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00:00How's it going?
00:10You've already restored the painting?
00:13That's right.
00:14As soon as the last varnishes I've put on it dry, it'll be back to its place.
00:22You know I don't understand much about this, but ...
00:25it's not that much changed, is it?
00:27Of course he is. Look at the vividness of the colors.
00:33Now it looks like it was painted yesterday.
00:39Yes. Yes, he is more alive now, yes.
00:44I wanted to thank you from the bottom of my heart.
00:48It has been a huge detail for my uncle Alonso.
00:53Is something wrong?
00:56No, it's not that.
00:59And why does it seem so opposed then?
01:05My parents must be returning from San Sebastián,
01:09which means that I will also have to return home soon.
01:15And you don't feel like it?
01:17Absolutely nothing.
01:20But why? I had understood that with whom he did not get along was with his brother-in-law, right?
01:26No.
01:28If I am honest with you, my relationship with my parents is not much better.
01:33And for what reason?
01:37Julia, you know you can tell me whatever you want and that I know how to keep secrets.
01:43I know.
01:45Well, come on. Sit down and tell me.
01:52And besides, the reasons to be angry with your parents are surely not very different
01:57from those of any girl your age.
02:00Like me, for example.
02:02What do you mean?
02:04You are also being forced to find a husband.
02:12That's right, but ... I ...
02:16What?
02:19That I didn't want to marry an idiot like my brother-in-law.
02:24My parents didn't stop until ... until my sister married him.
02:28In the end, everything ends with your brother-in-law, huh?
02:31He must be an insufferable man for you to have so much affection for him.
02:39It's just ... Why do they force us to find a man?
02:43What happens? Can't we be happy alone?
02:47Better alone than badly accompanied.
02:49Exactly. And besides, looking for the perfect husband is not an easy task.
02:55He has to be a good person.
02:59He has to be nice.
03:02As handsome as possible.
03:04You have to endure it all your life, as the priest says, until death separates us.
03:11Did I say something wrong?
03:13No, no.
03:15It's just that the varnishes I used to clean the painting with ...
03:18They irritate my eyes.
03:20Worse than cutting onions.
03:27It smells like the orange my grandmother had in the courtyard.
03:30It's a random flower.
03:32Do you remember when I was a little girl?
03:34The truth is that it is a very beautiful detail that the Duchess of Carril
03:37has given us these bottles of ... of Cologne.
03:40It brings a lady from the head to the feet.
03:44Look where you're taking me now.
03:46It's a shame you haven't come to the kitchens for a few days.
03:48Oh yes, because of the trip I know you have, yes.
03:50You have taken good care of her.
03:52The least I could do was give her a gift.
03:55She didn't have to do it, huh?
03:57That shows that she is a very close woman.
03:59At the same time, elegant and distinguished.
04:01I could learn from her, Mrs. Marquesa.
04:03I always look over your shoulder.
04:09Could you make me an apple for Mrs. Margarita?
04:13Of the red ones, the yellow ones or the green ones?
04:15Well ...
04:16Sour or sweet?
04:18I don't think she knows it herself.
04:20Apparently, a friend has told her an English saying that says
04:22that an apple a day keeps the doctor far away.
04:24Agavaramo.
04:26Well, I think it's a good advice, really.
04:28In my town there is another saying, but a little more ...
04:30stupid.
04:32And you're not going to tell us?
04:34No, no, no.
04:35Candela, don't leave us in the middle.
04:37Well, there you go.
04:39Eat healthy and poop hard
04:42and tell the doctor to ...
04:43For God's sake, Mrs. Candela, we are in the kitchens.
04:47You are more stupid than a pirulí of candela cement.
04:49I have already warned you, huh?
04:51That's true.
04:53The one who warns is a traitor.
04:54I have warned.
04:57And what are those flasks?
04:59A gift from our friend, the Duchess of Carril.
05:02To help her with the recipes for her book.
05:04Well, it's a gesture on her part.
05:06A very fishy gesture.
05:08Can I read them?
05:11Take mine.
05:15It smells like the orange I had next to my house.
05:17Really?
05:19My grandmother also had an orange in her yard.
05:21Flower of chance.
05:23I love it.
05:25The truth is that I find it curious that a lady is interested in this of the kitchens.
05:29Yes.
05:31As they say now, she is naked.
05:33Yes, but let her come personally.
05:35I don't know, the logical thing would be for her to send one of her cooks.
05:37Yeah.
05:39If it's the Duchess of Carril, she has to move around the house.
05:41It's a lady.
05:43But she doesn't look like a lady.
05:45And that's the most difficult thing of all.
05:47Yes, the truth is that it is complex for me to be one thing and at the same time not to be it.
05:51If I knew her, I would understand.
05:55Pass me one of the yellow ones.
05:59And a red one.
06:09I'm sorry.
06:31I'm glad you're looking.
06:33But if the night is closed ...
06:39I'm sorry.
06:47I know.
06:51But I wasn't looking outside.
06:53I was ...
06:55I had been thoughtful.
06:59Have you managed to solve the problems of the world?
07:03I was hoping you would finish my shift to see you.
07:06Well, here I am.
07:08Enjoy my presence.
