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00:00♪
00:02♪
00:09You just restored the painting?
00:12That's right.
00:13As soon as the last varnishes I put on it dry,
00:16it'll be back to its place.
00:19♪
00:21You know I don't understand a lot about this,
00:23but it's not very changed, is it?
00:26Ah.
00:28Of course it is.
00:30Look at the vividness of the colors.
00:33Now it looks like it was painted yesterday.
00:36♪
00:39Yes.
00:41Yes, it's more alive now, yes.
00:44I wanted to thank you from the bottom of my heart.
00:48It's been a huge detail for my uncle Alonso.
00:51♪
00:53Is something wrong?
00:56No, it's not that.
01:00And why does it seem so opposed, then?
01:03♪
01:06My parents must be returning from San Sebastián,
01:10which means that I will also have to return home soon.
01:15And you don't feel like it?
01:17Absolutely nothing.
01:21But why?
01:21I had understood that the one you didn't get along with was with your brother-in-law, right?
01:27If I'm honest with you, my relationship with my parents is not much better.
01:33And for what reason?
01:37Julia, you know you can tell me whatever you want and that I know how to keep secrets.
01:43I know.
01:45Well, come on.
01:47Sit down and tell me.
01:51And besides, the reasons to be angry with your parents are surely not very different from those of any girl your age.
01:59Like me, for example.
02:02What do you mean?
02:04You are also being forced to find a husband.
02:12That's right, but ... I ...
02:16What?
02:19That I didn't want to marry an idiot like my brother-in-law.
02:23My parents didn't stop until ... until my sister married him.
02:27In the end, everything ends with your brother-in-law, huh?
02:30He must be an insufferable man for you to have so much affection for him.
02:38It's just ... Why do they force us to find a man?
02:42What happens? Can't we be happy alone?
02:46Better alone than badly accompanied.
02:48Exactly. And besides, finding the perfect husband is not an easy task.
02:54He has to be a good person.
02:58He has to be nice.
03:01As handsome as possible.
03:03You have to endure it all your life, as the priest says, until death separates us.
03:10Did I say something wrong?
03:12No, no.
03:14It's just that the varnishes I used to clean the painting with ...
03:18They irritate my eyes.
03:20Worse than cutting onions.
03:27It smells like the orange my grandmother had in the courtyard.
03:30It's a random flower.
03:32Do you remember when I was a little girl?
03:34The truth is that it is a very nice detail that the Duchess of Carril gave us these bottles of ... of Cologne.
03:40It brings a lady from the head to the feet.
03:43Look where it's taking me now.
03:45It's a shame that I haven't been to the kitchens for a few days.
03:47Oh yes, because of the trip you have, yes.
03:50You have taken good care of her.
03:52The least I could do was give her a gift.
03:54She didn't have to do it, huh?
03:56That shows that she is a very close woman.
03:58At the same time, elegant and distinguished.
04:00I could learn from her, Mrs. Marquesa.
04:03I always look over your shoulder.
04:08Could you make me an apple for Mrs. Margarita?
04:11Of course, Teresa.
04:13The red ones, the yellow ones or the green ones.
04:15Well ...
04:16Acid or sweet?
04:18I don't think she even knows it herself.
04:20Apparently, a friend has told her an English saying that says that an apple a day keeps the doctor far away.
04:24Agavarmo.
04:25Well, I think it's a good advice, really.
04:28In my town there is another saying, but a little more ...
04:30Dumb.
04:32And you're not going to tell us?
04:33No, no, no.
04:34Candela, don't leave us in the middle.
04:37Well, there it goes.
04:39Eat healthy.
04:40And shit hard.
04:41And tell the doctor to ...
04:42Oh my God!
04:43Mrs. Candela, we are in the kitchens.
04:46You are more stupid than a can of cement, Candela.
04:49I have already warned you, huh?
04:50That's true.
04:52The one who warns is a traitor.
04:53I have warned.
04:56And what are those flasks?
04:58A gift from our friend, the Duchess of Carril.
05:01To help her with the recipes for her book.
05:04Well, it's a gesture on her part.
05:05A very fussy gesture.
05:07Can I read them?
05:08Sure.
05:09Take mine.
05:13It smells like the orange I had next to my house.
05:15Right?
05:16My grandmother also had an orange in her yard.
05:19Azar flower.
05:20I love it.
05:22The truth is that I find it curious that a lady is interested in this kitchen thing.
05:27Yes.
05:28As they say now, she is unmarried.
05:30Yes, but let her come personally.
05:32I don't know, the logical thing would be for her to send one of her cooks.
05:35Yeah.
05:36That's what we thought at first, but ...
05:38Yes, the Duchess of Carril is a housewife.
05:41She is a lady.
05:42But she doesn't look like a lady.
05:44And that's the most difficult thing of all.
05:46Yes, the truth is that it is complex for me to be one thing and at the same time not to be it.
05:51If I knew her, I would understand.
05:55Pass me one of the yellows.
05:59And a red.
06:06Yes.
06:32Thank goodness you're looking.
06:34But if the night is closed ...
06:47I know.
06:50But I wasn't looking outside.
