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00:00What's the matter, Inés? Why are you calling me so urgently?
00:04It's Laurita.
00:05Laurita what?
00:07She's gone.
00:08Gone? Where?
00:09To a friend's house? To a pension?
00:12No, to Germany.
00:15Germany?
00:17No, that can't be.
00:19Yes, yes. Look, you can check it yourself.
00:22No, it's not possible.
00:23I'm not going to Germany.
00:25I'm not going to Germany.
00:28Yes, yes. Look, you can check it yourself.
00:32I'm leaving with Celia.
00:34We're leaving for Germany this morning. I'll call you.
00:40This...
00:42Laurita couldn't have written this.
00:45This is a goodbye.
00:48She's on her way and we haven't even been able to talk.
00:50Didn't you talk to her last night?
00:52No, because when she got back from Madrid Cabaret I was already asleep.
00:55And not this morning?
00:56No, because she hasn't slept here.
00:58I guess she packed her things and left without making any noise.
01:04It's clear that she didn't want you to wake up
01:06so she wouldn't have to give you explanations about what she was going to do.
01:10I've lost my sister forever.
01:12No, that doesn't have to be like that.
01:15Laurita suffers a very hard blow.
01:17But I'm sure she'll recover and go home.
01:20Laurita is very hurt by everything that happened with Agustín.
01:24And if she's gone, it's because she doesn't want to see me again.
01:27No, you don't have to look at it from a certain perspective.
01:29We're still her family, Inés.
01:32It's all my fault for letting myself go.
01:36Our actions have consequences, Inés.
01:38And you should never have fallen in love with your sister's boyfriend.
01:41I know, I know.
01:43But if only I had let myself talk to her...
01:48It's clear that she hasn't seen the right time.
01:51And now we have to respect her decision.
01:55But what if...
01:57What if she never comes back?
02:01Inés, I'm not going to lie to you.
02:05Only time can heal the wound that Laurita has right now.
02:09Only time.
02:12But I can't do anything to make you feel better.
02:15Uncle...
02:17I'm not going to work. I don't feel well.
02:19Take as much time as you need.
02:29We want to announce that we're expecting.
02:32What? Another day?
02:34If you say it like that, they won't find out.
02:36Cheer up.
02:37Hurray! Hurray! News!
02:40We're going to have a child!
02:42And that's why we're going to invite you to drink whatever you want!
02:45Well, well, well...
02:48We can't invite everyone because we don't have the money.
02:50It's enough for them to be happy for us.
02:52I don't know, say it in a calmer way.
02:55Comrades, comrades, in a reasonable time,
02:58we are going to increase the family in one member
03:01and it will surely be a female.
03:05Tini, my love, you look like the Minister of Government giving the party.
03:08Son, we've been here for half an hour and I don't have any more ideas.
03:11We have to think of something else because they have to believe that it was now.
03:14Immediately.
03:15What's up? Are you having a good time?
03:18The usual.
03:19When you get married, all the tension and romanticism is over.
03:23Well, no, none of that.
03:25Actually, we were talking about my pregnancy because we're going to have a child.
03:28Congratulations!
03:29Surprise!
03:30And you say it with that funeral face.
03:32But that's the most beautiful thing in the world.
03:34And it is, and it is a blessing.
03:37Although this face is because it involves a great responsibility.
03:41And of course, everything has been very sudden and...
03:44Don't worry, Trini.
03:45I'm sure that over time you will get the idea.
03:48In addition, I am sure that working in a tea salon,
03:50instead of coming with a loaf of bread under your arm,
03:52it would rather have to be a hogazza,
03:54the creature will come with a tray full of pasta.
03:57Are you sure you are pregnant?
03:59If you have only been married for a few days.
04:02Well, these things are noticeable, woman.
04:04Well, I imagine you have already done the toad test.
04:07The frog.
04:08What is that?
04:09Well, about the toad, it's very simple.
04:13If you are pregnant, you lie down and you have to put a toad on your belly,
04:16or a frog, depending on where you jump,
04:19if to the right is pregnant ...
04:22Well, I think it's for one or the other.
04:24What are you saying, Elia?
04:25It has nothing to do with that.
04:26Let's see, maybe it's not exactly like that, Miguel,
04:28but what you surely need is a batracio,
04:31a croc croc,
04:32which is a frog, a toad, a toad, call it whatever you want.
04:36It can be found in another way, much less arduous.
04:39No bug is needed.
04:41Look.
04:43Look.
04:45Bring your belly closer.
04:46If this turns, it is that you are pregnant.
04:49My grandmother always did this and never failed.
04:52Come, come.
04:54Oh, Trini is pregnant.
04:56Congratulations.
04:57Croc croc.
04:58Yes, I told you.
04:59There is a croc croc.
05:00Croc croc.
05:01Well, now that you say it,
05:04the truth is that I see you quite excited.
05:06I told you you have a gut.
05:07Elias, the talk is over.
05:09Everyone to work, there are tables to attend to,
05:12tables without barrels.
05:13Everyone to work.
05:14Yes.
05:15Excuse me.
05:16Congratulations.
05:19Where is Teresa?
05:20I want to tell her the news.
05:22I don't know.
05:23I haven't seen her all day.
05:29Well, that's it.
05:30You already know.
05:36Hi, Salvita.
05:37They told me you came to see me at Antonio's house yesterday.
05:40I wanted to know.
05:41I had to talk to you.
05:43I guess it's because of the talk I had with your father, right?
05:46Yes, just that.
05:47After you talked, it was my turn.
05:50And what did he tell you about what we talked about?