07:10Or you enjoy mine.
07:14What had you so excited about?
07:16The mermaids.
07:20Come on, Manuel, we said there would be no secrets between us.
07:28I was thinking about the difficulties
07:30that it must entail
07:32to have children.
07:35Were you thinking about paternity?
07:37In reference to your parents,
07:39the Marquises?
07:41Yes.
07:43But you know, I was also thinking about Doña Pia.
07:47That woman has been buried alive
07:49in order to protect her son.
07:51For a son, you do anything.
07:53Yes.
07:57I was also thinking about Mr. Baeza.
07:59But that Mr. Baeza has no children.
08:01I know.
08:04But do you know what a good father he would have been?
08:06I don't know.
08:08I think he would have been straight,
08:10but affectionate.
08:14I think both Mr. Baeza and Doña Pia
08:16are an example of generosity and dedication.
08:20You know, parents bring us into the world.
08:24They raise us, feed us, educate us.
08:28They give everything for us, their children.
08:30That's right.
08:34But do we really know them?
08:38Do we know who they are?
08:40Because not long ago
08:42I would not have imagined that my father
08:44could have had a child out of wedlock.
08:48I also think about my mother.
08:50If the image I have of her
08:52is correct or not.
08:54I mean,
08:56is it as I draw it in my head?
08:58A straight woman,
09:00perfectionist, inflexible,
09:03who has never made a mistake?
09:11I guess everyone will have their lights and their shadows
09:13and that they will not be proud
09:15of everything they have done in their life.
09:25And us?
09:27Will we be good parents?
09:29Well,
09:31it's a bit early to think about that, isn't it?
09:33I hope not.
09:37I assure you that being a father
09:39is what I treasure the most in this world.
09:43But I can't look forward to anything with so much strength.
09:47And less now that I have found
09:49the perfect mother for my children.
09:59I swear to you,
10:01I'm looking forward to ending all this with Gregorio.
10:05To meet him, give him the money and never see him again.
10:09And thus be able to focus once and for all on our wedding.
10:13And I'm looking forward to our new life
10:15starting as soon as possible.
10:29Can you tell what it is, yes or no?
10:33It's sweet,
10:35it's refreshing
10:37and there is a mixture
10:39of floral and citrus notes.
10:41But do you know what it is or not?
10:47Lemonade.
10:49Almost.
10:51Orange.
10:53But you have it.
10:55Azar flower.
10:58The truth is that your mother
11:00has very good taste.
11:02Yes, I'm not going to deny that.
11:04The cooks are delighted with her gift.
11:06Yes, she has known how to earn them.
11:10If they really knew her.
11:12The play is coming out round.
11:14Well, since she has been so generous,
11:16she could have brought you a bottle, right?
11:18It's just that you have no right
11:20because you are a man.
11:22My favorite smell is your skin.
11:24I don't want any fragrance,
11:27No, even my mother would have guessed
11:29ignoring you.
11:31Well, yes, I prefer that
11:33to what she has against me.
11:35It bothers me that everyone
11:37is so understanding with her.
11:39And above all, it bothers me that you are.
11:41Vera, I'm just looking forward to it,
11:43you know that.
11:45Yes, but if everyone were aware
11:47that my mother is not interested in cooking
11:49at all, much less being a friend of the service
11:51and that she is here simply to get me out of here
11:53and take me back to the palace.
11:56López is winning the cooks
11:58out of interest.
12:00Yes, but that only proves
12:02that she is a strategist.
12:04No, don't believe it.
12:06Because the attitude she is having
12:08is a bit suspicious for a lady of her class
12:10and that can arouse jealousy.
12:12Your mother is not neglecting any detail.
12:14None.
12:16The passes she is giving are small and very firm.
12:18Look, Teresa has just commented today
12:20that it is a bit strange that a duchess is so interested
12:22in the kitchen.
12:24This is a well-founded suspicion and a very long stretch.
12:28And I'm sorry I'm not more encouraging,
12:30but we have to be patient.
12:32We have to wait and see what moves your mother makes.
12:34I hate everyone dancing to her.
12:36That's exactly what we have to do.
12:38Or at least pretend.
12:40Yeah.
12:44But I admit that I am very curious
12:46to know what your mother is like.
12:48Because so far she has only shown her kinder face.
12:50I want to know what she is like in reality.
12:52Well, you don't want to know her.
12:54Why?
12:56You only point out her flaws,
12:58but in the end your mother is doing what any mother would do,
13:00which is trying to get her daughter back.
13:02What is so bad that woman has done
13:04to make you have her so angry?
13:06Look the other way?
13:08You think it's not enough?
13:16Forgive me.
13:18No.
13:20This ...
13:22This matter annoys me.
13:24Look, López,
13:26we enjoyed a very low standard of living.
13:28And no one wondered
13:30where the money came from.
13:32Or is it that you don't see the heart that feels us?
13:34Yes.
13:36My father had some businesses,
13:38but we didn't wonder what they were.
13:40When you have a very comfortable standard of living,
13:42what do you care about the rest, right?
13:44The thing is that I started to feel curious
13:46and I started to ask around here and there.
13:48And you found answers
13:50you didn't want to find.
