ғᴀᴛᴇᴅ ᴛᴏ ᴍʏ ᴄʀᴜᴇʟ ᴄᴇᴏ (2024) full Engsub
Full episode link https://www.sunneotv.xyz/2024/08/atlantes-mistaken-fiance-2024-full-ep.html
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Full episode link https://www.sunneotv.xyz/2024/08/atlantes-mistaken-fiance-2024-full-ep.html
#drama #engsub #film #filmengsub #movieengsub #reedshort #drama #chinesedrama #cdrama #dramaengsub #englishsubstitle #chinesedramaengsub #moviehot #romance #movieengsub #reedshortfulleps #donaltrump
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TAG: EnglishMovie,EnglishMovie dailymontion,short film,short films,drama,crime drama short film,drama short film,gang short film uk,mym short films,short film drama,short film uk,uk short film,best short film,best short films,mym short film,uk short films,london short film,4k short film,amani short film,armani short film,award winning short films,deep it short film
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FunTranscript
00:00:00What if the person you're looking for is me?
00:00:04Don't forget, I'm the one who hired you.
00:00:06Excuse me?
00:00:08I'm here for you.
00:00:10That's gotta mean that Algar is still alive, right?
00:00:12Oh my goodness.
00:00:14Don't forget, you are married too.
00:00:16What are you gonna do?
00:00:21So it was you.
00:00:23All this time.
00:00:26It might ruin him and his family.
00:00:28So be it.
00:00:29Where are you, little rock?
00:00:32I don't know who the fuck you are.
00:00:34If you think you have a chance against me,
00:00:36you're dumber than I thought.
00:00:38I'm also looking for someone.
00:00:40Do you want to go somewhere more private?
00:00:42We can talk about the script.
00:00:46Stay out of my work and my personal life, Edward.
00:00:50Return.
00:00:59Hey, I want to take you to my place, baby doll.
00:01:20Sorry, I don't do private dances.
00:01:22You'll strip for money, but you won't fuck a guy?
00:01:25I'm not a hooker, show some respect.
00:01:28You fucking bitch, I'll show you respect.
00:01:31Mr. Morgan, I am so sorry.
00:01:33She's new here, I've got to train her better.
00:01:36Just have a seat, we'll be with you shortly.
00:01:38Sorry about that.
00:01:44You ungrateful bitch.
00:01:46You remember who saved your ass when you were knee deep in debt?
00:01:50Me.
00:01:52Dad, how are we doing with the search?
00:01:56Not good, boss. I'm still going.
00:01:59Fine, nerd. I don't care what it takes.
00:02:05I found the perfect woman for you.
00:02:07It's about time you settle down and get married.
00:02:09Her name is Carla. She's the daughter of a friend of mine.
00:02:12Dad, we've been over this.
00:02:14I don't need you to find me the perfect woman.
00:02:17Of course I do. You're an art wit.
00:02:19I have to make sure my son marries the perfect woman.
00:02:21So now all of a sudden you give a shit about me?
00:02:23You never care when you throw a bomb away?
00:02:26Or when you sent me to that orphanage all by myself?
00:02:28Silence! How dare you?
00:02:30It's for the Ardwin family business.
00:02:32You're marrying Carla Jennings.
00:02:34End of discussion.
00:02:36Dad.
00:02:37Dad.
00:02:42I paid your 500 grand debt, and I gave you a job.
00:02:45Now if you want to quit so bad, pay me back.
00:02:48And get the fuck out of my club.
00:02:50As you know, I don't have $500,000.
00:02:52Just give me another chance.
00:02:54Then get the fuck back in there, apologize to that nice gentleman,
00:02:57and do whatever the fuck he tells you to do.
00:03:00Now if I get any more complaints from our clients,
00:03:03you will be sorry.
00:03:05Got it?
00:03:06Is there a problem here?
00:03:08No, sir. Everything's fine.
00:03:13She looks just like her.
00:03:19Will you marry me?
00:03:26Will you marry me?
00:03:31Now let's tell my father I chose a new wife for myself.
00:03:33Are you sure, boss?
00:03:35She's a stripper.
00:03:37How about we make a deal?
00:03:39Name any price you want, and we get married.
00:03:42I owe my boss $500,000.
00:03:44He's not going to let me go until I tell him.
00:03:47Anything else?
00:03:56This is your house?
00:03:58It's our house now.
00:04:00Follow me.
00:04:08All right.
00:04:10Sign this agreement?
00:04:13All right.
00:04:15Sign this agreement, and we'll be contractually married for a year.
00:04:18After that, we'll file for divorce.
00:04:21Until then, you're part of the richest family in the country.
00:04:36My heart belongs to somebody else, though.
00:04:38I want you to know that I'm not attracted to you.
00:04:41I understand. You married her, didn't you?
00:04:44Is that so?
00:04:46Well, don't worry.
00:04:48I'm not attracted to you, either.
00:04:50I just wanted the money.
00:05:03Hey, where are we staying, by the way?
00:05:05In the guest room.
00:05:11Wow.
00:05:13Total jerk. This is an ad.
00:05:23It's been over 10 years.
00:05:26I miss you so much.
00:05:41I miss you, too.
00:05:57Doss, I need you to find out everything you can about the woman I just married.
00:06:01Steve, she grew up in the same orphanage.
00:06:12I'm sorry. I didn't mean to.
00:06:14This is my bathroom.
00:06:16What do you think you're doing?
00:06:18Nice try, but I need your little tricks to get my attention.
00:06:21It's not going to work, though. Sorry.
00:06:24I wasn't trying to get your attention.
00:06:27Oh!
00:06:32Do you mind turning that off?
00:06:34No.
00:06:36I'm sorry.
00:06:39Do you mind turning that off?
00:06:43I just thought the carpet needed some cleaning.
00:06:45You're here to be my wife, not a maid.
00:06:50Who are you?
00:06:54Wait. You're that stripper.
00:06:57What are you doing in Edward's house?
00:06:59I am? Who are you?
00:07:01I am Edward's fiancée.
00:07:05Edward, you're marrying a stripper?
00:07:08I thought I was your fiancée.
00:07:10My father arranged for us to get married only for the sake of our families.
00:07:14We wouldn't be happy even if we did get married.
00:07:16But I would be happy, Edward.
00:07:18Carla, you know I have someone that I love.
00:07:22She's the one I'm waiting for.
00:07:26I don't know who the fuck you are, but if you think you have a chance to kiss me,
00:07:30you're dumber than I thought.
00:07:32You're dumber than I thought.
00:07:34Yes, get it straight. I'm not competing with you.
00:07:39Stop it.
00:07:41Edward, are you defending her now?
00:07:45I'm not a dumb bitch.
00:07:47Are you serious?
00:07:49Wow, you've got a lot of admirers, huh?
00:07:52Any more than you need to watch out for?
00:07:54Look, if you see me in the living room, don't show your face.
00:07:58Same will go for me.
00:08:00Your house, your rules. Big deal.
