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01:30He is the man of the stage, the man of deeds, Hassan bin Hassan bin Hassan, the impossible man.
01:42Three educational certificates, elementary and middle school.
01:48Even without all these certificates, he received private lessons from the best teachers in the world.
01:56He has a plan to develop the commercial room, which is ...
02:02Over the past few years, the commercial room has not developed.
02:06But I promise you, if you nominate me, I will not leave it a single room.
02:12I will leave it two rooms and a living room.
02:14And what surprises you in it, I will make it better than the duplex villa.
02:18And more than that, I will make it a palace where horses graze.
02:24He is the man of the stage, the man of deeds, Hassan bin Hassan bin Hassan, the merchant, the son of a merchant, the son of a merchant.
02:33Big words and confidence, I hope you like it.
02:35Of course I liked it, I really liked it.
02:38And I want you to bring me this presenter.
02:41I want to thank her and reward her for the words she said about me.
02:45She knew me for a hundred years, Mashallah.
02:47Did you see the words and CV that I lived?
02:50Mashallah, Mashallah, Mashallah.
02:52The merchant, the son of a merchant, the son of a merchant.
02:55I say, I do not believe your curse, like a duck curse, like a cow curse.
02:59I ruined all the imagination I lived here.
03:03I want you to publish us.
03:0624 hours, the first piece is published, so Riyadh, turn it over.
03:10I do not want Riyadh to turn it over.
03:12The most important thing for me is Tahani.
03:15This man, the son of a merchant, knows who I am.
03:19And what kind of girl did she seduce?
03:24I want to tell you something.
03:27Don't you notice that my mind is crooked here?
03:29And I told you in the photo that you should pay attention to my mind.
03:32And I came to visit you in the church.
03:34What's wrong with you?
03:35No, no, no, no.
03:36You've been here all your life.
03:37It's not crooked.
03:38This is crooked in front of you.
03:40I mean, I told you in the photo, I told you,
03:43Now you make me nervous.
03:45Give me a chance.
03:47What chance? What are you going to do?
03:48Please, give it to me.
03:49Yes, go ahead.
03:55Is it crooked?
03:56Yes, now it's not crooked, I changed it.
03:59It's crooked.
04:01Whenever my guests come to me,
04:04you always turn up the TV and make it crooked like this,
04:07so that I can find a balance with the character.
04:10Do you understand or not?
04:12I'm just trying to help you.
04:13I know.
04:14But may God help you.
04:16Good luck.
04:17My greetings to you.
04:26My son, Sattam.
04:28Sattam the ninth among the six.
04:32Your grandfather, Sattam the first,
04:34they call him the shepherd of Madda.
04:37Because he left the Arabs,
04:39and he went to the woods to look for his flock.
04:42And you, looking for him,
04:44you went and learned,
04:46and you got stuck in the city,
04:48and you looked for your flock.
04:50And my second grandfather, my father.
04:52Your second grandfather wanted to look for your first grandfather.
04:56He left the village and went back to the woods.
04:59And my third grandfather, my father.
05:01Your third grandfather?
05:03Yes, your third grandfather.
05:05He left his flock to look for your second grandfather,
05:08and he couldn't find him.
05:10We are Persian, and your father,
05:12who left us, couldn't find him.
05:15I want to go and look for him, my father.
05:17No, no, leave it.
05:18What's stopping you?
05:19What's stopping you?
05:20Leave it.
05:21Because your fourth grandfather,
05:23he went to look for your third grandfather,
05:25and he couldn't find him.
05:27But they say that your fourth grandfather
05:29was the shepherd of the sheep.
05:31So he dreamed of the sheep.
05:35I mean, I looked for him, my father.
05:38You know the poem, my son?
05:40Yes.
05:41How lucky you are, Sheikh Zari.
05:43Your son, the shepherd of the sheep,
05:45heard me.
05:46He heard me say.
05:48I wish I had a little bit.
05:50A little bit.
05:51A little bit?
05:52After you take a horse,
05:54or a donkey.
05:55Yes.
05:56You walk and stop a little bit.
