1994 A Change Of Place FULL HOT MOVIE
Category
🎥
Short filmTranscript
00:00:00Okay, the Renaissance was a time of rebirth and rediscovery, a time when artists took
00:00:10a fresh look at the world in which they lived.
00:00:12Now these artists helped to rekindle a sense of adventure and romance as they struck out
00:00:17to discover things about themselves and the world that they had never taken a close look
00:00:21at before.
00:00:27Now during this period, each city had a school of art with its own style and approach, but
00:00:34all were dedicated to a feeling for the individual, the personal emotions, and beauty.
00:00:41Now this can best be seen in the work of Tizianello, a contemporary of Veronese and Tintoretto.
00:00:48All of these painters explored light and dark with their use of color and composition.
00:01:17They were trying to illustrate the diversity of human nature and human individuality,
00:01:22the way in which all of us have a light side and a dark side to our nature.
00:01:25Oh, that sounds a little pretentious, okay, it's the right idea, just try and not be so
00:01:31serious about it.
00:01:33Okay, Lady in Reflection illustrates that essential quality.
00:01:40It also reminds us that the face we show the world is often different from our true
00:01:44self.
00:01:47Now despite the impression of vanity, Tizianello's interest was in showing that true beauty comes
00:01:53from within.
00:01:54Miss Jamieson, the rest of the campus is under the impression it's summer break.
00:01:59The rest of the campus don't have a doctoral thesis to deliver this fall, and besides my
00:02:03lectures I have about three dozen research papers to read, not to mention your text.
00:02:07What kind of a summer is that?
00:02:10My dear, you are without a doubt our brightest graduate student.
00:02:15Your scholarly instincts are remarkable, but a work of art depends as much on what we bring
00:02:22to it as what the artist gives us to look at.
00:02:26Art is only a reflection of life, Miss Jamieson.
00:02:30It is necessary for us to have a life before we can truly appreciate it.
00:02:36You need to show your true face to the world.
00:02:41Maybe after I have my Ph.D.
00:02:44Well, right now I need you to join the class outside.
00:02:49Oh, not another group picture.
00:02:53Just say...
00:02:55Cheese!
00:02:56Sorry, I forgot to advance the film.
00:02:59I hate having my picture taken.
00:03:02Now, now, Miss Jamieson, leave us not be thirsty.
00:03:05This is my end-of-term portrait, and you more than anyone should appreciate the photographic
00:03:10process.
00:03:11Smiles, everyone!
00:03:12There.
00:03:13All right now.
00:03:14Ready?
00:03:15Cheese!
00:03:16Cheese!
00:03:17Cheese!
00:03:18Cheese!
00:03:19Cheese!
00:03:20Cheese!
00:03:21Cheese!
00:03:22Cheese!
00:03:23Cheese!
00:03:24Cheese!
00:03:25Cheese!
00:03:26Cheese!
00:03:27Cheese!
00:03:28Cheese!
00:03:29Cheese!
00:03:30Cheese!
00:03:31Cheese!
00:03:32Cheese!
00:03:33Cheese!
00:03:34Cheese!
00:03:36Cheese!
00:03:48I thought it might be you.
00:03:50Kate!
00:03:51Oh, it is so good to see you.
00:03:54I just got in from Paris.
00:03:56Duty-free.
00:03:57I know I couldn't count on you for anything stronger than tea.
00:04:01Welcome home.
00:04:05What do you think? I told the doorman I forgot my key.
00:04:08He said that he liked your new look.
00:04:10Oh, that old game.
00:04:11As fun as it ever was.
00:04:13Yeah, it was fun when we were kids.
00:04:17That's right. You haven't liked playing it since...
00:04:21What was his name?
00:04:22It was Peter Robinson.
00:04:29God, I have missed you, Kate.
00:04:31The name is Dominique now, remember?
00:04:36What?
00:04:37You all right? You look tired.
00:04:43Yeah. You just haven't seen me in a while.
00:04:50Four years isn't a while.
00:04:54Has it been that long?
00:04:56Even longer since you've seen Mom and Dad.
00:04:59Well, they must be happy with all your degrees.
00:05:02I think that they're proud of both of us, Kate.
00:05:05Well, so we should celebrate.
00:05:08Put on your party dress, because I am taking you dancing.
00:05:11No, I don't think that...
00:05:13Thinking is not required.
00:05:15What is required is something black and sexy.
00:05:18I've got one you can wear.
00:05:20I came in town to do a favor for a friend.
00:05:22I may as well do you a favor and get you out too.
00:05:25Come on.
00:05:26God, you're beautiful.
00:05:57I can't wait to tell Mr. Arnold how fabulous this is.
00:06:00Anything for Jack.
00:06:09Could you take care of my sister?
00:06:11Oh, sure.
00:06:14Rebecca.
00:06:22Come on, please. Let the ladies through.
00:06:26Come on.
00:06:31What were you doing?
00:06:33This really isn't my style, Kate.
00:06:35Come on.
00:06:36You're gonna go have a good time whether you want to or not.
00:06:40Let's go!
00:06:54On the rocks.
00:07:09I can't believe you get paid for this.
00:07:11We just put this dump on the map.
00:07:13Hey, Dominique, care to dance?
00:07:39Hey!
00:08:10Come on.
00:08:28Star up.
00:08:32Thanks, Dominique.
00:08:34I'll let Jack know what a hit you were.
00:08:36Anything for Jack.
00:08:40Sorry.
00:08:41It's been a long day, but jet lag finally hits.
00:08:51Take it easy.
00:09:06Maybe you should just lay off.
00:09:08Oh, if I need it, I take it.
00:09:10If I don't, I don't.
00:09:12You've been drinking all night.
00:09:14Why don't you get a life, Kim, so you don't envy mine?
00:09:18Because I don't envy alcoholics, Kate.
00:09:20I work hard. It steadies my nerves.
00:09:24Well, by now you ought to be steady enough to climb Mount Everest.
00:09:27Cut the sarcasm, Kim. It doesn't suit your image.
00:09:29The way falling down drunk suits yours?
00:09:33God, Kate, I'm so sorry.
00:09:35Look, I'm in trouble, okay? Are you satisfied?
00:09:41I arrive late at photo sessions.
00:09:43I can't walk straight sometimes.
00:09:46I need one of these, or I can't even remember where I'm supposed to be.
00:09:54I want to stop, but I'm not strong enough.
00:09:57Well, you don't have to do this alone.
00:09:59There's a good rehab center here.