00:08:09Hi, I'm Velma.
00:08:13I've worked a lot of odd jobs in the city.
00:08:18Waitressing and working in nightclubs.
00:08:24All for a chance to act.
00:08:31I'm also looking for someone.
00:08:36And I hope that one day he sees me on screen.
00:08:45That way he knows that I'm still here.
00:09:01Parker, I hope you see me.
00:09:19That's okay, Sarah. Velma doesn't need to dine with me.
00:09:24Bring my food to my room and I'll eat there.
00:09:26Yes, it's fine.
00:09:29I usually don't eat with people anyway.
00:09:32By the way, I'm going out for a bit today.
00:09:35Where you go is none of my concern.
00:09:39Fine.
00:09:43Is he always this big of a jerk?
00:09:45Excuse him, ma'am. He's just used to living alone.
00:09:49I'm sorry, Sarah. It must be difficult dealing with him every day.
00:09:53It's okay.
00:10:00Yes, I'll be right there.
00:10:15Okay, sit.
00:10:17So, I heard a funny little rumor that you married the famous billionaire Edward Arduin.
00:10:23Is it true?
00:10:24I didn't know that he was a billionaire until after I met him.
00:10:27You're joking. How did you manage that?
00:10:30I just signed a contract.
00:10:33What? Who cares? What are you waiting for? Seal the deal.
00:10:37You know that I can't think about anyone but Al Gore.
00:10:41T, it's been ten years since you two escaped the orphanage.
00:10:45Al Gore could be anywhere. He could be dead.
00:10:47He's not dead!
00:10:49Okay, it's okay. I'm sorry.
00:10:53So, what's your plan?
00:10:55Keep things the way they are, I guess,
00:10:58except now I can focus more on acting and not dancing in strip clubs.
00:11:03Hey, that's exciting, right?
00:11:05That's something you've always wanted to do since you were a kid.
00:11:08Is that audition today?
00:11:17Hi, I'm here for the audition.
00:11:21You think you can just show up like that, you slut?
00:11:25Are you stalking me?
00:11:27Oh, don't flatter yourself.
00:11:29Aren't you the lead of this production?
00:11:31She's not auditioning.
00:11:33Sorry.
00:11:34You can't do this! I worked so hard for this opportunity!
00:11:38Oh, like stripping for men and fucking them in strip clubs?
00:11:42Guys, I was dancing, that's it!
00:11:45What's the fucking difference?
00:11:47I eat girls like it's a boring breakfast.
00:11:50Let's go back.
00:11:52No! Please! Wait!
00:12:00Be quiet.
00:12:22Okay.
00:12:45Boss.
00:12:47Get the details.
00:12:50She went to high school not far from here.
00:12:52Wrote down the husband audition for films.
00:12:55She worked at nightclubs to make a living.
00:12:58Bad relationship with her parents.
00:13:07But not an orphan.
00:13:09No name changes.
00:13:11And definitely never been to an orphanage.
00:13:20I wanted it to be her so bad.
00:13:23Of course it came down.
00:13:25You've been looking for this girl for ten years.
00:13:28Who is she?
00:13:30Someone more important to me than life itself.
00:13:44It is her.
00:13:50Find me the location where this photo was sent.
00:13:53Got it? Photo's been sent.
00:13:56Good. Where is she?
00:13:58Oh. Out like a light.
00:14:01I guess marrying Edward won't solve everything.
00:14:04How pathetic.
00:14:06Do whatever you want with her.
00:14:08I'm clean about it. You're done.
00:14:20Come on.
00:14:29I've been searching for you for so long and you were right here.
00:14:50Boss, he's gone.
00:14:52Find him. Keep this between us.
00:14:54Got it.
00:14:56Oh, God. Save me.
00:14:58Come on. I got you.
00:15:11Oh, God.
00:15:13I'm sorry.
00:15:15I'm sorry.
00:15:17I can't tell you who I am.
00:15:20Not yet.
00:15:37We'll need new names once we're out of here, right?
00:15:41Yeah. We're starting a new life.
00:15:43I'll be...
00:15:45Thelma. What about you?
00:15:47Algar.
00:15:49Helen!
00:15:51Where are you?
00:15:53Let's run quick.
00:15:54Trying to escape again?
00:15:56I warned you it's not gonna work.
00:15:58Looks like I gotta get...
00:16:00At least one of us needs to escape.
00:16:02No. You go.
00:16:04She's gonna kill you.
00:16:05I won't let her catch me.
00:16:07Just go. I'll find you.
00:16:09Let's meet at the amusement park.
00:16:14I'll wait for you, Algar.
00:16:20You're not going anywhere.
00:16:22I'll bring her back. Rest assured.
00:16:25After I'm done with you.
00:16:33I'll wait for you, Algar.
00:16:44What happened?
00:16:46Nothing to worry about.
00:16:47Just some issues with the film crew, I guess.
00:16:49Why are you being so nice to me?
00:16:52No reason.
00:16:54Here. Take this card.
00:16:56It's unlimited.
00:16:58Spend it however you want.
00:16:59Why are you doing this? I don't want your money.
00:17:04Well, if you need money, just let me know.
00:17:06And you can stop looking for...
00:17:08Hot jobs.
00:17:13Odd jobs.
00:17:15Acting is my dream.
00:17:17I danced in strip clubs for a living, but...
00:17:21People like you, born from a silver spoon, wouldn't understand that.
00:17:25Then stop doing it.
00:17:27We're in a contract marriage, right?
00:17:30I won't interfere with your life and you can't meddle in mine.
00:17:34Acting is something that I've always wanted.
00:17:38And besides...
00:17:40I'm not gonna take your money besides the number that we agreed on.
00:17:45You need to rest now.
00:17:50Do you mind?
00:18:10Look at this mess.
00:18:12Clean it up if you even think about going to bed.
00:18:30Eat up. You must be starving.
00:18:34No. You can probably work hard for this.
00:18:37Come on, take it.
00:18:41I can't believe she locked you up for three days and then you do all this.
00:18:46Did she even feed you at all?
00:18:48You made it easier for me.
00:18:50Now, get back in before she sees you here.
00:19:11Excuse me. I'm calling to ask about my audition.
00:19:15I'm sorry. Your name has been blacklisted for reproduction.
00:19:19What?
00:19:24This is the booth that you'll film at. I'll send you the pictures.
00:19:36How about a drink?
00:19:38There are two glasses of scotch there.
00:19:41Pick one.
00:19:43I'm sorry.
00:19:45Just a friendly gesture from the boss.
00:19:49One more thing.
00:19:51Only one of those glasses is poison proof.
00:19:54You should have known better what would happen if you kidnapped Emma.
00:19:59Here. I'll do it for you.
00:20:01All right.
00:20:05Go!
00:20:09Go!
00:20:16Take him away.
00:20:23This is what I've become, Phil.
00:20:27I hope you never see me like this.
00:20:30Ruthless.
00:20:32Merciless.
00:20:35Both glasses.