05:58A little bit.
05:59A little bit.
06:00Without walking and saying,
06:03I swear to God,
06:04the shepherd hears your poem.
06:06If I were him,
06:07I would have chopped off your head and your tongue.
06:09Keep your dignity, my son.
06:11Keep your dignity.
06:13Your grandfather and I,
06:14the shepherds of the sheep.
06:16I'm not ready for you, my father.
06:18Yes, you are.
06:19But don't tell her.
06:21I'm afraid they'll mislead you,
06:23they don't understand.
06:24Okay, my father.
06:25I want you to teach me
06:26about my grandfather, the shepherd.
06:28Yes.
06:29Your grandfather, the shepherd.
06:31He's an orphan.
06:32He has nothing.
06:33But give me your hand.
06:35Let me show you.
06:37This is your hand.
06:38Yes, father.
06:39God forbid.
06:40What are you eating, my son?
06:42You slaughtered us.
06:43You finished our halal.
06:44Lift it up a little bit.
06:46This is your first grandfather,
06:49Sattam, the shepherd of the sheep.
06:52And this is your second grandfather,
06:54who passed away and never came back.
06:56And this is your third grandfather,
06:58who passed away and never came back.
07:00And this is your fourth grandfather,
07:02who passed away and never came back.
07:05And this is your fifth grandfather,
07:07they say he was 200 years old.
07:10This is what I'm looking at, my father.
07:12You, God bless you,
07:13are taking all your grandfathers.
07:15And I'm afraid you're not taking all of them.
07:17All of them are in your belly.
07:19But I want you to hear,
07:21Hannah, your grandfathers, and your father
07:25are great in the Arab of Sheikh Diban.
07:28Every day we slaughter 5, 6, 7 of them.
07:31And I want you to see your father,
07:33a knight,
07:34under his throne.
07:36I'm serious, Sheikh.
07:38I'm serious.
07:39What's with this embroidery?
07:40What's with this embroidery with a red card?
07:42What's with the way you walk?
07:43The Arab of Sheikh Diban.
07:45What's with your heart?
07:46Listen, your father, Sattam,
07:48they want to kill us
07:49so they can cut off the Sheikh's chain.
07:51What's with your heart?
07:52They want to cut off the Sheikh's chain.
07:55You're crazy.
07:56Where's your heart?
07:57Next to the exit number 5.
07:59The exit number 5?
08:00Yes.
08:01I think they're close, son.
08:03Let's go.
08:04Let's go.
08:05How can we bring them like you?
08:06God bless you.
08:07Let's go.
08:18Continue.
08:20Since ancient times, Doctor,
08:21they've been attached to a rope.
08:22And they've been throwing it around.
08:24What are they throwing?
08:25What are they throwing?
08:26A hammer, Doctor.
08:27Now you understand what I'm saying
08:28so I can understand what you're saying?
08:29Yes.
08:30It's spinning, Doctor.
08:31I can see it spinning, brother.
08:33But I want you to stop
08:34so I can see it.
08:35Why would I bring it, Doctor?
08:36So you can stop it, Doctor.
08:38Can I stop it or stop myself?
08:40Are you a brother or a father?
08:42I'm not a brother or a father.
08:44I'm an uncle, Doctor.
08:45I'm an uncle and a weak mother
08:46if you see me crying, Doctor.
08:48I'm just crying, crying.
08:50Look,
08:51what I'm telling you
08:53isn't scientific.
08:54Not scientific.
08:55Out of record, okay?
08:57This brother of yours
08:58has spent his whole life
08:59reading about a Sheikh.
09:00He looks like he's bewitched
09:01and he's a magician
09:02in a clothing store.
09:03Bewitched?
09:04Bewitched?
09:05What's wrong with you?
09:06Why do you look like this?
09:07Doctor.
09:08Doctor, please.
09:09Find a solution
09:10or find a solution.
09:11I'm an uncle, Doctor.
09:12I'm an uncle and a weak mother
09:13if you see me crying, Doctor.
09:14I'm just crying, crying, crying.