00:10:01I can't. My career would be over in a week.
00:10:04Come on, recovery's a status symbol.
00:10:06Everybody who's anybody is coming back from something.
00:10:17This is Jacqueline Kim.
00:10:19Little Miss Young and Ruthless.
00:10:22She wants to be the next Chamberton cover girl.
00:10:26If they found out I was drying out, she'd take my place.
00:10:30And once you're off the cover, you never get back.
00:10:33We're talking about your life, Kate.
00:10:35This is my life.
00:10:38Without it, I don't have anything.
00:10:41I wish I could take your place.
00:10:47What did you say?
00:10:49I said it's too bad I can't fill in for you.
00:10:53I said it's too bad I can't fill in for you.
00:10:59No.
00:11:00Yes.
00:11:01No.
00:11:04Yes.
00:11:06Take my place.
00:11:07Kate, don't be crazy. I told you that I'd never...
00:11:09It would work, Kim.
00:11:11But you'd save my career and my life.
00:11:15No.
00:11:17Please.
00:11:20It's the only way.
00:11:24You'd check into rehab?
00:11:27Yes.
00:11:30I can't do the things that you do.
00:11:32I don't have your grace or your style.
00:11:35I'll teach you.
00:11:37Kim, it would work. People always got us confused.
00:11:40But we're from different worlds now.
00:11:42I could never be as free as you are. I don't have your strength.
00:11:45You call this strength?
00:11:49It would never work.
00:11:51You want to bet?
00:12:01Get rid of that ponytail.
00:12:12So, what do you think?
00:12:15Too crazy for words.
00:12:21But I'll try if you'll try.
00:12:28That's better.
00:12:30Good.
00:12:34Come on back.
00:12:37One, two, three, four. One, two, three, four.
00:12:41Kate, this will never work. I can't do this on a runway.
00:12:45So, you won't have to.
00:12:47We only do the big runway shows when we're debuting the new lines.
00:12:50The Chambertin line doesn't debut for six weeks.
00:12:53You said I only had to be in the clinic for four.
00:12:55Yeah, but I still have to act like a model.
00:12:58You'll only have a few private showings scheduled at the salon.
00:13:01Henri will be so happy I'm not bumping into the customers, he won't notice your technique.
00:13:06I'm Henri Chambertin, of the House of Chambertin.
00:13:16Actually, I should draw you a floor plan.
00:13:18Paul is his doorman, you have a nodding acquaintance with the sales girls, and Marie is the chief fitter.
00:13:24I helped her out of a jam a little while ago, so if you need her, you can count on her.
00:13:29Now, who's he?
00:13:31Claremont. He's an American, he's Henri's new partner.
00:13:34Bought a controlling interest in the company last year.
00:13:37He's not bad looking, yeah?
00:13:39Well, he doesn't have much use for me.
00:13:41He would love to fire me, but he can't.
00:13:44Why not?
00:13:45Because I'm a star.
00:13:48The question is, am I?
00:13:50This will tell you about everyone and everything you'll need to know for the next month.
00:13:54What about the man that you opened the club for, Jacques Arnault?
00:13:57He's gone to Hong Kong for a month, so you don't have to worry about him.
00:14:00Is he someone special?
00:14:02No.
00:14:03He owns some nightclubs, he sort of designs the scene.
00:14:05Just forget about him.
00:14:10It's almost three.
00:14:13Well, let's get ready and get out of here.
00:14:17Before I change my mind.
00:14:26Kate, relax.
00:14:27Baroques has a great reputation.
00:14:29They're among the best in the world and they are very discreet.
00:14:39I know this is hard, Kate.
00:14:41But you're doing the right thing.
00:14:43Maybe you should just phone and tell them you don't know where I am.
00:14:47I'll figure out something later.
00:14:49No, it'll work out. Just leave it to me.
00:14:52And concentrate on getting better.
00:14:58Miss Jameson?
00:15:00I'll take you up and register you now.
00:15:02The doctor will be along later.
00:15:05And don't worry.
00:15:07We're here to help you through this.
00:15:09Do not judge what brought you to us.
00:15:12I'll call you as soon as I can.
00:15:15I'm sorry. There are no calls or visits allowed for the first three weeks.
00:15:18It's best for all concerned.
00:15:23I love you, Kate.
00:15:25And don't worry about a thing.
00:15:56Miss Dominique?
00:15:58Miss Dominique?
00:16:00Mr Arnault requests that we leave your plane.
00:16:03We?
00:16:05He felt the world should know.
00:16:07Dominique has returned to Paris.
00:16:11Come on, let's go!
00:16:13Come on, let's go!
00:16:15Come on, let's go!
00:16:17Come on, let's go!
00:16:19Come on, let's go!
00:16:21Come on, let's go!
00:16:23Come on, let's go!
00:16:30Come on!
00:16:32Come with us!
00:16:34Come on, let's go!
00:16:36Come on, let's go!
00:16:38Let's go!
00:17:23Stop, um, stop, edit, edit, edit.
00:17:50Stop, stop, stop, stop, stop, stop, stop, stop, stop, stop, stop, stop, stop, stop, stop,
00:18:20stop, stop, stop, stop, stop, stop.
00:18:31Watch, watch, watch.
00:19:45I'm sorry I had to send a limo instead of meeting you in person.
00:20:03Do you like the flowers?
00:20:21I thought that you had business in Hong Kong.
00:20:24Yes, I made my business arrangements more quickly than I expected.
00:20:29The new club owner said you were wonderful.
00:20:37What's the matter?
00:20:42Perhaps it's time to discuss another type of performance.
00:20:51Excuse me?
00:20:55I told you when I came back from Hong Kong I wanted to discuss an important matter.
00:21:04Don't tell me you've forgotten, chérie.
00:21:09Actually, I'm a little tired. Would you mind if we discussed it later?
00:21:15Fair enough. But we can't leave it too long, can we?
00:21:22Let's have dinner at Tour d'Ogeant this week.
00:21:25That would be fine.
00:21:28It's a dream of mine.
00:21:58Hello? Who? Henri?
00:22:19No, of course I haven't forgotten.
00:22:22My plane was late. I'll be right there.
00:22:52I'll do anything for you.
00:23:19Good morning, Paul.
00:23:29Good morning.
00:23:31Good morning.
00:23:38Paul's the doorman. You have a nodding acquaintance with the sales girls.
00:23:43Marie is the fitter.
00:23:45It's confidence. Relax.
00:23:56Sorry.
00:24:00So you decided to come back to us?