00:20:37You silenced the man.
00:20:39I simply can't forgive him for what he did.
00:20:45Thelma, will you forgive me?
00:20:55What the fuck happened to you?
00:20:57How did he find you? What happened?
00:21:00Oh, you can't even talk now?
00:21:03You're fucking useless.
00:21:06Inform every production you can reach.
00:21:09Thelma will never be an actress.
00:21:13Make sure of it.
00:21:16Go!
00:21:28Are you okay?
00:21:31I've been blacklisted by every production company.
00:21:34Even the Actors Guild.
00:21:36What am I gonna do?
00:21:38Hey, don't lose heart, okay?
00:21:39I happen to know of an audition going on today if you're interested.
00:21:42Since when?
00:21:43A good friend of mine took me off.
00:21:45Now, come on. Let's go.
00:21:47It's better than moping around here.
00:21:52Here it is.
00:21:54So I can just go in there? Just like this?
00:21:57Jess, I got everything set up, okay? Just go ahead. Go in.
00:22:00And do you think...
00:22:02You got this?
00:22:03Right away!
00:22:16What is she doing here?
00:22:23Who is she?
00:22:25Nobody.
00:22:26She's not here for the audition, too, is she?
00:22:29Well, in that case, we'll ring for a treat.
00:22:35Carla, Jenny, you're up next.
00:22:42Watch it.
00:22:45Ah.
00:22:48Ahem.
00:22:55I can't believe it.
00:22:57It was you all along.
00:23:01That's right.
00:23:02I never thought you'd find me.
00:23:04But it must come to an end.
00:23:08Oh, no!
00:23:11Ah!
00:23:15Cut!
00:23:19I'm sorry.
00:23:20Were you shot, or did someone just step on your toe?
00:23:24Can you just try again? I was just a bit nervous.
00:23:28Miss Jennings, we are making a thriller with a tragic ending.
00:23:32What you just did was borderline comedy.
00:23:35Excuse me?
00:23:37Do you know how close I am with your...
00:23:40Excuse me?
00:23:42Do you know how close I am with your...
00:23:46Sir, she was indeed recommended for the role.
00:23:50May we give her another chance?
00:23:58Oh, no!
00:24:00No, no, no, no.
00:24:01We are creating art that appeals to our audience,
00:24:04and she is clearly not right for the role.
00:24:07Next!
00:24:08I'm sorry, Miss Jennings. That was great.
00:24:11Maybe another project, or another...
00:24:15What are you still doing here?
00:24:17I thought you were a blacklist.
00:24:19So it was you.
00:24:20You know, if that's the best you've got, then I'm not that worried.
00:24:24You think you can do better than me?
00:24:27You're nothing.
00:24:30Yeah, show us what you've got.
00:24:33Thelma?
00:24:36Hi.
00:24:48So it was you.
00:24:51All this time!
00:24:53That's right.
00:24:55I never thought you would find me.
00:24:59But now it must come to an end.
00:25:03No!
00:25:05This can't be it for us!
00:25:13Cut!
00:25:16Well, that was amazing!
00:25:20You fully captured that role.
00:25:23Congratulations, you get the part.
00:25:25What?
00:25:27What?
00:25:31What about me? You promised me!
00:25:33Oh, come on, you have to admit, she was exceptional!
00:25:36She's perfect for the part!
00:25:38Pearl, you killed it!
00:25:41You were great.
00:25:43I'm Alex. Looks like we're going to be scene partners.
00:25:45Thelma.
00:25:46Hey, do you want to go somewhere more private?
00:25:48We can talk about the script.
00:25:49Yeah, sure.
00:25:58What the fuck?
00:26:00You're hitting on the wrong girl, buddy.
00:26:02Edward, what are you doing?
00:26:05I need to go talk to Thelma.
00:26:07How about you shoot another day?
00:26:13What are you doing?
00:26:15Can you explain yourself?
00:26:16I don't owe you any explanations.
00:26:19So you're seeing new guys?
00:26:22What? No, we were just acting out a scene.
00:26:25A scene where you took it real close? Like a couple?
00:26:28I was just doing my job. There's nothing wrong with it.
00:26:31And besides, even if I was seeing someone, it would be none of your business!
00:26:43Hey! I heard you got the lead role.
00:26:46That's amazing.
00:26:48Hey! I heard you got the lead role.
00:26:51That's amazing.
00:26:53I knew you'd kill it.
00:26:55What is Edward doing here?
00:26:57Come on, you know who I'm talking about.
00:27:00Gosh, you still don't know, do you?
00:27:03Know what?
00:27:06Well, he's actually the investor of this movie.
00:27:10This is his project.
00:27:14Why did you bring me here then?
00:27:17Well, it was actually his idea.
00:27:23Hello?
00:27:25Hi, is this Gene?
00:27:27Who is this?
00:27:28This is Edward Arduin.
00:27:30I recently invested in a film project, and I want you to take care of Thelma.
00:27:34I think she'll be great for a lead role.
00:27:37Wait, you're Edward Arduin?
00:27:39I wired the payment to your account.
00:27:41I wired the payment to your account.
00:27:44Wait, wait, wait!
00:27:48I still can't believe I spoke to the legendary Edward Arduin.
00:27:53I can't believe you knew all this time and you didn't tell me.
00:27:56Oh, don't look at me.
00:27:58I'm just the middle man doing somebody else a favor, okay?
00:28:01And you still have the lead.
00:28:03It's amazing.
00:28:05But, you know, a lot of people say that Edward's not very nice.
00:28:09He's a stone-cold man.
00:28:11Why is he being so good to you?
00:28:14Yeah, I don't get it either.
00:28:16I mean, women must be throwing themselves at him.
00:28:19Why would he help me?
00:28:28Maybe he's fallen for you.
00:28:31Come on, that's impossible.
00:28:33He said some pretty harsh stuff earlier, so...
00:28:36Was that why you look all gloomy?
00:28:38What happened, did you guys fight?
00:28:40He saw me doing a scene with another actor and...
00:28:45It's whatever.
00:28:50Why do you care what he thinks, though?
00:28:54Come on, girl, this does not sound like you.
00:28:57Are you sure you haven't fallen for him too?
00:29:00No, it's just...
00:29:02There's something about him that's...
00:29:05Familiar, like...
00:29:07Like...
00:29:09I've seen him before.
00:29:11Hmm.
00:29:13I'm sorry.
00:29:31Thank goodness you're here, Helen.
00:29:33This place is depressing.
00:29:35I don't know if I can make you a touch.
00:29:38You're the one protecting me.
00:29:41You're the one watching me getting hurt.
00:29:43You're as sweet as a sugar pea.
00:29:45Can I call you sugar pea?
00:29:46Sure, as long as I can call you my little rock.
00:29:50My little rock?
00:29:51Because you make me feel safe.
00:29:53Like a rock that will never break.
00:29:56Deal.
00:30:04Talker.
00:30:07What have you done to me?
00:30:12His hair is everywhere.
