Η κατάρα της Τζέλας Δελαφράγκα Επεισόδιο 2 HD | H KATARA THS TZELAS DELAFRAGKA Epeisodio 2 HD
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Short filmTranscript
00:00:00Where are you going? Why do you keep running away from me?
00:00:03Don't hold me anymore, Terry!
00:00:05Why don't you love me anymore?
00:00:06I love you. I love you more than anything in the world.
00:00:09And I hate you at the same time.
00:00:11You hate me? Why? What have I done to you?
00:00:12You're lying, Terry.
00:00:14Me?
00:00:14No, Foufoutos.
00:00:15Who is Foufoutos?
00:00:16One, you don't know him.
00:00:17Is your relationship with Foufoutos?
00:00:19You and Lora, what is it with you, Terry?
00:00:21Who?
00:00:21Lora.
00:00:22How did you get that name, my love?
00:00:24When we slept together in the hotel, you had a restless sleep.
00:00:27And at night, you would talk.
00:00:29I would talk? And what did I say?
00:00:31Lora.
00:00:33Lora, forgive me, Lora.
00:00:36What's going on, Terry?
00:00:37Oh, Lora. Lora!
00:00:40Lora? Who is Lora?
00:00:43Lora, forgive me. I slept with another woman.
00:00:46No, Terry. Who is Lora?
00:00:49Lora.
00:00:51Lora, I became unfaithful and you fell for me.
00:00:55Forgive me.
00:00:56Do you understand now why I left our bed like a madwoman?
00:00:59Oh, Maro. I broke your heart.
00:01:01Yes, asshole, you broke it.
00:01:03I'm sorry, I didn't mean it.
00:01:04Are you an angry vagabond?
00:01:06Yes, I am.
00:01:08I don't know, I don't know why I can't take my eyes off you.
00:01:10I don't know, but maybe I can't take them off you because I love those eyes.
00:01:15Where are you going?
00:01:16Get away. Get away so I can be cured of the pain of love.
00:01:20No, please, don't leave me. God damn it.
00:01:22I've been looking for you all over Athens and I found you here in Paparia.
00:01:25Leave me alone, leave me alone. You're hurting me, Terry.
00:01:28And let me tell you something. If you want to hear it, I'm angry too.
00:01:32Angry?
00:01:33Yes, Terry, angry.
00:01:35With whom?
00:01:36With Foufou.
00:01:55Foufou, Foufou.
00:02:25I've been looking for you all over Athens and I found you here in Paparia.
00:02:28Leave me alone, leave me alone. You're hurting me, Terry.
00:02:31With whom?
00:02:33With Foufou.
00:02:35Foufou, Foufou.
00:02:37Foufou, Foufou.
00:02:39Foufou, Foufou.
00:02:41Foufou, Foufou.
00:02:43Foufou, Foufou.
00:02:45Foufou, Foufou.
00:02:47Foufou.
00:02:49Foufou, Foufou.
00:02:51Foufou, Foufou.
00:02:53Yes, bro.
00:02:58No, bro.
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00:08:30Yes, bro.
00:08:32Anyway.
00:08:34Chief, I have to tell you shocking news.
00:08:36Over.
00:08:38What did you say? Over.
00:08:40The mirror I'm watching now prepares to buy
00:08:42a significant area around
00:08:44Panagia Syntrechtra's tomb.
00:08:46Over.
00:08:48And what's the name of the Aragonian girl?
00:08:50His name is Foufotos.
00:08:52Foufotos? Strange name.
00:08:54Is she from here?
00:08:56I don't think so.
00:08:58I don't know. Maybe from Athens.
00:09:00She didn't come here to see a friend of hers.
00:09:02Just for sightseeing.
00:09:04So where can I find her?
00:09:06You'll look for her.
00:09:08And if you find her,
00:09:10you'll try to convince her to break up with Foufotos.
00:09:12I doubt I'll find her.
00:09:14And even more doubt she'll listen to me.
00:09:16Then you have to be careful.
00:09:18What if she comes to my mind?
00:09:20You know the solution. Self-service.
00:09:24Tassos, Tassos, Tassos.
00:09:26Don't get carried away.
00:09:28How are we going to leave Metohi?
00:09:30The way you came, with the Tassos.
00:09:32It's not that easy.
00:09:34Why? Did they ruin the Tassos?
00:09:36Don't be silly.
00:09:38In Metohi, we have our tsitsandiri,
00:09:40we have our zinikokeria.
00:09:42How are we going to leave?
00:09:44And where are we going?
00:09:46Why don't you go to Kakorema,
00:09:48where there's a nice view?
00:09:50My bones are sweating.
00:09:52In Poukitsi?
00:09:54Why don't you go to Lalaka?
00:09:56That's the name, Lalaka.
00:09:58You can't find it anywhere.
00:10:00In Metohi, we have our tsitsandiri,
00:10:02we have our zinikokeria.
00:10:04What don't you understand?
00:10:06Fine. Your zinikokeria is the tsitsandiri.
00:10:08It's being transferred.
00:10:10Yes, but the trees aren't being transferred.
00:10:12Which trees?
00:10:14We've planted 500 trees.
00:10:16It's a miracle.
00:10:18A miracle, doctor?
00:10:20You can put it that way.
00:10:22Aren't you ashamed?
00:10:24You can't plant trees in the monastery's sanctuary.
00:10:26No, not in Metohi.
00:10:28He does the same thing.
00:10:30If we planted them elsewhere,
00:10:32the police would catch them
00:10:34and search the sanctuary.
00:10:36Is that so?
00:10:38Yes.
00:10:40Fine. I'll call the police.
00:10:42I wouldn't advise you to do such a thing.
00:10:44Why?
00:10:46Because you're jealous.
00:10:48Do you have your mouth shut?
00:10:50What do you mean?
00:10:52Where do I start?
00:10:58Look at you, my daughter.
00:11:00Zanta, you're talking to me.
00:11:02You're just sitting there,
00:11:04nodding your head.
00:11:06It's nothing, Mother.
00:11:08Zanta, you're lying.
00:11:10I gave birth to you and I understand.
00:11:12Mother, I want to leave Paparia.
00:11:14I want to go back to Athens.
00:11:16Zanta,
00:11:18what are you doing in Athens?
00:11:20I'm telling you I'm done in Syria
00:11:22and that you'll be here all summer.
00:11:24Don't pressure me, Mother.
00:11:26Who upset you?
00:11:28Who did you love in the capital
00:11:30and betrayed you?
00:11:32I didn't love anyone.
00:11:34Zanta, don't you want to see
00:11:36Sifi, who's loved you since you were a child?
00:11:38He wanted to take you as his wife.
00:11:40I don't want Sifi, Mother.
00:11:42I knew it.
00:11:44Who's taken your mind off you?
00:11:46Who in the capital?
00:11:48No one, Mother.
00:11:50I'm coming.
00:11:52Sifi!
