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00:00La Miserable Mother
00:14Dear Mother-in-law...
00:17I've brought the crown jewel.
00:19Is my dress ready?
00:20Perfectly finished and ready for you to wear tomorrow.
00:25The dressmaker told me that she had to tie the neck and iron it only.
00:28He was sitting like a glove in yesterday's test.
00:31I was going to pick him up in a while.
00:33That's not going to allow him to be going from here to there the day before his wedding.
00:37Look, look how well finished this is.
00:38It's beautiful.
00:39Thank you very much, Gemma, for everything I have to do today.
00:43Yes, Pile has told me that no other meal is forbidden tonight.
00:46Don't worry, I don't fit anything.
00:49I haven't even had coffee.
00:50Wow.
00:54Jesus, go open, please.
00:58Yes.
01:07Are you okay here?
01:08Tere is alone organizing the whole house.
01:13We were just about to go there.
01:15Right.
01:18Do you allow us a second, Gemma?
01:26What's going on, Jesus?
01:27Yes.
01:28I knew she was interested, but last night I was very clear with what my dear father told us.
01:33I don't know what you're talking about.
01:35That you are not satisfied with being the lady of the house, no.
01:38You want to be the heir to our fortune.
01:41But what are you saying?
01:42Don't you know?
01:43No, I don't know.
01:44Wow.
01:46My father has decided to include her in his will and leave her half of the company.
01:50And seeing what he's doing, maybe he'll inherit soon.
01:52What?
01:53I haven't asked your father for anything.
01:56I marry him because I love him.
01:58Not for money.
02:00But who do you think I am?
02:03A starving woman who has done her best for her and her children.
02:06All the Merinos already have a secure life, right?
02:08It will always be a much better business than that ridiculous balneary.
02:11Well, it's okay, Jesus.
02:12We've come this far, huh?
02:13Yes, you've come too far, aunt.
02:16You're behaving like a nobody.
02:19I bet that slap hurt me less than you heard the truth.
02:23Right?
02:26I've got you well.
02:48Yes?
02:50Can I come in?
02:51Isidro, come in.
02:53My father's not here.
02:54He went out for a walk before breakfast.
02:56Yes, I know.
02:57I met him later.
02:58Actually...
03:03I came to see you.
03:05Well, Gustavira.
03:07It's about what you asked me about your father's car.
03:10I wasn't attracted to it.
03:11I don't know what you're talking about.
03:13I don't know what you're talking about.
03:15It's about what you asked me about your father's car.
03:18I wasn't attracted to it.
03:20Have you remembered something?
03:21No, no.
03:22But I was left with the fly in my ear.
03:25Why are you so interested?
03:26Hey, if you've seen any imperfection that I can fix, tell me.
03:29No, no.
03:30I trust you.
03:31No, no.
03:32It's just that I'm very fond of the car.
03:33And I was afraid that my father and my brother didn't take good care of it.
03:36Son.
03:37I know you since you were a kid.
03:39Cars have always been important to you.
03:43What's wrong?
03:45Come on, don't take me for a fool.
03:46I've seen them in all colors.
03:50Isidro.
03:52I...
03:59I imagine that after so many years working with us,
04:03you will know that the Reina family has many secrets.
04:06Well, like writing several novels.
04:09But my thing has always been to see, hear and shut up.
04:12And I would like one day to be aware of everything you know.
04:16Look, what I don't want is for you to get into trouble too.
04:19No, no, no.
04:20Don't worry, I know what I'm doing.
04:22And why do you have those suspicions about your family now?
04:26Well, I've had them for a long time.
04:30And I would like to clarify them before my aunt's wedding and my father's.
04:35Is it something that can affect your day?
04:39Yes, if my suspicions are true, it could affect him a lot.
04:46You know how much I appreciate it.
04:48So maybe you should tell me.
04:54I don't know, Isidro. I think it's better not.
04:59What I do ask of you is to be worthy of everyone.
05:02It's just that maybe I understand this conversation.
05:05I probably got confused when I turned to you.
05:08Well, as for the car, I have nothing suspicious to tell you.
05:12I'm sorry I can't help you.
05:14Don't worry.
05:16Good.
05:24You are a great boy, Andres.
05:27And you have a family.
05:29Who gives it?
05:32It is the most important thing we have.
05:47Don't listen to him. He's an animal, a bad beast.
05:50But you've heard it.
05:51Come to my house to accuse me of a will.
05:54I don't know anything about a will. Ridiculous.
05:57Let's see, it was surprising, really.
05:59Is that what awaits me from now on?
06:01Let's see, Digna, you have to go in through one ear and out through the other.
06:04But Damián, how can you do such a thing to me?
06:06Woman, it wasn't that bad.
06:07What do you mean it wasn't that bad?
