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00:00A few days later
00:08You're crazy, Paula.
00:11Why do you say that?
00:12Because it's dangerous.
00:13You're exaggerating.
00:16We should go back.
00:18I have to return the car to your father.
00:20Don't worry, Tata, Rodrigo.
00:22Let's do one thing.
00:24I let you do careers in which we put ourselves in danger
00:27and you let me put a little common sense.
00:31It seems to me that my father has a very important appointment
00:34that will keep him busy almost all day.
00:37Remember that Don Fermin is coming back today.
00:39You have to show him your gratitude.
00:41It's important for him.
00:44I'm telling you, he doesn't remember us.
00:48We should go back.
00:51Is that what you want?
00:55No.
00:57Let's go.
01:27A few days later
01:51Control the distance between the chairs and the tables.
01:54I want everything to be perfect.
01:56Is everything in order?
01:57Yes, everything is in order, ma'am.
02:05Manolo, the glasses must be very clean.
02:07And the trays, you know, like the patina.
02:13The room is looking good. It's nice to see it.
02:15The suit was worth it.
02:17We'll see now when Don Fermin and Mrs. Lázaro arrive.
02:20Well, woman, they come from a month of honeymoon.
02:22They're going to come softer than a glove.
02:23Yes, or more demanding.
02:25Because they've gone from Paris to Istanbul in the Orient Express.
02:27And they've been to the most select places.
02:29Well, they still have the last stop.
02:31The select reception that we are preparing for them in the La Moderna tea room.
02:36Come on, who was going to tell us that we were finally not going to resign
02:39and we were going to stay here?
02:41And that we were going to replace Mrs. Lázaro as Don Fermin?
02:44What do you tell me?
02:45I don't believe it.
02:47Well, things can change a lot in a matter of a few months.
02:50Well, I don't care if they change me.
02:52As long as they don't touch me with what we have.
02:56Well, in a couple of hours we'll have Mrs. Lázaro around here.
03:00That if before they were looking for us as a manager,
03:02we will now see as a lady of Villanueva.
03:04Let's see how it comes.
03:06Elias, have a good time with the reserved lunch.
03:09And don't cut yourself with the ham, today is a special day.
03:11But don't worry, boss.
03:12There's ham there to stop a train.
03:14You have to see how demanding you have become since you were godfather.
03:17We are already.
03:18What fault do I have that Trini and Miguel would like me to be the godfather of Leon?
03:22Well, the day you have a child, I will be the godfather.
03:24Seriously, my body can't stand more disgust.
03:27I promise you that, friend.
03:28But you know that's a matter of two.
03:31Well, children are a blessing, but they also make you feel sorry.
03:34If not, look at Trini and Miguel.
03:36Well, I would love to.
03:38And if he takes out his mother's eyelashes,
03:40let him make me feel sorry whatever he wants.
03:42Oh, everything is like gold.
03:45Now all that remains is for the vampire to come
03:47and smear everything with her bad breath.
03:49Wait.
03:50Nothing.
03:51They could have already gone around the world,
03:53the two turtles,
03:54with how quiet we were here.
03:56Well, stop being stories.
03:57Come on, everyone to their places.
04:08I can't believe it.
04:09Agustín, my first movie.
04:11This is a dream.
04:12And if everything goes well,
04:14it won't be the last.
04:15Neither yours as a leading actress
04:17nor mine as a producer.
04:19Don't make me more nervous.
04:21I've been thinking all day that there are only four days left for the premiere.
04:25But I don't understand those nerves.
04:27The hard work is already done.
04:28The premieres are to celebrate, enjoy, share.
04:32In four days, this movie will no longer be ours.
04:35It will be of the public.
04:36Yes, of the press and the critics.
04:39That's what you told me with the premiere of The Court of Pharaoh.
04:43And look at you now.
04:45You look like a star.
04:47You don't have to give me that look.
04:49That's what movie magazines say.
04:51I have to remind you of the article that said
04:53that you were one of the talents called to mark an era.
04:57None of this would have been possible without you.
04:59Well, it's my nature as a producer
05:03and now I should step aside
05:05to let the star shine even more.
05:10Agustín, we're in a public place.
05:12I'm sorry, miss.
05:14I got confused with the poster girl and couldn't help it.
05:18Inés Balbuena?
05:19Yes, tell me.
05:21Is it true that you and Mr. Comas are getting married?
05:25Well, that's very personal.
05:27Now the important thing is that you don't lose the shade of love.
05:30You're going to love the movie.
05:33And now, if you'll excuse me, we have to go.
05:41Wow, wow, wow.
05:43You don't do well at premieres,
05:45but answering uncomfortable questions is wonderful.
05:49Well, I've learned a lot from seeing you talk to my uncle.
05:53That's a very low blow.
05:56You're going to learn a lot from seeing you.
05:58And you have an absolutely full schedule.
06:01Yes, the truth is that between the filming of the spin-off
06:04and the promotion of The Shadow of Love,
06:06I don't have much time.
06:07And the little time I have is for the people I love.
06:09Like you, like my uncle,
06:12like Laurita, if you're coming, of course.
06:15Come on, let's go.
06:16Don't be late.
06:22What a beautiful living room, Pietro.
06:24Come on, couples, with more cold.
06:26They're about to arrive.
06:28Well, I'm Esperanza, always so kind.
06:30And how do you want me to be if this is a living room to clean?
06:33Esperanza, go over the stairs, I don't want a dusty motorcycle.
06:36What did I tell you? I work more hours than the clock.
06:39Hello.
06:42Have you seen if more letters have arrived?
06:45No, honey.