00:11:54You're finally here.
00:11:56Didn't you say we'd win the lottery?
00:11:58Shut up.
00:12:00I brought tomatoes and vegetables
00:12:02that you told me to chop.
00:12:04So fast.
00:12:06You found Sisi.
00:12:08Well done, my girl.
00:12:10Can I go now?
00:12:12Of course.
00:12:14Sit down and have a glass of water
00:12:16It's not necessary, Captain.
00:12:18I don't want to bother you.
00:12:20You're the one who's bothering us.
00:12:22You're our family.
00:12:24Sit down.
00:12:26Why are you sitting like a widow?
00:12:28Go and take care of the girl.
00:12:30I'm going, Mother.
00:12:34Shame on you.
00:12:36Shame on you.
00:12:38I'm a saint.
00:12:40That's why we worship you.
00:12:42And we give you jewelry.
00:12:44Give me a kiss.
00:12:46Worship me and kiss my nose.
00:12:48You're threatening me.
00:12:50You're threatening me.
00:12:52But you didn't do anything, Sisi.
00:12:54You sold pictures.
00:12:56Pictures?
00:12:58I sell pictures?
00:13:00What do you mean?
00:13:02The seven pictures that the monks
00:13:04paint in the monastery
00:13:06and we sell them at the feast?
00:13:08Not those.
00:13:10Not those.
00:13:12We sell others.
00:13:14The old ones.
00:13:16From the temple.
00:13:18Which temple?
00:13:20You've sold the whole temple.
00:13:22The pictures in the temple
00:13:24are all photocopies now.
00:13:26You've sold the old pictures,
00:13:28the real ones,
00:13:30abroad.
00:13:32What are you saying?
00:13:34When did I go abroad?
00:13:36When did I leave the monastery?
00:13:38You sold them abroad
00:13:40to a rich Englishman,
00:13:42Lord Huftaston.
00:13:44That's impossible.
00:13:46Lord Huftaston was a humble
00:13:48worshipper of our temple.
00:13:50A humble worshipper,
00:13:52Lord Huftaston,
00:13:54who left with three suitcases of pictures.
00:13:56I don't know how you paid
00:13:58for the plane.
00:14:00That's a lie.
00:14:02And how did we find
00:14:04the picture of St. Phanourios?
00:14:06We found it in London.
00:14:08Yes, my brother.
00:14:10It was sold to Moscow.
00:14:12They gave 500,000 dollars
00:14:14to Sotheby's.
00:14:16500,000 dollars, St. Phanourios?
00:14:18Yes, because St. Phanourios
00:14:20is a miracle worker.
00:14:22Yes, he has healed
00:14:24a dog, a cat and a pig.
00:14:26Because St. Zonouvrios
00:14:28didn't sell
00:14:30700,000 to Sotheby's.
00:14:32700,000?
00:14:34He had done five miracles.
00:14:36He healed a dragon,
00:14:38three false ones and one
00:14:40with a neurological pituitary gland.
00:14:42And how much did they sell St. Evlampios?
00:14:44One million.
00:14:46So many?
00:14:48Yes, because
00:14:50he did the miracle
00:14:52inside Sotheby's
00:14:54at the time of the democracy.
00:14:56What miracle did he do?
00:14:58He healed a paraffin.
00:15:00Really?
00:15:02Yes, he made her a big star.
00:15:04He made a career on Broadway.
00:15:06Of course, he's a big star.
00:15:08In America, they call her
00:15:10the new Barbara Freidman.
00:15:12Is she that good?
00:15:14Yes, she played in the theater
00:15:16with Evita.
00:15:18And then she was preparing
00:15:20to do a duet with Shakira.
00:15:22Yes, sir.
00:15:24She reached so high
00:15:26with Shakira.
00:15:28Who is Shakira?
00:15:30You know Shakira.
00:15:32If you look for him,
00:15:34he's not at home.
00:15:36Where can I find him?
00:15:38If you see him,
00:15:40oh, tell him
00:15:42that I forgive him.
00:15:44If you're young and you don't forget,
00:15:46or if you're very young,
00:15:48if you're in pain for a thousand years,
00:15:50Tassos is here.
00:15:52Hey, blondie!
00:15:54Look for him, look for him.
00:15:56What do you think?
00:15:58Do you have a girlfriend?
00:16:00Are you in a relationship?
00:16:02No, captain.
00:16:04I'm single.
00:16:06You hear that?
00:16:08He's single.
00:16:10What do you think?
00:16:12Do you have a girlfriend?
00:16:14No, captain.
00:16:16I'm a young girl.
00:16:18You hear that?
00:16:20I'm not deaf, mom.
00:16:22Don't talk back to me
00:16:24I'm not talking back to you.
00:16:26It's just that, as a mother,
00:16:28I can't stand her.
00:16:30You know better, captain.
00:16:32Of course I know.
00:16:34And you don't tell me,
00:16:36you don't have a girlfriend,
00:16:38you don't go to the beach,
00:16:40you don't smoke.
00:16:42That's what you're asking me, captain.
00:16:44No, I'm asking you as a mother.
00:16:46Because I have a daughter, Michalio,
00:16:48and I'm worried.
00:16:50Michalio and I are virgin girls.
00:16:52How do you get her out of the sea?
00:16:54I do a lot of sports, captain.
00:16:56I do a lot of sports.
00:16:58I do a lot of sports.
00:17:00I do a lot of sports.
00:17:02I do a lot of sports.
00:17:04I do a lot of sports.
00:17:06I don't have a girlfriend.
00:17:08It's not right.
00:17:10It's not right what we're doing.
00:17:12What's not right?
00:17:14I vote for your hug.
00:17:16But I'm your sister and you're my nephew.
00:17:18Diana, you know what?
00:17:20We're going to get married.
00:17:22We're going to get married.
00:17:24First of all, when I get married.
00:17:26When?
00:17:28Don't say it now.
00:17:30Thitsa, Thitsa, Thitsa,
00:17:32believe me.
00:17:34I'm going to take you to church.
00:17:36When will the priest let us go?
00:17:38Don't say that now.
00:17:40It's not true. It's a sin.
00:17:42It's a sin.
00:17:44It wasn't what I heard.
00:17:46Someone came in.
00:17:48Where are you, mom?
00:17:50Oh, there you are, uncle.
00:17:52Good morning, George.
00:17:54Your uncle went to the market
00:17:56and saw some fresh fish
00:17:58and he thought of us
00:18:00and he brought us some.
00:18:02What fish did you bring us, uncle?
00:18:04Louts.
00:18:06I'm glad it's delicious fish.
00:18:08Louts is delicious.
00:18:10We're going to cook it in olive oil, mom.
00:18:12Yes, my boy, that's how I'm going to cook it.
00:18:14Louts in olive oil is my specialty.
00:18:16My boy, calm down.
00:18:18You're going to eat, too.
00:18:20What else do you do, my boy?
