Buena película
  • 3 months ago
Transcript
00:00♪♪
00:06Tell me, Mom.
00:07Ah, Sanem.
00:08How are you, dear?
00:10Fine, Mom.
00:11I'm going to work.
00:12Well, listen.
00:13Don't sit in front of the air conditioner.
00:15You know it's not good.
00:16Thank you, Mom.
00:17It looks delicious.
00:18You can catch a cold.
00:19We'll talk later.
00:20Yes, Mom.
00:21Don't worry.
00:22Hello, Mrs. McVeigh.
00:23How are you?
00:24Ah, Mr. Jan.
00:25Good morning.
00:26Sanem, how are you?
00:27JJ, what are you doing at my parents' house?
00:29Ah, it's a long story.
00:32I think it would be better to hang up the phone
00:34out of respect for the rest of us.
00:36It's true.
00:37You're right.
00:38Goodbye, dear.
00:40Are we leaving?
00:43I'm not going with you.
00:44I'm going in a taxi.
00:45A taxi?
00:46And why?
00:47It's just that you forgot everything.
00:49I don't know who I am to you.
00:51And since we work together,
00:52I don't think it's appropriate for my boss
00:54to take me to work every day.
00:56Did you get up in a bad mood?
00:58No, not at all.
01:00Stay alone and listen to your heart.
01:03You need it.
01:05Do you usually get up like this
01:07or is this your morning mood?
01:10Because that wasn't in the book.
01:12That wasn't funny.
01:15Hello?
01:17Good morning.
01:18Can you send me a taxi to Mrs. Mirivan's farm?
01:22What do you mean no?
01:27Okay, I'll wait.
01:31What?
01:33Okay, thanks.
01:36Get in the car.
01:38No, you get in first.
01:42Okay, me first.
01:58Why don't you understand my problem?
02:00Someone has to answer the phone in the office
02:02and that's you.
02:03So if you don't like your job, I'm sorry.
02:06Calm down, Dere.
02:07You don't have to yell at me.
02:09But why are you talking so loud?
02:11I remind you that I am a shareholder of this company.
02:13I was hoping to have an office
02:15and you tell me to be a receptionist
02:17and take the phone.
02:18Do you think that's normal?
02:19You're not doing anything.
02:20The truth is that you have no initiative.
02:22That vase is more productive than you,
02:24so you're going to answer the phone and period.
02:27Listen, I told you not to yell at me
02:29because you're still doing it.
02:30I'm thinking about JJ and don't bother me.
02:32I don't feel like arguing.
02:34Good morning.
02:35Good morning.
02:36Good morning.
02:37Good morning, people.
02:38How are you?
02:39Good morning.
02:40How are you?
02:41Good morning.
02:42Good morning.
02:43Good morning.
02:44Why have you come together?
02:45Because today I have decided to close a chapter
02:47in my friendly life.
02:48Now I live with Sanem's parents.
02:50I hope you're calmer.
02:52I see.
02:53It seems that now I understand all this.
02:55Listen.
02:56That's right.
02:57Don't mix your private life with work
02:59or I won't have a choice but to fire you.
03:01Musa, if you're not going to answer the phone,
03:03at least look for someone.
03:04Yes, that's it.
03:05There's no need.
03:06I'll take care of it.
03:07Don't make Musa make a mistake.
03:08JJ, you break my heart.
03:09Good morning.
03:10Good morning.
03:11You do that?
03:12Quietly you look more beautiful.
03:13You hurt my feelings.
03:14Hello, good morning.
03:15Good morning.
03:16Good morning.
03:17Hey, we thought we should look for a new receptionist.
03:20Yes, of course.
03:21We need one.
03:22We need to make a meeting.
03:23What?
03:24What's going on?
03:25If you had listened to us for two minutes,
03:27you would know.
03:28We need to call a meeting urgently.
03:30We'll solve it.
03:31Don't worry.
03:32Let's go to the meeting room.
03:34Okay.
03:35We have to make a meeting.
03:37Yes.
03:38And where are you going?
03:39We are shareholders,
03:40so we have to be at the meeting.
03:42Let us pass, Cleopatra.
03:44I agree with this guy.
03:46Listen.
03:47Today we have enough problems.
03:49I don't want any more.
03:51Go put the ad to look for the receptionist.
03:54Yes.
03:55Hurry up.
03:56Move.
03:57I'm going crazy.