06:10That he's going to leave me half the company in his will, Gemma.
06:13What do you mean it's not that bad?
06:15At least he should have consulted it with me, don't you think?
06:17But maybe he feels he owes it to him.
06:20After all, that 50% was from Gervasio.
06:23It is fair that he returns to the Merinos.
06:24Yes, but at what price?
06:28Look, Digna, you already know your nephew's scum.
06:31He doesn't need any excuse to hate us or to constantly besiege us.
06:35And really, I think Damián's gesture is a sign of his love for you.
06:39No, it's a fear.
06:42Now Jesus is a wounded animal.
06:45Andrés and Marta are also there.
06:48They don't look very happy about this wedding.
06:50I'm going to go talk to Damián right now.
06:53Tell him to call that notary and get me out of the will.
06:56Wait, Digna, wait.
06:59Damián knows what he's doing.
07:00No, Gemma, he doesn't.
07:02I swear I'm not saying this out of interest.
07:04But Damián is free to do whatever he wants with his money.
07:07And I insist, I think it's a proof of the love he professes.
07:10It's just that I don't want anything from him.
07:11Well, talk to him and make it clear.
07:14But please, don't let what Jesus' scoundrel says decide for you.
07:20Yes.
07:22I will.
07:24I will.
07:35I will.
07:36I will.
07:41A sofa, an airport.
07:43Fina, go to Paco Champa's winery and bring six bottles of wine.
07:47I've already called him.
07:48Carmen, but you've told him three times.
07:49Calm down, for God's sake.
07:50Everything is under control.
07:52I'm so nervous.
07:54Oh yeah? Well, I can't tell.
07:57Well, how are the ties? Do you like them or not?
08:00Yes or no?
08:01But we'll have to put like 200 more ties, right?
08:03So this doesn't look like a I want and I can't.
08:05Yeah, but we haven't run out of fabric.
08:07Claudia has gone for more.
08:08Really? And when is she coming?
08:09She'll be here soon.
08:13Good morning.
08:14Good morning, Mrs. Marta.
08:16How are you today?
08:18I'm doing my homework.
08:20How are the preparations going?
08:21I can see that the ties are great.
08:23Yes, well, there's still a lot to put in.
08:26The idea is that the whole store looks like a gift.
08:28We're going to serve canapés and a glass of Oporto wine.
08:31Fantastic.
08:32I think we have some small bohemian glasses in the warehouse.
08:36They would be ideal to serve the Oporto.
08:38Yes, I've seen them, but I didn't know if we could...
08:41Everything is at your disposal, Carmen.
08:43Thank you very much.
08:44You're going to be great, you'll see.
08:46I know.
08:47I fully trust you.
08:49Well, I'm going to get the glasses to pour him some water.
08:58Well, when we sign, I'll take the opportunity to invite you to dinner to celebrate it.
09:03No, it's not a celebration, no.
09:05We won't do it with Vité.
09:07We are very affected.
09:09Exactly.
09:11Yes, because of the loss of my son-in-law.
09:16On your part.
09:18Put me at your feet, ma'am.
09:19Yes.
09:22How is my future wife?
09:24I can't wait for her to arrive tomorrow.
09:25Jesus has been at my house.
09:27Very angry because you included me in the will.
09:31It hasn't taken long.
09:33It has been very unpleasant.
09:34Everything you can imagine.
09:37Well, don't worry.
09:40From tomorrow on, you will be my wife.
09:43Besides, we got married at a wedding.
09:45And I want you to recover half of the company after my death.
09:49This is...
09:50A nuisance.
09:51I didn't know anything, I didn't expect anything.
09:53And much less an attack from your son.
09:55I'll talk to him.
09:56I don't want anything from your children either.
09:59I marry you because I love you, nothing more.
10:01I know.
10:02And I'm very sorry about Jesus' attitude.
10:06I hope Andrés and Marta don't think the same.
10:09How are they going to think the same?
10:10I adore you.
10:11I see.
10:12But they are not very happy with this wedding.
10:15I hope it's not because of the will.
10:18I don't care what they think about the wedding.
10:21It is my worthy decision.
10:23The fairest decision I could have made.
10:25I don't want anything, Damián.
10:28I just want you to love me.
10:30Please, call the notary and tell him to leave the will as it is.
10:34Dina, I don't do this just because I want to share everything with you,
10:37but because after talking about Gervasio
10:40and remembering how he sold me his share of the company at such a low price...
10:44Ridiculous, I would say.
10:45Yes, ridiculous.
10:48He did it because he was not in good condition.
10:52And now I would like to make up for that mistake.
10:56And I want the Merinos to get back what is yours.
11:00It's fair.
11:02And that?
11:04Why haven't you thought about it before?
11:11Well, it's better late than never.
11:16Last night I was about to call you, but...
