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00:00:00Oh
00:00:30Oh
00:01:00Oh
00:01:30Foreign
00:02:00Foreign
00:02:22Baby
00:02:30Foreign
00:02:54Foreign
00:03:00Foreign
00:03:14Foreign
00:03:30between women over 35 years of age.
00:03:32Thank you very much.
00:03:34Thank you very much.
00:03:36Let's go.
00:03:38Hey!
00:03:40Hey!
00:03:42Hey!
00:03:44Yey!
00:03:46To La Caja!
00:03:48Oe!
00:03:50Let's go to the party!
00:03:52Oe!
00:03:54To the party!
00:03:56Oe!
00:03:58What a party people at!
00:04:00I'm going to stop here.
00:04:02You have to stop with that, man.
00:04:04I don't celebrate it, but there are people who think
00:04:06that I celebrate it because of the duelo with El Hormiguero and so on.
00:04:10It's true that everything is fucked up there.
00:04:12But they are making an incredible audience anyway.
00:04:15However, Carlos Latres...
00:04:16We send a hug to Carlos Latres because he's always a whore.
00:04:21Carlos...
00:04:25No, but...
00:04:29Do you remember, Ricardo, when there was this whole thing
00:04:31where I said, I just want the show to start,
00:04:33because they were making fun of us,
00:04:35like it was going to be a brainwashing.
00:04:37I said, I want the show to start,
00:04:39and whether people like it or not, but I want them to watch it.
00:04:42After all, it's a comedy show.
00:04:43We try to make people have fun.
00:04:45And the fact that this happens,
00:04:47I simply celebrate it because it's a recognition and validation.
00:04:49I thank you very much, and we are very grateful.
00:04:53We're not going to...
00:04:58Very well said.
00:05:00Very well said, Broncano.
00:05:01What do you say, Ana?
00:05:02Very well said.
00:05:03It's well explained, isn't it?
00:05:05Very well said.
00:05:06It's true, the show...
00:05:07Are you used to being put on a table with Juan Melbal and Nuria Roca?
00:05:11No, but it's true.
00:05:12Our thing was to start the show,
00:05:14for people to see it, and to see it's a comedy show.
00:05:17And it's a show we're not going to leave anyone out of,
00:05:19everyone can see it.
00:05:20Ana's son is a bullfighter.
00:05:22Well, then...
00:05:23Listen...
00:05:30You don't need to compete.
00:05:31You don't need to compete.
00:05:33No, it's true.
00:05:34Why did you put her here, Ana?
00:05:36Besides, she's very good, she's very smart.
00:05:38I don't know.
00:05:39It's because there was a bullfight here.
00:05:41There was a bullfight, huh?
00:05:42It was pretty bad.
00:05:43They didn't mess with you, Ana?
00:05:45No, no, no.
00:05:46On the contrary, there was a bullfight
00:05:49in the sense of applauding me for getting me out of here.
00:05:52A bullfight of love.
00:05:54A bullfight of affection.
00:05:55Yes, pure affection.
00:05:56And you accepted it well, of course.
00:05:58With great enthusiasm.
00:05:59She's a great woman.
00:06:00With great enthusiasm.
00:06:06It's relaxing.
00:06:09Ana, it relaxes you.
00:06:10You listen to it and it gives you...
00:06:11What do you do?
00:06:12What do people know about you?
00:06:14No, I've told them that I used to work in the infirmary.
00:06:18Okay.
00:06:19Good profession, very noble.
00:06:20Where?
00:06:21In the PSIT hospital in Valencia.
00:06:23In Valencia?
00:06:28And then today...
00:06:30In the video...
00:06:31And on the other hand, in the video?
00:06:33In the video, there was a big ambiguity today
00:06:35that we allowed ourselves the luxury of allowing it.
00:06:37What happened?
00:06:38Because there's a guy named Márquez,
00:06:41who is a normal person.
00:06:43Yes.
00:06:44Who is he?
00:06:45The guy in the second row, left of everything.
00:06:47He's stupid.
00:06:48He's very stupid.
00:06:49And on top of that, he's had emotional difficulties
00:06:52that have made us even funnier, to be honest.
00:06:56Okay.
00:06:57But, on the other hand, Maria hasn't had a bad time,
00:06:59but there's a little plot.
00:07:02Because...
00:07:03What's wrong?
00:07:04Tell her, I think it's better.
00:07:05Do I have to tell her?
00:07:06And you don't like it?
00:07:08No, I like it, but we've made an exception.
00:07:10Let's see.
00:07:11Let's see, basically,
00:07:13I started to like a classmate,
00:07:14we had a project, we made a song,
00:07:16in the end, we ended up messing it up.
00:07:18You don't want to...
00:07:19Wait, wait, wait, wait, wait, wait, wait.
00:07:21You messed up with a classmate who is a singer.
00:07:24And me too.
00:07:26With a girlfriend?
00:07:27At that moment, I asked him,
00:07:28I asked him if he was with his girlfriend
00:07:31and he said no, they had broken up.
00:07:32But after that, I went to Argentina,
00:07:35he went back to his island and I see he's back...
00:07:37What island?
00:07:38He went back to Fuerteventura.
00:07:39And you're Argentinian?
00:07:40No, I'm Venezuelan.
00:07:41Okay.
00:07:42But I lived in Argentina, I went to visit my friends.
00:07:44So, he told you,
00:07:45I don't have a girlfriend anymore, what girlfriend?
00:07:48Of course.
00:07:49You messed up.
00:07:50Of course.
00:07:51And then?
00:07:52He went back to his girlfriend.
00:07:53He went back to his girlfriend.
00:07:54Fuck, a horrible parenthesis.
00:07:56Let's see.
00:07:57The thing is, they made a song together
00:07:59and he doesn't want it to be published
00:08:01and she thinks it's going to be a hit.
00:08:03So, he sang the song in a WhatsApp audio
00:08:07and he sent it to him.
00:08:09Okay.
00:08:10And that's the end of the story.
00:08:11There's a song you made with him because you both sing.
00:08:13Yes.
00:08:14And he doesn't want to because...
00:08:16He doesn't want to...
00:08:17I mean, he told me because I haven't released a song
00:08:19or for something else, I don't know.
00:08:21But he sang here, Maria.
00:08:22Yes, if you want, play the audio.
00:08:23No, but let her sing it.
00:08:25Okay.
00:08:27I'll sing it.
00:08:36Do you want me to sing the minute or just...
00:08:38No, no.
00:08:39No, no.
00:08:40In the beginning, the chorus.
00:08:42The chorus.
00:08:43The song is very long, guys.
00:08:45It's a feature film.
00:08:47The chorus.
00:08:48The chorus.
00:08:49The chorus.
00:08:50He started singing it when Ana was 35.
00:09:03Excuse me, how do I introduce you?
00:09:05What's the name of the song?
00:09:06Tell me what's going on.
00:09:07No, no, no.
00:09:08It's called Tell me what's going on.
00:09:10It would be good for the bride to know that.
00:09:12Tell me what's going on.
00:09:13Yes, I think so.
00:09:15Tell me what's going on.
00:09:16But, well...
00:09:17Well, it's because she's had a terrible time.
00:09:19Poor thing.
00:09:20Tell the doctor in the second row.
00:09:22Of course.
00:09:27Well...
00:09:31I'm not going to get in.
00:09:32It's a three of you thing.
00:09:33I'm not going to judge.
00:09:34But it's called Tell me what's going on, right?
00:09:36Okay, Maria, I'll introduce you.
00:09:38Ricardo, I'll introduce you.
00:09:39Ricardo, why is it a different thing every day?
00:09:41What's wrong with you?
00:09:42I don't want to talk about it.
00:09:43We're looking for something colourful,
00:09:45that gives me a touch, and we're not doing it.
00:09:47No, it's not working.
00:09:48We're not doing it.
00:09:49I like that look.
00:09:50Well, let's see.
00:09:51Okay.
00:09:52I feel like selling donuts.
00:09:54Maria.
00:09:55Maria.
00:10:03What's the artist's name, Maria?
00:10:04No.
00:10:06You have to find something.
00:10:07My artist's name is MD,
00:10:08because I have two names, and they're the initials.
00:10:10Okay.
00:10:11But be careful, because then there's MA...
00:10:13And MD.
00:10:15And that name is already taken.
00:10:17Yes.
00:10:18Of course.
00:10:22If the other guy in the song's name is Miguel Ángel,
00:10:24it's perfect. MD, MA.
00:10:25It's incredible.
00:10:26No.
00:10:27It's called Eleder.
00:10:28Okay.
00:10:29The Eder that comes from Aragon.
00:10:31MD.
00:10:33Okay.
00:10:34Eleder, man.
00:10:35If you have to go into ecstasy, count on me.
00:10:37MD.
00:10:38Did you roll with an elf?
00:10:39MD.
00:10:40Let me do it.
00:10:41Ah.
00:10:42Let me do it.
00:10:43First he kissed her, then he said,
00:10:45destroy this ring.
00:10:46Please, let me do it.
00:10:47Sergio, let me introduce her.
00:10:49She didn't just have pointy ears.
00:10:50MD.
00:10:51Okay.
00:10:52Let's see.
00:10:57You could say he was the fucking friend.
00:10:59But I...
00:11:00But...
00:11:01Please, that's enough.
00:11:02Sergio.
00:11:04That's enough.
00:11:05That's enough.
00:11:06That's enough.
00:11:07That's enough.
00:11:08That's enough.
00:11:09That's enough.
00:11:10That's enough.
00:11:11That's enough.
00:11:15So, destroy that ring.
00:11:16It sounded horrible.
00:11:17But...
00:11:18MD introduces a short snippet of a possible hit,
00:11:21which she says is called,
00:11:23Dime Lo Que Pasa.
00:11:24Dime lo que pasa
00:11:27sé que estás esperando mi llamada
00:11:30el mensaje de ven a mi casa
00:11:32para decirte que tú me encantas
00:11:35Dime lo que pasa
00:11:37sé que estás esperando mi llamada
00:11:40El mensaje de ven a mi casa para decirte que tú me encantas
00:12:10¡A morir! ¡A morir! ¡A morir!
