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00:07:23I haven't been home.
00:07:25I didn't leave here to work on your warehouse case.
00:07:28What for? I was someone inside.
00:07:30You just have to use the lie detector.
00:07:32No, I'm not sure.
00:07:34The alarm system was forced.
00:07:37We're late. Let's go.
00:07:54Ginger, this gives me a bad feeling.
00:07:57Don't worry. Nothing will happen to me.
00:08:23Good morning, everyone.
00:08:25I'm Devin Lauder. Thank you for coming so early.
00:08:28Dr. Goldberg has told me that she has worked with you before.
00:08:32So, Doctor, if you could introduce me to your collaborators, please.
00:08:35Of course. This is my husband, Felix.
00:08:38The best medium I've ever met in my life.
00:08:41Next to him is our video technician, Ginger Kionowski.
00:08:45And our physical medium, Winnie O'Shea.
00:08:49I'm afraid I don't know these three gentlemen.
00:08:53I suppose one of you is Mr. Murphy.
00:08:56Yes, Mr. Frank Murphy. We speak for three.
00:08:59These are Tony Bizzante and Levi Jackson, my best operatives.
00:09:03Your only operatives.
00:09:06Also the best.
00:09:10Well, I know some of your questions, so I'll summarize the story.
00:09:15Two years ago, my uncle Avery died and left me his house in Solano.
00:09:19A Gothic mansion built in 1861 that would be worth 5 or 6 million.
00:09:23It's just by surrounding it with vineyards.
00:09:26Unfortunately, the property adjacent is a cemetery of the county,
00:09:29which makes it uninhabitable for me.
00:09:31In addition, a testimony stipulation forbids me to sell it or demolish it.
00:09:35If I wanted to do something about that,
00:09:37the property would go to the county and would be an extension of the cemetery.
00:09:41For all this, I have tried to rent it,
00:09:44but no one has been able to spend more than three nights there.
00:09:47Everyone has been driven away by the ghost of my uncle Avery.
00:09:50Excuse me.
00:09:52Yes?
00:09:53Is it a joke for TV?
00:09:55Let me finish, Bizzante.
00:10:01I know it's hard to believe, but I've been there.
00:10:06I've heard those horrible, infernal howls and moans.
00:10:15The house has been empty since then.
00:10:18I had already decided to give it to the county
00:10:21when I read that a pension in Nueva Orleans,
00:10:24which they say is enchanted,
00:10:26is managing to make a formidable business.
00:10:29Suddenly, all that has become fashionable.
00:10:32It seemed to me the solution to the problem,
00:10:35so I decided to convert the house to a pension.
00:10:38To promote it, I hired the amazing Asimov to spend a night.
00:10:43Who did he hire?
00:10:46I've heard of him.
00:10:48He was a popular magician in Las Vegas.
00:10:51Yes, that's right.
00:10:53And since Asimov's death,
00:10:55the Lauter House has been known as the slaughterhouse.
00:10:58His death?
00:11:00You mean the ghost killed him?
00:11:02He jumped from the second floor, yes.
00:11:05The ghost gave him a fright.
00:11:08Yes, that's what we think, sir.
00:11:11Vicente.
00:11:12Vicente.
00:11:14Can I ask you a question?
00:11:16Why did you come here?
00:11:19Why did I come?
00:11:21Because I told you.
00:11:23Because he told me.
00:11:27Mr. Lauter, isn't it true that you agreed
00:11:30that my team and I would photograph and exorcise
00:11:33the ghost of the Lauter House?
00:11:35Yes, but only if Mr. Murphy and his collaborators
00:11:38will protect them.
00:11:40What?
00:11:41What?
00:11:43I don't want to be responsible for another tragedy.
00:11:46If I could forget that house and absorb all the losses,
00:11:49I assure you I would.
00:11:51But the restoration was too expensive.
00:11:53Now I need to start that pension.
00:11:56It will only be a burden.
00:11:58They don't know anything about psychic phenomena.
00:12:01Either they go with them, or they don't go anywhere.
00:12:06Dr. Goldberg, my men and I are security professionals.
00:12:11And if there is...
00:12:13well...
00:12:14any danger there,
00:12:16we are their chance of survival.
00:12:20I love it when Murphy speaks like in a detective novel.
00:12:24Or a black novel.
00:12:26You'd better not use that term.
00:12:28Sorry, I see it all black.
00:12:30How funny.
00:12:31Hey, have you seen that technician?
00:12:33I think I'm in love.
00:12:35Isn't that easy for you?
00:12:37I have a bad feeling about this case.
00:12:39Don't tell me you're afraid of ghosts.
00:12:42I'm afraid of anything that makes a guy jump out the window.
00:12:56I wouldn't drink that in your place.
00:12:59What?
00:13:00Your beer.
00:13:01It's as strong as my ex-wife.
00:13:04Please.
00:13:05What are you doing here, Murphy?
00:13:07Looking for you.
00:13:09Leave it.
00:13:12We have to talk. It's important.
00:13:15It has to be, Murphy.
00:13:17You invite me to beer, you call me Tony.
00:13:19How did you find me?
00:13:21I talked to Jackson.
00:13:23Thank you, Levy.
00:13:24What else did he tell you?
00:13:26That you don't want to go to Lauter's house with the ghosts.
00:13:30What about you?
00:13:32I'm worse off than you are.
00:13:34And you're worse off than me.
00:13:36I'm sorry.
00:13:37You can go, but we need each other.
00:13:39Speak for yourself.
00:13:40I don't like women.
00:13:41You don't like anyone.
00:13:43Not even yourself.
