts.
34:20They have such a bad image these days.
34:24And your project is going to help their image?
34:27You know, of course, that bats are night creatures
34:30and navigate by a sort of radar.
34:34Will believe it or not,
34:36and I'm sure you will believe it,
34:40I have altered their mechanism
34:43so that it interferes with man-made radar.
34:46Here, I'll show you.
34:50I will release a single bat
34:52into the radar pattern on the top of the castle.
34:55Watch.
34:56That should turn him loose.
34:58Now watch.
35:04Isn't that mad?
35:06Yes, it's absolutely mad.
35:09In every major airport in the world,
35:12there is a crate containing 100 such crates.
35:16Tomorrow morning, a single from this castle
35:19will blow their heads off
35:21and free them.
35:23Do you realize the chaos it will cause
35:25in the transportation and defense systems of the world?
35:28A billion dollars' worth, I understand.
35:31Unfortunately, that sum was not forthcoming.
35:34Mr. Kuriak,
35:37another thing about my bats.
35:40We have found that,
35:42the vampire bat is most suitable for our purposes.
35:46And the most bloodthirsty.
35:49Are you still sure you do not want to talk?
35:53I'm quite sure.
35:56Very well.
36:02Let me introduce you to my friend,
36:05Mr. Kuriak.
36:08Let me introduce you to my friends.
36:39THE VAMPIRE BAT
36:57British Air Ministry.
36:59This is Uncle Calling.
37:01Do you read me?
37:03Yes, I have you now.
37:05Your signal is a little weak.
37:07Hold on, please.
37:18Mr. Waverly,
37:20the first signs of panic in Paris and Hong Kong.
37:23And the Karachi airport wants confirmation.
37:26We'll confirm it, of course.
37:28All flights are to be canceled.
37:30Yes, sir.
37:32I have the British Air Ministry now.
37:34Good.
37:45Mr. Waverly here.
37:47Yes, that's right.
37:50We can't afford to take the chance.
37:53Operation Night Flight is scheduled to start in 12 hours.
37:58Of course it's regrettable that the people panic.
38:02If they have to raise money onto a net,
38:04let them drive cars.
38:06As far as we know,
38:08the only plane left in the air has one of our agents aboard.
38:21That was a rat-fine movie.
38:23Do you like spy movies, Mr. Solo?
38:25Uh, Napoleon.
38:27They're all right if you like light entertainment.
38:30I just think they're pretty far-fetched.
38:33You're right.
38:37Well, Mr. Kuriak,
38:39you appear to be growing weaker.
38:42Are you sure you have not changed your mind?
38:47Why do you need it so badly?
38:49I suppose I could tell you.
38:51It won't matter to you one way or the other.
38:54It's information for retrieving the bats once they're in the air.
38:58I'm afraid I don't have it.
39:00You don't?
39:02No.
39:04It's information for retrieving the bats once they are released.
39:07The precise pattern of frequencies.
39:10You see, it wouldn't be very practical
39:12to leave the bats flying around indefinitely.
39:15So you see, Mr. Kuriak,
39:18you'll be performing a humanitarian service if you tell me.
39:22Well, I...
39:24I have no intention of doing so.
39:27We are now approaching the Vienna airport.
39:29Fasten your seatbelts, please.
39:31Are we coming down in Europe already?
39:33Mm-hmm. We are indeed.
39:35Land of goodness.
39:37Back home, it takes me this long to get to the county seat,
39:40and that's only about 30 miles.
39:48I think you have about...
39:51two more hours.
39:56If you'll excuse me.
40:11Zark here.
40:13Solo and the girl are approaching your installation.
40:15Do you want interception?
40:17Ah, what a nuisance. Yes, yes, take care of them.
40:19Wait. Wait.
40:21Change that.
40:25That girl could be very useful to me.
40:27Are you still in contact with her?
40:30Transmit to her that they are to come directly to the front gate.
40:34I'll be waiting for them there.
40:45I just... Oh, wait a minute.
40:48What is it?
40:50I...
40:52I just had a thought.
40:54We should go in the front gate.
40:57Did it come from them?
40:59Well, I can't be sure, but...
41:01I think so.
41:03That cave you told Ilya about?
41:06Wouldn't it be that way?
41:09Okay, Clemency, you know best.
41:11The front gate it is.
41:27It's a good thing his transmitter is still holding up.
41:30This way.
41:52There he is.
41:55The very eve of my flight.
41:57They think I have nothing better to do than...
42:00Ah, Mr. Kuryakin.
42:03I gather he has decided to tell us what we want to know, huh?
42:07Very good. Very good. Excuse me.
42:09I'll be right with you.