06:53I was ...
06:55I had been thoughtful.
06:58Have you managed to solve the problems of the world?
07:02I was hoping you would finish my shift to see you.
07:07Well, here I am.
07:09Enjoy my presence.
07:11Or you of mine.
07:14What had you so lucky?
07:17The mosas.
07:19Come on, Manuel, we said there would be no secrets between us.
07:24I was thinking about the difficulties that having children must entail.
07:30You were thinking about paternity.
07:32In reference to your parents, the Marquises.
07:36Yes.
07:38But you know, I was also thinking about Doña Pia.
07:42That woman has been buried alive to protect her son.
07:46For a son, anything is done.
07:48I was also thinking about Mr. Baeza.
07:52But that Mr. Baeza has no children.
07:54I know.
07:56But I was thinking about how good a father he would have been.
07:59I don't know.
08:00I think he would have been straight, but affectionate.
08:05I think both Mr. Baeza and Doña Pia are an example of generosity and dedication.
08:11I think so too.
08:13I think both Mr. Baeza and Doña Pia are an example of generosity and dedication.
08:20You know, parents bring us into the world.
08:23They raise us, feed us, educate us.
08:27They give everything for us, their children.
08:29That's right.
08:32But nevertheless, do we really know them?
08:37Do we know who they are?
08:38No.
08:40Because not long ago I wouldn't have imagined that my father could have had a child out of wedlock.
08:48I also think about my mother.
08:50If the image I have of her is correct or not.
08:54I mean, is she as I picture her in my head?
08:59A straight woman, perfectionist, inflexible, who has never made a mistake?
09:09I guess everyone will have their lights and their shadows.
09:13And that they will not be proud of everything they have done in their life.
09:23And us?
09:27Will we be good parents?
09:30Well, it's a bit early to think about that, isn't it?
09:34I hope not.
09:38I assure you that being a father is what I treasure the most in this world.
09:42But I can't look forward to anything with so much strength.
09:47And especially now that I have found the perfect mother for my children.
09:59I swear.
10:00I'm looking forward to ending this whole Gregorio thing.
10:04Meeting him, giving him the money and never seeing him again.
10:09And so being able to focus once and for all on our wedding.
10:13And I'm looking forward to our new life starting as soon as possible.
10:30Can you tell the difference between yes and no?
10:33It's sweet, it's refreshing.
10:36And there is a mixture of floral and citrus notes.
10:39But do you know what it is or not?
10:45Lemonade.
10:46Almost.
10:48Orange.
10:49But you have it.
10:52Azahar flower.
10:54Prize?
10:57The truth is that your mother has very good taste.
11:00Yes.
11:01I'm not going to deny that.
11:02I'm not going to deny that.
11:04The cooks are delighted with your gift.
11:06Yes.
11:07She knows how to earn them.
11:10If they really knew her.
11:12The play is coming out round.
11:14Well, since she has been so generous, she could have brought you a bottle, right?
11:18It's just that you don't have the right because you're a man.
11:21My favorite smell is your skin.
11:24I don't want any fragrance that is more expensive.
11:26No.
11:27Even my mother would have guessed, ignoring you.
11:29Well, yes.
11:30I prefer that than Arremeta against me.
11:34It bothers me that everyone is so understanding with her.
11:37And above all, it bothers me that you are.
11:39Vera, I'm just looking forward to it, you know that.
11:41Yeah.
11:42But if everyone were aware that my mother is not interested in cooking at all,
11:46much less being a friend of the service,
11:48and that she is here simply to get me out of here and take me back to the palace.
11:52As long as your mother is dedicated to giving smiles and fragrances, we can't do anything.
11:55López is winning the cooks for interest.
11:57Yes.
11:58But that only proves that she is a strategist.
12:01No.
12:02Don't believe it.
12:04Because the attitude she is having is a bit suspicious for a lady of her class.
12:08And that can cause jealousy.
12:10Your mother is not neglecting any detail.
12:12None.
12:13The passes she is giving are small and very firm.
12:16Look, it is precisely Teresa today who has commented that it is a bit strange
12:19that a duchess is so interested in cooking.
12:21Vera, from a simple comment to a deep suspicion, there is a very long stretch.
12:24And I'm sorry I'm not more encouraging, but we have to be patient.
12:28We have to wait and see what moves your mother makes.
12:31I hate everyone dancing to her.
12:33That's exactly what we have to do.
12:36Or at least pretend it.
12:37Yeah.
12:40But I admit that I am very curious to know what your mother is like.
12:44Because so far she has only shown her kinder side.
12:47I want to know what she is like in reality.
12:49Well, you don't want to know her.
12:50Why?
12:51You only point out her flaws,
12:53but in the end your mother is doing what any mother would do,
12:55which is trying to get her daughter back.
12:58What is so bad that woman has done to make you have her so angry?
13:01Look the other way?
13:03You think it's not enough?
13:11Forgive me.
13:13No.
13:14You forgive me.
13:16This ...
13:17No.
13:18You forgive me.
13:20This ...
13:21This matter annoys me.
13:24Look, López, we enjoyed a very low standard of living.
