Jaan Nisar Episode 12 - [Eng Sub] - Digitally Presented by Happilac Paints - Danish Taimoor - Hiba Bukhari - Haroon Shahid - 11th May 2024
Jaan Nisar Digitally Presented by Happilac Paints
7th Sky Entertainment’s mega project, Jaan Nisar, is the most awaited drama serial of the year.
The highly anticipated project marks the return of the successful on-screen couple of Danish
Taimoor and Hiba Bukhari in an unforgettable love story that will steal your heart.
Nosherwan Ghaznavi, a wealthy young man, faces a pivotal moment in his life after his brother's
death. This tragedy burdens Nosherwan Ghaznavi with numerous responsibilities, which he
reluctantly accepts, only to find them later proving detrimental. However, his life takes a
transformative turn upon meeting Dua, falling in love with her at first sight, but it places him at a
critical juncture with his responsibilities.
Dua, a beautiful girl from a humble background, is raised by her parents alongside her two
sisters. Despite her innocence, fate subjects Dua to a string of misfortunes before encountering
Nosherwan Ghaznavi. However, their meeting completely changes their lives.
Will Nowsherwan Ghaznavi find love? What challenges will he face in balancing his duties and
his love for Dua? Will his responsibilities jeopardize his love for Dua? What past events have
shaped Dua's life, and will they resurface to trouble her? Will Dua return Nowsherwan
Ghaznavi’s love?
7th Sky Entertainment Presentation
Producers: Abdullah Kadwani & Asad Qureshi
Director: Mohsin Mirza
Writer: Rehana Aftab
Cast:
Danish Taimoor as Nosherwan Ghaznavi
Hiba Bukhari as Dua
Haroon Shahid as Faraz
Sajid Hasan as Aslam
Hina Bayat as Amma Saeein
Mahmood Aslam as Baba Saeein
Dania Enwer as Fiza
Kinza Malik as Fehmida
Hiba Ali as Kashmala
Sajeeruddin Khalifa as Naseer
Shazia Gohar as Kausar
Humaira Bano as Zunaira
Ellie Zaid as Sumbul
Nain Sukh as Sania
Mehboob Sultan as Jaffar
Faiza Khan as Rumi
Sarah Ali as Rida
Jaan Nisar Digitally Presented by Happilac Paints
7th Sky Entertainment’s mega project, Jaan Nisar, is the most awaited drama serial of the year.
The highly anticipated project marks the return of the successful on-screen couple of Danish
Taimoor and Hiba Bukhari in an unforgettable love story that will steal your heart.
Nosherwan Ghaznavi, a wealthy young man, faces a pivotal moment in his life after his brother's
death. This tragedy burdens Nosherwan Ghaznavi with numerous responsibilities, which he
reluctantly accepts, only to find them later proving detrimental. However, his life takes a
transformative turn upon meeting Dua, falling in love with her at first sight, but it places him at a
critical juncture with his responsibilities.
Dua, a beautiful girl from a humble background, is raised by her parents alongside her two
sisters. Despite her innocence, fate subjects Dua to a string of misfortunes before encountering
Nosherwan Ghaznavi. However, their meeting completely changes their lives.
Will Nowsherwan Ghaznavi find love? What challenges will he face in balancing his duties and
his love for Dua? Will his responsibilities jeopardize his love for Dua? What past events have
shaped Dua's life, and will they resurface to trouble her? Will Dua return Nowsherwan
Ghaznavi’s love?
7th Sky Entertainment Presentation
Producers: Abdullah Kadwani & Asad Qureshi
Director: Mohsin Mirza
Writer: Rehana Aftab
Cast:
Danish Taimoor as Nosherwan Ghaznavi
Hiba Bukhari as Dua
Haroon Shahid as Faraz
Sajid Hasan as Aslam
Hina Bayat as Amma Saeein
Mahmood Aslam as Baba Saeein
Dania Enwer as Fiza
Kinza Malik as Fehmida
Hiba Ali as Kashmala
Sajeeruddin Khalifa as Naseer
Shazia Gohar as Kausar
Humaira Bano as Zunaira
Ellie Zaid as Sumbul
Nain Sukh as Sania
Mehboob Sultan as Jaffar
Faiza Khan as Rumi
Sarah Ali as Rida
Category
😹
FunTranscript
00:00You
00:30...
00:38Where are you going?
00:40Come, let's drop you.
00:42Come on
00:44What are you thinking?
00:46Come on, where are you going?