13:52I discovered that behind our comfortable life
13:54there would be a lot of ruined lives
13:56and a lot of pain.
14:04It had to be very hard
14:06to discover all that, right?
14:10But it was much harder
14:12to discover what I discovered later.
14:14What?
14:18That my mother was aware of all this
14:20and that she continued with her life
14:22as if none of this were happening.
14:26And that Mrs. Amalia de la Vera,
14:28the wonderful and charming
14:30Duchess of Carril, who has bewitched
14:32the whole service,
14:34was really selfish
14:36and a person who simply cares
14:38about her own well-being.
14:40No.
14:44To think that the cooks
14:46think it's the mirror
14:48where Mrs. Marquesa has to look at herself.
14:50Lope, my mother is not an example to follow
14:52and much less for me.
14:54Everything I want to do
14:56is exactly the opposite of what she is.
15:16Really, Maria, you don't know
15:18how strange that conversation was.
15:20Why?
15:22Because Manuel told me
15:24how much he wanted to have children
15:26and I think that's why he wants
15:28to spend time with me.
15:30Well, that's weird, woman.
15:32Manuel is in a hurry, but it's normal
15:34after what happened with Mrs. Ximena.
15:36That was a low emotional rise.
15:38That if they were in a relationship first,
15:40that if later he had a bad achievement,
15:42that if later everything was a bad joke,
15:44that he should rest in peace.
15:46But we have not been more at peace without her.
15:48Maria, what are you saying?
15:50You wouldn't like it if they said it out loud,
15:52but I have more reason than a saint.
15:56Anyway,
15:58what surprised me the most about this conversation
16:00is the concept that Manuel has of his mother.
16:02Who is worse than a scoundrel,
16:04as we all have?
16:06Well, no. He really thinks she's an example of righteousness.
16:08Come on, she's bad because she's too rigid.
16:10More or less.
16:12I don't know, I understand Mr. Manuel.
16:14Somehow he will have to justify his mother.
16:16And it's nice that he loves her
16:18with all her defects.
16:20Defects and virtues.
16:22But what virtues does that woman have?
16:24Who is worse than a scoundrel, right?
16:26Look at Mr. Manuel, his love of his son
16:28makes him see it in black and white,
16:30but you know perfectly well what there is.
16:32What if it's me who's wrong?
16:34Do you need me to remind you
16:36all the bullshit that woman has done to you?
16:38That they have not been few,
16:40I can assure you that they will not be few either.
16:42Look, Hanna, mothers-in-law are like melons.
16:44They can touch you good
16:46or they can touch you bitter.
16:48And you have touched the cucumber that has nothing sweet.
16:50If I thought that woman
16:52was going to be your mother-in-law,
16:54I would have a heart attack.
16:56Well, what do you want? To suspend the wedding?
16:58That you run away?
17:00No, that's not it.
17:02But you don't lack reasons.
17:04Well, I'm going to have to learn to deal with her.
17:06Well, the good thing is that you have experience
17:08and that you are unbearable with María Mandrago.
17:10Although I think about it and say,
17:12who of the two is more unbearable?
17:14María Mandrago or the Marquise?
17:16Difficult decision.
17:18Well, that's it, that's it. Let's get to work.
17:20And stop warming my head.
17:34I'll be back at lunchtime.
17:38Are you leaving?
17:42I think it's more than obvious that yes.
17:46And can I know where?
17:48To visit a friend.
17:52It seems that you are not very talkative.
17:54It also seems more than obvious.
17:56Today you are very observant, Alonso.
18:00If you want, I can bring you closer by car.
18:02I don't need it, thank you.
18:04I have a driver waiting for me at the door.
18:06Don't put the word in your mouth.
18:08What do you want?
18:12I had thought of something and I wanted to tell you.
18:16The postcard we received yesterday from María Antonia,
18:18from Mallorca, reminded me of a trip
18:20that we have pending.
18:22You and me?
18:24Yes, we left it pending when you stayed
18:26in Cinta de Leonor.
18:28The Marquises de Grau invited us to visit
18:30their palace in the city of Palma, remember?
18:32And what's coming now?
18:34Well, we could take the opportunity
18:36to travel to the island.
18:38I will write to the Marquis to see if he welcomes us
18:40and we could set sail in a few days.
18:42Are you seriously proposing that we go on a trip
18:44to a place where I know
18:46that your lover is?
18:48María Antonia is not my lover.
18:50Look, Alonso, I'd better go.
18:52They are waiting for me and you are going to make me arrive late.
19:04I'm going to book my perfume
19:06for when I meet my lover.
19:08I'm sure that with how smart he is,
19:10the teacher will find out first
19:12that he is a flower of chance.
19:14I don't know if he's so fine-nosed,
19:16but the story of the snake
19:18has to be told by a saint.
19:20Well, if you liked the gift from the Duchess.
19:22The truth is that the lady gives the nail.
19:24Although there she gives it for sure,
19:26because who doesn't like a scent so fresh
19:28and so elegant?
19:30That too.
19:32That too.
19:34And when are you going to see your Don Carlos?
19:36At the moment there is none.
19:38I would like it.