00:13:45And remember, I'll only tolerate you as long as you make up for me.
00:13:49And you tolerate me.
00:13:51Because no one else would hire you as a detective after leaving the body.
00:13:55Detective?
00:13:57Come on, Murphy.
00:13:58Who do you want to mess with?
00:14:00If you're going to go around hunting ghosts, you don't need a detective.
00:14:04What you need is a witch.
00:14:06So that's all it's about.
00:14:08You don't like the case?
00:14:10No, no.
00:14:11This is not a case.
00:14:13This is a joke.
00:14:15You want us to go there and make fun of that group of idiots
00:14:19while they sit down with their hands up and talk to the dead.
00:14:23Are you sure they're idiots?
00:14:25Maybe it's true about the house.
00:14:27Yes.
00:14:28Maybe your parents aren't cousins, but I'd say they are, you know?
00:14:32Because I'm going to tell you something.
00:14:34If you're not a typical product of the Indogamia,
00:14:37then it's because God exists and has something against you.
00:14:41One day you'll go too far and I'll make you swallow your words.
00:14:45Yes, very kind.
00:14:47You have to understand one thing.
00:14:49Devin Lauter offers us a lot of money
00:14:52to make you babysitter of those idiots.
00:14:54So that's what we're going to do.
00:14:57All that money he offers you,
00:14:59I get the same every week, no matter who the client is.
00:15:03So if you don't care, don't count on me this time.
00:15:06I'll count on you.
00:15:08Look, Levi, you can do this very well without me.
00:15:11And a shit.
00:15:12Levi will spend the day trying to get into that technician's rags.
00:15:16You know very well that's not true.
00:15:18It is very possible that he has his weaknesses,
00:15:21but he will do his job as I want you to be there in the morning.
00:15:25And also Devin Lauter has insisted that you go.
00:15:31Oh, that was it.
00:15:33If I don't show up there, you won't get that money.
00:15:36And you'll lose your job,
00:15:38because if you bother me with this job, I'll fire you, I assure you.
00:15:41Oh, that would be terrible.
00:15:43And I'll also fire your friend Levi.
00:15:46You're nothing but shit, Murphy.
00:15:48You fire a good detective to annoy me.
00:15:51There are dozens of detectives like him.
00:15:54If he's still with me, it's because he's the only one you get along with.
00:15:59If you leave, he leaves.
00:16:03Really?
00:16:05Damn it, I have to admit that you have impressed me.
00:16:09I have always known that you were a tracker,
00:16:12but I did not imagine to what extent.
00:16:14Well, this is a world of wolves, friend.
00:16:17You have to be a rat if you want to beat the rats.
00:16:20How do you think I have the position I have?
00:16:23By feeding it to the boss.
00:16:29I want you to be there in the morning.
00:16:31Soon, and without fail.
00:16:34Or Jackson and you will go to stand in line at the office.
00:16:41Say hello to the other worms for me.
00:16:54I do not like to waste it.
00:16:58I'm going to get some coffee.
00:17:22What a house.
00:17:24I wonder how much it will cost.
00:17:26I told you not to continue with that. It's not funny at all.
00:17:56I don't like this. I can feel the evil in this house.
00:18:01Yes, me too.
00:18:03And me too.
00:18:05Shut up, Jackson.
00:18:07It's true, boss. We're not alone.
00:18:09What are you talking about?
00:18:14What is that?
00:18:15It's an urn.
00:18:18Crematory.
00:18:19Oh my God, it can't be.
00:18:22Mr. Vicente, if you're done with the show, please leave it in its place.
00:18:27Do we know him?
00:18:29Avery Lauter. He wrote in his will that they should burn it and leave his ashes in the house.
00:18:37Mr. Lauter was a real character.
00:18:39You're right, and he didn't seem to be the only one.
00:18:42If there's no objection, I suggest that the first session be right now.
00:18:48I need help with the team.
00:18:51Vicente, I'll go.
00:18:54Vicente, go check the doors and windows upstairs.
00:18:57I'll do it here.
00:19:00Okay.
00:19:01Wait.
00:19:02There's something behind the curtains.
00:19:09Yes, probably a window.
00:19:11I'm serious.
00:19:22They're disgusting, really disgusting.
00:19:38Let's go get the team.
00:19:52Who the hell are you?
00:19:54I'm Elwin.
00:19:56I'm the colonel.
00:19:59The colonel?
00:20:00Yes, I'm afraid I forgot to tell you about him. He was Avery Lauter's stage assistant.
00:20:06The stage assistant? Was Lauter an actor?
00:20:09Almost. Lauter was a famous medium and an illusionist.
00:20:13Wait a minute, wait a minute. This sounds familiar. Wasn't he the murderer of a show?
00:20:17Oh yes, in The Terror of the Vineyard.
00:20:20That's all they were talking about.
00:20:23No, no, no. It was much more than that. He was the main suspect.
00:20:27Actually, they were going to arrest him when he appeared dead.
00:20:30That's true. They found him in this house. They had taken his heart out.
00:20:35Why didn't you tell us about this?
00:20:37He didn't ask.
00:20:39He only knows how to ask.
00:20:41I'm sorry you think that.
00:20:43And I'm sorry your mother got high when she was pregnant.
00:20:47Have you forgotten to tell us anything else?
00:20:49No, nothing else.
00:20:51Yes, of course. I'll be back in a minute.
00:20:54Do you mind if I go with you? I'd like to see the rest of the house.
00:20:58Of course. Let's go.
00:21:08Elwyn, do you want to take the suitcases to the rooms?
00:21:12Yes, ma'am. We have to go get the equipment.