09:16You mean
09:17I have to find a solution
09:18to this disease
09:19and to find a solution
09:20I have to stop this?
09:21No, Doctor.
09:22What can you find
09:23to stop this disease?
09:24I don't want to find a solution, Doctor.
09:25Just give me a solution, Doctor.
09:26Stop this disease.
09:27And then, Doctor,
09:28I'm an uncle.
09:29You're crying, crying.
09:30I know, brother.
09:31The problem now
09:32is how do I find a solution?
09:33What do I find a solution for?
09:34I don't know what's wrong
09:35with any organ.
09:36What are you writing?
09:37I'm trying to solve
09:38the disease
09:39by walking
09:40in the opposite direction
09:41of the clock.
09:42Do you think
09:43drinking coffee
09:44makes a difference?
09:45In the opposite direction
09:46of the clock
09:47or with the clock?
09:48Doctor,
09:49could it be
09:50important information
09:51for the treatment?
09:53Oh!
09:56It looks like electricity.
09:57It looks like there's electricity.
09:58Electricity!
09:59What electricity, Doctor?
10:00You reminded me.
10:01He used to work
10:02at the fan.
10:03And it looks like
10:04he's out of electricity.
10:05Out of electricity.
10:07Call home now.
10:08Why, Doctor?
10:09Call as I tell you
10:10to call home
10:11and I'll tell you
10:12what to tell them.
10:17Hello, my daughter, Nora.
10:18What do I tell her, Doctor?
10:19Tell her to turn off the fan.
10:21Turn off the fan?
10:22Tell her to turn off
10:23the fan right now.
10:24Okay.
10:25Nora, I want to go.
10:26The doctor says
10:27to turn off the fan now.
10:28Go, go, I want to go
10:29to the living room
10:30and turn off the fan
10:31in the living room.
10:32Yes, yes, I want to go.
10:33I'll tell you
10:34to turn it off, Doctor.
10:39Now take your brother
10:40and go home
10:41and cry, cry, cry
10:42until you tell him.
10:43That's it.
10:44Come on.
10:51My love,
10:53my love,
10:55are you
10:56or are you not
10:58my love?
11:00I have seen you
11:02in the darkness of the world
11:04and I have felt you
11:05in the darkness of the world.
11:07I have seen you
11:08in the darkness of the world.
11:11Wow.
11:12Wow, Benizar.
11:14I loved that poem.
11:16What else?
11:18Actually,
11:21I can't tell you
11:23but I'll finish it
11:25because of your love
11:26for that poem.
11:28My love,
11:30my love,
11:32are you
11:34or are you not
11:35the light of the moon
11:37in the middle of the night
11:39floating in your hair?
11:42Your scent,
11:44my love,
11:46is like the trees of paradise
11:48in the scent of your words.
11:50That's it.
11:51I love you, Benizar.
11:53I love you.
11:54Sir,
11:57I read in your book,
11:58Mr. Boutihal,
12:00that the scent of the trees of paradise
12:02is cheap.
12:03Leave me alone.
12:04Leave you alone
12:06and be patient
12:07with the depth of the poem
12:09and break down
12:10its structural symbolism
12:12in the writing of the poem.
12:14Do you understand?
12:16Do you agree with me
12:17to break down your poem
12:18and break down our session?
12:20I don't read after I'm married.
12:22Don't say that,
12:24you're the good
12:26and the blessed.
12:27What can I add to that,
12:29what can I add to that,
12:31Benizar?
12:33But I didn't write a poem
12:35these days.
12:37I was busy
12:38writing a paper
12:40about the transformation
12:41of literature
12:42into poetry.
12:43Yes.
12:44I'm a man
12:45who doesn't
12:46write on bases.
12:48Yes.
12:49That's why I came
12:51and sat with you,
12:52my teachers.
12:53I learned from your knowledge
12:54and I benefit
12:55from the bases.
12:56Do you understand?
12:58So, expand your boy's circle
13:00and tell him
13:01about the story
13:02of the poet
13:03who visited Dakar.
13:05There was,
13:06my sons,
13:07an African poet
13:09from Belgium.
