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00:00:00No cop, we don't talk, smoke, we live off of fuckin' hoes
00:00:04No cop, we don't talk, smoke, we live off of fuckin' hoes
00:00:08Dando vueltas en la ciudad, no soy tu fan, pero no pasamos
00:00:12No cop, we don't talk, smoke, we live off of fuckin' hoes
00:00:17Dando vueltas en la ciudad, la la la la la la
00:00:21Shake that, shake that, ready for late night
00:00:24Checamos fast, pero no bullies, ando bien high
00:00:26Viendo una movie como Eminem and 8 Mac
00:00:28Rompo el escenario hasta las 8 May
00:00:30No como estos guachos que se suben a hacer playback
00:00:32La la la la la la
00:00:58Oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh
00:01:27¿Qué dice? ¿Qué dice tu hombre?
00:01:32¿Qué dice?
00:01:34¿Qué dice?
00:01:37¿Qué dice?
00:01:40¿Qué dice?
00:01:45Bueno, bueno, bueno, bueno, bueno
00:01:47Bueno
00:01:53¿Qué es esto? ¿Qué es esto?
00:01:55¡A ver, vale ya, vale ya!
00:01:57Ayer, ayer el programa...
00:02:00Ayer el programa solo vinieron funcionarios, ha venido gente normal
00:02:03Claro, claro, es que...
00:02:04Pero es que esto es increíble
00:02:12Me han dicho...
00:02:14He oído, en las tres que se han mezclado en el proyecto, he oído
00:02:17Hijo de p***
00:02:19Esto hay que ponerle pitido, pero bueno, hijo de p***
00:02:20Millonario, y alguien me ha gritado por ahí español
00:02:23¿Por qué esto es televisión?
00:02:27Por niño, madre mía, ¿cómo entra esto?
00:02:28Es que esto ya siempre, ¿eh?
00:02:38Esto ya todos los días, Ricardo
00:02:39Todos los días, no, estamos probando esto y esto no es definitivo, ¿eh?
00:02:43Hostia, no me había dado cuenta, ¿eh?
00:02:44No te había fijado, no te ha llamado la atención, ¿no?
00:02:48Efectivamente, ponlo, ponlo ahí
00:02:49Ricardo es el yankee que se ha tomado tres tequilas en un resort, ¿eh?
00:02:52Y está...
00:02:53Es que, mía, mía, qué pinta, ¿eh?
00:02:54Estamos buscando algo fresquito y colorido para la cabeza
00:02:56Estamos probando cosas y no hemos dado cuenta todavía
00:02:58Vale, pero este no vale, hay que cambiar, Ricardo
00:03:01Yo creo que esto no es, pero a que te apetece algo con tortitas
00:03:04Ahora sí
00:03:06Vienen muy fuertes hoy, gracias por el recibimiento
00:03:08Y gracias por el recibimiento ayer del primer programa de La Revuelta
00:03:10Que lo habéis visto mucha gente
00:03:13Muchas gracias, ¿eh?
00:03:20Ehhh...
00:03:21Televisión
00:03:23Viva España
00:03:27Y ayer Minuto de Oro de la televisión
00:03:41Qué pasa
00:03:43Lo de Oro
00:03:44Qué pasa, qué pasa
00:03:45What's going on?
00:03:47A minute of gold? What's going on?
00:03:49Did you make it up? I don't know.
00:03:51I was told there was a lot of audience yesterday.
00:03:54You can say whatever you want, of course.
00:03:56Maybe not a minute, but a second of gold.
00:03:59We'll have done a second of gold.
00:04:01We've had a moment above the threshold.
00:04:03It's very difficult because we've had a lot of audience yesterday.
00:04:06I remember years ago,
00:04:08Atleti played a game against Barça.
00:04:10Atleti scored four goals and Barça five.
00:04:12That happened to us yesterday.
00:04:14We've put in a lot, but those people...
00:04:16You say we're going to do like Atleti.
00:04:18I've rubbed...
00:04:21However, Pedro Sánchez, yes.
00:04:29This is the reality.
00:04:30Pedro Sánchez will go one day, but Pablo Mundo won't go.
00:04:34My school, man.
00:04:35Go away, I won't bring you anything.
00:04:37There's no way to get him out.
00:04:39I've had that for many years.
00:04:41Pedro Sánchez has had three or four and Pablo has had 25.
00:04:44He's taken it like a demon.
00:04:45Sorry, this girl. I have to start fast.
00:04:47There are many things today.
00:04:49Her name is Kenzie.
00:04:50Kenzie?
00:04:51Kenzie.
00:04:52She's one of the people who like the audience the most.
00:04:55She has a very good attitude.
00:04:57There are some who like it more, but it's the looks.
00:05:00In the end, as we can...
00:05:02They sing in a rock band.
00:05:04They sing in a rock band.
00:05:05You could sing something.
00:05:06I'll introduce that kid first and then Kenzie.
00:05:09They hit a lot.
00:05:10Kenzie...
00:05:14Kenzie!
00:05:15Kenzie!
00:05:16Kenzie!
00:05:17Kenzie!
00:05:18Kenzie!
00:05:19Kenzie!
00:05:20Pompas!
00:05:21Pompas!
00:05:22Pompas!
00:05:23I introduce you to Pompas.
00:05:25Pompas!
00:05:26Pompas!
00:05:27Pompas!
00:05:28Pompas!
00:05:29Pompas!
00:05:30Pompas!
00:05:31Pompas!
00:05:32Pompas!
00:05:34Pompas!
00:05:35Pompas came a few years ago.
00:05:37Why does Pompas sound bad?
00:05:38If you call him Pompas, what's his attitude?
00:05:40Because he's a crazy guy.
00:05:43He has a lot of tricks.
00:05:44Take out the flashlight.
00:05:46Open the flashlight, Pompas.
00:05:49And he can look for you.
00:05:51But...
00:05:52Well, Pompas came to me.
00:05:53He has a lot of resources, doesn't he?
00:05:55He's a Chinese bazaar.
00:05:57He also knows chants.
00:05:58Light to see sexual spots.
00:06:00Open the microphone, Pompas.
00:06:02By the way, we put the video to make it uncomfortable,
00:06:04but you have to put it higher.
00:06:06No, no, no.
00:06:07Today you're free, Pompas.
00:06:08And apart from my dimensions,
00:06:10I have my ass here, like in a cloud.
00:06:12Like in a...
00:06:13Cloud.
00:06:14Like in a cloud.
00:06:15Like in a cloud of Pompas.
00:06:16Speak into the microphone.
00:06:18For a person with a small ass,
00:06:19he can fit in,
00:06:20but I have a big ass,
00:06:22it's empty,
00:06:23and I can get up and the video goes with me.
00:06:25In fact...
00:06:26Pompas!
00:06:27Pompas!
00:06:28Pompas!
00:06:29Pompas!
00:06:30Pompas!
00:06:32Pompas!
00:06:33Pompas!
00:06:34Pompas!
00:06:35Pompas!
00:06:36Pompas!
00:06:37Pompas!
00:06:38But why did you put Pompas here?
00:06:40He's a machine.
00:06:41Envy.
00:06:42Envy.
00:06:43It hasn't started with the chants yet.
00:06:45Not even one Pompas has done it yet.
00:06:47He has.
00:06:48Let's see.
00:06:49They left the video without water and I couldn't fill it.
00:06:53I like it.
00:06:54If envy were ink, how many inkers would there be?
00:06:57Here they are.
00:06:58It's started.
00:06:59Oh!
00:07:00Oh!
00:07:01Oh!
00:07:02Oh!
00:07:03Oh!
00:07:04No.
00:07:05They voted for envy.
00:07:06But you had people in your pocket.
00:07:08No, no.
00:07:09No, no.
00:07:10People who are behind.
00:07:12A guy with a blonde hair.
00:07:13Pompas.
00:07:14I get scared when I stand up.
00:07:17Stand up.
00:07:18What a guy.
00:07:19Oh!
00:07:20Send an aggressive message to the camera
00:07:23so they don't go easy on you.
00:07:24Stand up.
00:07:25The moment I see one of those on the street
00:07:27is his last day of life.
00:07:29Oh my God!
00:07:30Oh!
00:07:31Oh!
00:07:32Oh!
00:07:33It's...
00:07:35It's...
00:07:36It's his last...
00:07:37His last day of life.
00:07:39Shut up!
00:07:40With what?
00:07:41There are some very violent people here.
00:07:43Let's soften this up.
00:07:44Let's soften this up, because when people vote...
00:07:47And when he starts to relax,
00:07:49he's going to start saying more refrains and it doesn't stop.
00:07:52Are you going to sing something, Kensi?
00:07:55Me? Let's see.
00:07:56The birthday I asked for!
00:07:57No, something good.
00:07:58Look, listen, I've sung a lot.
00:08:01Not now, but in my life.
00:08:02But I don't care.
00:08:04Yes, I know, but I have a more important mission.
00:08:07I don't think so.
00:08:08Now you're going to understand.
00:08:10Let's see.
00:08:11No, I must say that it started well for me, but not now.
00:08:14So it was well placed there.
00:08:15Okay.
00:08:17Do you have attitude, Kensi?
00:08:18Yes, yes.
00:08:19In fact, it's a surprise that I'm not there instead of here.
00:08:22But well, the thing is that we are...
00:08:26Are you a collective?
00:08:27Yes, I speak on behalf of my band.
00:08:29V for Vendetta.
00:08:30Indeed, that's us.
00:08:32No, we call ourselves Megara.
00:08:33What's up? We've been here this year,
00:08:35last year we were...
00:08:36They brought us a model.
00:08:38No, well...
00:08:40Megara.
00:08:41They are like Amaral after 20 years in prison.
00:08:48That's...
00:08:50That's another matter.
00:08:51After prison, man.
00:08:52It's true that...
00:08:53Let's see, what do you play?
00:08:55The guitar.
00:08:56The guitar, but it's true that it's Amaral's
00:08:58after a while in jail, huh?
00:09:00Yes, yes, yes.
00:09:02Sing something.
00:09:03Sing something and Pompas make a chorus.