00:12:40¡Qué suerte! Pide un deseo. Es verdad que tres calvos justo debajo del foco.
00:12:46¡Mira cómo brilla! ¡Niño, mira, mira! ¡Niño!
00:12:57Y luego un cortafuegos, ya en medio de lo que usa.
00:13:01Bueno, empieza el programa. ¿Puedo decir...?
00:13:04Ana, ¿quieres decir...? ¿Quieres tú dar paso...? Bueno, no hay publicidad hoy ni nada, ¿no?
00:13:08Bueno, nunca hay, claro.
00:13:10Deja en el micro un momento y ¿quieres decir bienvenidos a La Revuelta?
00:13:13Bienvenidos a La Revuelta. Esto es Televisión Española. Gracias a todos por ver el programa.
00:13:17Y ya empezamos.
00:13:19Mira ahí aquella cámara.
00:13:21Bienvenidos a La Revuelta.
00:13:24Bienvenidos a La Revuelta. Esto es Televisión Española.
00:13:28Bienvenidos a La Revuelta. Esto es Televisión Española.
00:13:31Gracias por...
00:13:34Iba a decir gracias por venir.
00:13:37Gracias por venir.
00:13:44Y...
00:13:47¿Qué pasa, Guillo?
00:13:49Ah, claro. Son más o menos... Ya acaba el horario infantil.
00:13:53¿Vale? Pues sabéis que todos los días cuando acaba el horario infantil, que es como sobre las 10,
00:13:58ponemos un mensaje para los niños para que se vayan a la cama ya.
00:14:00Todos los bebés y todo esto ya. El hombre mágico sale y les manda a la cama. Ponedlo.
00:14:14Y ahora...
00:14:18Y ahora en La Revuelta, como todos los días... Igual viene todos los días el tío.
00:14:22Él está todos los días, pero no todos los días le dices tú que salga.
00:14:25¿Viene aquí o está por ahí?
00:14:27Está por ahí.
00:14:29Está por ahí. Un aplauso para Jorge Ponce, nada menos.
00:14:31En La Revuelta el día más.
00:14:34Estoy aquí en el croma porque hoy hace...
00:14:37Hace tiempo que no estabas ahí en el croma.
00:14:39Estoy en el croma del año.
00:14:40¿Estás ahí en el croma?
00:14:42En el croma del año. Vamos a hacer estas cosas que hacen en la pública, que hacen lo de desconexión territorial.
00:14:45Es verdad.
00:14:47Para que todo no sea Madrid con sus cosas de libertad, los balonazos de Almeida y todo el rollo.
00:14:50Es verdad.
00:14:52Entonces, se conecta con otras España, España más chiquititas, España más...
00:14:55España diversa.
00:14:57España del escenario B, del escenario San Miguel 0-0.
00:14:59España es lo mejor.
00:15:01Y entonces todo eso se cuenta en desconexión territorial.
00:15:03A ver.
00:15:11Gracias.
00:15:17Vale, desconexión territorial.
00:15:19Conocemos otras partes de España.
00:15:21Hoy nos vamos a Benidorm.
00:15:23Porque la mayoría de la gente...
00:15:25La mayoría de la gente solo lo ha visto así, solo lo ha visto en llavero.
00:15:27Y hay que verlo.
00:15:29Entonces, muy importante, lo primero con Benidorm.
00:15:31No es... ¿Veis la M?
00:15:33Benidorm.
00:15:35¿Por qué marca mucho?
00:15:37Hazme una aquí a la cara.
00:15:38Benidorm.
00:15:40¿Me veis aquí?
00:15:42Dices Benidorm.
00:15:44No, pero si lo dices con la M, se te pone en la cara que cuando lo dices con la M.
00:15:46Benidorm.
00:15:48¿Tú cuando llegas allí dices Benidorm?
00:15:50Sí, sí, sí.
00:15:53Si suena Benidorm, no, pero es Benidorm.
00:15:55Y se te queda la boquita de Rajoy.
00:15:57Así.
00:15:59Vale, bueno, pues estamos aquí.
00:16:01Vamos ya directamente al Strip View.
00:16:03Estamos en Benidorm.
00:16:05La última parada, ¿vale?
00:16:06Esto, la gente, final del trayecto, David.
00:16:08Estos Benidorms desde dentro o en la calle?
00:16:10En la calle, esto aquí lo vemos, ¿vale?
00:16:12Donde el último trayecto de los yayos, ¿vale?
00:16:14Donde van los yayos, ellos van allí, desoban por última vez, y ya se meten en el mar.
00:16:19Entonces, tenemos todos los tipos de yayos.
00:16:21¿Qué les une a todos?
00:16:23Los yayos, el yayo de Benidorm, le da todo igual.
00:16:25David, mira, esto es Benidorm.
00:16:27¿Cuál?
00:16:29Esto es Benidorm, la camiseta que pone.
00:16:31Benidorm, ahí lo veis.
00:16:33Ahí pone Benidorm.
00:16:34Ahí, ahí, ahí, allí se pone camiseta.
00:16:36Vale, van así.
00:16:38Benidorm.
00:16:43En Benidorm, ya lo veis, es mucho torso.
00:16:45Torso, tienes el de este señor, pero de muchos tipos.
00:16:47También tienes el yayo fitness.
00:16:49Ojo, ¿eh?
00:16:51Ojo, claro, están los yayos fitness.
00:16:53Ollitos de corral, ¿eh?
00:16:55Ya hemos visto, el que le da todo igual.
00:16:57Luego está el yayo joven, ¿vale?
00:16:59El yayo que es yayo, pero recién yayo.
00:17:01En el disco pub van a por ellos, son los yogurines.
00:17:02Claro que sí, ahí lo tenemos.
00:17:04Y también tenemos al yayo sorpresivo.
00:17:06Mira cómo se te mete, mira el yayo.
00:17:08El yayo se te mete, se te come directamente.
00:17:10Se metió en la cámara, ¿eh?
00:17:12Efectivamente, entonces, mucho yayo, como veis.
00:17:14Muy importante, ya que vais a visitar aquí, al fondo,
00:17:16el Quijote Nordiskakrogen, ¿vale?
00:17:20Lo veis, está el de Avellaneda.
00:17:22¿El Quijote?
00:17:24Nordiskakrogen.
00:17:26El Quijote, pues un bar para emborracharse de los suecos y los noruegos.
00:17:30El Quijote Nordiskakrogen.
00:17:32Y hay que tener mucho cuidado y volver aquí, por ejemplo,
00:17:35si estamos aquí, espérate, nos vamos a la playa, ¿vale?
00:17:38La playa, ¿eh?
00:17:40Por ejemplo, pasamos por el Paseo Morítimo, muy bonito.
00:17:42Aquí vemos, por ejemplo, una señora que está haciendo las maletas.
00:17:45¿Por qué? Porque se va.
00:17:47Se va de venidor, ¿eh?
00:17:49Bueno, se va de venidor, yo no sé de dónde,
00:17:51porque de repente cambias aquí y la señora ya no está.
00:18:02¿Dónde está la señora? No lo sabemos.
00:18:04Ha desaparecido.
00:18:06Vale, nos vamos a otra parte de venidor.
00:18:08Nos vamos a la Alameda del Alcalde Pedro.
00:18:10Aquí hay muchísimos...
00:18:12Muy transitado, ¿eh?
00:18:14Muy transitado, mucha vida.
00:18:16En venidor, por cierto, este es el Montmeló de este tipo de coches.
00:18:18Es decir, venidor, este coche es lo que más se ve.
00:18:20Se ve más que un Renault 4.
00:18:22Algunos, me parece, me da rabia porque abusan del coche.
00:18:25Este coche no da más de sí.
00:18:27No vale tener un amigo con cochecito para echar las toallas de todos,
00:18:30las bolsas del mercado...
00:18:32Un perro.
00:18:34¿Le has metido un perro a la señora?
00:18:36El perro puede andar.
00:18:38No abuséis de los carritos.
00:18:40Bueno, y tenemos mucha gente, gente tomándose cosas.
00:18:42Aquí tenemos unas personas tomando algo.
00:18:44A ver si vemos el tatuaje.
00:18:46¿Qué pone?
00:18:48Soy una potra salvaje.
00:18:56Soy una potra salvaje
00:18:58y con el maleaje, mi coño te traje.
00:19:00Eso me parece.
00:19:02Bueno, entonces, estamos aquí.
00:19:04Ah, por cierto, en venidor también tenemos esto.
00:19:06¿Os lo habéis comido todo?
00:19:08No me lo esperaba, ¿eh?
00:19:10Look, I'm fine.
00:19:12Te lo comes, fine.
00:19:14Y ya un par de rincones más de venidor.
00:19:16Tenemos esta otra esquina
00:19:18donde está la obligatoria ambulancia.
00:19:20La ambulancia es que no se mueve de ahí.
00:19:22La tienen directamente.
00:19:24Y no sé si conocéis la famosa expresión alicantina
00:19:25que es más a gusto que a la sombra de rinoceronte.
00:19:28¿Cómo es?
00:19:30Más a gusto que a la sombra de rinoceronte.
00:19:32Joder, pues.
00:19:34Porque mire el señor que agustísimo está.
00:19:36Sí, sí.
00:19:38Perdóname.
00:19:40Está agustísimo, ¿eh?
00:19:42Una sombra de rinoceronte muy potente, muy noble.
00:19:44Si te pones la de la jirafa, peor, pero el rinoceronte.
00:19:46Entonces, si nos vamos aquí, bueno, pues seguimos.
00:19:48Tenemos más torso,
00:19:50pero de vez en cuando en venidor pasa esto,
00:19:52que tienes torso por este lado
00:19:53y otro torso que viene por ahí, chaval.
00:19:55Madre mía.
00:19:57Madre mía, pero este, claro, este es el alfa.
00:19:59Este es el torso alfa.
00:20:01Se lo come directamente.
00:20:03¿Dónde se lo pasa bien la gente en venidor?
00:20:05Pues en el disco Puff.
00:20:07Esto es una bonita estampa también de venidor.
00:20:09Ahí lo vemos, ¿vale?
00:20:11Cochecito, como os he dicho.
00:20:13Los señores borrachos por la mañana.