11:18Well, I didn't dare, in case you didn't pick up the phone.
11:21So I was talking to nothing.
11:24Telling you what I would have liked to be by your side, Marta.
11:28What I would have given for that.
11:31Right now I would give you such a big hug.
11:36But I have decided, Fina.
11:38You and I are going to Barcelona as soon as my father's wedding takes place.
11:43But that's tomorrow.
11:44But that's tomorrow.
11:45But we've gone to the other one.
11:47Anyway, if Jaime insisted on renting that beautiful tower by the sea,
11:50it's already at our disposal.
11:53And it won't be excessive for both of us.
11:56We'll try.
11:58And if it doesn't convince us, we'll look for another place.
12:01We'll be free there.
12:04And aren't you afraid that people will say that you're leaving too soon,
12:07without saving more days of mourning?
12:10I don't care what they say.
12:11I know what Jaime wanted for me.
12:15Besides, I'm going to feel his loss anywhere.
12:19And I'll be by your side, Marta.
12:22For everything and with everything.
12:24To comfort you.
12:27We're going to be happy, Fina.
12:29I know, far from the threats and all the miseries we have here.
12:34I just want us to have a little peace and harmony in our families.
12:38And I don't know if I'll get it.
12:41And I'll only be at peace
12:44when I do justice to you and your children.
12:47Harmony will come.
12:50My children are very used to fighting for their lentils.
12:54And I don't know if I'll get it.
12:56And I don't know if I'll get it.
12:58And I don't know if I'll get it.
13:00And I don't know if I'll get it.
13:01And I don't know if I'll get it.
13:03But Luis has fought with his nails and teeth to get what's yours back.
13:09And he's absolutely right.
13:11Yes, he is.
13:15But do me a favor.
13:17Call the notary.
13:19And we'll talk about all this more calmly.
13:22Please.
13:24Are you going to let me think about it?
13:27Yes, think about it.
13:29But with pros and cons.
13:31I'll think about it.
13:33But I can't promise anything will change.
13:35Anyway, this has helped me to confirm
13:38how generous you are
13:40and how detached you are with money.
13:42I wouldn't say that.
13:44Rather, I have a lot of self-love.
13:46And all that makes me love you more and more.
13:51By the way,
13:53now I have to go with Isidro for the wedding suit.
13:57But first I have to consult you
13:58what kind of flowers do you want to decorate the chapel?
14:03It's your turn, Agustín, and you need to know.
14:05Don Agustín.
14:07I have it very clear.
14:09I want wild flowers
14:11from the path of the factory
14:13to here.
14:29Do you need anything?
14:31No.
14:33I've left you some albarans on the table.
14:36Let's see.
14:48And the ones from the department of saponification?
14:51They're not here.
14:53I don't see them.
14:55Well, you're right.
14:57Joaquín,
14:59I don't want to pressure you,
15:01but since it's very late,
15:03they have to be here in half an hour.
15:05I'm sorry.
15:07I'll bring them when I can.
15:09I just need them.
15:11I'm just trying to optimize things.
15:13Look, Isabel,
15:15stop being so nice to me.
15:17You know how much I love you.
15:19I love you too.
15:21I love you too.
15:22Stop being so nice to me.
15:24We all know what kind of person you are.
15:26Oh, and memories of my wife.
15:28You're still on that happy subject?
15:30Your wife accused me of things that weren't.
15:32Another one of those, huh?
15:34I had nothing to do with the issue of the land,
15:36but look, it doesn't matter.
15:38I'm not going to justify myself.
15:40You've already condemned me.
15:42Well, very well.
15:44I'll bring you the albaran of saponification when I have it
15:46and I'll leave it on the table.
15:48You and I are victims of the same person, Joaquín.
15:50It's your boss who squeezes me
15:52and you should understand me more than anyone else.
15:55Well, I've given you a few years of advantage.
15:57I have to do what I'm told because I need this job.
16:00And yes, sometimes I'm more demanding than I realize,
16:03even if I don't like it.
16:06Isabel,
16:08why are you apologizing to me?
16:10I'm just asking you for a little understanding.
16:12Oh my God,
16:14what you have to hear.
16:16Look, Isabel,
16:18no matter how much you say,
16:20it was you who informed Jesus of our interest
16:23for those lands that he stole from us on the right.
16:25Is that clear to you?
16:27I'm very different from you.
16:29You think?
16:31Because here everyone knows
16:33that the role that I now play,
16:35you used to play it before.
16:40This is where our conversation ends.
16:43One more thing.
16:45What?
16:47The productivity report from last night.
16:50What's wrong?
16:54Last night it took half an hour more than half a week.
16:57And so far that shift has worked perfectly.
17:00And of course,
17:02I see myself in the obligation to tell our boss.
17:07Luis, it's all a lie.
17:09She made it up.