19:40Well, then close the bottle and stop smelling
19:42that you are going to lose the scent
19:44and then you will not smell anything.
19:46It is true that later it remains like water,
19:48without color, without smell and without flavor.
19:50Yes, I would not risk it and I would start using it now.
19:52I'm sure that man is charming,
19:54but enjoy it yourself, Mrs. Candela.
19:56You are right.
19:58It is fine to think so much about others
20:00and I'm not going to smell orange because I'm worth it.
20:02I'm going to send it to my daughter Virtudes
20:04so that she uses it.
20:06You are also worth it, Mrs. Simona.
20:08Be selfish and enjoy it.
20:10Yes, but I enjoy it more
20:12if my daughter uses it.
20:14What makes me happier
20:16is having her happy
20:18and also my grandson Adolfito.
20:20Also, so when
20:22my daughter puts it on,
20:24she will remember me.
20:26Oh, the mothers.
20:28A bite from the mouth
20:30will give birth to their child.
20:32And what am I going to do, Candelilla?
20:34I have no instinct.
20:36There is no mother who does not do it for her children.
20:38Well, I don't think so.
20:40The love of a mother for a child
20:42is the greatest love.
20:44That's why
20:46there are times when Mrs. Petra makes me very sad
20:48because she had to go through a tremendous pain
20:50when she lost her Feliciana.
20:52And I understand that now
20:54she tries to fill that void
20:56taking care of Santos.
20:58Come on, Simona.
21:00Petra is a burden, a viper.
21:02A viper who lost a son.
21:04And that void is
21:06impossible to fill with anything or anyone.
21:08A son is
21:10unique
21:12and irreplaceable.
21:14...
21:24It seems that the stain from breakfast has disappeared by magic.
21:26It has been essential to clean it without delay
21:28because as time goes by,
21:30the stain clings more to the fabric
21:32and then it is more difficult to remove.
21:36Please, Mr. Baeza,
21:38transfer my thanks to the maid in charge of cleaning.
21:40As you wish, sir.
21:42Not only because of your skill but also because of the speed
21:44when it comes to solving the unsolved case.
21:48Romulo, are you okay?
21:50You don't look well.
21:52Have you rested?
21:54If I'm honest,
21:56I haven't slept all night.
21:58And why is that?
22:00There's something I can't get out of my head.
22:02I see.
22:04It's about Gregorio, right?
22:12I don't know if it will comfort you,
22:14but I'm just like you.
22:16Although I will also tell you that ...
22:18Wait, I'm convinced that he will accept the deal.
22:20But he has doubts.
22:22What if everything goes wrong?
22:24What if that bastard
22:26hits him again? Or something worse.
22:28Do we have connected thoughts?
22:30Yes, but that is not a relief, sir.
22:34As the saying goes,
22:36the evil of many is the comfort of fools.
22:38But in this matter,
22:40that only worries me, it does not comfort me.
22:42I see.
22:44But neither you nor I are fools, Mr. Baeza.
22:46And we know perfectly well
22:48what can happen.
22:50Yes, yes.
22:52I'm looking forward to putting an end
22:54to this matter.
22:56And me.
22:58I hope we finish all this as soon as possible.
23:00But anyway,
23:02if Gregorio has some common sense left,
23:04he has no choice but to accept the deal.
23:06Because otherwise it would be going straight to jail,
23:08or running away indefinitely.
23:10Indeed.
23:12And none of those alternatives seems too desirable,
23:14don't you think?
23:16But still, it does not end up reassuring me.
23:18And me.
23:20Until I meet that man,
23:22I see that he takes the money and leaves
23:24so as not to breathe in peace again.
23:26I'm afraid the only thing we can do
23:28is to be patient and wait.
23:30Don't you remember what I told you a long time ago?
23:32There is nothing that worries me more than waiting.
23:34Excuse me.
23:52I thought Mrs. Marquesa
23:54was going to eat out.
23:56It was normal.
23:58She was meeting a friend.
24:00Why would she eat with a friend?
24:02I never said that.
24:08What makes me sad is that the rest of the family
24:10is not going to eat Brussels sprouts.
24:12But since the lady came in,
24:14the house of rest has been full.
24:16And you know what's going on here.
24:18As Mrs. Marquesa does not eat Brussels sprouts,
24:20no one eats Brussels sprouts.
24:22You have to be careful with the stove, Candela.
24:24I've already told Lope to put more
24:26firewood in the oven
24:28so that the vegetables are done as soon as possible.
24:32Look.
24:34Have the gentlemen said anything?
24:36Do we have to prepare anything else?
24:38No.
24:40Be careful, girl.
24:42The perfume is going to break your boat.
24:44Is it a gift?
24:46Of course, the gift of the Duchess of Carril.
24:48No, I don't mean that.
24:50I mean it's a gift I'm giving you,
24:52Mrs. Simona.
24:54To me? And for what?
24:56Well, because I've been thinking about it
24:58and I thought it wasn't fair
25:00for you to run out of your perfume
25:02to give it to your daughter Virtudes.
25:04But I do that because I love her, girl.
25:06But you don't need so much sacrifice.
25:08Come on, take my bottle.