06:46The marriage annulment has arrived with Lucia.
06:48I would have told you.
06:49Yes, of course, I hope it will be soon.
06:51Not only for the wedding, but to stop sleeping apart.
06:55People are talking, Pietro.
06:57I don't know, but when the letter arrives, we'll get married.
07:00And the neighbors will stop talking.
07:06Here you have them, thank you.
07:10But hey, Trinidad, you're ten minutes late.
07:13I'm sorry, I'm sorry, I'm sorry, I'm sorry.
07:15Oh, what a bad face you have, are you okay?
07:18You know, the one that Leon didn't come out tonight.
07:20And between that, the fatigue, the rush, the delays.
07:23Especially where is Miguel, who said he wanted to be here
07:26to see the reception of Mrs. Lázaro and Mr. Fermín.
07:29Miguel drinks a lot, yes.
07:39Yes.
07:42Miguel.
07:43Sorry, sorry, sorry.
07:45Miguel, for God's sake, we're in a tea room.
07:48Not in the subway, a little decoration.
07:50If I told you.
07:51We haven't slept all night.
07:53I just can't explain how so many gases fit
07:56inside such a small baby.
07:58Well, patience.
08:00Just like with the new house.
08:03I'd rather be in the old house,
08:06with its tremors and its collapses and everything.
08:08Yes, Trini.
08:09What's better, the bad thing known,
08:11than the good thing to know?
08:13Teresa, the gentlemen from Pedraza will know the time of arrival.
08:16Because what a plan, as the newlyweds arrive
08:18and the new owners of the gallery are not there to receive them.
08:20For God's sake, Cañete.
08:21What kind of hall has seen them?
08:23You can't escape a hope.
08:25And what do you want me to do?
08:27If they are drawing attention.
08:29Oh, how strong they are.
08:31Don Emiliano and Doña Maruja.
08:33And how elegant.
08:34The one I haven't seen is your daughter, Paula.
08:36The meeting is over.
08:39Let's get to work.
08:41Yes, yes, yes.
08:42Oh, my God.
08:55Oh, my, look.
08:57How beautiful you are.
08:58Like an artist.
09:01But, well, how did you leave the living room?
09:03This is a welcome, isn't it?
09:05I mean, even the new owners of the gallery are there.
09:08There, with Teresa and Cañete.
09:10What a port, what elegance.
09:12She's so pretty.
09:14Well, Miss Inés, how is Estrella's life going?
09:18Well, if I see a star, I'll ask her about you.
09:23Well, because you're in the movie posters, huh?
09:25Otherwise we'll never see you.
09:27No, it's just that between the shooting, the promotion,
09:29I don't even have time to breathe.
09:32Do you know anything about your sister?
09:34She'll at least come to the premiere of the movie, right?
09:37Well, I wouldn't know how to tell you.
09:40They're coming, they're coming, they're here.
09:45Miss Teresa, they're here.
09:47Very well, everyone to their places.
10:04What a welcome.
10:06Don Fermín, Doña Lázara, welcome to La Moderna.
10:09Thank you, Teresa.
10:11Emiliano Pedraza Santulario, the one who wears pants.
10:16How long, Emiliano. Come to my arms, come to my arms.
10:19How happy I am, how long, what a joy.
10:22I can finally introduce you to my wife, Maruja.
10:25Delighted.
10:26Congratulations to both of you. I hope you are very happy.
10:29Lázara, my wife.
10:31Delighted, likewise.
10:33Blessed are the eyes.
10:35The best wedding gift you could give me is your presence.
10:38No, no, no, no, you give us the gift, with your return.
10:42I assure you that I had never been so happy to see this man.
10:46Not even when I was a boy, in the boarding school, you broke your face to defend me.
10:49Well, yes, yes, yes, yes.
10:51Here where you see him, this man was the oldest brother I ever had.
10:55I've lost some form, so don't expect me to do the same again.
10:58Well, man, it's okay.
11:00No, all I hope is to enjoy your bliss.
11:03Like all these people, right?
11:05Congratulations.
11:06Long live the gentlemen of Villanueva!
11:09Thank you, thank you.
11:12Thank you very much.
11:13Really, thank you very much.
11:15Thank you for this wonderful welcome.
11:18From the bottom of my heart, it is something that I will remember, that we will always remember.
11:24It's nice to see familiar faces.
11:26How about the trip of newlyweds?
11:28Because according to the echoes of society in the press,
11:31it must have been a dream to cross Europe on the Orient Express.
11:34Much more than a dream.
11:35Travel through Vienna, Prague,
11:37cruise through the Danube,
11:39the journey of my life with the man of my life.
11:42If you'll excuse me, I'd love to stay, but I have an interview and I have to go.
11:46Of course, darling, we'll have a chance to talk.
11:48Now take care of your obligations.
11:50Congratulations, Inés.
11:51We won't miss the premiere.
11:56Gentlemen of Villanueva, welcome again.
11:59We have prepared a small welcome agape for you at the reservation.
12:03Wow.
12:04I see that our absence has not lost the attention for the details.
12:08I knew I was not wrong to leave you in charge of everything.
12:11Well, let's not waste time, Ferdinand, there's a lot to talk about.
12:14This way.
12:34Thank you, Elias.
12:36Well, I hope everything has been to your liking.
12:41This coffee is very good.
12:44We always try to make our products better than those of the competition.
12:48You know, in Argentina, more than the culture of coffee, there is a great culture of mate.
12:55What do I say? Maybe it would be a good idea to introduce it in Spain.
12:59Mate?
13:00Mate.
13:01Well, we'll think about it.