05:53He told me that you had questioned his good intentions
05:56and that what he wanted was to separate us.
05:59Yes, that's just what I told him, yes.
06:01It's just that it's green and with handles.
06:03What surprises me is that you didn't notice.
06:06Man, I don't think my father is so twisted
06:11as to set us up to separate us.
06:13No, well, you don't know him very well.
06:16Besides, do you really think I'm going to wait two years
06:19for you to come back with your lawyer's degree?
06:21Why not?
06:22I would wait for you whatever it takes, huh?
06:24Yes, well, I'm not so sure.
06:26Besides, you know what they say,
06:28that distance makes you forget.
06:30And in a month you've already forgotten about me.
06:32Do you trust me that little?
06:34I could trust you, Salvita, but not your father.
06:37And I'm fed up with him trying to set us up
06:39and you don't even realize it.
06:41But he only wants what's best for us.
06:43No way, he wants what's best for you.
06:45Well, not that, he wants what's best for him.
06:47And he's sure I'm not doing anything for you.
06:50You have to be very innocent
06:52if you really think he's happy that we're dating.
06:58Let's see, I was also surprised
07:00at how easily he took what was ours.
07:03The only thing he did was let you get excited
07:07to buy time and think of something to do.
07:11So you think he's not acting in good faith?
07:14People like your father don't change, Salvita.
07:17He's been looking for something
07:19until he found a way to separate us.
07:22But the worst of all is that he's given up.
07:25Okay, but I already told him I was going to Salamanca.
07:28I can't back out. What do we do?
07:33Well, you'll see.
07:35But if you don't back out,
07:37I don't care if you go to Salamanca, China or wherever.
07:40I'm not going to wait for you.
07:42But it's only been two years.
07:44Well, two years is a long time.
07:46And I have a lot of plans, Salvita.
07:49And you're not in them.
07:53Are you leaving me?
07:57If you don't back out, yes.
08:00I'm sorry, but I'm no longer your girlfriend.
08:03If we've ever been a couple, I don't know...
08:08I'm sorry.
08:11I'm sorry.
08:31Darling, are you okay? You look tired.
08:34Yes, it's just that so much stress has passed me by.
08:38Once the danger is over, I feel exhausted.
08:40It's normal.
08:41Don't you want to go to a hotel with Iñigo and the girl?
08:44To rest?
08:45It's not a bad idea.
08:47Because living in that apartment is hard for me, Antonio.
08:50Everything reminds me of Carla.
08:53You'll soon forget about her.
08:55I'm trying, but I can't help feeling
08:57that that apartment is full of bad memories.
09:01I feel like Carla is everywhere.
09:04I understand, but soon her memories will have no effect on you.
09:08You'll see.
09:10Yes, but I'm afraid that Carla has changed me.
09:14That she's become tougher, that she's no longer happy...
09:17No, darling, that's impossible.
09:19Because you're very happy, nobody can take that away from you.
09:24But after so many misfortunes, I feel empty.
09:29Darling, you just need a little time to heal the wounds.
09:34Oh, don't go.
09:36Trini has good news for you.
09:39Yes, I'm pregnant.
09:42She's pregnant.
09:44I would have liked to tell it to me,
09:46since I'm the pregnant one.
09:47But this is everyone's house.
09:49My husband wouldn't be surprised,
09:51and neither would I, because I'm the one with the baby inside.
09:54Darling, congratulations.
09:56You'll soon be married.
09:58The women in my family,
10:00you look at them twice and they're already pregnant.
10:02Well, I say that something more than looking at you
10:04would have had to be done by Miguelín.
10:08Oh, come here, Trini.
10:10I hope this baby grows strong and healthy.
10:13Look, you sign that it can be the next one.
10:17You should also be happy and proud, Antonia.
10:20Really? Why?
10:21Because of how well Marta spoke yesterday at the Madrid-Cabaret.
10:24She left us all with our mouths open, come on.
10:27And there were very well-informed ladies there, huh?
10:30Well, when she arrived, I was already asleep,
10:32so I couldn't see her.
10:33She had a flash.
10:35I couldn't even imagine it, Trini.
10:37Well, the same goes for politics,
10:39and it would be good if there were more women in the courts,
10:41and not so many gentlemen.
10:42Everything will work out.
10:43The first thing is that they let us vote,
10:45and then we'll move forward.
10:47What's up? No one's working today?
10:49It's just that with Trini's pregnancy,
10:51we're all revolutionized.
10:52Have you found out yet?
10:54Yes, I already imagined it.
10:56Come on, everyone to work.
11:00Matilde, I wanted to tell you
11:02that I know you've had a very bad time,
11:04and that you can count on me for whatever you want.
11:06Thank you, Teresa, really.
11:08I'm glad you're back.
11:25Inés won't come to work today.
11:27Has something happened?
11:30Is it serious?
11:32Yes.
11:36Laurita has left for Germany,
11:38and her sister is very affected.
11:40But it can't be.
11:42I was talking to her yesterday,
11:44and I didn't get the feeling that she was going to leave.
11:46I didn't expect anything like that either.
11:48Inés is capable of any madness,
11:50but Laurita is much more reflexive.
11:52She must feel very bad
11:54for acting so impulsively.
11:56Has she said when she's coming back?
11:58No, no, no.
12:00She just left a note saying that she was leaving
12:02and that she would contact us as soon as she could.
12:06Well, I don't really think
12:08it's going to be a bad thing.
12:10Maybe she needs this distance.
12:12It was a snatch.
12:14I'm sure she'll be back soon.
12:16That's what I told Inés to comfort her a bit,
12:18but I'm not sure it's going to be like that.