00:20:15Es que les da igual todo, ¿vale?
00:20:17Y muy buenos espectáculos.
00:20:19En este cartel vemos desde abajo.
00:20:21U2, Coldplay, Pink Floyd, palanca y cambio.
00:20:23Palanca y cambio.
00:20:25Palanca y cambio.
00:20:27Palanca y cambio.
00:20:29Que dices, es el más flojo.
00:20:31Pues no, mira, el día siguiente, cabeza de cartel.
00:20:33Ahí lo tenemos, palanca y cambio.
00:20:35Vale, y por último, despedimos de venidor.
00:20:37Nos vamos aquí, esta bonita estampa.
00:20:39Como os he visto.
00:20:41A ver un momento, aquí lo vemos.
00:20:43Venidor, las bonitas playas, las sombrillas y tal.
00:20:45Recordando que si en el Mercadona no quede 7 a 8
00:20:47la hora del Cruising, están diciendo.
00:20:49En el Mercadona, pues en venidor es prácticamente,
00:20:51a ver, que me voy aquí, prácticamente cualquier hora, ¿vale?
00:20:53En el Mercadona lo vemos, es decir.
00:20:55No, hombre, no, no.
00:20:57El señor le ha dicho, ponte ahí.
00:20:59Y ahí se ha puesto.
00:21:01Que me voy quitando la camiseta.
00:21:07Joder, a la hora de comer, ¿eh?
00:21:09Pues ponte ahí y como siempre en este tipo de set
00:21:11tenemos el mirón, mira el mirón.
00:21:13Que se ha quedado ahí escondido.
00:21:15Les pilló el coche de Google.
00:21:17Les pilló el coche de Google directamente.
00:21:19Así que ya conocéis venidor.
00:21:21Desconexión regional para venidor.
00:21:24Jorge, ponte.
00:21:28MD me indica a Sergio con un gesto que quizá hay noticias.
00:21:31¿Hay noticias del Elfo?
00:21:35A ver, porque recordemos que este programa es en directo
00:21:37y seguramente lo ha podido ver el chaval desde su casa, ¿no?
00:21:40Es en directo, Ana, esto ya sabes tú
00:21:42que son justo ya casi llegando a la medianoche, ¿no?
00:21:45A ver.
00:21:47Ojo.
00:21:49Se ríe, le entra risa, ¿eh?
00:21:51A ver, perdón, acercarle, acercarle el micro, acercarle.
00:21:53A ver, que sí que hay algo.
00:21:55Ay, Dios mío.
00:21:57Ay, Virgen Santa, le mandó la...
00:22:06A ver, me ha contestado.
00:22:08Abrirle, abrirle ahí.
00:22:10Hola. Vale. Me ha contestado.
00:22:12¿Qué coño? Ja, ja, ja. Es IA.
00:22:14¿Qué coño?
00:22:16¿Qué coño? Ja, ja, ja.
00:22:18Es IA.
00:22:20¿Es qué?
00:22:21Es normal, es normal.
00:22:28Bueno.
00:22:30¿Quieres que le mandamos una foto? ¿Quieres que le hagamos un selfie?
00:22:33Vente, vente por aquí, corre, le mandamos para que vea que es verdad.
00:22:36Juanillo, me pongo nervioso en mandarle un selfie directamente al mismo Hélder, hijo de hereder.
00:22:41Es que, claro...
00:22:43Sube, sube.
00:22:47Ay, Dios mío.
00:22:49Con MD, vaya artista, ¿eh?
00:22:52Juanillo.
00:23:00Vale.
00:23:02Hoy hay una problemática con el invitado o la invitada, la voy a contar porque hemos hecho...
00:23:06Vamos a ver. Ha pasado una cosa. Teníamos... ¿Qué pasa?
00:23:10Espera, ahora lo veo.
00:23:12Pasaba una cosa.
00:23:14Hoy teníamos un invitado que no ha podido venir porque es un... Ya vendrá.
00:23:18Es un deportista que ha sufrido una lesión.
00:23:19Vale.
00:23:21Y no ha podido venir y hoy a las 4 de la tarde, ahora son... No sé, son las 6, ¿verdad?
00:23:25A las 5. No teníamos a nadie.
00:23:27Teníamos varias opciones y ya le he pedido a Fernando que ni me dijesen qué es lo que hay.
00:23:31¿Puedo decir las opciones que había?
00:23:33Venga.
00:23:35Hoy a las 3 de la tarde se lo hemos dicho.
00:23:37A Anígar Tiburú.
00:23:40Jordi Hurtado.
00:23:43Yo le he hecho una llamada perdida a la Reina Sofía.
00:23:46Reina Sofía creo que no, pero el resto son reales.
00:23:49Se lo hemos dicho a Raúl Cimas.
00:23:53Se lo hemos dicho... Bueno, este ya adelanto que no,
00:23:56pero por la broma se lo hemos dicho al padre de la Minjamal, pero...
00:23:59Se ha intentado. Se ha intentado.
00:24:07Oye, Broncano, que a mí...
00:24:09Perdón, perdón. Abrirle a Ana.
00:24:12Que a mí Anígar Tiburú me hubiera gustado.
00:24:15Anígar Tiburú.
00:24:17Yo no sé si... Se lo hemos dicho...
00:24:19Creo que a Yolanda Ramos también lo habíamos dicho, pero...
00:24:21A ver, aquí ya tenéis quién es, claro.
00:24:23Claro, de todos esos...
00:24:25Ah, Ana lo pone, ¿no?
00:24:27¿Esa es la entrevista o no?
00:24:29Esa es la entrevista, sí.
00:24:31¿Esta o...?
00:24:33¿Esta persona de aquí por qué?
00:24:35Ah, porque venía también.
00:24:37Ah, pero la entrevista no es a él.
00:24:39Vaya dinamismo de programa, chaval.
00:24:42¿Dónde está?
00:24:44No le he entrevistado.
00:24:46Térreme un fuerte aplauso, Fernando.
00:24:49Uy, que guay.
00:24:51Qué guay.
00:24:53Uy, qué guay.
00:24:54Cómo va.
00:24:56Que guay, que guay.
00:24:58Como va.
00:25:00Uy, qué guay.
00:25:02Uy, qué guay.
00:25:04Uy, qué guay.
00:25:06Cómo va, que guay.
00:25:08Uy, qué guay.
00:25:10Uy, qué guay.
00:25:12Uy, qué guay.
00:25:13I was with Jorge and I said, I'm going to see a guy.
00:25:16I'm sorry, I didn't interview you.
00:25:17No, I didn't interview you.
00:25:18Okay, later.
00:25:19I'm going later, well, I'm leaving, see you later, thank you.
00:25:21But now you're coming back.
00:25:22Now I'm coming, yes.
00:25:23After the interview, you're coming back.
00:25:24I do a couple of things I have to do and then I bring you some gifts.
00:25:26Guys.
00:25:27Gifts?
00:25:35I'm glad to have found out now who is really coming.
00:25:38And suddenly I thank him for coming because we really told him.
00:25:43I mean, it's been a while.
00:25:44And it's not the first time he's saved our asses in these situations.
00:25:47He's an incredible artist.
00:25:48He's one of the best comedians in Spain.
00:25:50And at the same time, he's a friend.
00:25:51On top of that, he's a friend.
00:25:52He's saved our lives a bit.
00:25:53We're very happy.
00:25:54A round of applause for Raúl Cimas in La Resistencia.
00:25:57Or La Revuelta, I don't know what it's called.
00:25:59Raúl Cimas.
00:26:13Hey, hey, hey.
00:26:17Juan, hey.
00:26:18When we see each other.
00:26:19I didn't give you a hard time.
00:26:22You didn't give me a hard time.
00:26:23I didn't give you a hard time.
00:26:24And now I'm nervous.
00:26:25Now that this is a success.
00:26:26I have to say, I have to say that I thank you because the other day,
00:26:29you had written to me on Monday afternoon to wish me luck for the show.
00:26:34A lot of people wrote to me.
00:26:35And I, I think on Tuesday or something like that,
00:26:37at night, they had sent me a lot of messages and I said,
00:26:39I'm going to answer everyone with the computer.
00:26:41And besides, no one answered me because it was four in the morning.
00:26:44And the only person.
00:26:45But you answered me at four in the morning.
00:26:47I mean, you answered me the last of all the people.
00:26:49No, no, no, no.
00:26:50There were more people.
00:26:51There were more people.
00:26:52And at four in the morning, knowing that no one was going to answer him,
00:26:54I wrote to Raúl, man, thank you very much, I don't know what.
00:26:55And at the minute he says, man, Broncano, what's up?
00:26:58The only one awake at dawn in Spain, of course, unfortunately.
00:27:05In fact, I was happy because I was going home.
00:27:08I say, damn, you want the same thing, Leo.
00:27:09No, no.
00:27:11Maybe I can do a little bit of extension, right?
00:27:13Of course.
00:27:14I thank you, I thank you.
00:27:15But of course, you didn't give a hard time.
00:27:17And now, all of a sudden, you're here.
00:27:18Instead of on a whim, you're on a real show of success, of course.
00:27:21No, no, of course.
00:27:22It's the pressure.
00:27:23Don't worry, I've come to return things to their place.
00:27:25Of course.
00:27:27You reestablish the order, don't you?
00:27:28I'm going to announce that tomorrow we lose.
00:27:30Okay.
00:27:31That we have lost and that tomorrow a terrible fact will come out.
00:27:33That's it.
00:27:34You say it.
00:27:36Talk about, it's been three days of illusion, but now.
00:27:39Well, the dream is over.
00:27:42But, sorry.
00:27:43The revolt.
00:27:44Paul, assume, if you don't mind.
00:27:46The fault.
00:27:47Assume the fault.
00:27:48Because you don't care.
00:27:49And for us, it's like.
00:27:51Assume it.
00:27:52It's not my fault either.
00:27:53Assume it, but what does it matter?
00:27:54You haven't assumed the risks either.
00:27:55You're still with the same minimum team.
00:27:57Yeah, yeah.
00:27:58A scarce hype and.
00:28:00Assume, but what does it matter?
00:28:01Assume the fault.
00:28:03Hello.