00:30:24I'm good. Just in time.
00:30:33Take it.
00:30:36Why are you being so nice to me?
00:30:42Look, I'm sorry about today.
00:30:45It was stupid of me to react that way.
00:30:49No, I mean, why did you help me get the role for your film?
00:31:02Well, you won't take my money.
00:31:05And I can't allow the wife of Edward Ardoin to just work a regular job.
00:31:12Oh, okay, so that's why.
00:31:15We're all rich people, that's all.
00:31:18What was that?
00:31:19Nothing. This is great.
00:31:25You know, you can eat a little sweet sometimes.
00:31:28This is delicious.
00:31:31I'm glad you like it.
00:31:34Sweet pea.
00:31:37Good morning, ma'am.
00:31:40Edward is left already.
00:31:43Oh, I saw you were cooking last night.
00:31:46I watched your utensils.
00:31:48Oh, yeah, it was Edward.
00:31:51He's the cook.
00:31:53Edward.
00:31:54Gotta go.
00:31:56Okay.
00:31:58Okay.
00:32:02What is going on?
00:32:05What are we waiting for? Let's get started.
00:32:07One of our lead roles is not here yet.
00:32:10Oh, I know.
00:32:12The one thing I ask everyone here is to be professional.
00:32:17Sorry, guys. Traffic was nightmare.
00:32:21All right, I'm ready to start.
00:32:23Wait, I thought that she didn't get the part.
00:32:26Well, how about that?
00:32:28Looks like I'm gonna be playing your bestie.
00:32:32After this, nobody's ever gonna remember you.
00:32:35We'll see about that.
00:32:3942, Delta, take two.
00:32:42Ready, and act.
00:32:45You have to leave now.
00:32:47Not without the love of my life.
00:32:49I'll wait for him no matter what.
00:32:56Cut, cut.
00:32:58What do you think you're doing?
00:33:00Just playing my role.
00:33:04Carla.
00:33:06What the hell was that? That wasn't even in the script.
00:33:09I was just adding some extra touch to it.
00:33:11You know, for the sake of art.
00:33:13Art?
00:33:15This slap doesn't make any sense.
00:33:17And who gave you the authority to change my script?
00:33:21It's fine. She hit me.
00:33:24Oh.
00:33:26Thelma, are you sure about this?
00:33:28It's all good if it's all for the sake of the effect.
00:33:31Wow.
00:33:33I knew I was right in choosing you as my lead.
00:33:36Okay, okay.
00:33:38Back to one, please.
00:33:40Yes, thank you. Can you take out my script?
00:33:42And action.
00:33:44You have to leave now.
00:33:46Not without the love of my life.
00:33:48I'll wait for him no matter what.
00:33:52Edward.
00:33:55Good to see you here.
00:33:58Were you watching me?
00:34:00Me and Thelma make a perfect team, don't we?
00:34:03Jay, I have these two switch roles.
00:34:05I want Thelma to do the slapping.
00:34:08Since it's all for the sake of art.
00:34:17But Thelma is the lead.
00:34:19Yeah, that wouldn't make any sense.
00:34:21We can't make more changes to the script, Ed.
00:34:23We're already behind.
00:34:25You better get right to it then.
00:34:27You don't have to do this for me.
00:34:29I'm not doing it for you.
00:34:31I'm doing it for my own investment.
00:34:37All right.
00:34:39We have added a line to the script.
00:34:42So now, Thelma,
00:34:44Carla's new line will be your cue for the slap.
00:34:48Got it?
00:34:50Thelma, got it?
00:34:52All right, and...
00:34:55Action.
00:34:57You have to leave now.
00:34:59Not without the love of my life.
00:35:01I'll wait for him no matter what.
00:35:03What if he's dead?
00:35:04What if you find somebody else?
00:35:06You're just going to spend the rest of your life
00:35:08waiting for someone who will never come?
00:35:15Then I'll be sure to leave no room for regret.
00:35:20Cut!
00:35:22Bravo!
00:35:24That was perfect, Thelma!
00:35:26You handled that perfectly.
00:35:29Thelma, where are you next?
00:35:31I'll be in the lobby.
00:35:33No need for that.
00:35:35I think that my character is above that kind of pettiness.
00:35:46I'm going to expose you, Thelma.
00:35:49Sooner or later.
00:36:01Where are you, my little rock?
00:36:04I'm doing fine.
00:36:06Don't you worry.
00:36:10You know it's bad to waste food.
00:36:12Do you think you deserve to be punished?
00:36:14Yes, headmistress, I do.
00:36:17Pam, for heaven's sake, that's what you should have did.
00:36:20Isn't that sweet?
00:36:22Too bad.
00:36:23She's getting more punishment because of you.
00:36:26Isn't that sweet?
00:36:28Well, if you so insist, you can take it from her.
00:36:31Oh, get off me.
00:36:34It's all right.
00:36:36Cut!
00:36:38Cut!
00:36:46We found the worker who leaked info to our computer.
00:36:49A manager who's worked with us for 20 years.
00:36:53What do we do with him?
00:36:55Uh, fire him.
00:36:58So, if we need to, we can't have disloyalty in the company.
00:37:03It might ruin him and his family.
00:37:05So be it.
00:37:35Help her.
00:37:50Help her.
00:37:56Help her.
00:38:05Help her.
00:38:23Where's my...
00:38:25Oh, no, no, no.
00:38:46Morning.
00:38:48What are you doing?
00:38:51Morning.
00:38:53What are you doing?
00:38:55Nothing.
00:39:03Nothing.
00:39:08I carried you to your bed last night, and that was it.
00:39:14No, seriously, what are you doing?
00:39:17Nothing, sweetie.
00:39:19Didn't she just call me?
00:39:21Uh, sweet pea, you said in your sleep last night.
00:39:30I see. Well, don't ever do that again.
00:39:33Sure.
00:39:36Hi.
00:39:38Could you maybe explain this scene a little bit?
00:39:41I'm not sure if I get it.
00:39:43I mean, it is pretty straightforward.
00:39:45Just do what it says without improvising.
00:39:50Velma, you were so great yesterday.
00:39:54I want to go over this one part.
00:39:56Uh, do you mind?
00:39:58Sure.
00:40:00You were so great yesterday.
00:40:03I want to go over this one part.
00:40:05Uh, now, when you say this line, um, about...
00:40:09I don't see how it works.
00:40:12Nurse, what am I doing this afternoon?
00:40:15Well, it's kind of a very important meeting.
00:40:18Did you forget?
00:40:20Cancel. Send her my apologies.
00:40:23What?
00:40:25So, what do you normally do when you're not working?
00:40:28Uh, I do striptease.
00:40:30Oh.
00:40:32I was thinking more along the lines of going to the movies.
00:40:36There's actually a good one out right now.
00:40:39I mean, maybe if you're interested, we could try to catch it together?
00:40:42Sorry, but I really need to focus on this job right now.
00:40:45Oh, yeah. Sure, sure.