12:20Do you think she's not coming back?
12:22I don't know. She feels betrayed by her sister,
12:24which is true,
12:26but it's hard to accept.
12:28It's not the time she'll need
12:30to close that wound,
12:32if she ever does.
12:34And what's going to happen
12:36with the gramophone store?
12:38Because if Laura leaves with Celia,
12:40who's going to run that business?
12:42We'll have to close it temporarily
12:44until we find a solution.
12:46I'll put a poster on the door
12:48to let our clients know.
12:50Fermín, I'm very sorry
12:52you're feeling this way.
12:55I can't think of anything else.
12:57I'm glad I have you to support me
12:59in these complicated times.
13:01There's nothing I like more
13:03than being here to support you.
13:05By the way,
13:07I've been looking at several parishes
13:09and they could marry us
13:11in a few days.
13:13I don't know, maybe it's time
13:15to think about closing a date.
13:17I'm sorry to interrupt,
13:19but I can't think of anything
13:21much less to make
13:23such an important decision.
13:25Of course, don't worry.
13:27We'll close the date later.
13:31It's better when the problem
13:33with my nieces is solved.
13:35I'm sure everything will be solved.
13:37The girls are very close,
13:39and before you know it,
13:41Laurita is back.
13:43I hope so, because if not,
13:45I don't know if I'll be able to sleep.
13:47Fermín, don't worry about anything.
13:49I'm here to help you.
13:52I'll go to the living room
13:54to make sure everything is in order.
13:56If you'll excuse me.
14:16It's easier to find you in the changing room
14:18than in your workplace.
14:20I'm very tired from the pregnancy
14:22and now that there were no clients,
14:24I don't know, I thought I'd come here
14:26to rest a bit.
14:35It's affecting you a lot, isn't it?
14:39Because with just one week of pregnancy
14:41you can't move your feet.
14:45Yes, well, it's normal
14:47to be like this at the beginning.
14:50Yes.
14:52Yes, maybe it's like you say,
14:54but I think it's a bit strange
14:56that you have these symptoms so soon.
14:59You got pregnant very quickly, didn't you?
15:03Yes, the truth is that we could say
15:05that I've been lucky.
15:07We've been lucky.
15:10Is something wrong?
15:12Because it seems
15:14that he's not happy for me
15:16and I don't know, he's asking me questions
15:18that, well, more than questions,
15:20it seems like an interrogation.
15:23Do you want to know what's wrong with me?
15:25Of course.
15:28Well, I was hoping that at some point
15:30you'd tell me the truth.
15:35The truth about what?
15:40Trini Cañete told me everything.
15:43I know you've been married to Miguel for a long time
15:46and that you haven't told anyone
15:48to keep your job.
16:00That's true.
16:02The thing is that
16:04we didn't have a choice.
16:08We had to keep our salaries
16:10because neither Miguel nor I
16:12come from a good family.
16:14We're alone, no one helps us.
16:16Trini, I can understand that.
16:19But I thought you were my friend.
16:23We don't trust each other enough
16:25to be honest with me.
16:27Of course we trust each other.
16:29But the lie had grown
16:31long before you and I
16:33became friends.
16:35And when we started getting along,
16:37it was too late.
16:39I think it was very easy, Trini.
16:41You just had to tell me four words.
16:44Miguel is my husband.
16:46I know, it wasn't that easy.
16:49For you, it was much easier
16:51to keep the lie.
16:54And you didn't care that I thought
16:56I could have something with Miguel.
16:58That I'd fall for that humiliation.
17:00No, no, no.
17:02I swear that our intention
17:04was not to hurt him at any time.
17:06What happened was just survival.
17:08Nothing else.
17:10But have you stopped to think
17:12how I can feel when I'm made fun of?
17:14That I thought you were my friend.
17:16That our friendship was sincere.
17:18Of course it was sincere.
17:20I swear that our friendship is sincere.
17:22If lying to you
17:24has been what has hurt me the most
17:26of all this, I swear.
17:28I've been a coward.
17:30An absolute coward.
17:32And I feel very bad.
17:34I'm really sorry.
17:36We have behaved very badly
17:38and the circumstances have led me to...
17:41I have to think about this, Trinidad.
17:43Because...
17:47If I'm honest with you,
17:49I don't know if I can forgive you.
17:51No, no, no, but you have to listen to me.
17:53Teresa, you have to listen to me.
17:55From now on, we're going to try
17:57to keep our distance.
17:59No, no, no, no.
18:01Wait a minute, Teresa, no, no.
18:11The first thing is that you choose freely
18:13where you want to go.
18:15That's why I've looked for you
18:17these two major schools.
18:19I don't have much freedom if I only have two options.
18:21They are the best in Salamanca.
18:23Let's see, son, you choose first
18:25the one you like the most
18:27and then you just have to fill in the enrollment.
18:29I don't care about either one, really.
18:31Look, I'm thinking about that subject
18:33of having to go to Salamanca to study
18:35and I don't understand why I have to leave Madrid
18:37to finish my degree.
18:39Have you thought about that alone
18:41or has the cleaning lady helped you
18:43to reach that conclusion?
18:45Of course I have talked to Marta
18:47and she has shown me her true intentions.
18:49Wow, this girl is extraordinary.
18:51Now she can even guess my thoughts.
18:53Father, admit that you don't want to go to Salamanca
18:55and she comes to the hair to separate us.
18:57It hurts me that you think that.
18:59I just try to make you keep
19:01the promise you made to your mother.
19:03I'm not going to stop studying.
19:05Then I see it because there must be doubts.