13:28And no one wondered where the money came from.
13:31You can't see with the heart that doesn't feel.
13:33Yes.
13:35My father had some businesses,
13:36but we didn't wonder what they were.
13:39When you have a very comfortable standard of living,
13:41what do you care about the rest, right?
13:44The thing is that I started to feel curious
13:46and I started asking around here and there.
13:49And you found answers you didn't want to find.
13:52I discovered that behind our comfortable life
13:55there would be a lot of ruined lives and a lot of pain.
14:05It had to be very hard to discover all that, right?
14:11It was much harder to discover what I discovered later.
14:14What?
14:17That my mother was aware of all that
14:20and that she continued with her life as if none of this were happening.
14:25And that Mrs. Amalia de la Vera,
14:27the wonderful and charming Duchess of Carril,
14:30who has bewitched the whole service,
14:33was really a selfish person
14:35and a person who simply cares about her own well-being.
14:40No.
14:44To think that the cooks
14:46think it's the mirror that Mrs. Marquesa has to look at.
14:50Lope, my mother is no example to follow,
14:52much less for me.
14:54Everything I want to do is exactly the opposite of what she is.
15:13I don't know.
15:19Maria, you really don't know how strange that conversation was.
15:22Why?
15:24Because Manuel told me how much he wanted to have children.
15:26And I think that's why he wants to spend time with me.
15:29Well, that's weird, woman.
15:31The same, Manuel has accelerated,
15:33but it's normal after what happened with Mrs. Ximena.
15:36That was a low emotional rise.
15:39That if they were first on tape,
15:40that if later he had a bad achievement,
15:41that if later everything was a bad joke,
15:43that he should rest in peace,
15:44but we have not been more at peace without her.
15:47Maria, but what are you saying?
15:49You wouldn't like to be called a poet,
15:51but I have more reason than a saint.
15:55Anyway,
15:57what surprised me the most about this conversation
15:59is the concept that Manuel has of his mother.
16:02That she's worse than hell, like we all have.
16:04Well, no.
16:05He really thinks she's an example of righteousness.
16:08Come on, that she's bad because she's too rigid.
16:10More or less.
16:12I don't know, I understand Mr. Manuel.
16:14Somehow he'll have to justify his mother.
16:16And it's nice that he loves her with all her defects.
16:19Well, defects and virtues.
16:21But what virtues does that woman have?
16:23That she's worse than hell, right?
16:25Look, Mr. Manuel, his love for his son
16:26makes him see the black and white,
16:27but you know perfectly well what there is.
16:31And if it's me who's wrong?
16:34Do you need me to remind you
16:35all the bullshit that woman has done to you?
16:37That they have not been few,
16:38and the ones left to do to you
16:39are not going to be few either.
16:41Look, Hanna, mothers-in-law are like melons.
16:43They can touch you good
16:45or they can touch you bitter.
16:46And you've been touched by the cucumber
16:47that has nothing sweet.
16:50If I thought that woman was going to be your mother-in-law,
16:52I would have lost my mind.
16:54Well, what do you want?
16:55To cancel the wedding?
16:56For you to run away?
16:57No, that's not it.
16:59But you're right.
17:01Well, I'm going to have to learn to deal with her.
17:04Well, the good thing is that you have experience
17:06already enduring unbearable women with María Mandrago.
17:09Although I think about it and say,
17:11who of the two is more unbearable?
17:13María Mandrago or the Marquise?
17:15Difficult to say.
17:16Well, that's it, that's it.
17:17Let's get to work.
17:19And stop warming my head.
17:33I'll be back at lunchtime.
17:37Are you leaving?
17:41I think it's more than obvious that yes.
17:44And can I know where?
17:46To visit a friend.
17:49It seems that you are not very talkative.
17:52It also seems more than obvious.
17:54Today you are very observant, Alonso.
17:57If you want, I can bring you closer by car.
18:00I don't need it, thank you.
18:01I have a driver waiting for me at the door.
18:02Wait, don't leave me with the word in my mouth.
18:04What do you want?
18:07I had thought of something and I wanted to tell you.
18:11The postcard we received yesterday from María Antonia from Mallorca
18:14has reminded me of a trip we have pending.
18:18Yours?
18:19Yes, we left it pending when you stayed in Cinta de Leonor.
18:23The Marquises of Grau invited us to visit their palace in the city of Palma, remember?
18:27And that, what's coming now?
18:29Well, what could it be?
18:30We could take the opportunity to travel to the island.
18:33I will write to the Marquis to see if he welcomes us.
18:36And we could set sail in a few days.
18:38Are you seriously proposing that we go on a trip to a place where I know that your lover is?
18:44María Antonia is not my lover.
18:46Look, Alonso, I'd better go.
18:48They are waiting for me and you are going to make me arrive late.
19:01I'm going to reserve my perfume for when I meet my lover.
19:04I'm sure that with how smart he is, the teacher will find out first that he is a flower of chance.
19:09I don't know if he's so fine-nosed.
19:11Of course, the story of the snake has to be told by a saint.
19:14Well, if you liked the gift from the Duchess.
19:17The truth is that the lady has a knack for it.