00:48Listen to me
00:50Why are you afraid?
00:53Come on. We are good people.
00:55Come
01:00Hey, what's wrong with you? Come on, let's go.
01:07Come on, sit.
01:08Looks like he's bothering the boy. Go, save him.
01:11Come on, let's go together. Sit in the car.
01:14Come on.
01:16What?
01:18He's behind.
01:31Oh!
01:33Please, save me.
01:35That boy...
01:36Yes, yes, yes.
01:38He ran away because of the fire.
01:40He'll come back. Please, save me.
01:42Relax.
01:43As long as we're with you, no one will say anything to you.
01:47Anyway, don't worry.
01:50Tell me, what were you doing here at this hour?
01:55And who were those two?
01:57I don't know.
01:58I don't know anything. I was here.
02:02They were after me.
02:04I don't know who they were.
02:05Okay, okay. Don't worry.
02:09Where's your house?
02:10Come on, we'll drop you.
02:12My house?
02:14Yes, your house.
02:19I don't have a house.
02:23You don't have a house?
02:25It's okay.
02:26I'll drop you.
02:28You can stay at my house.
02:32No, I'll go away.
02:35I'll go away somewhere.
02:37Where will you go in this dark night?
02:40If you roam the streets alone like this,
02:42these kind of boys will run after you.
02:45How long will you save yourself from them?
02:47Come with me.
02:52Why are you crying?
02:54Cowards cry.
02:56And you look very brave to me.
03:00Come with me to my house.
03:04There is no one at my house except my daughter and me.
03:08You, you don't leave me and go.
03:11You stay here.
03:12That's why I'm telling you to come to my house.
03:15I'm sure you'll live there in peace.
03:17Dear, I have to go.
03:20My daughters are waiting for me at home.
03:24If you don't want to go with me,
03:27then it's okay.
03:29There is no compulsion.
03:31But reach a safe place as soon as possible.
03:36I will be worried about you.
03:37You are very beautiful.
03:39Very beautiful.
03:43And in the darkness of the night,
03:45wolves come out on the roads like this.
03:48Take care of yourself.
03:50Let's go, Hassan.
03:52Let's go, Hassan.
03:54Let's go, Hassan.
03:56Let's go, Hassan.
03:58Let's go, Hassan.
04:00Let's go, Hassan.
04:02Let's go, Hassan.
04:04Let's go.
04:05Take care of yourself.
04:06Let's go, Hassan.
04:10No, please.
04:12I will go to your house with you.
04:17Thank God.
04:18At least your sensible decision
04:20saved me from having a bad night's sleep.
04:24Let's go.
04:25Come.
04:36Sit.
04:51This uncle's son is so cute.
04:54As if he is a hero.
04:58I also have a right
04:59to be the daughter-in-law of this house.
05:06Everyone thinks about their interests here.
05:09But you take care of everyone.
05:12I want to marry Sobhia.
05:16That's it, Sobhia.
05:18Be prepared.
05:20But the most valuable thing
05:23of this house
05:25is this.
05:28I have broken Kadir's relationship with Sobhia
05:31and got her engaged to me.
05:32This is a matter of my life.
05:34I don't understand.
05:35What do you want?
05:38I want Sobhia.
05:41You are so lucky.
05:46Two brothers from such a big family
05:49are fighting for you.
05:52Let's see who wins.
06:03Hmm.
06:13Rameeza Begum.
06:15She didn't die.
06:17She left a funeral for us.
06:20Whom are you crying for now?
06:24For God's sake, Mr. Aslam.
06:28Don't say such hurtful words.
06:33A girl who doesn't stay out of the house
06:36who never stays out of the house for a night.
06:39She must be wandering around.
06:41I am fed up
06:43of listening to you.
06:45Such girls
06:47who don't respect their parents
06:49face the same result.
06:51Have some respect.
06:53She is a young girl.
06:55I don't know where she will be.
06:57Did she respect her father?
06:59I don't care
07:01where she dies.
07:03For God's sake, Mr. Aslam.
07:05Have some mercy.
07:07Have some mercy on my mother.
07:10For God's sake, find my daughter.
07:14You are talking about her entry in this house.
07:17I won't even let her funeral take place in this house.
07:20Ameeda.
07:22Now that you have mentioned that girl's name
07:24you are no worse than her.
07:26If you have any excuses for her
07:27then go.
07:29Get out of the room.
07:31Go out for her.
07:57Come, don't be scared.