00:18:22All kinds of sports, captain.
00:18:26That's why you're a perfect six-pack.
00:18:28You're so attentive, captain.
00:18:30I'm the one who's attentive.
00:18:32The other soldiers don't see it.
00:18:34And you don't tell me,
00:18:36where do you go at night?
00:18:38At the cafeteria
00:18:40to have an espresso with the girls.
00:18:42Later, to a club.
00:18:44Later, to a club.
00:18:46And after, to have a drink.
00:18:48To have a good time.
00:18:50The girls are having a good time.
00:18:52Right, my boy?
00:18:54Yes, mom.
00:18:56Do you want to go out with Sifi tonight
00:18:58to go to a club and have fun?
00:19:00I can't tonight. I have a headache.
00:19:02All right, not tonight. Tomorrow.
00:19:04I'll have a headache tomorrow, too, mom.
00:19:06The day after tomorrow.
00:19:08The day after tomorrow, I'll have a colic.
00:19:10Dog!
00:19:12Now you're talking.
00:19:14I didn't know they were going to sell them
00:19:16at Sotheby's in London.
00:19:18And so expensive.
00:19:20I sold it for 20,000 euros.
00:19:22I'm going crazy.
00:19:24Really?
00:19:26How do you know how much they sold?
00:19:28Have you been to Sotheby's?
00:19:30We read about it in the London Times.
00:19:32The newspaper?
00:19:34The website, my boy.
00:19:36Read it.
00:19:38Miraculous icons
00:19:40Miraculous icons from papari.
00:19:44Anyway, what do you want
00:19:46to get out of poverty?
00:19:48How much do you want?
00:19:50I don't have money, you know that.
00:19:52You're making us poor.
00:19:54Shut up, shut up, my boy, shut up.
00:19:56I'll deal with the world.
00:19:58We don't want money.
00:20:00We want you to give me old pictures
00:20:02because I've found
00:20:04edges and I'm pushing them.
00:20:06The world needs many pictures.
00:20:08I don't have old pictures.
00:20:10I sold them, you know that.
00:20:12I'm not telling you about old pictures.
00:20:14You're going to put that idiot
00:20:16Kachimiha who paints
00:20:18to make pictures now
00:20:20and then I'm going to take them,
00:20:22I'm going to paint them,
00:20:24I'm going to push them down,
00:20:26I'm going to crush them
00:20:28and I'm going to make them like old ones.
00:20:30Something like that can happen.
00:20:38Good morning, sister.
00:20:40Bless you.
00:20:42You're here again, brother Panagos.
00:20:44I have a job with my sister
00:20:46Goumeni and I thought
00:20:48I'd see how your painting is going.
00:20:50I'm trying, with the help of the Lord.
00:20:52Which Lord?
00:20:54Well, the Lord Jesus Christ.
00:20:56Ah, this Lord you have.
00:20:58I thought he was playing something else.
00:21:00Well, what can he play?
00:21:02We, the good people,
00:21:04how can I put it,
00:21:06how can I put it,
00:21:08it's getting worse.
00:21:10Maybe that's why I feel so
00:21:12calm around you.
00:21:14Oh, and again, oh,
00:21:16my daughter is going to be on the shelf.
00:21:18Who is her daughter? Does she have a daughter?
00:21:20Come on, Grandma, she's talking about me.
00:21:22I'm not her daughter.
00:21:24Yes, my child, you are.
00:21:26And she has a son.
00:21:28Bravo. And with whom did she make you, my child?
00:21:30With Apostle Gletch.
00:21:32Don't ask, mother.
00:21:34It's Vrontatsis, mother.
00:21:36Fortunatsides are the three of us.
00:21:38Yes, my child, I know. What are you telling me?
00:21:40That's what I'm wondering, too.
00:21:42I'm telling you.
00:21:44From now on, they come and go.
00:21:46What do you mean, come and go?
00:21:48Come on, Grandma, let him go to hell.
00:21:50Yes, to hell, to hell, the Vrontatsides.
00:21:52Come on, give her something to eat so she doesn't talk.
00:21:54Shut up, Grandma.
00:21:56Oh, my.
00:21:58It's only Zaza who doesn't understand.
00:22:00Like my daughter understands.
00:22:02Who knows what she's talking about?
00:22:12Oh, who took my boys?
00:22:14My only son.
00:22:16Don't cry.
00:22:18No one's going to die.
00:22:20Yes, I'm going to die.
00:22:22Neither my daughter nor my son will forgive me.
00:22:24I don't want this good-for-nothing child.
00:22:28Mother, I loved a man.
00:22:30The moment this man hurt me,
00:22:32I'm not going to love anyone again.
00:22:34And a grandson? Who's going to give me a grandson?
00:22:36Me, my child.
00:22:38Oh, I have the pain, I have the madness.
00:22:40What pain do you have, my child? Where do you hurt?
00:22:42Give her something to eat, I said.
00:22:44Mother, Sifis is a very good boy,
00:22:46but I don't want him.
00:22:48Oh, Janta, your father isn't here
00:22:50to put you in your place as he should.
00:22:52Janta, where's your father?
00:22:54For fishing.
00:22:56What are you talking about, mother?
00:22:58Our eight dogs killed him.
00:23:00The rascals.
00:23:02Oh, give him something to eat.
00:23:04Because we'll be the first rascals
00:23:06to kill rascals.
00:23:08You speak so beautifully about art.
00:23:10Have you studied good arts?
00:23:12No, unfortunately.
00:23:14My father
00:23:16insisted that I study architecture.
00:23:18What did you want?
00:23:20Ballet.
00:23:22I wanted to be a dancer.
00:23:28La, la, la, la, la,
00:23:30la, la, la, la, la.
00:23:32La, la, la, la, la, la.
00:23:34La, la, la, la, la.
00:23:36What delicate gestures, what grace.
00:23:38You see?
00:23:40You seem to be a man of art and spirit.
00:23:42Fanako!
00:23:44Fanako!
00:23:46Yes, sister Tzavara.
00:23:48Where are you, my child?
00:23:50Do you have an appointment with Yigumeni?
00:23:52She's waiting for you in her office.
00:23:54Forgive me, sister Tzavara,
00:23:56Stop talking, my child. The Holy Mother is waiting for you.
00:24:00Yes, Sister Tzavara.
00:24:02That's what I'm saying, Sister Katsimicha.
00:24:04That's what I'm saying, Brother Panagos.
00:24:06Let her be, my child. Go on.
00:24:09You're late. You're late.
00:24:11Yes, Sister Tzavara.
00:24:23Sister Katsimicha.
00:24:25Sister Karamazov, you scared me.
00:24:29I'm glad I came.
00:24:30What are you doing here, Sister Karamazov?
00:24:32Are you following me?
00:24:34Exactly. I'm your shadow.
00:24:36Why, Sister?
00:24:38What are you doing? It's all my fault.
00:24:40It's all my fault, Sister.