19:19Although Aida is sure of it.
19:21Because who doesn't like an aroma of the sea?
19:24I don't know.
19:25The truth is that the lady has a knack for it.
19:27Although Aida is sure of it.
19:29Because who doesn't like such a fresh and elegant aroma?
19:31That too.
19:33And when are you going to see your Don Carlos?
19:35At the moment there is none.
19:37I would like it.
19:39Well, then close the bottle and stop smelling that you are going to lose the aroma.
19:41And then it will no longer smell like anything.
19:43It's true.
19:45Then it remains like water.
19:47Without color, without smell, without flavor.
19:49Yes.
19:50I wouldn't risk it and I would start using it now.
19:52I'm sure that man is charming, but enjoy it yourself, Mrs. Candela.
19:53You are right.
19:55It's okay to think so much about others and so little about me.
19:58Now I'm going to smell orange because I'm worth it.
20:01I'm going to send my daughter Virtudes so that she uses it.
20:05You are also worth it, Mrs. Simona.
20:07Be selfish and enjoy it.
20:09Yes, but I enjoy it more if my daughter uses it.
20:12What makes me happier is having her happy and also my grandson Adolfito.
20:18In addition, when my daughter uses it, she will remember me.
20:23Oh, mothers.
20:25Always taking the bite out of the mouth to give it to their children.
20:29And what am I going to do, Candelilla?
20:31I have no instinct.
20:33There is nothing that a mother does not do for her children.
20:35Well, I don't think so.
20:37That the love of a mother for a child is the greatest love.
20:41That's why there are times when Mrs. Petra makes me very sad.
20:44There are times when Mrs. Petra makes me very sad.
20:47Because she had to go through a tremendous pain when she lost her Feliciana.
20:51And I understand that now she tries to fill that void taking care of Santos.
20:57Come on, Simona.
20:59Petra is a burden, a viper.
21:02A viper who lost a son.
21:04And that void is impossible to fill with anything or with anyone.
21:08A son is unique and irreplaceable.
21:15A son is unique and irreplaceable.
21:18A son is unique and irreplaceable.
21:23It seems that the stain of breakfast has disappeared by magic.
21:26It has been essential to clean the tape.
21:28Because as time goes by, the stain sticks more to the fabric,
21:32and then it is more difficult to eliminate.
21:35Please, Mr. Baeza.
21:37Transfer my thanks to the maid in charge of cleaning.
21:40As you wish, sir.
21:41Not only because of your skill, but also because of the speed at which you solve the unsolved case.
21:48Romulo, are you okay?
21:50You don't look well. Have you rested?
21:53If I'm honest, I haven't slept all night.
21:57And why is that?
21:59There's something I can't get out of my head.
22:01I see.
22:04It's about Gregorio, right?
22:11I don't know if it will comfort you, but I'm just like you.
22:14Although I will also tell you that ...
22:17Wait, I'm convinced that he will accept the deal.
22:19But he has doubts.
22:21What if everything goes wrong?
22:23What if that scoundrel hits him again?
22:26Or something worse.
22:28Do we have connected thoughts?
22:30Yes, but that is no relief, sir.
22:34As the saying goes,
22:36the evil of many is the comfort of many.
22:37The comfort of fools.
22:39Yes, but in this matter, that only worries me, it does not comfort me.
22:42I see.
22:44But neither you nor I are fools, Mr. Baeza.
22:46And we know perfectly well what can happen.
22:51Yes, yes.
22:53I'm looking forward to putting an end to this matter.
22:55Me too.
22:57I hope we finish all this as soon as possible.
23:00But anyway, if Gregorio has any common sense left, he has no choice but to accept the deal.
23:04Because otherwise it would be going straight to jail, or even worse, the weak link.
23:08Or fleeing indefinitely.
23:10Indeed.
23:12And none of those alternatives seems too appetizing, don't you think?
23:14But still, it does not end up reassuring me.
23:17Neither do I.
23:19Until I meet that man, I see that he takes the money and leaves so as not to breathe in peace again.
23:25I'm afraid the only thing we can do is to be patient and wait.
23:29Don't you remember what I told you a long time ago?
23:31There is nothing that worries me more than waiting.
23:36Excuse me.
23:52And I thought Mrs. Marquesa was going to eat out.
23:56It was normal, she had a date with a friend, why would she eat with a friend?
23:59And now, make the pisto with your onion.
24:02You never told me.
24:06What makes me sad is that the rest of the family is not going to eat Brussels sprouts.
24:11But since the lady came in, at the house of rest, it has been abhorrent.
24:15And you know what's going on here.
24:17As Mrs. Marquesa does not eat Brussels sprouts, no one eats Brussels sprouts.
24:21You have to be careful with the pisto, Candela.
24:23I've already told Lope to put more firewood in the oven, so that the vegetables are done as soon as possible.
24:31Vera.
24:34Have the gentlemen said anything? Do we have to prepare anything else?
24:37No.
24:39Be careful, girl, it's up and down, the perfume is going to break your boat.
24:43Is it a gift?
24:45Of course, the gift of the Duchess of Carril.
