• 2 months ago
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Transcript
00:00You
00:07Dario Guerra Dario
00:13It's a
00:30Phone a machine
00:56Yeah
01:01Good afternoon, sir. Welcome. Thank you. Good afternoon, ma'am. Thank you
01:08Which one of us are busting it down
01:12In no time, I said I said
01:14Yeah, we need some time which I'm a purple yakini. Do you like that?
01:18Yeah, I'm I a karegi mujahid. I said a lot of police. Good luck. Police. Call it. I guess I'm a boss
01:23Dario Guerra is up your bitch. I'm a school. You need to watch it. I don't know. I'm gonna beat you Kumar
01:30Harvest my elbow pass on a shot
01:38Hello, sir
01:41Welcome, sir
01:47Many parts only
01:49Jessa, don't switch to have a second
01:53On the bus book that's a booth
01:56phone calls to record or video be
01:59Up to the walk with after because you can get
02:03What are you
02:07Dario need to complete thank you as gear
02:14Officer Montanita call hello, mr. Laskan. Oh, hello
02:21Yeah, Dario Guerra up to something
02:23name
02:24Do you care about that? I'll make it down. I'll make her say bhagi
02:54Hmm
03:25Do you have a sub-lion?
03:33Yeah, they go you long range well a microphone Santa ha number one Kamal a
03:40Say
03:42You know you think we're gonna get a tracker. Yeah
03:46What
03:49A Kamal item. Yeah. No, no, you're pushing a coffee. Yeah, it's good. It's good. Be so that'll go
03:57Take rap chickpeas later. I am
04:00Garda would I think I'll do
04:02No, no, it's good. I don't think I'll take it. Fuck. Come on. Okay, man. It was a lot of coffee. Oh, yeah
04:08It's bar. Take it. I'll borrow. It's a new challenge. I'm J
04:11And I will take it apart I don't know or who's J. You don't but I know my liquor pawns young guy, okay
04:16How do you get my touch me wrong? I don't cut him out
04:25Hey, so no, yeah, okay. Okay. I'm there. I'll meet you in the house. I'll meet you later
04:41I'm a little kid. So many Patricia could be at that. Oh, I mean, but I said, I got to Mara
04:45But if you have a bunker convo, there will be a suitcase keep up with Joe
04:48Phenomenal police to push me back down in a chain. He's already got a head. Are you it's a better keep police?
04:52I'm a girl. I'm gonna hold up. I'm gonna hold up. I'm gonna show it. I'll give you a hand
04:55I'm gonna be dying. Oh, yeah, I'm gonna move to New York
04:57Oh, yeah, I'm gonna make it. Oh, yeah. I'll make it. Oh, yeah. I'll make it. I'll make it. Oh, yeah
05:10Oh
05:40I got that one. You said yeah, I'll put them about that one. Okay
05:50So it's a pocket hole you okay, but you're gonna smash me. Yeah, I keep a little holier-than-thou. I'll kill you
05:54What's it? Come on, Jim? Yeah
05:57Well, yeah, take it for me. Just a boot meal. I'll say some Kashyap. Don't push me
06:06Yeah
06:09What's wrong
06:11Hello
06:16Many of the bad case come up again. He won't give any of the market. I pushed the whole bad hoagie. I don't know
06:20I couldn't even
06:22What's not to mean you say about the red?