00:21:16That would be better.
00:21:22Mr. Murphy...
00:21:25Do you always allow your subordinates to address you with such disrespect?
00:21:30No, but Vicente has never been able to keep his opinions to himself.
00:21:34Why is that?
00:21:36Maybe he's married to your sister, or is it that you have a weakness for sweet talkers?
00:21:41Does Thomas Knox sound familiar to you?
00:21:44The television actor who was killed with his family in Los Angeles?
00:21:48Yes, a triple homicide.
00:21:50He was wanted for 20 years.
00:21:52The entire police force took care of him without any success.
00:21:55A newbie who just left the academy solved it in two months.
00:21:59And it was him, Mr. Vicente?
00:22:01Yes. 90% of my business is due to the fact that I have him on payroll.
00:22:06But if it's true that he's so good, why doesn't he belong to the police force in Los Angeles anymore?
00:22:12They didn't like the way he spoke either.
00:22:14I suppose it's not my problem, but in his place I assure you that I would fire Mr. Vicente, despite his reputation.
00:22:23Maybe you're right. It's not his problem.
00:22:32Felix, did you hear that?
00:22:35How can you stand there allowing him to talk to me like that?
00:22:38Darling, that man is carrying a gun.
00:22:47What are you filming with this?
00:22:49Ghosts, if they can be seen.
00:22:51Are you kidding?
00:22:52Really.
00:22:53Although sometimes they can't be seen at first glance, sometimes they can be recorded with the camera.
00:22:58Hey, don't play with me.
00:23:00No, until I get to know you better.
00:23:39It's very strange.
00:23:41What?
00:23:42Many old houses have private chapels.
00:23:45With an inverted cross?
00:23:49Son of a bitch.
00:23:51Mr. Vicente, tell me, are you a believer?
00:23:55I'm sorry, I only talk about religion on February 30th.
00:23:59No, I mean to pray.
00:24:01It's just that I'm very religious and, well...
00:24:04Miss O'Shea.
00:24:08Why don't you tell me what you've come to tell me here?
00:24:12Avery Lauter was more than a simple medium.
00:24:14He was also a very powerful sorcerer.
00:24:17A witch?
00:24:18Yes.
00:24:20The police found his body on that altar.
00:24:23He was with his chest open and surrounded by candles.
00:24:26They never found the murderer in his heart.
00:24:29San Francisco is nearby. Maybe he left it there.
00:24:33Yes.
00:24:34Take it as a joke.
00:24:37But I think the police interrupted a satanic ritual...
00:24:41...that would have made Avery Lauter immortal...
00:24:44...if they had managed to complete it.
00:24:47I don't want to be rude, Miss.
00:24:50But I have to go back to Earth.
00:24:53I don't want to be rude, Miss.
00:24:56But I have to go back to Earth.
00:25:00Didn't you want to know the story of the house?
00:25:03I just wanted to tell you.
00:25:05Because I'm sure Agnes won't do it.
00:25:07Why not?
00:25:08Because Agnes doesn't believe.
00:25:10And if she doesn't believe...
00:25:12...this makes no sense.
00:25:14She has no idea what a ghost really is.
00:25:18And what is it?
00:25:20It's the soul of a person who has lived and died.
00:25:23If she was evil, her soul is evil too.
00:25:26And if she was powerful, her soul is powerful too.
00:25:29Lauter was both.
00:25:31And while we're in this house...
00:25:34...we'll be in grave danger.
00:25:42Good. It's working.
00:25:50Is everything all right?
00:25:51Winnie, put this in the water.
00:26:02All right. I'm heading to the spirit of Avery Lauter.
00:26:07If you're here, I want to talk to you.
00:26:15I can't get a hold of anything.
00:26:17Me neither.
00:26:19There's nothing here either.
00:26:24Avery Lauter, I know you're here.
00:26:29This man sitting next to me is a medium.
00:26:32You can speak through him.
00:26:45Who are you?
00:26:47I've come to free you from this house.
00:26:51I don't want to be freed.
00:26:53Then I'll force you.
00:26:56You don't have the strength for that.
00:26:58I think I do.
00:27:00Then I'll rise like the phoenix...
00:27:04...to destroy you.
00:27:07All of you.
00:27:09How are you going to do that?
00:27:11The only thing you've been able to do in the last two years...
00:27:14...has been noise.
00:27:16I'm not some stupid illusionist...
00:27:18...who's going to commit suicide out of fear.
00:27:21Are you going to make fun of Avery Lauter?
00:27:24You have a chance to prove what you're saying.
00:27:27The woman in front of you...
00:27:30...is a physical medium.
00:27:32Through her, you'll be able to show me your power.
00:27:42Maybe later.
00:27:43Why not now?
00:27:45Later.
00:27:46Are you afraid?
00:27:48Oh, no.
00:27:51But you'll have it.
00:27:59What's going on?
00:28:05What's going on? Help me!
00:28:07Calm down.
00:28:09He's on the floor.
00:28:15Help!
00:28:29Is he okay?
00:28:31He's still alive.
00:28:38You seem to be better.
00:28:41How are you feeling?
00:28:44I'm fine.
00:28:46But who used my head like a ball?
00:28:49Dr. Goldberg, if you don't mind...
00:28:51...we could unload our luggage now.
00:28:54Yes, very well.
00:28:56But everyone should be back in an hour...
00:28:58...to try again.
00:29:00Jackson, take a look over there.
00:29:02What for?
00:29:03Tony, you've already examined him, haven't you?
00:29:05Take a look.
00:29:09Now I understand that taste.
00:29:13I'm sorry about the bite.