00:24:02Yeah, I just went away for a few days.
00:24:06Without letting anyone here know where you were going?
00:24:09Won't happen again.
00:24:11I know you still think you're a star, but some of us are having our doubts.
00:24:16I didn't realize that visiting my sister was any of your business.
00:24:20Anything that takes you out of Paris is my business.
00:24:23Including my private affairs.
00:24:25When you go out of town to open a new club for Arnaud, I can't help thinking you have something to hide.
00:24:29And I can't help thinking that you're a...
00:24:31Dominique, this can't be you.
00:24:34Look at her, Philip. She has put on at least five pounds.
00:24:38I think she looks almost normal.
00:24:40We don't like normal women. We will have to give the finale to Jacqueline.
00:24:43She will never get into the gown.
00:24:45She may have had too much home cooking, but she is not deaf.
00:24:49You can talk to me.
00:24:52And the gown will look better with more of me in it.
00:25:00What do you think, Philip?
00:25:05I think if the gown fits, we should let her wear it.
00:25:09Thank you. If you'll excuse me, Marie is waiting.
00:25:23Carmen, you are in the solids.
00:25:26Jacqueline, you are in the polka dots.
00:25:29Polka dots make me look like a child.
00:25:32You want me to tell Henri you think his collection is childish?
00:25:39Your rail is there, Dominique.
00:25:43Sorry I'm late.
00:25:47How was your mysterious weekend?
00:25:50Uneventful.
00:25:52Jacqueline was hoping you'd fall in love and never come back.
00:25:56Oh, I'm sure Dominique would never let her heart interfere with her career.
00:26:00In fact, I heard she had it removed so it couldn't...
00:26:09Your sister must be an excellent cook.
00:26:12My sister? The one you went to visit?
00:26:16Why don't you put this on? It's wider in the hips.
00:26:22All right, everybody.
00:26:25Everybody else is free to leave for the day, thank you.
00:26:43Who are you?
00:26:45I know Dominique's body, and this is not it.
00:26:50Are you her twin?
00:26:53Yes.
00:26:55Where the hell did she send you? Where is she?
00:27:02She's in a rehab center.
00:27:04Oh, well.
00:27:07At least she finally admitted she has a problem.
00:27:11You are a model.
00:27:13I'm an art history student.
00:27:16You are as crazy as she is. You know you'll never get away with this.
00:27:20She needs to get well. I'm only going to cover for her for a month.
00:27:23A month? Oh, no.
00:27:26The new line debuts next Saturday.
00:27:28Saturday?
00:27:29Yes.
00:27:30She told me that it doesn't...
00:27:31No, no, no, no, no, no.
00:27:32Philippe brought the date forward to break the competition.
00:27:34This is our most important runway show in years.
00:27:38I can't fake a big fashion show.
00:27:39No, of course you can't.
00:27:41We're just going to have to go to Philippe and tell him the truth.
00:27:44No, no, no, no, no. Saturday's almost a week away.
00:27:46We could... I could take lessons. You could teach me how...
00:27:49No, I couldn't. Philippe would find out immediately.
00:27:52And if you were found out on the runway, we'd all be finished.
00:27:56Oh, this is insane.
00:27:59Dominique told me that she helped you out of trouble once.
00:28:02So?
00:28:03So, maybe it's your turn to help her out.
00:28:08Please, Marie.
00:28:10She loses her career. She'll never get sober.
00:28:15That's true.
00:28:19Oh, all right, all right.
00:28:22I guess I owe her that much.
00:28:25You just save your thanks until we know that this works.
00:28:28OK.
00:28:31And lose those few pounds.
00:28:45Oh, my God!
00:29:15I'll do animation.
00:29:18I'll do animation.
00:29:22I'll do animation.
00:29:25I'll do animation.
00:29:29I'll do animation.
00:29:41I trust you know where these go.
00:30:12I'll do animation.
00:30:15I'll do animation.
00:30:18I'll do animation.
00:30:21I'll do animation.
00:30:24I'll do animation.
00:30:27I'll do animation.
00:30:30I'll do animation.
00:30:33I'll do animation.
00:30:36I'll do animation.
00:30:39I'll do animation.
00:30:42I'll do animation.
00:30:46I'll do animation.
00:30:49I'll do animation.
00:30:53I'll do animation.
00:30:59You know, you and your sister have more in common than you think.
00:31:02Yeah?
00:31:03Mm-hmm.
00:31:04Come and sit down for a while.
00:31:06No, I've got to go for a run.
00:31:08Oh, there's no need to push yourself so hard.
00:31:11Besides, Philippe said he likes you with your new curves.
00:31:15I don't know how Kate does this.
00:31:17Who's Kate?
00:31:18Oh, that's my sister's roommate.
00:31:20You know, I always thought that she lived this soft life.
00:31:22A lot of parties, a lot of boyfriends.
00:31:24Oh, she has a few.
00:31:26Jacques Arnaud?
00:31:27Never struck me as her type.
00:31:29Well, she came home to do him a favor.
00:31:31But he seems to expect something more.
00:31:33Will you be careful?
00:31:35He may be a charmer.
00:31:37There's all the charm of a cobra.
00:31:46I can't thank you enough for all you've done for us.
00:31:49Oh.
00:31:51Your sister has a lot of faults.
00:31:53But she helped me when I desperately needed money.
00:31:56I was very selfless of her.
00:31:59That seems to run in your family.
00:32:02Yeah, Kate sure can mess things up.
00:32:05She has spirit.
00:32:07Now, that is the attitude you need for the runway, that spirit.
00:32:12A body is just a body.
00:32:14The very best models, they do it all up here.
00:32:19Up here?
00:32:21It's the ultimate stretch of stuff, yes?
00:32:25Yes.
00:32:26You have to believe that you are the most beautiful woman in the world.
00:32:31If you believe it, they will.
00:33:24Slurs.
00:33:31Slurs.
00:33:49Good.
00:33:53You will be perfect.
00:33:55Believe it.
00:34:01Don't stumble tonight, Dominique.
00:34:32Oh, God.
00:34:38What's the matter with her?
00:34:48Bravo!
00:35:01Bravo!
00:35:20Don't nod if you can.
00:35:44She's a genius.
00:35:53You'll sell out the line.
00:35:55I hope so, Henri. We're both at six.
00:37:31Go!
00:37:33Go!
00:37:35Go!
00:37:37Go!
00:37:39Go!
00:37:41Go!
00:37:43Go!
00:37:45Go!