00:28:06Spain.
00:28:07That's it.
00:28:11These are very sad words.
00:28:13Also addressed to the president of the government.
00:28:16Why?
00:28:17Why?
00:28:18No, well, because they say I don't know what, right?
00:28:20Yeah, yeah, yeah.
00:28:30Yes.
00:28:31You feel that we are disappointing him, right?
00:28:34Pedro.
00:28:35What is my camera?
00:28:36Address Spain.
00:28:38What camera?
00:28:39There it is.
00:28:41Pedro.
00:28:43It's me.
00:28:44I was looking for the camera.
00:28:46I'm very sorry.
00:28:48Give them another chance.
00:28:49Tomorrow.
00:28:50There's no show.
00:28:51Everything.
00:28:53No?
00:28:54There's no show tomorrow?
00:28:55Not tomorrow.
00:28:56Friday, right?
00:28:57There's no show tomorrow, Pedro.
00:28:58So you'll be happy again tomorrow.
00:28:59Okay?
00:29:00Tonight.
00:29:01Your project.
00:29:02Your son.
00:29:04To fail.
00:29:05Sorry, sorry.
00:29:06No, no, no.
00:29:08No, because.
00:29:12I've been trying to get rid of San Benito for two weeks, and now...
00:29:17Man, David, if you're not his son, I don't understand.
00:29:28You don't understand how I got here, do you?
00:29:30I don't understand.
00:29:31Yeah, yeah.
00:29:32I mean, I don't understand, and less...
00:29:34And less everything, yes.
00:29:35Of course.
00:29:36With the piece of equipment you have behind you.
00:29:38Yeah, yeah.
00:29:39Well, thank you for this.
00:29:41What time did they tell you?
00:29:42Last night?
00:29:43Or today?
00:29:44I guess in the morning.
00:29:45Well, yesterday I was at the premiere.
00:29:46Okay.
00:29:47Of what you were going to promote, right?
00:29:48Today I haven't been able to watch...
00:29:49Usually not much, today nothing.
00:29:50Of course, I haven't been able to watch anything.
00:29:51No, I didn't see you yesterday either.
00:29:52And I also think that writers came, which is something I don't like.
00:29:55You don't like them, right?
00:29:56And...
00:29:57Yes.
00:29:58I don't spend it.
00:29:59And...
00:30:00And I was at the premiere, so I ran out of battery.
00:30:02Yes.
00:30:03And I got to the hotel.
00:30:04Yes.
00:30:05I turned it on to see if someone had written to me.
00:30:07Sure.
00:30:08The people with whom I had been last night.
00:30:09Okay.
00:30:10Let's see if someone had written to you, with whom you had just been, right?
00:30:13In case it was also extended.
00:30:14Yes, or...
00:30:15Hey, have you left?
00:30:16What a fucking day!
00:30:17I wanted to...
00:30:18Yeah, yeah.
00:30:19But no.
00:30:20It was a mess.
00:30:21Okay.
00:30:22But nevertheless, someone from your program had written to me.
00:30:23Alejandro.
00:30:24Alejandro.
00:30:25And I said, no, hey, tomorrow, what's up?
00:30:26Let's see if you can come tomorrow.
00:30:27And I say, it's so late in the morning.
00:30:28What time was it?
00:30:29I don't know.
00:30:30Twelve.
00:30:31And...
00:30:32And what did you say?
00:30:33And I say...
00:30:35I say, I have two options.
00:30:37I either tell the producers that they're going to say, fuck, how cool.
00:30:40Or I let him run, and nothing happened.
00:30:43I go on my hangover, okay.
00:30:44Sure.
00:30:45But I said it.
00:30:46In the end, well, I'm here sweating and all that,
00:30:49but I'm delighted, I'm delighted.
00:30:51I'm delighted.
00:30:52Thank you very much.
00:30:53I'm delighted, man.
00:30:54Whatever you need.
00:30:55We will return things to their place.
00:30:57We will return things to their place.
00:31:00We're going to put things back in their places.
00:31:02We're going to put things back in their places.
00:31:05We're going to put things back in their places.
00:31:07We have...
00:31:08It's going to be a program for minorities.
00:31:10We have...
00:31:11Again.
00:31:12Let's go back to the same thing, right?
00:31:13Yes.
00:31:14We have some thanksgiving gifts from RTVE for you for coming.
00:31:17Ah, great.
00:31:18We have them there, right?
00:31:19I haven't brought them anything.
00:31:20Of course, you have.
00:31:21You haven't brought anything?
00:31:22No.
00:31:23Nothing.
00:31:24I haven't brought anything.
00:31:25You have 50 euros there for me.
00:31:2750 euros is always...
00:31:30Yeah, but you never spend more.
00:31:3150 euros.
00:31:32You have 50 euros?
00:31:33Let's see.
00:31:34I have one of 50, one of 10 and one of 20.
00:31:36In fact, it's a little square.
00:31:37No.
00:31:38It was a joke.
00:31:39I thank you for the gesture, but no.
00:31:40No, man.
00:31:41No, man.
00:31:42Now you look very bright, but soon you're going to go back to...
00:31:50Yeah.
00:31:51Grandpa's advice.
00:31:52You don't trust yourself, son.
00:31:53No, of course.
00:31:54Now it seems that...
00:31:55You take it all.
00:31:56In two weeks you'll go back to...
00:31:57Wait, I'll give it to you.
00:31:59Ah, okay.
00:32:00They are things from Spanish television.
00:32:03Rolled up.
00:32:04Mythical things.
00:32:05The Herminia Rebecca of Cuéntame.
00:32:08Watch this.
00:32:09Oh, how wonderful.
00:32:11The grapes of Ramón García of Nochevieja.
00:32:14Well, well, well, well.
00:32:20A tape on VHS of what we bet.
00:32:23Do you remember what we bet?
00:32:24The history of television.
00:32:25The history of television.
00:32:28This is land.
00:32:30Of man and the earth.
00:32:36There are three more things.
00:32:38Weekly report.
00:32:39All the scripts of the weekly report of 55 years.
00:32:42Can I leave...
00:32:43Sorry, I forgot this.
00:32:44They're on Brailly because we wanted to give them to the guest of the first day who was blind and we forgot.
00:32:49We'll give them to you anyway.
00:32:50Okay, okay, okay.
00:32:52Leave it there.
00:32:56This is...
00:32:57You'll notice that she's sweating.
00:32:58It's the T-shirt of the first day of David Bustamante in Operation Triumph.
00:33:03Here you have it.
00:33:05My God, what a story.
00:33:06What did you do to the TV?
00:33:09It smells like his colony.
00:33:11Of course, that's where the colony came from.
00:33:13And then we have the cucumber of...
00:33:14It goes like a cucumber.
00:33:17Spanish television, 24 hours.
00:33:18There it is.
00:33:20Oh, sorry.
00:33:22This is sad.
00:33:23Since this is a couple of things...
00:33:25No, the other thing is also sad.
00:33:29I told you that we were going to give the weekly report in Brailly to the first guest, Aitor.
00:33:32Yes, yes, Aitor.
00:33:33Blind surfer.
00:33:34It was wonderful.
00:33:35We had given him a trophy that said, first guest in the history of the revolt.
00:33:38We forgot to give it to him.
00:33:39So, if you don't mind, we'll give it to him.
00:33:40I'll take it.
00:33:41Don't worry.
00:33:45That's it.
00:33:48I mean, I'm not blind.
00:33:52But a while ago...
00:33:53A while ago.
00:33:56Do you want to sit down, Raúl?
00:33:57I don't know if I can.
00:33:58Sit down, sit down with all that.
00:33:59There it is, Raúl Cimas, the guy.
00:34:00Okay, let me...
00:34:08Hey, sorry, I didn't see it.
00:34:09Tell me, Ana.
00:34:10So, isn't...
00:34:11What?
00:34:12Isn't Anígar Tiburó coming?
00:34:13Yes.
00:34:21Sorry.
00:34:23I'm sorry.
00:34:24I shouldn't have said it.
00:34:25Because Anígar Tiburó was...
00:34:26Of course.
00:34:27I'm sorry to disappoint you, Ana.
00:34:28But, of course, Raúl...
00:34:29Do you know Raúl Cimas?
00:34:31Let's see.
00:34:32Tell me something.
00:34:33Let's see.
00:34:34What do you know about him?
00:34:35Well, I've seen him on TV.
00:34:36I've seen him on Movistar many times.
00:34:37Ah, so you really know him.
00:34:39Yes, yes.
00:34:40Do you want to tell him something?
00:34:41Sell yourself.
00:34:42Because she was waiting for Anígar Tiburó.
00:34:43Sell yourself.
00:34:44Look, Ana.
00:34:46I don't know.
00:34:47Let's see what comes to your mind.
00:34:48Give him the money.
00:34:49Give him the money.
00:34:50No, no, no.
00:34:51No.
00:34:52You can't sell yourself.
00:34:53That's very immaterial.
00:34:54I understand the disappointment.
00:34:56And the only thing I can tell you is that you're going to go to Mars as the interview progresses.
00:35:03Can I give you a gift from the ones you've given me?
00:35:05Or is it ugly to give away what they've given you?
00:35:07No.
00:35:08That's not okay.
00:35:09It's not okay.
00:35:10No?
00:35:11No.
00:35:12What's the matter?
00:35:13Didn't you like anything?
00:35:14Me neither.
00:35:15Tell him.
00:35:16You can probably win it.
00:35:17Raúl, he's from Albacete.
00:35:18What things can we do to convince you?
00:35:19I don't know, I don't know.
00:35:20One moment, sorry.
00:35:21Something amazing has happened.
00:35:22You've all heard it, right?
00:35:23A girl.
00:35:24I've heard it.
00:35:25She's like Super Mario.
00:35:26She's gone to scream, long live the fair.
00:35:27And a huge rooster has come out of her.
00:35:28It's been sad.
00:35:29It's been sad.
00:35:30I'm sorry.
00:35:31I'm sorry.
00:35:32I owe you one.
00:35:33I owe you one.
00:35:34I'm sorry.
00:35:35I'm sorry.
00:35:36I owe you one.
00:35:37I owe you one.
00:35:38I owe you one.