25:10No, no, no, no way.
25:12You've earned that bottle
25:14for taking those notes so well,
25:16and with that beautiful letter.
25:18I insist, take it, Mrs. Simona,
25:20I'm looking forward to it.
25:22Besides, the water of chance is not my favorite fragrance either.
25:24In fact, I hate it a lot.
25:26Really? You're not lying to me?
25:28You know, to thank her.
25:30To make the girl look bad.
25:34Thank you very much from the bottom of my heart, Vera.
25:36You're welcome.
25:40Let's continue with the pistol.
25:50The smallest cinnamon in the pieces.
25:58Santos!
26:00How are you?
26:02I'm already recovered.
26:04And the fever?
26:06Not a trace.
26:08Doesn't your throat hurt?
26:10Do you have trouble breathing?
26:12I already told you I'm fine.
26:16And that smile?
26:18What is it for?
26:20Nothing.
26:22Santos, I'm getting to know you.
26:24What are you up to?
26:26What are you up to?
26:30So I'm right.
26:32Tell me what it is.
26:34As you say,
26:36you already know me.
26:38So you already know how much I like
26:40mystery and intrigue.
26:44I'm leaving, Mrs. Argos.
26:46I have to attend to Mr. Itocurro.
26:48Give it to me.
26:56Mr. Itocurro.
26:58Santos.
27:00What can I do for you?
27:02I just came to report.
27:04Yesterday I joined the job again
27:06and I'm ready for anything you need.
27:10And how are you?
27:12Restored, thank you.
27:14As I said,
27:16I'm at your disposal for whatever you need.
27:18Thank you very much.
27:20But right now I don't require your services.
27:22I'll detail.
27:24Are you looking for a book in particular?
27:26Do you want me to help you?
27:28No, no.
27:30I'm not in a good mood, Santos.
27:32Is there anything I can do
27:34to cheer you up?
27:36No, I'm afraid not.
27:38Unfortunately,
27:40no one can help me.
27:42Maybe if you share
27:44your concerns with me.
27:46Really, Santos, don't insist.
27:48It's very considerate of you.
27:50But I don't know
27:52how to pay for my bad mood with you.
27:54As it happened to me
27:56with your partner, Marcelo.
27:58I'm aware.
28:00I know he made some mistakes.
28:02He has just arrived and is not familiar
28:04with some house chores,
28:06especially those that have to do
28:08with the treatment of gentlemen.
28:10I noticed.
28:12It was a terrible mistake
28:14to give him the responsibility
28:16to attend to him.
28:18Even so,
28:20I think I overestimated myself with him.
28:22Especially reporting the matter.
28:24So if you see it,
28:26apologize on my behalf.
28:28Will you do that, sir?
28:32Even if I was right,
28:34anyone can make a mistake.
28:36And I admit that my ways
28:38were not the best.
28:40So I insist.
28:42Apologize on my behalf.
28:44Be careful, sir.
28:46Thank you very much.
28:48I need anything.
29:10Miss, can I come in?
29:14You're still in bed.
29:16You have to get up and finish getting ready.
29:18If you don't, you'll be late.
29:20Late for what?
29:22What else?
29:24To receive the gentlemen of the press
29:26who have just arrived.
29:28What?
29:30It can't be.
29:32Yes, they are waiting for you.
29:34But if we cancel the interview,
29:36I'll talk to them.
29:38I don't know, I have to tell them.
29:40No, it's impossible for them to be here.
29:42I already told you no.
29:44I don't know what will happen.
29:46The thing is that a car has just arrived
29:48with two gentlemen and one of them
29:50had a gun.
29:52I mean, it was the camera.
29:54Go get Ángel, María.
29:56Wouldn't it be better if you get ready first?
29:58No, no, no.
30:00I have to talk to Pelayo as soon as possible.
30:02María, fly, fly.
30:04I'm running, faster than the wind.
30:14Do you see the coin?
30:16Of course, we are not blind.
30:18Well, look, pay close attention.
30:20This coin
30:22is gone.
30:26It has disappeared.
30:28How did you say that, boy?
30:30Magic, I told you.
30:32You're bringing me back.
30:34The room that I don't have left,
30:36the coin was for sale.
30:38Don't worry, Candela.
30:40If you have it, it's right behind your ear.
30:42Come on, boy, don't laugh at me.
30:44It's the pure truth.
30:50He left me like a fly.
30:52I can't even close my mouth.
30:54How did you do that, boy?
30:56Don't you believe in magic?
30:58Well, look at the two of them.
31:04What's going on here?
31:06Nothing, I have my public interrogated.
31:08Teresa,
31:10have you ever seen that coin trick?
31:12Of course, yes, a lot.
31:14How can you let a slave
31:16trust this trick?
31:18Yes, the truth is that since childhood
31:20he has been good at those tricks,
31:22I loved them.
31:26What do you mean you loved them?
31:28But have you met us
31:30at the house of the Duchess of Abronte?
31:32Yes, yes, of course.
31:34Teresa and I are from the same town,
31:36but when we were little we hardly had a relationship,
31:38because I knew everyone there.
31:40Ah, I had no idea.
31:42Well, yes, Mrs. Simona, we were peasants.