00:37:47Go!
00:37:49Go!
00:37:51Go!
00:37:53Go!
00:37:55Go!
00:37:57Go!
00:37:59Go!
00:38:02Bravo!
00:38:16Bravo!
00:38:26I love you! I love you!
00:38:56You were inspired! Actually, I was scared stiff.
00:39:09And how are you now? Exhausted.
00:39:13My dear! You were superb! Everybody wants to meet you! Everybody!
00:39:21Oh, well done, my child! Nice work! Come get a hug!
00:39:51Let me take you home. I don't...
00:40:03I don't care what Henri said. I'm taking you home before you fall down, okay?
00:40:07Excuse us.
00:40:18You don't know how much I appreciate this. It's going to take a long time.
00:40:29Well, good...
00:40:33Are you capable of undressing on your own?
00:40:35Yes, I'm quite capable of undressing on my own.
00:40:40You're wearing Henri's merchandise.
00:40:44Sorry. I should drop you back in a second.
00:40:48Thank you for getting me out of there, because I...
00:40:52Fading fast.
00:41:00I'm going to take a shower now.
00:41:16I thought the show went quite well.
00:41:20I was concerned what effect a drunken model would make on the customers.
00:41:27Hey! I am not drunk. I'm exhausted. I worked my behind out for this show.
00:41:33Then get some sleep. You have a photo shoot first thing tomorrow.
00:41:55Yes! Perfection!
00:42:03Enough. Thank you, my dear. That's all for today.
00:42:09Dominique, we do the covers now, but first we change the lighting, so take a break.
00:42:40Do you like it?
00:42:43Yeah, it shows less linear emphasis on his early work, and his use of light and color is much more confident.
00:42:52You certainly know what you're talking about.
00:42:56Forgive me for assuming you'd had too much to drink last night.
00:43:01It's not like I haven't given people that impression.
00:43:06You like this collection?
00:43:08Yes, I'm writing... I'm reading a book on it. I get my thoughts down and I compare them with the books at home.
00:43:16Is Venetian Renaissance art your specialty, or do you have broader tastes?
00:43:21Such as?
00:43:23Favorite work?
00:43:25Actually, it's something that I've never seen.
00:43:28What is it?
00:43:30It's a bronze in the private collection of the Marquis de Bellevaux.
00:43:35Dominique, nice to see you.
00:43:38Jacques?
00:43:40Congratulations on last evening. Your string of triumphs continues.
00:43:47Monsieur Clermont, it seems our friend has assured that Chambertin will survive one more season.
00:43:54The house of Chambertin is as solid as ever, Monsieur Arnault.
00:44:01Taste is a fickle commodity. No one knows that better than I.
00:44:08Or I.
00:44:12I believe the museum is closed to the public for the day.
00:44:17Yes, so I understand. I, however, came to see Dominique.
00:44:26Excuse me.
00:44:31I made a reservation for this evening. Eight o'clock, all right?
00:44:36Dominique?
00:44:38Eight, uh, sure. Um, if you'll excuse me, Jacques, I have to get back to work.
00:44:44Don't be late. Your career may depend on it.
00:44:50Has she changed since she came back, or is it just me?
00:44:56No, she's not the same woman.
00:45:00Not at all.
00:45:02I don't know.
00:45:04I don't know.
00:45:06I don't know.
00:45:08I don't know.
00:45:10I don't know.
00:45:12I don't know.
00:45:14I don't know.
00:45:16Not at all.
00:45:47Hi.
00:45:49Hi.
00:45:53In the 16th century, the Marquis de Bellevaux came to my family to borrow money to buy works of art.
00:45:58Came to your family? I thought that you were American.
00:46:00Well, yeah. I mean, for the last couple of hundred years, sure.
00:46:03But, uh, before the Revolution, we Clermonts, Counts, Dukes, whatever you want.
00:46:07I had no idea that I was talking to royalty.
00:46:11Well, hardly.
00:46:13But you did say they had a sculpture you wanted to see.
00:46:20I've never seen so many beautiful sculptures.
00:46:27Look at this place.
00:46:30And no one here to enjoy it.
00:46:32Makes it a privilege to show it to somebody who will.
00:46:36I come here a lot by myself.
00:46:38Yeah, right.
00:46:40It's true. I do.
00:46:42For a thousand years before the Revolution, we Clermonts were patrons of the yards.
00:46:46It's something I'd always wanted to get back to.
00:46:48Oh, is that why you invested in the fashion business?
00:46:51Well, yeah, I'd always wanted to return to Paris and fashion in its way as an art form.
00:46:56Yeah.
00:46:57Also, I'd been led to believe the House of Chambertin could be profitable.
00:47:00Well, it's not?
00:47:02Well, Henri is a great artist, but, uh...
00:47:04He's not?
00:47:06Well, it's not?
00:47:08Well, Henri is a great artist, but, uh...
00:47:10His business sense is non-existent.
00:47:13We needed a very good season.
00:47:16Needed?
00:47:18We're about to launch the new season now.
00:47:23This morning, somebody broke into Henri's office while we were doing your cover shots.
00:47:29Some sketches in the Muslim patterns were stolen.
00:47:33Why would anyone steal his work?
00:47:35Well, it happens from time to time in this business.
00:47:37Mass market is in the Far East using his patterns.
00:47:40Before we can even break this line, Henri's creations could be in hundreds of stores.
00:47:46Did you call the police?
00:47:49Publicity like this could ruin us.
00:47:52Do you have any suspects?
00:47:55Has to be somebody inside the firm.
00:47:58Also, I think they're working for Jacques Arnault.
00:48:00Arnault?
00:48:02Because of his clubs, he has access to all the right people, not all the wrong ones.
00:48:07You don't think that I had anything to do with it?
00:48:10Not unless you can be in two places at once.
00:48:13Nope.
00:48:17Oh.
00:48:19That is more beautiful than I expected.
00:48:25You know, I feel like I'm just getting to know who you are.
00:48:28Yeah.
00:48:30I know what you mean.
00:48:35Want to go out for dinner?
00:48:37I can't. I already have plans.
00:48:40Can't cancel them, though.
00:48:42No. I want to.
00:48:46Maybe I can persuade you.
00:48:48Um...
00:48:51Could you take me home?
00:48:53Why?
00:48:56There's someone I have to see.
00:48:58Sure.
00:49:46Oh, no. Mineral water, please. Thank you.
00:49:49Watching my weight.
00:49:51You look enchanting already.
00:49:53No life is worth living without champagne.