00:09:05Okay, you sing something simple, chorus and advertisement.
00:09:09No advertising?
00:09:10No advertising.
00:09:11Well, there's no advertising.
00:09:13Okay, you sing something, chorus...
00:09:15And there's no advertising.
00:09:17I sing you.
00:09:21You sing something, chorus and I advertise a business in my town.
00:09:24Have you ever played anything?
00:09:25No, I'm not going to play.
00:09:26You're not going to play?
00:09:28Oh, no, no.
00:09:29That's because of the tattoo, it's...
00:09:32No, I haven't gotten there.
00:09:33Man.
00:09:34A cappella.
00:09:35A cappella.
00:09:36That's it.
00:09:37I introduce you.
00:09:38I'm fine.
00:09:39Okay.
00:09:42What am I going to mess up?
00:09:43Let's see, can I sing the song we've been doing this year at Eurovision?
00:09:47Sing it to me.
00:09:48Okay.
00:09:49People are very impatient.
00:09:50That's true.
00:09:51Sing one of yours, sing one of yours.
00:09:53Come on.
00:09:54The chorus.
00:09:55Sing!
00:09:56Oh, Lord, please.
00:09:59No.
00:10:00It looks like Barcenas in the trial of Popa Castilla.
00:10:02He doesn't want to sing.
00:10:03He doesn't want to sing.
00:10:05You're going to be able to jump all night
00:10:10Come and give me a reason
00:10:13To want to change those voices
00:10:17You know some are good, some are not
00:10:21That's it, I'll charge you from now on.
00:10:23Very good.
00:10:26One moment.
00:10:27Very good.
00:10:28One moment, one moment.
00:10:30One moment.
00:10:32Charol shoes, not for the water, not for the sun.
00:10:48Very good, very good chorus, huh?
00:10:52Advertising, whole bakery in Orcera.
00:10:54Very good cakes, breads.
00:10:55Be careful, be careful with the pompis, pompas.
00:10:59Okay, this is... What's going on?
00:11:01What's going on, Guillo?
00:11:03Have you finished the show?
00:11:04It's ten o'clock.
00:11:05Children's time is over.
00:11:06I mean, can we put the magic man now?
00:11:10It's time for the kids to go to bed.
00:11:12Put the magic man.
00:11:13Children's time is over.
00:11:14Put him, put him.
00:11:17Kids, the TV is over.
00:11:20Go to sleep.
00:11:22I'll be watching.
00:11:32Okay.
00:11:34And now, one more day in La Revuelta,
00:11:36a round of applause for Jorge Ponce.
00:11:38I don't know where he is, but...
00:11:39What's going on?
00:11:40Jorge Ponce.
00:11:42What's going on?
00:11:46Let's see, David.
00:11:47I'll be quick, in short,
00:11:48because of something that's happening.
00:11:50What's going on?
00:11:51The show yesterday, and today will be the same, I think,
00:11:53is being broadcast from El Tirón.
00:11:55Okay.
00:11:56And at this time, more or less,
00:11:57the result of the vote was given.
00:11:59Okay.
00:12:00More or less, the result of the vote was given.
00:12:02Of course, the vote.
00:12:03In Spanish television, there's a vote.
00:12:05The vote was given.
00:12:06And yesterday, we didn't get the vote.
00:12:08Why?
00:12:09And now, people want to see the vote,
00:12:10and they're watching Pompas, Ricardo with the hat,
00:12:13and people want to know, did I get it or not?
00:12:15Of course.
00:12:16And they're watching Tapocilga.
00:12:17As we can't give it, because this is in the afternoon,
00:12:20it's five o'clock, we don't have the result of the vote.
00:12:22It's not five o'clock.
00:12:23It's five o'clock.
00:12:25Don't make me show you my phone.
00:12:26I won't show you, I won't show you.
00:12:31I won't show you.
00:12:32That's... I didn't know.
00:12:34It's five o'clock in the afternoon.
00:12:36You can trick us.
00:12:37We could be live and you've put five...
00:12:39Because you've seen that he has changed the number.
00:12:42It wasn't a photo.
00:12:43It's five o'clock.
00:12:44We all know.
00:12:45Man, when you go up the stairs, it looks like...
00:12:48Exactly.
00:12:49You can trick us, we're live.
00:12:50So, for those people who want to see the vote,
00:12:54and have to wait until the show is over,
00:12:56I can't give the prize number, we don't know.
00:12:59But we'll give you one that doesn't count.
00:13:03One that doesn't count?
00:13:04A number...
00:13:05We'll give you a number...
00:13:06How do you know?
00:13:07Because he won't get it.
00:13:10You're playing with us, Jorge.
00:13:11No, I'm not.
00:13:12He has to get the number that's on the show.
00:13:14The one that doesn't count.
00:13:16I'll give you a number,
00:13:17and whoever has that ticket has to break it.
00:13:20Okay.
00:13:22He won't get it.
00:13:23And if, by chance,
00:13:24imagine by chance,
00:13:26it was a good one, he broke it and got it,
00:13:28I promise you that, with your own money, David,
00:13:33you'll get the prize.
00:13:34What do you think?
00:13:35With my own money, which is everyone's.
00:13:37Thank you very much for that money.
00:13:44So,
00:13:45the result...
00:13:46Play the music.
00:13:47The bad result, the one that doesn't count,
00:13:49from the lottery.
00:13:50From the lottery, the number that doesn't count.
00:13:53Is this the official music?
00:13:54This is the official one from the lottery.
00:13:56Not playing.
00:13:57Okay?
00:13:59So, whoever gets the next number,
00:14:01his boss won't go and say,
00:14:03-"Come on, come on." -"Why does it say CR below?"
00:14:05CR...
00:14:06The black one and the other one.
00:14:08Yes, Carlos...
00:14:09Cristiano Ronaldo.
00:14:10Cristiano Ronaldo.
00:14:11Cristiano Ronaldo.
00:14:12Well, then...
00:14:13CR7, put a 7 next to it and that's it.
00:14:15Okay, number five.
00:14:17Okay, number five.
00:14:19Yes.
00:14:20Neither... Number 21.
00:14:22Okay.
00:14:24The girl takes it.
00:14:25I don't know how to do this.
00:14:26Another one, which one is it?
00:14:28Number 26.
00:14:29Number 27.
00:14:30Well, number 26 hasn't played either.
00:14:33Neither number 26 nor number 27.
00:14:39Number 19.
00:14:40The lottery has numbers, doesn't it?
00:14:41Of course.
00:14:43And then, the last one, another one.
00:14:44How many are there?
00:14:45Neither 43 nor 44, probably.
00:14:48Okay.
00:14:49And Cristiano, we got number two.
00:14:51And Ronaldo, zero.
00:14:52Cristiano won.
00:14:53Okay? He beat Ronaldo.
00:14:56Okay.
00:15:00So, this person...
00:15:01There's the number, not awarded.
00:15:03No, no, no, don't get carried away here.
00:15:05Whoever has that number...
00:15:07He'll break it.
00:15:08He won't buy a Tesla.
00:15:10Okay.
00:15:11He won't be surprised he didn't win.
00:15:12Okay. That's it?
00:15:13That's it.
00:15:15And the rest, only one has played.
00:15:17I won't give more. I give one every day.
00:15:19Okay, that's it.
00:15:20Jorge, put it there.
00:15:21It's easy.
00:15:22See you, Jorge.
00:15:26Very good.
00:15:28They put the lottery at the end so it's more fluid
00:15:31and we do this.
00:15:32Okay, but it's a small blow.
00:15:34Eh...
00:15:35Guillo?
00:15:36Here he is.
00:15:37First day here.
00:15:38Excellent comedian.
00:15:39We've known her for a long time.
00:15:40Of course.
00:15:42Sorry, we have a problem with this person.
00:15:44Because she works at A3 Media.
00:15:46No.
00:15:47Yes, yes, they're cheating and singing.
00:15:49Maybe not.
00:15:50What?
00:15:51Maybe not?
00:15:52Come on.
00:15:54Maybe she's the one they've cheated on.
00:15:56They've cheated on her?
00:15:57They've cheated on her.
00:15:58She's not at A3 Media anymore?
00:16:00No.
00:16:01Seriously.
00:16:02That's not good.
00:16:03Maybe if this goes well, they'll think about it again.
00:16:06She's not there anymore?
00:16:07I didn't know.
00:16:08Maybe they forced her to choose
00:16:10and she chose to be here with these people.
00:16:12Well...
00:16:13APPLAUSE
00:16:14APPLAUSE
00:16:22A round of applause for Valeria Rous, of course.
00:16:25APPLAUSE
00:16:27Valeria Rous!
00:16:28APPLAUSE
00:16:35What's up?
00:16:36Woo!
00:16:37How are you?
00:16:38APPLAUSE
00:16:45You're wrong.
00:16:46I didn't know you were going to start with that.
00:16:49You've screwed it up.
00:16:50You've screwed it up.
00:16:51This could be Flor de Un Día.
00:16:52You think? I think we're going to kick his ass.
00:16:55Well...
00:16:56Or not?
00:16:57APPLAUSE
00:16:59We're going to kick his ass.
00:17:01I wouldn't have gone to A3 Media.
00:17:02But listen, how can you do this?
00:17:04Maybe I can come back, maybe not.
00:17:06No.
00:17:07It's really weird.
00:17:08But you've really scared them.
00:17:10I mean...
00:17:11Put it there.
00:17:12This is it.
00:17:14The 40-year-old who leaves his wife for a night's sleep.
00:17:17This could end...
00:17:18APPLAUSE
00:17:19Totally.
00:17:20APPLAUSE
00:17:23Give him some money, La Bonoloto.
00:17:25Maybe.
00:17:26Maybe.
00:17:27I don't know if this is real, but...
00:17:29I mean, it's real,
00:17:31in the sense that I come here to do my section.
00:17:33And you're not there for now.
00:17:35And I'm not there for now.
00:17:36There's no problem for us.
00:17:38I know, that's why I'm here.
00:17:39Okay.
00:17:40Those who don't make me choose, but I'm excited.
00:17:43Can I sit down?
00:17:44Do you want to sit?