00:35:39I owe you one.
00:35:40I owe you one.
00:35:41I owe you one.
00:35:42Yeah!
00:35:43You tried to say...
00:35:44Long live Albacete
00:35:46Long live the fair!!!!
00:35:47Let's see if you are going to be the sister of Helder.
00:35:49How is that?
00:35:50Sorry, I didn't leave you the microphone?
00:35:52Who was that, from El Gallo?
00:35:53What's your name?
00:35:54Maria, also.
00:35:55Maria.
00:35:56Yes.
00:35:57How have you lived it?
00:35:58You've warmed up with Albacete's Fair and what?
00:36:01It is a very important feeling.
00:36:04What?
00:36:05Albacete's Fair?
00:36:07Are you Albacetean?
00:36:08Yes, of course.
00:36:09And then she betrayed you with her own emotions.
00:36:13Indeed, look at the heart.
00:36:15Do you want to say a long live the fair without roosters so that everyone can say long live?
00:36:18Oh, it's just that...
00:36:19But don't worry, you're going to be able to say it.
00:36:21The Virgin of the Plains, which is longer and there are more chances of you getting a rooster.
00:36:26Of course, say a long live the fair, we say a long live and then long live the Virgin of the Plains and another long live and that's it, and applause to Albacete.
00:36:33Maria, you can, come on, we're with you.
00:36:35Long live the...
00:36:36Fuck!
00:36:46What's up? You were there last night, weren't you?
00:36:50He got stuck with the minimum.
00:36:52All the Catholic people were super happy because he said long live the faith.
00:36:55Long live the faith, of course, long live the faith.
00:36:57It's a bit like that, you can't avoid the roosters.
00:37:00It's like the singer of short celtas, right?
00:37:04It was a bit like that too, yes.
00:37:06Do you think you can?
00:37:07Come on.
00:37:08The third one is a nice story, the one you're living here today.
00:37:12Long live the fair!
00:37:15And now, watch out, watch out, and long live?
00:37:17And long live the Virgin of the Plains.
00:37:19Applause!
00:37:27Give it to me, Guillo.
00:37:28It has the same voice as the roosters.
00:37:29Give it to me, give it to me.
00:37:30And the voice of the roosters of the stories.
00:37:33Applause!
00:37:38Pass it to him, pass it to him, the water.
00:37:40Thank you very much.
00:37:41You're welcome, Maria, enjoy it.
00:37:42Well, well, well.
00:37:44Phew, almost, eh?
00:37:45Okay, sorry, then.
00:37:46You cause obstacles.
00:37:47That's under control.
00:37:48Ana, for you.
00:37:49Then I'll interview Raúl, right?
00:37:50I'm sorry.
00:37:51To finish, and I'll start the interview.
00:37:53Ana, could you, since it's the last time I turn to you,
00:37:56send a message to Ñigar Tiburu so that he comes saying...
00:37:59Send a message to the camera.
00:38:01Man, yes, it would be great if he came.
00:38:04You like him, eh?
00:38:05Although I won't be able to see him live anymore.
00:38:07Why?
00:38:08Because I won't be there.
00:38:10Because again...
00:38:11If I didn't tell you that I was going to catch him...
00:38:13Because I won't be there.
00:38:14Ah, you won't be able to see him here live.
00:38:16Of course, live.
00:38:17Ah, what a scare, what a scare.
00:38:27I've seen Raúl Zimaz a lot with Buena Fuente.
00:38:29We have a nun, in case you want to leave an inheritance.
00:38:31What? With Buena Fuente?
00:38:32You've seen Raúl with Buena Fuente?
00:38:34Yes, many times.
00:38:35Very good, Andreu.
00:38:36What a couple you two are.
00:38:37Very good, very good.
00:38:38Andreu and Raúl.
00:38:39I liked them a lot.
00:38:40OK.
00:38:41Do you want to promote the series now?
00:38:42Yes, I would like to.
00:38:43OK.
00:38:44Because now that we've done it...
00:38:47Now that it's been filmed, right?
00:38:48Yes, of course.
00:38:50But you know what the dynamics are here.
00:38:52If I have to promote anything from the audience,
00:38:54I stop promoting my series and I get on with their stuff.
00:38:57Do you offer yourself?
00:38:58Yes, but let me say first, more than anything,
00:39:00because they're excited.
00:39:03It's true that the other times you've come,
00:39:05you've been very generous, very generous in that sense,
00:39:07and you've promoted, right?
00:39:08You've promoted local businesses, right?
00:39:11Yes, once they threw a book at me while I was presenting mine
00:39:14and I ended up selling the other one.
00:39:15It's true, it's true.
00:39:16If someone has to go thinking...
00:39:18When the series is over,
00:39:19if someone has a small business or something local,
00:39:22I mean, if the owner of Mercadona is here,
00:39:23don't say anything, because...
00:39:25But if someone has something to promote,
00:39:27Raúl, you've done a hand.
00:39:28Think about it and then raise your hand and say...
00:39:30Okay, but first, yours.
00:39:31First, mine.
00:39:32I present it.
00:39:33Come on.
00:39:35Raúl Cimas...
00:39:39presents...
00:39:41a series of...
00:39:43Where is this broadcasted?
00:39:44It's not on Spanish TV, is it?
00:39:45No, not at the end.
00:39:48Not at the end, huh?
00:39:49Not at the end.
00:39:50We were going to do it there, but...
00:39:52Well, it's a...
00:39:54It's a series...
00:39:56that will be broadcasted starting tomorrow.
00:39:58Okay.
00:39:59On Prime Time.
00:40:00On Prime Time?
00:40:01No, on Prime Video.
00:40:08Look...
00:40:10Colleagues, you're driving me crazy.
00:40:11You're late, I know.
00:40:12No, of course.
00:40:13That aside, then...
00:40:14No, don't say Amazon, now it's Prime Video.
00:40:17Do you remember when it was...
00:40:18It wasn't Movistar, it's Movistar Plus.
00:40:20No...
00:40:21That's how I promote all the channels.
00:40:23And then they released Disney,
00:40:25which was Disney Plus,
00:40:26but you had to say Disney Plus.
00:40:28It's true, it's difficult.
00:40:29These things happen.
00:40:30You drive me crazy.
00:40:31Do you know where there are no confusions?
00:40:33Here, for example, Ricardo,
00:40:34there have never been confusions here.
00:40:35It's just that I haven't said it today,
00:40:36I'm going to say it now.
00:40:37Why?
00:40:38Because this has always been called television.
00:40:48On Prime Video.
00:40:49Okay.
00:40:50It's called Enfín.
00:40:51It's a series...
00:40:52I present it.
00:40:53Yes.
00:40:54The last one.
00:40:55Apocalyptic thing.
00:40:56Presents...
00:40:58A series...
00:40:59A series on Prime Video.
00:41:01Okay.
00:41:02It's called...
00:41:03Starting tomorrow...
00:41:04And I name it.
00:41:05All the episodes.
00:41:06It's called Enfín.
00:41:08Go!
00:41:10And it's a series that,
00:41:11as you can see in the poster,
00:41:12I don't appear.
00:41:13You don't appear.
00:41:14Yes, it's true,
00:41:15I picked it up before
00:41:16and I said,
00:41:17well, I guess it will be the protagonist
00:41:18or something,
00:41:19and it will be presented,
00:41:20but of course,
00:41:21I don't appear in the poster.
00:41:22No, no, not even in the series.
00:41:23But some friends have asked me
00:41:24if I could promote it
00:41:25and somehow...
00:41:26I don't know.
00:41:27I don't know.
00:41:28I don't know.
00:41:29I don't know.
00:41:30I don't know.
00:41:31I don't know.
00:41:32I don't know.
00:41:33I don't know.
00:41:34I don't know.
00:41:35I don't know.
00:41:36I don't know.
00:41:37I don't know.
00:41:38Somehow...
00:41:44Marlene Alterio was going to come,
00:41:45but in the end,
00:41:46things got complicated.
00:41:47Of course.
00:41:48When I went home,
00:41:49she was still here.
00:41:50She was still here, right?
00:41:51And in the end,
00:41:52I had to come.
00:41:53They sent you, huh?
00:41:54Yes.
00:41:55So, well,
00:41:56it's a series by David Sainz,
00:41:57written by David Sainz
00:41:58and Enrique Lojo.
00:41:59And...
00:42:00These wonderful people
00:42:01who did Malviviendo
00:42:02and all those things
00:42:03with four hard ones.
00:42:04Greasy, right?
00:42:05Greasy too.
00:42:06And...
00:42:07And, well,
00:42:08it's wonderful.
00:42:09It's about the apocalypse.
00:42:10It's about the apocalypse, huh?
00:42:11Yes, it's about the apocalypse
00:42:12in Spain.
00:42:13I like that...
00:42:15It's true that, historically,
00:42:16the apocalypse,
00:42:17at the audiovisual level,
00:42:18has always been centered
00:42:19in the United States,
00:42:20in Nebraska,
00:42:21the apocalypse always starts there.
00:42:22Yes, yes.
00:42:23I like that what happens
00:42:24in the apocalypse
00:42:25happens in Cuenca.
00:42:26It's a good idea, huh?
00:42:27It's not in Cuenca,
00:42:28but it starts in Seville.
00:42:29The first thing that dies
00:42:30is the elf.
00:42:31Okay.
00:42:32People end up
00:42:33without the elf.
00:42:34Without grace, right?
00:42:35Then they lose their grace
00:42:36and they become monsters
00:42:37and they look like people
00:42:38from Santander.
00:42:39Okay.
00:42:48The apocalypse turns
00:42:49the people of Seville
00:42:50into Cantabrians, of course.
00:42:51Yes, yes, of course.
00:42:52It's very fucked up.
00:42:53It's an apocalypse
00:42:54that many people say,
00:42:55I wish I had hit the planet
00:42:56for real.
00:42:57Of course, of course.
00:42:58We have video, Guillo,
00:42:59I suppose, right?
00:43:00There are trailers of the series.
00:43:01Okay.
00:43:02We don't know if you appear
00:43:03in the trailer.
00:43:04I hope not.
00:43:06Okay.
00:43:07Okay, well,
00:43:08put the trailer.