00:24:43Really?
00:24:44Please advise me, Sister. Advise me so that I can improve.
00:24:48You shouldn't show Panagos' infidelity.
00:24:52But he's a good boy. He has good intentions.
00:24:54There is no man without intentions.
00:24:56All men are animals.
00:24:59Look at him. He's dancing and he's kissing the bride.
00:25:02He's a good boy.
00:25:04There's something else he wants from you.
00:25:06What does he want?
00:25:07Whatever is most precious to you.
00:25:11Does he want my golden cross?
00:25:13No, he doesn't want it.
00:25:15What does he want, then?
00:25:17I can't say that word.
00:25:19We're in the presence of God.
00:25:21But I can understand it in English.
00:25:24Because the high priest doesn't know English.
00:25:26That's right. He must know it.
00:25:30Fuck.
00:25:31Fuck?
00:25:32I don't know that word.
00:25:34You don't know English?
00:25:36I didn't take the proficiency test, Sister.
00:25:38Fine. I'll tell you in French.
00:25:42Baiser.
00:25:43Baiser?
00:25:44What's that white candy we're eating?
00:25:47What exactly do I mean by that?
00:25:50Of course, that's what we're eating. It's sweet, too.
00:25:53But it's not white.
00:25:56It's darker.
00:25:57Dark sweet? It's the eclair.
00:25:59You're completely wrong.
00:26:00You're confusing me.
00:26:02You're confused. You're confused.
00:26:03I have a lot of trust in the high priest.
00:26:06You had a red scarf on your neck.
00:26:08You know what happened?
00:26:09What happened?
00:26:10You know what?
00:26:12The red scarf ate the neck.
00:26:15Poor thing.
00:26:16Because it was suspicious and evil, like you.
00:26:19But you're lucky.
00:26:21Like me, Sister Karamazov.
00:26:23She's always watching you.
00:26:27Shame on you. Shame on you.
00:26:30Why do you say that, Father?
00:26:31Why?
00:26:32Because Sister Karamazov came
00:26:34and told me you'd gone to the monastery
00:26:37and had an affair with Sister Katsimicha.
00:26:40With the red scarf?
00:26:42Shame on you.
00:26:44Dear mother, why are you hitting her?
00:26:47Because I'm out of breath.
00:26:48Out of breath?
00:26:50No, out of breath.
00:26:51Why are you hitting her?
00:26:53I'm going to hit my child. Are you crazy?
00:26:55So, you're out of breath.
00:26:58Is Sister Karamazov telling the truth?
00:27:01No, Father.
00:27:03That old man.
00:27:04He's lying about the holy woman.
00:27:07The good meat. Shame on him.
00:27:10All right.
00:27:11All right, I admit it.
00:27:14Sister Karamazov didn't lie to you.
00:27:17She didn't tell the truth either.
00:27:18We got closer with Sister Katsimicha.
00:27:21We got closer.
00:27:22I showed her my sympathy.
00:27:25She showed me too.
00:27:26What did the prostitute show you?
00:27:28A slut?
00:27:29No, Father.
00:27:30She showed me sympathy.
00:27:32So, she lit the green light for you.
00:27:34But I didn't even touch her.
00:27:37So, you're a moron too.
00:27:39Don't talk like that to our child.
00:27:41It'll be embarrassing.
00:27:42So, she lit the green light for him,
00:27:44and he's just sitting there?
00:27:46My children didn't get anything from me.
00:27:49I had two sons,
00:27:50and two daughters?
00:27:52Sweet Father, what are you talking about?
00:27:54At your age,
00:27:55I don't leave a female cat alone.
00:27:57I'm sorry, my husband.
00:27:58We're here to talk about our son,
00:28:00because he did something with the good meat,
00:28:02or because he didn't.
00:28:04I'm asking because I'm confused.
00:28:05All right, Father.
00:28:07Do you want to drive us crazy?
00:28:09Do you want him to do something with the good meat, or not?
00:28:12Aren't we going to give you an account?
00:28:14All right.
00:28:15Unbelievable.
00:28:16I got her.
00:28:17You did well.
00:28:18I don't understand what you want from me, Father.
00:28:20My heart is pounding for my sister, Katsimicha.
00:28:23I want to see her.
00:28:25I want to hear her velvet voice.
00:28:27I want to smell her essential scent,
00:28:31because she always smells...
00:28:32Lebanese.
00:28:33No, my dear.
00:28:34She smells like marjoram.
00:28:35She doesn't even smell lebanese.
00:28:38I don't want to hear about Katsimicha.
00:28:40I don't want to hear about Katsimicha.
00:28:42Not even Ritaritaki?
00:28:44It's a nice song, Dad.
00:28:46I was looking for my girl,
00:28:50and I finally found her.
00:28:52Shut up!
00:28:53I didn't mean that.
00:28:55I don't want to hear about the good meat again.
00:28:57That bitch who's talking about your brother.
00:29:01Your destination, Panagos, is different.
00:29:04What do you mean, Father?
00:29:05I've talked to my future partner,
00:29:08and soon you'll be engaged to his daughter.
00:29:11So I'm going to be engaged to a girl I don't know?
00:29:14I know her father, and that's enough.
00:29:16That's more than enough.
00:29:17So I'm not allowed to love her?
00:29:21I'm not allowed to choose her in my heart?
00:29:23Who knows what kind of rags she's going to bring into your heart?
00:29:26Father!
00:29:27Get out of here!
00:29:28Are you talking back to your father?
00:29:30Shame on you!
00:29:33But what the priest is saying is not true.
00:29:35Panagos has to marry the woman he loves.
00:29:37Where do we live now?
00:29:38What's going on, Lambros?
00:29:40Are we up again?
00:29:42Do you want your father to be upset?
00:29:44Do you want him to be upset?
00:29:46Then slap him!
00:29:48Mother, these are medieval things.
00:29:50You can't allow parents to interfere in their children's feelings.
00:29:54You won't tell us, Flora, what we're going to do?
00:29:56We're the only ones who know what's good for you.
00:29:59Do you understand?
00:30:02Okay, stop making excuses.
00:30:04You're going to hit me in the end.
00:30:06Okay, poor thing.
00:30:09Do you have to go to Teris' funeral?
00:30:12Teris is my nephew.
00:30:14Excuse me, isn't he your blood?
00:30:16He's my husband's blood.
00:30:18And you know, I'm the traditional tea.
00:30:21Anyway.
00:30:22I've heard about Tsikhares, that bitch, and I feel sorry for her.
00:30:27She mourns for Teris, and I mourn for my daughter...
00:30:31who doesn't want the best for her son, Sifis, and my son.
00:30:35What happened to Michalos?
00:30:36I can't see him, my dear wife.
00:30:38Zanta.
00:30:45Maybe he still hasn't found the one who's going to click on him.
00:30:48I don't know if he's found the one.
00:30:51Maybe he hasn't.
00:30:52Some whore.