17:11What? Wasn't she pregnant?
17:13And she fell down the stairs.
17:15She caused it herself.
17:17She threw herself.
17:18It's a fake coin.
17:20My God.
17:23It's the last thing I could have imagined.
17:26But why did she do this to me?
17:28You don't know what I suffered when I lost that child.
17:31I know, Andres, I know.
17:33And how bad you felt for still thinking about Begoña.
17:36But this changes everything.
17:38What do you mean?
17:40That my moral commitment to Maria is completely broken.
17:44But...
17:46I'm sorry, but I'm unable to forgive something like this.
17:48First I felt humiliated, outraged.
17:51Now I just don't want to see her.
17:54And I don't know if this feeling will ever go away.
17:57Let's see.
17:59It's not to defend Maria, but maybe
18:02she could realize your doubts.
18:05Looks with Begoña and...
18:08Something like that can drive someone crazy.
18:10Yes, yes, yes, I've thought about it.
18:12And it torments me to feel guilty about something like this.
18:15Luis.
18:17I fell in love with her in Jaca.
18:19It was because of her kindness, her kindness.
18:21But when I met Begoña,
18:23I understood what true love was.
18:26And Maria realized that she was losing me.
18:30And she wanted to draw your attention at all costs.
18:33She became a monster.
18:36Maybe.
18:38I don't know, maybe she has become an unbalanced and twisted woman.
18:41But Maria wasn't like that.
18:43I don't know.
18:45I should have controlled myself and...
18:47I should have been a good husband.
18:49And look, I warned you.
18:51But she was stronger than you.
18:54You love Begoña more than anything.
18:57Yes, a love that is destroying everyone.
18:59And it's all my fault.
19:01Hey, don't punish yourself anymore.
19:03You can't control what you're feeling.
19:06That's it.
19:08Well, I should.
19:09You don't know how lucky you are to be with the person you love.
19:13What if I haven't gone through my journey through the desert?
19:17But in the end, look at yourself.
19:19And the truth is that your story gives me certain hopes.
19:23Really?
19:25Yes.
19:27Because I don't know, it's like...
19:29if life throws you from a thread hooked to your chest.
19:32And you're colliding with all the obstacles along the way.
19:35But that thread keeps pulling and pulling.
19:37You'll end up in a bad place, but...
19:39you'll end up where fate dictates.
19:42It's nice what you say.
19:44Yes.
19:46But the bad thing is that right now,
19:48the only thing I see ahead is a huge whirlpool
19:50that...
19:52that thread can never overcome.
19:56Look, I need you to go to dock three to shake hands
19:59because they're in a bit of a hurry there.
20:01Then I'll convince you with a good beer.
20:04Did you think I wasn't going to find out?
20:05Didn't you see that the names of the workers are in the shifts?
20:08Not to mention that Manolo came and told me
20:10that he's very happy in his shift tomorrow.
20:12Look, Joaquín, it's just that...
20:14the man has made me a bit sad.
20:16He tells me that he gets home and his son starts crying
20:18because he barely knows his father.
20:20And I'm also sad, Tassio,
20:22but there are some gears and some orders here
20:24and I asked you to do it expressly.
20:26I know, I know.
20:28I know that what you told me, I skipped it,
20:30but you did it for a good reason, Joaquín.
20:32A good reason that has delayed the production of the night shift
20:33by half an hour, Tassio.
20:35Look, the delay was because Quique had to do a repair
20:37on one of the machines and it took a little time
20:39and it's all solved.
20:41But do you realize that you can't do whatever you want
20:43with the shifts and, above all, that I'm not going to allow it?
20:45Look, Joaquín, what I've done is for the good of the company.
20:47When the workers feel good and valued,
20:49they work better.
20:51Stop, stop, really, stop.
20:53Joaquín, to prevent the workers from leaving one day,
20:55we need the respect of all of them.
20:57And why not say it out loud?
20:59A pat on the back wouldn't be bad,
21:01because we're not machines.
21:03And why not?
21:05Because I'm not one of the queen?
21:07No, because you're a good person.
21:10Tassio, let's see.
21:12Manolo is going to stay in the night shift.
21:15Period.
21:17Well, you tell him.
21:19And if he comes out of nowhere, it's your problem.
21:21You're out.
21:23Out of what?
21:25Don't you realize what you're doing
21:27and you haven't done more than start in this position?
21:29Joaquín, you know perfectly well
21:31that things could be done much better.
21:33Hey, hey, hey, what are you going to have?
21:35The last word?
21:37Here, things are going to be done as they have always been done
21:39and you shut up and agree.
21:41Otherwise, you know what's going on.
21:43Well, all things as you wish.
21:45I'll be waiting with a clear conscience.
22:04Today, I did the same thing as you.
22:07What?