31:44You have to see life in reverse.
31:46In reverse? I was already a little dizzy
31:48from how confused you have me.
31:50Well, we were part of different groups of friends
31:52and we hardly saw each other,
31:54and besides, I left the town very young.
31:56And fate brought us together
31:58many years later.
32:00For both of us, it was like meeting almost from scratch.
32:02Isn't it surprising?
32:04A lot.
32:06And yet, look at us.
32:08Married and happy.
32:10Well, I think we should get back to work.
32:12Besides, a visit has arrived
32:14and I'm sure Don Ricardo needs your help, dear.
32:16Yes, darling.
32:18Hey!
32:24The baguette is back,
32:26you had forgotten it.
32:32The world in a handkerchief.
32:34Ah, yes, after Feliciano,
32:36Teresa deserves to be with a good man.
32:38Let's hope Marcelo is.
32:40That's for sure.
32:42Like the street, he leaves a lot to be desired.
32:44Maybe the problem is that the boy is
32:46in the wrong place and work in the palace
32:48is not his thing.
32:50Maybe. Now, that's because of Teresa's Mario,
32:52who if he hadn't been there when he was little,
32:54would be in the street.
32:56Nobody is perfect.
32:58Well, you and I, almost, almost.
33:00Simona, look.
33:02Now I don't see it.
33:04Taquito!
33:14What's going on?
33:16That's what I say.
33:18What are those two journalists doing down there?
33:20Didn't we cancel the interview?
33:22What? You can see them yourself.
33:28What?
33:30I don't know, I don't understand.
33:32I warned you, I told you I didn't want to talk to anyone
33:34about the press.
33:36It has to be a mistake.
33:38Yes, we agree on that, a capital mistake.
33:40Well, calm down, Catalina.
33:42I'll calm down when we solve all this mess.
33:44Right now I'm going down to talk to them.
33:46Someone from the newspaper had to make a negligence
33:48because I made it very clear that I didn't want them to come.
33:50I promise you I did things right.
33:52Good or bad, the point is that they are here.
33:54Go and tell them to leave, please, go.
33:56Right now I go down and solve all this.
34:00Go.
34:08I thought all this was already solved.
34:10I know that Conde de Añil called the newspaper
34:12to cancel the interview.
34:14In fact, I myself was present at that call.
34:16Journalists are like dogs in prison.
34:18They don't let go of the bone once they grab it.
34:20Well, of course I don't feel good about that cancellation.
34:22They got upset because they said
34:24they hadn't had too much margin.
34:26And how much margin do they need, aunt?
34:28No.
34:30If they hadn't moved to La Promesa,
34:32they wouldn't have had any problem, but they had to come
34:34because those journalists need bait.
34:36Well, if they haven't been invited to this house,
34:38we can always dispatch them.
34:40They will claim that it is a confusion.
34:42And I will accept it, but I will tell them to leave
34:44calmly and without panic.
34:46Who are those two men at the door?
34:48One of them had the audacity
34:50to address me without even introducing himself.
34:52Who would have believed it?
34:54They are journalists, mother.
34:56And you already know that they don't take advantage
34:58of the opportunity to ask indiscreet questions.
35:00Well, if I already knew that they were
35:02the cartels of the press.
35:04What I don't understand is what they are doing here.
35:06Didn't Pelayo say yesterday that they had
35:08canceled the chronicle?
35:10And did he? We saw him talking to the newspaper.
35:12Calm down Cruz, I'm sure it's a confusion.
35:14An interested confusion.
35:16Those people have shown up here to see if they catch something.
35:18Well, they are going to leave empty-handed.
35:20I will order them to leave
35:22with good manners and education,
35:24that's for sure.
35:26Don't give them the opportunity to criticize you
35:28in their newspaper.
35:30I have no fear of them.
35:32What happens is that I'm not prepared
35:34to be seen in photographs.
35:36And I'm not prepared to answer indiscreet questions.
35:38Cruz, I don't think you have to worry about that.
35:40They don't want you to be the protagonist of their chronicle.
35:42They are more interested in Catalina and Pelayo.
35:46Let's see if what's going to happen is that
35:48those two have deceived us
35:50and they haven't canceled anything.
35:52It would never be something like that, mother.
35:54Calm down Cruz. It has been a misunderstanding, I'm sure.
35:56A misunderstanding?
35:58Look.
36:04Let's see if the count clarifies to us what those plumes are doing there.
36:06I came to talk to Catalina.
36:08Unfortunately, it's all a mistake.
36:10And what are you going to do to make it up?
36:12I'm going to make sure they leave
36:14the promise.
36:16Well, we are waiting for your news.
36:22Yes.
36:30Marcelo.
36:32Have you already done what Mr. Pellicer told you?
36:34Yes. I have already accommodated the journalists
36:36in the music room.
36:38They are waiting for some of the gentlemen to receive them.
36:40And has everything gone well?
36:42Well, of course. It wasn't that difficult either.
36:44Well, you know you have to be very careful.
36:46Yes. You're always going to be with the same nonsense.
36:48Well, yes. At least for a moment,
36:50you're on fire and you stop making mistakes.
36:52Santos, excuse me.