04:00Did you hear how he yelled at me?
04:01Hey, I don't use sticks.
04:02I have fish ears.
04:05Artur Capello?
04:07Where did you get the idea?
04:08I don't know.
04:09It was the first thing that came to mind.
04:11He was about to leave.
04:12In short, Mrs. Sim thinks we're going to work with Director Artur Capello,
04:16but he doesn't really exist.
04:19Let's do this.
04:21Deren calls Mrs. Sim and organizes a meeting.
04:24Tell her it's about the director.
04:26What?
04:27Let's go and tell her that we couldn't reach an agreement with him,
04:30that he asked for a lot of money, and so we got rid of the issue.
04:36It's already solved.
04:38Okay.
04:39I'll call him right away.
04:40Good.
04:42I'd like to talk to you alone for a moment, if you'll excuse us.
04:45Now you want me to leave?
04:47Yes.
04:49Let's go.
04:50This is between brothers.
04:52Sit down.
04:57Look, Jan.
04:58Yesterday Leila was up to it and knew how to manage the situation.
05:01I think it's unfair that she's still my secretary.
05:03She deserves a better position, if you agree.
05:05We promote her to account executive.
05:07Do you agree?
05:09If we have that campaign, it's thanks to Leila.
05:11So...
05:13Yes, I agree.
05:16She's going to feel very motivated.
05:19Zanem, I couldn't ask you.
05:20You ran out of the cabin.
05:22Where did you go?
05:24No, it's nothing important.
05:25Forget it.
05:27But if I know you, something's wrong with you.
05:29Tell me.
05:30Well, you'll see.
05:31The evil king is back.
05:35Let's see, pay attention.
05:36I have an announcement to make.
05:38The evil king will speak.
05:43Listen, everyone.
05:45If we have this campaign, it's basically thanks to Leila.
05:49Over the years, she has gained a lot of experience,
05:51so if she agrees,
05:53we promote her to account executive.
05:56Congratulations.
05:57Congratulations, Leila.
05:58What a great job.
05:59You deserve it.
06:01Good job.
06:02Excellent.
06:05Thank you very much.
06:07No, thank you.
06:08You deserve it, Leila.
06:11Yes, excuse me.
06:12Mr. Yan, Mr. Yan.
06:13I also want to have a position of more responsibility.
06:16If you could consider my situation, it would be great.
06:19Of course, JJ.
06:20Thank you, super friend.
06:23What are you doing?
06:24I just talked to Mr. Asim's assistant.
06:27He told me he had to go on a trip urgently,
06:29but he'll take care of his brother in an hour.
06:33Shall we go, Zanem?
06:34Sure.
06:35Congratulations, Leila and JJ.
06:37Maybe they'll take care of you too.
06:38Yes, let's hope so.
06:41Congratulations to you too.
06:48Don't go this way.
06:49Let's go along the coast.
06:50No way.
06:51Forget it.
06:52This way is better.
06:53Really?
06:54Yes, that's right.
06:55Asim again.
06:56Another meeting with him.
06:57Again you ask me to go along the coast.
06:59And I'm sure we'll take twice as long.
07:01Forget it.
07:02Let's go this way.
07:03But if you take that road, we'll find a jam.
07:05My navigator says so.
07:07No, trust my intuition.
07:08I'm going to go down the road I know.
07:10You can go down and take a taxi.
07:12I won't stop you.
07:14Very good, Yandivid.
07:15You know the traffic very well.
07:17And you don't mind the jam?
07:18Go ahead.
07:19Yes, I'm going to go down the road I know.
07:22Make it clear.
07:37You told me to go down and take a taxi.
07:39I didn't do it.
07:40Just for education.
07:42Sanem, I'm already pretty tense because of the traffic.
07:44Don't overwhelm me anymore.
07:47If you had listened to me, we wouldn't be stuck here.
07:50I'm warning you, Yandivid.
07:52Yes, that's true.
07:54We couldn't make it to the first meeting
07:56and we had to lie so that they would invite us again.
07:59Now what are we going to do?
08:00Make up another lie?
08:01We're halfway there.
08:02Who knows when we'll get to the meeting.
08:05It's not that bad.
08:06You wanted us to spend more time together, right?
08:08Well, look, this is a great opportunity.
08:15Hey, wait.
08:16Tell me, beautiful.
08:17What are you doing, Sanem?
08:18Where are you going?
08:19To Khadikov.