06:24Oh, no, they don't say kushka
06:26Kush as a Joe unusual go kush kush as I just say when I shuck home. It's bad
06:32Dario
06:34I
07:05I
07:21Sorry, I put the alert jerry-go-dum-dum traffic police or bus terminal
07:26Well, I'm going to keep up with it. I'll McIntyre a key photo her juggernaut. Yeah, they will kill you. Yeah
07:32Mujhe a keen house case at Dario Guerra
07:35Or match a team chop is going to ask you baby, but I'm not a man. Yeah, it's the bun salaries. I hello
07:44In the office may be told me at you. Thank you, ma'am
07:49Santana co-inform karke Rako ki hum a push phone number trace karne
07:52Oh
08:22Oh
08:52Oh
09:23Mirabai estaban, yeah, you know, let's go. I'm there. Mr. Thompson
09:28Leo cabata cabata was a tea to me to investigate in Karna's a monogamy
09:34So to me, I can't suck on
09:37Montana no, but I thought
09:39Do you java? Yeah, okay. I'll buy a car. So buggy. Yeah, I'm a janta
09:43In a legacy. What are you case? I'd bug me
09:45I
09:47Don't know come on Satya
09:50Then he ex-wife missing the property. I'll marry a sick way to study. Oh, yeah
09:57Patricia Garcia can't you know, I'm gonna miss a car that you won't say manage at the end
10:04To make which but I will come is up to you as to one. No idea
10:08shy of the morelos me you'll be
10:10Oh
10:41Oh
10:51I'm Garcia. We have to do anything. Okay. Let's go. Okay. Let's go. Okay. Let's go. Okay. Let's go
10:57I
11:08Yeah, look in a hurry to get up at all, okay, mr. Laskano, Betty, please. Thank you
11:17Yeah, I'll go Korean DASA. Hey kid, are you aware? I come on sucka
11:21I
11:51Don't walk a key. What's guys take a little dinner? What's the Dario Kalina dinner host?
11:57M&S, yes, ma'am
12:00Morelos police department before in Karo or pata laga. Okay, officer Garcia. Kaha. Hey
12:11It's a rasta promoter
12:21I
12:30Gave it to him. Okay. Well, I think it's a guy who's at the end
12:35Mujahid, what can he put that use key family take all the time? I hate you. I said hundo. Sorry guys
12:41I'll be a big reporter. She is a gaudy jury. We are just nature. I have a school. Yeah, big cool. Dario Guerra's a match
12:48Miguel
12:50Miguel Hidalgo's a gaudy guy. Oh, yeah, don't pay a cab. I was two pair make a dive. We don't work. Take you a month. I knew
12:56You can speed they come with a hum vehicle information case. I tell her to get you cancer
13:02Subsequently, I'll go to say more. I lost my true dog. Thank you, ma'am
13:05Yeah, I'm a coach or be me lay in your boss. I call footage a
13:10IA
13:12In kanami, there are two carvajal you see what I'm a compacter or in caustic or video a good afternoon a car video
13:17So I put a chicken kit
13:20Ye footage was not keen. He had some water. Ye footage hot secrets in pelican
13:31Shedham is see the Garcia kicker. He's on a chaiata. Yeah, okay. Look at it. I've caused a rasta to Jana Tika
13:37I
14:07So, what could be the reason for the meeting?
14:12A bag.
14:14A bag? What kind of bag?
14:16Actually, a suitcase,
14:17in which Dario and his mother's belongings are locked.
14:19In short, Dario's entire past is locked in it.
14:25Hey.
14:26I'm so sorry.
14:27No, no, I'm sorry. I shouldn't have come.
14:29Machu, I'm leaving. I...
14:30I'm coming with you.
14:31I'll get my bag.
14:32Machu, listen.
14:33I'm not asking you.
14:34Listen to me.
14:35You can't come with me.
14:37The police are watching you.
14:39If you want to help your mother, stay here.
14:42Wherever you go, they'll keep an eye on you.
14:44What are you saying, uncle?
14:46I'm telling the truth, Machu.
14:47And I'm here for you.
14:49Hey.
14:51I won't let anything happen to you.
14:54Okay?
14:56Don't worry.
14:59I'll let you know as soon as I find out.
15:01But, uncle, wait.
15:02Sorry.
15:04Can I ask you something?
15:06What happened?
15:07Calm down.
15:08Ask me what it is.
15:09Do you think mom killed that girl?
15:12Tell me the truth.
15:15What can I say?
15:18Look, when a person is not in his right mind,
15:21he doesn't know what he's doing.
15:22He doesn't know anything, kids.
15:26Have you ever hated a person so much
15:28that you killed him?
15:33No.
16:03No.
16:24No.
16:25No.
16:27Okay.
16:28But your mother is going through this.
16:30Okay?
16:32Come here.
16:33Okay.
16:37Take care.
16:38Are you okay?
16:39Stay calm.
16:40Okay.
16:41Yes.
16:45See you.
16:46Okay.
16:47I'll let you know as soon as I find out.
16:49Good night, Kareena.
16:50Uncle Esteban is leaving, Kareena.