00:40:48You're a really interesting person to talk to, you know that?
00:40:52Edward!
00:40:54Are you here to see me?
00:40:57Are you feeling bad?
00:40:59Oh.
00:41:01Edward?
00:41:03It's not for you. I'm sorry.
00:41:05Why is she so talkative?
00:41:08Go put the snacks in the lounge.
00:41:10Okay, boss.
00:41:16Edward?
00:41:18What's your name again?
00:41:20Actually, it doesn't matter.
00:41:22What were you talking to my wife about?
00:41:28Oh.
00:41:30Delma, I had no idea that you were married.
00:41:34Um, oh, don't worry about it, man.
00:41:36We were just talking about stuff in the script.
00:41:38Is that right?
00:41:40Hey, so you must be Edward Ardwin.
00:41:43I've heard a lot about you. I'm Alex.
00:41:45Cool.
00:41:47Bye, Alex.
00:41:49Yeah, um, I'll see you later, Delma.
00:41:52No, you won't.
00:41:54No, you won't.
00:41:56Good, you guys are all here.
00:41:58Edward brought snacks. They're in the lounge if anyone wants them.
00:42:01Yes, I'll come.
00:42:05Snacks.
00:42:09Edward doesn't usually come to set this often.
00:42:11He's quite the busy man.
00:42:13I think he's here to see you.
00:42:15He's here to see Carla, not me.
00:42:17Oh, please. Can you not see the way he looks at you?
00:42:20Whatever.
00:42:22Speak of the devil.
00:42:24I will give you two some privacy.
00:42:26No, don't.
00:42:34You're getting out of hand.
00:42:36Don't forget, I'm the one who hired you.
00:42:38Excuse me?
00:42:40Stay away from Alex. Got it?
00:42:42What are you talking about? There's nothing going on between us.
00:42:45Besides, he came here to see Carla.
00:42:47Look.
00:42:51So you're jealous.
00:42:53What are you talking about? I'm not just...
00:43:04What are you doing?
00:43:06Carla and I aren't together.
00:43:08I'm here for you.
00:43:10You really expect me to believe that?
00:43:12Don't look.
00:43:17Yagro?
00:43:21What?
00:43:29Jean, are you absolutely sure?
00:43:31Yes. Positive.
00:43:33I used to know this guy from the streets, and he and Algar drifted around for months.
00:43:37So where is he?
00:43:39Well, they later got separated, so he has no idea after that.
00:43:43But that's gotta mean that Algar's still alive, right?
00:43:46Oh, my goodness.
00:43:48Thank you so much. You have no idea how much this means to me.
00:43:51It's been ten years.
00:43:54Don't forget, you're married, too.
00:43:56What are you gonna do?
00:43:58I'll divorce him once our contract is up.
00:44:01I needed the money.
00:44:03Algar will understand.
00:44:05I don't know. Everyone seemed really into you.
00:44:10Actually, Jean, I think I should keep my distance from him.
00:44:16Okay.
00:44:24You okay?
00:44:26Yeah.
00:44:30Wanna tell me what happened?
00:44:32I just wanna be alone for a bit, okay?
00:44:36Is this about Carla?
00:44:39I told you, I went to see you, not her.
00:44:42Edward, I don't care who you're seeing.
00:44:44We're only married on paper, right?
00:44:49Is this because we're moving too fast?
00:44:58Is this about Carla?
00:45:00I told you, I went to see you, not her.
00:45:03Edward, I don't care who you're seeing.
00:45:06We're only married on paper, right?
00:45:10Is this because we're moving too fast?
00:45:15I just think that we should keep our distance.
00:45:18Please.
00:45:26Thought she was playing hard to get, huh?
00:45:28Maybe she doesn't wanna seem to you.
00:45:31I mean, why would anyone reject you?
00:45:34It's impossible.
00:45:36Come on. Let's get to the set.
00:45:42Hey, Phil, you'll be wearing this dress for the next scene. Is that okay?
00:45:45That's fine.
00:45:49So you think you can just take whatever you want?
00:45:56I thought this was my personal changing room, like it's a personal changing room, like it's always been.
00:46:03Carla, this room is for the lead role. Yours is outside.
00:46:07Well, actually, I'm all done here.
00:46:10Carla loves taking things that aren't hers.
00:46:12Be my guest. Use it.
00:46:17Aren't you quite generous then, hmm?
00:46:20Edward's not here, so you can drop the act.
00:46:22We actually need to get back to work, if there's nothing else.
00:46:26Actually, I can finish my makeup myself.
00:46:30Go on. What do you wanna talk about?
00:46:33Let's make a deal.
00:46:35A deal?
00:46:39Who the fuck do you think you are?
00:46:41Well, as far as I know, I'm Edward's wife.
00:46:48Gonna do.
00:46:50Stop picking fights with me. Stop giving me a hard time on set, and I won't take anything away from you.
00:46:56I'll actually help you with whatever you and Edward have going on.
00:47:02Alright, deal.
00:47:04I'm done with this room, by the way. It's yours if you still want it.
00:47:08I don't need your pity!
00:47:12Don't you have, like, business to run?
00:47:14What are you doing here all day?
00:47:22Hey, um, actually, about what happened, I think that we should talk.
00:47:27Why don't you meet me at my place?
00:47:30I'm sorry, I can't.
00:47:32I'm sorry, I can't.
00:47:34I'm sorry, I can't.
00:47:36I'm sorry, I can't.
00:47:38I'm sorry, I can't.
00:47:40You meet me in the lounge after we wrap up.
00:47:43Why can't we talk now?
00:47:45Why don't this be a surprise?
00:47:47See you later.
00:47:57What does she want to talk about?
00:48:00Does she know what I see?
00:48:02Hi, Edward.
00:48:05Carla?
00:48:07Why are you here?
00:48:09Should I meet you?
00:48:11Maybe we can have a little squeeze?
00:48:15What are you doing? Are you trying to set those two up?
00:48:18Yeah, and if they're together, then they'll have nothing to do with me.
00:48:23Sounds like a terrible idea.
00:48:25Well, if you have a better idea, then let's hear it.
00:48:31Edward!
00:48:34If they're together, then they'll have nothing to do with me.
00:48:39Well, as long as you're okay with this.
00:48:42Of course I am. Why wouldn't I be?
00:48:45I mean, now I can just focus on what really matters.
00:48:50I can try to find Algar.
00:48:53Edward!
00:48:55What the fuck are you doing?
00:49:04Whatever games you're playing, you need to stop.
00:49:07What are you talking about? You came here to see Carla, right?
00:49:11Come on.
00:49:13Edward, we're going to be divorced really soon.
00:49:16So?
00:49:17So if you're attracted to somebody, then go for it! I want you to be happy!
00:49:20The only person I love is you!
00:49:26Edward, how could you?
00:49:30Everything I do for you, Carla, I do for your father.
00:49:34He looked out for me, so this is me paying him back.
00:49:45I'm already in love with somebody else. It's never going to be you.