19:07You fulfill the promise and then take your life
19:09wherever you want.
19:11Look, don't get my mother involved in this
19:13because I'm sure what she wanted for me was to be happy.
19:15I had you for a more integral person, my son.
19:17Father, I'm not going to stop studying.
19:19I'm just going to do it here, near Marta.
19:21Look how hard she has hit you.
19:23I understand that you have taken a liking
19:25to her, but over time
19:27you will get to hate her.
19:29Let's see, son.
19:31We have all had a whim of youth,
19:33but none of us have married her.
19:36We have married her.
19:38You are completely wrong.
19:40I am not like you.
19:42The love I have for Marta is pure and sincere.
19:44I don't doubt it, but that girl is not good for you.
19:46She is not of our class, she is not going to make you happy.
19:48Marta has a head full of birds
19:50and revolutionary ideas
19:52that take us nowhere.
19:54Believe me, son.
19:56In the long run, those women only bring problems.
19:58Look, father, nothing you tell me
20:00will make me change my mind.
20:02I'm not going to let you throw your future away.
20:04Father, I have to decide about my life.
20:06And the discussion is over.
20:08We will stop talking when I deem it appropriate.
20:10I am still your father
20:12and I demand the respect I am owed.
20:18You are wrong if you think
20:20that I cannot comment on your actions.
20:22Your mother left her health
20:24bringing you into the world.
20:26She never surpassed childbirth.
20:28And I, working in our businesses
20:30to ensure a prosperous future for you,
20:33what I do in this life, I do it thinking of you.
20:37So I think I have earned the right
20:39that you listen to me
20:41and obey me.
21:03Mrs. Bárbara, I wanted to give you
21:05my most sincere condolences
21:07for your daughter's death.
21:09I thank you, Mr. Fermi.
21:11And I am also very sorry
21:13for the tragic circumstances of her death.
21:15Yes, it is the worst thing
21:17that can happen to a mother.
21:19I don't think she will be able to raise her head.
21:21Well, she will have to put everything on the line
21:23for the rest of her life.
21:25I'm sorry, Mrs. Bárbara,
21:27but I have to go.
21:29Goodbye.
21:33I thank you for your commitment,
21:35because even if it weighs us down,
21:37life goes on.
21:39Not for me.
21:41I don't think I can survive
21:43Karla's absence.
21:45Nothing makes sense anymore.
21:47Everything I've done these last few days,
21:49whether it's good or bad,
21:51I did it to protect her.
21:53It's a shame I couldn't save her
21:55from herself.
21:57Many times, no matter how much we want,
21:59we can't protect our loved ones
22:01if we can't prevent them from making mistakes.
22:03I know.
22:07But you always have to try.
22:09Although when we can't do it,
22:11it's almost impossible to accept it.
22:17I don't have children,
22:19but I understand perfectly
22:21the terrible moments she's going through.
22:24I have to go, Mr. Fermi.
22:26I've picked up things from Karla
22:28and I don't want her to come back here again.
22:31Are you going to leave Madrid for a while?
22:33Maybe forever.
22:35I can't live in that palace anymore.
22:37Too many memories.
22:39Yes, I understand.
22:41Have you found a place to stay?
22:43Yes, in Cordoba.
22:45There I have a courtyard
22:47that belonged to my second husband.
22:49A quiet place, full of charm,
22:51to spend my last years.
22:53Don't say that, Mrs. Bárbara.
22:55You have your whole life ahead of you.
22:57Yes, to think that I was wrong about my daughter.
22:59If I may have your advice,
23:01give her some time to reflect
23:03and challenge her life
23:05where she left it.
23:07Who knows what the future will be like.
23:11The most important thing is that I have resolved
23:13all the issues of my daughter.
23:15Have you managed to sell the gallery?
23:17Practically.
23:19But I can't give you more details
23:21because the negotiations
23:23can be frustrating at the last moment.
23:25Does that mean you already have a buyer?
23:28Yes, a Spanish businessman
23:30who is based abroad
23:32is the possible buyer.
23:34I sincerely wish
23:36that I make good friends
23:38with the new owner of this building.
23:40I hope so too.
23:42I'm looking forward to meeting you.
23:46I'm sorry I haven't sold the gallery
23:48to you or the tenants.
23:50But any friend of Inigo Peñalver
23:52is my enemy.
23:54Mrs. Bárbara, of course you have the right
23:56to negotiate with whoever you want
23:58but it seems to me that your words
24:00are being a bit excessive.
24:02My daughter is rotting underground, Mr. Femi.
24:04No.
24:08I'm not being excessive.
24:10In fact,
24:12I'm being careful.
24:14I could end that marriage
24:16in multiple ways, I assure you.
24:22But the desire for revenge
24:24is what I have with my daughter
24:26and I'm not going to let myself be carried away
24:28by that feeling.
24:30I'm not going to allow it.
24:34Now, if you'll excuse me,
24:36I have to go.
24:38I'm sorry you have to leave
24:40like this.
24:42If you'll excuse me,
24:44I'll walk you to your car.
24:50I'm glad I can talk to you, Marta.
24:53I'm very sorry that your sister
24:55has gone so far away.
24:57I already miss her
24:59being at the gramophone store closed today.
25:01Could you talk to her yesterday
25:03at the Madrid Cabaret?
25:05Yes, but she didn't tell me anything about any trip.
25:07Well, I didn't even know she was going around the corner.
25:09But is the note closed?
25:11No, I saw her as always.
25:13Well, when I left,
25:15she was talking to Celia.
25:17I guess she already convinced her
25:19to go together.
25:21Well, I wouldn't know how to tell you.