00:17:45Sit down.
00:17:46Look.
00:17:47APPLAUSE
00:17:51How are you?
00:17:52What?
00:17:53This wasn't yesterday, was it?
00:17:55What does it say?
00:17:56Yesterday I saw the whole show with my daughter.
00:17:58With your three-year-old daughter?
00:18:00Don't touch it.
00:18:01You can't touch it.
00:18:02But I think it's...
00:18:03You can't touch it.
00:18:04But this wasn't yesterday.
00:18:06It wasn't yesterday.
00:18:07Okay.
00:18:08I don't know.
00:18:09But I think it's weird not touching it.
00:18:11Little things are added to the stage.
00:18:13You can't touch it.
00:18:14But you want to touch it, right?
00:18:16But you can't touch it.
00:18:17And you can't do it less.
00:18:20Yes!
00:18:21No, no.
00:18:22No, I mean, it's the first day...
00:18:24I ask you not to touch it.
00:18:26I'd like him to touch it and the pump to explode.
00:18:29APPLAUSE
00:18:31How are you? You're my age, aren't you?
00:18:33What?
00:18:34How old are you?
00:18:35Eighty-six.
00:18:36Eighty-four.
00:18:37How old are you?
00:18:39You said it.
00:18:40Of course.
00:18:41Eighty-four, you?
00:18:42I thought...
00:18:43Eighty-five because it's December 30th.
00:18:45I thought we'd be the same age.
00:18:47No, I'm two years younger.
00:18:48More or less.
00:18:49Apparently, you're okay.
00:18:50Apparently? Who, me?
00:18:52Yes.
00:18:53I look...
00:18:54How do you look?
00:18:55I look dynamic.
00:18:56Much better than a few years ago.
00:18:57That happens to me.
00:18:59I look better.
00:19:00I look better.
00:19:01It's not easy.
00:19:02I used to be a Christ.
00:19:03No, you were fine.
00:19:04But I've been finding things that you can...
00:19:06Mr. Potato.
00:19:07Mr. Potato, no.
00:19:08Mr. Potato, neither.
00:19:09I'm not Mr. Potato.
00:19:10Not to be missed.
00:19:12But when I was younger, I was much worse.
00:19:14Miguel, stop putting pictures of me as a kid.
00:19:16Stop it, please.
00:19:17Ah.
00:19:18Okay.
00:19:21There?
00:19:22Look, look.
00:19:23The two...
00:19:24Put it on, Miguel.
00:19:26Eh?
00:19:27Put it on, Miguel, again.
00:19:28The two...
00:19:29Wow.
00:19:30The two...
00:19:31And the other one...
00:19:32But...
00:19:33Oh, my God.
00:19:34No, that's the two, too.
00:19:35It's been 20 years.
00:19:36It's been 20 years, of course.
00:19:38Spanish television.
00:19:39The other one was very traditional, with pictures, too.
00:19:42Let's see if I win.
00:19:43Have you got a photo of me 20 years ago?
00:19:45Not 20 years, when I was 20.
00:19:47Let's see.
00:19:48Look.
00:19:49Wow, that's so chonny.
00:19:50It was like...
00:19:51Getcho chonny.
00:19:52Pichonny.
00:19:53Yes, yes.
00:19:54Pichonny, right?
00:19:55It's cut off, because it was my first boyfriend, Dan Lau.
00:19:58I don't know if he's dead.
00:20:00So, maybe he...
00:20:01He took out the boyfriend.
00:20:02I think I win.
00:20:04Do you still know anything about him?
00:20:05Zero, zero, zero.
00:20:07Oh, and this picture?
00:20:08What do you think?
00:20:09No, but this one.
00:20:10There's more.
00:20:11Is this yours too?
00:20:12Yes.
00:20:13But that one, Miguel, has done a bit of...
00:20:15But where did you get that one?
00:20:16That's from TV, I went with my friends.
00:20:18We wanted to go in public, but they only let us if we were going to talk.
00:20:22And then we went to talk, I said some brutal things, I said I wanted to be an actress,
00:20:28I spoke my tongue, my mother told me I had a piercing in my tongue, everything wrong,
00:20:32and that's from TV.
00:20:33When I was little.
00:20:34And what about all this?
00:20:35What I mean is that now, I never think about the girls, there are people younger than me
00:20:39and I don't think about it.
00:20:40I'm at home, I want to be good, I flirt with being good all the time.
00:20:43Does it matter to you to be good?
00:20:45Not now.
00:20:46Yes, yes.
00:20:47Last year.
00:20:48And this year?
00:20:49No, last year I took it very seriously, all day selfies like Ritos, putting natural
00:20:54bronze, I don't know what, you know, the filters.
00:20:57No, no.
00:20:58You don't have Instagram.
00:20:59I don't have it.
00:21:00Well, I played a lot with that, but now I've realized, suddenly, like last month,
00:21:03I've realized, like, what are you doing, Val?
00:21:05What a shame.
00:21:06Why?
00:21:07Well, first, the other day we played football with my friends, we called ourselves the
00:21:10Mommies, in the semifinal they beat us, and suddenly I hear one of these mothers,
00:21:1450 years old.
00:21:15Uh.
00:21:16I got angry.
00:21:1950 years old, huh?
00:21:20This is one thing, then I go to Bilbao parties, I saw a girl like, I'm a super fan, super
00:21:24cute, she says, with my husband, we are very fans, we took two chihuahuas and we call one
00:21:29Valeria and the other Ross.
00:21:31Damn.
00:21:32It seemed very strange.
00:21:34Yes, it is.
00:21:35Yes, so much.
00:21:36Of course.
00:21:37And then, at first, I got excited and I said, I've divorced.
00:21:40Seriously?
00:21:41Well, now you have me completely and such.
00:21:42And when I realized, I said, I've already divorced, like I'm an old Gloria.
00:21:46Already.
00:21:47I'm older, right?
00:21:48A legend, right?
00:21:49Totally.
00:21:50Already.
00:21:51Man, let's see, I'm the first one to tell you that I see myself dynamic and I see myself
00:21:53well, but of course, a teenager, no.
00:21:55Of course, we are not teenagers.
00:21:57For the 22-year-old kids who are more vigorous, of course.
00:21:59Totally.
00:22:00And then, my ex, my daughter's father, now he has a girlfriend, he is 15 years younger
00:22:04than me.
00:22:05It happens many times.
00:22:0615 years, 5 years younger than him.
00:22:09What?
00:22:1115 years.
00:22:12A riddle?
00:22:13No.
00:22:17It seems?
00:22:19It seems, it seems an equation, he is 15 years younger than me, 5 years younger than him.
00:22:23The father's name is Esteban and the son has already told you.
00:22:26Of course.
00:22:27Well, younger.
00:22:28Younger.
00:22:29On the skin.
00:22:31What I mean is that I'm obsessed with being young.
00:22:35It's an age when it happens.
00:22:36This is a classic.
00:22:37This is older than humanity, historically, with 30 or 40 years.
00:22:40But it hadn't happened to me until now.
00:22:42Well.
00:22:43My idea is, is age a number?
00:22:45What is this now?
00:22:46A morning show?
00:22:47No, but a question.
00:22:48Is age a number?
00:22:49That was invented by Michael Jackson, because for him it was a number.
00:22:53For me, not so much.
00:22:54I mean, do you think, and this is what I have reflected,
00:22:56it's a fucking joke, you have a rock band that doesn't even know Perry.
00:23:00But, but, but.
00:23:02Let's see.
00:23:04One moment, one moment.
00:23:07One moment.
00:23:08It was a joke, it was a joke.
00:23:09One moment.
00:23:10Sorry, she laughed at my joke.
00:23:11But the girl laughed and you gave her an unnecessary slap.
00:23:14She didn't laugh, I did.
00:23:15But it's not her fault either.
00:23:17Excuse me, what's your name?
00:23:18Kensi.
00:23:19I'm not telling you anymore.
00:23:20Of course.
00:23:21Sorry, Kensi.
00:23:22Is it a warning?
00:23:23If the girl sees you in public, she'll take a shit in her mouth.
00:23:25I'm very sorry.
00:23:26Besides, we are women.
00:23:27Of course, a little bit of...
00:23:29Sorry.
00:23:30A little bit of sound.
00:23:31Fuck, I'm sorry.
00:23:32What?
00:23:33I'm sorry.
00:23:34It's a pitbull, huh?
00:23:35Yes, I am.
00:23:36A negative stimulus bites your neck.
00:23:38No, not at all, sorry.
00:23:39I was thinking, if Ro-Ro, have you seen Ro-Ro?
00:23:42If Ro-Ro was 20 years older, what would happen?
00:23:46Would it be just a woman, a sweet mom?
00:23:49Would they call her Ro after 20 years?
00:23:51Okay.
00:23:52So, after this, I say, if I put young things and I go to an Erasmus party,
00:23:57do you think it would happen to a 20-year-old girl?
00:24:00I don't think so.
00:24:01Who said no?
00:24:02Don't tell him anything.
00:24:04Kensi didn't say anything.
00:24:05No?
00:24:06No?
00:24:07No?
00:24:08Well, we have the document.
00:24:09What document?
00:24:10I went to an Erasmus party.
00:24:11Oh, it wasn't a rhetorical question?
00:24:12No.
00:24:13It was to upload a video of me zapping.
00:24:17We have been...
00:24:18We have been...
00:24:19But I wanted you to catch it.
00:24:24Sorry.
00:24:26How was that, zapping?
00:24:27What was the technique?
00:24:28It was like looking at a camera and suddenly I was going.
00:24:31And the video appeared.
00:24:32And a video popped up.
00:24:33Yes.
00:24:34But nothing, forgive me.
00:24:35A lot to learn.
00:24:36I have to be more professional.
00:24:37Okay.
00:24:38We have been Yolanda, from Production.
00:24:40You laugh your ass off with her.
00:24:41Yolanda is very good.
00:24:42And Hector, Specials.
00:24:44Yes.
00:24:45I have it like this on my phone.
00:24:46Specials.
00:24:47He is special.
00:24:48Okay.
00:24:49The three of them, at an Erasmus party,
00:24:50have made me look like a teenager.