00:49:50But if that man didn't exist, would you consider me?
00:49:53Stop it, Edward. It's never going to happen.
00:50:00What do I do, Algar?
00:50:03I know you're out there. What do I do?
00:50:19Boss, you've been here for a while. Is everything okay?
00:50:24Why don't you tell her you're the one she's looking for?
00:50:28Do you remember what I did to return her to the Ardoin family?
00:50:43About Algar...
00:50:45Are you telling me that Mr. Ardoin knows his illegitimate son is Algar?
00:50:52Yes. And now the old man wants him back.
00:50:57Another brat to share their inheritance.
00:51:00If I could only get rid of his mother, getting rid of him shouldn't be a problem.
00:51:06Madam, it's our fault. Please don't withdraw your donation to the orphanage.
00:51:12If we work together on this, I could even help you.
00:51:18Get rid of Algar, for God's sake.
00:51:26Take care of it. But make sure you release it.
00:51:33Should I go to the old man's garden?
00:51:35Yes, please, sir. You have to see it, sir.
00:51:43I got rid of the woman who killed my mother.
00:51:46And sent me to an orphanage.
00:51:50I eliminated everyone associated with her.
00:51:54Over the years...
00:52:01I did whatever it took to gain my father's approval.
00:52:06Secure my inheritance.
00:52:08My methods were ruthless.
00:52:11My conscience...
00:52:13Callous.
00:52:15You did what you had to do.
00:52:18Now I'm a different man. A monster she doesn't even recognize.
00:52:24If she finds out this is the man she's been looking for all these years, it'll drive her away.
00:52:31I can't lose her again.
00:52:35So it was true?
00:52:37Yes.
00:52:43Arkan and I...
00:52:46We roamed the city for a winter.
00:52:50A lot of people say he made some enemies.
00:52:53One night, under the bridge where we slept, he got stabbed.
00:52:58And he died.
00:53:01No. You're mistaken.
00:53:04He always had a ring with him. It was a nice ring.
00:53:08I think it had the letters A and H on it.
00:53:13I told him he could pawn it for a few bucks, but he just kept it with him.
00:53:20No, he can't just be gone. He can't just be gone!
00:53:24It's okay. It's okay.
00:53:26It's okay.
00:53:33Oh, Thelma! Sweetie, what's wrong?
00:53:37Oh, my God. Baby, you haven't eaten in three days.
00:53:41Can I get you something? Anything?
00:53:45This is not good for you.
00:53:51It's okay. It's okay.
00:53:54This is my fault.
00:53:57She's burning up.
00:53:59The doctor said it was from emotional distress and not eating.
00:54:04Go make her something to eat. I'll stay with her.
00:54:08Yes.
00:54:15You need to get some rest and let me handle this.
00:54:18No, it's okay. Leave it to me.
00:54:21I know you care, but I've never seen you do this for anyone.
00:54:26And if the old lady were here, she'd be heartbroken to see you this exhausted.
00:54:32Don't worry about me, Sarah. You can go now.
00:54:45I'm hungry.
00:54:47Oh, please eat. Get better.
00:55:18Thelma! My God, are you okay?
00:55:21I've been trying to call you for like ten times.
00:55:24You haven't done something stupid, have you?
00:55:26I can't find a reason to go.
00:55:29Stop saying that, okay?
00:55:32Don't listen to what that guy said. He doesn't know what he's talking about.
00:55:36They never found Algar's body. Maybe he's still alive.
00:55:40You've waited ten years.
00:55:43Okay? You sure you're going to give up now?
00:55:47Don't you want to find out the truth for yourself?
00:55:50Yeah, if you're right.
00:55:53I should keep going.
00:55:55Good. Now go get some sleep and get back to set, girl, okay?
00:55:59That is something that you've always wanted and you're not going to screw it up, alright?
00:56:04Yeah. I understand.
00:56:08I'll keep going for Algar.
00:56:12I want that bitch dead.
00:56:15You got that thing ready?
00:56:18Sure, I would take the job.
00:56:25You ready? Don't mess this up.
00:56:28Ready for first aid.
00:56:30Coming!
00:56:41Uh, you wanted to see me?
00:56:43Yes. It is about the senior staff.
00:56:46We will be using this as a prop.
00:56:49So once the safety is tipped off, the blade will go back inside itself upon impact.
00:56:54So don't worry, it's not going to hurt you.
00:56:56See?
00:56:57Nice.
00:57:00Exactly.
00:57:06Thelma, Carla, all set?
00:57:10All departments ready?
00:57:14And action!
00:57:21Wait!
00:57:23Cut! Cut! Edward, are you okay?
00:57:26Oh God, how did this happen?
00:57:29Edward, don't die on me. Please.
00:57:33I know that my past is complicated and I'm not worthy of your time or your love.
00:57:39What makes me so special?
00:57:44Okay, I admit.
00:57:46I think somewhere along the way I became attracted to you.
00:57:50And I know that you keep this stone-cold face.
00:57:54But I know that that's not the real you.
00:57:58Please, show me the real you. Let me in.
00:58:05Edward?
00:58:13What are you doing? That's not funny. I was worried sick. What's the matter with you?
00:58:18How else could I get such a lovely monologue?
00:58:21Okay, you know what? I'm going to go get a doctor.
00:58:23No, no, no. I'm fine.
00:58:26No. Look, not even a scratch. Just need a minute.
00:58:30Are you sure? It seemed pretty serious.
00:58:33Yeah, the knife didn't even get to me. Something blocked it.
00:58:38Really? Where is it?
00:58:41Nothing. I'll find out what happened to Dick. Meanwhile, be more careful on set, yeah?
00:58:48No, don't worry about it. You're the patient. Just rest up now.
00:58:54I heard everything you were saying, by the way.
00:58:57Okay, you know what? I'm really getting you a doctor now. Just shut up.
00:59:04You saved my life.
00:59:10How are you doing, boss?
00:59:13Not too shabby.
00:59:16So, what do you plan to do with Carla?
00:59:20Carla? Almost forgot. She's going to be back.
00:59:27I'm not sure what we're going to do after your little incident.
00:59:31I'm sorry. I wasn't thinking. It won't happen again. I promise.
00:59:35Jay, get a replacement for her, will you? She's done.
00:59:43Edward, what are you saying?
00:59:45I told you to stop pulling these tricks behind my back.
00:59:47I didn't do anything!
00:59:50I'm sorry. I'm sorry.
00:59:54I didn't do anything! Don't listen to her. She's making it all up.
00:59:58Carla had someone on the prop team switch the fake knife with a real one.
01:00:02She almost killed Thelma. And myself.
01:00:05Edward, I'm sorry. I messed up. Please, please give me another chance.
01:00:10I've given you plenty of chances.
01:00:13Really, Edward? After all these years?
01:00:18Please stop embarrassing yourself.
01:00:22Hey, hey.
01:00:24Doing all of this for a man? I hope it's worth it.
01:00:28Edward, you know everything I did is because I love you.