22:10To look for something of yours
22:13to feel it close.
22:17I remembered a coat that got caught.
22:20And there you have me in the kitchen, sewing,
22:23imagining that it was with me.
22:26I've missed you so much.
22:28I've missed you too.
22:30I've missed you too.
22:31I've missed you so much.
22:33And me.
22:37That girl is the joy of this house.
22:40She's in every corner.
22:45Her laughter,
22:47her running up and down the stairs.
22:50Her complaints when you comb her hair.
22:53And her table full of papers and books when she has work.
22:56What did they put in the letter?
22:58That she's fine.
23:01But you can tell that she misses us a lot.
23:04She talks about my sweets
23:06and that she doesn't like the girls from there.
23:09Has Jesus given you yours?
23:13No, no, it's just that he hasn't written to me.
23:18I see.
23:20Teresa must have lost her mind.
23:22I'll ask her when I get back.
23:24No, you don't have to, Igna.
23:28It's not about Teresa.
23:31It's about Jesus.
23:33Of course.
23:35Did you think you were going to fool me?
23:39She tore the letter without letting me read it.
23:43How could she do something like that?
23:45She doesn't let me talk to her on the phone either.
23:48She doesn't even let me read the letter.
23:50She doesn't even let me talk to her on the phone.
23:52She doesn't even go to see her because she wants to punish me.
23:55And punish the girl, from what I see.
23:57She thinks I'm a bad influence for her
24:00and that the less contact we have, the better she adapts to the boarding school.
24:04That's outrageous.
24:06If she doesn't have news about you,
24:08she'll think you've abandoned her and she'll suffer a lot
24:11and it won't help her adapt.
24:13Igna, you think I don't know?
24:15Why is she like this with you?
24:17You can talk to me with all confidence.
24:19Because I'm not the submissive and stubborn wife she wants.
24:24No, you're not.
24:26And you shouldn't be.
24:28Never.
24:31The problem is that she doesn't just pay with my son.
24:35She also pays with Julia.
24:37That's outrageous.
24:39It's the most outrageous thing there can be.
24:43Paying with a son.
24:45The fault of the parents.
24:49You're a great woman.
24:51And right now, you're the main pillar in that girl's life.
24:56I know.
24:58But Jesus doesn't care.
25:01He just wants to see me suffer.
25:03What you're telling me is very serious, Begoña.
25:07Igna, please.
25:09Don't tell anyone.
25:11I don't know if I should keep quiet.
25:14I don't know if I should.
25:15I don't know if I should keep quiet.
25:18I've been seeing how badly he treats you for a long time.
25:23Igna, Jesus wants to punish me.
25:27Because he tried to leave me with the girl.
25:30He tried to run away.
25:33What do you mean, run away?
25:35He was right.
25:37I assure you.
25:39And I still am.
25:46Claudia.
25:50Don't worry.
25:52There's no way out of a bomb.
25:54My God, I've bought so many things.
25:56We're lucky.
25:58If not, Carmen will be devastated.
26:00Our friend is hysterically lost.
26:02But we're going to help her so everything goes perfectly.
26:06And congratulate her to Mr. Damián.
26:08Yes, for us.
26:10And Mateo, how nice.
26:12Making ties with us.
26:13Shut up, shut up.
26:15I've seen your face of trouble.
26:17What face did you want me to make?
26:19If Carmen knows perfectly well that Mateo is a temptation to me.
26:23Oh my God, my girl.
26:25Well, I think the same as Carmen.
26:28That after everything that happened in La Verbena,
26:30you shouldn't get close to him, not even a kilometer, come on.
26:33And I'll talk to him to tell him not to make more ties with...
26:37No, if he doesn't come, we'll be left without his ties.
26:40A tie.
26:42Anything goes for you, right?
26:45Come on, let's go inside and see if Carmen is more relaxed.
26:48If she's more relaxed, no, no, no.
26:50I'm telling you, she's not.
26:52But if at least Isabel, the general,
26:55will pressure her a little less,
26:57that between accounting and the private sale of customers,
27:00the trouble is that she doesn't live.
27:03Hey, I'm thinking of an idea of how we can help her.
27:06Look who's coming this way.
27:10Carmen.
27:15But you're not going to tell me, are you?
27:19Okay.
27:21If you don't want to do it, don't do it.
27:25I never imagined
27:27that I would be happy that my sister was not here right now.
27:32I would have been very unfortunate
27:34seeing what her son has become.
27:36Look how he treats me.
27:38It's embarrassing.
27:41And I'm afraid his contempt will go further after the wedding.
27:45Especially if Damian is still determined to change the will.
27:49Is he going to make a new will?
27:51That's what he wants.
27:54He says he wants to do justice to my children and to me.
27:58But that's not very funny to your husband.
28:01I can imagine.