13:11Sir,
13:12Belgium is not in Africa.
13:14But, my sons,
13:16its origins are African.
13:19He lived in Belgium
13:21and became a Belgian.
13:23Oh, my sons,
13:24why did we leave
13:25our beautiful songs?
13:27May God bless you,
13:28Benizar.
13:29Yes,
13:30a Belgian
13:32of African origins
13:34went to his head
13:36in Niger,
13:38specifically,
13:40my sons,
13:41in Dakar,
13:42his capital.
13:43Sir,
13:44Dakar is the capital
13:45of Senegal,
13:46not of Niger.
13:47Oh, my sons,
13:48a man should not
13:50swear
13:51before the days
13:52of the Hormuz
13:53and the days
13:54when the rope
13:55got tangled
13:56with the rope.
13:57There should not
13:58be any sin.
14:00This is a sin.
14:01Do not commit it.
14:02May God bless you,
14:03Benizar.
14:05When he visited the country,
14:07he found that
14:08there was a culture
14:10that was lost.
14:11Sir?
14:12He found that
14:13there was a culture
14:14that was lost.
14:16He had to teach them
14:18the construction
14:20in the Sunday class.
14:23No,
14:24no, no.
14:25Sir,
14:26do you want me to teach
14:27the construction
14:28in the Sunday class?
14:29Of course.
14:30This is one of the
14:31pillars
14:32that we sit with.
14:34These are all pillars.
14:36Learn.
14:37Sir,
14:38what is the construction
14:39in the Sunday class?
14:40The construction
14:41in the Sunday class?
14:42Yes.
14:43Tell him,
14:44Benizar.
14:45No,
14:46please.
14:47Is your property
14:48in the city?
14:49Sir,
14:50I do not understand
14:51anything.
14:52Please.
14:53In order to understand
14:54the construction
14:55in the Sunday class,
14:56you have to
14:57memorize
14:58the verse
14:59that says,
15:00And a group
15:01of two
15:02men
15:03gathered
15:04together
15:05and the
15:06two men
15:07launched
15:08the
15:09machine
15:10.
15:11What is the
15:12construction
15:13in the Sunday class?
15:14The machine
15:15is easier
15:16to work with
15:17than the
15:18construction
15:19in the Sunday
15:20class.
15:21I am in
15:22a state
15:23of unconsciousness.
15:24Do I
15:25have a network
15:26to search
15:27google
15:28and tell you?
15:31Something
15:32that is
15:33a lie
15:34and is not
15:35A poet and a writer like you is not honoured and his poems are not taught in schools.
15:43This is our destiny. This is our destiny, all of us.
15:48I will tell you a story about destiny, Aba Kazom. Tell me about it.
15:54I have many stories about destiny.
15:58But I think you mean the story I told you about
16:04If a man wants to live his life, he must be given destiny.
16:11Allah, Allah, Allah be upon you, Aba Kazom.
16:16Sir, these poems are not the same as the poems of the poet Abul Qasim Al-Shaabi.
16:21If a man wants to live his life, he must be given destiny.
16:25Have you heard me say, he must be given destiny or be given destiny?
16:31O boy, you must differentiate between the poems of Abul Kazom and the poems of Abul Qasim.
16:40Of course, there is no similarity between them.
16:44The poem of Abul Qasim, if you remove its symbol, you will notice that he said Al-Shaabi.
16:51And that is superior.
16:53While Abul Kazim called each one on his own.
17:00Don't be fooled, don't be fooled, O Aba Ibtihal.
17:05Sir, there is something I wrote and I would like to hear your opinion on it.
17:09Tell us.
17:10Tell us, O foolish boy.
17:13One day I went to the garden.
17:16There is a break in the poem.
17:19Excellent.
17:20Sir?
17:21Excellent, excellent.
17:23Don't be fooled, O Aba Nizar.
17:26How did you notice that break?
17:29It is due to experience.
17:31Sir, but this is not a poem, this is a short story.
17:35It is a story, O Aba Nizar.