01:00:33If you try hurting her again, you will be sorry.
01:00:43Hand her over to the police.
01:00:47Well, now that that's over, we should talk about what you said to me earlier.
01:00:53Which is what?
01:00:55That you were attracted to me.
01:01:16What if the person you're looking for is me?
01:01:21Don't be ridiculous.
01:01:24Besides, you come from a rich and powerful family.
01:01:28And he's an orphan.
01:01:30I know.
01:01:32And he's incredibly kind.
01:01:35He wouldn't even step on an ant.
01:01:38I can't say the same thing about you.
01:01:43People can change.
01:01:46I will never stop searching for him. I'm afraid that you can't stop me.
01:01:57Am I even worthy of love?
01:02:04Am I even worthy of love?
01:02:07You're a billionaire. I'm sure that there's plenty of women fighting over you.
01:02:12Plus, I stand by what I said.
01:02:19I don't think that this Edward is the real you.
01:02:24Do you remember when we first met?
01:02:27You saved me.
01:02:29You're a good person.
01:02:31You're kind to Nos, to Sarah.
01:02:37You'll find the love that you deserve.
01:02:45He's gone.
01:02:50I waited ten years and he's just gone.
01:02:57Do you like the man I have now?
01:02:59It doesn't matter. We're getting divorced in a year.
01:03:03If I give you all my properties and assets, can we not get divorced?
01:03:34My head.
01:03:37Do you remember what happened?
01:03:46He said something about money and assets.
01:03:51And then after that, not a thing.
01:04:03Alright, okay. Back to work. Come on.
01:04:11Hey, can we talk?
01:04:14I heard you've been looking for someone.
01:04:17Yes.
01:04:22I believe this could be helpful.
01:04:25This place is reopening soon.
01:04:28I'd like for you to come.
01:04:31What does this have to do with the man that I'm looking for?
01:04:34You'll see.
01:04:38Okay, I'll go.
01:04:40Good. I don't want this to spoil the place.
01:04:43What does this have to do with Edward?
01:04:46You'll see.
01:04:50Look at that. See?
01:04:52Yes, I trusted you.
01:04:54Guys, we're blowing up.
01:04:55What do you mean?
01:04:57After we posted the behind the scenes, we went viral.
01:05:00Thelma became a sensation.
01:05:02She's now trending number one. Big star.
01:05:05Trending? Does this mean more money?
01:05:07Of course it does, and that is just the easy part.
01:05:11I was thinking about my next movie, and I want you to be in it.
01:05:16Wow, this is a dream come true.
01:05:19And we're having a wrap party at the hottest bar tonight.
01:05:23Alright. No wonder who's so generous.
01:05:30Boss, about this new contract...
01:05:32Do you think Thelma will be surprised by the party I'm throwing for her?
01:05:35Oh, definitely.
01:05:37So should I pick her up, or do I just show up at the party?
01:05:41You don't do this often, do you?
01:06:00Great party, Edward.
01:06:02It only be fitting, right?
01:06:04Not entirely bad.
01:06:06So, thank you.
01:06:10How would you like to thank me?
01:06:12Sorry, everybody. Attention, attention.
01:06:14Thank you, thank you.
01:06:16First off, this has been an amazing three months.
01:06:21I'd like to thank everybody in here.
01:06:23And now, a few words from Edward, the man, the big boss.
01:06:28Without him, none of this would be possible.
01:06:31Thank you all so much.
01:06:33I just want to say how grateful I am for the opportunity.
01:06:37J.S.R.
01:06:51Thank you for the opportunity.
01:06:53J.S.R., exceptional director.
01:06:56His casting, remarkable.
01:06:59Thelma's performance in particular, out of this world.
01:07:02And I'd like to take this moment to tell her that I'll always be there to support her.
01:07:08Cheers.
01:07:13Thelma, the superstar!
01:07:16Stop it.
01:07:18Do you think Alker will watch my new show?
01:07:21Do you think he'll recognize me?
01:07:23No.
01:07:24Thelma, I know this is really hard to hear, but you've got to let him go.
01:07:30Alker's gone.
01:07:32I'm not giving up until I know for sure.
01:07:35Hey, let me out!
01:07:48Thelma?
01:07:50Are you quitting?
01:07:52What are you talking about?
01:07:54Production told me you turned down Jay's new project.
01:07:57And you didn't show up for any of the promo events.
01:08:00What new project is this about?
01:08:02Who told you to do this?
01:08:04Oh.
01:08:05Oh, no.
01:08:07It couldn't be Edward.
01:08:10Could it?
01:08:12Edward?
01:08:14So, he turned it down and he told everybody that I'd quit?
01:08:19Maybe he thought it was for your own good?
01:08:22Interfering with my career without telling me?
01:08:25How is that for my own good?
01:08:27Mr. Arden is in a meeting right now.
01:08:29Please!
01:08:30Get out of my way!
01:08:31Apologies, gentlemen.
01:08:32Let's take a break.
01:08:33We'll continue this afternoon.
01:08:34Did you turn down the offer for my new film?
01:08:35Can you explain?
01:08:36This will terminate our contract marriage.
01:08:37The deal is over.
01:08:38I'm sorry.
01:08:39I'm sorry.
01:08:40I'm sorry.
01:08:41I'm sorry.
01:08:42I'm sorry.
01:08:43I'm sorry.
01:08:44I'm sorry.
01:08:45I'm sorry.
01:08:46I'm sorry.
01:08:47I'm sorry.
01:08:48I'm sorry.
01:08:49I'm sorry.
01:08:50I'm sorry.
01:08:51I'm sorry.
01:08:52I'm sorry.
01:08:53I'm sorry.
01:08:54I'm sorry.
01:08:55I'm sorry.
01:08:56I'm sorry.
01:08:57I'm sorry.
01:08:58I'm sorry.
01:08:59I'm sorry.
01:09:00I'm sorry.
01:09:01I'm sorry.
01:09:02I'm sorry.
01:09:03I'm sorry.
01:09:04I'm sorry.
01:09:05I'm sorry.
01:09:06I'm sorry.
01:09:07I'm sorry.
01:09:08I'm sorry.
01:09:09I'm sorry.
01:09:10I'm sorry.
01:09:11I'm sorry.
01:09:12I'm sorry.
01:09:13I'm sorry.
01:09:14I'm sorry.
01:09:15I'm sorry.
01:09:16I'm sorry.
01:09:17I'm sorry.
01:09:18I'm sorry.
01:09:19I'm sorry.
01:09:20I'm sorry.
01:09:21I'm sorry.
01:09:22I'm sorry.
01:09:23I'm sorry.
01:09:24I'm sorry.
01:09:25I'm sorry.
01:09:26I'm sorry.
01:09:27I'm sorry.
01:09:28I'm sorry.
01:09:29I'm sorry.
01:09:30Hey, it's Thumba.
01:09:31Can I see you real quick?
01:09:33Thumba, you're very talented.
01:09:36It is such a shame that you gave up.