24:48No, no, I don't mean that. I mean it's a gift that I make for you, Mrs. Simona.
24:52To me? And for what?
24:55Well, because I've been thinking about it and I've thought it's not fair for you to run out of your perfume to give it to your daughter Virtudes.
25:02But I do that because I wanted to, girl.
25:04But you don't need so much sacrifice. Come on, take my bottle.
25:08No, no, no, no way. You won that bottle for taking those notes so well, Tomás, and with that beautiful letter.
25:15I insist, take it, Mrs. Simona, it makes me excited.
25:17Besides, the water of chance is not my favorite fragrance either. In fact, I hate it a lot.
25:23Really? You're not lying to me?
25:26Come on, Simona, take it at once, thank her. Don't make the girl ugly.
25:32Thank you very much from the bottom of my heart, Vera.
25:35You're welcome.
25:39Let's continue with the track.
25:48The smallest cinnamon in the pieces.
26:00Santos, how are you?
26:04I'm already recovered.
26:06And the fever?
26:08Not a trace.
26:10Doesn't your throat hurt or do you have trouble breathing?
26:13I already told you I'm fine. Thank you.
26:16And that smile, what is it for?
26:20For nothing.
26:22Santos, I'm getting to know you. What are you up to?
26:30So I'm right. Tell me what it's about.
26:34As you say, you're already getting to know me, so you know how much I like mystery and intrigue.
26:41I'm leaving, Mr. Argos. I have to attend to Mr. Curro.
26:45Give it to me.
26:57Mr. Curro.
26:59Santos, what can I do for you?
27:02I just came to report.
27:04Yesterday I got back to work and I'm ready for anything you need.
27:08I'm ready for anything you need.
27:11And how are you?
27:14Restored, thank you.
27:16As I said, I'm at your disposal for whatever you need.
27:20Thank you very much.
27:22But right now I don't require your services.
27:25I'll detail.
27:28Are you looking for a particular book? Do you want me to help you?
27:32No, no. I'm not in a good mood, Santos.
27:36Is there anything I can do to cheer you up?
27:39No, I'm afraid not.
27:42Unfortunately, no one can help me.
27:45Maybe if you share your worries with me.
27:49Really, Santos, don't insist.
27:51It's very considerate of you.
27:53But I don't want to pay for my bad mood with you.
27:56As I have already done with your partner, Marcelo.
28:00I'm aware.
28:02I know I made some mistakes.
28:03He has just arrived and is not familiar with some house chores.
28:08Especially those that have to do with the treatment of gentlemen.
28:11I noticed.
28:13It was a terrible mistake to give him the responsibility of attending to him.
28:16Even so.
28:19I think I stayed with him.
28:21Especially reporting the matter.
28:23So if you see him, apologize on my behalf.
28:28Will you do that, sir?
28:30Even if he was right.
28:31Even if he was right.
28:33Anyone can make a mistake.
28:35And I admit that my ways were not the best.
28:38So I insist.
28:40Apologize on my behalf.
28:42Be careful, sir.
28:45Thank you very much.
28:47I'll let you know if I need anything.
29:02A few days later.
29:10Miss, can I come in?
29:13You are still in bed.
29:15You have to get up and finish getting ready.
29:18Otherwise, you will waste your time.
29:20Time for what?
29:22What are you going to do?
29:24To receive the gentlemen of the press who have just arrived.
29:27What?
29:29It can't be.
29:32But if we cancel the interview, Pelayo will talk to them.
29:35I don't know, I have to tell them.
29:37No, no, it's impossible for them to be here.
29:40I already told you no.
29:42Miss, I don't know what happened.
29:45The fact is that a car has just arrived with two gentlemen and one of them had a gun.
29:50I mean, it was the camera.
29:52Go get Ángel's count, María.
29:54Escape.
29:56Wouldn't it be better if you get ready first? I'll help you.
29:58No, no, no.
29:59I have to talk to Pelayo as soon as possible.
30:01Go, María, fly, fly.
30:03I run, I run. Faster than the wind, I run.
30:16Do you see the coin?
30:18Of course, we are not blind.
30:20Well, look, pay close attention.
30:22This coin ...
30:25It's gone.
30:26It's gone?
30:28It's gone.
30:30How did you do that, boy?
30:32Magic, I told you.
30:34You're bringing me back.
30:36The rooms that I don't have left, huh?
30:38That the coin was for sale.
30:40Don't worry, Candela, if you have it, it's right behind your ear.
30:42Yes, come on.
30:44And don't laugh at me, huh?
30:46It's the pure truth.
30:49Come on, he left me like a fly.
30:52I can't even close my mouth.
30:54How did you do that, boy?
30:56Well, look, both of us.
31:03What's going on here?
31:05Nothing, I have my public interrogated.
31:08Teresa, has he ever done that coin trick to you?
31:11Of course, yes, yes, very much.
31:13As to let the slave trust this truant, huh?
31:16Yes, the truth is that since he was a child, he was good at those tricks.
31:19I loved them.
31:26What do you mean you loved them?
31:28But have you met us at the house of the Duchess of Abrontes?
31:31Yes, yes, yes, of course.
