Be Rang Episode 56 13th September 2024
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FunTranscript
00:00The most spectacular night of the year, and the maestro of music, the one and only Atef
00:12Aslam is set to light up the stage at the Daniel Properties Dubai Presents Kashmir
00:19Nine Hum Awards at the OVO Arena Wembley on 28th September 2024.
00:29Book your tickets now www.hum.tv or www.axs.com
00:39UK
01:09I must a shoddy car
01:12Garmis of kiss of a shoddy to carry a car. Yeah, I took it. What don't I shopping baby get it?
01:18What don't you do?
01:20It's up to about a Malabar be good to get it. What do you wish to say? Okay? I'm a man
01:24Oh, my yeah, you don't know
01:26Yeah, I think it's a push to our or to me. You bought my chicken
01:31Hey, but share your bikey. Do I start a cute girl. I don't know
01:36Well, don't say you like that. Give us that a much more
01:41Okay, like that. Okay, mommy. Don't worry. Oh, my shoddy kiss that was a dirty man
01:45She don't want to take it. Yes, I'm good. Oh, yes, I'm good. Sir. Don't hurry. What does he want to say?
01:50I have to rush Mary bank. I got a bottle. Oh, yes, he bought it. Oh, yeah
01:55Sure, yeah, but Johnny up in a fashion. It's a good time. Oh, yeah, boy. Yeah
02:29Yeah, I took a little to me to make you see no hookah, baby
02:33so chill
02:35Abhishek, this is a diggie body key. Oh, come on. It's a record. Oh, yeah
02:40Oh, I got cuddly
02:42Tokyo
02:44I'm a shoddy car. Oh, yeah, Charlie, but now maybe last
02:49Yankee cake such are
02:52What's it a Somali Nijari?
02:54Yeah, I'll give them up. I think it's me about the car. What was I a fool about?
02:59Yeah, Mary bank, I'll go to that. Oh, come on. He bought a knee cut Amore. It's a
03:03That's a Mazza. Oh, come on. It's not yet. I mean
03:06Hey
03:08I'm your father. Yeah, hey
03:11What's it be?
03:13Maybe didn't get a grass. I'll show you something about that. Oh
03:16I
03:19Think it was a shoddy
03:24I
03:26Mean I can see like you go. They have to be put on again
03:31A cha-cha-cha-cha
03:34Okay
03:45Oh
04:01Yeah
04:15Yeah
04:27Yeah
04:30But I mean I say
04:34Yeah
04:37Hey
04:42Just
04:46Any
04:52Stress
04:55But
04:58He any or a Malcolm guess a Maza
05:03When only tomorrow a big duck a dollar say carry on
05:07Joe, what I actually
05:10Okay, Sherry, I'll lose the quality of a dusty me I'll cut the shoddy carleta
05:16To email cup with her work to keep it separate. So I read
05:21Hatchet up with you say bizarre. Okay
05:25Huh?
05:27Yeah, he told me to miss I'm charging
05:30But some
05:32Sherry are key image a talaq Karwani
05:35Well, maybe what?
05:37I'll figure my career. Let's take my shoddy. Oh, Johnny
05:43Don't know better capata is a soft cookie. Yeah, Richie
05:54Taylor up either. Yeah, I'm below which I use up hell. Okay, but I'm a jayka. Keep a Rishan or a
06:02Kid
06:05I'm here. I mean, I'm here. Don't dance it
06:13Action
06:15So you have a sabotage seek a shoddy guitar. Yeah, he's already a tombstone. I thought
06:20Don't have me come to come
06:24Get there. So ski bottom
06:27I got a farm to bust me chala
06:29I
06:31Don't know Sherry, I'll go past me
06:35Habitat, you have a mama me bully
06:38To shop you have to tell you
06:42Mary Johnny, I know Johnny's a cool fuck neighbor. Oh, I got me tell you again
06:47such to me with
06:50Our up nearby make you a killer tomorrow
06:53I'll call you back. I don't know. It's a pretty big baby. That's a shot. Shut up. I'm a
07:00Papa move, but look
07:02Okay, anyway, we just had a key. Oh, Tina. So up to go this up not to kill me
07:07Yes, I did. Mary up me. Question
07:11what don't
07:12It's all at the car. But what can you share? Yeah, it's a shadow. Yeah
07:17What about the assassin to me sharp or a sauce key, but we'll get it up in a dark on a dollar
07:25Or a pin mark in our money, Nike
07:28Mujahid hookah Denny kiss a lot of them is the rule Mila Gia fan
07:33Man it to make a hookah Lydia to Mary Lee a ghostly bus
07:39Or a but John
07:41I'm going to turn a nice about the music ena
07:44To both in tomorrow's
07:46Nougat's coming very well beta
07:49baby keep a high V pati on it in each other search of a bowling a key
07:55You hold on our accuracy in this garment
07:57Maybe betty kiss shoddy a two-day
08:01Voice Karki pahoo, but never leave. It's a bad boy. It's got their Raj Karegi Raj
08:06I
08:09Guess I'm a Shia Rekha
08:11Amal Kaka Barbara Karki. What's the show? I'll say chinky. I'll get them in a Gaga
08:17To me like that. I get them push Reba. Okay to eat. I rebuild it. Make it's a Kaka Barbara. Nika
08:23Sherry are bought palaces a minute. I got to marry Ben beach, man. I think I'm very happy. It's a cup key. What's your key?