01:09:41But, I knew you had it in you from the start.
01:09:43I saw it in you all the way.
01:09:50Now I strictly get to make decisions for myself.
01:09:54Now, let's see this next project.
01:09:56Next project.
01:09:57Next project.
01:09:59Here it is.
01:10:02What do you think?
01:10:07Let's just say that it's a pleasure doing business with you.
01:10:11Okay.
01:10:15Congratulations.
01:10:29Come on.
01:10:30Please move. I'm making it.
01:10:31You need to calm down.
01:10:32What are you doing?
01:10:33Excuse me.
01:10:34I'm perfectly calm.
01:10:35How about we both compromise?
01:10:37You continue with your acting as long as it's through Ardwin Investments.
01:10:41You still don't get it, do you?
01:10:43I'm not your accessory.
01:10:44I'm not a part of the Ardwin family.
01:10:47Plus, the only person that can make decisions for me is myself.
01:10:50Can't we talk about it for the sake of our relationship?
01:10:55Look, I'm thankful for everything you've done for me.
01:11:00You've crossed the line.
01:11:03Bye, Edward.
01:11:09Look, I've really seen Edward smile since his father passed away.
01:11:14And he's like a new man now that you're here.
01:11:17I'm sorry, but I can't stay here.
01:11:23It's okay, Sarah.
01:11:25Let her go.
01:11:43Since when did we become stalkers?
01:11:46Where is she?
01:11:48I know she has a bunch of crazy fans trying to get her attention,
01:11:50but if those assholes think they have a shot with my woman...
01:11:53Have you seen the news?
01:11:55Thelma has announced she's single again.
01:11:58What?
01:11:59Yeah.
01:12:00Even a bunch of haters have turned into fans now.
01:12:03Especially after watching her show.
01:12:12Damn it.
01:12:13Okay.
01:12:22Thelma, Thelma.
01:12:23Thelma, Thelma.
01:12:24Are you still working with the Ardoin Investment family?
01:12:27The Ardoin family has never officially announced their divorce.
01:12:29Is there something that they're hiding?
01:12:31Was your marriage to Edward Edgerton strictly business, like the tabloids say?
01:12:40Why don't you ask the man himself?
01:12:52Hey, Mr. Ardoin, you got a second?
01:12:54I don't.
01:12:55Sorry.
01:12:59So, Mr. Ardoin, what brings you here?
01:13:02Thinking of joining the entertainment industry?
01:13:05You know why I'm here.
01:13:07Sorry, I can't help you with that.
01:13:09Uh, so this new film is a romantic drama with some comedy.
01:13:14Was there a day you listened to it?
01:13:16I was like, let's go.
01:13:19No.
01:13:21Not yet.
01:13:22I would love to thank our amazing director, Jay, for all of his amazing visions,
01:13:27and everyone else who's helped me on this incredible journey.
01:13:31Well, that's just great.
01:13:34And I'm so excited to get started, because I know that this is going to be another hit.
01:13:39All right.
01:13:40You ready to check out the set for the new movie?
01:13:42I'll walk you.
01:13:43Actually, do you want to check it out together?
01:13:45Sure.
01:13:49Come on, come on, come on.
01:13:53How do you win back a woman?
01:13:55Uh, love.
01:13:57Romance.
01:13:58It gives that always a good move.
01:14:00How are we doing?
01:14:02Let's get back to the office side.
01:14:08I, uh, got these for you.
01:14:12You can just leave them there.
01:14:19Oh, look.
01:14:20I'm sorry.
01:14:21I was wrong.
01:14:27Please give me another chance.
01:14:31I promise I won't be overbearing.
01:14:34I'll respect all your opinions, and I'll never interfere with your career again.
01:14:43Flowers look good.
01:14:52We can talk about the rest later.
01:15:02Go!
01:15:03I don't want to see you again!
01:15:06Cut!
01:15:08Well done, everybody.
01:15:09That is a wrap.
01:15:11Great.
01:15:12Here.
01:15:13I got you a cup of coffee.
01:15:15Thanks, Alex.
01:15:17I need to know where she is.
01:15:42I think I might know where she is.
01:15:43What the hell would you know?
01:15:44Do you have something to do with it?
01:15:45No, man.
01:15:46Look.
01:15:47Carla was talking to some sketchy dude about Carla's basement.
01:15:48I think Elma might be there.
01:15:49Trust me, man.
01:15:50I don't want anything bad to happen to her either.
01:15:51Believe me.
01:15:52Elma?
01:15:53Where are you?
01:15:54Elma?
01:15:55Elma?
01:15:56Elma?
01:15:57Elma?
01:15:58Elma?
01:15:59Elma?
01:16:00Elma?
01:16:01Elma?
01:16:02Elma?
01:16:03Elma?
01:16:04Elma?
01:16:05Elma?
01:16:06Elma?
01:16:07Elma?
01:16:09Elma?
01:16:11Elma?
01:16:13Elma?
01:16:15Elma?
01:16:17Elma?
01:16:19Elma?
01:16:21Elma?
01:16:23Elma?
01:16:25Where are you?
01:16:29She's not doing anything stupid.
01:16:31Whatever you want, just name it.
01:16:33Edward, Edward, Edward.
01:16:34I'm serious to believe I would just walk away, did you?
01:16:44You're a coward.
01:16:47Kill her.
01:16:49And Edward, I want you to watch.
01:16:52If you touch her, I will skin you alive.
01:16:55I got it.
01:17:03Edward, run!
01:17:29It's okay.
01:17:31It's all over.
01:17:57It's today.
01:17:59I promised Nass I would go.
01:18:13Wait, this is the amusement park I agreed to meet Little Rock at.
01:18:18I thought it closed down years ago.
01:18:21Elma?
01:18:23Edward?
01:18:24What are you doing here?
01:18:26Nass told me to come. What are you doing here?
01:18:30Well, unless you're here, I need to tell you a little secret.
01:18:34Be right back.
01:18:36Edward?
01:18:49Don't be scared, sweetheart.
01:18:51Why didn't you even call me?
01:18:59I told you I'd meet you here, Helen.
01:19:09I told you I'd meet you here, Helen.
01:19:13Elgar, but how?
01:19:16Why didn't you even tell me after all this time?
01:19:20After I escaped the orphanage, the headmistress sent people after me.
01:19:25So I had to fake my own death.
01:19:28I survived.
01:19:30But the price was becoming a different man.
01:19:33Cold.
01:19:35Ruthless.
01:19:37Even cruel.
01:19:40And I was so scared that if you found out this was the man I'd become,
01:19:45you wouldn't love me anymore.
01:19:47It's the hardwood family erased every trace of my past.
01:19:52If they find out you're the one I'm looking for, they'll use you against me.
01:19:57And I can't risk that.
01:19:59Elgar, you know that I love you.
01:20:05You do?
01:20:09Yeah, with you by my side, I'm not afraid of anything.
01:20:14I don't want us to ever be apart again.
01:20:27Yes.