00:49:56I don't know.
00:50:00I should have known the paparazzi would be here.
00:50:03Dominique is on top once again.
00:50:09It would be a shame if this fame were fleeting.
00:50:18Did you get the sketches?
00:50:20The sketches?
00:50:23I'm disappointed. I heard there was a problem at Chamber 10 today.
00:50:26I was hoping that you'd finally come through for me.
00:50:29This is what you wanted to discuss?
00:50:32Don't play innocent. You weren't that drunk when I first told you about this.
00:50:36And we both agreed that friends should do each other favours.
00:50:41Didn't we?
00:50:44Yeah, but it's too risky.
00:50:46Philip already suspects me because of our friendship.
00:50:49He does, does he? Maybe we should tell him the whole story.
00:50:54My dearest Dominique, what would he think
00:50:58if he knew that your wild evenings at my club
00:51:02could destroy the reputation of the house of Chamber 10 all by themselves?
00:51:09I doubt that he would listen to what you have to say.
00:51:12True. But...
00:51:15he will believe his own eyes.
00:51:20Some may call that pornography. I prefer to think of it as art.
00:51:26Quite a night, wasn't it?
00:51:29Imagine how these would look
00:51:32in one of those magazines or on Philip's desk.
00:51:37They're fakes.
00:51:39My dear, we both know that you've lost entire days to the bottle.
00:51:43And love is always there, sweetheart.
00:51:46Scraping you up off the floor when you couldn't move.
00:51:51I don't remember.
00:51:54Perhaps you were too drunk to remember what you were doing.
00:51:57Perhaps not.
00:51:59Get me the sketches and muslins, shall we?
00:52:03When I get them, you get these.
00:52:08And I am prepared to bring you down along with the house of Chamber 10.
00:52:12And I am prepared to bring you down along with the house of Chamber 10.
00:52:37Farrokh's Clinic.
00:52:38Yes. Kate Jameson, please. It's an emergency.
00:52:41I'm sorry. There's no contact allowed for the first three weeks.
00:52:44But if you'd like to leave a message...
00:52:46No, no, no, no. That's too complicated.
00:52:48Please just get her to call her sister as soon as she can.
00:52:59Where's Marie?
00:53:00Being questioned by Harry.
00:53:02His designs have been stolen.
00:53:05Speaking of which, have you seen Jacques Carnot lately?
00:53:08Don't bait me, Jacqueline. I'm not in the mood.
00:53:11From the screaming, it sounds like Marie is about to confess.
00:53:14Whether she did it or not.
00:53:16Good. Maybe we'll get a cheap fitter who won't put me in a coconut.
00:53:24How can you treat her like this?
00:53:27All right, Marie. We'll speak to you later.
00:53:34That woman has given her life to the house of Chamber 10.
00:53:37Yes. She also just bought herself a new apartment.
00:53:40So?
00:53:41Her husband died a year ago.
00:53:43He was a civil servant who never made enough money in his lifetime to buy a car,
00:53:46let alone an apartment.
00:53:48And that's enough to assume she destroyed the only company she's ever worked for?
00:53:52But she just found an apartment and somebody else paid for it.
00:53:56I paid for it.
00:54:00You?
00:54:02Yes.
00:54:03But what didn't she say?
00:54:05Why should she?
00:54:07Why should I?
00:54:11How was your dinner?
00:54:13I heard you and Arnaud were together all night.
00:54:19I have done nothing to hurt the house of Chamber 10.
00:54:29That woman.
00:54:31One day you want to fire her.
00:54:33The next, she's every passion you want to associate with your designs.
00:54:39Marie, I think we should risk the publicity and go to the police.
00:54:43We'll explain these, become the patterns to your creations, kind of a blueprint.
00:54:47This is not a blueprint.
00:54:49This is a vision, a one-of-a-kind stroke of genius, irreplaceable.
00:54:54We have to replace them. We have no choice.
00:54:58We can't stay in business unless we market a full line of designs this season.
00:55:02Oh, yes. Have another vision.
00:55:05It's easy for you to say.
00:55:07No, no, no. No, no, no.
00:55:09No, it's the fate of the artist.
00:55:12I will go seek my muse.
00:55:14You just pray that I find her.
00:55:17Marie.
00:55:19Why didn't you tell them that Dominique gave you the money?
00:55:21I thought it would make them suspect her.
00:55:24You probably would have been right.
00:55:27They know that I didn't steal the designs.
00:55:29But I don't know how deeply Dominique was involved.
00:55:33Meaning?
00:55:35Arnaud has photos of her.
00:55:37The kind of photos that make you a little more than notorious.
00:55:40No.
00:55:42She would have agreed to do anything to keep them from being seen.
00:55:45And the way he saw it, it was obvious he thought she'd done it for him.
00:55:49I've always thought that man was dangerous.
00:55:51He's a street thug with money.
00:55:53You know, there's a rumor.
00:55:55There is bad blood between him and Philippe.
00:55:58Well, whatever's going on,
00:56:00I just lied to Philippe to cover for Kate.
00:56:03Oh.
00:56:05You're very attracted to him, aren't you?
00:56:08Maybe.
00:56:11Me?
00:56:13No. Of course not.
00:56:15Oh, good. That's one less thing to worry about.
00:56:19Okay, there is a little attraction.
00:56:22But it's not me that he sees.
00:56:24It's Dominique.
00:56:26Oh?
00:56:28I knew we shouldn't have played that game again.
00:56:30Game?
00:56:33When I was 17,
00:56:35I met this boy, Peter Robinson.
00:56:37He was the first boy I ever had a crush on.
00:56:40He asked me out, but I had a term paper to deliver,
00:56:43so Kate took my place.
00:56:46And what happened?
00:56:48She was her usual boisterous self,
00:56:50and he fell in love with her.
00:56:52Oh, that girl.
00:56:54After that, we never played the game again.
00:56:56This is an exclusive original.
00:56:59I can't go on a catwalk like this.
00:57:01There is no catwalk.
00:57:03You walk among the guests.
00:57:08Oh, Jacqueline.
00:57:11Want to wear this?
00:57:13Trying to impress Philip with your restraint?
00:57:31Oh, look.
00:57:33Philip brought a lady with him.
00:57:38Lovely, isn't she?
00:57:46Turn around, please.
00:57:52What do you think, Mimi?
00:57:54It's not really my style, Philip.
00:57:57Thank you, Dominique.
00:58:02Dominique, I want you to meet Mimi.