25:25What I find strange
25:27is that she left without saying goodbye.
25:29It's something that doesn't hit me right now.
25:31Yes, well, she left a note,
25:33but it's almost worse than not saying anything.
25:35Yeah.
25:37Well, you'll see
25:39how she immediately gets in touch with you
25:41or with your uncle.
25:43I think she doesn't want to see me again.
25:45Come on, don't get the worst of it.
25:47I'm sure she needs time
25:49to calm down.
25:51She should have told me about her plans.
25:53Well, Inés,
25:55accepting that your boyfriend and sister have something
25:57doesn't have to be easy.
25:59No, Marta, he's not my boyfriend.
26:01We just kissed, that's all.
26:03Well, doesn't it seem like a kiss to you?
26:05Well,
26:07it was without looking for it.
26:09Yes, it was without looking for it,
26:11but you didn't do anything to avoid it, Inés.
26:13Put yourself in her shoes.
26:15Imagine it had been the other way around.
26:18Imagine it had been your sister who had kissed your boyfriend.
26:20You wouldn't have sat there like a fool, would you?
26:24How could I do this to her?
26:26Laurita is the most important person
26:28in my life
26:30and I've betrayed her.
26:32I can't live without her.
26:36Well, you'll see how she gets back.
26:38She might not come back, Marta.
26:40You have to give her time.
26:44Wait for the bad luck to pass
26:46and if something happens, tell me.
26:48What if I go to Germany?
26:50Inés, how are you going to go to Germany?
26:54Are you crazy?
26:56Do you know how many streets there are in Germany?
26:58You don't even know where it is.
27:00I have to do something.
27:02I need to talk to her.
27:04Yes, and you know what you're going to do?
27:06You're going to sweat until Laurita dies.
27:08The rest is crazy.
27:10I'm going to lose the house without her, Marta.
27:12Well, you'll have to come up with the idea.
27:14I don't know.
27:16You have no choice.
27:18Thank you very much for inviting me.
27:20I'm very excited to come here
27:22and have lunch with you at your house.
27:24No, I'm the one who's excited.
27:26I know you're pregnant and I wanted to celebrate it.
27:28Come on, sit down.
27:30I'm going to heat up the coffee.
27:34Yes, you were in a hurry, Miguel and you,
27:36to take care of the baby, right?
27:38Yes, it was all very fast.
27:40I love children.
27:43I've always been a child.
27:45So when you want, I'll take care of it.
27:47I'll make you a nanny.
27:49We're going to need help.
27:51Miguel and I are very overwhelmed.
27:53I don't know if I'll be able to do it right.
27:55Of course you will.
27:57Mothers have a natural instinct.
27:59Besides, no one is born learning.
28:07Antonia, if you don't mind,
28:09why haven't you been a mother?
28:13Well, God didn't want me to.
28:17And we tried.
28:19Ramón and I really wanted
28:21to see the kids running around here,
28:23but there was no way.
28:29The truth is that not being a mother
28:31has been a thorn that has stayed with me
28:33for the rest of my life.
28:35Don't worry,
28:37because if it seems good to you,
28:39it will be like a second mother for my son.
28:45The truth is that I've always felt
28:47that I had a lot of love left inside
28:49to give.
28:53Oh, honey, I don't...
28:55Forgive me, we're here
28:57to celebrate your maternity,
28:59not to get melancholic.
29:01No, it's not that.
29:05I've been very bad to you
29:07and to everyone.
29:09Oh, you're going to be worse.
29:11You're a piece of bread.
29:13No, I'm not a piece of bread,
29:15I'm a liar.
29:17Because Miguel and I
29:19have been married for a long time
29:21and we haven't said anything
29:23so as not to lose my job.
29:25And I've been pregnant for several months.
29:27Come on, we've been lying
29:29for too long.
29:31I'm sorry, I'm sorry.
29:35So Leon's wedding was a lie?
29:37Yes.
29:40We created that lie
29:42just to announce
29:44that I was pregnant and...
29:46Oh, coffee.
29:52Well, that's it.
29:54I've already told you
29:56and now if you want me to leave your house
29:58I'll understand it perfectly.
30:00Come on, I understand it perfectly.
30:02I understand that you're angry like Teresa.
30:04I really understand it.
30:06Listen to me.
30:08I want to thank you for being honest with me.
30:10Although it's been a long time.
30:15But isn't he going to be angry with me?
30:17No.
30:21Of course not, darling, yes.
30:25Necessity sometimes makes us take
30:27wrong paths, right?
30:29The important thing is to rectify time.
30:32But I feel very bad
30:34for having been lying,
30:36and because of this
30:38now I'm going to lose Teresa's friend.
30:40Well, it's normal for Teresa to be angry.
30:42I consider you a good friend,
30:44but I'm sure you'll reconcile.
30:46Well, I hope so.
30:48Because I really swear to you
30:50that for me you are like a family.
30:52And I couldn't stand
30:54you being angry with me forever.
30:58Oh, I deserve it, I'm giving it.
31:00No, what you have to give me is a hug.
31:02Come here.
31:06Come here.
31:12I have come to tell you
31:14that yesterday afternoon
31:16Mrs. Bárbara said goodbye to me.
31:18She is going to live in Córdoba.
31:20And has she told you?
31:22Has the gallery been closed?
31:24Practically, I spoke on the phone
31:26with Emiliano Pedraza
31:28and the deal is almost closed.
31:30I hope Mrs. Bárbara does not suspect
31:32of the relationship she has with him.
31:35No, she has no idea.
31:37On that side we can be calm.