13:03Excuse me, some meringues.
13:04One of the specialties of the house.
13:07Enjoy.
13:08Teresa, serve a little bit of oporto.
13:10So we can finish the lunch.
13:13Of course, Mrs. Lázara.
13:15By the way, Emiliano, I bought you a gift.
13:18Yes, something I saw in Zurich and I could not resist.
13:24Let's see what it is.
13:32I can not believe it.
13:34No, I can not believe it.
13:38It's identical.
13:41It's exactly the same as the one I was so obsessed with when we were in the boarding school.
13:45Yes, I think it's the same model that Federico had.
13:48His name was Federico, right?
13:49Federico was his name.
13:50What a memory you have, Fermín.
13:52How many years.
13:53What a beautiful detail.
13:54How many years.
13:55Do you need anything else?
13:56No, no, Teresa, thank you.
14:00We have also brought something for you, Maruja.
14:03For me?
14:04But it was not necessary.
14:05And please, dear, you love me.
14:07Yes, please.
14:08We are practically family.
14:11Thank you very much.
14:12We have brought you a tea set.
14:14Porcelain from Vienna.
14:15We will send it to your house.
14:16From Vienna?
14:18Well, thank you very much.
14:20Well, Emiliano, how are business after your return to Spain?
14:24Well, there is always a reason not to change.
14:29But you know that I have strong emotions.
14:31Emiliano's father was a pioneer in the textile industry.
14:37He founded a company, a large textile company, in Santiago del ...
14:41Santiago del Estero.
14:42Santiago del Estero, in Argentina, at the beginning of the century.
14:46Entrepreneurs have always impressed me a lot.
14:48Especially those who dare to travel to another continent.
14:51Yes, yes, of course.
14:52Well, he became one of the most important cotton producers in all of Latin America.
14:57And when Emiliano was old enough to enter the boarding school, he was sent to Spain to train.
15:02And that's where we met, at the boarding school.
15:05Well, we met and we became inseparable.
15:09Nail and flesh, we spent all our childhood and our first youth together.
15:13And we spent great nights for the memory.
15:15And others ... that we do not remember.
15:19We don't even want to remember.
15:21Well, I'm going to propose a toast.
15:24For us and for our women.
15:28And for our reunion.
15:30And for the future.
15:32For the future.
15:33For the future.
15:36A great future, Fermin.
15:38At last, life smiles at us.
15:40I am convinced that my investment in the gallery will be a success.
15:43And if it were not enough, we will revive our friendship.
15:47What else can you ask for?
15:48I am very happy that you are back, Emiliano.
15:50By the way, we have also brought a gift for the boys.
15:55The boys, yes.
15:56What a pity that Paula and Ivan are not here.
15:59Paula went out on the motorcycle and although she said she would arrive on time ...
16:03We thought it would not be like that and unfortunately we were right.
16:07Yes.
16:08Ivan, however, does not need a motorcycle to disappear.
16:12As he lives in his own world, in short ...
16:15He knows the night much more than the day, you understand me.
16:18Well, Emiliano, remember that at our time we also liked the night.
16:23Indeed. Indeed. I'm not telling you no.
16:25But what happened the next day?
16:27The next day we fulfilled our duty.
16:29That yes.
16:30Ivan does not do that.
16:36Well, I also wanted to make a toast.
16:39For the perfect marriage you have.
16:43Maruja and Emiliano.
16:45For you.
16:47And for us too.
16:48For all of us.
16:51And I take him by the collar and I tell him,
16:53you don't tell me that on the street.
16:55And Valgañán and he answers me,
16:57it's true, I'm not telling you.
16:59And he left running like a soul carrying the devil.
17:05He has been partying for 24 hours and he still wants more.
17:09You have sent the rest of the workers home for hours.
17:12Can't you tell him to leave?
17:14It's a headache, little sister.
17:17Look at him.
17:19Ill-mannered, clumsy.
17:21Of course, in the short time he has been here,
17:23he has become one of the best customers of the place.
17:26So what?
17:28Are you going to stop sleeping?
17:30I think it would be better for you to end up in court somewhere else.
17:34We are dry.
17:35More French champagne for me and my friends.
17:39Well, I'm afraid the existence of this champagne has run out, gentleman.
17:44You're not saying it to annoy me and make us go?
17:48If you want, you can accompany me to the winery and check it yourself.
17:51Although for that I would have to get up and maybe they are not in condition.
17:58Maybe you want to try one of our most distinguished liqueurs, Iván.
18:03It goes very well.
18:05They just brought it to us from a monastery in La Rioja.
18:08The Benedictine monks do it.
18:11Ah, well.
18:13If they do it in virtuous hands, we can't dislike it.
18:16A round for everyone then.
18:18Mercedes.
18:24Right away.
18:28Cheers.
18:40Good morning, girls.
18:42Hello.
18:43How are you?
18:47How's everything going?
18:49How's Leon? Does he let you rest for a few nights?
18:52Well, no. The truth is that no.
18:53Although he is more handsome every day.
18:54Although being so handsome is what makes me so ugly.
18:58But you're great.
19:00Besides, a lot of courage.
19:01Working and taking care of a baby at the same time must be hard.
19:03Well, yes.
19:04Oh, look, Esperanza.
19:05I brought you something.
19:07It's a stamp of the Virgin of Victory of Lepanto.
19:10I went with the motorbike to Villarejo de Salvanes and there was a convent dedicated to her.
19:13I thought you might like it.
19:16What a nice detail.
19:18You didn't have to bother.
19:19Thank you very much.
19:20You're welcome.