00:29:16Don't worry.
00:29:22Mr. Vincente...
00:29:25...your quick reaction has prevented my husband from getting hurt.
00:29:29That's right.
00:29:30And I've been useless.
00:29:33That's true.
00:29:36You don't want to make it hard for me, do you?
00:29:38No, not at all.
00:29:41I...
00:29:43...just wanted to thank you.
00:29:46You're welcome.
00:29:49If you're done, I'd like to explore the basement.
00:29:53Why?
00:29:56Because there's something very important there for Mr. Lauter.
00:30:02I noticed it when he was talking through me.
00:30:08Let's take a look at the basement.
00:30:32Let's go.
00:31:32Let's go.
00:32:02Hey!
00:32:04You're going to stay blind if you do that!
00:32:33I hope he knows what we're looking for.
00:32:38We'll know when we find him.
00:32:42Can I ask you something?
00:32:45That box with the green light...
00:32:48...what was it?
00:32:50An invention of mine.
00:32:52You see, Winnie is a physical medium.
00:32:54Yes, and his husband is a mental medium.
00:32:56Yes.
00:32:57Felix is like a telephone.
00:32:59He lets ghosts speak through him.
00:33:02Winnie is like a door.
00:33:04Spirits can pass through her and manifest themselves in our world...
00:33:09...moving an inanimate object.
00:33:12Isn't it dangerous?
00:33:14Yes, it is.
00:33:16All living things have an aura of electromagnetic energy.
00:33:20When we die, that energy usually dissipates in the atmosphere...
00:33:24...but sometimes it remains intact on Earth.
00:33:27That's what we call a ghost.
00:33:30And the device creates a kind of electromagnetic vacuum.
00:33:34Exactly.
00:33:36That's why Winnie was given it.
00:33:38If that ghost had wanted to pass through her, the device would have absorbed it.
00:33:43And then?
00:33:45It would have taken it out of this house and dispersed it.
00:33:50I don't know what to think, Doctor.
00:33:52I used to eat that as much as my mother used to give me lentils.
00:33:57I've got it!
00:34:04For some reason, this anagram was very important to the ghost.
00:34:10Even now, I can feel the evil that surrounds me.
00:34:22Okay.
00:35:22Oh, no!
00:35:52Oh, no!
00:36:23Oh!
00:36:25Oh!
00:36:27Oh!
00:36:29Oh!
00:36:31Oh!
00:36:36What's going on here?
00:36:39The air, maybe.
00:36:41The air? Everything should be closed, right?
00:36:44Yes, it should.
00:36:46Have I left something open?
00:36:48I don't mean that.
00:36:51You don't mean that? I will tell you something.
00:36:53I've left everything closed.
00:36:55Yes, of course, starting with your ideas.
00:36:59Don't provoke me.
00:37:03Winnie, are you okay?
00:37:07I don't know. I think I'm a little dizzy.
00:37:13Why don't you sit down?
00:37:21Is everyone okay?
00:37:24Yes, what the hell is wrong with you?
00:37:26I caught that colonel spying on one of the women and he attacked me.
00:37:30Edwin?
00:37:31Yes, and Ginger.
00:37:33In the shower.
00:37:36Let's go.
00:37:52Damn son of a bitch. I'll kill him.
00:37:54Get them out of here.
00:37:58Don't worry, boy.
00:38:00We'll catch him.
00:38:02I promise.
00:38:03Let's go.
00:38:05What happened to Ginger?
00:38:08He's dead.
00:38:09They nailed him to something.
00:38:11Oh, my God.
00:38:16I'll call the police.
00:38:18Good idea.
00:38:21Impossible.
00:38:22He won't go.
00:38:26You're right.
00:38:27That bastard cut the line.
00:38:29Okay, the party's over, Murphy.
00:38:31Let's pack our bags and get out of here right now.
00:38:34Wait a minute.
00:38:36I don't think there's any reason for all of us to go.
00:38:39Do you want one?
00:38:41Take a look inside.
00:38:43I think the security guard is Mr. Murphy, not you.
00:38:48Mr. Murphy, can we stay while one of your men goes to the police?
00:38:52After all, the colonel must be very far from here.
00:38:56I don't think any of us are in any real danger.
00:38:59And you?
00:39:00Anes, maybe Mr. Vicente is right.
00:39:02Felix, please.
00:39:05Okay, Mr. Murphy.
00:39:08Should we stay?
00:39:09Or should I tell Mr. Lauter that we have to go because of the lack of security?
00:39:18No, there's no need.
00:39:20Jackson, go get the police.
00:39:23For God's sake, Murphy.
00:39:25How do you manage to keep living without a brain?
00:39:28Shut up, Vicente.
00:39:29I'm not going anywhere.
00:39:30I'm going to get that guy to put a .38 caliber gun on him.
00:39:34You're going to do what I say or I'll kick you in the ass.
00:39:37Sit down.
00:39:38I'm going to dance claque on your face.
00:39:40Why don't you avoid your bravado?
00:39:44You'll have to go get the police.
00:39:46Now.
00:39:47Come back soon.
00:39:51And you, you're a real primate, you know?
00:39:57I'll go check if everything is well locked.
00:40:04We should try another session.
00:40:06Stay in your rooms until Jackson returns with the police.
00:40:09It's important that we try...
00:40:11Do it.
00:40:12I'll take care of the security.
00:40:37I'll take care of it.
00:40:51Oh, shit.
00:41:20What the hell?
00:41:34What the hell?
00:42:03What the hell?
00:42:32Oh, oh, oh.
00:42:38Senorita O'Shea.
