• last year
Transcript
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01:30Pájaro soñador
02:00I'm sorry. Hey, I'm new. Can you help me train a little?
02:15It's obvious you have no idea. I'm not a coach, and I also don't have time.
02:21Please, just the basic movements.
02:28Very good. Do you want me to go into the ring with you?
02:32Yes.
02:33But I think it's easier to go under.
02:42Good.
02:44Is this better?
02:45What are you doing?
02:46I also learn fast.
02:48Easy, easy.
02:49I can also do it.
02:51Be careful, you're hitting uncontrollably. What's wrong with you?
02:54You're done with the cappella.
02:56I'm done. What's wrong? Why do you want me to come to the gym?
02:59Did you want to be alone with your friend Zeyda?
03:01We're just friends. Don't be ridiculous.
03:03You're lying! You only have one friend, and it's me. I'm your best friend. Do you understand?
03:07Calm down, Anel. Calm down.
03:09Don't tell me to calm down.
03:10Calm down.
03:11Don't laugh. I don't think it's funny.
03:14What? Are you tired?
03:16I'm strong. Nothing's going to happen to me.
03:27I'm sorry.
03:52I won by knockout.
03:54But I'm not done yet.
03:59I can still do another round.
04:03There's Mr. Yan.
04:06Mr. Yan?
04:09Hi, we're here to interview you.
04:12Yes, hi. I was waiting for you.
04:14I'm a friend of yours.
04:15We were resting a little after all that boxing.
04:20But I guess he won because he doesn't warm up well if I didn't win.
04:25Besides, he's my boss. We're friends and colleagues.
04:28We're colleagues at work.
04:30Friends and colleagues at work.
04:32How are you? Nice to meet you.
04:34It's a pleasure.
04:37I don't have any more. I'm sorry.
04:39Hello everyone. How are you?
04:42Hi, how are you, Isaac?
04:43Hi, Isaac.
04:44Good, thank you.
04:45I'm glad.
04:46Why the long faces? You're sadder than an empty teapot.
04:49What's wrong with you?
04:50Our wives don't feed us anymore.
04:52We're in a difficult situation.
04:54I know what's wrong with you.
04:55Your wives spend all day in the library, right?
04:57Yes.
04:58And they don't leave the house or anything.
05:00Well, I'm sorry guys for you.
05:02Well, I'm going to invite you to drink something.
05:03Rami, bring some food for all these guys.
05:07Yes, thank you.
05:09It's a pleasure.
05:10Hey, bring him a big sandwich and a double tea, my friend Nihat.
05:14No, don't worry. It's not necessary. Thank you.
05:17Hello guys.
05:18Hello.
05:19I insist, please, come eat something with the men.
05:22Look at their faces.
05:24Friends, they all look completely miserable.
05:27I don't know, guys, maybe it's not just about the food.
05:31We don't know what to do.
05:32I'm very sorry. And does anyone know how long it will last?
05:35Well, I guess until they read all the books.
05:37What?
05:38It's crazy. They can't wait that long.
05:40If not, they'll starve to death.
05:42Besides, there are a lot of books in the library.
05:44Any woman who reads so much won't want them as her husband.
05:47I'm sorry to be the one to tell you this, but it's the truth.
05:51Yes, it may be.
05:52Ah, look, that's great. Thank you very much.
05:53Don't be offended, Nihat, but I think your wife, well, the president,
05:56made a mistake in making this decision.
05:58Just look at them.
06:00Look how they're dressed, with the same shirts, without crocheting,
06:03wrinkled pants.
06:04They spend all day sitting here doing nothing.
06:06But what kind of life is this?
06:08But if they don't want to say anything, I don't care.
06:11We have to close the library.
06:13We don't have a choice.
06:15Yes, come on.
06:16Let's go. Let's close that library.
06:18Wait.
06:19Where do you think you're going, friends?
06:21Brothers, wait.
06:22Women think we can't do anything without them.
06:26If we go there now, we'll be giving them the reason.
06:30Yes, that's true.
06:31He told the truth.
06:32You're right.
06:33Nihat, you can't keep your arms crossed.
06:35Can't you see they're starving to death?
06:37Look at their sad faces.
06:38Shut up.
06:39What are you going to do?
06:40Listen.
06:41If it's necessary, we'll prepare the food.
06:43That's right.
06:44We can wash our shirts, our underwear, and our plates too.
06:49Don't listen to him.
06:51We have our cafeteria.
06:54Yes.
06:55All right.
06:56We'll do everything ourselves because we don't need them.
07:01They'll come to our feet.
07:03What are you talking about?