00:30:53She's been flirting with him, and now she's got him.
00:30:55Zanta, what do you mean, whore?
00:30:57Why do whores flirt?
00:30:59Maybe she hasn't been flirting with him.
00:31:01Maybe she's been seducing him with her seductive tricks.
00:31:07Maybe she's a beautiful, beautiful, sexy, beautiful woman.
00:31:14Not tall, but not short either, of course.
00:31:18With long lashes.
00:31:21With sparkling eyes.
00:31:23In the color of honey.
00:31:24Something between Penelope Cruz and Jim Kardashian.
00:31:29Excuse me, girl. Do you know the girl?
00:31:32No. Why do you ask?
00:31:34Because I told you to ask her in front of you.
00:31:36No, I haven't seen her in front of me.
00:31:39I made a bet.
00:31:41She can only be a doll.
00:31:44Zanta doesn't show us the doll either.
00:31:46How should I know?
00:31:48Because she's married or a whore.
00:31:50A whore? How did you come up with that?
00:31:53Did you go to a coffee shop?
00:31:55No.
00:31:56Then you should be the coffee shop owner.
00:31:59Zanta says that.
00:32:01I thought about it. I want to pay for your entrance fee.
00:32:05I have an entrance fee.
00:32:06But I don't have an entrance fee. I'll have to stay on the shelf.
00:32:09And Marousseau, who doesn't know who to talk to.
00:32:13And Michalos with Syra.
00:32:14We solved this Syra. Why is she Syra?
00:32:18Either she's afraid of Syra and doesn't show up.
00:32:22She's married and she does everything behind her husband's back.
00:32:26You're right. She's married.
00:32:29A few married women get married with kids. Like Dolce Vita.
00:32:34Soto, you're so hard on me.
00:32:38You're so submissive.
00:32:40You look at me with such deep eyes.
00:32:43Is that how I am? Like a womanizer?
00:32:47What am I going to do with you? I've been a woman for years.
00:32:51I've never looked at another man. I've always looked down.
00:32:55And now? What have you done, Soto?
00:32:58That's right. Anyone who messes with Soto is crazy.
00:33:02That's how I became your slave. I became your prisoner.
00:33:07That's how I want you. A slave and obedient.
00:33:10Whatever you want, master.
00:33:12Whatever I want?
00:33:14Can I ask you something?
00:33:15Yes, my love.
00:33:17The last man, Varonos, has an affair with the monastery of Panagia Syntrechtra.
00:33:22Yes, the unfaithful one. He wants to buy a huge land around the monastery.
00:33:28Around the monastery? And what does he want to do with it?
00:33:30Let it go, Soto. Let it go. I want to be yours.
00:33:34I'll make you mine in a minute.
00:33:37Tell me, what does he want to do with the land? Build something?
00:33:42I won't deny you, my love, I promise.
00:33:50Black horse, watch out for me, watch out for me.
00:33:59Come in.
00:34:06Good morning, sister.
00:34:07Soto, how did you get into the monastery?
00:34:10When a save bird wants to go somewhere...
00:34:14it finds a way and gets in.
00:34:18Hello, hello. Desi, good chief. Desi, good chief. Over.
00:34:22Come on, Zaki, I'm listening. Over.
00:34:24Chief, I hope to report that there are movements. Over.
00:34:27What movements, my love? You're driving me crazy.
00:34:30The save bird moved to the monastery. Over.
00:34:32Do you have your mind? Over.
00:34:34All right, I'll take care of it. Bye, kisses. Over.
00:34:38Over.
00:34:39Oh, all right. I did it today, too. I did my homework. What did you say?
00:34:44You're playing a bad game.
00:34:46Why do you say that, Soto?
00:34:48Because a bird told me that you're playing a bad game.
00:34:51It's a lie, Soto. It's a lie.
00:34:52It's a lie? I'll find out if it's a lie.
00:34:54Watch out, because the bird doesn't like you easily.
00:34:59I don't like you, Soto.
00:35:00We'll see about that.
00:35:02Soto!
00:35:06Soto! Soto! Soto!
00:35:10I beg you, my heart, listen to me.
00:35:19You scared me.
00:35:22What did I do to you?
00:35:24Were you in the closet?
00:35:25Of course.
00:35:27What did you do?
00:35:28I put napkins in the blanket.
00:35:29Why do we have napkins in the closet?
00:35:31Why do we have a blanket?
00:35:33Are you looking for me, sister Karamazov?
00:35:35Of course.
00:35:36With what right?
00:35:37Of course.
00:35:38With what right?
00:35:39Should I discuss it with Antio?
00:35:40But I'm pregnant.
00:35:41I told you I was in the closet.
00:35:44Shame on you.
00:35:45I always knew that you were cheating on my pregnancy.
00:35:48I'm going to do it.
00:35:49Cheating?
00:35:50What do you mean?
00:35:52You put it in your eye.
00:35:53In which eye did I put it?
00:35:54In your eye.
00:35:55What did I put in my eye?
00:35:56You want to be pregnant in my place.
00:35:58Why should I?
00:35:59Am I stupid?
00:36:00That will never happen.
00:36:02You're never going to get pregnant from my hands.
00:36:04I'm going to take your underwear and your underwear.
00:36:08Because you're playing a dirty game.
00:36:11You're a loser.
00:36:14I'm dying.
00:36:15I'm dying.
00:36:16I'm losing myself.
00:36:17I'm losing myself.
00:36:18Father.
00:36:20You're alive.
00:36:21Father, what happened?
00:36:23There's a snake in the house.
00:36:25Snake?
00:36:26What snake?
00:36:27Where did you see it?
00:36:29Did it bite you?
00:36:30It's not a dead snake.
00:36:31I made a likeness.
00:36:32Something like a snake.
00:36:33It's a snake.
00:36:34They don't bite.
00:36:35Come on, father.
00:36:36It's like a snake.
00:36:38It's like a snake.
00:36:40It's a snake for the house.
00:36:41They're scoundrels.
00:36:43Someone betrayed me.
00:36:45Someone talked about buying the apartment.
00:36:47And my competitors found out.
00:36:49What?
00:36:50Are you deaf?
00:36:51Someone talked about buying the apartment.
00:36:53And my competitors found out.
00:36:54I didn't say anything.
00:36:56I didn't say anything to Sotopoulos.
00:36:57I don't even know him.
00:36:59I've heard of him, but I've never seen him in my life.
00:37:02What did you say, Zanet?
00:37:03I said I've never talked to Poulos.
00:37:06To whom?
00:37:07To Sotopoulos.
00:37:08To another Poulos.
00:37:09You can't even talk to him.
00:37:11Zanet, what are you saying?
00:37:13Excuses.
00:37:14In your previous question, my husband.
00:37:16I said someone betrayed me.
00:37:18I didn't say to whom.
00:37:20I didn't say about Poulos.
00:37:21How, my husband?
