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00:00Welcome, welcome, welcome, come in, come in, slowly, slowly.
00:11Peace be upon you.
00:13Hello, hello, my son, hello.
00:16Mashallah, you're sitting, eating salmon and tea.
00:19May you be well, may you be well.
00:21Look, look.
00:22I just came from the hospital.
00:24Look at your brother's photo in the sonar, look at it.
00:26Look, mashallah, look at his hair.
00:29It's green, his hair is curly, and he looks like you, believe me.
00:32Look, isn't it nice?
00:34Now, you always say, why did you call me Shamardal, Shamardal, isn't it nice?
00:39So what do you think, why don't you call me that?
00:41I'm telling you, you won't get your revenge.
00:43You won't get your revenge.
00:44No, because my name is nice and just like my mother.
00:47Yes, it's not like your name, if you get angry.
00:52Why should I call him that?
00:53He has a mother, and his father doesn't call him that.
00:55Why should I call him that?
00:56What's wrong with you, brother?
00:58Tomorrow, you'll take him away, take him to play with you, take him to the association, take him to the market.
01:02Your brother will become your brother, I'm telling you.
01:04No, it's not my business.
01:06The name you call us, these girls, why should I call them that?
01:09I don't want to call them that.
01:10What's wrong with calling them that?
01:11What's wrong with you?
01:12What's wrong with you, brother?
01:13What's wrong with you?
01:14What's wrong with you?
01:15War, revenge, what's wrong with you?
01:17Look at this, look at this.
01:20Oh, I'm telling you, this looks different from my baby.
01:25No, it's not different.
01:27Tomorrow, if you go to the association, he'll take his brother and play with him.
01:31You'll see him surprised.
01:33You'll say, oh my God, he's playing with his brother like that?
01:35You'll be surprised.
01:36Really?
01:37Yes.
01:49Can I have another paper?
01:51Sure, here you go.
02:19I was going to order an omelet, but the choula was too hot and I got burned.
02:46Who told you to come to the kitchen?
02:48Who allowed me to come?
02:49What's wrong with you?
02:50Don't forget, I was your manager before I became your wife.
02:53You're not my wife.
02:54I didn't take anything from you.
02:55You're not just sitting on the iron right now.
02:57No, no, I respected her a lot.
02:58Because I gave you the newspaper.
02:59She grew up a lot in my eyes.
03:01And the butter?
03:02On top of the butter?
03:03Why do you use so much butter?
03:05Why don't you use animal butter?
03:08Animal?
03:09Oh, Leila, wake up.
03:12Look, we got married only on paper.
03:14And who did we get married to?
03:15May God have mercy on your hand.
03:17And my hand is dead.
03:18It's gone.
03:19It's gone.
03:20That's it.
03:21So you're on the road and I'm on the road.
03:22Oh, Omar.
03:23Oh.
03:24I didn't expect you to leave me in these difficult circumstances that I'm going through.
03:28No, don't go.
03:29You're going and you're going to my kingdom.
03:31It's not just two meters, it's not enough for me.
03:33Are you still sitting on my heart?
03:35That's it.
03:36I'm the only one who's committed to my dignity, my self-esteem, and my place.
03:40You can give me the newspaper tomorrow.
03:42Present your resignation letter and the divorce letter.
03:45And I'm very sorry.
03:46You can't get your reward.
03:48Because the money is gone.
03:50It's gone.
03:51What should I do with it?
03:53Should I let you be happy and be happy with my newspaper?
03:56It's all two meters by two meters.
03:57Oh, God, you love me.
03:59Look, I didn't ask you for anything.
04:01Oh, God, I asked you for a room to sleep in so that I can memorize Maywehij in front of people.
04:08That's it.
04:09You stay here, memorize Maywehij, and let me burn in Tezab with it.
04:14But I want compensation for this article that you made.
04:16I want compensation, I want compensation for this.
04:21What?
04:23Where did you get the eggs?
04:27Does the omelet need eggs?
04:29What does it need?
04:30What does the omelet need?
04:44And this is the whole story.
04:45That's it?
04:46Yes.
04:47You can sit down.
04:48Rana, let's go.
04:55Mayusha Mardal.
04:57I know the name of the story is strange.
04:59But let's make it longer.