07:04They'll take our food, but they'll never take our cafeteria.
07:10Nami!
07:11Nihat says he'll pay for everything our friends drink.
07:14Yes, of course.
07:15Nihat invites you.
07:17We're his guests.
07:19And after the tea, he brings lemonade for everyone.
07:23Yes!
07:24We'll listen to Nihat in the end.
07:29Nami!
07:30Forget about the lemonade.
07:33It's not possible.
07:40This woman is like a piranha.
07:42She spends all day stalking Jan.
07:44Can I take a picture of Mr. Jan alone?
07:47No problem.
07:49The truth is, that guy is very attached to him.
07:51It's true.
07:52I'm sure the press will say they're lovers.
07:55Hey, daughter, don't provoke me.
07:57I'm not provoking you.
07:58Mr. Jan!
07:59I'm not telling the truth.
08:00Excuse me.
08:01I'm going to sit here with you for a moment.
08:03I hope you don't mind.
08:05Excuse me.
08:06I'm going to sit here with you for a moment.
08:08I hope you don't mind.
08:10Sanem, have you come for the interview?
08:13Let's just say it's just a coincidence.
08:15I actually came to exercise like you.
08:17Because, in fact, I'm very busy with so much work.
08:21The truth is, I'm extremely tired.
08:23And how do you know?
08:24I'm the coordinator.
08:25So I exercise the brain and not the body.
08:28That's why I came to the gym when I could.
08:30And I have my personal trainer.
08:32Her name is Ayhan.
08:34How are you?
08:36Honestly, she's very good.
08:37I recommend her.
08:39Follow me, please.
08:42Sanem is one of the key employees for the company.
08:45Yes, it seems so.
08:47Let's continue, please.
08:49I'm going to ask you a very direct question.
08:51If you agree.
08:53Is there anyone special in your life, Mr. Jan?
08:55You're right.
08:56It's a very direct question.
08:58And I'd rather not answer that.
09:00I don't like to talk about my private life.
09:03Let's go to the next one.
09:04So marriage is not part of your plans for the future?
09:07No.
09:11I'm a free soul.
09:13A wild animal.
09:15Freedom is something very important.
09:18Do you understand?
09:19At least for me.
09:20A free soul, of course.
09:22Yes, that's right.
09:24You see, marriage...
09:29I think marriage would take away my freedom.
09:32But if I met someone special,
09:34don't you think I might change my mind?
09:39The truth is that I don't have great demands
09:42or a defined pattern.
09:45For me, energy is more important than the physical.
09:48It has to be a cheerful and fun woman.
09:52It has to be someone who still has that part of innocence
09:56that we lose as we mature.
09:58It has to be understanding, reasonable,
10:00attentive, brave and daring.
10:03And above all, the smell.
10:06It has to have that smell, you know?
10:08That makes you feel like you're sailing the sea in a sailboat
10:12and at the same time you're at home.
10:14That's what attracts me a lot.
10:15Maybe that's why I like to travel so much.
10:19Because I look for that feeling of belonging to a place,
10:24but without completely losing my freedom.
10:29You're still traveling, so you haven't found it yet.
10:32Although I could be very close to you.
10:35Maybe.
10:47You first.
10:48Come in.
10:49Look at me. Turn around. Look at me.
10:52Are you upset about something I said?
10:55Tell me, can you tell me what I just did?
10:57No, why do you say it?
11:00Well, then I misunderstood.
11:02Something else.
11:03Could it be that maybe you got jealous,
11:06even if it's just a little?
11:08Jealous? Why should I be?
11:10Jealous of Seida? Is that what you mean?
11:12Why should I be jealous of her?
11:13I don't care about the relationship they have.
11:15We're just friends and co-workers.
11:17But also friends.
11:18How can I be jealous of your life?
11:21Sanem, of course, I understand. I'm sorry.
11:24Besides, you can do whatever you want,
11:26because you're a free soul.
11:27Sanem.
11:28I have work to do. I'm sorry.
11:35The slogan is misplaced.
11:37This one here too.
11:39As I feared, they're all here to throw themselves in the trash.
11:42As I am a precautious person,
11:44I thought of giving the two of them work
11:46to minimize mistakes.
11:47But it turns out they don't give one to each other.
11:51Jan, come look at this.
11:53We're completely ruined. It's terrible.
11:56That's our slogan.
11:57What happens now, Deren?
11:59Now he'll see what you've done.
12:03What's going on?
12:04Look at this.
12:06This is the poster we ordered for compas.
12:09You see it?
12:10Well, these two have ordered posters for the press
12:13instead of big posters.