28:03I don't want anything, Begoña.
28:04I've told Damian to leave the will as it is.
28:07I don't want anything material.
28:09I know.
28:11But Digna, whatever it is,
28:13be very careful.
28:16I'm going to take care of myself.
28:19And you're going to tell me
28:21who really made those marks on you.
28:29It was Jesus.
28:31It was Jesus.
28:34I imagined it from the first moment.
28:38I'm going to solve this personally.
28:41Right now I'm going to talk to ...
28:42No, no, no, no, Digna, please.
28:44I don't want you to get into trouble because of me.
28:46This cannot be tolerated.
28:48If what you have done so far is serious,
28:50very serious,
28:52this is intolerable.
28:54Digna, it would be worse.
28:56I know.
28:57Okay.
28:58Don't worry.
29:00I'll do it another way.
29:02But I'm not going to allow this,
29:05as Digna Vázquez, who I call.
29:07Leave me alone.
29:10And one more thing.
29:12Very soon,
29:14very soon,
29:16you're going to talk to Julia.
29:25No way.
29:27The balance of the quarterly account
29:28that Carmen has to deliver today, yes or yes.
29:30I think I made it very clear to Carmen.
29:32Well, Isabel, you don't care.
29:34Wait a couple more days, right?
29:36Excuse me?
29:37Julia, let's go.
29:38No, wait, wait.
29:40Isabel is going to understand.
29:42Right, Isabel?
29:44Look,
29:46we're now with the private sale
29:48and Carmen is more obvious.
29:50She doesn't say anything, does she?
29:52No.
29:53No, but we know her very well.
29:55But what is this?
29:56Now Carmen sends her henchmen
29:58to get the chestnuts out of the fire.
30:00Sorry I called.
30:02Tell your friend
30:04that I need those accounts before lunchtime.
30:06Hey, but it was in the afternoon.
30:08Well, you see, now it's earlier.
30:13It seems we haven't helped Carmen at all.
30:16No.
30:17No.
30:19A little bit.
30:20No, no, no.
30:23Let's go.
30:27Let's go.
30:33Did Gemma call you too?
30:35Yes.
30:38What happened?
30:40I don't know. She told me she was coming here.
30:42She didn't tell me anything either.
30:44Oh, sorry.
30:46I couldn't wait for you to come home.
30:48Well, what happened? Is it serious?
30:52Well, Damian wants to include your mother in the will
30:54because he wants to give her half of La Reina's perfumes.
31:00What are you saying, Gemma?
31:04Is that true?
31:06That's what I'm saying.
31:10Well, then...
31:13It seems justice has finally been served, doesn't it?
31:16Well, let's see.
31:18He's not giving us anything.
31:20He's returning what was already ours.
31:22Yes, Joaquín, but of course it's a gesture
31:24to honour Damian
31:26and clear any doubts we might have about the wedding.
31:29Half of the company?
31:31I can't believe it.
31:33And it seems Jesus didn't either.
31:37What did he do?
31:39Well, this morning he showed up at home as a possessor
31:42and accused your mother of money-laundering.
31:44And what did he tell her?
31:47A little less than he used Damian
31:50to get him out of his room.
31:52Wait!
31:54You don't have to face him.
31:56It's not necessary.
31:58Damian will do whatever he says.
32:01That's right.
32:03And Jesus will have to deal with it.
32:05I don't care.
32:07I won't let him disrespect my mother.
32:09Let me through.
32:11No, really.
32:13Calm down.
32:15Joaquín, your mother knows how to defend herself.
32:17In fact, this morning,
32:19she even crossed her face in front of Jesus.
32:21What did she do?
32:23No!
32:25Seriously.
32:28God.
32:30I don't even know why we're laughing.
32:33We really have to stand up for Jesus.
32:35No, don't laugh. We have to stand up for Jesus.
32:37If not, this will go further. We already know it.
32:39Well, this is now a problem for Damian.
32:41I still can't believe all this.
32:43Yes, let's not make things worse, honey.
32:45Your mother now needs peace and tranquility.
32:48Let her be happy.
32:50Happy?
32:52This is the worst nightmare
32:54that a mother can live in that house.
32:56I won't let Jesus make her life impossible.
32:58We have to stand up for him before things get worse.
33:08Carmen, I need to talk to you.
33:10Yes, tell me.
33:12Claudia and Fina have come to ask me
33:14to postpone the delivery of the bill.
33:16Oh.
33:18Sorry, I had no idea.
33:20As soon as I saw it, they threw it away.
33:22I was going to bring it over there, but ...
33:24You can even stay for lunch with her if you want.
33:27Because this,
33:29you have to give it to me before lunchtime.
33:32No, it was in the afternoon.
33:35I'm very sorry, Carmen,
33:37but I don't set deadlines.
33:39I'm just an intermediary.