16:52I'm sorry, dear.
16:53No, no.
16:54It's okay.
16:55Take care, okay?
16:58I don't know where uncle is.
17:02What happened?
17:03My mom ran away.
17:20When was this footage taken?
17:23A day ago.
17:24This is footage from different locations.
17:27This is from the lobby.
17:28This is footage from outside the hotel lift.
17:33This is from inside.
17:37And this is from the 10th floor.
17:42What is she doing?
17:43I remember this.
17:46But I didn't see Dario.
17:48I only saw Alma.
17:50Can you tell me when you got Hulieta's phone?
17:53The next day.
17:54When I saw Alma there,
17:56I thought I should search the room.
17:58Because I thought she was looking for something there.
18:01Don't you think Dario left the phone there
18:04so he could call the police on Alma?
18:06I mean, you can clearly see in the video
18:08that Alma followed Dario and got there.
18:11And Dario left the phone there.
18:13If that's the case, why would he give us the phone?
18:16And he trapped Alma and ran away with her.
18:19It doesn't make any sense.
18:20It's either Leo,
18:23or Dario.
18:25Seriously, Enio?
18:28Do you believe Dario has a twin?
18:31I saw it with my own eyes.
18:33Enio, do you know what you're saying?
18:35I've met him, Leo.
18:38It's hard to believe
18:40because if Alma ran away with a fake Dario,
18:46then where is the real Dario?
18:55Mark.
18:57I need your help, ma'am.
19:02Okay.
19:25Remember, this is how I'm sending you.
19:31Like a wolf in a pack of wolves.
19:34That's why I want to ask you, friends.
19:37Should we live our lives like a coward wolf?
19:54No.
20:13Jesus.
20:19Jesus.
20:24Jesus.
20:54Jesus.
20:55Jesus.
20:56Jesus.
20:57Jesus.
20:58Jesus.
20:59Jesus.
21:00Jesus.
21:01Jesus.
21:02Jesus.
21:03Jesus.
21:04Jesus.
21:05Jesus.
21:06Jesus.
21:07Jesus.
21:08Jesus.
21:09Jesus.
21:10Jesus.
21:11Jesus.
21:12Jesus.
21:13Jesus.
21:14Jesus.
21:15Jesus.
21:16Jesus.
21:17Jesus.
21:18Jesus.
21:19Jesus.
21:20Jesus.
21:21Jesus.
21:22Jesus.
21:23Jesus.
21:24Jesus.
21:25Jesus.
21:26Jesus.
21:27Jesus.
21:38Impossible.
21:51Damn, your phone.
21:53Oh.
21:56Uncle took both of them.
21:58911, tell the camera...
22:11We found the stolen car, ma'am.
22:14Someone left it in the deserted area of Temu Aya.
22:24Hello.
22:25Good morning, ma'am.
22:26Good morning.
22:28Does Patricia Garcia live here? I want to meet her.
22:40Welcome.
22:47My petty has never been the same again.
22:50She was always worried about the case of the little girl killed in the Cuerna incident.
22:55Leslie Delgado?
22:56Yes, the same girl.
22:59She had named her Little Red Shoe.
23:02That's why she left her job.
23:05She thought that job was a burden,
23:07because she said there was no point in being a police officer in a country
23:11where they don't even care about the murders of innocent girls.
23:21Why isn't it starting, Grandpa?
23:26The problem is in the battery.
23:27I'm a mechanic. If you want, I can help you.
23:30Really?
23:32Maybe you can help me now.
23:35About a year ago, I gave Patricia a suitcase,
23:39which contained all the personal belongings of a woman named Lucinda.
23:44At that time, we thought that the things in that suitcase
23:47would give us some clues that could lead us to Leslie Delgado's real killer.
23:52Do you remember where Patricia kept that suitcase?
23:57Yes, that suitcase.
23:58I know.
23:59Do you have it?
24:01No.
24:03So, can you tell me who has that suitcase?
24:07Before leaving here,
24:09Petty gave that suitcase to the prosecutor of Mexico City.
24:13I don't remember his name.
24:16Eugenia Montano?
24:17Yes.
24:19Why don't you ask her?
24:25Dario!
24:28Dario!
24:30Get in.
24:44What are you doing?