00:24:53Okay.
00:24:54I look like a teenager.
00:24:57Let's see if I look like a 20-year-old.
00:24:59In the video.
00:25:07A mess.
00:25:11I'm starting to get confused.
00:25:14Come on.
00:25:15Look at that ass.
00:25:16I have a lot of it.
00:25:21The girl.
00:25:22This girl.
00:25:29Oh my God.
00:25:30Oh my God.
00:25:31What a shame.
00:25:34Thank you very much.
00:25:41Do it with me, do it with me.
00:25:44Poor Yolanda.
00:25:54It was heavy.
00:25:58Poor Yolanda.
00:25:59Sorry.
00:26:00You can't miss the audience.
00:26:01You can't miss your colleagues.
00:26:02No, of course.
00:26:03But I was wearing makeup like a girl.
00:26:04I went from 20 to...
00:26:05But sorry.
00:26:06Val.
00:26:07What?
00:26:08You have been so shameless.
00:26:09I mean, she thanked me.
00:26:10It's very good.
00:26:11You know,
00:26:12I didn't do all of this
00:26:13to show that the guys were throwing rocks.
00:26:15No.
00:26:16I didn't know
00:26:17I thought I was going to look very, very old.
00:26:18And in fact,
00:26:19I also think that the loose hair,
00:26:21I think it worked.
00:26:22In fact,
00:26:23I'll tell them I'm a mother.
00:26:25Okay.
00:26:26See if they still don't believe me.
00:26:27I look so young
00:26:28they don't believe me.
00:26:29Okay.
00:26:30In the video.
00:26:33I want more than one to be sure it's my name.
00:26:36A thousand.
00:26:37A thousand, okay.
00:26:38I've never concealed a problem
00:26:40in psychology. It's not true, I'm a milf. Don't say that. It's okay. I told you it was
00:26:52for something good, right?
00:27:11David, that's where Rubiales ended, right?
00:27:14That wasn't Erasmus.
00:27:21That wasn't Erasmus.
00:27:22Rubiales, Erasmus party all day.
00:27:26I find it funny that milf seemed impossible to you, that you were milf.
00:27:29Milf, milf, for people who have seen it and don't understand the English term.
00:27:32Milf, mother, I would like to fuck.
00:27:34It's like mother with whom I would fuck.
00:27:36Guys, we have a word for mature guys.
00:27:40Which one?
00:27:41Millionaires.
00:27:42Okay.
00:27:43We have it too.
00:27:44We have it too.
00:27:48Before I go, I want to make one thing clear, David.
00:27:51The thing is that I got excited with genetics and I said, let's see if I'm going to be me,
00:27:54because I'm very young.
00:27:55Yes.
00:27:56And I also go through a five-year-old girl.
00:27:58I found that there was a flight, a flight and such, like a bubble party in my town.
00:28:02Yes.
00:28:03I say, well, I'm going there.
00:28:04I get like a girl and see if I pass.
00:28:06In video.
00:28:12Nobody noticed.
00:28:14I pass for five years.
00:28:15And for two.
00:28:18In the end, it was that.
00:28:23That's it.
00:28:25Very young.
00:28:26We have, before you go, some images that we have obtained
00:28:29from the production of you and Yolanda.
00:28:38Well, I'm going.
00:28:40Next Saturday I have a gender reveal.
00:28:43That's what sex is about.
00:28:44Ah, yes, yes.
00:28:45They want me to do it as a fetus.
00:28:46Okay.
00:28:47See you later.
00:28:48See you later.
00:28:49See you later, Valeria.
00:28:50Valeria Ross.
00:29:00Well.
00:29:03Okay.
00:29:04Well, there's the interview, right?
00:29:07The interview, Ricardo.
00:29:08Interview?
00:29:09What interview?
00:29:10It's ugly, it's ugly.
00:29:11You have an incredible comedian back there, man.
00:29:13Pablo.
00:29:14No, no, no.
00:29:15No?
00:29:16It changes order.
00:29:17Ah, okay.
00:29:18This year...
00:29:19It changes order.
00:29:20First interview and then Pablo.
00:29:22This year it's all...
00:29:23You don't know how it goes.
00:29:24This year you don't know the next move.
00:29:26This is incredible.
00:29:27You don't know, Pablo.
00:29:28No, no.
00:29:33No, I'm here.
00:29:34No, the interview.
00:29:35I'm here now.
00:29:36No, no.
00:29:37I'm here, man.
00:29:39I could be here now.
00:29:40No.
00:29:41I could be here now.
00:29:42No, the interview.
00:29:43This year, this show...
00:29:44Well, no one's going to see it.
00:29:45We're ninjas.
00:29:46Maybe you'll come in and change the interview.
00:29:48Pablo, I'm sorry.
00:29:49Come on, let's go home.
00:29:51But you'll come out later.
00:29:52I'll come out later.
00:29:53If the interview doesn't get longer.
00:29:54But there are people who thought I was going to come out now and be watching.
00:29:57No one knew because no one knew, not even me.
00:29:59Poor Pablo.
00:30:00It looked like we were going to see him and in the end, no.
00:30:02That's how it feels.
00:30:03Poor Pablo, that's what...
00:30:11I'll take advantage of it.
00:30:12Sorry, sorry, sorry.
00:30:14It's true.
00:30:15I asked you for a live show and you don't even have taping to cover you, of course.
00:30:21Well.
00:30:22Okay.
00:30:23That's it, that's it.
00:30:24You come in later.
00:30:25I had a dinner.
00:30:26It doesn't matter.
00:30:27Take the opportunity to comment live that I'm late.
00:30:29But it's seven in the afternoon, what do you say?
00:30:31Pablo, dinner was with me.
00:30:33It was with you, wasn't it?
00:30:34Yes.
00:30:35Come on, come back, Pablo.
00:30:36That's why, I'll let you know that I'm late.
00:30:37It's going to be late because...
00:30:38I think so too.
00:30:39Pablo, for...
00:30:40I think so too.
00:30:44Okay, and now...
00:30:47This year, this show, Ricardo...
00:30:49Uh, it's crazy, this show is crazy.
00:30:50The show, kid, it's crazy.
00:30:52You don't know what's coming later, it's crazy.
00:30:54But not to hear Pablo now, there are four minutes left.
00:30:57The show...
00:30:59It's crazy.
00:31:01It's crazy.
00:31:03The interview?
00:31:04The interview.
00:31:05Let's see who's coming.
00:31:06Let's see who's coming, he says.
00:31:09It's that...
00:31:18She's an incredible actress.
00:31:19Yes.
00:31:20She came many years ago when this show was broadcast on another channel.
00:31:22Exactly.
00:31:23And, well, she's an international star.
00:31:25She only came once?
00:31:26I think she came once or twice.
00:31:28But...
00:31:29What an actress, huh?
00:31:30And in music too, but today she came as an actress.
00:31:33She's a singer too, right?
00:31:34She sings well.
00:31:35But does she present anything on Spanish television?
00:31:36No.
00:31:37Where does she present?
00:31:38No.
00:31:39On Netflix?
00:31:40Can she?
00:31:41Can you say Netflix on Spanish television?
00:31:43Yes.
00:31:46Okay, we're very happy.
00:31:48She's coming back after many years, we have a lot of affection for her.
00:31:50A round of applause for Nayo and Imri in La Resistencia.
00:32:23What's up?
00:32:24What's up, Nayo?
00:32:25Amunt Valencia.
00:32:26You're not from Valencia, right?
00:32:27No, but I'm the character from Respira.
00:32:28Yes, he is!
00:32:29You haven't seen it.
00:32:30No, no.
00:32:31You haven't seen it.
00:32:32Of course.
00:32:33The people are amazing, the luck I have with this audience.
00:32:36Of course, I haven't seen the show, but...
00:32:38They have.
00:32:39They have.
00:32:40Yes, yes, yes.
00:32:41The show is good.
00:32:42Yes, yes, yes.
00:32:43Yes, yes, yes.
00:32:44Yes, yes, yes.
00:32:45Yes, yes, yes.
00:32:46Yes, yes, yes.
00:32:47Yes, yes, yes.
00:32:48Yes, yes, yes.
00:32:49Yes, yes, yes.
00:32:50Yes, yes, yes.
00:32:51Yes, yes, yes.
00:32:52Yes, yes, yes.
00:32:53No, no, no.
00:32:54Is this the first time for the show?
00:32:57Yes, yes, yes.
00:32:58President, president.
00:32:59You haven't seen it, but the sofa...
00:33:10What?
00:33:11I was waiting...
00:33:12A truncheon?
00:33:13Yes.
00:33:14The last time...
00:33:15Everything is really well-organized.
00:33:16People tell me that there is a lot of order.
00:33:17We'll break it anyway.
00:33:18Do you want to break something?
00:33:19No, no.
00:33:20Do you want to break something? No, no, no.
00:33:22Do you want to break something? No, no, no.
00:33:24Do you want to pee?
00:33:26Do you want to pee here now?
00:33:28On the second day that we are here, no, David.
00:33:30If you want to pee, I'll put a towel on you and you'll pee.
00:33:32But what are you talking about, man?
00:33:34I mean, I freak out.
00:33:36Why would I want to pee?
00:33:38For performance. No, no, you're crazy.
00:33:40Pee, pee. I don't pee, man.
00:33:42Colleague. A little bit?
00:33:44No. Because it costs you?
00:33:46No. Let's see, this is like a perversion.
00:33:48I saw it the other day in a series.
00:33:50I'm sure you like it, that the shower makes you a splash.
00:33:52No, no, no.
00:33:54It's called a bruise squirting.
00:33:56Yes, yes, yes. No, squirt is another thing.
00:33:58There are people who like it, not me.
00:34:00No, but it happens to you.
00:34:02No, but... Like that, easy.
00:34:04Like performance, like that.
00:34:06No, no, no.
00:34:08I don't know how much you can...
00:34:10I sit down, huh? What do I do, do I sit down too?
00:34:12Have you brought me gifts apart from the tangerines?
00:34:14Let's see, I had a gift for you.
00:34:16It was a tie.