19:21By the way, I remind you that in three days I inaugurate the store.
19:23I would love for you to come.
19:25And if you can bring the employees of the tea room and the gallery, even better.
19:28Of course, we'll make them all go.
19:30You won't let them down, you'll see.
19:32By the way, do you know if my father is still in the tea room?
19:35No, they were having lunch with Don Fermín and Doña Lázara, but they left a while ago.
19:39Your father is in the office, I saw him.
19:42Great, thanks Esperanza.
19:44I hope he didn't get very angry because of my delay.
19:47Goodbye.
19:48Goodbye.
19:49Goodbye.
19:54She said she was late, but thank God she's here.
19:56Because with those machines of the devil, you never know.
19:59Don't say nonsense, Esperanza.
20:01Paula is an excellent driver.
20:04I don't get on one of those,
20:06that puts my ear in the elbow with the wind.
20:09Well, she doesn't move a hair.
20:11Oh, I'll tell you something.
20:13I like this girl.
20:15She has class.
20:16And not just for the money.
20:18She also has like...
20:19Charm?
20:20Angel?
20:21A gigantic closet?
20:23All those things together, yes.
20:25And I don't know, I think she's nice.
20:26Humble.
20:27Close.
20:28No, of course.
20:29There aren't many high-class girls who...
20:33Oh, my God.
20:34With those mouth openers.
20:36That sticks.
20:38Oh, I'm sorry, really.
20:39I'm sorry.
20:40Leo doesn't even let me sit down.
20:42I think if I continue like this, I'm going to die.
20:45Because then I have to come here to work all day.
20:48I can't take it anymore.
20:49If I didn't sleep at night, I would have a bad temper.
20:52Well, let's talk about the important thing.
20:56What did you think of the arrival of the marriage in Villanueva?
21:00Well, don Fermin, as always.
21:01But the vampire...
21:03The vampire is so high up that it looks like she was made a Marquis.
21:06Yes.
21:07She believes someone because, of course, she is the wife of the owner now.
21:10Well, yes.
21:11Well, she has noticed that the clothes are always badly put together.
21:15I've noticed these things.
21:17What?
21:18The vampire.
21:19Weren't we talking about that?
21:20Oh, yes.
21:21She has painted her lips.
21:23I don't know.
21:33The machine is expensive.
21:35And I don't see the return clear.
21:38Because it's not just about changing that machine.
21:40It also implies having a lot of accessories, spare parts at our disposal.
21:45That, as they come from afar, the first problem we have
21:47will be an important delay in production.
21:51You're right, Don Emiliano.
21:52I'll take a look or I'll find a way to speed up those times.
21:56Well, yes.
21:57Father, Rodrigo.
22:00Hi, honey.
22:02I'm sorry I didn't make it in time for the reception at La Moderna.
22:05While I had more than I would like.
22:07Leave it, Paula, leave it.
22:08Don't you see I'm used to you making a mess of your bed?
22:11Well, you tell me you've tried to come.
22:13I'll stick with that.
22:14Has Ivan been with you?
22:16Ivan?
22:17Ivan, of course not.
22:19But I'm telling you, he hasn't been on the road or doing anything useful.
22:23In fact, at this time he's probably in some tavern or some club.
22:29Well, then I'll give a kiss to Don Fermin and Mrs. Lázaro.
22:33Besides, now that I'm going to work in the gallery,
22:36I'm going to see them a lot, I guess.
22:38There are only three days left.
22:39I guess you're nervous.
22:41Nervous?
22:42This one?
22:43I don't think so.
22:45Don't you see that the most exciting thing in life is to annoy your father?
22:49Oh, I'm wrong.
22:51First you insisted on studying engineering, despite my disgust,
22:55because I wanted you to study something more like girls.
22:57Father.
22:58No, no, if nothing happens, I've already taken it.
23:00Engineering.
23:01But then, when you finished,
23:02the woman expected you to look for a job in a ministry, in a big company.
23:08I don't see myself taking a high position.
23:10No, no, no.
23:11You had to come up with your own project.
23:14Something that had nothing to do with us.
23:16With the signature that has been the pride of the family for generations.
23:19And that has given us everything.
23:21Something does have to do with it.
23:23You know I'm passionate about fashion.
23:25Of course.
23:26Fashion.
23:27If I'm not mistaken, what you want is for everyone to be able to dress as if they were rich.
23:32I think everyone has the right to feel attractive and look good.
23:36And that in the future it will not be as complicated as it is now.
23:39Yeah, well.
23:40Another way of seeing it would be that you are belittling the well-done work.
23:44Because what you want is to take out clothes as if they were sausages.
23:47And then sell them at the store that used to be the gramophone store.
23:50We'll see if it goes well there.
23:52Well, it can have many customers and the prices are popular.
23:56Popular.
23:57As popular as they are, people have to pay the rent,
24:01they have to pay for food, they have to travel by subway.
24:04Well, look, you'll know.
24:06You'll know how to make it possible.
24:07I'm not telling you anything else.
24:08Because it is clear that any problem that I give you, far from discouraging you,
24:11serves you as a bait.
24:13And what about you?
24:15Yes, yes, you, you.
24:17Because he asked you for help.
24:18Am I wrong?
24:20Already.
24:21What I thought.
24:22Well, let it be clear to you, Rodriguito,
24:25that your priority is to fulfill your obligations here, with me, in this company.
24:29And if you have time, you can help Paula.
24:33Count on it, sir.
24:35Well, daughter, good luck.
24:38Since you don't spend good judgment.
24:40I'll show you that I do.
24:59We all remember you a lot.
25:02And we miss you, Marta.