00:58:05Actually, I'm on my way out.
00:58:07I'm pleased to meet Dominique.
00:58:11I can never wear clothes the way you do.
00:58:13Not even when there's just one of me.
00:58:16Dominique, my sister, Mimi Dupre.
00:58:20Your sister?
00:58:22Hi there.
00:58:23It's nice to meet you.
00:58:25You look like a Rafael Madonna.
00:58:27When are you due?
00:58:29Two weeks, but might just as well be two months.
00:58:32Philip tells me you're quite the art expert.
00:58:34Oh, hardly.
00:58:36I'm sure he's also told you that our families had a long relationship with the arts.
00:58:40Yes.
00:58:42Mimi spends much of her time raising money to restore damaged paintings.
00:58:46I thought if I could get you to host one of our fundraisers,
00:58:50it might draw some attention.
00:58:52Oh, um...
00:58:54Well, you know where Dominique goes, the press follows.
00:58:57It really would help.
00:58:59Join us for dinner tomorrow night?
00:59:01My husband Stefan and I are staying with Philip in the city until the baby's born.
00:59:05Please say yes.
00:59:08Yes. Yes.
00:59:10Okay. I would be glad to help.
00:59:12Um, tomorrow evening.
00:59:29♪
01:00:00What do you want now, Jacques?
01:00:02What I've always wanted, chérie.
01:00:04I have customers who are getting anxious.
01:00:06Now, where are the sketches?
01:00:08I told you, I don't have them.
01:00:15Don't lie to me.
01:00:20Now, I will give you one more day.
01:00:24Your career might not be the only thing I bring to an end.
01:00:29Okay.
01:01:05Wow, this is a stunning building.
01:01:08It's one of the last private houses in Paris.
01:01:11So how long have you lived here?
01:01:13Well, I lived here as a child,
01:01:15but my father was unhappy here, so we had to leave.
01:01:20It's hard to imagine not being happy here.
01:01:42Hi.
01:01:43Hi.
01:01:44Dominique, remember my sister Minnie.
01:01:47Hi. Thank you for coming.
01:01:49I hope you feel at home.
01:01:50Thank you for having me.
01:01:51Of course. She'll be dazzled by the meal I've prepared.
01:01:54This is my husband, Stéphane.
01:01:56He likes to help in the kitchen.
01:01:58I had to pay my cook extra for the privilege.
01:02:00It's a pleasure to meet you.
01:02:02Nice to meet you.
01:02:03Your home is magnificent.
01:02:06The last Count de Clermont had it built in 1770.
01:02:09Our father bought it and had it restored.
01:02:11Ah, Philip told me that it was only a drafty old house.
01:02:15In France, understatement is everything.
01:02:18Come on, let me show you around.
01:02:30If I'd said come to our home with everything
01:02:32our terribly important family has ever bought,
01:02:35you'd have turned me down for sure.
01:02:37Mimi, your humility is showing.
01:02:39It comes from inbreeding and living too far from Versailles.
01:02:43Who is she?
01:02:45Our grandmother.
01:02:46I can see the resemblance.
01:02:48Do you have a painting of your mother?
01:02:53I do in my home, but...
01:02:55Stéphane, I'd say we go get a nice bottle of wine, huh?
01:02:58I'll ask the butler to.
01:02:59I'd rather do it myself.
01:03:01Come on, let's go.
01:03:15Oh, oh, oh.
01:03:17You all right?
01:03:18Yes.
01:03:20Sorry.
01:03:22The baby's just restless.
01:03:26Don't let Stéphane know.
01:03:28He fusses.
01:03:29Philip is even worse.
01:03:31You two seem to be very close.
01:03:33Yeah.
01:03:35We had to learn to stick together.
01:03:40Our father brought the family to France when we were kids.
01:03:44He wanted to move back permanently.
01:03:49Then Mother left him for another man.
01:03:51Sorry.
01:03:55Dad immediately took us back to the States.
01:03:59It was an awful time.
01:04:03Philip has never really trusted a woman since.
01:04:08Surely there must have been someone.
01:04:11Yeah, he's had girlfriends.
01:04:14But no one he's ever given his heart to.
01:04:24All right, you two.
01:04:25The cook says my first course is ready to serve.
01:04:28Great.
01:04:29Now we use the pregnant lady as a guinea pig.
01:04:42Clermont used to be one of the most famous and respected titles in all of France.
01:04:47We still didn't keep our ancestors from losing their heads during the Revolution.
01:04:51When Mimi wanted to marry me, her family was astounded.
01:04:54I'm just a mutt.
01:04:56But a very rich one.
01:04:57Would you like some more coffee, Dominique?
01:04:59Oh, no, thank you. Everything was delicious.
01:05:02I'll compliment the chef.
01:05:07I'd like to get some more.
01:05:12I guess what I'm asking you to do is show me my own etchings.
01:05:16Well, I doubt that I can teach you anything about your own art.
01:05:21Well, you might be surprised.
01:05:28These brushstrokes evolved into a figure.
01:05:33So you're saying the artist was just feeling the composition as he went along?
01:05:37Yes. The best don't really paint a picture, they make you feel it.
01:05:41When you sense that rush of emotion, you know that you're in the presence of great art.
01:05:46Yes, you do.
01:05:49What a great place to grow up in.
01:05:53Oh, I think the beauty was lost on me then.
01:05:57My childhood is not something I remember fondly.
01:06:01Mostly I remember being alone.
01:06:08You're very beautiful.
01:06:24Stéphane says it's time to put the pregnant lady to bed.
01:06:27Thank you so much for...
01:06:29Mimi! Mimi!
01:06:31My God, get her onto a chair.
01:06:33No, no, no, leave her here. Get her a pillow.
01:06:36Are you okay?
01:06:38Oh, God.
01:06:39Okay, call the doctor, Sammy.
01:06:40I'll get the car.
01:06:41No, call the doctor now.
01:06:43He's coming.
01:06:45Hold him.
01:06:46The baby's coming.
01:06:48Watch it.
01:06:49Just relax, just relax.
01:06:54Stéphane!
01:07:06They are both going to be okay.
01:07:10Can we see her?
01:07:12We three are all going to the hospital for the night.
01:07:15We'll be here if you need anything.
01:07:17The baby would never have made it without you.
01:07:20Thank you, thank you.
01:07:28It was quite the night.
01:07:30You were amazing. I've never met anybody like you.
01:07:32It was quite the night.
01:07:34You were amazing. I've never met anybody like you.
01:08:02My God.