31:39Well, we could say
31:41that the only beneficiary of all this
31:43is Emiliano Pedraza.
31:45Because he is going to buy the gallery
31:47at a lower price than the market.
31:49I think we all benefit
31:51that a man of Mr. Fermin's trust
31:53is the new owner.
31:55Well, yes, because apart from being my friend
31:57he is a successful businessman
31:59and surely he gives a good boost
32:01to the business of the building.
32:03He wants to employ his business
32:05and start a new life here.
32:07Well, that sounds very good.
32:09I would also like to start from scratch
32:11in another place.
32:13Although, well, you never know
32:15if what is to come is better or worse.
32:17Pay attention to your instinct.
32:19When things are over,
32:21it is better to start another.
32:23Well, gentlemen, I'm going to leave.
32:25I have other matters to attend to.
32:27Then let's say the meeting is over.
32:29Mr. Fermin?
32:31Agustín, stay.
32:33You and I have to deal with another matter.
32:35Sit down.
32:43Has he changed the detergent
32:45with which he usually cleans the displays?
32:47No. Water, soap
32:49and rubbing for a long time,
32:51as he has done all his life.
32:53Well, I don't like how they smell.
32:55It stinks of bleach.
32:57It seems very difficult to me that the bleach smells
33:00closer to the display.
33:02Well, I tell you that it pulls back
33:04the smell of bleach.
33:06What smells clean.
33:08Oh my God.
33:10Teresa, wait a minute.
33:12What do the displays smell like?
33:14Don't you stink of bleach?
33:16No.
33:18What smells clean to me.
33:20What I told you.
33:22The truth is that I don't know
33:24why I ask for your opinion.
33:26It is clear that you are going to deny me even the evidence.
33:28It doesn't smell weird to me.
33:30It is impossible to make a team like this.
33:32And I really try.
33:34But when I say white, you say black.
33:36Do you want to drive me crazy?
33:38Look, he has asked me a question
33:40and I have answered it sincerely.
33:42What I think
33:44is that he enjoys contradicting me.
33:46Isn't that so?
33:48Well, I don't know, ma'am, maybe I don't have
33:50as fine a sense of smell as you.
33:52That's why I'm only in charge and not the manager.
33:54Let's see if you're going to wash the dishes,
33:56you're right,
33:58I'm the manager.
34:00And as such,
34:02I order you to find out where that smell comes from
34:04and to clean up the stench of the displays.
34:20I've found you a wedding dress that will suit you.
34:22Let it be the last time
34:25that you ask me a question of a personal nature.
34:27It is terminally forbidden.
34:31Is it funny?
34:33The last one to laugh
34:35laughs better.
34:43This is the only dress that suits you.
34:45It's a black one with a pointed hat
34:47and a broom to fly out.
34:49Why will it have that dog humor?
34:51Well, you'll find out.
34:53Well, be careful,
34:55because it is very dangerous
34:57when it is with that humor
34:59and you have mania.
35:01Come on, any excuse to kick her out on the street.
35:03Well, look,
35:05whatever it has to be, it will be.
35:13I'm very sorry that you think that of me.
35:17I thought you were a gentleman,
35:20but the behavior I've had with my nieces
35:22is more typical of a Don Juan de Opereta.
35:26I assure you that it was not my intention
35:28to enmity Enes and Laura.
35:30You have broken the heart of Laurita
35:32to the point
35:34that she has decided to leave for Germany,
35:36far from her family,
35:38without giving explanations
35:40and without setting a return date.
35:42I didn't know anything.
35:44I wish I could do something
35:46to fix this matter.
35:48You have destroyed the wonderful relationship
35:50that the two sisters had
35:52and all
35:54for not knowing how to control
35:56your snatches.
35:58You are
36:00despicable.
36:03Look, you are right
36:05to despise me that way,
36:07but in my defense I can assure you
36:09that it was not my intention for this to happen.
36:11With good intentions, hell is full.
36:13I couldn't help but feel attracted to Inés,
36:15but I assure you
36:17that she kissed him and ended up in that kiss.
36:19I couldn't help it.
36:21A good man has to know how to control
36:23his impulses.
36:25You are a scoundrel
36:27who gets carried away by the needs of the moment.
36:29Of course, Inés is partly to blame,
36:31but her behavior
36:33has been that of a real scoundrel.
36:37I assume all the blame.
36:39I'm not going to argue with you.
36:41And I'm not going to let you leave my office right now.
36:44I have nothing else to talk to you about.
37:01You must be wishing to go back home,
37:03now that you don't have a carcoma.
37:05Not too much.
37:07I'm just tired
37:09of walking around with things up and down.
37:11The only thing I want
37:13is to move in with you,
37:15under the same roof.
37:17Well, don't run so much
37:19because that,
37:21until we go through the vicarage ...
37:23Yes, but let's see if these papers
37:25arrive soon,
37:27cancelling my wedding with Lucia, right?
37:29So we can get married.
37:35I'm sorry.
37:37Hello.
37:39Hello.
37:41What can I do for you?
37:43Well, look,
37:45for now,
37:47tell us what you talked about
37:49in the act of the suffragette.
37:51Esperanza told me that you were very close.
37:53Well, at first I was surprised
37:55when they told me
37:57that I had to speak
37:59in front of so many women
38:01and on top of that,
38:03after Clara Campamor herself.
38:06Wow, what a commitment.
38:08I wouldn't have said it myself.
38:10Well, look, I thought the same thing.
38:12But then Mrs. Clara told me
38:14that all I had to do
38:16was tell my experiences
38:18and what I thought.
38:20And suddenly,
38:22it was like magic.