00:37:22You mentioned him. I heard it.
00:37:24Did you hear from me about any Poulos?
00:37:26No, father.
00:37:27You didn't talk about any Poulos.
00:37:29You didn't mention such a name.
00:37:31So, Zanet, from where did you hear about Poulos?
00:37:34I imagined it, my husband.
00:37:36You have a great imagination, Zanet.
00:37:38Why did you fall for it?
00:37:39I fell for it.
00:37:40Because I sat down and thought.
00:37:42What does my husband mean when he says snake?
00:37:44He probably means Poulos.
00:37:46Which is the biggest cancer in the whole area.
00:37:48Oh, yes.
00:37:49He's a merciless swindler.
00:37:51He's a cold-blooded criminal.
00:37:53A lost body.
00:37:55A typhoid.
00:37:56A ruthless rapist.
00:37:59I thought about all this and I said,
00:38:00no, my husband means Poulos.
00:38:03That's why I mentioned Poulos.
00:38:04Oh, what a nice dress.
00:38:07I'm going to go crazy.
00:38:09And you'll see what I'm going to wear
00:38:12to the wedding of my husband and my daughter-in-law.
00:38:15My dear Myrsini, I'm going to surprise everyone.
00:38:18You're not going to wear it, are you?
00:38:19You'll see. It's a surprise.
00:38:22What are you going to wear to your brother's wedding?
00:38:26The same thing I'm wearing now. Black.
00:38:28Are you going to wear black?
00:38:30What do you want, Mom? Do you want me to wear a dress?
00:38:32No, you should wear something more European.
00:38:35We'll make the groom a partner.
00:38:37Zanette is one of the most expensive fashion styles.
00:38:41She's telling you,
00:38:43they're like a couple with the Donatella, the Vritsantse.
00:38:47Yes, and Varonos is very popular.
00:38:50I'm a man of old habits.
00:38:52I wear black and a sari.
00:38:54Do whatever you want.
00:38:55I never listened to you anyway.
00:38:58I always listen to you and I respect you, because you're my mother.
00:39:00If they respected me,
00:39:02you would have brought me a dress at home.
00:39:05Here in Terskale, where there's a younger man and a younger woman.
00:39:08What about you?
00:39:09Leave me alone, Mom.
00:39:10What about you?
00:39:12Okay, I won't insist.
00:39:14I'm going to bring some eggs from my chickens
00:39:18to give to your Giorgis.
00:39:20Biologically, at home, that is.
00:39:23Do your job, Myrsini, do your job.
00:39:27You're such a troublemaker.
00:39:30Don't talk like that.
00:39:32She's your mother, she's upset.
00:39:35You don't talk at all.
00:39:37Why have you made me an old man?
00:39:40With your hot body and your wet lips.
00:39:43With a kiss, with a kiss, with a kiss, with a kiss.
00:39:47Shut up.
00:39:48Lower your voice, don't let Mom hear anything.
00:39:50With a kiss, with a kiss, with a kiss, with a kiss.
00:39:54What are you saying, my husband?
00:39:56Is there a chance that he spoke where he shouldn't?
00:39:59Inside this house?
00:40:00But, my dear Zanette, the unanswered question remains.
00:40:05How did our business secrets get into the chicken's ears?
00:40:09Our Panagos couldn't have said it.
00:40:11You're joking, Mother.
00:40:12Nor, of course, our Lambros.
00:40:14Okay, now, don't talk nonsense.
00:40:16Lambros is a good boy. He's a good boy.
00:40:19Our Lora doesn't have it, she doesn't have it much.
00:40:21And that little mind of hers has been taken over by Aragon.
00:40:24So, not even Lora.
00:40:26Yes, Mother.
00:40:28I only think of Derry.
00:40:30With love and care.
00:40:33Yes, we're all talking about Derry.
00:40:36And we all have dreamgirlish dreams.
00:40:40Stop it.
00:40:41Stop it, you humble one. You're not telling us the truth.
00:40:44About dreamgirlish dreams, Mrs. Zanette.
00:40:46Shut up and talk.
00:40:47Because you're the one who told the chicken, right?
00:40:50What are you saying, Mrs. Zanette?
00:40:52Kiss me, kiss me.
00:40:54Kiss me, kiss me.
00:40:56I kissed the chimney and I can't see any other woman.
00:41:00Who am I that I didn't leave a woman for another woman?
00:41:02I've become a monogamous man for your sweet little eyes.
00:41:05We'll get married, both of us.
00:41:07I'm yours.
00:41:09And that drives me even crazier, because you're the forbidden fruit.
00:41:13Stop it, stop it. Your mother is coming too.
00:41:20I brought you eggs.
00:41:22Thank you, brother Alpis.
00:41:24I'm going.
00:41:25Where are you going now?
00:41:26To the cafe with the other girls.
00:41:28We'll have a drink and see what's going on.
00:41:31You're going.
00:41:32Bye, mother.
00:41:33Bye, you too.
00:41:34Bye, aunt.
00:41:35Bye, Manolio.
00:41:42Who else could have betrayed Varonos?
00:41:44His children? His blood? Or me?
00:41:47The most virtuous woman in the periphery of Paparia and Perichoron.
00:41:50Of course you're virtuous.
00:41:52But I'm not going back either.
00:41:54Whatever I hear in here, I don't open my mouth to say it.
00:41:57I'm a fool.
00:41:58She's right, mother.
00:41:59Did I ever say that Mr. Varonos hides almost everything from the tax office...
00:42:03and that he only declares 30,000 euros a year from all his businesses?
00:42:08It's not just 30,000.
00:42:10Because, Theano Fotiou, we're rich.
00:42:12Here we are.
00:42:14Why are you hitting me?
00:42:16Did I ever say that the money Mr. Varonos gets from the S.P.A.
00:42:20is used to pay for Mrs. Gabriela Partolou's clothes and jewellery?
00:42:24What are you saying?
00:42:25Gabriela Partolou promotes the culture of Paparia.
00:42:30She's right, you whore.
00:42:33Why are you so hard on me?
00:42:36Did I ever say that Mr. Varonos has workers from Bangladesh in his kitchen...
00:42:43who are insecure and unprotected?
00:42:45We secure the Greeks. Isn't that enough?
00:42:48You're a hypocrite.
00:42:49You're going to speak like an old woman?
00:42:53Do you see it now?
00:42:54Who's the snake in your house, Varonos?
00:42:57Why do you say that, mother?
00:42:59Humility speaks nowhere.
00:43:01You, too, you whore.
00:43:02Don't you hear what Gianna Falis, the hypocrite, is saying?
00:43:05She hates us classically. She's a Syriza.
00:43:08Sweet mother, it's her right to vote for whatever she wants.
00:43:12What Syriza, I say?
00:43:14She even made Zoi Kostantopoulou vote.
00:43:17We can't prove what she's going to vote, mother.
00:43:19I'm fed up with what she's going to vote.