00:42:41Senorita O'Shea.
00:42:42Está bien?
00:42:45Senorita O'Shea.
00:42:50¿Qué?
00:42:51¿Se encuentra bien?
00:42:58Sí.
00:42:59No.
00:43:01No lo sé.
00:43:03Me siento muy extraña.
00:43:06Será mejor que se acueste.
00:43:08Sí.
00:43:11Pero primero tengo que revisar el vídeo para ver si ha grabado algo extraño.
00:43:16¿Cómo qué?
00:43:17¿Un trozo de Falcon Crest?
00:43:19Señor Vicente, ya sé que no comparte mis creencias, pero ¿por qué ha de ser usted
00:43:23tan insensible hacia ellas?
00:43:25¿Insensible yo?
00:43:27Lloré muchísimo cuando mataron a la mamá de Bambi.
00:43:30Me repugno.
00:43:32¿De verdad me encuentra tan divertida?
00:43:34¿O he hecho algo para ofenderle?
00:43:36No.
00:43:37Lo siento.
00:43:39Es solo que me cuesta mucho creer en dos superentidades que luchan eternamente por el
00:43:43alma inmortal del hombre.
00:43:45Vamos, ¿no le suena como el argumento de algún cómic malo?
00:43:50Soy detective.
00:43:51Quiero hechos y razones.
00:43:54Sin embargo, existen dos fuerzas en el universo y son bien reales, ¿sabe?
00:43:59Una es buena y otra mala.
00:44:01Y están luchando constantemente en un plano de la existencia más alto que el nuestro.
00:44:06Dios sí existe.
00:44:08Y también Satan.
00:44:10Y Avery Lauter es uno de sus sicarios.
00:44:12¿Por qué está tan segura?
00:44:14Porque lo he visto.
00:44:15¿El qué?
00:44:16¿Ese plano superior?
00:44:24A los nueve años, mis padres me llevaron a la playa.
00:44:34No sabía nadar y me quedé en la orilla.
00:44:37Pero había resaca.
00:44:38Una ola me atrapó y me vi sumergida en el agua profunda.
00:44:42Mientras el agua salada envolvía el mundo a mi alrededor, yo me hundí en una especie
00:44:47de tranquilo y oscuro capullo.
00:44:51Me ahogaba y no tenía miedo.
00:44:54Entonces encima de mí vi una luz brillante y blanca que descendía.
00:44:58Esa luz procedía del fondo de un túnel.
00:45:02Miré bajo mis pies y vi un pozo vacío y sin fondo.
00:45:08Y entonces supe que estaba en el umbral entre el cielo y el infierno.
00:45:15Cuando recobré la conciencia, vi que estaba en un hospital y que tenía poderes psíquicos.
00:45:24Es por ello que estoy tan segura.
00:45:29¿Sabe que yo tuve un compañero en la policía que había tenido la misma visión?
00:45:34La describió exactamente como usted.
00:45:38Luego dejó el whisky y vomitó encima de mis zapatos.
00:45:43¿Esto es como una gran broma para usted?
00:45:45No, no lo es.
00:45:49Señorita O'Shea, toda la vida he oído hablar a gente como usted sobre Dios.
00:45:53Dicen que es un ser supremo que vela por nosotros todo el tiempo y la culpa de todos los horrores
00:45:58del mundo se la echan al diablo.
00:46:00No me lo trago.
00:46:02He pasado siete años en las calles.
00:46:06He visto abusos de menores y víctimas de violaciones.
00:46:10He visto a una puta de doce años que se pincheaba todos los días.
00:46:14¿Dice que el mal existe? Pues claro que sí.
00:46:17Existe. Yo lo he visto.
00:46:21Pero no tenía rabo ni cuernos.
00:46:26Y sobre Dios, fantasmas y demás, entidades espirituales,
00:46:31creo tanto en su existencia como en la de Tintín, Santa Claus y los políticos buenos.
00:46:41Lo lamento mucho por usted, señor Vicente.
00:46:45Me temo que está perdido, como todos los demás en esta casa.
00:46:49¿Y por qué lo cree?
00:46:51Porque no puede luchar contra algo en cuya existencia no cree ni tampoco pueden sus compañeros.
00:46:56¿Y qué hay de los suyos?
00:46:57¿Agnes y Félix?
00:46:58¿Creen que el fantasma de Lauter es una especie de masa de energía que pueden enchufar y desenchufar como una luz?
00:47:05No, también están perdidos.
00:47:08A menos que nos vayamos de aquí ahora mismo.
00:47:11Eso es lo primero sensato que le oigo.
00:47:14Pero por desgracia, el resto del grupito se quiere quedar.
00:47:18Así que váyase a esperar a su habitación y deje que yo me ocupe de la seguridad.
00:47:23Podrá bajar más tarde para examinar el video.
00:47:27De acuerdo.
00:47:29Bien.
00:47:31De acuerdo.
00:47:34Gracias.
00:47:38Gracias.
00:48:09¿Por qué mataría a Elwin a Ginger?
00:48:13No lo sé.
00:48:15Ella estaba desnuda en la ducha.
00:48:17Quizá la violó primero.
00:48:19Es muy probable.
00:48:21Pero tan absurdo.
00:48:23Todos los asesinatos son absurdos.
00:48:26¿Por qué mataría a Elwin a Ginger?
00:48:29No lo sé.
00:48:31Ella estaba desnuda en la ducha.
00:48:33Quizá la violó primero.
00:48:36Todos los asesinatos son absurdos.
00:48:39Supongo.
00:48:41Pero te impresiona más cuando los conoces personalmente.