12:15And that?
12:16Well, send these two together to the press.
12:18And that's what they've brought.
12:20Which two? You mean JJ?
12:22JJ and Sanem.
12:24This was Sanem's responsibility.
12:26JJ is not to blame.
12:29Yes, it was my fault.
12:31I'm sorry.
12:32Bravo.
12:33Congratulations.
12:34Bravo, bravo, Sanem.
12:36No, no, he's a good bravo.
12:37Don't applaud him.
12:38He's a bravo of shame.
12:42I had placed the images with the slogans,
12:45but it seems that...
12:46But?
12:47Sanem, enough with the buts.
12:49But it's something unnecessary in this industry.
12:52Tomorrow these posters will be everywhere in the city.
12:56Tell me, what are we going to do now?
12:58How are we going to solve it?
13:00I already have it.
13:01We can use it as a gift.
13:03Or it can also serve as a notebook cover.
13:06Or maybe we just take them,
13:08cut them into pieces,
13:09and throw them in the trash one by one, or what?
13:14I don't know what to say.
13:15I'm so sorry, Deren.
13:16You don't even know how to apologize.
13:18How could you assign such an important task to someone like her?
13:22Come on, Deren.
13:23Is it my fault now?
13:24That's enough.
13:26You haven't contributed a single idea to correct this mistake.
13:29Do you understand?
13:30Let's focus on solutions.
13:33Let's think about what we can do.
13:37For now,
13:39I'll give another responsibility to Sanem.
13:41More responsibilities?
13:42Oh, of course.
13:43She deserves a gift.
13:44Deren, will you let me finish, please?
13:46We're all on the same boat.
13:48If it sinks, we all sink.
13:50Let me think.
13:51We'll have to work all night.
13:53Especially you.
13:54That way, you'll be able to correct your mistake.
14:00Well, don't worry.
14:01I'll take care of the most important part.
14:03First, I'll call the press so they can help us.
14:06The rest will depend on you.
14:07I know it bothers everyone to work here,
14:09locked up in the agency.
14:10So everyone, take your belongings.
14:13We're going to work from home.
14:14Everyone involved in this project, get ready.
14:17Let's go.
14:18Did you hear that?
14:19Everyone to my house.
14:25Did you see that?
14:26Thanks to you,
14:27all the members of the team are free.
14:30Bravo, Sanem.
14:43Why don't you come and help me instead of eating seeds?
14:46Because I can't.
14:47I just got my manicure.
14:49How delicate.
14:50Hey, by the way, where are your daughters?
14:53They haven't arrived yet.
14:55Tell me, do you think they're out there with their boyfriends?
14:58Wow, what an obsession you have with boyfriends.
15:00They're working.
15:01They both have things to do in the office.
15:03Ah, work.
15:05Do you really think that?
15:07What a loser you are.
15:09Did you see your daughters at the library opening?
15:12Of course I saw them.
15:13Thanks to you, the whole neighborhood found out.
15:15Oh, I didn't say anything.
15:17Besides, none of them have the engagement ring.
15:19Do you understand?
15:21Well, at least you know.
15:24Maybe they got engaged in secret and didn't tell you.
15:29Oh, do you remember Zaira's daughter?
15:32The one who was secretly married for two years
15:34and didn't tell her parents anything.
15:36Did you forget?
15:37Milad, enough.
15:38Don't make me nervous.
15:40Well, let's think about it.
15:42I think Leila and Emre are a new couple.
15:45That's obvious.
15:46But Jan has been coming to your house for a long time,
15:49and here he comes.
15:50To what?
15:51Well, to see Zanem.
15:53Don't you think?
15:54Try to get along with you two.
15:57So they'll accept him as a boyfriend.
15:58One day they'll come and tell you,
16:00By the way, Dad, we're married.
16:02Young people these days are like that.
16:04Do you remember Zeynep's daughter?
16:06She did the same thing.
16:07One day she came home and told her father,
16:10We're married.
16:11And the man almost died.
16:12But thank God he didn't die.
16:14Although you can imagine the disgust
16:16that the poor man took.
16:19They had to hold his tongue with a spoon
16:22so he wouldn't swallow it.
16:24Oh, I can't believe it.
16:25I'm going to have a heart attack because of you.
16:28Why would I?
16:29It's not a bad thing.
16:31Besides, your sons-in-law are perfect.
16:33And you can open a bigger store.
16:36Why?
16:37It's true.
16:38Why limit yourself to a grocery store?
16:40It's better to open a supermarket.
16:42That way I'll leave you more money.
16:44Melat, you're stressing me out a lot.