05:06Yes, our manager.
05:08Tell me what's going on.
05:10Look.
05:12No, Mashallah, it's like I'm playing a game.
05:15By the way, I have a cream for dark circumstances, if you want it.
05:20Get out of my sight, or I'll show you all the dark circumstances.
05:25Get out!
05:27Mayusha Mardal.
05:37Hello.
05:39Thank God you're safe.
05:41I was behind the desk.
05:43And then? What happened?
05:45Nothing.
05:47My wedding is tomorrow.
05:48From Shamardal?
05:50No, from Waleed.
05:53Is this a real story?
05:56Yes, of course.
05:57And the heroes of the story I know them personally.
06:00May God help them.
06:02Thank you, girls.
06:03We finished the class.
06:06May God guide her, Leyla.
06:07This is a topic that we came to cover.
06:09They finished the topics.
06:10I go to the kitchen and ask them, what do they give you to eat?
06:13What do they answer?
06:14What do they say?
06:15They don't give me cocoa.
06:16No, honestly, the topic is a trend.
06:18Calm down, calm down.
06:19The topic is not worth it.
06:21It's not worth it.
06:22Don't tell me to calm down.
06:23Don't tell me to calm down.
06:24He's crazy.
06:25He's losing his mind.
06:32Peace be upon you.
06:33Peace be upon you, too.
06:36Stay here.
06:37I'll go get the rest and come back, okay?
06:47We're here to cover an article.
06:50Welcome.
06:51Welcome.
06:52God bless you.
06:54God bless you.
06:57I didn't recognize you.
07:00How do you understand them?
07:01Please tell me, how do you understand them?
07:03What do I do?
07:04Say hello to them politely.
07:06Ask them, what is color?
07:07Sing to them.
07:08Colors, colors, colors, colors.
07:13Peace be upon you.
07:14Peace be upon you, too.
07:15I want chocolate.
07:16I want ice cream.
07:18What?
07:19Do you think I have a source here or what?
07:21I don't have one.
07:22May, May, calm down.
07:23It's okay.
07:24God willing, they'll give you everything you want.
07:25Calm down?
07:26If you'll excuse me.
07:27If you'll excuse me.
07:28Don't scream or I'll call the police.
07:29I didn't scream.
07:30Do you think I'm stupid?
07:31Get out of here.
07:32Get out of here.
07:33May, May.
07:34Calm down.
07:35It's okay.
07:36Calm down.
07:40What's going on?
07:49Don't move.
07:50Don't touch me.
07:57Don't move, don't move, stop.
08:00Don't be afraid. Don't be afraid. Come on.
08:02Don't be afraid.
08:04Don't be afraid.
08:24Believe me, I would give you a thump.
08:26No tweet would be more appropriate than what you are doing behind my back.
08:28If I were a journalist, I would write a lot of articles.
08:30I swear I would not give you a thumbs up.
08:32I don't know how to laugh, I don't know how to have fun, I don't know how to sit with people, I only know how to sit with my soul.
08:40Even my heart, my heart, if it sees you, it hurts me.
08:45I don't have that. I don't have a heart that hurts your heart. I don't have that.
08:50Because I love you. I love you, what don't you feel?
08:54My heart, my soul, my whole mind.
08:57I love you. I love you, what don't you feel?
09:04May. May. May. May. May. May. May. May.
09:27May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May. May
09:57May. May. May.
10:04May. May. May.
10:18May.
10:25You're coming with me?
10:32Don't forget that May is your co-worker.
10:37And she's going to be a teacher.
10:42I want to stay with my brother.
10:44You want to go with him?
10:47It's up to you.
11:03I can't believe you broke up with Khatri.
11:06She looks like she doesn't love you.
11:10What's the use of regretting now?
11:12It's too late.
11:14Too late.
11:18Really?
11:21What do you mean?
11:34Here you go, dad.
11:35Is it ready?
11:36Yes, dear.
11:37Finally, I'm going to see Adam.
11:39Finally, it's a happy occasion.
11:41My son is going to work from home.
11:44I have a question.
11:46Is Haya going with you?
11:49Yes.
11:51I think May invited us all.
11:54Tell her to come down.
11:57She's on her way.