33:41I'll leave you.
33:48Oh, my God.
33:53Gaspar.
33:56Gaspar.
33:58Well, if my wife is here.
34:00I didn't find out last night when you went to bed.
34:03No, honey, because I got home late
34:05and I started cleaning the accounting notes.
34:07Well, I have one that you don't see.
34:09What's wrong with you?
34:11Because this must be the second of the order.
34:13Without having power to make decisions,
34:15it is difficult.
34:17What decisions?
34:19Poor Manolo, who told me
34:20that he wants to finish the night shift.
34:22He has a very small child.
34:24I understand it, he wants to enjoy it.
34:26And Joaquín has strongly denied it.
34:28Well, Joaquín will know why.
34:30No, he doesn't know why.
34:32Joaquín works by inertia, practically.
34:34That man doesn't have a grain of humanity.
34:36Well, I'm sorry for Manolo, but ...
34:38No, don't worry, don't feel it.
34:40I've already changed his shift.
34:42Tassio.
34:43What?
34:45Man, don't pretend I'm right.
34:47Well, Carmen, I'm your husband
34:49Look, Carmen, we have to be brave.
34:51We have to fight for the workers
34:53to be treated as people and not as cattle.
34:55So if my thoughts or my ideologies
34:57are going to make me an operator again,
34:59then it is what it is.
35:01Hey, long live the revolution!
35:03The bandit from Seville is here early.
35:05Well, yes, what's up?
35:07Well, what happens is that I'm going to see
35:09how they kick you out of the kidnapping.
35:11That's what happens.
35:13Well, I'm leaving.
35:15They have delayed my delivery.
35:16Carmen, you're going to see what to do
35:18with the workers and their needs.
35:20Anastasio, what are you trying to say?
35:24What's wrong? Why are you so angry?
35:26Because once again you think you're the navel of the world.
35:29Carmen, the first thing I've done
35:31is ask you how your course was going.
35:33Yes, because I went to bed late.
35:35Let me make one thing clear to you, Anastasio.
35:37My job is neither less important
35:39nor easier than yours.
35:41Talk to you later.
35:43And turn off the coffee.
35:47Bye.
36:01What took you so long?
36:03Has your mother gone to the marquise with the story?
36:06I'm not looking for trouble, Jesus.
36:08You're being cynical.
36:10You didn't have enough with what Valentín exposed.
36:13You were ready.
36:14You knew how to wait the right moment
36:16to give the queen's men a hard time.
36:18Look, you can tell me whatever you want,
36:22but it has to be the last time
36:24you disrespect my mother.
36:26Seriously?
36:28Hasn't she told you?
36:30Yes, that's why I'm not going to do it.
36:33Look, Joaquín, make it clear
36:35that the slap your mother is going to give
36:37won't help the Merinos at all.
36:39Do you think we need your money?
36:41Of course you don't need it.
36:42You need it to get out of the filthy hole
36:45you're in.
36:47Especially now,
36:49when the joke about the pool is nonsense.
36:51Look, and never better said.
36:56Can you tell me what's going on here?
37:00Here, my cousin Joaquín,
37:02who thinks he's Zip Camp,
37:04the very blood of his brother runs through his veins.
37:07Ridiculous, you're ridiculous.
37:09Don't provoke me anymore.
37:10Have you seen what I was afraid of?
37:12The poor cousins see that they can make their August
37:14with this royal wedding
37:16and they've gone all out.
37:18I've usually come to defend my mother's honour
37:20from the insults of this bastard,
37:22which I've insulted.
37:24Don't you think you're exaggerating a bit?
37:26I know this morning you were at his house
37:28and said very unpleasant things,
37:30so stop being offended.
37:32Very well, that's it.
37:34You all know what I think of this absurd wedding.
37:36That you are miserable
37:38Leave me alone with my son.
37:41Stand up, uncle,
37:43or I won't answer for my actions.
38:08Hello.
38:11This is all that's left of poor Jaime.
38:14All the medication he had to take before...
38:18If we're no one.
38:23Well, we're also the good memories
38:26that we leave as kind people.
38:29He was a real wretch.
38:31He was a real wretch.
38:33He was a real wretch.
38:34He was a kind person.
38:36He was a real wretch.
38:39Why are you saying that now?
38:44You can't imagine.
38:46I don't know. The poor man has just died
38:48and I'm very sorry, really.
38:52No.
38:54Andres told him.
38:56Everything.
38:58But, Maria, didn't you tell me
39:00he promised you he'd keep the secret?
39:02Yes, that's what I thought,
39:04but he didn't ask for forgiveness.
39:06Andres, what did he say?
39:08How did he react?
39:10He broke everything between us.
39:13He doesn't even want to look me in the face.
39:16I think I'll have to leave this house soon.