16:46You're making me very nervous.
16:48I thought of something better.
16:50You can have a double wedding,
16:52and you'll look very pretty in your dress.
16:54Don't get nervous.
16:55They're pure advantages.
16:57Shut up!
16:58But yes, I'm serious.
16:59You listen to me.
17:00I told you they're dating those two guys.
17:05What we need to know is
17:07how long they've been together.
17:09Please, tell me everything.
17:11What happened?
17:12How was the shoot?
17:13I already told you.
17:14It was a small role.
17:15There are no small roles,
17:16but small artists.
17:17Soon you'll receive awards.
17:19He saw me at the Oscars ceremony with you.
17:22I'm so happy.
17:23I'm so happy.
17:24I'm so happy.
17:25I'm so happy.
17:26I saw you at the Oscars ceremony with you.
17:28But I didn't even talk.
17:29It was some kind of security guard.
17:32What do you mean you didn't talk?
17:33You didn't even say a word.
17:34Those people don't know what they're doing.
17:36They should have given you a role with dialogue.
17:38Or you could have improvised.
17:40And if they don't like it,
17:41then cut it out.
17:42I should have gone with you to inspire you.
17:44Then you would have talked, talked, talked, talked.
17:46Yes.
17:47Well, Musa, I did what they asked.
17:50It's just that they don't have as much creativity as I do.
17:52My vision is better than yours.
17:54I'm impressed with how realistic your wound is.
17:56It looks very real.
17:58What's wrong with you?
17:59Does it hurt?
18:00Or are you cheating on me?
18:01You're a great actor.
18:02Bravo.
18:03I didn't know you were so good.
18:04You were born for the interpretation.
18:09What's wrong with you, Hanna?
18:10You drag your leg like an elephant.
18:13How funny.
18:15Well, tell me what happened to you.
18:17My body hurts.
18:18So much exercise kills me.
18:20If you say so.
18:21What exercise did you do?
18:22Laugh?
18:25I was rowing.
18:27Now go get the tea.
18:28It's ready.
18:29You just have to serve it.
18:30I'm dead.
18:32Sorry, but your brother and I are talking about movies.
18:34It's an important topic.
18:35But it's okay.
18:36I'll go make the tea,
18:37and so we can continue the conversation.
18:39I'll be right back.
18:40I'm going to forget what I was going to tell you.
18:41Where are you taking the tray?
18:42You have to bring the teapot.
18:44Oh, every day is weirder.
18:47But I like this one better, Mr. Jan.
18:50Chanem, change it.
18:52Very well.
18:53Go call.
18:54Sorry.
18:55And don't be late.
18:59Hi, Mom.
19:00Daughter, buy yogurt when you come, okay?
19:05Oh, Mom.
19:06I'm sorry if I forgot to tell you that we have a lot of work today.
19:09And we'll spend all night reviewing the campaign.
19:12All night?
19:13Well, maybe not all night,
19:15but I'll probably be late.
19:17Ah.
19:19Like the last time, daughter?
19:22Uh-huh.
19:23We're all working at Mr. Jan's house.
19:26You're at Jan's house?
19:27That's right.
19:28And my sister is there, too.
19:30We had problems with the campaign,
19:32and that's why we have to work more hours.
19:34When we're done, we'll go home.
19:36Don't worry.
19:37I have to hang up.
19:38I have a lot of things to do.
19:39Send me the address, will you?
19:41The address?
19:42Why do you want it?
19:43Because I do.
19:44Because I'm your mother,
19:46and I have to know where my daughters are
19:48in case something happens to them.
19:51Very well, Mom.
19:52I'll send it to you.
19:57So they're at Jan's house.
20:01I think I was right.
20:03Maybe she told the truth.
20:04And you think you can fool your mother, huh?
20:07You don't know me.
20:08Not at all.
20:09You'll see.
20:11You'll know who I am.
20:16Get ready.
20:21Get ready.
20:31You have no idea what your mother is capable of.
20:36I'll get it.
20:37Don't worry.
20:38Okay, honey.
20:40What did he say?
20:45Did he say honey?
20:47I can't believe it!
20:51Mom?
20:52Sanem.
20:53Mom, what are you doing?
20:55Don't you have shoes?
20:56Mom, what are you doing?
20:57Don't take your shoes off.
20:58Why not?
20:59I don't need them.
21:00Don't you have shoes?
21:01What are you saying, Mom?
21:02What are you doing here, Mom?
21:03Let's see if they're working.
21:05Mom, what are you saying?
21:06Mom, it's my mother.
21:08Are they really working?