00:34:18This is already a good gift.
00:34:20No, but it was a gift...
00:34:22You brought it, right?
00:34:24Yes, yes.
00:34:26I had a Valentino tie.
00:34:28I don't wear ties anymore because I'm a boy.
00:34:30Yes, you're still going to have to wear it.
00:34:32Here? Well, we've been here for two days and this is a dump.
00:34:34Here it doesn't matter.
00:34:36Have you seen the show?
00:34:38The one? Yes.
00:34:40No, but I know the audience has been...
00:34:42It's been good, yes.
00:34:44It's been good, but...
00:34:46What?
00:34:48But what?
00:34:50You're in this to sweep it.
00:34:52To this.
00:35:04Look at him, look at him a little.
00:35:06I know that you and all, winners for winners.
00:35:08We'll fill up half of yesterday's audience.
00:35:10No, sorry.
00:35:12Tomorrow at ten.
00:35:14What?
00:35:16Tomorrow at ten.
00:35:18Well, for me, but maybe the next day with a footballer.
00:35:20No, not for you.
00:35:22Because the first day, people have seen it as a joke.
00:35:24No, no.
00:35:26What's going on?
00:35:28Let's see, I don't want to get in...
00:35:32Go, get in.
00:35:34I think, I think he's shaking.
00:35:36Who are we talking about?
00:35:38Pablo Motos.
00:35:42Yes.
00:35:44Without any subtlety.
00:35:46Name and surname.
00:35:54It was so handsome, the second show,
00:35:56people shouting, president.
00:35:58I'm seeing that they're cheering.
00:36:00It doesn't come out naturally.
00:36:02But it's going to come out naturally.
00:36:04But I don't want...
00:36:06But I do, I do.
00:36:08You're going to speak for yourself, right?
00:36:10Of course, but now you'll have to go
00:36:12and promote too.
00:36:14No, they don't take me.
00:36:16They don't take you?
00:36:18Why?
00:36:20I'm banned.
00:36:22Canceled?
00:36:24I told you, they don't take me to respectable places.
00:36:26Look how he looks at her.
00:36:34That's Pablo Motos.
00:36:36I've tattooed him on my chest.
00:36:38What are you telling me?
00:36:40I've tattooed him for real.
00:36:42He's very handsome.
00:36:44Show him the other one.
00:36:46Pedro Sánchez, but his name is Raul.
00:36:48Sorry, are you cancelled?
00:36:50Well, let's see.
00:36:52Cancelled?
00:36:54They don't take me.
00:36:56They don't take you?
00:36:58No, they don't take me.
00:37:00What do we do?
00:37:02It's true that now there's a conflict
00:37:04that doesn't exist for me.
00:37:06But I have a good relationship with them.
00:37:08I can tell them to take you.
00:37:10Do you have a good relationship with everyone?
00:37:12No, not with everyone, but I get along with them.
00:37:14I always watch the show.
00:37:16Me too.
00:37:18They don't take you?
00:37:20No.
00:37:22Because of something?
00:37:24Because I didn't want to go the first time.
00:37:26Of course, it's because you're very cocky.
00:37:28I think it's because of that.
00:37:30Do you want to choose when you go to the places?
00:37:32They'll say no.
00:37:34Tell me something.
00:37:36Can I ask?
00:37:38What's your name?
00:37:40Pedro Sánchez.
00:37:48I'll do the interview for you.
00:37:50I'm sorry.
00:37:52Tell me something.
00:37:54In the Pentagon, they review Hollywood scripts.
00:37:56This is like a conspiracy theory,
00:37:58but I've seen it.
00:38:00I haven't seen the Pentagon print.
00:38:02Go on.
00:38:04I think.
00:38:06Here, in Moncloa.
00:38:08There's no script here.
00:38:10That's true.
00:38:12Yesterday, they sent us the first scripts.
00:38:14Now that you've said it.
00:38:16We have it there.
00:38:18Look for it.
00:38:20They sent us Moncloa's first scripts.
00:38:22Yes or no?
00:38:24Now that you've said it.
00:38:26Tell Alex to give it to you.
00:38:28What do you think?
00:38:30Are you insinuating that...
00:38:32That they print a little more?
00:38:34What are they going to print?
00:38:38You improvise,
00:38:40but with limits.
00:38:42What kind?
00:38:44That tangerine represents capitalism.
00:38:52No, none.
00:38:54What limits are they going to put?
00:38:56Are you sure you're asking the same questions?
00:38:58Are you still asking for money?
00:39:00It's all the same.
00:39:02You have to print more today.
00:39:04You can ask two classics and another one.
00:39:06Sorry, put it on.
00:39:08Yesterday, when the first scripts arrived.
00:39:10Moncloa's first scripts.
00:39:12Is it from now or did you already have it?
00:39:14From yesterday.
00:39:20Yeah, it would be great.
00:39:22It would be great.
00:39:30With that machine.
00:39:32You haven't seen the first show,
00:39:34but do you think there could be
00:39:36some kind of hand?
00:39:38I'd like to think so.
00:39:40Have they told you anything?
00:39:42I don't have any contact.
00:39:44You have a powerful social position.
00:39:46No.
00:39:48What have they told you?
00:39:50They don't take me anywhere.
00:39:52I'm not even in the WhatsApp of Respira.
00:39:56In the WhatsApp group of the series?
00:39:58Yes.
00:40:00I found out the other day in an interview.
00:40:02And suddenly they start talking.
00:40:04And they say, yes, we have a WhatsApp group.
00:40:06And I said, Manu, really?
00:40:08I'm not there.
00:40:10Why don't they put you in the WhatsApp group?
00:40:12Because no.
00:40:14You only invite me.
00:40:16You know you're at home here.
00:40:18Whenever you want.
00:40:20I promise.
00:40:22Always.
00:40:28What is this?
00:40:30It doesn't imitate anything.
00:40:32It's like a...
00:40:36A billboard.
00:40:38What does it remind you of?
00:40:40It's a bit like...
00:40:42No.
00:40:44Like an old office.
00:40:46From the 60s.
00:40:48It's clean.
00:40:50You should break it little by little.
00:40:52Do you know what I thought before coming in?
00:40:54I thought Netflix had a lot of power.
00:40:56And it had emulated the hospital.
00:40:58Netflix?
00:41:00It doesn't matter.
00:41:02I think they are gods.
00:41:04Of course.
00:41:06I thought it was the hospital entrance.
00:41:08Netflix doesn't rule here.
00:41:10I know.
00:41:12He rules here.
00:41:14What a presence.
00:41:24President.
00:41:26President.
00:41:28President.
00:41:30President.
00:41:32If you haven't been to Chiapas,
00:41:34would you like my country?
00:41:36No, I haven't been to Chiapas.
00:41:38If you remember something
00:41:40that has made you think
00:41:42that there is a governmental hand.
00:41:44Do you have any bureaucratic work
00:41:46that we can help you with?
00:41:48To be in TVE.
00:41:50What does bureaucratic work mean?
00:41:52That you have to sign something.
00:41:54Renew your ID.
00:41:56I have a lot of things.
00:41:58The driver's license.
00:42:00The ID, I just did it,
00:42:02but I lost my wallet.
00:42:04Let's see your ID.
00:42:06Can I see the photo?
00:42:08It's beautiful.
00:42:10No, you're going to fall in love.
00:42:12Let me see it.
00:42:14Because I have to go get the bag.
00:42:16I don't have it.
00:42:18I don't have the wallet.
00:42:20Have you come undocumented?
00:42:22Yes, I always go undocumented.
00:42:24It's true that you don't need the ID.
00:42:26With the driver's license on the mobile phone,
00:42:28it's okay.
00:42:30Do you have the mobile phone?
00:42:32This is fake.
00:42:34No, it's with the sunlight.
00:42:40Do you want me to give you...
00:42:42I always have my ID photos.
00:42:44Do you want me to give you one?
00:42:46As a souvenir?
00:42:48Yes, so you can take it to your wallet.
00:42:50I have two.
00:42:52A professional one.
00:42:54Do you want to see it?
00:42:56Show it to me.
00:42:58This is like...
00:43:00Wait.
00:43:02You're fatter.
00:43:04Yes, because a few weeks ago...
00:43:06No, you're fatter.
00:43:08And then...
00:43:10You're fatter.
00:43:16And this one is personal.
00:43:18The one you prefer, I'll give it to you.
00:43:20Show it to her.
00:43:22It's me?
00:43:24Show it to her.
00:43:26Take the one you want.
00:43:28Look at this hand.
00:43:30Wait.
00:43:32You're pretty.
00:43:36You're pretty.
00:43:40You want the one in the foreground, right?
00:43:42It's for you, so you can take it to your wallet.
00:43:44Yes.
00:43:46Okay, what do you want?
00:43:50Do you want a transport card?
00:43:52I know you usually go by subway,
00:43:54but it's good to have it just in case.
00:43:56I don't have it.
00:43:58I always take it.
00:44:00I used to, but now...
00:44:02You come by bike.
00:44:04Yes, but it's good to have it just in case.
00:44:06There's no other way to transport you.
00:44:08You have to get to a place urgently.
00:44:10There's a catastrophe and you have to get on line 5.
00:44:12Don't pretend you're on the street.
00:44:14I'm always with people, with kids.
00:44:16That's not true.
00:44:24I'm sure you have a driver.
00:44:26I don't have a driver, what are you saying?
00:44:28I don't have a driver,
00:44:30because they said the other day
00:44:32that they're going to take the rent scooters
00:44:34from Almeida Beach.
00:44:36There are people who say it's time.
00:44:38A driver from the M.T.
00:44:40A bus driver.
00:44:42You can't go by scooter.
00:44:44I could give you some logic
00:44:46about the character I'm playing.
00:44:48If you're in Amsterdam,
00:44:50the whole city is built
00:44:52for everything to go smoothly.
00:44:54But here it's all concentrated,
00:44:56and you don't want to run over.
00:45:02You know that many times...
00:45:04There have been many times
00:45:06that I've been pissed off.
00:45:08The good thing about the scooter
00:45:10is that it goes through traffic jams.
00:45:12And sometimes I've been pissed off.