00:48:44No conocíamos a Ginger lo suficiente.
00:48:46Solo trabajamos con ella una vez en la mansión de Stonedin.
00:48:49Ya.
00:48:51Pero yo me siento algo responsable.
00:48:53Nosotros la trajimos aquí.
00:48:55Y también a los demás.
00:48:57Y todos ellos son personas maduras y mayores de edad.
00:49:00No los trajimos aquí a punta de pistola.
00:49:03¿Y qué hay de Whitney?
00:49:05¿No la has hecho venir a punta de pistola?
00:49:07Whitney tiene su propia personalidad.
00:49:10Si no quería venir, podía haberse negado.
00:49:12No lo creo.
00:49:14Se sintió obligada.
00:49:16Tú la presionaste.
00:49:18Felix, ¿acaso ya te has olvidado de lo que hemos venido a hacer aquí?
00:49:22No, claro que no.
00:49:24Pues entonces, ¿qué es lo que te ocurre?
00:49:26Por Dios, Agnes.
00:49:28Te ciega tanto la ambición que no te das cuenta
00:49:30de que vas a sacrificarlo todo
00:49:32solo para lograr lo que quieres.
00:49:34No, claro que no. No seas ridículo.
00:49:36¿Y por qué insistes en que nos queremos
00:49:38cuando sabes que es muy probable
00:49:40que ese maníaco de Elwynn aún esté cerca?
00:49:43¿Quieres saber por qué?
00:49:45Porque este trabajo es el más importante
00:49:47que hemos tenido en toda la vida.
00:49:49Y si nos vamos ahora, es muy posible que jamás regresemos.
00:49:52Piénsalo bien, Felix.
00:49:54Puede que con esto estemos haciendo historia.
00:49:56Sí, pero ¿a qué precio, Agnes?
00:49:58Ya hemos perdido a un miembro del equipo.
00:50:00No tiene absolutamente nada que ver con las apariciones.
00:50:03Ha sido trágico, sí.
00:50:05Pero no tiene que afectar a lo que estamos haciendo.
00:50:07¿Que no tiene que afectar a lo que estamos haciendo?
00:50:10Agnes, esa chica está muerta.
00:50:12Y ha sido culpa nuestra.
00:50:14No es cierto. No lo ha sido.
00:50:16Bien.
00:50:18Pero lo será si asesinan a alguien más.
00:50:20Nadie más va a resultar asesinado, Felix.
00:50:23Tú, yo y Winnie estamos encerrados en nuestras habitaciones.
00:50:27El señor Murphy está ahí al lado
00:50:29y el señor Vicente está vigilándolo todo mientras hablamos.
00:50:32Ambos son buenos profesionales.
00:50:35Van armados y equipados para hacer frente a la situación.
00:50:38¿Estás de verdad convencida de nuestra seguridad?
00:50:42¿O es que acaso te importa un comino?
00:50:45Felix, o estás conmigo o estás contra mí.
00:50:51Dímelo.
00:50:56Cariño...
00:50:58Claro que estoy contigo.
00:51:03Eres mi esposa.
00:51:06De acuerdo.
00:51:08Entonces, en cuanto el señor Vicente haya acabado su ronda,
00:51:11celebraremos otra sesión y haremos lo que hemos venido a hacer.
00:51:15Si hay suerte, acabaremos antes de que el señor Jackson venga con la policía.
00:51:20Dios quiera que tenga razón.
00:51:22La tengo.
00:51:24Bien. Vuelve a la cama y acaba el libro.
00:51:28Ya verás, Felix. Estamos completamente a salvo.
00:52:28No lo oido nada.
00:52:58No lo oigo nada.
00:53:29Iré a ver qué hace Wendy.
00:53:38¿Wendy? ¿Estás dormida?
00:53:59¡Wendy! ¡Wendy, despierta!
00:54:04¡Wendy, sal del trance!
00:54:07¡No! ¡Oh, no!
00:54:11¿Qué pasa?
00:54:13El fantasma ha querido pasar a través de ella.
00:54:17Ya te lo dije. No puedo controlarlo.
00:54:20No te preocupes. Lo cogimos antes de que el fantasma saliera.
00:54:24¿En serio?
00:54:38¡No puedes detenerle!
00:54:40¡Sorcerá de sus cenizas como el Fénix para destruirte!
00:54:43¡Sí! ¡Sí!
00:54:45¡Sí! ¡Sí!
00:54:47¡Sí! ¡Sí!
00:54:49¡Sí! ¡Sí!
00:54:51¡No puedes detenerle!
00:54:53¡Sorcerá de sus cenizas como el Fénix para destruirte!
00:54:56¡Sí! ¡Sí!
00:54:58¡No puedes detenerle!
00:55:22¡No! ¡No!
00:55:24¡No! ¡No!
00:55:41¿Señor Murphy?
00:55:43¿Señor Murphy?
00:55:51Oh, my God.
00:56:21Oh, my God.
00:56:52Oh, my God.
00:56:59What happened to him?
00:57:02It seems that Elwynn's friend wasn't far from here.
00:57:05And Murphy?
00:57:06He's dead.
00:57:08What?
00:57:09Are you sure?
00:57:11Lauter's ghost tricked me.
00:57:13He came out through Winnie while she was alone.
00:57:17Are you saying that the ghost killed him?
00:57:20I think he killed Ginger, too.
00:57:22We have to leave this house before it's too late.
00:57:26How could I not think of that?
00:57:33I want you to stay outside until I come back.
00:57:38Don't worry.
00:57:40Let's go.
00:58:09No ghost has killed him.