21:10Hello, Nefki Bey.
21:11Hello, everyone.
21:12Hello.
21:13How are you?
21:14Very well.
21:16Sanem told me you'd be working late,
21:18and I was thinking that...
21:20And you were thinking that...
21:22I didn't think anything.
21:23Oh.
21:24Well, when Sanem says she's working late,
21:27I don't think anything.
21:28That's right.
21:29We have to finish an urgent job.
21:31Extremely urgent.
21:32Also, because of Sanem,
21:34we have to stay up all night
21:36because we have all the time in the world.
21:38Here, dear.
21:39You'll feel better if you eat something.
21:40No, I don't eat these things.
21:42Yes, very good.
21:43I'm sorry.
21:44No, I don't eat these things.
21:45Yes, dear.
21:46You're here because of my daughter.
21:47Eat something.
21:48You'll feel better.
21:49Can I have one?
21:50I love them.
21:51Also, I'm very hungry.
21:52Oh, thank you very much.
21:53Since you'll have to work late,
21:55I thought you might be hungry,
21:57so I brought dolmas for everyone.
21:59Very good.
22:01No, no.
22:02You'll get hungry.
22:03Well, let's see.
22:09Well, how hard can it be to wash a machine?
22:13White clothes in the washing machine.
22:16Colorful clothes outside.
22:19White clothes inside.
22:21The truth is that this woman is an exaggeration.
22:23This is a children's game.
22:28What is this?
22:33Colorful clothes or white?
22:37I don't know.
22:38I guess I'll put it here.
22:43I'm going to take this.
22:45Yes, that's fine.
22:46Mom is here.
22:48Oh, I think I heard her voice.
22:50What is she doing here?
22:51And she brought dolmas.
22:53Don't tell me.
22:54Dolmas?
22:55Yes, my mother is like that.
22:56She doesn't like people to be hungry.
22:58I told her we'd be working here.
23:00And she came to see what we were doing.
23:02Yes, sure.
23:03Then I'll serve the rest of the juice
23:05and I'm going to take the glasses outside.
23:08While you prepare a little more lemonade,
23:10do you think it's okay?
23:11So you don't have to leave the kitchen,
23:13don't you think?
23:14You can't.
23:15Enjoy your meal, guys.
23:17Eat everyone.
23:18I brought for everyone.
23:20Sir, you don't want to eat anymore?
23:22I already ate too much.
23:23They are delicious.
23:24Of course.
23:25Mom, what are you doing here?
23:26Why did you come?
23:27You didn't have to bother.
23:28I assumed you would be hungry.
23:30Although it is not like that.
23:32Let's see.
23:33Why does it bother you so much?
23:34What's the matter?
23:36Let's see.
23:37Why does it bother you so much that you came?
23:39Are you hiding something?
23:41What are you talking about?
23:42We were working in the office.
23:43And the environment was very tense.
23:45The man has already invited you to work at his house
23:47to change the air.
23:48He's a very good boss.
23:49Don't you see?
23:50Where is Mr. Emre?
23:52Mom, I don't know.
23:53I'm on my own.
23:54He must be around.
23:55Do you think I'm following him or what?
23:58Very good, girls.
23:59Very good.
24:00Perfect.
24:01Girls, don't worry.
24:03I'm not going to bother you.
24:04I'll just sit here so I can watch you while you work.
24:07What are you going to do, Mom?
24:08Nothing, nothing.
24:09Don't worry.
24:10I'm not going to bother you.
24:12I'll just stay here in case you need advice
24:14or if you need anything.
24:15Mrs. Metcalf.
24:16Hello.
24:17How are you?
24:18Very good, Mr. Emre.
24:23Let me see.
24:27Very good.
24:33And what are you doing?
24:35What beautiful colors.
24:37I'm working on the colors for the campaign.
24:39I don't know which one to choose.
24:41In fact, I'd like to know your opinion.
24:44Tell me, which one do you like?
24:47I've put all my clothes away.
24:49Now I'll close the door.
24:50I've got the detergent.
24:51Now I'll wash.
24:54There are three compartments.
24:59Well, then, I'll put it in these two.
25:02That way everything will wash much better.
25:07And this?
25:09I guess it's the softener.
25:12It smells very good.
25:14It has to be the softener.
25:16I'm going to put a little here.
25:24No, I'll put a little more.
25:28And now I'll put it at 90 degrees.
25:33That's it.
25:34I'll show you, Mr. Metcalf.
25:36My clothes will look better.
25:38Like never before.
25:41I like the green one.
25:42The one on the duck's head.
25:44Duck green?