00:43:09Anyway.
00:43:36No!
00:43:48Let's go!
00:44:03She's pretty, huh?
00:44:04She's very pretty.
00:44:05It's a...
00:44:06The planet is going to explode.
00:44:10In the end,
00:44:11well, against another planet.
00:44:12Yes.
00:44:13I just read my parts
00:44:14of the script, okay?
00:44:16In the end,
00:44:17it doesn't explode.
00:44:18Yes.
00:44:19The planet,
00:44:20I think it's about that.
00:44:21Let's hope not.
00:44:22Maybe later people
00:44:23watch the series
00:44:24and it's about something else.
00:44:26And then the protagonist
00:44:27leaves his family
00:44:28to go somewhere
00:44:29to live rock and roll.
00:44:30Yes.
00:44:31When he thinks
00:44:32the end of the world is coming.
00:44:33That's true.
00:44:34When the planet goes by,
00:44:35he has to go back
00:44:36with his tail between his legs.
00:44:38Having shown
00:44:39that he had left, of course.
00:44:40Of course.
00:44:41More or less,
00:44:42it's about that.
00:44:43I like it.
00:44:44And on this occasion,
00:44:45my character
00:44:46on this occasion
00:44:47goes crazy.
00:44:49Okay.
00:44:50What's your favorite theme?
00:44:51Yes, well,
00:44:52they told me,
00:44:53well,
00:44:54you play a crazy guy
00:44:55who's a bit paranoid.
00:44:56Yes.
00:44:57So, well,
00:44:58I read the script
00:44:59and I said,
00:45:00you guys are crazy.
00:45:01He's right.
00:45:02Of course.
00:45:03You identified
00:45:04directly with him,
00:45:05with the crazy guy.
00:45:06Of course,
00:45:07he says,
00:45:08the crazy guy is paranoid,
00:45:09no, no, no.
00:45:10We call ourselves
00:45:11awake people.
00:45:13You don't like
00:45:14to be around, right?
00:45:15Of course.
00:45:16He has opened his eyes
00:45:17to the truth.
00:45:18The conspiracy theory
00:45:19is very dangerous.
00:45:20Why?
00:45:21Well, look,
00:45:22for example,
00:45:23what we were talking about,
00:45:24there are people
00:45:25who say
00:45:26that Pedro Sánchez
00:45:27put you here.
00:45:28Okay.
00:45:29When I hear that,
00:45:30I say,
00:45:31these people are assholes.
00:45:32Okay.
00:45:33They don't know
00:45:34if Pedro Sánchez
00:45:35has been dead
00:45:36for 20 years.
00:45:46I don't know
00:45:47if Anígar Tiburú
00:45:48would have this information,
00:45:49by the way.
00:45:50Of course,
00:45:51I wouldn't have given him
00:45:52such a level of,
00:45:53well,
00:45:54of going deep.
00:45:55I know you have
00:45:56a lot of information out there.
00:45:57Yes.
00:45:58And you're,
00:45:59now that I've seen you there,
00:46:00you're a very good actor, Raúl.
00:46:01You have a very
00:46:02versatile face.
00:46:03Look at that face.
00:46:04Do the shot.
00:46:05Look at that face.
00:46:06It's good for everything.
00:46:08It's good for a doctor,
00:46:09it's good for a beggar,
00:46:10it's good for...
00:46:11It's good for a footballer's father.
00:46:14It's incredible.
00:46:15Orchestra director.
00:46:18What?
00:46:20What did they say?
00:46:21What a mess, I think.
00:46:22Oh, well.
00:46:23Yes, they said...
00:46:24What a mess?
00:46:25They said,
00:46:26what a mess, yes.
00:46:27I mean, on top of it.
00:46:28On top of it.
00:46:29I'm coming.
00:46:30You're coming.
00:46:31I'm coming.
00:46:32You're making fun of people.
00:46:33I'm coming.
00:46:34With my friend.
00:46:35From the Albacete fair.
00:46:37As best I can.
00:46:38And on top of it,
00:46:39they treat me like this.
00:46:40What a shame.
00:46:41Does anyone have,
00:46:42sorry,
00:46:43does anyone have,
00:46:44as we've said before,
00:46:45I was about to start
00:46:46asking you the last questions,
00:46:47does anyone have a business
00:46:48or some kind of thing
00:46:49they want to promote?
00:46:50Don't tell me it's a business.
00:46:51Okay, here's a girl.
00:46:52I think it's a shame
00:46:53that they're surprised
00:46:54by these things
00:46:55because they should be
00:46:56used to Ernesto Sevilla.
00:46:57There's another kid there.
00:46:58How's this kid?
00:46:59Come here, first row.
00:47:01What kind of...
00:47:02What's your name, sorry?
00:47:03Nerea.
00:47:04Nerea.
00:47:05What kind of thing
00:47:06do you want to promote, Raul?
00:47:07Well, look,
00:47:08I'm in a roundabout.
00:47:09A roundabout.
00:47:10In a roundabout?
00:47:11Long live the city!
00:47:12Long live!
00:47:13Long live!
00:47:18And well,
00:47:19I'm in a roundabout.
00:47:20Yes.
00:47:21Folklore.
00:47:22But well, that doesn't need
00:47:23a promotion.
00:47:24No, yes, yes.
00:47:25We are open
00:47:26to contributions.
00:47:27Long live La Jota.
00:47:28Long live La Jota.
00:47:29Long live Folklore.
00:47:30Long live the Spanish tradition.
00:47:31Long live La Jota!
00:47:32Oh my God, girl.
00:47:39But...
00:47:40But look...
00:47:41She already did the promotion.
00:47:42I can't...
00:47:43Sure, but look
00:47:44how life is sometimes,
00:47:45the prejudices.
00:47:46I thought that because of my age
00:47:47and such, I was going to say,
00:47:48well, I have a Bitcoin company
00:47:49and such,
00:47:50I set up a thing
00:47:51of buffers and such
00:47:52and suddenly she said,
00:47:53long live the roundabout,
00:47:54long live Folklore,
00:47:55long live the Spanish tradition
00:47:56with all her stuff.
00:47:57There's the girl.
00:47:58Very good.
00:47:59Very good.
00:48:00And besides, it's true.
00:48:05No, besides,
00:48:06it's very good
00:48:07because for the classic
00:48:08Spanish television spectator
00:48:09to see that things
00:48:10haven't changed that much.
00:48:11Of course, of course.
00:48:12We're not going to separate
00:48:13much from...
00:48:14No, it's very good.
00:48:15And what do you play?
00:48:16I...
00:48:17Well, Spanish Jotas.
00:48:18I play the guitar.
00:48:19Spanish Jota, eh?
00:48:20Yes.
00:48:21Spanish Jota, eh?
00:48:22Castilian, Aragonese,
00:48:23whatever they ask us.
00:48:24Where are you from?
00:48:25We're from a town in Guadalajara,
00:48:26Tortola de Henares.
00:48:27If you want to look for us...
00:48:28Tortola de Henares,
00:48:29how rural everything is.
00:48:30I love this.
00:48:31Yes, it's true.
00:48:32Tortola roundabout, eh?
00:48:33I live in a town in Guadalajara.
00:48:34Yes.
00:48:35What age, really?
00:48:36In Albalate de Zorita.
00:48:37I've been there.
00:48:38Don't tell me.
00:48:39Let's see if you've been...
00:48:40Let's see if you've been
00:48:41partying together.
00:48:42Yes.
00:48:43Albalate de Zorita,
00:48:44do you know it?
00:48:45Yes, of course.
00:48:46There are Jotas there,
00:48:47Albalate Jotas.
00:48:48Yes, of course.
00:48:49Promote those, Raul.
00:48:50To the camera there,
00:48:52promote Albalate Jotas.
00:48:55Hello.
00:48:56I live...
00:49:00I live in a town
00:49:01called Albalate de Zorita.
00:49:02It has incredible Jotas,
00:49:05but I haven't been in town
00:49:06for a long time
00:49:07and I just found out.
00:49:10As soon as I have more information,
00:49:12I'll keep you informed, okay?
00:49:15Let's see.
00:49:17But...
00:49:18Sorry, Miguel,
00:49:19is this Albalate de Zorita
00:49:20or Tortola de...
00:49:21I don't know where?
00:49:23Tortola.
00:49:24That's us.
00:49:25That's you, right?
00:49:26Yes.
00:49:27Are you there?
00:49:28Yes, look,
00:49:29I'm the one with the bow.
00:49:30Let's see.
00:49:31Put it on, put it on.
00:49:32I'd be like 11 years old there.
00:49:34Zoom in, zoom in.
00:49:36That one, that one.
00:49:37But the one below, the girl.
00:49:38No, the one above, the one above.
00:49:39The one above, the one above.
00:49:40The one above, the one above.
00:49:41The one above, the one above.
00:49:42The one above, the one above.
00:49:43The one above, the one above.
00:49:44The one above the guitar.
00:49:45That one, that one.
00:49:46There's the girl, right?
00:49:47With the bow.
00:49:48Yes, yes, yes.
00:49:56And...
00:49:57I love the background wall,
00:49:58very representative of La Mancha.
00:50:00Yes.
00:50:02The brick wall.
00:50:04An incomparable frame.
00:50:05That's La Mancha.
00:50:10There was another kid there
00:50:11who was very insistent
00:50:12to bring the microphone closer.
00:50:13And that kid,
00:50:14the kid who has an incredible beard.
00:50:15Damn, that...
00:50:16What a physical presence, kid.
00:50:17What a creature.
00:50:18He's promoting a desert island, right?
00:50:22No, no.
00:50:23What's your name, excuse me?
00:50:24Cristobal.
00:50:25Cristobal.
00:50:26Color.
00:50:27Yes.
00:50:28Are you promoting what?
00:50:29Throwing axes at a tree or...?
00:50:30No.
00:50:31He'll have a beard.
00:50:32A hardware store.
00:50:33A hardware store.
00:50:34No.
00:50:35Yes, a hardware store.
00:50:36What are you promoting?
00:50:37I'm here to bring you something, David.
00:50:39But who are you giving it to?
00:50:41Who are you giving it to?
00:50:42I mean...