08:31Or man
08:33I'm a two music kiss Hoshi machadikari
08:36What's a kaka party?
08:38Sarah be sure I'm a to me. Don't make you care what to marry mercy. I have to make a room a remercy
08:46To make a movie to cut the iron pan
08:48Dullan bunny in the dark at the remain to Mara
08:51Suck it. I'm the Tomasha banana to me, man
08:54It's not but I don't got the item in which I
08:57Have fun beta bura mutt Manao
09:00But in Mary Betty shrews a sherry are co-presenter, let's take a seek a co-op decay
09:07Yet, oh, don't know if a Virgo Laya or per Dhoka DT. I've got a co-worker
09:14Or is Kaia, Bob?
09:16Zaroor, Burao
09:20Magar, yeah, I thought sorry look Hassan Bunker bad guy
09:24Nazra lagana Kiko shishka
09:26Agar, I'll keep a tika. Yeah, Bobby
09:28So it's co-op. Oh, man, could be poor on you little kid
09:34You can make up me bad boy, so tell me on it
09:50Yes, it don't about up here ready to be
09:54figured out
09:56But say it by Mary or sherry RK shoddy unit, but what we made it each other's a doom-doom at a period
10:02here in suburb, Aungie
10:06Up a big hollow sherry RK phone
10:08or when a car will I
10:10Keep me busy tiki on keep over beta. Nehemiah. He was a around to office make a secret. I'm going to put a chalet. Don't take care
10:19Sarah only be to a sauce
10:21You
10:24Call me lying on
10:36And he
10:38Would you like to get to me? I'll be Jackie. I'm a lot of money to you
10:43Can I walk through my son?
10:45I'm gonna get a man fastly hit me again
10:48I
10:51Can't go boy
10:54So a bank to see bank of the silly dinner you get here
10:58Mojo, no, it's like a movie about some Jiggy
11:02clicking joke which we were
11:04What's on your skin?
11:07Take away
11:09I'm gonna make a shoddy deposit
11:12Cassie
11:15So it's not putting on making which elect a gay Emil Bobby Amarika, we must have to go to but I said
11:25How much like a kid to me
11:36Sorry, sorry, guess what key I got to make a filthy leggy
11:45To match on what you can see to empower Parker
11:52The best of you
11:56Essay in I have to sorry gun cut back
12:14Hmm
12:29Emil okay, Tom, it's like up the groovy road
12:34Yeah, I'll have been all yet. I'm the road okay, please put go some hollow. It's an hour. Oh, there's a Muslim asyle. How do you do?