00:43:21The point is to get rid of the traitor...
00:43:23who went and told Sotopoulos our secrets.
00:43:26This boy is going to tear me apart. He's going to kill me.
00:43:30Don't worry, Mersini. He'll find his way, little by little.
00:43:34I'm sure that some old woman has mixed him up.
00:43:41Some whore.
00:43:42Why are you talking so badly about the girl?
00:43:45Maybe she's an ungrateful woman who loved him.
00:43:48If she's ungrateful, why doesn't she show up?
00:43:51Or maybe she's afraid of him.
00:43:52Maybe she doesn't feel ready yet.
00:43:55Or maybe she's married.
00:43:58Even worse, she's a whore.
00:44:00What the hell?
00:44:02Do you have a hereditary gift?
00:44:05What did you say?
00:44:06Nothing.
00:44:07I said, be patient and one day she'll get over it.
00:44:12No matter how beautiful and juicy she is...
00:44:16love is passing by, Mersini, you know that.
00:44:20And one day, the only son-in-law will turn his back on her...
00:44:25and he'll forget her lips and her kisses...
00:44:29and he'll leave behind him a humiliating whore.
00:44:33Why are you crying? Is it because of the girl?
00:44:36She's a human being. Don't you remember what you did to her?
00:44:40Poor Marilietta Lampropoulou, the sweet girl...
00:44:44who was going to drown her with her own hands.
00:44:47I'd do the same.
00:44:49You'd drown the poor girl?
00:44:52Yes. Or I'd throw her into the well.
00:44:56I don't know, Kolibis.
00:44:58Or I'd throw her into the well.
00:45:01You're very strict with the poor girl.
00:45:04You don't even listen to her side.
00:45:07I don't need to listen to anything. I'll throw her into the well.
00:45:12I hope she doesn't go home today...
00:45:15and God burns her before she goes through the door.
00:45:19Throw her into the well.
00:45:20What if God hears her and burns her?
00:45:24Janet, you're delusional.
00:45:26We can't sell a faithful and devoted slave as a humble one.
00:45:31Thank you very much, Mr. Varone.
00:45:33You're a scoundrel.
00:45:35I don't understand, Varone. I can't sell my slave.
00:45:38I'm Janet.
00:45:40No, you can't sell her for no reason.
00:45:43Peter, she'll go to the employment office.
00:45:46She betrayed us, to Sotopoulos.
00:45:48We don't have proof, Janet.
00:45:50If it's possible, you need proof, Janet.
00:45:54Isn't my will enough?
00:45:56Janet, give it to her.
00:45:58Tomorrow we'll mourn our daughter, Laura.
00:46:01Please, give in to humility.
00:46:04Yes, mother, do it for my sake.
00:46:07All right, I'll give it to you for Aradon's sake.
00:46:10Go away, I don't want to see you. Slave!
00:46:15It's not fair.
00:46:18Why do you hit her all the time?
00:46:20So she doesn't forget her place.
00:46:23What an injustice, God.
00:46:27If Janet doesn't take revenge, don't call me a humble slave.
00:46:35I can't. I can't get him out of my head, I can't, I can't.
00:46:38And if I find out he belongs to another woman...
00:46:41My child, forgive your sins. I loved you very much.
00:46:46Yes, I loved him very much. Very much.
00:46:50Why? Because I'm a whore?
00:46:52Don't blame yourself. God will forgive you for this sin.
00:46:57Thank you very much, sisters.
00:46:59Go in peace and pray.
00:47:02Thank you again.
00:47:18My God, the man I love is cheating on me with another woman.
00:47:22A whore.
00:47:26What did you say?
00:47:29A whore, a murder. It must be a case of orthostatic.
00:47:34Wait a minute. I'll bring you a glass of water and some saline.
00:47:38To boost your blood pressure. Thank you very much.
00:47:41I'm going, because a couple from the village is waiting for me outside.
00:47:46They came to take the blessing.
00:47:49They want to have a baby.
00:47:52A baby? Tonight, at night.
00:47:55Mother, mother, mother!
00:47:57What's wrong with you? What's happening to you?
00:48:00I'm praying.
00:48:01What's wrong with you?
00:48:02Call him, call him now!
00:48:04Zanta.
00:48:06Tonight, we're going out with Sifis.
00:48:08Cheers, Marisol.
00:48:11Cheers, Leventis Sifis.
00:48:14Let me ask you something.
00:48:16Ask me, Leventis Sifis.
00:48:17I had the impression that you were avoiding me until yesterday...
00:48:20that you were a whore with me.
00:48:22It's true, Sifis. I used to be a whore, but now I'm warm.
00:48:25Are you lonely?
00:48:26Yes, that's how I am. I'm the only one who suffers.
00:48:29I go crazy. I'm cold, but I'm warm.
00:48:32I hope you won't get cold again tomorrow, Marisol.
00:48:34I won't get cold again, Sifis.
00:48:36As long as you hold me and hold me tight in your arms.
00:48:41What's going on? Why did the table rise?
00:48:44Don't worry. I was just happy with what you said.
00:48:48And what did you say?
00:48:49I was just happy with what you said.
00:48:52And you can raise the table out of your own will?
00:48:54Well done, Sifis.
00:48:59How do you like our place, Sympethera?
00:49:02All of you, your houses, your shops.
00:49:06You have it all.
00:49:08Thank you, Sympethera.
00:49:10Don't worry. I want the kids to be happy.
00:49:13I don't care about anything else.
00:49:15What do you care about? Cyprus?
00:49:16Come on, Argytsikounas.
00:49:19Are you all right now, Sifis? Have you calmed down?
00:49:23I'm sorry, Marisol, but I feel things for you.
00:49:27I feel things for you too, Sifis.
00:49:29What things?
00:49:30I don't know if I can describe it in words.
00:49:34Words are poor compared to what the eyes of heretics say.
00:49:40The bodies come close to him.
00:49:42The wet lips when they kiss.
00:49:46Again with the table?
00:49:48No, it's all right. I'll calm down.
00:49:51It's all right, my dear. Calm down.
00:49:53Should we call a waiter to bring a bottle of wine?
00:49:56No, it's all right.
00:50:00Are you happy, my darling?
00:50:02Yes, mommy. It's the happiest day of my life.
00:50:05You too, Lara?
00:50:07If my darling is happy, then I am too.
00:50:11What is our daughter saying?
00:50:13Good evening, good evening.
00:50:16We're late.
00:50:18Not at all, my dear. Have a seat.
00:50:20There's a chair for us to sit on.
00:50:24You sit there and let the young man sit next to me.
00:50:27Your son is sitting next to you.
00:50:30Lambros will get up. He wants to sit next to Lara.
00:50:33Get up, Lambros.
00:50:35Yes, mother.
00:50:36Come on, sit down.
00:50:37My son, Georgis.
00:50:39Georgis?
00:50:41How old is he?
00:50:43What a young man he's become.