08:20Can you take me to Oscudar?
08:22I'm not going there.
08:24Sanem, what are you doing?
08:25What's wrong with you?
08:26Solving the problem.
08:27That's what I do.
08:29Come on, get in.
08:30Sanem, are you going to leave?
08:32That easy.
08:33Don't be silly, Sanem.
08:34Very easy.
08:35It can't be.
08:36This girl is not only crazy, she's completely crazy.
08:44Sanem, hey!
08:45It's better to have a motorcycle than a last model car.
08:48To one side.
08:49I have to go.
08:53That's it.
08:58Ah, it's there.
08:59It's that house.
09:00It's that house.
09:01It's that house.
09:02It's that house.
09:03It's that house.
09:04It's that one.
09:05Right there.
09:06Oh, I'm going to get off.
09:10Oh, I appreciate it.
09:15Oh, my leg fell asleep.
09:16No, it's nothing.
09:18Well, this is for you.
09:19Very good, thank you.
09:21See you later.
09:29What's up?
09:30Sanem, I called you several times.
09:31Why don't you answer?
09:33Well, because I was on the motorcycle.
09:36Oh, yes, it's true.
09:37If you answer, it's because you're sure you're here.
09:39Yes, and where are you?
09:41Coming.
09:42I'll be there in 20 or 25 minutes.
09:44Well, in 25 minutes exactly.
09:47Entertain me a little more while I get there.
09:49How am I going to entertain you for half an hour?
09:51You can think of something.
09:52You can.
09:53Wait.
09:54Don't you trust me?
09:55Don't you think I can talk to that man alone?
09:57No, no, no.
09:58I didn't mean to say that.
09:59Well, you're insinuating it.
10:01But what are you saying?
10:02I'm the director of the agency.
10:03Or at least that's what they tell me.
10:05I have to be at the meeting, don't you think?
10:07Stop it, Jan.
10:08It's okay.
10:09I'll entertain you as best I can.
10:10Now, if you'll excuse me, I'm going to hang up.
10:12Why don't you want to be late?
10:23Guman Art.
10:26And then Mr. Jan's car broke down.
10:28And he had to call the crane in the middle of the traffic.
10:31And of course, not to make you wait,
10:33I decided to take a taxi and I came here.
10:36But don't worry, Mr. Jan will be here soon.
10:38Miss, you've told me several times.
10:40I understand the situation.
10:41But I have another meeting later,
10:43so let's start with Mr. Jan, please.
10:45Really?
10:46First of all, my niece Aisha,
10:48who runs the advertising department,
10:50will be in charge of this campaign, okay?
10:52Very well.
10:53I have a question.
10:54What happened to that foreign director?
10:56Because I understood that they wanted to work with him specifically.
11:02He has a lot of talent.
11:04It's amazing.
11:05The success chases him.
11:06He's a very good director.
11:07And his fees are very high.
11:09I can imagine.
11:10You know, famous directors.
11:12And how much is he asking for?
11:17I can't tell you.
11:20I'll write it down.
11:27I'm still writing.
11:28I'm writing.
11:31Is it going to stop?
11:33Not yet.
11:36To give you an idea,
11:38this is the amount.
11:45In euros?
11:47In euros?
11:48No, dollars.
11:50It's a lot.
11:51Correct.
11:52Besides,
11:54I can't bother my brother
11:55the first day he leaves me in front.
11:57So,
11:58I'll tell you what we're going to do.
12:00I'll pay myself
12:02that amount in my pocket.
12:03What?
12:05No, wait.
12:06How are you going to pay that?
12:07What's wrong? Isn't that what you asked for?
12:09Well, ready.
12:10Yes, but ...
12:11But what?
12:13Arthur is a very important director.
12:15Since he asked us so much money,
12:16we didn't insist.
12:17And it turns out that now he is very busy.
12:19I don't know if he will have time
12:20to do our campaign.
12:21Miss Sanem,
12:22with that money you can convince him.
12:24His agency is well known
12:25and the sum is very quantitative.
12:26It's decided.
12:27Don't talk anymore.
12:28Sure, sure.
12:29I'm sure the money will convince him.
12:30But I'm not very sure about something.
12:32Wait.
12:33Do you want to show him the figure?
12:34Yes, I already told you.
12:35I'll pay him.
12:36I'm sorry.
12:37How are you?
12:38Hello.
12:39How are you?
12:40Sanem will have explained the situation to you.