36:54I have already accommodated the journalists.
36:56Do I have to do anything else?
36:58They haven't told me anything.
37:00But I have a message to transmit to you
37:02from Mr. Curro.
37:04For me? Yes.
37:06He insisted that I speak to you.
37:08And what is it about?
37:10What has he done wrong this time?
37:12It's not about what he has done wrong now,
37:14but what he did during my convalescence.
37:16The gentleman has informed me of the incident he had with you.
37:18He told me that ...
37:20it was very abrupt
37:22and that his ways
37:24were not the right ones.
37:26He has asked me to apologize on his behalf.
37:28Really?
37:30Do you see how it was not my fault?
37:32Marcelo, don't be mistaken.
37:34One thing is that the gentleman has recognized
37:36that his attitude was inappropriate.
37:38And another very different thing is that you have not made mistakes.
37:40You still have a lot to learn.
37:42But I am ... I completely agree with Teresa.
37:44We all make mistakes.
37:46The gentleman is the first to recognize it,
37:48and that honors him.
37:50Recognize all yours.
37:52Have you ever cleaned the silver?
37:54Never.
37:56Well, come with me.
37:58It's time to learn something new.
38:02Pay attention and put the five senses.
38:16Come on.
38:18This is a gratification for the inconvenience
38:20that this misunderstanding could have caused you.
38:22Very grateful.
38:24And do me a favor to speak with your newspaper manager
38:26to verify that indeed
38:28I called to cancel the interview.
38:30Do you know the name of the person who attended you?
38:32I'm sorry, but I don't remember at this moment.
38:34But I can assure you that I notified.
38:36And we do not doubt your word, Mr. Conde.
38:38Look, I understand
38:40that the pace of an editorial
38:42of a newspaper must be frantic
38:44and that perhaps someone will forget that my chronicle
38:46had been canceled.
38:48From what you say, it was canceled with very little margin.
38:50With enough so that you did not have to
38:52move here.
38:54But well, I already tell you that I take care of this mistake.
38:56We are all human.
38:58And who knows, maybe in the future we can
39:00make that chronicle that Miss Lujan and I
39:02committed to do.
39:04I hope so.
39:06Although you already know that what is news one day,
39:08the next day it does not interest anyone.
39:11Please accompany these gentlemen to the exit
39:13and help them to take their things.
39:16Don't worry, we'll manage on our own.
39:18We just needed you to break the team.
39:23Just a little curiosity.
39:26Miss Catalina de Lujan and you
39:28have decided to leave the scandals
39:30and get married again?
39:32The past is just the past.
39:34And in the future you will know when I arrive.
39:36And the present?
39:38Is everything up to date?
39:41Well, let's say we are starting a new stage
39:43after clarifying the mistakes of months ago.
39:45I guess that's why you're staying here
39:47in La Promesa.
39:49That's right.
39:51Would you welcome under your roof someone
39:53with whom you did not have good chemistry?
39:55Well, it's okay.
39:57In the end, you're going to do a simple curiosity,
39:59a whole interview, right?
40:01Thank you for coming.
40:03One more thing. We will be in contact.
40:05I wish you a good trip back.
40:27This delay scares me.
40:29I hope Pelayo is not having problems with those journalists.
40:32They are capable of showing up in the palace
40:34and not moving until they get what they want.
40:37Look, you can show them
40:39how to do that.
40:42Catalina will need you to whisper.
40:45No, I'm the one who's on.
40:47I'm fed up with my stepdaughter
40:49getting us into her problems.
40:51A lot of people talk about independence
40:53and then drag us all with their ineptitude.
40:55Cruz, that's it. That's it.
40:57Am I saying something that isn't true?
41:01I'll go talk to those journalists
41:03to see if I do something that makes sense.
41:05Are you finally worthy of doing something?
41:08They have already left.
41:10Indeed, everything has been the result of a mistake.
41:12A mistake?
41:14Let me doubt it.
41:16Those people don't give up easily.
41:18If they're here, it's to see if they're up to something.
41:20No one has done anything wrong here.
41:22It's just that the order to revoke the interview
41:24didn't arrive in time. That's all.
41:28Well, I'm leaving.
41:30Taking advantage of the fact that the palace has been cleared
41:32and that I'm not going to deal with those people.
41:35I'm leaving.
41:54For one reason or another,
41:56Salvador and I always end up postponing the wedding.
41:58It seems like they've done us a bad eye or something.
42:01You're exaggerating, María.
42:03I'm not exaggerating.
42:05First, the confusion of when Salvador returned from the war.
42:08Well, he just needed time to settle down.
42:11Yes, and then because of Miss Catalina.
42:14And that absurd rule that you can't get married if you're a servant,
42:17if there's a wedding of middlemen.
42:19An absurd rule, obviously.
42:21Yes.
42:23And then there's the fake wedding that Salvador pulled out of his sleeve.
42:27That was a coincidence of the Greek homosphere.
42:30When I thought we were on the right track,
42:32Salvador accepted that job out of the blue and ...
42:35And it worked out very well.
42:40Well, María, anyone who hears your laments
42:42will think that your girlfriend left you on the altar.