38:24As if the words
38:26began to come out by themselves.
38:30We are very proud of you.
38:32I would have loved to have them there with me.
38:34If I have had the opportunity
38:36to speak in front of so many people,
38:38it has been thanks to you.
38:40We have not done anything.
38:42It has been you alone,
38:44with your tenacity and your effort.
38:46Yes, and you are going to go very far, for sure.
38:48Because they have treated me
38:50as if I were their son.
38:54They are like parents to me.
38:56Well, you are going to tell me the truth.
38:58Come on, to work.
39:00You have to do a lot of things.
39:02And with Saldita?
39:04How was it?
39:06That the boy seemed to me
39:08that he was going a little disoriented,
39:10like a sailor without a compass.
39:12Well, I talked to him,
39:14but it has not gone very well.
39:16I told him that his father
39:18all he wanted was to separate us
39:20and in the end I understood
39:22that the best thing is
39:24that we each follow our own path.
39:26Honey, I'm very sorry.
39:28I know you were very in love with him.
39:31Yes, Antonia, I am.
39:33But he will never face his father
39:35and in the end Don Salvador
39:37will end up dating his.
39:39So the best thing is to end it as soon as possible.
39:41Of course.
39:43You mean a lot to me.
39:45In addition,
39:47the important thing now is to be a teacher.
39:51Yes, honey.
39:53You now have the opportunity to fulfill your dream.
39:55And that's what you have to do.
40:01What's up?
40:03Have you already regretted it?
40:05No, no, no.
40:07Yes, it's just two points.
40:09Really.
40:15Sorry, I think I didn't understand you well.
40:17Didn't you understand?
40:19Wait, I'll explain it to you.
40:31Teresa.
40:35I've been trying to talk to you all day
40:37and I can't stop listening to you.
40:39What do you want?
40:41I want to apologize for hiding
40:43what happened between you and Miguel.
40:45If I didn't tell you they were married,
40:47it was because I was jealous of them.
40:49Very noble of you.
40:51I understand that you are angry with me,
40:53but I didn't mean to hurt you.
40:55Let's see, what was the second thing you wanted to tell me?
40:57I want you to forgive me.
40:59I want you to forgive me.
41:01I understand that you are angry
41:03and that you feel betrayed.
41:05But I'm just asking for an opportunity
41:07to show you that you can trust me.
41:09Well, look, Cañete,
41:11I don't know if you deserve it.
41:15I made a very big mistake
41:17and I failed you.
41:19But I want you to trust me again
41:21to be able to show you
41:23that there will never be a secret between us.
41:25Cañete, we can't have a relationship
41:27if we're not honest with each other.
41:29I totally agree
41:31and I'll never hide anything from you again.
41:33Teresa,
41:35I love you with all my heart
41:37and I can't lose you.
41:39I just need you to give me that opportunity
41:41that I ask of you.
41:45Are you going to forgive me?
41:47You're going to have to try very hard.
41:49I'll do whatever you ask of me.
41:55Wait.
42:05Well, look, I'm going to tell you something
42:07that is important to me and no one else knows.
42:11And no, don't look at me like that,
42:13I'm not sick or anything.
42:19I'm going to leave the modern.
42:21That's it, I admit it.
42:24But, Teresa...
42:26Look, Mrs. Lázara is driving me crazy.
42:28I can't take it anymore
42:30and it's not worth losing health
42:32for a job.
42:34But that happens to everyone here.
42:36Yeah, well, but she has it in for me
42:38and that displeasure is mutual.
42:40Besides, I'm a calm person
42:42and all this doesn't do me any good anymore.
42:44That's it.
42:46Are you determined?
42:48100%.
42:50And besides, I don't want to be a witness
42:52for all the employees.
42:56Well, if you leave, I'll hang up the waitress jacket
42:58and leave with you.
43:00You'd do that?
43:02Teresa, I'd go to the end of the world on my knees for you.
43:04And carrying a piano if you ask me.
43:08I'd do anything for you.
43:14Cañete, for God's sake, they're going to kick us out.
43:17So what?
43:19If we're not going to leave anyway.
43:22Well, yes.
43:40Agustín.
43:42Is something wrong?
43:44I've been talking to your uncle.
43:48He told me Laura has left.
43:52It's been a conversation...
43:56very difficult.
43:58He hasn't stopped telling me
44:00what he thought about me.
44:02It hasn't been pleasant, to be honest.
44:04How are you?
44:06Destroyed.
44:08I thought Laura would get over it,
44:10but she's putting half the world
44:12between the two of us
44:14and she's left her business.
44:16I tried talking to her
44:18last night in Madrid,
44:21and I told her I was to blame
44:23for everything,
44:25that she shouldn't get mad at you,
44:27but it's clear
44:29that I haven't made it.
44:31Well, it's normal
44:33that she doesn't want to know
44:35anything about us.
44:37I think I should have
44:39talked to her before,
44:41I don't know,
44:43tell her I was starting to feel things.
44:45Well, this has no solution
44:47no matter how much we regret it.
44:49What I don't regret
44:51is kissing you.
44:53Even if we tried to bury...
44:55Agustín.
44:59I don't...
45:01I don't want to talk about this.
45:05We've broken my sister's heart
45:07and I...
45:09I can't live with this guilt.
45:11But you can't deny
45:13what we feel.
45:15I've hurt her so much
45:17that I...
45:19I can't get close to you.
45:25And I don't...
45:27I don't want to see you again.
45:31Are you sure?
45:33Yes.
45:35Yes, totally.
45:41I respect your decision, but...
45:44It breaks my heart, really.