12:41It's okay.
12:42Everything has been resolved.
12:43You will work with the director you want.
12:46Excellent day.
12:50What are you talking about?
12:52They are millionaires, Jan.
12:54They have a lot of money.
12:55They are very rich.
12:56Goodbye.
13:06You just had to tell a simple lie, Sanem.
13:08How did you get me in this mess?
13:10I can't believe it.
13:11And how am I going to know?
13:12If he said he was willing to pay that amount,
13:15what could I do?
13:16You could make up another lie.
13:18You're an expert, aren't you?
13:19If you listened to me,
13:20instead of complaining,
13:21you would have arrived on time for the meeting.
13:24And now what do we do?
13:25Tell me what we do.
13:26If you want, we go back to the coast,
13:28and maybe a miracle happens
13:29and we find Arthur Capello.
13:32Arthur Capello.
13:33Capello, Capello, Capello.
13:34What else?
13:35That guy doesn't exist.
13:36Don't talk to me like that, Jan.
13:37I swear you're going to drive me crazy.
13:39Yes, you wrote it in your book.
13:41Not in that sense.
13:42I mean, you're stressing me out.
13:43Come on, come on.
13:44Look who's talking.
13:46My novel is a love story,
13:47an authentic one,
13:48and I assure you
13:49that you were also crazy about me.
13:51You can't imagine how much you were in love
13:53with me.
13:55Deren calling.
14:00Deren, are you on speaker?
14:01How was the meeting?
14:03Fantastic.
14:04Sanem has a surprise for you.
14:05We'll get in the car and she'll explain it to you.
14:13I don't like lies
14:14and I don't like hiding things from people,
14:16but there's no other way.
14:19Let's think of something
14:21for Arthur Capello.
14:23We said he had experience,
14:24so he'll be about 70 years old.
14:26Where is this Arthur from?
14:28Iraqi.
14:29No, it's English from Spanish parents.
14:30The Iraqi thing was invented by J.J.,
14:32but actually Mr. Capello is Spanish
14:34and lives in England.
14:36Perfect.
14:37Very good.
14:38Bravo.
14:39Bravo.
14:40Let's see.
14:4270 years and intellectual.
14:45Does he speak English and Spanish?
14:47That's right.
14:48Of course.
14:50We'll have to find an unknown actor.
14:52Then start calling the casting agencies.
14:55There's another problem.
14:56If it's about such a famous director
14:58who's had so much success,
15:00we'll have to create a website.
15:02I'll take care of that, friend Jan.
15:04Oh yeah?
15:05How are you going to do it?
15:06He said create a website.
15:07No instructions to make coffee?
15:09Shut up, Mediche.
15:11Enough.
15:12We'll take care of it.
15:13You don't know how to create websites either.
15:15Em recognized a hacker
15:17who worked with Aileen.
15:18Remember?
15:19He said Aileen.
15:20He named Aileen.
15:21Yes, I remember.
15:22How could I forget?
15:23Good.
15:24We'll have to find him.
15:25All right.
15:26I'll take care of that.
15:27Well, then.
15:28See you later.
15:29We'll find the actor.
15:32J.J., you wanted more responsibility, right?
15:35Help us with the casting.
15:36Go get a laptop.
15:37Of course, friend.
15:38And?
15:39I'm going to work at that table.
15:42And that?
15:44What?
15:46Well, I don't want to bother you, Mr. Jan.
15:48And besides, everything stings me.
15:50Do you have an allergy?
15:51Well, no.
15:52Not in that sense.
15:53Oh, but what's wrong with you?
15:55It's a metaphor.
15:56A metaphor?
15:57Uh, he doesn't want company.
15:59Nothing to do with the allergy.
16:01Oh, it stings me too.
16:02Although it's just a little.
16:03No, it's not true.
16:04It's just a metaphor.
16:08What do you think of that one over there?
16:10I see him well.
16:11Yes, it may be that he works.
16:13What's wrong with you?
16:14Oh, calm down.
16:19Okay.
16:23I'm going to write down the number of that agency.
16:28Listen to me.
16:29Look for Neme in the depths of your heart.
16:32And even if you don't find her,
16:35Never ever let go of her hand.
16:55I don't remember her.
16:56And I understand it's because of that accident.
17:00But why don't I feel anything?
17:02I don't understand.
17:04I don't understand.
17:05I don't understand.
17:06I don't understand.