00:45:14There have been people who have insulted me.
00:45:16I think it's out of pure anger
00:45:18to be standing in the jam,
00:45:20I go through the left without doing anything wrong.
00:45:22It's out of pure anger that I go faster.
00:45:24That's about it.
00:45:26Do you want to do an interview?
00:45:28Do you want to do a promotional interview?
00:45:30Are you nervous?
00:45:32In general?
00:45:34No.
00:45:36I'm calm. I'm having a good time.
00:45:38It's the same as always.
00:45:40We've done a lot of shows.
00:45:42You?
00:45:44No.
00:45:46Are you calm today?
00:45:48Yes. My hands are sweating.
00:45:50Do they usually sweat?
00:45:52Something is changing.
00:45:54I'm glad you're calmer.
00:45:56When we met,
00:45:58I think my hands were sweating,
00:46:00but then I had surgery.
00:46:02You got Botox.
00:46:04No.
00:46:06I mean, on the hands.
00:46:08Yes, but no.
00:46:10On the hands and armpits,
00:46:12you can sweat less.
00:46:14But that goes away in a year.
00:46:16I asked, of course, for the hands.
00:46:18Here and then you said...
00:46:20Look, I can't work like this.
00:46:22What's wrong?
00:46:24I'm not going to sweat for years because I have Botox.
00:46:26They do the surgery,
00:46:28they take a nerve from your back,
00:46:30they pinch you and you don't sweat on your hands.
00:46:32Did they do that to you?
00:46:34I recommend it.
00:46:36No.
00:46:38I'm serious.
00:46:40They make a small opening here,
00:46:42they pinch you and you don't sweat on your hands.
00:46:44Not even on the armpits.
00:46:46You sweat a lot.
00:46:48You sweat a lot.
00:46:54The surgeon told me,
00:46:56the sweat has to go somewhere,
00:46:58but not the hands.
00:47:00What would you say if your balls were sweating?
00:47:02What would you say?
00:47:04What would you say?
00:47:06To continue with the dynamics,
00:47:08my balls are sweating.
00:47:10You're right.
00:47:12As a host, it's a bad contribution
00:47:14because the guest can't continue.
00:47:16I apologize to you.
00:47:18No, I apologize to you.
00:47:20My balls are sweating too.
00:47:30I promote the movie
00:47:32and we do the things.
00:47:34Let's do it.
00:47:36You're a good actress.
00:47:38You like to act.
00:47:40A lot of productions, a lot of movies,
00:47:42a lot of awards, a lot of recognition
00:47:44Are you happy with your career so far?
00:47:46From 0 to 10?
00:47:48The career?
00:47:50The professional career.
00:47:52An 8.
00:47:54You're short.
00:47:56No, I mean my perception.
00:47:58Your perception, an 8.
00:48:00Yes, I'm ok with the job.
00:48:02I present this.
00:48:06Nayo Ani Inri
00:48:08has come to promote La Revuelta
00:48:10because he can't go anywhere else.
00:48:14Just like that.
00:48:16He came here as a last resort.
00:48:18It was this.
00:48:20Radio Complutense.
00:48:32A Netflix series
00:48:34called Respira.
00:48:44What are you doing with Tomati Moros, Aryón?
00:48:46Sorry.
00:48:48Who is this guy?
00:48:50It's a joke Miguel has put
00:48:52and he's a good person.
00:48:54He also got plastic surgeries
00:48:56because he was sweating too much.
00:49:04Thank you very much.
00:49:06I hadn't seen you,
00:49:08so I said you had it.
00:49:10You contributed so much to us
00:49:12your incredible sense of humor,
00:49:15but you also contribute to the level of the ladder
00:49:18and the control of the rhythm of the program in Ayahuasca.
00:49:21A phenomenon.
00:49:22What a guy, man, what a guy.
00:49:24Okay.
00:49:25Do you want to say something about the series?
00:49:27I'll put the trailer and that's it.
00:49:29Okay.
00:49:30Do you want to say something first?
00:49:31Let them see it.
00:49:33Okay. It's from Médico Sin Tuyo, right?
00:49:35Yes, but I'm not a doctor.
00:49:36Are you? Director?
00:49:37President!
00:49:39President!
00:49:40President!
00:49:41President!
00:49:42President!
00:49:43President!
00:49:44President!
00:49:45President!
00:49:46The president of the Valencian community.
00:49:48Okay, because the hospital is in Alcyra?
00:49:50It's around there and I happen to stop by
00:49:53to get a check-up for something in a car.
00:49:57They check me and I have like a...
00:49:59Okay.
00:50:00Yes, and then they check me, they see that I have a problem and nothing.
00:50:03Okay.
00:50:04I'm there, private, public, private, public.
00:50:06Good debate.
00:50:07Public!
00:50:08Obviously.
00:50:10Public health...
00:50:11APPLAUSE
00:50:14Obvious, obvious.
00:50:17Those people in public health don't always have all the media they want.
00:50:20The other day I was talking to a friend who was a nurse
00:50:22and she said, we don't have... We don't have cannulas.
00:50:24We don't have a defibrillator.
00:50:25We don't have a defibrillator, yes.
00:50:27Yes, it's heavy.
00:50:28And I have to be the one who defends the private,
00:50:30but save the life of the public.
00:50:32Then you say, what's wrong with you?
00:50:34Yeah, yeah.
00:50:35Do you want to put the trailer?
00:50:36Okay.
00:50:37Breathe from Netflix.
00:50:38Send it to Ninty.
00:50:42They are dismantling public health.
00:50:44It's a fact.
00:50:45And until we stand up, they will continue to bulldoze us.
00:50:48And how are you going to stand up?
00:50:50Get out!
00:50:51Get out!
00:50:53Why does a public hospital come if you want to finish them off?
00:50:56You have a bag here.
00:50:57Time will wait for no one.
00:51:02Almost all the doctors I know do the opposite
00:51:04of what we tell our patients to do.
00:51:08I guess it's because we're always close to death.
00:51:10Patricia!
00:51:13Can you save my life?
00:51:18You can do it.
00:51:19Breathe.
00:51:34The series is beautiful.
00:51:35I like medical series.
00:51:36I also feel romances and such.
00:51:39There will be something between...
00:51:41I don't.
00:51:43You don't?
00:51:44I don't have a romance.
00:51:46You don't have a romantic plot?
00:51:47They never put it on me either.
00:51:48They don't invite me, I'm handsome, I don't have...
00:51:50Let's see.
00:51:51It's the truth.
00:51:52You're devaluing yourself all the time,
00:51:54you're lowering yourself.
00:51:55No, no, no, if I like it, if I like it.
00:51:57I like this killer thing, I don't know what,
00:51:59but then it weighs.
00:52:00Because it also has to be like...
00:52:01It's you.
00:52:03Ah, you've left it...
00:52:04You've left it...
00:52:12In a little hole, like a bat.
00:52:15I'm moving it away.
00:52:16It's fine.
00:52:18Well, do you know...
00:52:20Do you know about...
00:52:21This...
00:52:22Do you know this?
00:52:23What's that?
00:52:24Do you know this?
00:52:26You don't?
00:52:27This gesture they do,
00:52:28which is like Korean, I think,
00:52:29like a little heart.
00:52:30Ah, yes.
00:52:31I remembered it because of the medical series.
00:52:33Do you know why this looks like a little heart?
00:52:35Why?
00:52:36Because the whole hand...
00:52:37It's the heart.
00:52:38It's like the anatomical heart.
00:52:41And it's just the aorta and the other vein.
00:52:43Damn.
00:52:44And the other, the other.
00:52:46But...
00:52:47It looks like a find, sorry, I don't believe it.
00:52:49What find, kid?
00:52:50Public service.
00:52:51But who told you?
00:52:52You deduced it and you...
00:52:53And so?
00:52:54I deduced it.
00:52:55It could be.
00:52:56It's like the heart,
00:52:57I mean, this is like an emoji heart,
00:53:00just the top part.
00:53:01Have you been to YouTube and seen the explanation?
00:53:03No, I saw it, I saw it.
00:53:05And it looked like a heart, I didn't ask anyone, but...
00:53:09It's like when one night I suddenly found out
00:53:11that Apple had made the bitten apple because of...
00:53:14Because of the Bible?
00:53:16Like that, huh?
00:53:17Yes, I don't know, I was about to think that and I said...
00:53:19And everyone was like...
00:53:20Shut up, but yes.
00:53:21Ah, but you don't know?
00:53:22No, no, no.
00:53:24Who's going to tell me?
00:53:25Those high spheres.
00:53:26You're all the time...
00:53:27The people who say they don't have contact
00:53:28are the people who are more like Illuminati.
00:53:31You also have that thing, huh?
00:53:33Which one?
00:53:34Being like a reptilian or a scientist or something like that.
00:53:38No.
00:53:39You are in the science department at AYUA, shut up.
00:53:41The what?
00:53:42In the science department.
00:53:43But that's what Tom Cruise did here with...
00:53:45Yes, yes, that's where you are, I've seen you.
00:53:48No, man, no.
00:53:49No, man, no.
00:53:50Imagine that, or Mormona, right?
00:53:51I'm going with some beliefs.
00:53:53You're not in any kind of thing like that, elitist?
00:53:55No, not only not elitist,
00:53:57but in the end I need very specific data
00:53:59to believe in my beliefs, just like you.
00:54:01I come from a family of doctors.
00:54:03Your family, I think you said that.
00:54:04They're all doctors.
00:54:05So, as if...
00:54:07Everyone, all doctors?
00:54:08Well, yes, my brother, my mother and my father.
00:54:10Jordano Seras, right?
00:54:11My father is Jordano and he came with a medical scholarship
00:54:14and he met my mother doing pharmacy.
00:54:16In college, huh?
00:54:17That's why I didn't say doctor, in respiration.
00:54:20Because you didn't have...
00:54:21No, because my family is going to give me a hard time.
00:54:23Shut up.
00:54:24What do they tell you?
00:54:25What do they tell you?
00:54:26What level of feedback do you have from your family?
00:54:29What do they tell you?
00:54:30Fuck.