25:45Duck green.
25:46A bright and alive green.
25:48Like the feathers of the ducks.
25:50Like the feathers of the ducks?
25:52You know, green like the leaves of a daffodil
25:54before putting them in hot water.
25:56It's the green that's bright and at the same time a little darker.
25:59Let's see.
26:02Water green.
26:03No, honey, that green is more like a monkey green.
26:06Don't you see?
26:08JJ, open the colors and show me the greens.
26:12I'm sorry to interrupt you, but I'm done, Mom.
26:14Let's go home.
26:15One second.
26:16Think of the green of the peppers you buy at the market.
26:19That one, but darker.
26:20Green peppers.
26:24What do you think?
26:26Mom.
26:27That's perfect.
26:28Wait.
26:29Enough, Mom, Mom, Mom.
26:30We're working, Leila.
26:33That green is beautiful, JJ.
26:36I like it a lot.
26:37Do you like it?
26:38A lot.
26:39I love it.
26:40You do it very well, son.
26:41You have a very difficult job.
26:43I can imagine it.
26:44Everyone asking you for things all day.
26:47That's the job, yes?
26:48Yes, it's very nice.
26:49Come on, let's go.
26:50We're done.
26:51We have to go home.
26:53Let's go, Mom.
26:54No, I'm fine here.
26:55I can wait a little longer.
26:56Don't worry about me.
26:57Mom, but I'm done.
26:58Besides, people are going home.
26:59You see?
27:00They're picking up their things.
27:01What are you going to do here alone?
27:03Well, nothing.
27:04Let's go.
27:05All right.
27:06Get up.
27:07And Sanem?
27:08She's coming too?
27:09Sanem.
27:10Hey, Sanem, we're leaving.
27:11Oh.
27:12Are you coming too?
27:13I still can't go.
27:14I have to do the final review because I don't want to make
27:16any more mistakes.
27:17I want to review it well, so I'll go home later, okay?
27:21You work to start the company.
27:23That's great.
27:24Although, I don't know if I like it when you stay to work alone at night.
27:28I'm staying too.
27:29I still have to work.
27:30When we're done, I'll take you home.
27:32Don't worry.
27:33Isn't it lovely?
27:35I mean, I have the best boss in the world.
27:38He's responsible and very attentive.
27:40You see?
27:41And I really appreciate it.
27:43Really, thank you so much for taking such good care of me and being such a
27:46understanding and attentive boss to me.
27:48The pleasure is all mine.
27:49I'm the lucky one.
27:50Well, I should thank you because it's wonderful to work with you, Sanem.
27:53Did you hear that?
27:54I'm going to blush.
27:56Good night, Mevki B.
27:58Good night, Jan.
27:59Good night.
28:00Everything was delicious.
28:01Thank you so much.
28:02Let's go, Mom.
28:03Take your coat.
28:05Listen to me.
28:06Are you going to stay here alone with him?
28:08Mom, how can you say that?
28:10Of course not.
28:11Deren and JJ are also here.
28:13Please tell him not to get paranoid.
28:16It's not the first time we've worked this way.
28:18What's with that attitude, Mom?
28:19Shut up.
28:20Don't be late.
28:21Don't make me angry.
28:23Okay, let's go.
28:24By the way, pick up the dishes and take them home.
28:29You're never going to leave them clean.
28:31What's wrong with you?
28:32Oh, Mom.
28:35Why are you doing this to me?
28:36I put a good detergent on you.
28:38I separated the white clothes from the colored ones and then I made you walk.
28:42I went up to watch TV and now I find you like this.
28:46You must be mad at me.
28:47Why are you making so much foam?
28:50Dad?
28:52What happened here?
28:54Leila!
28:56Mevkideh!
28:57You're here.
28:58I put the washing machine on.
29:00I put the white clothes on and put the colored ones aside.
29:03Then I put the detergent on.
29:05And look what happened.
29:07You must be mad at me.
29:11Dad, it looks like you put too much detergent on him.
29:14Let me see.
29:15No, Leila.
29:16Quiet.
29:17If men can take care of themselves, let your father do it.
29:21You stay out of it.
29:23But Mom.
29:24After all, it's just a machine.
29:27Men made machines, so we can take care of ourselves.
29:31Very good.
29:32So men made the washing machines, right?
29:35Well, yes.
29:38Perfect.
29:39Well, we'll let you solve it alone, Mom, and I'll be up watching TV.
29:44See you later, Dad.
29:45See you later.
29:46Have fun.
29:47Have a good time.
29:52But why are you still making foam?
29:54Look how you left the kitchen.