17:07I don't understand.
17:08I don't understand.
17:09I don't understand.
17:10I don't understand.
17:11I don't understand.
17:12I don't understand.
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18:00I don't understand.
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19:00I don't understand.
19:01I don't understand.
19:03I don't understand.
19:14Mucho éxito.
19:15Es que es verano.
19:16Es normal.
19:18Sí, claro.
19:19Supongo que la gente está de vacaciones.
19:22Los artistas le ponen mucha pasión a su trabajo.
19:25Pero claro, esas cosas no van con usted, señor Jan.
19:30¿Señor Jan otra vez?
19:31¿Y cómo lo llamo?
19:35Zanem, ¿qué pasa?
19:36¿Quieres decirme algo y no te atreves?
19:42Ya va a empezar.
19:45Hola, capitán.
19:46Hola.
19:48Háblenos del olor del mar.
19:50El mar es nuestra madre, grande y generoso.
19:53Háblenos del idioma del mar.
19:55Llévenos a él, a su belleza y a su camino.
20:04Sí, este mar, esta unión, esta conexión,
20:08eso es lo que nos acercará siempre.
20:11¡Sí!
20:15¡Sí!
20:17¡Bravo!
20:23Sí, bravo, Zanem.
20:24Encontramos a Arthur Capello.
20:26Bueno, lo encontraste tú.
20:28Eres la mejor.
20:29Ven aquí.
20:30Ay, te dicen dos palabras amables y se te olvida todo.
20:34Qué rápido te convence, chica.
20:36Sí, tienes razón.
20:37Por supuesto que la tengo.
20:38Solucionaste el problema.
20:40Solo hago mi trabajo, señor Yan.
20:51Buenas tardes.
20:52Buenas tardes.
20:53¿Qué tal?
20:54Somos de la agencia Fikri Arika.
20:56¿Podemos ver al señor Ayati?
20:58Claro que sí.
20:59Estará encantado.
21:00Gracias.
21:01Buenas tardes.
21:02Buenas tardes.
21:03Buenas tardes.
21:04¿Podemos ver al señor Ayati?
21:05Claro que sí.
21:06Estará encantado.
21:07Estupendo.
21:08Por aquí.
21:12Muchas gracias, chicos.
21:13Gracias por venir.
21:14Ha sido un placer.
21:17Ah, pues diles que pasen.
21:25Hola.
21:26Felicidades.
21:27Gracias.
21:28¿Qué tal?
21:29Señor Ayati, estuvo maravilloso.
21:30Tengo la piel de gallina.
21:31Una gran interpretación.
21:32Qué realismo.
21:33Muchas gracias, señorita.
21:35Es un halago.
21:37Disculpe.
21:40Ahora sí, díganle.
21:42Yo soy Yan, director de la agencia.
21:44Zanem es del equipo creativo.
21:46Encantado.
21:47Es un placer para mí.
21:48Nos gustaría ofrecerle un papel.
21:50¿De verdad?
21:52Pues qué alegría.
21:53Mi último papel fue en la serie La Granja,
21:56interpretada al mayordomo.
21:58Era un papel largo,
21:59pero lo tuve que dejar por un accidente.
22:02Me dio una patada fuerte.
22:03Lamento escuchar eso.
22:04Sí, fue una pena.
22:05Desde entonces no me han salido más papeles en la tele.
22:08¿Este es un anillo?
22:11No.
22:13Digamos que interpretará a un protagonista.
22:16No me diga.
22:17Bien.
22:18Me parece estupendo.
22:21¿Se siente bien, señor?
22:23Sí, es que me puse un poco nervioso.
22:27Usted interpretará el papel de un director extranjero.
22:33Sí habla inglés con fluidez, ¿verdad?
22:38Sí, por supuesto.
22:39Por supuesto que sí.
22:41Es un papel perfecto para mí.
22:42Sí, claro.
22:43Es una oportunidad excelente.
22:45¡Qué suerte!
22:47Señor Hayati, si quiere, beba un poco más de agua.
22:50Termine el vaso.
22:51Estoy bien, cálmate.
22:59Zanem, llama a una ambulancia.
23:01Actúa.
23:02Esto no es actuación.
23:03Mira.
23:04No está respirando.
23:05Puede que sea un infarto.
23:07Entiendo.
23:12Hola, emergencias.
23:14Así es.
23:15Un hombre desmayado.