00:54:32The other day, my mother said to me,
00:54:34I don't know, girl, why people say...
00:54:35She's Basque.
00:54:36She says, I don't know, girl,
00:54:38why people say you're such a good actress.
00:54:42I swear on my life.
00:54:43She says,
00:54:45I think you're terrible.
00:54:47Terrible?
00:54:49My mother doesn't like it.
00:54:50I think you're terrible.
00:54:51I don't know, girl, why people say you're such a good actress.
00:54:54But she also goes...
00:54:55No, no, no, she says it well.
00:54:57I mean, there's like...
00:54:58Well, right?
00:54:59Yes, I mean, she doesn't do it to hurt me.
00:55:01That's why I can comment on it.
00:55:03So, what do you think her intention is?
00:55:05To say, girl, you're terrible?
00:55:06I mean, what do you think she's looking for
00:55:08on a maternity level?
00:55:09No, I don't know if she said terrible,
00:55:11what she said...
00:55:12That you weren't such a good actress.
00:55:13Yes.
00:55:14That happens with parents, right?
00:55:15As they know you a lot, they say,
00:55:17I see you, I'm looking at you, right?
00:55:18Yes.
00:55:19Well, and there are things that they don't like.
00:55:22There are people who think it's better.
00:55:23So, that's the feedback from my family.
00:55:25Do you want to send a message to your mother?
00:55:27You're good.
00:55:30You're good, of course.
00:55:31You're good, love.
00:55:32She's a terrible daughter.
00:55:33She doesn't see this, I think.
00:55:34She sees it?
00:55:35No, but I'll tell her.
00:55:36Maybe now she does, maybe she didn't see it before,
00:55:38but now on Spanish television?
00:55:39No, it's on Netflix.
00:55:40Television!
00:55:46Does it hurt you to have gone to Movistar?
00:55:48No.
00:55:49I mean...
00:55:50It hurts his pocket, it weighs him, you freak out.
00:55:53I mean...
00:55:58Does it hurt his pocket?
00:55:59It was nice there.
00:56:00I mean, it was a shame to leave
00:56:02because I was there for seven years doing this show
00:56:04and another two or three doing another one,
00:56:06but it hurt me, it hurt me.
00:56:07No, because it was also a decision.
00:56:08I mean, it's fine, it's fine here too.
00:56:10Do I ask you the classic questions?
00:56:11Abel, yes.
00:56:12Sorry, do you know Froylan before that?
00:56:14Ah...
00:56:15What's his name?
00:56:17Froylan, Felipe Juan Froylan de Todos los Santos,
00:56:19the brother of...
00:56:20Her brother?
00:56:21Yes.
00:56:22Personally?
00:56:23Yes, our favorite member of the royal family.
00:56:25I don't know him personally.
00:56:26Okay.
00:56:28Let's see.
00:56:31Give us a clue.
00:56:32No.
00:56:33He's strong.
00:56:34Man, you can't say you know things if you don't say them now.
00:56:37Yes, yes, yes, I can.
00:56:42Okay, I'll ask you the classic questions.
00:56:44Okay.
00:56:45Do you want me to add another one later?
00:56:47Yes.
00:56:48Okay, money in the bank?
00:56:49Of course.
00:56:50Double.
00:56:51Double the last time you came. How much was it?
00:56:5312.5 million.
00:56:54You said 12.5 million, but I didn't believe it.
00:56:55Okay, okay, but it's your business, I already told you.
00:57:00So, you're still in a line...
00:57:02It's ascending.
00:57:03It's ascending.
00:57:04Always up.
00:57:05Okay, but...
00:57:06But is it an ascending line or is it an ascending curve?
00:57:10No, no, no, no.
00:57:11So, does it accelerate growth?
00:57:13I mean, just as it accelerates fall,
00:57:15Okay.
00:57:16I'm still going up.
00:57:18Okay.
00:57:26You're still going up.
00:57:30Pompas, Pompas, Pompas, Pompas.
00:57:38Pompas was there like behind a set, like a squirrel,
00:57:42and when it was needed, like a sniper,
00:57:44he put his sound effect, thank you very much.
00:57:46In times of war, any hole is a trench.
00:57:48Very well said.
00:57:49Fuck!
00:57:53That chorus is very funny, isn't it?
00:57:54Very good, Pompas.
00:57:56Pompas.
00:57:58Pompas is the precision.
00:58:00Sexual relations in the last 30 days.
00:58:03Count, remember, coito...
00:58:05Stop, stop!
00:58:06Pompas, you have to know when to stop too.
00:58:10Count.
00:58:11Coito, normal, one point.
00:58:13Masturbation, 0.2.
00:58:16Petit, 0.6.
00:58:17I can't tell you the number, but you wouldn't believe it.
00:58:19Why?
00:58:20High or low?
00:58:21High.
00:58:22I can believe it perfectly.
00:58:23It's not like money.
00:58:25It's serious.
00:58:26I can believe it perfectly.
00:58:27Why wouldn't I believe it?
00:58:29Because you ask...
00:58:32this and petting and such,
00:58:34so I guess you think no one fucks.
00:58:37Why would I guess that no one... why?
00:58:39Because if not, you wouldn't ask that question like that.
00:58:40No, hey...
00:58:41You wouldn't add points to the previous one.
00:58:43Here you add points to those little things.
00:58:45No, it's not that it's a previous one,
00:58:46it's that sometimes the petting or masturbation goes to that part,
00:58:49without being associated with the coito itself.
00:58:51For me, it's a previous one.
00:58:52You're always a previous one.
00:58:54Well, I don't know, I understand it like that.
00:58:56So you don't touch the lower zone,
00:58:57unless it's to do it all.
00:58:59I mean, specifically, I'm not going to tell you.
00:59:01I can tell you that a lot.
00:59:03But you throw a number.
00:59:05No.
00:59:06It's true that by not inviting you to anything,
00:59:08you have free time, of course.
00:59:09You have a lot of time to...
00:59:15A lot of time.
00:59:17Look.
00:59:20He's looking at you again.
00:59:22He peeked again.
00:59:23He's attentive.
00:59:24He peeked again.
00:59:25It wouldn't be worth it, because it would be coerced.
00:59:27He would invite me for...
00:59:28What were we talking about?
00:59:29A lot?
00:59:30A lot.
00:59:31The answer is a lot.
00:59:32A lot, a lot.
00:59:33Okay, so more money goes up.
00:59:36And sex goes up.
00:59:37And more sex.
00:59:46What's the new one?
00:59:47What?
00:59:48The new one?
00:59:49The new...
00:59:50What new?
00:59:51The new question.
00:59:52Is it a new question?
00:59:53Sure.
00:59:54Oh, I thought of one before.
00:59:55Are you more sexist or more racist?
01:00:00I have to choose.
01:00:01Give the question a thought.
01:00:02It's a good one.
01:00:03I mean, I don't expect you to be a lot of one thing or another,
01:00:06but unfortunately, we're all a little bit of one.
01:00:09Here, the flute hit, you freak out, kid.
01:00:11Yes.
01:00:12Not racist, zero.
01:00:14Okay.
01:00:15I mean, we're all a little bit sexist.
01:00:17Okay.
01:00:19That's long.
01:00:20Being Arab, Basque.
01:00:22Yeah, sure.
01:00:23It's true that you have a...
01:00:24A black boyfriend.
01:00:25Yeah, you have everything.
01:00:28But that's not an impediment.
01:00:30You can't even say black.
01:00:31I mean, imagine.
01:00:32I'm Arab and I can't say anything.
01:00:33Since I can't say anything, I'm more racist, right?
01:00:36You can say it because you're saying it.
01:00:38No.
01:00:39No, I'm not saying anything, really.
01:00:41I'm speaking normally.
01:00:42Okay.
01:00:43So you're more sexist.
01:00:45Than racist.
01:00:46Let's see.
01:00:47No, man, because I...
01:00:48You're more racist.
01:00:49I want to win the boys.
01:00:50I don't want to win the girls.
01:00:52Okay, so you're more racist.
01:00:54I'm racist.
01:00:55More racist than sexist.
01:00:56If racist is winning the boys, yes.
01:01:01It's a good question, Ricardo.
01:01:02I just realized it's good.
01:01:04But what does sexist mean?
01:01:06I'm not going to explain it to you.
01:01:07Yes.
01:01:09Yes, yes.
01:01:12Sexist in general.
01:01:13Sexist in general.
01:01:14If you do a mansplaining about sexism,
01:01:16you're screwed.
01:01:18But what is sexism?
01:01:19What does sexism mean?
01:01:20Really, I don't know.
01:01:22Well, sexism, in my opinion,
01:01:25is to think that there's a difference
01:01:27between men and women
01:01:28simply because they're men and women.
01:01:30There is.
01:01:31I'm more sexist.
01:01:32But specifically,
01:01:33a difference in which the man,
01:01:35let's say, is above the woman.
01:01:38Anatomically, yes.
01:01:39Anatomically, yes.
01:01:40It depends on what.
01:01:41Mentally, I don't know.
01:01:42In sit-ups, be careful.
01:01:43In Bulgarian sit-ups,
01:01:44the ladies do it more.
01:01:46Yes, but what about Bulgarians?
01:01:48A Bulgarian doing Bulgarian sit-ups?
01:01:49Of course, if you say Bulgarians,
01:01:50I'll say Bulgarians.
01:01:51Of course, Marco, he got it.
01:01:53No, but it's a type of sit-up.
01:01:55Oh, fuck.
01:02:00It's not that they're Bulgarians.
01:02:03What are Bulgarians?
01:02:04The ones where you put one foot on top
01:02:05and the other one below.
01:02:06Yes, that's it, that's it.
01:02:08No, no, no.
01:02:09There are a lot of guys doing glutes today.
01:02:11What is this Bulgarian sit-up?
01:02:13I hadn't fallen either.
01:02:14No, what is this?
01:02:15You get up like this.
01:02:16It's like this, this sit-up.
01:02:18That's Bulgarian sit-up.
01:02:20But with the three of them,
01:02:21the ladies do a lot there.
01:02:22Yes.
01:02:23It's over.
01:02:24Now it's fashionable.