00:58:14They probably shot Elwynn.
00:58:18Come on.
00:58:20I'm going to look for the van.
00:58:38Elwynn has done it.
00:58:54Mr. Vicente, Mr. Vicente, are you all right?
00:59:24Felix, Felix, Felix, you're hurt.
00:59:41Yes, I know.
00:59:44Is it serious?
00:59:46He'll have to rest for a while, but he'll live.
00:59:50We have to take him to a doctor.
00:59:53The explosion you heard was the van.
00:59:56It's on fire.
00:59:57The sun has set.
00:59:58His husband can't travel like this.
01:00:00And that paranoid guy is still out there.
01:00:03I have to get out of here.
01:00:04Don't lose your temper.
01:00:06We're safe here.
01:00:07We'll sit down and wait for Levi to come back with the police.
01:00:10It seems you don't understand.
01:00:12Avery Lauter was in the middle of the immortality ritual when it was interrupted two years ago.
01:00:18He needs a physical medium to complete it.
01:00:20They won't be safe while I'm here.
01:00:22All right.
01:00:25Don't worry, Felix.
01:00:26We'll take you to a hospital.
01:00:27I promise.
01:00:28I promise.
01:00:33Come on.
01:00:34As long as you have this, you'll be safe.
01:00:38This device has never been tested.
01:00:42What?
01:00:43Is that true?
01:00:46That's why this was so important to me.
01:00:49If this device works, we'll be the first to discover the history of parapsychology.
01:00:54And if not, we'll be a ghost appetizer, right?
01:00:58Mr. Vicente, the urn is gone.
01:01:00What?
01:01:01The urn with Avery Lauter's ashes.
01:01:03It's gone.
01:01:04The good guy took it.
01:01:06And what?
01:01:08It's necessary for Avery Lauter to reincarnate.
01:01:11His soul has to physically reunite with his remains.
01:01:14They're in danger unless I leave right now.
01:01:18Winnie, that religious thing is a stupid nonsense.
01:01:22Look, Doctor.
01:01:23You took this and you did it wrong.
01:01:25So now it's time for the religious thing.
01:01:28And know, Doctor, that right now I'm willing to put a dead chicken on my hat and run to the moon.
01:01:33So how do we stop this reincarnation?
01:01:36It's a legend.
01:01:37How?
01:01:41If it were true, we'd have to find Lauter's heart and join it to his ashes.
01:01:46That way, his soul could rest in peace.
01:01:51Well, I think I know where the heart is.
01:01:53We just have to find the urn.
01:01:55And Winnie?
01:01:57What?
01:02:01Oh, shit!
01:02:04Very well.
01:02:05I'll go get her.
01:02:07If Edwin shows up, they'll do a lobotomy on him.
01:02:10Do you understand?
01:02:11Do you know how to use it?
01:02:13I press this here and the bullet goes through this hole.
01:02:19You can always throw it at him.
01:02:35Agnes, let's try another session.
01:02:37How?
01:02:39Maybe you can trick the ghost into telling you where the urn is.
01:02:43And if you don't succeed, I might be able to guess when he talks through me.
01:02:48No, Felix.
01:02:49I'm scared.
01:02:52Me too.
01:02:54But I don't think we have any other choice.
01:03:55Shh, shh.
01:03:59Calm down.
01:04:00Let's go this way.
01:04:06Well?
01:04:08Do you still think you're strong enough to destroy me?
01:04:12Yes, because now I know where your heart is.
01:04:15On one of the walls of the basement behind the barn.
01:04:21Very well.
01:04:23It's just that you found out too late.
01:04:28Tell me where the urn with your ashes is.
01:04:31You can't prevent what's going to happen.
01:04:34You're already defeated, Lauter.
01:04:36The physical medium has already left and you have no power without it.
01:04:42What?
01:04:44No.
01:04:46That's impossible.
01:04:47You're lying.
01:04:49And the mental medium you're using will know where your ashes are, just as it knew where your heart was.
01:04:56No.
01:04:57No.
01:04:58No.
01:05:00Yes.
01:05:01Yes, and it will tell me.
01:05:03And I will finally be able to destroy you, you son of a bitch.
01:05:07No.
01:05:08Because the mental medium won't be able to tell you anything.
01:05:11Nothing.
01:05:15Felix.
01:05:18Felix.
01:05:28Shit, what's the car doing here?
01:05:30My God.
01:05:33That son of a bitch Elwin.
01:05:35I'm going to blow his fucking brain off.
01:05:37You don't understand.
01:05:39It wasn't Elwin.
01:05:40It was Avery Lauter.
01:05:41Whoever it is, now Levi is dead.
01:05:46Look, it's up to you.
01:05:48You have to go get the police.
01:05:50No, come with me.
01:05:52I can't.
01:05:53I can't leave the doctor and her husband alone and he can't travel like this.
01:05:58Please, you'll have to go alone.
01:06:01Okay, you're right.
01:06:03I'll be back soon.
01:06:05Okay, get in the car.
01:06:11I'll tell you the truth.
01:06:17Damn it.
01:06:26Get out of here.
01:06:28Okay.
01:06:40Calm down.
01:06:41He's dead.
01:06:54Say goodnight.
01:07:03Are you okay?
01:07:04He was like a demon.
01:07:06He was just a son of a bitch.
01:07:08Believe what you want, but I know he was a demon.
01:07:12Whatever it was, it's nothing now.
01:07:14Go.
01:07:45Doctor, how is he?
01:07:51He's dead.
01:07:53Felix, he's dead.
01:07:56Yes, there have been many deaths today.
01:07:59Come on, we have to get out of here.