23:17El señor Hayati.
23:18¿Cómo que no?
23:19Es un actor famoso.
23:20Zanem, no pienso darle respiración de boca a boca.
23:23Los dos tenemos barba.
23:24El boca a boca, Jan.
23:27¡Desaprisa y mande a una ambulancia!
23:28¿No ve que es urgente?
23:30Está bien, lo haré.
23:31Pero pensaré en alguien más.
23:35Es increíble.
23:36Mira que desmayarse.
23:38Por cierto, qué bueno que lo acompañamos al hospital.
23:42Claro, ¿qué otra cosa podíamos hacer?
23:44Le dio un infarto.
23:45No podíamos dejarlo ahí tirado.
23:46Por suerte, sigue con vida.
23:48Cuando se recupere, le ofrecemos hacer un anuncio
23:50para que podamos ayudarlo.
23:52Lo necesita.
23:53Está pasando una mala racha.
23:54Estoy de acuerdo.
23:55Tenemos que ayudar a ese pobre hombre.
23:58En cierto modo, me siento algo responsable.
24:02Me pasa igual.
24:06Haré un bocadillo.
24:07¿Quieres?
24:08Sí, buena idea.
24:09Voy a prepararte.
24:10Déjame ayudarte.
24:11Excelente idea, si tú quieres.
24:13¿El té está aquí, verdad?
24:14Sí, toma lo que necesites.
24:28¡Te resbalas!
24:41Aunque no recuerde nada del amor que sentíamos,
24:43creo que...
24:45lo entiendo.
24:46¿De verdad?
24:48¿Y eso?
24:50Sí, de verdad.
24:51¿De verdad?
24:52Sí.
24:53¿De verdad?
24:54Sí.
24:55¿Y eso?
24:57Si me has mirado así durante dos años,
25:00tiene que haberme afectado.
25:26¿A ver, Sanem, ni que fueras un helado
25:28o te derrites con cada palabra que te dice?
25:30¿Por qué no eres un poco más fuerte?
25:32¿De qué hablas?
25:33No sé a qué viene eso.
25:34Hoy estamos cansados.
25:35Por eso tengo esta mirada.
25:37Yo no creo que esa mirada sea de cansancio, ¿sabes?
25:43No se te escapa una.
25:46Pues, aunque no lo creas,
25:47la verdad es que no.
25:49¿Qué?
25:50¿Qué?
25:51¿Qué?
25:52¿Qué?
25:53Pues, aunque no lo creas,
25:55fue un día muy largo.
25:57Fuimos al teatro
25:58y luego tuvimos que ir al hospital.
26:00Estoy cansada.
26:01Por eso te pongo estos ojitos.
26:04¿Por qué mirándome descansas?
26:09No, para nada.
26:12En realidad no te miraba.
26:13Estaba ensimismada.
26:15Mira qué rara.
26:16Siempre cambias de opinión.
26:17No soy rara.
26:18Es que tú no lo entiendes.
26:19Prepárate.
26:20Quiero tomar una taza.
26:22Yo no voy a hacer el té.
26:23Hazlo tú.
26:24Hasta mañana.
26:28¿Te molesta?
26:30¿Te ofendí?
26:32Como si yo no supiera prepararme uno.
26:34Haré un bocadillo.
26:36¿Y si quiero comer?
26:37¿Se fue?
26:39Ya no está.
26:42El bocadillo quedó delicioso.
26:44No es por nada.
26:45Pero qué bueno está.
26:47Es una delicia.
26:51¿Qué?
26:57Espero que se te haya pasado el cansancio.
27:00¿Le pusiste queso al bocadillo?
27:04Pero te juro que no te miraba.
27:11No grites.
27:12Mañana trabajo y necesito dormir.
27:15Mira.
27:16Ahora me manda carita sonriente.
27:18¿Cuántos años tiene?
27:19Por favor, ya madura.
27:22Por favor, Sanem.
27:23Si es cierto.
27:24Si lo estabas mirando.
27:26¿Te quieres callar?
27:27Ahora no tengo ganas de oírte.
27:29Ya basta.
27:33Uy, qué grosera.
27:35No te lo decía a ti.
27:36¿Por qué te tomas todo como algo personal?
27:39Ay, qué día tan intenso llevo.
27:42Ya te lo dije.
27:45Te crees muy importante.
27:47Por ser el jefe.
27:49Por decir.
27:51¡Qué rico está!