00:50:43Ah.
00:50:44It can't be a wizard.
00:50:45Wait, I'll pick it up.
00:50:46No, no, no.
00:50:47I'll pick it up.
00:50:48No.
00:50:49It's a...
00:50:50Do you always have the card on you
00:50:51because you didn't know this was going to happen?
00:50:52No, no.
00:50:53I had it on me.
00:50:54Do you want us to pay you for the parking lot?
00:50:57Okay, it's like a letter.
00:50:58Like a letter.
00:50:59Yes.
00:51:00Well, it's my wife's card
00:51:01that does imitations.
00:51:03Oh, that's scary.
00:51:04She made you an invitation.
00:51:05She did?
00:51:06An imitation.
00:51:07An imitation?
00:51:08Yes.
00:51:09Where?
00:51:10On Instagram.
00:51:11Well, in fact, she went to Rome
00:51:12to be characterized with your face.
00:51:14What?
00:51:15Yes.
00:51:16And why in Rome?
00:51:17Why in Rome?
00:51:18Because she was the best characterizer in Europe
00:51:20and she went there.
00:51:21What?
00:51:22Yes, yes.
00:51:23What a difficult face you have, David.
00:51:27They had to go to the Renaissance artists
00:51:29so they could recreate this painting, right?
00:51:31No, you look a bit alike, actually.
00:51:33Okay, okay.
00:51:35Let's see, but...
00:51:37You said your girlfriend looks like Abram Cano?
00:51:39I'm sorry.
00:51:40My wife, Unaires.
00:51:42Fuck, I'm sorry.
00:51:43Congratulations.
00:51:45And we can see it?
00:51:47We've posted it on Instagram so that...
00:51:49It's this Instagram here?
00:51:50Yes.
00:51:51Let's see, Miguel, look for it.
00:51:53ArrobaInés-D Miguel.
00:51:56Yes.
00:51:57D, just the letter.
00:51:58And she's dedicated...
00:51:59She's funny.
00:52:00She's an imitator.
00:52:01Yes.
00:52:02Fuck, look, we've done well in doing this
00:52:04because now it's here.
00:52:05Of course, it's incredible.
00:52:06But we're promoting more than she has done
00:52:08the characterization.
00:52:10Let's see.
00:52:11Let's see.
00:52:12It's this video, huh?
00:52:13Fuck.
00:52:14It's a mix between you and Juan Luis Guerra, right?
00:52:18Al Pacino.
00:52:19Come on, come on.
00:52:20It's that I'm a mix between Al Pacino and Broncats.
00:52:22Watch out, Israel.
00:52:23Watch out.
00:52:25My name is Michael Corleone.
00:52:28You could call me Broncats.
00:52:29Broncats.
00:52:30You could call me Broncats.
00:52:31Broncats.
00:52:33I like it because it sounds more Italian.
00:52:35It's true.
00:52:39Watch out, my hands are sweating now.
00:52:41Fuck, I didn't expect this twist.
00:52:42Are you serious?
00:52:43Yes.
00:52:44Like a carapel.
00:52:45I'm a figure.
00:52:46Now I move with more grace.
00:52:47It's cool.
00:52:51My hands are sweating.
00:53:00It was well done.
00:53:01That's how I imagine Leder.
00:53:07Let's see, but...
00:53:10I mean, I liked it.
00:53:11It bothered me at the same time.
00:53:12It took me through a rollercoaster of emotions.
00:53:14It's incredible.
00:53:15But now, take advantage of it.
00:53:16Of course.
00:53:17Promote her as an imitation artist.
00:53:19Of course.
00:53:20Now that we've seen her work...
00:53:26Hi.
00:53:30Hi.
00:53:35Do you want to know a new dimension of imitation?
00:53:40Very good.
00:53:41At the marketing level, very good.
00:53:42A new dimension.
00:53:44It hasn't been long, but I miss Carlos Latre.
00:53:58Don't cry.
00:54:00Don't cry.
00:54:03Don't cry anymore.
00:54:06Dry the tears from your face.
00:54:09Because this country
00:54:11doesn't stop giving good imitators.
00:54:14I'm excited.
00:54:16Like the case of Inés de Miguel
00:54:19and the 1001 Voices.
00:54:22The phone is...
00:54:23No, no.
00:54:24The phone isn't...
00:54:27Can you give it to me?
00:54:29Give it to me.
00:54:33Or give me the phone.
00:54:36Let's see.
00:54:38Or the Instagram.
00:54:39The Instagram?
00:54:41You've made the Instagram too small.
00:54:45I've said it before.
00:54:46It's called...
00:54:47Inés.
00:54:48Inés.
00:54:49Look how she moves away from the paper like my grandmother.
00:54:51It's incredible.
00:54:52Look how far she's gone.
00:54:54I'm getting old,
00:54:55but I guess this way
00:54:56Ana will like it more.
00:54:58Of course.
00:55:00I learned this from Anígar Tiburó,
00:55:02who looked at me like this and said,
00:55:03no, no, this is what you have to do.
00:55:04You have to move away from it.
00:55:13And by the way,
00:55:14I'm also going to make a joke for you.
00:55:17This imitator
00:55:18that will mark an era
00:55:21is called Inés de Miguel
00:55:22and her Instagram is
00:55:24inés-demiguel-la-de.
00:55:30Just the D.
00:55:31Okay?
00:55:32So we'll be waiting for you there.
00:55:34Goodbye, hearts.
00:55:46I'm covering the brats here.
00:55:49Forgive me.
00:55:50What a bad joke.
00:55:51Forgive me, forgive me.
00:55:52Raúl Cimas promoted the series.
00:55:53He was asked to promote two more things
00:55:55and the guy promoted them like a phenomenon.
00:56:05And with a hangover.
00:56:06And with a hangover.
00:56:07And having gone to bed at dawn.
00:56:09No, I didn't go to bed.
00:56:10Knowing what was coming,
00:56:11I said,
00:56:12now I have to continue.
00:56:14And then we have also seen
00:56:16that the characterization industry in Rome,
00:56:18you have to go to Rome.
00:56:19If you want costumes, you have to go to Rome.
00:56:21I mean...
00:56:29And don't you think that maybe
00:56:31with that beard and that hair,
00:56:33he hasn't shaved it
00:56:34and who is talking here
00:56:35is Inés de Miguel?
00:56:38Of course, we can't know.
00:56:39Maybe it's Inés de Miguel
00:56:40who has disguised as her husband.
00:56:41She has put on a lot of hair,
00:56:42which is what you do
00:56:43when you don't have much time
00:56:44to decarcerize yourself,
00:56:45to hide a little, of course.
00:56:46Well,
00:56:47the friend next door,
00:56:48can you pull his beard a little?
00:56:49Look, let's see.
00:56:51Pull it a little.
00:56:52Pull it a little.
00:56:53How much does it cost you?
00:56:55Nothing, nothing.
00:56:56Yes, but of course,
00:56:57if they have done it in Rome,
00:56:58he's not going to pull it, you know?
00:57:00Yes, he has gone to Rome.
00:57:06I have to go.
00:57:07Of course,
00:57:08we are having a very good time, Raúl.
00:57:10Are you having a good time?
00:57:11I am, I am,
00:57:12for what I expected.
00:57:13I have...
00:57:14The more time I spend here,
00:57:16the less I understand the success, but...
00:57:18Of course, of course,
00:57:19but here we are.
00:57:20Hand in hand.
00:57:21I have to ask you the classic questions,
00:57:22because we have to finish the interview there,
00:57:24because you are still new there.
00:57:25You are still new there, right?
00:57:26You have to go fast.
00:57:28Do I do them?
00:57:30Yes.
00:57:31In recent years,
00:57:32more professional success,
00:57:33more series,
00:57:34more comedy,
00:57:35more money is coming in.
00:57:37Tell me, money in the bank?
00:57:40I don't know.
00:57:42An approximation.
00:57:43Still, of the four days we have been here,
00:57:44no one has said an exact figure.
00:57:46Of course,
00:57:47all of us who come here are rich.
00:57:48The more money you have,
00:57:49the less you have the feeling.
00:57:50The less you like to say, right?
00:57:52I think I'm talking about
00:57:53maybe 1,000 or 2,000 euros.
00:57:57You are not going to get into this.
00:57:59No, no.
00:58:00Answer the other one, then.
00:58:01You know what I did?
00:58:04I paid everything I have
00:58:05so as not to have any debt,
00:58:06because if one day I die,
00:58:08it does not leave any problem,
00:58:09that I have already given enough in life.
00:58:11What a generous guy,
00:58:12when you have arrived.
00:58:13So, yes, indeed,
00:58:14now I am a little canine.
00:58:16You are at peace.
00:58:17Yes,
00:58:18I am waiting to charge
00:58:19the illustrious and ignorant.
00:58:20Okay.
00:58:22Tell the other one, then.
00:58:24Sexual relations last month.
00:58:25How have you been in Albalete?
00:58:27Yes, I chose money
00:58:29because the other one is worse.
00:58:32Sexual relations in ...
00:58:35Last month, last 30 days.
00:58:38I don't know.
00:58:40How is it done in Guadalajara, please?
00:58:43How is it done to flirt there?
00:58:44To flirt, yes.
00:58:45Nerea, bring a micro to Nerea,
00:58:47to see if she has any advice.
00:58:48With La Rondalla.
00:58:49Sure, but Nerea is a star there.
00:58:51Nerea is practically in a K-pop group.
00:58:53No, well, look.
00:58:55It is the K-pop of Guadalajara,
00:58:56of course, La Rondalla.
00:58:58There, bring it closer.
00:58:59Do you have any advice
00:59:00to flirt in Guadalajara?
00:59:01Well, look,
00:59:02now the parties are fair.
00:59:03After this,
00:59:04straight to the parties.
00:59:06So there, in La Verbena,
00:59:08in Los Bermús,
00:59:09in Las Peñas.
00:59:10You have to take advantage now
00:59:11and if not,
00:59:12until next summer,
00:59:13in Guadalajara, nothing.
00:59:14But then what do you want?
00:59:15Not to sleep tonight either?
00:59:18Okay.
00:59:19Okay?