12:40I
12:42Need
12:45Sherry I'm shoddy good
12:48how many
12:50murder, but I have one a licking
12:52To me, okay, you know
12:56Yes, I don't think I'll say
12:59Okay, man, I'm not gonna make it. Oh, she's me. Okay. Let's do me. Hey, Sunni
13:06I'm not gonna put it on top. I'll be out of it
13:10It's not really touch it I'll make it
13:17Or you pass and get shoddy it's got ya
13:25But you do you so much when you had a kid if we use up kushkar he killed I
13:31Ate the watch of Mary all I'd not hold I just remember I could soon I
13:36want to see what I don't know any
13:40No, how do
13:43Gosh, I'm really mad man. Let's go. That's a shoddy knocker
13:50So I'm I'm gonna show you how to lose it. I'm gonna change the funds a shoddy
13:54I'm gonna kill you. I'm gonna move you much more cat
13:57Very good. I'll put all your time. Okay, we're much more than a shoddy
14:00I'm a very not shoddy. Oh, yeah, but I'm a cheetah. I don't think I'll see
14:05I'm a sit-down. You'll get mummy. Mujahid Adena Jotty. Oh, no, no, Shari. I'll get shot. He could zip an alley
14:15Any to Mara go to Pele who's a guy Athana
14:21They're good to turn in a baby to
14:24Many to Mara go to John
14:26Well, can I or if I don't miss a kill koshish karate to Mara car Bhajan. I'm a koshish Vicky
14:31Any of the Dickey Bajaj cars in the middle of Marley or a fancy shoddy knocker D
14:37Oh, I said, yeah, I'm very certain. That's what I'm not a hot dog
14:42I'll tell you tell you how to move it. I wish I couldn't take me
14:46John, please. Yeah, I'll drop this short. He's not hush
14:52They're gonna go to jail. Yeah, man, they don't have a lot of a you
14:58Please go
15:01Oh
15:31Oh
15:52Fun
15:54Oh
15:58Yeah, fine, yeah, I'll get to the kitchen Laro minutes will go yeah
16:04Tomorrow him a kiss away. There's a moment. I think I make it
16:08My just a mercy shoddy guru just Margie go talaq. Do you have a problem care?
16:15So don't you have a dog to meet a hot wheel I got up a pretty hot way up
16:19I
16:21Don't know how can I get it? Yeah, come on. I'm in a lot of air. We are family boo. Yeah, okay. I'm a big family
16:32Don't know already I'm a stupid to me. She killed you. Don't let it say
16:39Gosh gosh to me. I'm I'd a Malabar Vickery
16:43I
17:13Think
17:16They can shake up, please
17:18Emil Bobby cuss. Oh, sorry. It's shoddy. Kappa. Don't think I'm gonna get it
17:22Oh, but that's it. Oh, but hey, it's a liam. It's a talaq. They don't
17:27Get that look up. It's a cracker. I'm gonna see what I said
17:31Give me some money. I think I'm gonna get back
17:35What I saw in it
17:37I
18:07Don't you dare say anything about my parents or I'll teach you a lesson.
18:20Well done Shehryar.
18:22She insulted my mother in front of you.
18:25And you are standing quietly. Is this the respect of my mother?
18:28Enough Afaan.
18:30Everyone is happy with mom's decision except you.
18:35I will get married.
18:37If you try to create any other problem,
18:40then I will divorce Emal and only you and Annie will be responsible for this.
18:47Remember this.
19:07I will get married.
19:08Okay.
19:36What have you come to say now?
19:38What is left to talk about now?
19:43Look, I have come to apologize for what Shehryar Bhai said to you.
19:49Can your apology justify the words that Shehryar Bhai said to me?
19:55Not at all.
19:57How much pain a person can get from behavior,
20:02who knows better than me.
20:03Yes, but till date I have not given you any pain or suffering.
20:11Only you think so.
20:15If this is the case,
20:17I have given you so much pain,
20:20then why don't you leave it?
20:28I can't leave it.
20:30I am helpless.
20:31Helpless.
20:32What helplessness?
20:41It's a matter of the heart,
20:43you won't understand.
20:44I don't want to talk to you or understand anything.
20:46I don't understand.
20:59I have put so much pressure on you,
21:02that if you start falling, I won't be able to handle it.
21:14I have not given you any right.
21:23Don't say that.
21:27I am getting all the rights,
21:31after marriage.
21:35No, no.
21:49Anyway,
21:51mummy must have surely made Shehryar Bhai go crazy.
21:55The best thing that has happened is that
21:58aunt and Aima have got the opportunity.
22:00If you talk to him, then Sheryar will do what he said.
22:06And this is what I don't want.
22:09If he does this, then Emal will be away from me for life.
22:16She is already so upset with me.
22:18She thinks that I did all this.
22:21What?
22:23Did you meet sister-in-law? What did she say?
22:26That why did I marry you?
22:31I should take a decision.
22:36Come, sit.
22:41Look, I know she is upset with you.
22:46But this is not the time to prove our truth.
22:51We will help her as much as we can.
22:55You go and meet her.
22:57And tell her that you are with her.
23:11Forget about Emal.
23:14What should I tell you about what Annie said to me and my innocent daughter?