42:11Hello, this is Ark.
42:13I was given information before
42:15that the Solo fellow was to arrive immediately.
42:17I am very put out.
42:19I've been waiting at the front gate for who knows how long.
42:21Our information is that he arrived.
42:23That is the quality of your information.
42:25Please do not bother me with any more of it.
42:29No one takes pride in their work anymore.
42:31No one wants to accept responsibility.
42:33Seems pretty accurate to me.
42:49Say what, Ilya?
42:54Oh, Mr. Kuryakin.
42:56I'm so glad to see you.
42:58My name is Clemency McGill.
43:00You don't know me, but I'm partly responsible for your being here.
43:02Oh, I could almost hug you.
43:04I'm so glad to see you.
43:06Can you handle a gun, Clemency?
43:08Well, I once shot a turkey in the tail feathers
43:10at more than a quarter mile.
43:12All right.
43:18Keep him right where he is.
43:21My, ain't he a mean-looking fellow, though.
43:24My dear primitive child.
43:30I hope you don't think
43:32that this will stop
43:34Operation Night Flight, Mr. Solo.
43:36That's the general idea.
43:38No.
43:40It merely means I will have to put it into operation
43:42that much sooner.
43:44An inconvenience, to be sure,
43:46to our people, who will not be able
43:48to get out of the way,
43:50but...
43:52Watch out for his hand!
44:10Nice little pets.
44:12One of them got out.
44:18Where's Zark?
44:20He's gone to his control center.
44:22You know where that is?
44:24No.
44:26Well, we can't spend our time searching all these corridors.
44:28It's over there, behind that wall.
44:30I know it.
44:32It's the cone, Clemency.
44:34No, it isn't.
44:36My hair came down when I was dodging that thing.
44:38Okay.
44:40This way.
44:42In here?
44:44Yes.
44:46Here.
45:12The devil take your soul!
45:14I think all your operations
45:16have been canceled, Mr. Zark.
45:18I admit I'm a bit disappointed,
45:20Mr. Koryakin,
45:22but do not crow too much.
45:24You see,
45:26I have already opened up
45:28all the gates from the caves.
45:30Yes.
45:32My global plans
45:34have been thwarted.
45:36And I have already
45:38opened up all the gates
45:40My global plans have been thwarted.
45:42But let me tell you
45:44that millions of bats
45:46will not go unnoticed on this continent.
45:48Are you bluffing?
45:50Listen.
45:52Listen, Mr. Zorro.
46:10Don't mind about him.
46:12What about those bats?
46:14Well, we could start by shooting them
46:16one by one.
46:20He said it was a way
46:22to recall the bats.
46:24The only thing on that piece of paper
46:26was a series of numbers.
46:28Do you remember?
46:30Of course.
46:32Well, I'm going to have to
46:34go back to the cave.
46:36I'm going to have to
46:38go back to the cave.
46:40Do you remember?
46:42Of course.
46:44What to do with them?
46:46Unless...
46:48What?
46:50Well, he said
46:52if their radar
46:54can interfere with ours...
46:56Works in reverse order.
46:58Radar control setting, huh?
47:00Well, let's see.
47:08Oh.
47:10Five.
47:14That's 55.
47:38It works.
47:40Bats are flying into each other.
47:42And into the cliffs.
47:48Oh, Mr. Kuriakin,
47:50how does it feel to have saved Europe?
47:54I don't know.
47:58I hadn't really thought about it.
48:00I don't know.
48:02I hadn't really thought about it.
48:04I don't know.
48:06I hadn't really thought about it.
48:08Yes, I doubt
48:10that Mr. Transom will be heard from
48:12for quite a while.
48:14Well, I surely am grateful for that.
48:16I never did like that man.
48:18Now, of course, if I'd never met him,
48:20none of this would have happened,
48:22and I would have missed out on a powerful lot of excitement.
48:24So would I.
48:26Oh, you do forgive me, don't you, Mr. Kuriakin?
48:28Well, I'm very tolerant.
48:30Why don't we go somewhere tonight and discuss it?
48:32Well, I was going to suggest
48:34that Miss McGill go to a concert with me this evening.
48:38I'd like her to have the advantage
48:40of some of the city's cultural benefits.
48:42Well, I purely am grateful
48:44to the both of you,
48:46but, well, Mr. Solo's been kind enough
48:48to ask me out.
48:50Oh.
48:52Oh, well, we have been through
48:54quite a bit together,
48:56and I just thought we might have a little relaxation.
48:58He's going to take me to a place
49:00called the Purple Unicorn.
49:02What do you think about that?
49:04I don't know.
49:08I guess I got the gift.
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