01:08:03No, that son of a bitch killed my husband.
01:08:09I don't want to leave this house until I've killed him.
01:08:20I don't want to leave this house until I've killed him.
01:08:48Wait.
01:08:50I'll change it for you.
01:08:52You didn't have to bring this, because we're not in danger anymore.
01:08:55Winnie has left, and the ghost of Lauter can no longer manifest itself physically.
01:09:00Just a moment ago, I had to leave that Edwin as a straggler, so you'll forgive me if I take some precautions.
01:09:31Good, Lauter, you son of a bitch.
01:09:35Now I've got you.
01:10:00No!
01:10:30There it is, Avery Lauter's heart.
01:11:00Thank God.
01:11:27Shit!
01:11:33What the hell is going on here?
01:11:39Is the police here?
01:11:45Oh my God, it's been a long time.
01:11:52Oh my God, it's been a hallucination.
01:11:57He tricked me.
01:11:59I didn't even get out of here.
01:12:06Tell her to stop.
01:12:07It's too late, Lauter's ghost is gone.
01:12:09What do we do?
01:12:10I don't know.
01:12:11You're supposed to be the expert.
01:12:14Watch out!
01:12:31Shit!
01:12:38Oh my God!
01:13:05No!
01:13:32Oh my God!
01:13:47What happened?
01:13:48Is it over?
01:13:49Yes.
01:13:50I've got another way.
01:13:52Looks like Dr. Goldberg was right.
01:13:54No!
01:13:55This won't work.
01:13:56What?
01:13:57I feel like he's fighting to get out, and he'll make it.
01:14:00He has too much power.
01:14:02Okay, we have to get out of here.
01:14:04No!
01:14:05We don't have much time.
01:14:07The only chance we have left is to destroy him by joining his ashes and his heart.
01:14:12Okay, okay.
01:14:13The heart.
01:14:14I don't know where the urn is.
01:14:16Then we have to find it quickly.
01:14:18I know, but where is it?
01:14:21You're the detective, think.
01:14:23I'll do it, I'll do it.
01:14:26It was a urn full of ashes.
01:14:32The chapel.
01:14:55It's not here.
01:14:56It's not here.
01:14:57It's not here.
01:14:58It's not here.
01:14:59It's not here.
01:15:00It's not here.
01:15:01It's not here.
01:15:02It's not here.
01:15:03It's not here.
01:15:04It's not here.
01:15:05It's not here.
01:15:06It's not here.
01:15:07It's not here.
01:15:08It's not here.
01:15:09It's not here.
01:15:10It's not here.
01:15:11It's not here.
01:15:12It's not here.
01:15:13It's not here.
01:15:14It's not here.
01:15:15It's not here.
01:15:16It's not here.
01:15:17It's not here.
01:15:18It's not here.
01:15:19It's not here.
01:15:20It's not here.
01:15:21It's not here.
01:15:23It's not here.
01:15:25I'm not blind, I see it's not here.
01:15:27But now what?
01:15:28I don't know.
01:15:30Thank God.
01:15:31What a day.
01:16:22Wait me.
01:16:23Wait me.
01:17:22♪♪
01:17:32♪♪
01:17:42♪♪
01:17:52♪♪
01:18:02♪♪
01:18:12♪♪
01:18:22♪♪
01:18:32Winnie.
01:18:35Winnie.
01:18:38Ah!
01:18:39♪♪
01:18:48Ha, ha, ha, ha, ha, ha, ha, ha, ha.
01:18:50♪♪
01:18:54¿Qué es lo que he hecho con Winnie?
01:18:57Se acabó, he vencido.
01:19:01Yes, here is your trophy, bastard.
01:19:08You will have to do it much better, Mr. Vicente.
01:19:14I admit suggestions.
01:19:21I think I'm going to enjoy killing you much more than with the others, Mr. Vicente.
01:19:26And after killing you, I will eat your soul, just like I just ate my ashes.
01:19:33Run!
01:19:46You can't kill me, I'm immortal, I don't have a heart.
01:19:56Remember, I'm a believer.
01:20:26No!
01:20:56Run!
01:21:26Mr. Vicente, you're still alive.
01:21:49I'm glad you think that.
01:21:51But...
01:21:54Now I'm not sure what I believe.
01:22:21Detective Vicente's agency.
01:22:42No, you have the wrong number.
01:22:46Yes, yes, I'm Tony Vicente.
01:22:48No, not Enchanted Houses.
01:22:52Well, I work with unfaithful women.
01:22:56And from time to time I get a cat to come down from a tree if I manage to shoot it in the ass.
01:23:04I don't care what that article says, ma'am. I don't work at Enchanted Houses.
01:23:11I'm not kidding, but I don't think I have a ghost at home either.
01:23:16Why am I so sure?
01:23:18Because if I had a ghost, I wouldn't ask.
01:23:23It's not something you forget.
01:23:25Believe me, I've tried.
01:23:29It's something you drag on for the rest of your life.
01:23:35It's not that I'm worried about my attitude, but that's the one I have, I'm sorry.
01:23:41I'll tell you the same thing, and don't let the broom out.
01:24:15Ah!
01:24:45Ah!
01:24:52Ah!
01:25:15Ah!
01:25:45Ah!
01:25:46Ah!
01:25:47Ah!
01:25:48Ah!
01:25:49Ah!
01:25:50Ah!
01:25:51Ah!
01:25:52Ah!
01:25:53Ah!
01:25:54Ah!
01:25:55Ah!
01:25:56Ah!
01:25:57Ah!
01:25:58Ah!
01:25:59Ah!
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