01:08:06Leave me alone.
01:08:08Just a little longer.
01:08:11My God.
01:08:13My God.
01:08:15My God.
01:08:16My God.
01:08:42Fresh croissants from the local bakery.
01:08:45And the coffee?
01:08:46I always make the coffee.
01:08:48Smells like heaven.
01:08:53You smell like heaven.
01:08:55Yeah?
01:08:57Have you always been this beautiful?
01:09:00Philip, I want you to care about me for who I am.
01:09:05I want that too.
01:09:06I want to know all about you.
01:09:07I want to know all about your life.
01:09:08I want to know all about your family.
01:09:11Why did you choose modeling
01:09:12when art is obviously the thing closest to your heart?
01:09:16Why did it take me so long to find out how incredible you are?
01:09:21I know why.
01:09:26Mimi.
01:09:29She told you about her.
01:09:32Her mother.
01:09:35She was very beautiful too.
01:09:38But it was her sole reason for being.
01:09:42The day she left, she put her arms around me and said,
01:09:47I love you more than anything in the world.
01:09:52And then she walked out and never came back.
01:10:00What?
01:10:06You're the first person I've ever told that to.
01:10:10Philip.
01:10:12There's something I have to tell you.
01:10:15What?
01:10:24Okay.
01:10:27You give up easily.
01:10:29Sure.
01:10:53Mademoiselle Dominique,
01:10:55Monsieur Arnaud asked me to get this to you right away.
01:11:01What is it? What is it?
01:11:02What is it? What is it?
01:11:03Come on.
01:11:04What is it?
01:11:05Just come on.
01:11:06What is it?
01:11:07Give it to me.
01:11:13She can open it.
01:11:16No.
01:11:19What is it?
01:11:21Let's just go upstairs, okay?
01:11:25Is there something I shouldn't see?
01:11:29No.
01:11:37Philip.
01:12:00Where's Charles?
01:12:06Up here, shall we?
01:12:08Can I get you a drink or are you still dieting?
01:12:12What did you hope to accomplish by sending me those photos?
01:12:16Just a reminder. I gave you fair warning.
01:12:19The next one will go to the police.
01:12:22I'm sorry.
01:12:24I'm sorry.
01:12:26I'm sorry.
01:12:27Fair warning.
01:12:28The next one will go to the press.
01:12:31Well, your little reminder was almost seen by Philip.
01:12:37I would have given anything to have seen that little aristocrat's face if that had happened.
01:12:41Why is that?
01:12:43I hate all his kind.
01:12:44Making people fawn over them and do their bidding just because they have money.
01:12:49Well, I hope that there's more to this than that.
01:12:53My family worked their fingers to the bone for the Clermont.
01:12:57And they tore us apart.
01:12:59And?
01:13:01I don't need you to believe anything.
01:13:03I'll give you until tomorrow night to deliver those sketches.
01:13:05After that, I can't be held responsible for the consequences.
01:13:17Your time has run out, my sweet.
01:13:19Well, you can do whatever you want with the photographs because I'm going to the police.
01:13:23Don't forget to tell them you took the sketches and I have a witness.
01:13:28If you want to tell them about her.
01:13:30What witness?
01:13:32The newspapers will have a field day.
01:13:34Those lurid photographs.
01:13:36Top model brought down by her biggest rival.
01:13:42Jacqueline.
01:13:44This will give her everything she's always wanted.
01:13:46Your trap.
01:13:54It's the flip side of the party, Dominique.
01:13:59Now go and get me what I ask for.
01:14:12If what you say is true, this is the end of the house of Chambartin.
01:14:17It's unbelievable.
01:14:18All this history ruined by some sordid little story.
01:14:23Could Jacqueline have stolen it for her?
01:14:27She's a hungry one.
01:14:28I've never seen anyone want a magazine cover like she does.
01:14:31But no one would stoop that low.
01:14:35Was she a friend of Arnaud's?
01:14:36No. No.
01:14:37She never goes to the clubs.
01:14:38Her career is everything.
01:14:41So what's going on with her and Dominique?
01:14:44You'll have to ask your sister.
01:14:47I can't.
01:14:48The clinic called.
01:14:49She checked herself out and they don't know where she went.
01:14:52Oh, that girl.
01:14:54Well, maybe she didn't know that these things were going to happen.
01:14:59And maybe I don't know my sister at all.
01:15:02And maybe you should go back to your own life.
01:15:05These are not your problems.
01:15:07I can't.
01:15:09I mean, finding out the truth is the only thing that's going to save her from Arnaud.
01:15:13And maybe save you and Philly.
01:15:18There's not much chance of that.
01:15:24Henri, what are you thinking of?
01:15:26The new collection.
01:15:27No, no. I mean, are you going somewhere?
01:15:29Why are the drawings out?
01:15:30Well, because I've been working on the new collection.
01:15:33They are beautiful, yes?
01:15:35Yes, they are. I just hope we're the ones who get to sell them.
01:15:37You know, you're practically inviting someone to come in and steal these.
01:15:40Oh, don't be ridiculous, Philly.
01:15:43A true artist cannot function in an atmosphere of paranoia.
01:15:48Besides, I'm in a rush.
01:15:50I have tickets for the opera.
01:15:52And you know, I hate to miss the Overture.
01:15:55So, I go.
01:15:59Henri!
01:16:14Wait here, please.
01:16:38Hello there.
01:16:40I'm Lola.
01:16:41I'm Claire.
01:16:43I'm looking for Jacqueline LeClaire.
01:16:47Mama!
01:16:54What are you doing here?
01:16:55We need to talk.
01:16:58Wait for me in the front room.
01:17:04Mommy needs to talk to this lady.
01:17:07Come on. Let's go to your room, okay?
01:17:21Your son's a beautiful little boy.
01:17:24What do you want?
01:17:26We have something which belongs to Henri.
01:17:29What makes you think that?
01:17:31Jacques told me.
01:17:33Jacques told me.
01:17:35Why would you do something like this?
01:17:37Don't pretend you don't know.
01:17:39I don't know.
01:17:41You had told him about my past.
01:17:43He's blackmailed me ever since.
01:17:45I never told him anything.
01:17:54Does he have something like that on you?
01:18:04He's playing us off of each other.
01:18:06Yes. He finds your weakness and exploits it.
01:18:09With you, it was your drinking.
01:18:11With me, it was what I became to care for my son.
01:18:13There were so many men offering money.
01:18:16And my son needed food.
01:18:18I was all alone.