31:33Teresa and I are from the same town.
31:35But when we were little, we hardly had a relationship.
31:37Although I knew all the tricks.
31:39Ah, I had no idea.
31:41Well, yes, Mrs. Simona, we were countrymen.
31:43You have to see the twists and turns of life.
31:45And the twists and turns, huh?
31:47I was already half dizzy from how confused you have me.
31:49Well, we were part of different groups of friends.
31:52And we hardly saw each other.
31:54And besides, I left the town very young.
31:56But fate brought us together many years later.
31:58For both of us, it was like meeting almost from scratch.
32:01Isn't it surprising?
32:03A lot, huh?
32:05Don't you think?
32:07And yet, look at us.
32:09Married and happy.
32:11Well, I think we should get back to work.
32:13In addition, a visit has arrived and I'm sure Don Ricardo needs your help, dear.
32:16Yes, honey.
32:19Hey!
32:21Come on, Edita.
32:23You're back, huh?
32:25I had forgotten you.
32:30The world is a handkerchief.
32:32Oh, yes.
32:34After what happened with Feliciano, Teresa deserves to be with a good man.
32:37Let's hope Marcelo is.
32:39That's for sure.
32:41Like the street, he leaves a lot to be desired.
32:43Maybe the problem is that the boy is in the wrong place
32:46and the work in the palace is not his thing.
32:48Maybe.
32:50You know what, Teresa?
32:52If it weren't for you, I'd be on the street.
32:54Nobody is perfect.
32:56Well, you and me, almost.
32:58Silvana, look.
33:00Do you see it now?
33:02Do you see it now?
33:04Quiet!
33:15What's going on?
33:17That's what I'm saying.
33:18What about the journalists down there?
33:20Didn't we cancel the interview?
33:22What?
33:24You can see them yourself.
33:28What?
33:30I don't know, I don't understand.
33:32I warned you.
33:34I told you I didn't want to talk to anyone about the press.
33:36It has to be a mistake.
33:38Yes, we agree on that.
33:40A capital mistake.
33:42Well, calm down, Catalina.
33:44I'll calm down when we solve all this mess.
33:46I'm going to talk to them right now.
33:48I didn't want them to come.
33:50I promise I did things right.
33:52Good or bad, the point is that they are here.
33:54Go and tell them to leave.
33:56Please, go.
33:58I'll go down right now and solve all this.
34:08I thought all this was already solved.
34:10I know that Count de Añil called the newspaper to cancel the interview.
34:13In fact, I myself was present at that call.
34:15Journalists are like dogs in a cage.
34:17They don't let go once they're caught.
34:19Well, of course I don't feel good about that cancellation.
34:22They got upset because they said they hadn't had much time off.
34:25And how much time do they need, aunt?
34:27No.
34:29If they hadn't moved to La Promesa,
34:31they wouldn't have had any problems, but they had to come
34:33because those journalists need bait.
34:35Well, if they haven't been invited to this house,
34:37we can always fire them.
34:39They'll say it's a mess.
34:41And I'll accept it.
34:43But I'll tell them to leave calmly and without panic.
34:45Who are those two men at the door?
34:48One of them had the audacity to address me
34:50without even introducing himself.
34:52Who would have believed it?
34:54They're journalists, mother.
34:56And you know they don't waste the opportunity
34:58to ask indiscreet questions.
35:00Well, I knew it.
35:02They were the press' henchmen.
35:04What I don't understand is what they're doing here.
35:06Didn't Pelayo say yesterday that they had canceled the interview?
35:08And did he?
35:10We saw him talking to the newspaper.
35:12Calm down, Cruz. I'm sure it's a confusion.
35:13An interested confusion.
35:15Those people have come here to see if they can catch something.
35:18Well, they're going to leave empty-handed.
35:20I'll order them to be fired.
35:22With good manners and education, of course.
35:24Yes, of course.
35:26Don't give them a chance to criticize you in their newspaper.
35:28I have no fear of them.
35:30The thing is, I'm not prepared to be photographed.
35:34And I'm not prepared to answer indiscreet questions.
35:37Cruz, I don't think you have to worry about that.
35:39They don't want you to be the protagonist of their story.
35:41They're more interested in Catalina and Pelayo.
35:45Let's see if what's going to happen is that those two have deceived us.
35:49And in reality, they haven't canceled anything.
35:51My sister would never do something like that, mother.
35:53Calm down, Cruz. It was a misunderstanding, I'm sure.
35:55A misunderstanding?
35:57Look.
36:02Let's see if the count explains to us what those feathers are doing there.
36:05I came to talk to Catalina.
36:07Unfortunately, it's all a mistake.
36:08And what are you going to do to make up for it?
36:11I'm going to make sure they leave La Promesa.
36:14Good. We look forward to hearing from you.
36:30Marcelo.
36:32Have you done what Mr. Pellicer told you?
36:34Yes, I have already accommodated the journalists in the music room.
36:36They are waiting for some of the gentlemen to receive them.
36:39And has everything gone well?
36:41Well, of course. It wasn't that difficult either.
36:43Well, you know you have to be very careful.
36:45Yes. You're always going to be with the same nonsense.