24:45You stay in the car.
24:46Where are you going?
24:48I have to check online.
24:49What do you have to check?
25:08I have to make a call.
25:09Yes, ten pesos, ma'am.
25:14Who is it?
25:15I don't know.
25:16Maybe it's a long-distance call.
25:17Hold on.
25:18Hello?
25:21Hello?
25:22Who is speaking?
25:24It's me.
25:27Alma, where are you?
25:29I can't tell you that.
25:31I just want you to believe me.
25:34I didn't kill anyone.
25:35It's possible that I won't be able to see you for a long time.
25:38But remember one thing, Zoe.
25:40Your mother can't kill anyone.
25:42Trust me.
25:44No, Mom.
25:45Please don't hang up.
25:46I need you, Mom.
25:51I have to hang up.
25:53I love you, sweetheart.
25:54Mom, I love you too.
25:55I really love you.
25:56But please, please.
25:57Everything will be fine.
25:58Don't hang up.
26:01I love you, my darling.
26:03Mom, please don't hang up.
26:04Everything will be fine.
26:05Mom, please.
26:06Believe me.
26:07I hung up.
26:08Mom, I hung up.
26:10What did she say?
26:11She didn't say anything.
26:13Where is she?
26:16Let me see.
26:19I found her.
26:21She's leaving Morelos and going to Toluca.
26:23She called from a local phone.
26:29Jimenez, you're coming with me.
26:30And Mendoza, you're going to the end of this police station.
26:32Okay?
26:33Okay.
26:34Jimenez, you're coming with me.
26:35And Mendoza, you're going to the end of this police station.
26:37And you're going to tell them that we need their help.
26:39So that they can block all the roads to the airport.
26:41Okay?
26:42Okay, I'll go with you.
26:44It's very dangerous.
26:45If they try to stop you, I'll need it.
26:49To negotiate.
26:57Take this key and drive.
26:58We have to go to the airport.
26:59Are you crazy?
27:00We can't go to the airport.
27:01They have all our data.
27:02Don't worry.
27:03We'll take a private plane.
27:04Come on.
27:23Where did you get the money to buy the plane?
27:25Don't ask questions.
27:26Just trust me.
27:27If you want me to trust you, tell me the truth.
27:29It's your savings.
27:30Okay, I understand.
27:32Where are we going?
27:34Nuevo Laredo.
27:35I booked the plane to go there.
27:37I'll meet a friend there who will arrange the passport.
27:51Where did you get this?
27:54Your teacher gave it to me.
27:55Which teacher?
27:56Your literature teacher.
27:57Your literature teacher.
28:00Can you help me, Gerardo?
28:05I don't know if I can.
28:06I've already taken a lot of risks for you.
28:09I'm leaving.
28:10Liscano is coming.
28:16Which teacher are you talking about?
28:18Liscano.
28:21Mrs. Guerra.
28:27She's here, sir.
28:31Liz is my mother.
28:33Helma, police!
28:34Stop!
28:49Get out of the car.
28:50Hands up.
28:51Hurry up.
28:52Hurry up.
28:53Get out of the car.
28:54Hands up.
28:55Hands up.
28:56Helma Quintana.
28:57You're under arrest for the murder of Huliata Liscano.
29:00Put her in the car.
29:01Let me go.
29:02Where are you taking her?
29:03Let her go.
29:04Get back.
29:05Helma, stop.
29:06Get back.
29:07Get back.
29:08Hurry up.
29:09Hurry up.
29:10Don't shout.
29:11Hurry up.
29:12Get in the car.
29:13Hurry up.
29:14Get in the car.
29:15Hurry up.
29:16Get in the car.
29:17Hurry up.
29:26Hurry up.
29:50Dario Guerra.
29:53Put him in the car.
29:56Where's Velma, motherfucker? What did you do to Velma?
29:59Where's Dario?
30:26What did you do to him?
30:29Dario betrayed you.
30:34He set you up.
30:59What did you do to him?
31:27What did you do to him?
31:51What did you do to him?
32:20What did you do to him?
32:50What did you do to him?
32:51What did you do to him?
32:52What did you do to him?
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32:55What did you do to him?
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33:00What did you do to him?
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33:02What did you do to him?
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