00:50:45You know that.
00:50:46And he's married. He's an athlete.
00:50:49Yes, he's grown up a lot.
00:50:52Yes, he's grown up and he's beautiful, my dear.
00:50:55Thank you, Mrs. Zanet.
00:50:57Listen, Mrs. Zanet. We're a family now.
00:51:01You call me Zanet. Just Zanet.
00:51:04All right, my dear. Have you calmed down?
00:51:06It's all right. Don't worry, my dear.
00:51:08No, I'm not worried. I'm happy for your quick reactions.
00:51:12So, shall we have another drink?
00:51:14Here? No.
00:51:17I want you to take me somewhere else.
00:51:19To relax, to dance, to relax.
00:51:21I think I'm going to the right place.
00:51:25My eyes are holding you
00:51:29Let me go far away
00:51:33Whatever scares you
00:51:36And whatever hurts you
00:51:41My eyes, I'm here
00:51:44I'm asking for some trust
00:51:48In my heart is spinning
00:51:52The first one you said
00:51:55I love you, my eyes, I think of you
00:51:59I dream of you every night
00:52:03My eyes, don't worry
00:52:07But I don't love you at all
00:52:11My eyes, I'm thinking of you
00:52:14I dream of you every night
00:52:19My eyes, don't worry
00:52:22But I don't love you at all
00:52:30How do you like my Maroussos?
00:52:32It's a very European shop.
00:52:36More western music
00:52:42You know, my eyes
00:52:46I have you for the skies
00:52:50Everything is true
00:52:53I'm asking for some trust
00:52:54In my heart is spinning
00:52:57The first one you said
00:52:59I love you, my eyes, I think of you
00:53:01I dream of you every night
00:53:04Don't you worry, my dear.
00:53:07No one will ever love you like I do.
00:53:12Bravo!
00:53:14We thank you very much.
00:53:16We thank you very much.
00:53:19I said it, Tanya. I thanked them.
00:53:21You don't have to bother them.
00:53:24Gabriela is joking.
00:53:27So, let's continue.
00:53:29And now, let's wish the Melonymphs...
00:53:32Long live the Melonymphs!
00:53:34Let me speak first.
00:53:38We're nervous. What should I say?
00:53:39Let me say it.
00:53:41Long live the Melonymphs.
00:53:43The Melonymphs.
00:53:44The Melonymphs.
00:53:46The Melonymphs.
00:53:47And now, the groom.
00:53:50The groom?
00:53:51Yes, our enemy, the Fortunacis.
00:53:54The Fortunacis?
00:53:55Did you say Fortunacis?
00:53:57Yes, my dear. He's his mother.
00:54:00My dear, may you live long.
00:54:03And may you always love as you love tonight.
00:54:07And now, a new song...
00:54:10from our wonderful guest.
00:54:14Please welcome...
00:54:17Katerina Lioliou!
00:54:24Do you want to leave? I can't stand you.
00:54:26No, no. I'm fine.
00:54:28I'm fine. I'm having a lot of fun.
00:54:31Eyes and stars and sparks and light
00:54:35Love is a secret
00:54:39Blood in the eye
00:54:42Beats hard
00:54:44Night that caught fire
00:54:52You lit me up, you lit me up
00:54:55Your kisses burned me
00:54:57I'm not going to get out alive
00:55:01Sea, sea
00:55:03Let your embrace be
00:55:05Let me drown in it
00:55:09You lit me up, you lit me up
00:55:12Your kisses burned me
00:55:14I'm not going to get out alive
00:55:18Sea, sea
00:55:21Let your embrace be
00:55:23Let me drown in it
00:55:29Manos, where are you going?
00:55:30To dance.
00:55:31To dance with the Arab?
00:55:33I'm here to have fun and I will have fun.
00:55:45Mouth to mouth
00:55:47Hot breath
00:55:49You whisper in my ears
00:55:53Words that opened
00:55:56Heavy feasts
00:55:58Sweet words
00:56:00Knives
00:56:06You lit me up, you lit me up
00:56:09Your kisses burned me
00:56:11I'm not going to get out alive
00:56:15Sea, sea
00:56:17Let your embrace be
00:56:20Let me drown in it
00:56:24You lit me up, you lit me up
00:56:26Your kisses burned me
00:56:28I'm not going to get out alive
00:56:32Sea, sea
00:56:35Let your embrace be
00:56:37Let me drown in it
00:56:47Sea, sea
00:56:50Let your embrace be
00:56:52Who's that dancing so provocatively to my Arab?
00:56:58You lit me up, you lit me up
00:57:02Yes, yes, it's a shame. Get her off the track.
00:57:07Who is she? How dare she?
00:57:12She's a little girl, Marusso.
00:57:16You lit me up, you lit me up
00:57:18Brontakina, my son's Arab.
00:57:22Is the girl called Brontakia?
00:57:24Yes, she's the daughter of Giochentras.
00:57:27Let your embrace be
00:57:29From our show, they're running from door to door.
00:57:34Tonight, there will be blood.
00:57:45I'm not going to get out alive
00:57:48Sea, sea
00:57:51Let your embrace be
00:57:53Let me drown in it
00:57:57You lit me up, you lit me up
00:58:00Your kisses burned me
00:58:03I'm not going to get out alive
00:58:06Sea, sea
00:58:09Let your embrace be
00:58:11Let me drown in it
00:58:14You lit me up, you lit me up
00:58:18Your kisses burned me
00:58:21I'm not going to get out alive
00:58:24Sea, sea
00:58:27Let your embrace be
00:58:30Let me drown in it
00:58:33Your kisses burned me
00:58:36I'm not going to get out alive
00:58:39Sea, sea
00:58:42Let your embrace be
00:58:45Let me drown in it
00:58:48Your kisses burned me
00:58:51I'm not going to get out alive
00:58:54Sea, sea
00:58:57Let your embrace be
00:59:00Let me drown in it
00:59:03Your kisses burned me
00:59:06I'm not going to get out alive
00:59:10Night, like a star
00:59:13Like a knife
00:59:15Love breaks
00:59:17Knock and don't ask
00:59:20Laugh, sky
00:59:23Summer, yes
00:59:25Sunrises
00:59:27And colors of rain
00:59:32Night, my magic
00:59:35Hide me, reveal me
00:59:38Inside of me, I'm lost
00:59:41Tonight or never
00:59:43Night, my magic
00:59:46Hide me, reveal me
00:59:48Inside of me, I'm lost
00:59:51Tonight or never
01:00:09Laugh, sky
01:00:12Summer, yes
01:00:14Sunrises
01:00:16And colors of rain
01:00:21Night, my magic
01:00:24Hide me, reveal me
01:00:26Inside of me, I'm lost
01:00:29Tonight or never
01:00:31Night, my magic
01:00:34Hide me, reveal me
01:00:37Inside of me, I'm lost
01:00:40Tonight or never
01:00:51Tonight or never