25:04Today we have commented on the scare you take until your wedding day.
25:30Oh, good afternoon.
25:32Oh, it's been a long time since I've seen you.
25:35What type?
25:37I attended Marta's wedding.
25:39Don't play dumb.
25:41What the fuck.
25:42You don't know what you're talking about.
25:43Yeah, yeah.
25:46Marta, I'm Esperanza.
25:48Don't hide, that's very ugly.
25:52Esperanza.
25:54Is that the bride's dress?
25:55Esperanza, how is this going to be the bride's dress? No.
25:58Forgive me, you don't know the anguish we are going through.
26:01Well, right now we don't have time for gossip.
26:04Marta, you go to the room to get dressed.
26:06You two go to the church and wait for us there.
26:08I'll tell you later.
26:09Antonia, I'll make you a coffee.
26:11Leave a cloth, I'm a little nervous.
26:20I'm glad you're okay.
26:22Of what else, that you are studying so much.
26:24Don't suffer because Salvita and you hardly have time for yourself.
26:28You are doing things very well.
26:30With the studies and with the library.
26:33You don't know how happy I am that you are so focused.
26:36The one who is also very focused is Matilde.
26:38I talked to her on the phone and she told me that things in La Rioja are going very well.
26:42Íñigo with the vineyards, she with her pregnancy.
26:45And poor Clarita, how cute.
26:48She says she remembers you a lot.
26:50Like everyone.
26:57Are you going for a walk?
26:59Well, yes.
27:00Let's see if with the fresh air we manage to relax a little and sleep.
27:04Because there is no way.
27:06I think she misses the old house.
27:08But in this one it is better.
27:10But it will have to be done.
27:12Like me, to pay the money that the breast milk costs.
27:15Today when I went to the market, the one there told me that if I was fine,
27:18that I looked white like milk.
27:20Well, don't be silly with your child.
27:23You have made him beautiful, beautiful.
27:25He has a beautiful name, Leon.
27:28Oh, I don't know.
27:29Let's see if when the house is as God commands.
27:32I don't know.
27:33He calms down a bit.
27:34Because I think that disorder alters him.
27:37And he is like that all the time, nervous.
27:39It is normal.
27:40There are many changes in a short time.
27:42And not only for Leon.
27:43For you too.
27:44The birth, the move.
27:45The boxes have gone out of order.
27:46The things of Leon thrown around.
27:48My mother.
27:49Being a mother is very good.
27:51I am very happy.
27:53But blessed is the day when we decided to put the baby together with the move.
27:58Well, Antonia, let's go for a walk and see if we can make his dream come true.
28:02Bye.
28:03Bye.
28:16Well, excuse me.
28:18I've seen it, I've seen it.
28:20We will have to find a way to increase the allocation of scholarships.
28:24For the next course I would like to have more students who could benefit from the program.
28:29Yes, I think it's good.
28:31We should look for a way to increase the income to be able to grow.
28:35So, will you help me?
28:38Because I'm afraid to go around so many times.
28:40And I'm running out of ideas.
28:42Of course, mother.
28:44I already know how important it is for you to be able to help those young people with less possibilities.
28:49Thank goodness you understand me.
28:52Because your father and your brother are always too busy to take care of these matters.
28:59I see.
29:00Well, how are you doing with the store?
29:02Do you have everything ready for the inauguration?
29:05I'm fine.
29:07Working tomorrow afternoon and night.
29:09But luckily I have Rodrigo's help.
29:12Because if it were for father, I wouldn't stop him.
29:15But he has made it clear to me that he is not going to help me.
29:17Well, I will help you in everything I can.
29:21And your father...
29:23Anyway, you know how he is.
29:26It seems that the only thing that matters to him is his company.
29:30When I succeed with my idea of making fashion for all women,
29:33both rich and working women,
29:36he will have to give me the reason.
29:38I am amazed and scared by the security you have in yourself.
29:41Let's see, understand me, I think you're going to be successful.
29:45But when you open your way to something,
29:47risks are always taken.
29:49You understand, right?
29:51I'm not sure, mother.
29:53But I will try with all my strength.
29:55I'm sure you'll be fine, miss.
29:57Thank you, Pepita.
29:59You are always so affectionate.
30:01This mate is cold.
30:03Take this cup, please.
30:06Mother?
30:07What?
30:09Oh, I'm sorry, daughter.
30:11With so much change and so much novelty,
30:13I'm still nervous.
30:15I'm still adapting.
30:17Well, I'm leaving.
30:19I'll see what ideas I can come up with about the scholarships.
30:22Great, daughter.
30:23And thank you very much.
30:25You're welcome.
30:26Goodbye, Pepita.
30:27Miss.
30:31Do you want anything else, ma'am?
30:33No, go away.
30:34I don't need you anymore for now.
30:53Pietro, finally.
30:54I thought something had happened to you.
30:57Yes, something has happened to me.
30:59A wonderful thing.
31:01And to you too.
31:04You're not going to say it?
31:05You're going to make me suffer here.
31:08I come from the consulate.
31:10The papers have arrived.
31:12Look here.
31:13Marital nobility with Lucia.
31:17We can get married.
31:20That will be if I still want to, of course.
31:22Oh yeah?
31:23Yes.
31:30So, will you honor me by becoming Mrs. Paciello?
31:35Yes, of course.
31:36Yes?
31:41Finally.
31:42Finally.
31:43Finally.
31:48Yes.
31:51But do they really pay you to ask these questions?
31:57The journalists, you mean?
31:58Yes, yes.
31:59Especially that impertinent one.
32:02The whole interview telling me, you as a singer...