23:20What should I tell you?
23:23After a long time, I felt that I am a ghost.
23:28She was talking to me in a loud voice.
23:31She created a ruckus.
23:35God knows what has happened to her.
23:39If you were there, you would have pulled her tongue.
23:42But Afaan, Afaan kept standing and listening.
23:45He didn't say anything.
23:50I think we should throw these two girls out of this house.
23:55I am telling you sister.
23:57These girls do magic on Afaan.
24:01I will not go out of the house for a while.
24:04You guys create a ruckus.
24:08This has become a daily drama.
24:11This is the magic of your two sisters-in-law.
24:14The third one is also coming.
24:18We will see her too.
24:20Forget about this. Tell me, where are you coming from?
24:23After college, I had a friend. Sara had gone to her house.
24:27Why did she go without asking?
24:29And these days you are going out a lot.
24:31What has happened, mom?
24:33I have only one friend. I had gone to her house.
24:36And leave everything.
24:38You don't care about your sons. Let them do anything.
24:41But you have to take care of my every minute.
24:44Fari, what did I say that you are getting so emotional?
24:48I am asking you something. Just give me that answer.
24:53Sister, leave it. She is a kid.
24:56If she won't meet her friends, then whom will she meet?
24:59Okay, you tell me, which dress will you wear tomorrow?
25:04You haven't even made any clothes for Aima's wedding yet.
25:08I will wear anything. What difference does it make?
25:10I don't know if there will be a wedding or not.
25:13Like last time, again my dress and designer's hard work.
25:17Both are a waste.
25:21What is this? She left after talking about bad omen.
25:25Durdana, you keep quiet.
25:27Bad omen.
25:29Yes, by the way, keep an eye on this girl.
25:34Girls don't know anything these days.
25:37They get involved in any work.
25:38She is a kid.
25:40What if she makes a mistake?
26:09You are laughing at me again.
26:12Making fun of my poverty.
26:17I am your sister.
26:19Why do you think so?
26:21Why will I make fun of your poverty?
26:24You are not my sister.
26:27Whenever you come in front of me,
26:30my pain increases.
26:33Do you remember?
26:35When we were in our parents' house,
26:36even if one of us was in pain,
26:39the other one didn't get peace.
26:42We used to stand together.
26:45Yes.
26:47But I am alone in this pain.
26:50God is leaving me.
26:53I am getting lonely.
26:57The one who used to claim to love me,
27:01didn't get tired of taking my name.
27:04He didn't get tired.
27:06He used to fight with everyone for me.
27:10Today, he is leaving me.
27:13He is not leaving you.
27:17He is with you.
27:19He got you married and brought you to this house.
27:22How can he leave you so easily?
27:25I think he is doing all this
27:28because of his mother's pressure.
27:31Don't worry. I am with you.
27:34Your sister is with you.
27:39In fact, you have to be strong.
27:41He got you married to this house with a lot of love.
27:48They have gone for shopping with Aima.
27:51I think you should stop them outside
27:54and talk to them outside.
27:58Shopping?
27:59Shopping.
28:03My share of love.
28:06My share of time.
28:09My share of wealth.
28:12She is taking everything from them.
28:15You will have to account for this.
28:17They won't let them come to you,
28:19but you will have to stop them outside and talk to them.
28:22But whatever you do, talk to them.
28:23Talk to them.
28:27And to tell you the truth,
28:29even Afaan wants to talk to you.
28:31He is your brother in law.
28:33If there is anyone in this house, it is only Afaan.
28:37And you?
28:40You don't worry about me.
28:42Me and Afaan, we both are with you.
28:45You don't worry at all.
28:48You are very lucky, Annie,
28:52that Afaan has accepted you.
28:58But
29:01this reason became the ruin of my life.
29:07How can I forget this?
29:17How can I forget this?
29:19How can I forget this?
29:21How can I forget this?
29:23How can I forget this?
29:25How can I forget this?
29:27How can I forget this?
29:29How can I forget this?
29:31How can I forget this?
29:33How can I forget this?
29:35How can I forget this?
29:37How can I forget this?
29:39How can I forget this?
29:41How can I forget this?
29:43How can I forget this?
29:44How can I forget this?
29:45How can I forget this?
30:12Sister-in-law,
30:13what have you done to yourself?
30:15Did you see yourself?
30:18Everyone else must be happy seeing you like this.