08:01Come inside.
08:05This is my poor house.
08:08And in this house
08:10my daughters live with me.
08:13And you are also like them for me.
08:16Isn't it?
08:18Come.
08:20Come.
08:22Come.
08:24Come.
08:25You are like them for me.
08:32Hello, mother.
08:34Hello, child.
08:36Hello, mother.
08:38Hello, child. Did you eat?
08:40Yes, we were waiting for you.
08:42We just ate.
08:44Okay, good.
08:46How was your party?
08:48It was so good.
08:50How will you take this with you?
08:51I haven't even asked your name yet.
08:55What is your name?
08:57Dua.
08:59Dua.
09:01What a lovely name.
09:03This is Dua.
09:05And we met her on the way.
09:09Some rascal was troubling her.
09:12Coincidentally she came in front of our car
09:14so I didn't find it appropriate
09:16that I drop her on the way.
09:18So I brought her with me.
09:19So today Dua is our guest
09:21and tomorrow morning
09:23she can go wherever she wants.
09:28Did you eat?
09:30How will she eat?
09:33Does anyone give food on the way?
09:36Listen, Rumi.
09:38Ask the servant
09:40to serve food for Dua.
09:42I will tell her.
09:49Okay.
10:11Here you go, dear.
10:13Say Bismillah.
10:19Bismillah.
10:35Dear, eat.
10:37Here you go.
10:49Eat.
11:04By the way, the girl is very beautiful.
11:07How did you trap her?
11:10By the way, to be honest
11:12girls are useless in love.
11:16How would she know
11:17how much you took from her?
11:20Oh yes.
11:22This is her glass.
11:24Remember.
11:36I feel dizzy.
11:38I want to go home.
11:40But...
11:48But...
11:59When I am with you
12:01you never have to worry.
12:17Dua.
12:19By the way,
12:21your clothes are very dirty.
12:23Go and wash them.
12:25Go.
12:27Go.
12:29Dua.
12:31Dua.
12:33Dua.
12:35Dua.
12:37Dua.
12:39Dua.
12:41Dua.
12:43Dua.
12:45Dua.
12:47Dua.
12:49Dua.
12:51Rumi.
12:53Give her your clothes.
12:56Dear.
12:58Go and change.
13:00There is no need to be formal.
13:02I am fine.
13:04What is there to be formal about?
13:06Rumi is my daughter
13:08and you are like my daughters.
13:11I will not ask you
13:13what you were doing on the streets
13:15so late at night.
13:17I will not ask you to tell me
13:19anything about your family.
13:23But I do understand
13:26that you are very worried.
13:32And if you want to cry
13:34on someone's shoulder
13:36and feel better
13:38then
13:41I am here for you.
13:42I am here for you.
13:46Dear.
13:48You can consider me as your mother
13:50if not your mother.
13:55Rumi.
13:57Take Dua to your room.
13:59She will stay in your room tonight.
14:02The driver will drop you
14:04in the morning.
14:06And yes.
14:08Dua should not be bothered
14:10about anything.
14:12She will not be.
14:20Come on, dear.
14:22You should rest now.
14:24You have been awake for hours.
14:33Shall we go?
14:43Let's go.
14:56Why did you stop?
14:58Come inside.
15:03This
15:07is your room?
15:09Yes.
15:10And it will be yours from today.
15:12You will share a room with me
15:14so it will be yours too.
15:18Mom is very nice.
15:20If you have any problem
15:22you can share it with her.
15:24In fact,
15:26if you want to stay here forever
15:28she will agree to this
15:30and get you a more beautiful room.
15:38Your mom is really nice.
15:41If I had not come in front of her car
15:46I don't know what would have happened to me today.
15:49Now that you are here
15:51you don't need to be scared of anyone
15:53when your mom is here.
15:57One minute, I will be back.
16:11Here.
16:13Go and change and get ready.
16:16No.
16:18How can I take this?
16:20What are you saying?
16:22Here, go and change.
16:29There is a washroom on the right side.
16:31Go and change. I will take a call.
16:35Hello.
16:37Yes, mom.
16:38I will take a call.
16:40Hello.
16:42Yes, hi.
17:08Hi.
17:39Wow!
17:41You look really good.
17:46Why are you crying?
17:51I was missing my family.
17:56Look, you can discuss your problem with me.
18:00We are friends now.
18:03I am sorry.
18:05It's okay.
18:06We are friends, right?
18:12If not me, you can discuss it with mom.