39:19Oh, Maria, it's just that...
39:21Don't say it, please.
39:23No, yes, I have to tell you
39:25because I warned you, I warned you many times.
39:27You were too far away,
39:29all those ambushes,
39:31and sooner or later you had to know.
39:32It's over.
39:34I've lost the love of my life.
39:37I've lost my dream, it's my future.
39:43I could die and nothing would happen.
39:48Look, Maria, I know the situation is complicated,
39:50it's difficult, I know,
39:52but I'm sure Andres isn't going to kick you out.
39:54You're still married,
39:56you're going to have to live together.
39:58He doesn't love me.
40:00He doesn't love me.
40:02Don't say that.
40:04Andres...
40:06Andres is a good person
40:08and I'm sure that...
40:10Look, for now, no one has told him.
40:12That means he wants to fix things, for sure.
40:15Yes, he has told him.
40:17It took him a few hours to tell my brother-in-law.
40:21God, Gemma, I...
40:23I can imagine you both
40:25saying I'm crazy
40:27and that you can live your love freely and...
40:29Breathe, please.
40:30Despite everything you say,
40:32I know Andres loves you.
40:34I'm sure he...
40:36No, Gemma, he only despises me.
40:38I've put him on a plate to keep him away from me.
40:44I just wanted us to be happy.
40:48To have a quiet life
40:51and to start our own family.
40:53Of course.
40:55And this is how it's going to be.
40:57Listen to me, this is how it's going to be.
40:58Look, I'm going to get you a herbal tea right now.
41:01But stay calm, please.
41:04I'll be right back.
41:29Do you see, Father?
41:31This wedding has no...
41:33Shut up, for fuck's sake!
41:35You don't even know what you're talking about.
41:37What don't I know?
41:40Digna has refused.
41:43She asked me not to include her as heir to the will.
41:46Ha! A simple paripé.
41:48No.
41:50She did it for everyone's sake.
41:52She doesn't want you and her children
41:54to have more problems.
41:56And look where she almost convinced me.
41:58Well, that's it.
42:00One less problem.
42:02Although she'll have time to be intrigued
42:04during the years of her marriage.
42:06No, no, no, no.
42:08You don't understand me, Jesus.
42:10You just convinced me
42:12by insisting on your attitude.
42:15Digna will inherit half of the queen's perfumery.
42:22Bravo.
42:24Bravo.
42:26Well,
42:28now you're going to tell Marta
42:31that she was also very funny.
42:34I'll also have to share my house.
42:36I can make room for my cousin Joaquín in my bed.
42:39Lately, I've been feeling very lonely.
42:41You are ridiculous, son.
42:43And you suck, Father.
42:50Look,
42:51you can tell me whatever you want,
42:54but I demand
42:56that you treat Digna
42:58with the utmost respect.
43:01Are you also going to demand
43:03that I call her Mother?
43:05Look,
43:07maybe I'll force you.
43:09All right.
43:11I'll call her Mother
43:13and she'll forget the will.
43:15One thing compensates for the other.
43:17Perhaps her future wife
43:18doesn't prefer the love and affection
43:20of her entire family
43:22over all the money in the world?
43:24I'm leaving
43:26before I make a hot decision.
43:28We have things to do.
43:30Not now.
43:32As director of this company,
43:34I demand that we get to work.
43:40All right.
43:42I see you don't leave me many options.
43:48I'm leaving.
44:02My always and forever beloved Andrés,
44:06since the first time I saw you
44:08enter my house with my father
44:10as a baby,
44:12I fell madly in love with you.
44:15The years went by
44:17and my dreams came true.
44:21I'll never forget how happy
44:23we were in Jaca.
44:25But that dream of love and happiness
44:27broke when I came to Toledo.
44:29I immediately noticed
44:31that another woman had taken my place
44:33in your heart.
44:38It was then that,
44:41exhausted and in pain,
44:43I began to make mistakes
44:44and to get the worst out of myself.
44:46I don't know what else I can do
44:48to try to fix it.
44:50I apologize for my mistakes
44:52and I only hope that one day,
44:54in many years,
44:57you understand that the only thing
44:59that led me to perdition
45:01was my immense love for you.
45:06And if I don't have you,
45:09it's not worth living.
45:14I love you.
45:30My postcard is over there.
45:38Are you okay?
45:40You don't have to keep your form.
45:41We should do it.
45:44At least until the wedding.
45:47I'll do it later,
45:49so you can be happy.
45:51What about this change?
45:56I've made up my mind
45:58that I can't keep you anymore.
46:00You think that our relationship
46:02is over forever
46:04and I'm going to respect your decision.
46:06It's what you want, right?
46:08That's right.
46:09There's no going back.
46:13Be very happy.
46:40Always yours,
46:43Maria.
47:09I love you.
47:39I love you.