29:55There's foam everywhere.
29:57This isn't mine.
29:59Mevkideh!
30:03Mevkideh!
30:05Very good.
30:06This is the source and the edges should be like this.
30:09How are you?
30:10Good.
30:11I'm checking the colors.
30:12I want to make sure there's no difference.
30:15If you want, I'll finish it.
30:19Okay.
30:20Okay.
30:22Okay.
30:26Now...
30:28write.
30:29Yes, I'll do that.
30:31A for love.
30:36Or it can also be A for friend.
30:38No, A for love.
30:40Write.
30:43It's done.
30:45C for affection.
30:47Affection?
30:48Affection.
30:49C.
30:50C.
30:52Done, it's done.
30:53Good.
30:55Now the N for noble.
31:00It's getting hot here.
31:01I'm sweating with this sweater.
31:03You better not take it off, Anem.
31:07N...
31:08for noble.
31:09Exactly.
31:10Good.
31:11Three.
31:12A three?
31:14Really?
31:15Just three.
31:16I don't understand you.
31:17Write three.
31:20One, two, three.
31:21They're numbers.
31:22Oh, I'm used to codes.
31:24Numbers, yes.
31:25Three.
31:27Eight, one, five.
31:28Yes.
31:29Eight, one, five.
31:30Wow, you're fast.
31:32Done.
31:33You're done?
31:34That's all?
31:35Are you tired?
31:36Being with you won't tire me.
31:38Well then,
31:40I think we should work a little
31:43on the presentation.
31:45Why are you going to do it?
31:47I...
31:48What you heard.
31:50I'm going to do it?
31:51You'll do it very well.
31:52What am I going to say?
31:53I don't know what I'm going to do.
31:54Well, you know the whole project.
31:56You know all the details.
31:59Yes, that's fine.
32:01Good.
32:03I'm going to do it.
32:04I'm going to do it.
32:05I'm going to do it.
32:06I'm going to do it.
32:08I understand.
32:09But let's start.
32:10I promised your mother I would take you home.
32:12Yes, as you wish.
32:14And if you start by opening the presentation file?
32:16I'm not sure.
32:17I'm getting very nervous.
32:19And I want everything to be perfect tomorrow.
32:21Do you understand?
32:22You do it well, Arisita.
32:27Well, I think we're done for today.
32:29Yayay, wake up.
32:30We're going home to sleep.
32:32Yes.
32:33It was time.
32:34Sanem.
32:35Come on, your mother is worried.
32:36Let's go.
32:37Yes, I'm going.
32:38Are you coming with us?
32:39Did you take me?
32:42I'm going to pack my things.
32:43Good night.
32:53Very well, I'm going.
32:54Sure.
32:55If you don't leave me here.
32:56Leave them, I'll take you home.
32:58Really?
32:59Sure.
33:00Well, I'll wait for you outside.
33:07Good night.
33:08Good night.
33:36Good night.
34:04Laila.
34:06Hello, Mrs. Enre.
34:07You look beautiful.
34:08Thank you very much.
34:16You look beautiful.
34:19Thank you very much.
34:21You're not bad either.
34:24Really?
34:37How are you?
34:38Hello, how are you?
34:40I'm glad to see you.
34:41Likewise.
34:42Jan.
34:43Have you seen who's come in?
34:45Yes, I saw, I saw.
34:47Unfortunately, I saw her.
34:48How dare you come?
34:49I can't understand.
34:52I'll explain it to you, Deren.
34:53I come in representation of Enzo Fabri.
34:56I sent the information to your boss.
34:58Isn't that right, Jan?
35:01Let's go over everything again.
35:03You know I don't like surprises.
35:05I don't like last minute surprises.
35:07I agree.
35:08Let's go.
35:33No, thank you.
35:35I think we should get the company to keep growing.
35:39In fact, I offered myself as a volunteer to give a motivational speech for my people.
35:43Hey, who is she?
35:45It's me, I don't know.
35:47Do you know her?
35:59How are you?
36:02Hello, little girl.
36:04Thank you very much for the invitation.
36:09It was a pleasure to receive you, you know?
36:12The pleasure is mine.
36:16What's wrong?
36:17Do I look bad?
36:18Tell me.
36:19No, no, it's not that.
36:21It's just that you look a little weird.
36:23You look like a woman.
36:25A woman?
36:26And before I looked like a man?
36:28No, no, I didn't explain myself well.
36:30What I meant to say is that you are very beautiful.
36:32You look beautiful.
36:34Thank you very much.
36:35You too.
36:36You look very good.
36:37Do you like it?
36:38I did it.