01:18:21I was desperate.
01:18:23I thought if I took the drawings and told Jacques you had them...
01:18:27That it would finish my career.
01:18:29I thought maybe that would be the end of it.
01:18:32He'd have beaten Philip. That's what he really wants.
01:18:35Why?
01:18:36His parents worked for the Clermonts until...
01:18:39He was born.
01:18:41He was born.
01:18:43He was born.
01:18:45He was born.
01:18:47His parents worked for the Clermonts until...
01:18:50Philip's mother ran off with Jacques' father.
01:18:53Without his father, Jacques' family sank into poverty.
01:18:56He's always blamed the Clermonts for what happened.
01:19:00You have to return these.
01:19:02I can't. It was hard enough getting them out.
01:19:04No, it's impossible.
01:19:06Yes, you can. You just walk in there, you put them back, and you walk back out again.
01:19:09I can't fight him.
01:19:17He's right. This won't stop him.
01:19:20I'll handle Jacques.
01:19:39Hi, Paul.
01:19:40I'm just locking up, Miss Dunwoody.
01:19:42Um, I forgot my earrings.
01:19:44Just a second.
01:19:46All right.
01:20:17I'm returning the sketches.
01:20:20Having taken the opportunity to copy them, no doubt.
01:20:23No.
01:20:25I'm returning the sketches for someone who took them
01:20:28and regretted taking them afterward.
01:20:33Who?
01:20:37I can't say.
01:20:39No, of course not.
01:20:41Tell me, how much does your friend Jacques pay you
01:20:43to do this?
01:20:45Philip, I didn't steal them.
01:20:47Stop lying to me.
01:20:49I'm not lying to you.
01:20:51When did you decide to use me in your little game?
01:20:53Was it while we were waiting to see if Mimi and the baby would live?
01:20:56I didn't mean to hurt you.
01:21:13Hello.
01:21:31Hello, Dominique.
01:21:35This café has inspired artists for centuries.
01:21:37All the greats.
01:21:39It's fitting you should choose it for my latest triumph.
01:21:41I never really thought of you as an artist, Jacques.
01:21:44You are the clay in my hands, Dominique.
01:21:47Where are those designs?
01:21:49Show me. My talents have not been wasted.
01:21:51Blackmail isn't an art.
01:21:53It's a crime.
01:21:55Such ugly words from such a beautiful woman.
01:21:58You disappoint me.
01:22:00Why?
01:22:01Because I'm not afraid of your photographs or your threats?
01:22:04Because I'm not afraid of a low-life pimp?
01:22:08Don't tempt me, Dominique.
01:22:11Give me those sketches or I will ruin your career.
01:22:14You see, I don't think it's the sketches that you really want.
01:22:18Because that's not interesting enough for you.
01:22:21Jacques...
01:22:25You want to use me.
01:22:27At least give me the satisfaction of knowing why.
01:22:31I want to see Philippe's face
01:22:33when all he has left are his title and his arrogance.
01:22:36I want to see him drowning in your betrayal.
01:22:39You're unbelievable.
01:22:43Now give me those sketches. My buyer is waiting.
01:22:46My photographs.
01:22:48Jacqueline's photographs, with negatives.
01:22:51Now, I ask myself, why would you help her?
01:22:54She hates everything about you.
01:22:56It's not very nice being threatened, is it?
01:22:59You want to get Philippe?
01:23:02Then you play by my rules.
01:23:27Stay out of my life.
01:23:38Dominique!
01:23:41Hurry the hell...
01:23:43Dominique!
01:23:45Dominique! You're finished!
01:23:48Do you hear me? You're finished!
01:23:56Don't tempt me, Dominique.
01:23:58Give me those sketches or I will ruin your career.
01:24:03Dominique, come in.
01:24:05Jacqueline has just told me everything.
01:24:09I couldn't let you take the blame.
01:24:11Thanks.
01:24:12You were both of you very foolish not to tell me what was going on.
01:24:17I always look after my girls.
01:24:19And if Arnaud had made any trouble, well...
01:24:22I think my contacts with the press are more powerful than his.
01:24:26I have owed a great number of favors.
01:24:29Well, I think that this will help.
01:24:33Jacques admitted everything.
01:24:35Dominique, where are you going?
01:24:38You have to give Philippe the news.
01:24:41I think he'd rather hear that from you.
01:24:53Who's there?
01:24:55Take him.
01:24:57Oh!
01:24:59Looking good.
01:25:01It suits you.
01:25:02What are you doing here?
01:25:04And why did you leave the clinic?
01:25:06I read about the new line in the paper and I didn't want you to deal with Arnaud,
01:25:10so I came back to take over.
01:25:12Well, it's too late.
01:25:14He was here all along.
01:25:16It's okay.
01:25:17We'll talk about it later.
01:25:19How are you doing with the program?
01:25:22Let's just say that I had some time to look at who I'd become.
01:25:30I'm sorry.
01:25:33Promise me you'll continue treatment.
01:25:36I've already looked into a clinic here and I start next week.
01:25:41Anyone find us out?
01:25:43Only Marie, but she covered for us.
01:25:47Well, if there's one thing I've learned these past few weeks,
01:25:50it's that I have to be honest about who I am.
01:25:53So tomorrow we'll go in and I'll tell them the truth.
01:25:58No, I'm going to call and thank Marie,
01:26:01but I'm taking the first flight out of here.
01:26:05I'm sorry.
01:26:07I'm going to call and thank Marie, but I'm taking the first flight out of here.
01:26:12She what?
01:26:14She's going home to America. I could not talk her out of it.
01:26:17What time is she leaving?
01:26:19I don't know, but she said she had time to say goodbye to Paris.
01:26:38Oh, Dominique. You can't leave.
01:26:41Philip.
01:26:42You've got to give me a chance to apologize.
01:26:44Philip.
01:26:45I need you.
01:26:46Philip.
01:26:47Look, I know that night in my apartment meant something to both of us.
01:26:49Oh, Philip, you better stop right there.
01:26:51I am not the woman that you think I am.
01:27:07Hey, buddy, watch where you're going.
01:27:09Damn Frenchman.
01:27:29Dominique told me what you did. I was crazy not to trust you.
01:27:33Yeah, you were.
01:27:38See, it's just like I told you, huh?
01:27:41French. Man like us.
01:27:44I know.
01:27:48You know what?
01:27:50You're going to have to marry me so we can work on this every day.
01:27:53Don't you think you need to know the name of the girl before you marry her?
01:28:07Okay.