18:16She will solve all your problems.
18:19Take your time.
18:30You take rest.
18:32I will go and say good night to mom.
18:33Okay.
18:35Okay.
19:03God has blessed us.
19:06Our son's life is saved.
19:10Now we will go to the mansion and offer charity
19:14so that all the troubles stay away from you.
19:18Take care of yourself, son.
19:21You are leaving so soon.
19:24I don't feel like leaving you.
19:27But the kids are waiting for you.
19:29I don't feel like leaving you.
19:32But the kids are alone in the mansion.
19:35They must be worried.
19:37I will call the kids here.
19:39No, son.
19:41It will be a waste of their school.
19:43And anyway,
19:45we are leaving Kashmala with you
19:48to take care of you.
19:55No, there is no need for that.
19:57Jafar is here to take care of me.
20:00You fool.
20:02A wife is a wife.
20:04And no one can take care of you more than a wife.
20:07These kids need a mother,
20:10so this is not right.
20:12The kids are very upset with us and your father.
20:16Don't worry.
20:18They will be very happy with us.
20:20Mom, I am telling you.
20:22There are other servants here to take care of me.
20:24Don't argue too much, son.
20:26Your mother
20:28is leaving Kashmala for your good.
20:31If Kashmala stays here,
20:33we will also be satisfied with you.
20:40Yes.
20:42We should leave.
20:44Kashmala.
20:46Yes, mother.
20:48You have to take good care of our son.
20:50There should be no mistake.
20:52Don't worry, mother.
20:53I am fine, mother.
20:55I have a headache.
20:59I will take care.
21:01You won't get any complaints.
21:03We will leave now.
21:05Take care of yourself too.
21:07Yes.
21:09Bless you.
21:13Okay, son.
21:15Goodbye.
21:17Come.
21:24I don't understand you.
21:26You had a problem when I was ignoring him.
21:29Now you have a problem even when I am appreciating him.
21:32What do you want?
21:34It was so difficult for me and Sultan to get Divya's birth certificate.
21:37Then this Mashal.
21:39All the time she is stuck.
21:41Control Sultan.
21:43I have just posted the picture
21:45that the first like has come.
21:47Sister-in-law must have done it.
21:49No, no, it's not sister-in-law.
21:51It's Mashal.
21:53I think the arrow has hit the target.
22:24I wanted to tell you something.
22:27Tell me.
22:30No one has come from my house.
22:33And it is not possible for me to go there now.
22:36So?
22:39If you could make me talk to my house on your phone,
22:42then I would have been able to go there.
22:45But I don't have that phone.
22:47I don't have that phone.
22:49I don't have that phone.
22:50If you could make me talk to my house on your phone, then…
22:55What do you want to talk about?
22:57I just wanted to ask if everything is fine.
23:00Everyone must be worried about Dua.
23:03So I thought I should ask if she has found out anything or not.
23:06Okay.
23:08So you think you will find out about your sister's well-being
23:12and the one who ran away from home will come back.
23:15I…
23:17I just wanted to know about the situation at home.
23:20You don't have to talk to anyone.
23:24You can talk to the receptionist in the evening.
23:29And anyway,
23:32I am thinking of talking to my parents
23:36and ending this story.
23:44Okay.
24:04Where are you going?
24:05Come, let's drop you.
24:07Come.
24:08What are you thinking?
24:10Wait, listen to me.
24:11Why are you getting scared?
24:12Come.
24:13Come, we are good people.
24:22What happened?
24:24Are you scared?
24:28No.
24:32Did you have a bad dream?
24:35Maybe.
24:40No.
24:43I…
24:44Now that you have woken up, get fresh.
24:46Everyone must be waiting for us for breakfast.
24:50Breakfast?
24:56Right now?
24:59Yes, I agree it is 12 noon,
25:02but we wake up at this time.
25:04Sometimes we wake up even later than this.
25:09Okay.
25:11Don't you
25:13go to university or college?
25:19I have studied as much as I wanted to.
25:23Okay, hurry up.
25:24We will talk about the rest at the breakfast table.
25:27Will you wait for a while?
25:30Then we will go together.
25:32I don't want to tell you about the roads here.
25:37This is our house,
25:38it is not a fair that you are scared of losing it.
25:45It is a strange place.
25:49At strange places,
25:53one gets scared.
25:57You get ready,
25:59I will come to pick you up.
26:00And yes, I have got this dress for you,
26:02wear it.