32:05But let's see, sir.
32:06You don't know I'm an actress.
32:08Yes.
32:09You didn't realize?
32:13No, I didn't realize, really.
32:15I'm sorry, it's just that...
32:18Today I don't have my head where it should be.
32:22What's wrong?
32:25Nothing, it's just that...
32:27I can't stop thinking about what that woman told you.
32:30The one this morning.
32:32Yes, the one who asked me if I was going to marry you.
32:36But you would have liked me to answer something else.
32:40No, it's just that...
32:43It made me think about our relationship, about what we have.
32:47I really don't know where we are.
32:51On the one hand, I think about your sister.
32:53But on the other hand, I think about the fact that she left for Berlin six months ago.
32:59Yes, six months ago.
33:01I think it's a considerable time to close a wound.
33:06If we continue like this, maybe it's time to formalize the relationship,
33:11commit ourselves.
33:14Yes, Agustín, but I can't think about that now.
33:18Between the shoot, the promotion, the journalists...
33:21I don't have my head, I'm sorry, honey.
33:36Man, what a surprise!
33:39But shouldn't you rest a little after the trip?
33:42Sara doesn't do it for me anymore, poor thing.
33:44She has arrived exhausted.
33:46Me too, don't worry.
33:48But since we have barely been able to talk in the living room,
33:52I would like to do it now, Inés.
33:56Don Fermín, how about your return to Madrid?
34:00Gratifying, gratifying.
34:02Above all, if the first thing I see when I arrive
34:05is my niece's face in the Cartel de los Cines Garrilú.
34:09Wow, wow.
34:11I'm absent for a while and you become a renowned actress.
34:16Well, The Shadow of Love is my first film.
34:18I don't want to rush so much.
34:20By the way, Don Fermín, I would like to tell you something.
34:23A few days ago I was eating with Conrado Ballesteros,
34:27who is the director of the new film that Inés will play.
34:29The intrepid spy, right?
34:31Exactly.
34:33The thing is that Mr. Ballesteros is fascinated with the gallery,
34:37and specifically with La Moderna,
34:39so much so that he would like to shoot some sequences there.
34:42Obviously, I have not responded to anything
34:44because I was waiting to be able to talk to you.
34:47No problem on my part, Esma, I appreciate it.
34:50Because participating in a film of that caliber
34:53can mean a lot of publicity,
34:55both for La Moderna and for the gallery.
34:58Yes.
34:59Shooting in the gallery will be like doing it at home and with family.
35:03Now that you mention family,
35:06we should talk about Laurita.
35:09What do you know about her?
35:23Hello, mother.
35:24Hello, son.
35:28How is the pension? Is something missing?
35:30No, mother.
35:32Tonight I'm going to help Paula with the store,
35:35and before I wanted to pick up the dinner she has prepared for us,
35:37if it's ready, so we can eat it there.
35:40It's in the kitchen, I'm going to bring it.
35:41No, but finish your homework, don't tell the gentlemen anything.
35:45If you want, I'll help you.
35:47I'd better finish, yes.
35:49But don't worry, don't bother, I'll do it.
35:51It's not a bother.
35:53Okay.
35:56You put cream on this,
35:59and you polish it with this.
36:04You know, I was just thinking about Paula.
36:07That girl is wonderful.
36:10Not only has she taken care of conditioning and reforming the store,
36:14well, with your help, of course.
36:16What I mean is that
36:19she's able to move forward even if her father doesn't help her.
36:22Of course, she's very stubborn.
36:26I think we have to help her in everything we can.
36:28Because the girl deserves it.
36:30And also for the Pedraza.
36:32They have always been good to us.
36:34I know.
36:35I'm very grateful to them, like you.
36:38Not everyone would have helped a single mother's son like I did.
36:41Much less they would have given an education like the one you have received.
36:44I have it very present.
36:48Listen.
36:51Even if Paula is wonderful to me,
36:53you are the one who fills me with pride.
36:55You are the most important thing in my life.
36:57Mother, please, you don't have to exaggerate.
36:59I'm not exaggerating.
37:01I really like to see how you work with Mr. Emiliano.
37:04And how, being so young, you have become his trusted man.
37:08But son,
37:10you shouldn't give up your dream of being a doctor.
37:13No, of course not.
37:14But at the moment I feel useful and I'm learning a lot from him.
37:17Yes, but it can happen that you fulfill your obligations so well,
37:20even that you enjoy them so much,
37:22that you forget to make your own path.
37:24That's not going to happen.
37:26Besides, I'm still acclimating to the city.
37:30I just don't want you to lose perspective.
37:32Even if it seems to you that you are in the same place as Paula and Iván,
37:35because you have grown up playing with them, it's not like that.
37:38They are gentlemen and they can afford to fail as many times as they want.
37:42You don't.
37:43I don't compare myself with them.
37:45I know we don't have the same privileges,
37:47but I plan to take advantage of Mr. Emiliano's time.
37:50Working hard, of course.
37:52It's not that I don't believe in you, son. On the contrary.
37:56I don't want you to spend the best years of your life
37:58fulfilling your dreams instead of yours.
38:00Times are changing, mother.
38:02There will be new opportunities,
38:04and if there aren't any, we'll go looking for them.
38:07I wish I could think the same as you, son. I wish.
38:15I'm scratching more than cleaning.
38:25I hope the genre arrives in time.
38:27If the inventory doesn't fail, there's still more than half left.
38:30Yes, because if our friend is still without clothes,
38:33she's going to catch a cold.
38:36You're so silly.
38:37Come on, I'm taking this out.