00:59:20Well, yes,
00:59:21I'm...
00:59:22I'm doing very badly,
00:59:23usually.
00:59:24Very bad, huh?
00:59:25I'm almost going to Castile.
00:59:26Okay.
00:59:27Well,
00:59:28I don't know.
00:59:29I'm very sorry, Raúl,
00:59:30I'm sorry for you, huh?
00:59:31But are you still happy?
00:59:32I mean,
00:59:33this here we have talked a lot...
00:59:34I'm happy, of course.
00:59:35We have talked many times
00:59:36that not always,
00:59:37a time, let's say,
00:59:38harder in the field of romantics
00:59:39does not have to lead
00:59:40that one is not happy
00:59:41and that one is...
00:59:42No, look,
00:59:43both money and sex
00:59:44must be overvalued.
00:59:45Well.
00:59:47I mean,
00:59:48the most important thing is...
00:59:49The friends.
00:59:50The jotas,
00:59:51the rondallas,
00:59:52the villancicos.
00:59:53That's it.
00:59:54The Albacete Fair,
00:59:55the Virgen de los Llanos.
00:59:56Okay.
00:59:57You know,
00:59:58the imitations.
01:00:05Having a lot of money
01:00:06and fucking,
01:00:07who wants that?
01:00:08I see, I see.
01:00:09Being able to hear
01:00:10a good rondalla, of course.
01:00:11Well, of course.
01:00:12Okay, okay.
01:00:13Or a good imitation
01:00:14of Inés de Miguel.
01:00:16Okay, well,
01:00:17I point out here
01:00:18a little of everything, but...
01:00:19He has told me many times,
01:00:20maybe my wife comes
01:00:21and says,
01:00:22what?
01:00:23I say,
01:00:24I'm watching Inés de Miguel.
01:00:25Of course.
01:00:26Don't bother,
01:00:27she's gone to Rome.
01:00:28And for me,
01:00:29I'm discovering
01:00:30another type of orgasm
01:00:31without...
01:00:32Without...
01:00:33Without getting in
01:00:34where it doesn't call you.
01:00:35Of course.
01:00:36Okay, that's it.
01:00:37I'll write this down,
01:00:38but...
01:00:39Okay, perfect.
01:00:40I'll send it here.
01:00:41With this, Guillo,
01:00:42what?
01:00:43There's the interview, right?
01:00:44There's also a question
01:00:45about racism and machismo.
01:00:46Ah, I had forgotten.
01:00:47Or have they already taken it away from you?
01:00:48No, no, no, no.
01:00:57I had forgotten.
01:00:58Pedro is already
01:00:59going through the scissors.
01:01:03Are you more macho
01:01:04or more racist?
01:01:05It's a very good question.
01:01:06Thanks for reminding me.
01:01:07It's very good.
01:01:08I didn't expect the sex one
01:01:09because it was already...
01:01:10It's very good,
01:01:11my friend, yes.
01:01:12Let's remember,
01:01:13sadly,
01:01:14we are a bit of everything.
01:01:15We have to see
01:01:16what you are a bit more of.
01:01:17No, look,
01:01:18what happens is that,
01:01:19look,
01:01:20first of all,
01:01:21you always
01:01:22have to bet
01:01:23on the spirit of overcoming.
01:01:25What do you mean?
01:01:27I...
01:01:28Be a little more macho every day, right?
01:01:29Until now,
01:01:31we have always been
01:01:32more macho than racist.
01:01:35But I think
01:01:36I still have a lot to learn
01:01:39in terms of racism.
01:01:43There's a field for you there, right?
01:01:44And if I start working,
01:01:47and I manage to be
01:01:49half racist,
01:01:52how macho I am,
01:01:57a lot of people will consider me
01:01:59a fucking Spaniard.
01:02:00A fucking Spaniard.
01:02:16No, really,
01:02:17I live very isolated in the village.
01:02:19Yeah, yeah, yeah.
01:02:20I don't know anything.
01:02:21I didn't even know you were in Laguna.
01:02:22I see, I see.
01:02:23What a pleasure for you to have come here.
01:02:25But, but, but.
01:02:26No, it's a pleasure for me.
01:02:27But you've been happy
01:02:28for the whole time,
01:02:29You've been here for a while, even though you've just arrived from Palmar?
01:02:31Yes, yes, yes.
01:02:32You've had a good time.
01:02:33Yes, I'm very happy that you're doing well.
01:02:35Well, people who haven't had all the facilities at birth,
01:02:49may the public television give them a chance.
01:02:53I think that...
01:02:59Many times people think that a piece is missing,
01:03:08but in the end...
01:03:09And it's incredible that Spanish television does it.
01:03:11I thank you very much for saying this to me,
01:03:13and I thank you very much for coming here.
01:03:15You were invited last night, practically,
01:03:17but you were the best guest we could have.
01:03:19We thank you a lot.
01:03:20Raúl Cimas, it's your turn.
01:03:26Raúl Cimas.
01:03:29Raúl Cimas.
01:03:31Raúl Cimas.
01:03:46Raúl Cimas.
01:03:52And, sorry, since we have to go very fast,
01:03:54we have to make some gifts.
01:03:57Raúl Cimas is leaving, he's a star,
01:03:59but of course, Antonio Resines is coming back.
01:04:21You haven't felt like it yet.
01:04:23Antonio Resines in his magical version.
01:04:25It's incredible.
01:04:26No, I come from Benidorm.
01:04:28I've come from Benidorm to buy some things.
01:04:30So, what kind of audience do you need, dear friends?
01:04:34Mayors.
01:04:35That's what we said.
01:04:36Yes, it's true that we've recovered a bit,
01:04:38but it's true that we appreciate it.
01:04:39I've been here for 70 years.
01:04:40I'm here to raise the audience!
01:04:41Come on!
01:04:43Come on!
01:04:54And so you can see...
01:04:55You've been here for 70 years, Antonio.
01:04:5770 years, man.
01:04:58Juanillo, I was 68 or 69 years old.
01:05:01Well, look.
01:05:04First, we're going to give you some candies.
01:05:07I like candies a lot, guys.
01:05:09What are they?
01:05:10Candies with my face on them.
01:05:13Chocolatines.
01:05:14Chocolatines, eh?
01:05:15Look, look how beautiful.
01:05:16But look at this, how beautiful, eh?
01:05:17Come on, show them, show them.
01:05:18It's...
01:05:19Look, you can see it here.
01:05:20It's a little chocolate, and it says 70 years,
01:05:22and it says Antonio now, and Antonio...
01:05:23Come on, come on, come on.
01:05:24Of course, with seven years.
01:05:26It's impressive, eh?
01:05:27It's very beautiful, eh?
01:05:28Come on over there, man.
01:05:29Come on, you two over there.
01:05:31Throw them over there.
01:05:33Throw them over there, throw them a bit...
01:05:34Come on, like this, from the back, so they can't be seen.
01:05:36Come on, come on.
01:05:38And more, come on.
01:05:39Come on, Ana.
01:05:41Give it to Ana, yes.
01:05:42Come on, one over there, one over there, come on.
01:05:44Come on!
01:05:51And here I have some T-shirts of different sizes.
01:05:53Throw them, throw them.
01:05:56This side.
01:05:57One goes over there, come on.
01:06:01Another one for this side, come on.
01:06:04Another one over there, come on.
01:06:07Throw them over there too.
01:06:08Come on, come on.
01:06:10Another one over there, in the back.
01:06:14Give one to the singer, yes.
01:06:18Look to see what it is, to see if it's ML or whatever.
01:06:20Well...
01:06:21It's M, it's M.
01:06:22It's M, yes.
01:06:23Take it, take it.
01:06:24Throw it away, throw it away, the girl is going to fall.
01:06:27Good gifts, Antonio.
01:06:28Yes.
01:06:29But who...
01:06:31And for the guys...
01:06:33For the guys of La Resonancia...
01:06:37It was a good name, Ricardo.
01:06:39Good name.
01:06:40La Resonancia, man, how could we not think of it?
01:06:42It was a good name.
01:06:43Maybe we're on time, huh?
01:06:44Because you're a gang of sick people, all of you.
01:06:46The best is La Resonancia.
01:06:47Well, I'm going to give it to David.
01:06:49Fuck, the price is coming.
01:06:50Ah, no.
01:06:51No, this is a sticker.
01:06:52Okay, let's see.
01:06:53And with a chocolate inside, for you.
01:06:54Wow, kid, look, look.
01:06:55A cup of the chocolate.
01:06:56A cup of the chocolate.
01:06:57A cup of the chocolate.
01:06:58Wow, kid, look, look.
01:06:59A cup of Antonio's birthday.
01:07:06That's it, I'm leaving.
01:07:09I would appreciate...
01:07:10Do you want it in the bag too?
01:07:11In the bag, no, it's mine.
01:07:12No.
01:07:13In the bag, no, it's mine.
01:07:14Let's see.
01:07:16It's good.
01:07:17It's good, huh?
01:07:18No, this is good, shut up, fuck.
01:07:21You're giving voices now, man.
01:07:23Antonio, but sorry.
01:07:24We are very happy that it is your 70th birthday.
01:07:26Yes.
01:07:27Take advantage, say a few...
01:07:28As a godfather, in our previous stage, you were already a godfather.
01:07:30Yes.
01:07:31You have turned 70.
01:07:32We, first week of the show, say a few...
01:07:34Say a few nice words, Antonio.
01:07:36Well, I'm going to tell you personally and to the general public of television.
01:07:40Yes.
01:07:42Be attentive, very good.
01:07:44Let's see.
01:07:46And I find it hard to say it.
01:07:51All this that is happening.
01:07:52Wow, the resin is more sensitive, huh?
01:07:53David.
01:07:54Yes.
01:07:56It has been a dream.
01:07:59Goodbye, guys.
01:08:03See you later.
01:08:08Antonio Resines.
01:08:09This was today's show, La Revuelta.
01:08:11Thank you for coming.
01:08:14I send you a kiss.
01:08:15Thank you all.
01:08:16See you next week on Monday.
01:08:17Thank you very much.
01:08:21See you later.
01:08:22See you on Monday.
01:08:23La Revuelta.
01:08:25La Revuelta.