17:37Continue, continue, O foolish boy.
17:40One day.
17:41Determine which day, O boy.
17:43There is no difference, sir.
17:45You are right.
17:47How is there no difference?
17:49If you went to the garden at the beginning of the week,
17:52you would find the garden not crowded and empty.
17:56Yes.
17:57In fact, it could be closed.
17:59On the contrary, if you went to the garden at the end of the week,
18:03the garden could be crowded.
18:05And that affects the reader.
18:08Okay, sir.
18:09What is your advice?
18:11Since I love silence,
18:14leave it for one day.
18:16Excuse me, sir.
18:18I disagree with you.
18:20One day comes after the holiday,
18:23and it is heavy on people,
18:25and it affects the reader and the recipient.
18:28Don't be fooled, O Aba Nizar.
18:31It is Friday.
18:32Friday is not appropriate.
18:35It is at the end of the week,
18:37and the garden is crowded,
18:39and so the characters of the poem or story
18:44affect the reader.
18:46You are right.
18:47You are right.
18:48Okay, sir.
18:49What do you think I should do?
18:51I say,
18:52and I do not advise those who are stubborn,
18:56that you stay at home.
18:58And do not go to the garden.
19:00You are right.
19:01Do you want to eat garlic?
19:03Yes.
19:04I want to hear a poem from your poems.
19:06I wrote a poem last night.
19:10I say,
19:12my love.
19:14Allah.
19:15My love.
19:16Allah.
19:17Are you not my love?
19:21Sir, this is the poem of Aba Nizar.
19:25Did you hear me say,
19:27my love,
19:28or did I say my love?
19:31Let me tell you, guys,
19:33between the tree of Abu Kalthun
19:35and the tree of Yana.
19:37Yana is a lemon tree.
19:41Black comedy.
19:53I am very happy, Mr. Saadoun,
19:55that you are with me in this interview.
19:57And I also understand your happiness.
19:59And I am also happy.
20:00Happy to meet my audience, readers and followers.
20:03Although I did not want to tire you.
20:05I mean, if we had done the interview online,
20:07it would have been better.
20:08No, no, no, my lady.
20:09I hate e-interviews.
20:10E-interviews are close to the soul.
20:12They have a soul.
20:13I love the naturalness.
20:15I love to be equal to the simple Ahmadis.
20:17True.
20:18Yes.
20:19Okay, are you ready, Mr. Beginner?
20:20Well, yes.
20:21But don't you want to take a picture
20:23to display in your magazine?
20:25I mean, the angle of the conversation is a little tight, unfortunately.
20:27But I promise you,
20:28as soon as there is a space,
20:30I will take the best picture for you from the internet.
20:32I really understand.
20:33You want the readers to see you and get to know you.
20:35No, no.
20:36I mean,
20:37I don't care if people get to know me.
20:39I hate fame.
20:40I sometimes disgrace myself so that people don't get to know me.
20:42Oh, my God.
20:43What a beautiful coincidence.
20:45Finally, I saw you in real life.
20:47This is one of my fans.
20:49Look how much he likes me.
20:51He gave me the same hair and the same mustache.
20:53Finally, I saw you, Ms. Nadia.
20:54If you don't mind,
20:56can I take a picture with you?
20:58Yes, of course.
20:59Go ahead.
21:00Come on, guys.
21:01Take a picture with me, okay?
21:02Yes.
21:03In a good picture.
21:04Okay.
21:05Okay.
21:07Here.
21:09This is the picture.
21:11Can I take a picture with you?
21:13Me?
21:14Yes, of course.
21:15A quick picture.
21:16Yes.
21:18Is this a picture or a video?
21:20I am now with one of my fans
21:22who insisted on taking a picture with me
21:24in a discussion about literature and artists.
21:28Peace be upon you.
21:31Go ahead.
21:32Yes.
21:33Do you know, ma'am,
21:34that I can say the word I love you
21:36in 10 languages,
21:37but I forgot all of them
21:38and remembered only one.
21:39Yes.
21:40I will start asking now.
21:42Go ahead.
21:43Yes.