38:39Let's see.
38:41Seriously, I need to be able to count on everything
38:44to be able to place the mannequins in the most attractive way possible.
38:47No matter how much noise we make at the opening,
38:50the important thing is to get attention from the street.
38:53It's a lot of work.
38:54Are you sure you're going to be able to carry it all by yourself?
38:57I mean, I'll help you with whatever you need,
39:01but it's still a lot.
39:03I have everything very clear, don't worry.
39:05I bought the clothes in Portugal and the shoes in Elche.
39:09I have an agreement with a couple of companies there.
39:12When did you do all that?
39:14I don't stop. You know me.
39:26Rodrigo, you never know who might come in.
39:30You're right, you never know.
39:33Although we're experts at hiding.
39:40If you had stayed that summer in England,
39:43instead of coming to spend the summer at the hacienda,
39:46none of this would have happened.
39:48A summer at the university and always raining?
39:51That's not summer.
40:03When are we going to stop hiding?
40:05Are we doing something bad?
40:08We're just in love.
40:10Paula, no matter how much I love you,
40:12I'm still the maid's son.
40:14So what?
40:16Do you think your father would allow you to be with someone like me?
40:20My father trusts you a lot.
40:23You're his right hand.
40:25One thing is to allow me to be his right hand
40:27and another to give me his daughter's hand.
40:30When I graduate and become a doctor,
40:32I'll have the status that someone like you deserves.
40:36And only then will he see me as equal.
40:41You give a lot of importance to my father.
40:43But when he manages to open this shop,
40:46I'll make enough money to live the life I want.
40:49And that includes us.
40:51We'll finally be free.
40:54I'll have to believe you this time.
40:56Because you always end up with yours.
40:59Why do you say that?
41:01Because I couldn't believe you went to study engineering
41:06at Southampton Polytechnic Institute.
41:11And no one can stop you.
41:13I'm very stubborn, yes.
41:16Besides, I met my friend Teresa Wallach there.
41:19The pioneer of motorcycles.
41:22She taught me that the most important thing
41:24was to dare to desire things.
41:26Because if you believe in yourself, nothing is impossible.
41:31I love you.
41:39I almost forgot. Give me your wallet.
41:51You can retire it now.
42:02Is it for me?
42:05For whom else?
42:06Or do you think I'm giving out wallets all over the world?
42:11In order for me to give you a wallet,
42:13you have to give me two conditions.
42:15The first one is that the one you have is made of dust, like this one.
42:19It is.
42:21And the second one is that whoever you give it to
42:24loves me very, very much.
42:26Loves me very, very much.
42:30Well, if the one you're talking to is the one who receives it,
42:35take it with one condition as well.
42:39Which one?
42:43That I can thank you with all my heart.
42:46But now, get to work.
42:48There will be time for everything else.
42:51Get to work, yes.
42:53Take it.
43:16Rodrigo has insisted.
43:19And I trust his judgment.
43:21But I don't want to rush when it comes to buying this new machinery.
43:25We still have high-quality silk and cotton.
43:28We are working with some of the best sewing brands in the world.
43:32I tell you that Rodrigo...
43:34Excuse me.
43:35If you don't mind, I'll take the dish from Miss Paula.
43:38Yes, take it, Pepita.
43:40Do you know where it is?
43:42It's gone to the store.
43:45We could have asked for permission before leaving.
43:48And do you know something, Dimon?
43:52Fathers, excuse me.
43:54I don't have dinner with you.
43:56I have an appointment.
43:57But you're going out again. You just got here.
44:00And let me guess.
44:01That appointment is to go to Picos Pardos, right?
44:04Am I wrong?
44:05Paula has also left.
44:07Indeed.
44:09With a subtle difference.
44:11Paula has gone to the store with Rodrigo.
44:14You could be a bit more like them.
44:19Good night.
44:20Good night to you.
44:22To you.
44:23You're going to have fun.
44:42Now that we're alone,
44:44I'd also like to talk to you about something.
44:48I don't know why that sounds like you're going to ask me for money.
44:51Am I wrong?
44:53Well, yes.
44:55I'd like to increase the funding of the scholarships of the Academia Foundation.
44:59I think we could make an effort, Emiliano.
45:01We could.
45:02Yes.
45:03I'd like to increase the funding of the scholarships of the Academia Foundation.
45:07I think we could make an effort, Emiliano.
45:10Yes.
45:12Do you mean that I could make an effort?
45:15No, because this is how it works here.
45:17I work like an amulet and you do your charity work.
45:19Don't spoil yourself.
45:22We haven't talked about this yet.
45:24The scholarship thing is your thing.
45:26Yes or no?
45:27Yes.
45:28Yes.
45:29I want to help the children of the farmers who work for us.
45:33You know as well as I do how much we need them.
45:37Besides, that will make them happier.
45:40In the end, it will be good for the business.
45:43You know what? I'm going to give you something so you'll stop giving me the amulet.
45:46But it won't be everything you need or everything you ask of me.
45:49Thank you, Emiliano.
45:50You're welcome.
45:52And please, can you stop spoiling my dinner?
45:56Your son has already taken care of that.
46:06I'm sorry.
46:14So you know Madrid, right?
46:16What do you mean I know it?
46:18I'm used to it.
46:20Well, it's the first time I see you around here.
46:23I don't know if you're as nocturnal as I am.
46:26Since I got to Madrid, this place has been like my second home.
46:30What do I mean by second? The first one.
46:33And the business?
46:35Is it good?
46:38What do you mean?
46:41I have very good ideas for some businesses.
46:44I don't know if you know people who might be interested in having a partner.