30:21I don't feel like doing anything.
30:25And
30:27what can happen to the woman
30:30who has been made a mistress?
30:32Everything can be fine,
30:34if you take care of yourself first.
30:36I have been telling her since then,
30:38at least change your clothes.
30:43Yes, it's good.
30:46Shehryar should realize
30:49that his carelessness
30:51and his disloyalty has made me like this.
30:57And this is what happens to a woman
31:02when she gets out of a man's heart.
31:05Look, everything will be fine.
31:07And as far as brother Shehryar is concerned,
31:09he cannot ignore you.
31:10I feel that mummy must have put some pressure on him.
31:13That's why he is doing all this.
31:15And then you also remember
31:17that you are his first love.
31:19Love cannot be ignored.
31:21I have ignored him.
31:23And that too for the girl
31:25whom he used to tease.
31:30He left her and chose me.
31:33And see today,
31:35how he left me and chose her.
31:39Look Hemal,
31:41this is how a man's love becomes selfish.
31:47It's not a big deal for him.
31:49He very easily leaves his old love
31:53and starts claiming for a new love.
32:03I think brother Shehryar is here.
32:05You go and talk to him.
32:06Ask him.
32:08Remind him of his relationship,
32:10his love,
32:12his right.
32:15Go, get up.
32:25Annie,
32:29what was this?
32:32Please Annie,
32:34don't doubt my love.
32:37Neither is my love selfish
32:39nor is every man unfaithful.
32:43When a person who loves so much,
32:46a husband who loves so much,
32:49can leave his love,
32:51then what about you?
32:58And then you come to me after loving someone else.
33:02Annie, when?
33:03When will you finally believe the truth of my love?
33:07Where there is love,
33:09there is no need to make people believe.
33:12Belief makes its own place.
33:15Get out of my way.
33:17No.
33:19First answer my question.
33:22The day you believe the truth of my love,
33:26then?
33:29If that happens,
33:30then I will tell you that very day.
33:57What happened?
33:58What happened?
34:00Why have you come to create a scene now?
34:02Get out of my way.
34:04If I ask you the same question,
34:06why have you come into our lives?
34:12You didn't have a conscience,
34:14that's why you were after Afaan and now after Sheryar.
34:17Emal,
34:19please don't misbehave.
34:21I have forbidden you.
34:23And now, get out of my way and let us go.
34:25Is this why you are asking me to leave?
34:29The one you used to tease,
34:32the one you used to make fun of,
34:34the one you used to run away from.
34:36And today,
34:38today she has become so dear to you
34:40that is why you are asking me to leave?
34:43What has mummy told you?
34:46What threats have she given you
34:48that you are doing this to me?
34:52Look Emal,
34:53if you want to trouble me or Sheryar,
34:56then this is your mistake.
34:58Because right now, Sheryar is very happy with me.
35:04Right, Sheryar?
35:09Yes.
35:12Sheryar used to be happy with me too.
35:16How can he forget everything so soon, Sheryar?
35:18He used to talk to me on the phone for hours.
35:21To see a glimpse of me in the university,
35:24he used to walk from his department
35:26to my department.
35:31He even fought with his mother for me.
35:34And today,
35:36today he has forgotten everything
35:38or was it all a deception?
35:40Don't talk to me.
35:48It was a lie, it was not the truth.
35:53No.
35:55Sheryar cannot say all this so easily.
35:59You are saying this in your mother's language, right?
36:03Otherwise, otherwise Sheryar
36:06would never have put this threat on his love.
36:09Never.
36:12Please Emal, come to your room.
36:15I am not leaving you.
36:16I am not leaving you.
36:18Is this not enough for you?
36:20No, this is not enough.
36:24I cannot share you with anyone else, Sheryar.
36:28You are only mine. Only mine.
36:31Why don't you go to your parents' house?
36:34Why are you lying here?
36:36When Sheryar doesn't love you?
36:38I will go.
36:40If Sheryar says it in his language,
36:43I will go.
36:44Emal, just
36:46go to your room.
36:48I will come to you.
36:50Okay, I will wait for you.
36:58Are you in your senses?
37:00Why will you go to her?
37:02No one is going anywhere.
37:05I said this to send her.
37:07I am not going anywhere.
37:09And if I had not said this to her,
37:12she would not have come here and created a scene.
37:14And you are trying to make your wish come true on someone's happiness.
37:19So you will have to tolerate this.