36:48Well, yes. At least for a moment, until it gets serious and you stop making mistakes.
36:52Santos, excuse me. I have already accommodated the journalists. Do I have to do something else?
36:57They haven't told me anything.
36:59But I have a message to transmit to you on behalf of Mr. Curro.
37:03For me?
37:04He wants to talk to you.
37:06And what is it about?
37:08What has he done wrong this time?
37:10It is not about what he has done wrong now, but what he did during my convalescence.
37:15The gentleman has informed me of the incident he had with you.
37:18He told me that ...
37:20it was very abrupt and that his ways were not the right ones.
37:25He has asked me to apologize on his behalf.
37:28Really?
37:30Do you see how it was not my fault?
37:31Marcelo, don't get it wrong.
37:33One thing is that the gentleman has recognized that his attitude was inappropriate.
37:37And another, very different, is that you have not made mistakes.
37:40You still have a lot to learn.
37:42But I am ...
37:43I completely agree with Teresa.
37:45We all make mistakes.
37:47The gentleman is the first to recognize it and that honors him.
37:49Recognize all yours.
37:52Have you ever cleaned the silver?
37:54Never.
37:56Well, come with me.
37:58It's time to learn something new.
38:01Pay attention and put the five senses.
38:15Come.
38:17This is a gratification for the inconveniences that this misunderstanding has caused you.
38:21Very grateful.
38:23And do me the favor of talking to your newspaper manager to verify that I actually called to cancel the interview.
38:29Do you know the name of the person who attended you?
38:31I'm sorry, but I don't remember right now.
38:34But I can assure you that I notified.
38:37And we do not doubt your word, Mr. Conrad.
38:39Look, I understand that the pace of an editorial of a newspaper must be frantic.
38:43And that maybe someone forgot that my chronicle had been canceled.
38:46From what you say, he canceled it with very little margin.
38:49With enough so that you did not have to move here.
38:53But well, I already tell you that I take care of this mistake.
38:56We are all human.
38:57And you know, maybe in the future we can make that chronicle that Miss Luján and I promised to do.
39:03I hope so.
39:05Although you already know that what is news one day, the next day no one cares.
39:11Please accompany these gentlemen to the exit and help them to take their things.
39:16Don't worry, we'll manage on our own.
39:19We just needed you to break the team.
39:23Just a little curiosity.
39:25Miss Catalina de Luján and you have decided to leave the scandals and get married again?
39:31The past is only the past.
39:33And you will find out about the future when it arrives.
39:36And the present? At what point is your relationship now?
39:40Well, let's say we are starting a new stage after clarifying the mistakes of months ago.
39:45I guess that's why you're staying here in La Promesa.
39:48That's right.
39:50Would you welcome under your roof someone with whom you didn't get along?
39:54Well, that's fine. In the end, you're going to do a simple curiosity, an entire interview, right?
40:00Thank you for coming. One more thing.
40:02We'll be in touch. I wish you a good trip back.
40:24This delay scares me. I hope Pelayo is not having problems with those journalists.
40:29They are capable of showing up in the palace and not moving until they get what they want.
40:34Look, you can show them how to do that.
40:39Catalina will be in shock.
40:42No, I'm the one who's on fire.
40:44I'm tired of my stepdaughter getting us into her problems.
40:47I'm tired of my stepdaughter getting us into her problems.
40:50A lot of people talk about independence and then drag us all down with their ineptitude.
40:55Cruz, that's enough. That's enough.
40:57Am I saying something that isn't true?
41:00I'll go talk to those journalists, see if I can get them to come to their senses.
41:04That's good. You finally deserve to do something.
41:07They've already left.
41:09Indeed, everything has been the result of a mistake.
41:12A mistake?
41:13Allow me to doubt it.
41:15Those people won't give up without a fight.
41:17If they're here, it's to see if they're up to something.
41:19No one has done anything wrong here.
41:21It's just that the order to revoke the interview didn't arrive in time. That's all.
41:27Well, I'm leaving.
41:29Taking advantage of the fact that the palace has been cleared and that I'm not going to deal with those people.
41:43Salvador and I always end up postponing the wedding for one reason or another.
41:47It looks like they've done something wrong.
41:50You're exaggerating, María.
41:52I'm not exaggerating.
41:54First, the confusion of when Salvador returned from the war.
41:57Well, he needed time to settle down.
42:00Yes. And then, because of Miss Catalina,
42:03he had to leave the country and go back to Spain.
42:06I don't know what to do.
42:08I don't know what to do.
42:10Yes. And then, because of Miss Catalina.
42:13And that absurd rule that you can't get married if you're a maid,
42:17if there's a wedding of middle-aged men.
42:19An absurd rule, obviously.
42:21Yes. And then there's the fake wedding that Salvador pulled out of his sleeve.
42:26That was a coincidence of the Greek homosphere.
42:29When I thought we were on the right track,
42:32Salvador accepts that job out of promise and ...
42:35And goodbye, very good.
42:39Well, María, anyone who hears your lamentations
42:42will think that your girlfriend left you on the altar and it's not like that.
42:45Ana is right.