46:50Well, I could get involved in several.
46:55Especially to give the best of someone I know.
46:59I know people who are willing and competent who would be great partners.
47:04A capitalist partner.
47:06I don't know if you'd be willing.
47:09Well, I wouldn't be too demanding either.
47:13I have money to spend and I admit it's a personal matter.
47:19Mercedes, would you like to have a drink with us?
47:25No.
47:27Thank you very much.
47:32What's up, Cesar? Would you like to have a drink with us?
47:34No.
47:35You're the owner and you have to check invoices instead of enjoying life.
47:42The next one is on me.
47:44The next one is on me.
47:52If it were up to my father, the workers would continue to wear uniforms of faena and harapos on holidays.
47:58So that the class would stand out at first sight.
48:01He was born in another time.
48:03Somehow, all this is the opposite of what he believes.
48:10Do you think they missed me at dinner?
48:12Of course.
48:15I don't think so.
48:17And if that's the case, I'm sure my father still complains about everything I do.
48:21You already know him.
48:23He's a scoundrel, but I love him.
48:29He's a good father and a good husband.
48:32And even if we're very different, he's a good role model.
48:37I'll be right back.
49:07Everything ok?
49:10Yes, everything is fine.
49:23Serve me this wine.
49:55Are you in a better mood?
49:59I don't know what you mean.
50:02Did you get angry during dinner?
50:04When we talked about the foundation's needs?
50:07Since you're so observant,
50:11I'm a little fed up with your children.
50:15You're exaggerating, Emiliano.
50:17Paula is a very good girl, very hard-working.
50:20But she got into a suicide business.
50:22And it's absurd.
50:24Yes, you're right.
50:26And what about Ivan?
50:29The only thing that's good for Ivan is to shine at the bars.
50:34Emiliano, don't be so hard on him.
50:36He's adapting to a new life.
50:38He's adapting to my ass.
50:40Maybe if you'd educated them better,
50:43with more hard work,
50:45they wouldn't have ended up like this.
50:47Two free verses, experts in complicating our lives.
50:51Is that what you think?
50:53After I've dedicated the last 25 years of my life to you?
50:57Is that what you think?
50:59But if I have you as my lover...
51:02As my lover?
51:04That's what you think.
51:06As my lover, with all my heart.
51:10I have you as my queen,
51:13who can be more concerned about her acts of charity
51:16than her house and her children.
51:19Acts of charity,
51:21for the benefit of what I've done to you.
51:27I love you.
51:57I love you.
52:04Sir, do you need anything?
52:06What if I need anything?
52:08Of course.
52:10The usual.
52:11But she's still awake. It's not a good idea.
52:14If she hears us, she'll be upset.
52:18That's none of your business.
52:22Come in.
52:28Come in.
52:39Sit down and have breakfast with me.
52:42How can I sit at their table?
52:44Nonsense.
52:46It's not nonsense, Paula.
52:48If your father, mother or brother see me sitting at the table,
52:52I don't want to think about what could happen.
52:54Don't be long. Your wife has just retired.
52:57But I'll have to put you to sleep.
52:59This is not right.
53:01She sleeps under the same roof.
53:03It's not good for Christians.
53:04Yes, my sister invites you to sit, that's her problem.
53:06But it's not right for the maid's son to sit at our table.
53:09Do you hear me?
53:10Nonsense.
53:12Iván, enough.
53:17I'm so happy that you're going to help me
53:20at this charity party.
53:22We'll have to make a list.
53:24Yes.
53:25Because the most select people from Madrid have to come.
53:30Pietro.
53:32Are you okay?
53:36I took a wrong step.
53:38Liar.
53:39You took a wrong step.
53:40I saw it.
53:41Don't worry.
53:43Love, time flies.
53:45And children grow up very fast too.
53:48The important thing is that you're together
53:50and healthy.
53:51Inés.
53:52What?
53:53That's her name, right?
53:55Inés.
53:56The woman who stole your heart.
53:58No matter how much affection you give her,
54:00she can't or should not forget her sister
54:03or everything that happened.
54:04It was six months ago.
54:06You don't need to remind me.
54:08It's exactly the time I've been without seeing my little niece.
54:11I've already hurt one of my nieces.
54:13Don't hurt the other.
54:21You're the first actress.
54:24If a sentence gets to you, it will change it to a woman.
54:27It's not just the shoot.
54:30It's the premiere, it's my sister.
54:33I've been without knowing her for weeks.
54:35Inés Balbuena, right?
54:37Come on.
54:38I'm thinking about talking to her representative
54:41so that she can act here again.
54:43You can't say it out there.
54:45I'm telling you because you're a friend.
54:47Damn.
54:50How intriguing.
54:52Synthetic fiber.
54:54The first to introduce this product in the market
54:57is going to be immensely rich.
55:01Deep down, I'm sorry.
55:02He's a good boy.
55:04With companies like Mellado, the good will last very little.
55:07I want to thank you for your kindness
55:09to reconsider your decision.
55:11And also thank my wife
55:13for convincing you with her proverbial gift of people.
55:17So that people can come in.
55:20Wait, I'll lock it with a key.
55:22Let's start like this.
55:24This store is going to last very little.
55:27Fermín.
55:31Yes, tell me.
55:33You left this.
55:35What is it?
55:36You only know how to eat, sleep, go to the fair and disrespect me.
55:41You're worthless.
55:43You're useless.
55:44Calm down, Dad.
55:45You're too old for this.
55:47I'll inherit it before it's too late.
55:49I'll hit you in the face.
55:50I'll hit you in the face.
55:51Let's go.