42:44And it's not like that.
42:45Ana is right.
42:47The important thing is that you are together and that you love each other.
42:49Yes, and that surely, sooner or later,
42:51you will end up getting married and we will celebrate it.
42:56If I don't finish seeing the moment when I marry Salvador,
42:59you'll see how soon it will be.
43:02And I don't care if it's a big or small wedding.
43:06The important thing is that we love each other.
43:08And that it's the most beautiful day of our lives.
43:13Hey, Teresa, and ...
43:15Your wedding with Marcelo, how was it?
43:17What? You haven't told us anything?
43:21Well ...
43:22Well, beautiful.
43:23Beautiful like all weddings.
43:26You know, with the boyfriends, the priest ...
43:29The church ...
43:32Girl, but tell us something else.
43:34Some specific detail.
43:36There would be a special moment, right?
43:39Well, the truth is that it was quite simple and discreet.
43:42It turns out that a family member of Marcelo had passed away
43:45and, out of respect, we didn't want to make an invitation or anything.
43:55How disgusting.
43:57So we got handsome, we went up to the parish
43:59and we got married. And that was it.
44:05Well, I'm sorry you didn't have a celebration in condition, Teresa.
44:10That's not the important thing, Maria.
44:15Well, I agree with you.
44:17The important thing is that there is love.
44:19And I think there is between Teresa and Marcelo.
44:21And a lot.
44:23Well, but a wedding is a unique and very special moment.
44:27And for us it was unforgettable and very special.
44:30Although not as we thought.
44:34So ...
44:35A wedding is the first day of the rest of your life.
44:37The important thing is not the moment itself, but everything that comes after.
44:51Come in, come in, Sergeant.
44:53How do you say your name was?
44:55Emilio Burdina.
44:57Sergeant of the Civil Guard.
45:02I have been in command of the Luján barracks for several months.
45:04And you come to pick up Sergeant Fugner, am I wrong?
45:07Absolutely.
45:09I've heard about you, but I didn't have the pleasure of meeting you.
45:12Please sit down.
45:18And well, what have you brought for the promise?
45:22Unfortunately, it is not a mere visit.
45:26I am on duty and I come to inform you of bad news.
45:29A tragic death, in fact.
45:31And who died? Who is it about?
45:34The correct question would be ...
45:36Who have you killed?
45:39How do you say?
45:41It's about Gregorio Castillo.
45:43Former mayor of this palace.
45:45His body was found with a shot in the chest in the old slaughterhouse.
45:51He was shot in the chest.
46:01Don Gregorio is dead?
46:03Yes, apparently they found his body in the ruins of the slaughterhouse with a shot in the chest.
46:08The dog is dead, the rage is over.
46:10I would not like his death to be related to this palace.
46:13Come on, it would be the flesh that those gazettiers need.
46:17I'm afraid your wishes will not be fulfilled, Cruz.
46:20What do you know, Lorenzo?
46:22Apparently the threat has disappeared, which is why Doña Pia was locked up.
46:25That's right.
46:27But you have not told anyone that she is alive.
46:29Exactly. We have to walk with our feet on lead.
46:32We cannot rush, especially now that we are so close to the finish line.
46:36Well, go with the mayor.
46:38That he is the dog of the slaughterhouse, he neither eats nor lets him eat.
46:40That's not it either.
46:41Well, you tell me what it is.
46:43We have served them a collection of articles on a tray,
46:46to make it difficult to tell our last name.
46:48I don't see it that way, mother.
46:50Actually, I think they have nothing to write against us, neither good nor bad.
46:54As if they needed a real story, those journalists, to make up those articles.
46:58I knew it.
46:59But I already told you that you don't have to worry about anything.
47:01It's just that I don't have the right to be respected in my privacy.
47:03Any occasion is good to drag my name through the mud.
47:06Well, let them go.
47:07Yes, but I'm fed up.
47:08What is that, Petra?
47:09I just brought you a bouquet, ma'am.
47:11Give it to me.
47:12Prepare a vase for the flowers.
47:14Of course, Petra. I'm going to keep them in my hand.
47:17Well, read the note, they disgust us.
47:20Petra.
47:22It's for you.
47:25I have to be with Father Samuel in Lujan.
47:27And?
47:28We get married in the afternoon.
47:31And there are three days left.
47:32Three afternoons, my love.
47:34I just talked to Julia and she told me something that has disturbed me a lot.
47:41What?
47:42Well, don't play dumb, because if she told me, she had to tell you.
47:46Well, Martina, I'm just as shocked as you are.
47:48Santos, leave. Right now.
47:50But what did I say now?
47:51You know perfectly well what you said. Leave.
47:53Well, that woman has been in the palace for days and days too.
47:56I thought that now that you had resumed the relationship, you would have many things to tell.
47:59You think it's funny, don't you?
48:00You came to that, to make fun of me.
48:02Because I didn't know you had such fine skin.
48:04I want to talk to the sergeant.
48:06As you have said, I am one of the last people who saw Gregorio alive.
48:09And that makes me one of the main suspects, if not the first.
48:12Don't go to the barracks.
48:15Why?
48:17I have nothing to hide.
48:18You have. And more than you think.