26:04This…
26:05No, no, this is absolutely fine.
26:07These are good clothes.
26:09All your clothes will get ruined like this.
26:13I am fine in these.
26:14I will keep wearing these.
26:17Dua's mother is very up to date
26:20and she wants us to be tip top like her.
26:23If I see you in this attire,
26:24I will be in trouble.
26:26That you didn't take care of the guest,
26:27this and that.
26:28So please, listen to me.
26:30Get up, change, get ready
26:32and please come out.
26:34Why are you trying to get me scolded?
26:37Come out quickly.
26:40Okay.
26:42Okay, good girl.
27:04I love you.
27:06I love you.
27:08I love you.
27:10I love you.
27:33I love you.
28:00I love you a lot.
28:04I love you.
28:12I just want you to be with me, Dua.
28:33I love you.
28:43What are you doing here?
28:47Well,
28:49you were talking in your sleep so…
28:55Hmm?
29:01I don't know.
29:03I don't know.
29:10Chhote Sahi.
29:15You go from here,
29:16I want to talk to Jafar.
29:19You can talk to him in front of me.
29:21What is it that
29:23can't be said in front of me?
29:28Do as much as you are told.
29:33You go from here.
29:43Jafar.
29:57Greetings, Sahi.
30:00Greetings.
30:04Is there any problem, Jafar?
30:06Well…
30:16Is Dua fine?
30:21I don't know, Sahi.
30:24What do you mean?
30:26Sahi,
30:28well,
30:30she is missing
30:31and
30:34I don't know where she is.
30:37Jafar, what do you mean?
30:40Sahi,
30:43I tried a lot to find her.
30:47I think
30:48something is wrong with her.
30:52But,
30:53Sahi,
30:55I can't say anything without confirming it.
30:59Nothing should happen to Jafar.
31:01But…
31:03What happened, Sahi?
31:06I am fine. I am with you for half an hour.
31:07Find her.
31:09Okay, Sahi.
31:10As you say.
31:29Why don't you listen to me?
31:30Why don't you believe me?
31:31What is the need to do such an event?
31:33Should we cancel it?
31:35Why are you
31:37arguing with me?
31:39I am not arguing.
31:40I am telling you the truth.
31:42On the day of the wedding,
31:43people didn't find out
31:45that my sister-in-law ran away from home.
31:47But is it necessary to tell us
31:48by doing this reception?
31:49He is right.
31:50Who will tell them?
31:52No one in our family
31:53knows Aslam.
31:55And neither does he know
31:56that he has two daughters or three.
31:58And anyway,
31:59Dua wasn't there on the day of the wedding.
32:01So, how will she be mentioned now?
32:05Such things don't hide, Mr. Nazeer.
32:08My cousin had called.
32:10She was telling me that Dua had returned home.
32:18Thank God that she returned home.
32:21She didn't have any accident.
32:25Those who have accidents,
32:27they die.
32:29They don't come to the police station
32:31and then return home.
32:34Mr. Aslam must know
32:36that his daughter has done something wrong.
32:39That's why he slammed the door on her face.
32:41He didn't let her in.
32:47Listen to me.
32:51He is hiding his face
32:52because of his daughter.
32:54And we are trying to
32:55get our second daughter married.
32:57Wow, Mr. Nazeer.
32:59You are too much.
33:01I am always too much.
33:03I will definitely get my son married.
33:06Do you understand?
33:07It would be better if you start the preparations.
33:19Dear,
33:21whatever has happened,
33:23it's not your fault.
33:30But I won't let you do anything wrong.
33:36Sumbul.
33:37Yes, dad.
33:38Come here, dear.
33:45Take your wife to her room
33:48and take care of her.
33:51Fiza, you must be thinking
33:53that I don't know where I have come.
33:57But don't worry.
33:58God will make everything better.
34:00Go, dear.
34:02Yes, dad.
34:03Sister-in-law.
34:06Let's go.
34:10She must be thinking.
34:12We have lost our sleep because of her.
34:14Sister-in-law wanted me to get married.
34:18Is this what you got for disobeying me?
34:20How would I know
34:22that these bitter almonds will be written
34:24in our fate?
34:28It would have been better
34:29if I ran away and got married.
34:30What?
34:48What news have you brought, Jafar?
34:51The news is very bad, Saim.
34:58What is the matter, Jafar?
34:59Speak openly.
35:01Saim,
35:03I had called you a lot earlier.
35:05That…
35:17Saim.
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