45:48Yes, me too, but...
45:50But there can't be anything
45:52between us.
45:54It's okay.
45:56You won't see me again at rehearsals.
45:58No.
46:00No, no, it's just that...
46:02There won't be any more rehearsals.
46:04I quit.
46:08You can't do that.
46:10I've been waiting for you
46:12all this time, Inés.
46:14You have to know how to differentiate
46:16the professional from the personal.
46:18Or you'll miss your big opportunity.
46:20Yes, I know.
46:24It's a very painful decision, but it's the right thing to do.
46:28Are you aware of what your decision means?
46:32Many people will lose their jobs.
46:34I know.
46:36I'm very sorry.
46:38But...
46:40I won't change my mind.
46:44Then I'd better go.
47:10Aren't you cold?
47:12You're getting cold.
47:14I wanted to get some fresh air.
47:18I spoke to the doorman.
47:20He told me that a young woman
47:22rented the flat next door.
47:24And it had to be Carla.
47:26From there, I could enter the terrace
47:28and go up and...
47:30Don't get on my nerves.
47:32Don't continue, please.
47:34Carla is part of the family.
47:36She's a good person.
47:39Carla is part of the past.
47:41We shouldn't spend a minute more
47:43of our lives with her.
47:45I find it hard to believe
47:47that we don't have to worry about her
47:49or about what she's going to do against us.
47:53Well, maybe opening a bottle of wine
47:55and having dinner in the light of the candles
47:57could help you forget it.
47:59I think it's a good plan.
48:01Besides, we have many things to celebrate.
48:03For example, Ms. Bárbara leaving here forever
48:05and her complaint
48:07won't be successful.
48:09It's normal.
48:11The police saw what happened.
48:13There was no doubt that it was an accident.
48:15I went to talk to her this morning
48:17to tell her in person.
48:19And I found a woman...
48:21defeated.
48:23I hope that now that Carla is not by her side,
48:25she finds peace.
48:27Whatever happens,
48:29we will never see her again.
48:32Has she sold the gallery?
48:34Well, she's about to close
48:36a deal with a Spanish businessman
48:38who is based in Argentina.
48:40A friend of Don Fermín.
48:42Does Ms. Bárbara know?
48:44No, of course not.
48:46If she did, she wouldn't sell it.
48:48The businessman's name is Emiliano Pedraza.
48:50Yes.
48:52Apparently, he wants to come to Spain
48:54to start a new life with his family.
48:56Sometimes it's good to change things up.
48:58I'm glad you say that.
49:00Because I've been thinking
49:02that maybe
49:05we could leave here.
49:07The three of us.
49:11Wouldn't you like to leave
49:13all this behind?
49:15All the memories we have?
49:19The truth is that
49:21I feel chills every time I'm here
49:23and when I think about Carla's disappearance.
49:27Clarita would be great.
49:29It would help her a lot
49:31to move forward with everything that has happened to her.
49:33If it's been hard for us,
49:35imagine it for a girl.
49:37You're very clear about that.
49:39I know.
49:41But it will be difficult to leave.
49:43Here you have Madrid Cabaret
49:45and you have to run a business.
49:47That's another thing I wanted to tell you.
49:49I've been offered
49:51a very interesting deal
49:53for the place.
49:55Really?
49:57Yes.
49:59And you'll be left with a piece
50:02when I tell you the name of the person
50:04who wants to buy Madrid Cabaret from me.
50:12Do you know anything about Marta?
50:14She hasn't come to clean.
50:16She asked me to tell you
50:18not to wait for her.
50:20She won't come today or tomorrow.
50:22She won't come back to the bookstore.
50:24Before you sign,
50:26I have to talk to Clarita.
50:28After everything that has happened,
50:30it's a very good idea.
50:32Can we do it now?
50:34Now?
50:36I'm starting to lose my patience.
50:38We resign irrevocably
50:40from our jobs.
50:42Both of us.
50:44I thought we could move.
50:46Go somewhere else.
50:48Where?
50:50To La Rioja?
50:52I've given up on starring in the opera.
50:54And how did you do it?
50:56Augusto in a coma?
50:58What do you have to do? For whom?
51:00For you or for Laurita?
51:02If I had a son, I'd be proud
51:04to see a woman as glamorous,
51:06honest, brave and exemplary
51:08as Marta.
51:10She's laughing at me.
51:12Because if that's the case,
51:14she's destroying her own grave.
51:16I'd settle for one thing.
51:18Knowing exactly what you feel towards me.
51:20I never thought you and I
51:22would become good friends.
51:24And I never imagined I'd lose her.
51:27I'd love to, but you've become
51:29someone essential to me.
51:31I swear.
51:33Please forgive me.
51:37Teresa, say something.
51:39I can't take it anymore.
51:41I've been dismissed.
51:43What are you talking about?
51:45Cañete and Teresa?
51:47I understand that Teresa
51:49doesn't want to work under your orders,
51:51but Cañete?
51:53I think they're a couple.
51:55And if you tell me where she is,
51:57I'll go where I came from.
51:59If it's so important, tell us.
52:01I can't tell you anything
52:03before talking to the person interested.
52:05But I speak like a lawyer.
52:07I don't like this.
52:09Has something happened?
52:11There's news about Laurita.
52:13I've talked to her. Hurry, it's urgent.
52:15Do you want to marry me?
52:19I've heard things here.
52:21I'm sure she's in good hands.
52:25Wait, don't go.
52:29Why not, Matilde?
52:31We don't have to be afraid of anyone
52:33and we don't have to worry about anything.
52:35I've had doubts.
52:37For another reason.