42:47The important thing is that you are together and that you love each other.
42:49Yes. And that surely, sooner or later, you will end up getting married
42:52and we will celebrate it from the top.
42:55If I don't finish seeing the moment when I marry Salvador,
42:59you'll see how soon it will be.
43:02And I don't care if it's a big or small wedding.
43:05The important thing is that we love each other.
43:07And that it's the most beautiful day of our lives.
43:12Hey, Teresa, and your wedding with Marcelo, how was it?
43:16What? You haven't told us anything?
43:20Well, beautiful. Beautiful like all weddings.
43:25You know, with the boyfriends, the priest ...
43:28The church.
43:31Chiquilla, but tell us something else.
43:33Some specific detail.
43:34There would be a special moment, right?
43:37Well, the truth is that it was quite simple and discreet.
43:40It turns out that a family member of Marcelo had passed away
43:44and, out of respect, we didn't want to make an invitation or anything.
43:53How sad.
43:55So we got handsome, we went up to the parish
43:58and we got the chiquero. And that was it.
44:05Well, I'm sorry you didn't have a celebration in condition, Teresa.
44:10That's not the important thing, Maria.
44:15Well, I agree with you.
44:17The important thing is that there is love.
44:19And I think there is between Teresa and Marcelo.
44:21And a lot.
44:23Well, but a wedding is a unique and very special moment.
44:27And for us it was unforgettable and very special.
44:30Although not as we thought.
44:33Beto, yes, a wedding is the first day of the rest of your life.
44:37The important thing is not the moment itself, but everything that comes after.
44:51Come in, come in, Sergeant.
44:53What's your name?
44:55Emilio Burdina, Sergeant of the Civil Guard.
44:58I have been in command of the Lujan barracks for several months.
45:01And you come to pick up Sergeant Furner, am I wrong?
45:04Absolutely.
45:06I've heard about you, but I didn't have the pleasure of meeting you.
45:09Sit down, please.
45:15And well, what have you brought for the promise?
45:19Unfortunately, it's not just a visit.
45:22I'm on duty and I came to inform you of the situation.
45:25I'm on duty and I came to inform you of a bad news.
45:29A tragic death, in fact.
45:31And who died? Who is it about?
45:34The correct question would be, who have you killed?
45:38How do you say?
45:40It's about Gregorio Castillo.
45:42Former mayor of this palace.
45:45His body was found with a shot in the chest in the old slaughterhouse.
45:55He died, Mr. Gregorio.
45:57Apparently, his body was found in the ruins of the slaughterhouse with a shot in the chest.
46:01The dog is dead, the anger is over.
46:04I would not like his death to be related to this palace.
46:07Come on, it would be the flesh that those gazetilleros need.
46:11I'm afraid your wishes will not be fulfilled, Cruz.
46:14What do you know, Lorenzo?
46:16Apparently, the threat has disappeared, which is why Mrs. Pia was locked up.
46:20That's right.
46:21Apparently, the threat has disappeared, which is why Mrs. Pia was locked up.
46:25That's right.
46:27But you haven't told anyone that she's alive.
46:29Exactly. We have to be on our toes.
46:32We can't rush, especially now that we are so close to the finish line.
46:36Well, go with the mayor.
46:38He's the dog of the slaughterhouse, he doesn't eat or let him eat.
46:40It's not that either.
46:42Well, you tell me what it is.
46:44We have served them a collection of articles on a tray to mislead them into telling our last name.
46:48I don't see it that way, mother.
46:49Actually, I think they have nothing to write against us, neither good nor bad.
46:53As if they needed a real story, those journalists, to make up those articles.
46:57I knew it.
46:59But I already told you that you don't have to worry about anything.
47:01It's just that I don't have the right to be respected in my privacy.
47:03Any occasion is good to drag my name through the mud.
47:05Well, let them do it.
47:07Yes, but I'm fed up.
47:09What is that, Petra?
47:11I just brought you a treat, ma'am.
47:13Give it to me.
47:15Prepare a vase for the flowers.
47:17Of course, Petra. I'm going to keep them in my hand.
47:20Petra.
47:22It's for you.
47:25I have to be with Father Samuel in Lujan.
47:27And?
47:29We're getting married in the afternoon.
47:31And there are three days left.
47:33Three afternoons, my love.
47:35I just talked to Julia and she told me something that has disturbed me a lot.
47:40What?
47:42Well, don't play dumb, because if she told me, she had to tell you.
47:46Well, Martina, I'm just as shocked as you are.
47:47Santos, leave. Right now.
47:49But what did I say now?
47:51You know perfectly well what you said. Leave.
47:53Well, that woman has been in the palace day after day too.
47:55I thought that now that you had resumed the relationship, you would have many things to tell.
47:59You think it's funny, don't you?
48:01You came to that, to make fun of me.
48:03I didn't know you had such fine skin.
48:05I want to talk to the sergeant.
48:07As you have said, I am one of the last people who saw Gregorio alive.
48:09And that makes me one of the main suspects, if not the first.
48:12Don't go to the barracks.
48:14Why?
48:16I have nothing to hide.
48:18You have. And more than you think.