36:39I design my clothes.
36:41Really?
36:42Is it serious?
36:43Let me see.
36:44I love the belt and how you tied it.
36:46You have your style and the fabric of the jacket is also very beautiful.
36:54Don't get so close.
36:55People see us.
36:57You're right.
36:58Forgive me.
36:59I dropped it.
37:02My head.
37:05I'm trying to be a gentleman.
37:07Why did you crouch so well?
37:08I wanted to pick it up.
37:09Are you trying to be a gentleman?
37:11Really?
37:12That's what it's about.
37:14What's wrong?
37:15I can't.
37:17What are you saying?
37:18You can't move?
37:19I can't.
37:20How can I help you?
37:23Hey!
37:24Aygan, at least I'll put your ring on.
37:26Yay!
37:30Yay!
37:31How beautiful!
37:33I'm very excited to be a witness to such a special moment.
37:36I love seeing things like this.
37:38I'm so happy for both of you.
37:40It's not what it looks like.
37:41Did the Asian attack me?
37:42Yes, it's not what it looks like.
37:43She's not asking me for anything.
37:45Don't be shy, guys.
37:46Love is a wonderful thing and we have to celebrate it.
37:51The ring has caught me.
37:53I'm like Frodo.
37:54I'm crouched.
37:55I look like a hobbit.
37:56Since you're crouched and you gave me the ring,
37:58it looks like you're going to ask me for something.
38:01You know, it looks like you're going to ask me for a marriage.
38:05Yay! Yay!
38:06Go on!
38:07What's next, Deren?
38:08With your marriage proposal.
38:09Come on!
38:10Deren, I told you it's not what it looks like.
38:12I just explained it to you.
38:14Yay! Yay!
38:16You shouldn't make a lady wait.
38:18Come on, ask for a marriage.
38:21Are you okay?
38:22I'm fine.
38:24Will you give me this piece, miss?
38:30I'm a witness to a great moment.
38:33I love you so much.
38:35I'll leave you alone.
38:37But how do you want us to dance if there's no music?
38:40If you want music, you'll have it.
38:46JJ, do you realize that this would be our first dance?
38:50Yes.
38:53Let's go.
39:10JJ?
39:11What's wrong?
39:12A breakdown.
39:13Again?
39:14I can't move.
39:15Call Deren.
39:16When she shouts, I recover.
39:17Okay.
39:18Miss Deren?
39:19Call her!
39:21Miss Deren?
39:23Call her!
39:25I'm in a bad position.
39:27I'll do a choreography.
39:28There you go.
39:33Compas Sport.
39:35What advice do you give me for the presentation?
39:40Trust yourself.
39:42Walk with confidence.
39:45And don't forget that you are the one who knows the most about this campaign.
39:50This project came out of your wonderful heart.
39:53Everyone is ready to hear what you have to tell them.
39:57I will.
39:59This way.
40:00Excuse me, Jan.
40:02This is Mr. McKinnon.
40:05Hello, Mr. McKinnon.
40:06It's a pleasure to meet you.
40:07The pleasure is mine.
40:08You don't have any accent.
40:09I lived here for a while.
40:11Me too.
40:13Sanem is the coordinator of the project.
40:15It's a pleasure.
40:17Well, Mr. McKinnon has organized a party after the launch and wants us to go.
40:23Really? I'll do my best to go.
40:25No, you have to come.
40:27This way we will celebrate our success.
40:29Very well, I'll be there.
40:30It will be a pleasure.
40:31I'll go too.
40:33When I finish with the presentation,
40:36Jan asked me to do it.
40:39My friend Jan.
40:41I'll be right back, Jan.
40:43Okay.
40:45Would you like a drink?
41:03I'll call you as soon as I can.
41:04Okay?
41:06See you.
41:10Eileen, what are you doing?
41:11They could see us.
41:13I told you that if something happened, you would send me messages.
41:16Emre, I'm starting to get tired of this dirty game.
41:19And I'm starting to doubt that it's a game.
41:22What game? I don't know what you're talking about.
41:24Of course you know.
41:26I mean Leila, Emre.
41:28I realize how you look at her.
41:30Don't be silly.
41:33You're going to ruin everything with your jealousy.
41:35You are aware, right?
41:36Don't justify yourself, Emre.
41:38I know you very well.
41:39And I know your looks.
41:41So be very careful.
41:43I'm focused on Jan and Sanem.
41:45To be able to carry out our plan,
41:47you should look at them, not me.
41:50Don't risk our future.
41:52Did you hear me?
42:11Don't risk our future.
42:13Don't risk our future.

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