01:02:25The show is over.
01:02:26The show has just ended.
01:02:27What?
01:02:28Really?
01:02:29I think so, right?
01:02:30We have to...
01:02:31Pablo, it's true.
01:02:33Okay, well, now, now, later, now, later.
01:02:36But yes...
01:02:37Now, now...
01:02:38Okay, so it's over.
01:02:39The interview is almost over.
01:02:40So?
01:02:41I'm leaving.
01:02:42But what...
01:02:43I mean, it's not true that...
01:02:44Of course, now you're very dry.
01:02:45Of course, it's true that I said it in a way that...
01:02:47I'm leaving when you tell me.
01:02:48Are you okay?
01:02:49I mean, is there anything left to comment on?
01:02:51When does the Netflix series premiere?
01:02:53Then a movie comes,
01:02:54which premieres now in Donosti,
01:02:55which I know I may not be able to say this,
01:02:56but I'm going to say it.
01:02:57Why?
01:02:58It's called The Red Virgin,
01:02:59which is quite powerful.
01:03:00Oh, in theaters?
01:03:01Yes.
01:03:02Okay, well, the movie is coming out, of course.
01:03:03For you to know.
01:03:04I'm leaving.
01:03:05Okay, bye.
01:03:07But it's over, right?
01:03:08I'm leaving.
01:03:10But wait, wait.
01:03:12Oh, no.
01:03:13A hug.
01:03:14Do people say goodbye?
01:03:15Of course.
01:03:16Yeah, but since you're saying goodbye abruptly...
01:03:17I didn't say goodbye abruptly.
01:03:18You said, well, it's over.
01:03:19Because I realized it was over,
01:03:20but then I wanted to say goodbye more personally.
01:03:22No, no, no.
01:03:23Take the photo.
01:03:24Yes, it's true.
01:03:25Have you been well, Nayoa?
01:03:26Yes, the truth is yes.
01:03:27We will always invite you.
01:03:28I love to see you.
01:03:29You are in the moment you are.
01:03:30And you know what happens?
01:03:31I said before when I came in.
01:03:32Do you know the difference between this show and others?
01:03:34That there is an audience, man.
01:03:35Indeed.
01:03:36Indeed.
01:03:57And now, to finish the show,
01:03:59of the best comedians who have stepped on this set.
01:04:02Yes.
01:04:03A round of applause.
01:04:04A round of applause, of course.
01:04:05Maybe he's out of energy, of course.
01:04:06Because he's been waiting for a while.
01:04:07How is Pablo Ibarburo going to run out of energy?
01:04:09Yeah, it's true.
01:04:10It's Pablo Ibarburo.
01:04:11There he is, man.
01:04:12A round of applause for Pablo Ibarburo.
01:04:15Pablo Ibarburo.
01:04:27Is this going to be on the show or is it going to be cut?
01:04:29If it's going to be cut, I'm going home.
01:04:32No, you're going to have dinner with me.
01:04:33You're going to have dinner with me, remember, Pablo.
01:04:34Let's see.
01:04:35It could be cut.
01:04:36The Pompas is going to come out.
01:04:37I tell my mother, put the TV on, the Pompas is going to come out.
01:04:40What is this?
01:04:41Let's see.
01:04:42I'll tell you.
01:04:43I'll tell you and I'll come tomorrow.
01:04:44Yes.
01:04:45I'll come tomorrow.
01:04:47Yes, yes, yes, yes.
01:04:49I charge twice.
01:04:50I'm honest with you.
01:04:52I'm honest with you.
01:04:53This could not be broadcast.
01:04:56But it could also be broadcast.
01:04:58Of course, what were you going to do?
01:05:01That I make you the menu?
01:05:02Yes.
01:05:04Look, first I was going to comment a little on the show,
01:05:06a little bit in general, the little things of the show,
01:05:08what happened yesterday and such, right?
01:05:09Okay.
01:05:10And then...
01:05:11Maybe that's what could be done.
01:05:12Yes.
01:05:13And you leave the rest for another day.
01:05:14No.
01:05:16No, no.
01:05:18Let him do that.
01:05:19No, but you're not going to know what it is today
01:05:21and what it was the other day.
01:05:22Of course.
01:05:24And besides, here's the Pompas.
01:05:26And besides, here's the Pompas.
01:05:32Okay, sit down, sit down, Pablo.
01:05:35Tell us a little about that and that's it.
01:05:37How are you?
01:05:39Spanish television, Pablo.
01:05:40Spanish television, boy.
01:05:41Primetime.
01:05:42I've seen the show.
01:05:43I saw it yesterday.
01:05:44Okay.
01:05:45A shit.
01:05:47Fuck, strong statements.
01:05:49But the shit that was already.
01:05:52It's what I said from the beginning.
01:05:54The shit that was being done, that was acquired.
01:05:56Yes.
01:05:57It's the shit that's being broadcast.
01:05:59We haven't fooled anyone here.
01:06:00So, I think we're all happy.
01:06:02Indeed.
01:06:03And I, you know I'm more of a fan than an employee of this show.
01:06:06You watch the show more than you appear, of course.
01:06:08Of course.
01:06:11Specifically today.
01:06:12Of course, specifically today.
01:06:13Today I've seen two and a half hours of the show.
01:06:17And it's going to be out in two minutes.
01:06:18Exactly.
01:06:19But you know I do the show to be able to see it.
01:06:22What? I don't understand.
01:06:23I...
01:06:24I like watching TV more than doing it.
01:06:26I mean, I want to watch TV.
01:06:27You like watching TV a lot.
01:06:28But I have to work to be able to watch TV.
01:06:31I mean, if I could see it instead of doing it, I would.
01:06:34But I have to do it to be able to see it.
01:06:36Sure, but you have to have a house where you can watch TV.
01:06:38I need it to be done,
01:06:39because if I didn't, I'd have to see what I'm doing to see it.
01:06:41Yeah, yeah, yeah.
01:06:42Of course, because not seeing it, I don't want to do that.
01:06:44From now on, the most important thing is to watch TV.
01:06:46And the means to continue watching it is to do TV.
01:06:48Do TV to be able to see it.
01:06:49For a television operator, there's the guy.
01:06:51He's the one managing it.
01:06:56And I have to say that I, as a television operator...
01:07:00Yes.
01:07:01I don't see much difference with other shits.
01:07:04I mean...
01:07:05What do you mean?
01:07:06This show is shit.
01:07:07Yes.
01:07:08But it's a TV show.
01:07:09Yes, of course.
01:07:10I don't know what people expect from a TV show.
01:07:12A TV show won't fix your marriage.
01:07:16People are expecting from a TV show.
01:07:18Shit has been done here for a long time now.
01:07:21Of course, years.
01:07:22And it will continue to be shit.
01:07:23Yes.
01:07:24But we had to change a bit.
01:07:26I mean, there are no more MasterChefs.
01:07:30What do you mean?
01:07:31We weren't going to do a MasterChef Perros.
01:07:34Ah, good eye, huh?
01:07:36MasterChef Perros.
01:07:38That's it.
01:07:39Then, we can do more shows.
01:07:41Yes.
01:07:42But we've already done the show where Mercedes Mila comes out
01:07:45showing videos of Mercedes Mila when she was young.
01:07:47It's true that that show has existed.
01:07:49That show has been done many times.
01:07:51It's not necessary anymore.
01:07:52That's like going to see your grandmother
01:07:54and she shows you the photo album.
01:07:56But instead of the photo album,
01:07:57it's the audiovisual archive of Spanish television.
01:07:59Of course.
01:08:00By the way, tell me how it happened.
01:08:01It's what Judge Emanuel Arias told him.
01:08:10What's the parliamentary question?
01:08:13It was discovered that the whole show
01:08:15is the testimony of Carlitos in the trials.
01:08:19A tragedy.
01:08:21In 1985, my dad and my mom
01:08:24hid the money under the mattress.
01:08:34So, now I could show you the other thing,
01:08:36but it's not necessary.
01:08:37No, that's it, that's it.
01:08:38With this joke you've made,
01:08:39for me, it counts for everything, Pablo.
01:08:40That's it?
01:08:41That's it.
01:08:42Did you like it?
01:08:45I forgot that you also do things for children.
01:08:47Oh my God, look, look, look.
01:08:48Look at that little shot.
01:08:49For teenagers.
01:08:50Because here, I don't know,
01:08:51maybe Josep Borrell is watching this show, you know?
01:08:53You also have to...
01:08:54The kids.
01:08:55You also have to give things to the kids.
01:08:56Of course.
01:08:57How did you set up this set?
01:08:58It's a bit...
01:08:59What?
01:09:00It's like very ministerial, isn't it?
01:09:01Well, it was a bit the idea.
01:09:02Then you will see that little by little
01:09:03you will have to add things and such.
01:09:04But at first...
01:09:05It's nice.
01:09:06But you have to break it a little.
01:09:07You have to break it.
01:09:08Do you want to break something before going out?
01:09:09It's like...
01:09:10As soon as you go out, you take the cushion
01:09:11and you throw it against that glass.
01:09:12And you're gone.
01:09:13Let's see if you're going to break it.
01:09:15By the way, one thing I wanted to tell you.
01:09:17How long have we known each other?
01:09:19Ten years.
01:09:20Ten years.
01:09:21Ten years.
01:09:22Yes.
01:09:23Couldn't you find a sofa where I could stand?
01:09:25You can stand on this one, right?
01:09:26I don't stand.
01:09:27Damn, you can't stand on this one either.
01:09:30It's impossible.
01:09:31Yes.
01:09:38Pablo, you can't even stand on a sofa, man.
01:09:43Pablo Ibarguro, La Resistencia.
01:09:47Pablo Ibarguro.
01:09:48Thank you, Pablo.
01:09:49Thank you for coming.
01:09:50Leave it, leave it there.
01:09:51Thank you very much for coming.
01:09:52This was La Revuelta today.
01:09:53Ricardo Casellas, Richard.
01:09:54Thank you very much.
01:09:57Thank you all, thank you all.
01:09:59See you tomorrow.
01:10:00Televisión Española.
01:10:01Thank you for coming.