12:00Didn't you say you didn't want to see her for a month?
12:04Yes, I didn't say anything.
12:07I didn't say I'd take her with me to Switzerland.
12:12I just wanted to see her.
12:18Listen, I'm at the courthouse.
12:20Call me when you're done.
12:25Dad, dad, dad.
12:29What's this dress?
12:31Why? What's wrong with my dress?
12:32It's nice, isn't it?
12:33What's wrong with my dress?
12:34You don't know yet.
12:35I'm going to spend a lot of money on this dress.
12:38Listen, if you're used to my sister-in-law,
12:42then this is your problem, not mine.
12:44I'm like this.
12:45I go with the trend.
12:47Trend, style.
12:49Wow.
12:50So you're a trend and style.
12:52Get up and get changed.
12:54Get dressed.
12:55Get up.
12:56I'm not getting changed.
12:57I'm going to Switzerland.
12:59Didn't you say you didn't want to see me for a month?
13:02Why are you taking me there?
13:04I have my car. I'm going.
13:05Get out of my way.
13:07When will you get home?
13:09Listen to me.
13:10I'm going.
13:11Come on.
13:12Really?
13:13What did I do?
13:14Listen to me.
13:15I'm going to hit you in the street.
13:16Get out of my way.
13:24Here you go.
13:29Look, you have to talk to her.
13:32I have to talk to her.
13:33What do you want me to say?
13:34I know what I'm saying.
13:36You have to focus on me.
13:39Okay.
13:40Let's go.
13:46Hello.
13:48Yes, guys, I'm here.
13:50I'm at the door.
13:52I hope I'm not alone.
13:53Let's go.
13:55Hello.
13:56Can I talk to you?
13:57Yes.
13:58What do you want?
14:00Can you read these papers?
14:03Did you order them with me?
14:07Please read them.
14:09Okay.
14:29Yes, I'm going.
14:30I'm going.
14:31I'm going.
14:32I'm going.
14:49Aren't you going to give it to me?
14:54Yes, give me a little more.
14:57I'll be back in a minute.
15:01Come in.
15:06Hello, Yuba.
15:08Hello, uncle.
15:10Can I talk to you in private?
15:13Yes, uncle. Come in.
15:17My dear, can you wait outside?
15:27Look, my dear.
15:35They say, people have a face.
15:39And God knows the inside.
15:47My son, Shamarda, no one could understand him.
15:52Even I couldn't understand him.
15:54But I sat with myself and thought, I started to understand him.
16:02Shamarda lost her mother when she was 10 years old.
16:06She needed her mother the most.
16:09And I tried to give her back her tenderness.
16:13I tried to give her back her mother's presence, but I couldn't.
16:16Because a mother's love, mother's tenderness, and mother's affection can't be reciprocated.
16:22That's what affected him.
16:25And it stayed with him all his life.
16:28He needed her, but he couldn't find her.
16:31I couldn't find her.
16:33He grew up.
16:35He went to college.
16:37He had a friend.
16:39One day, he lost his friend in an accident.
16:42And he died.
16:45He lost his mother.
16:47He lost his dearest friend.
16:49He lost his trust.
16:51He lost all hope in people.
16:55He tried, but he couldn't.
16:58And he was always defensive.
17:01He was always afraid.
17:04He was always afraid to face anyone.
17:07When he had a problem, he couldn't act.
17:11So he tried to live with his soul.
17:14He closed the door on himself.
17:16He didn't talk to anyone.
17:18He didn't accompany anyone.
17:19He stayed at home.
17:23Believe me, even the idea of marriage...
17:26He rejected it, but he was afraid.
17:30He was afraid that the person he was holding on to...
17:33would leave him one day.
17:36Or that he wouldn't get what he wanted.
17:39Or that he wouldn't be safe.
17:41Or that he wouldn't feel the love he was missing.
17:44This is my son, Shamardal.
17:50Okay, uncle.
17:52Why are you telling me this now?
17:55I want you to forgive me.
17:57And I don't want you to take it out on him.
18:00Why would I take it out on him?
18:03Shamardal is just a colleague.
18:06Then why are you taking it out on him?
18:10Believe me, uncle.
18:13I'm sure...
18:15that Shamardal is his personality.
18:17He will never change.
18:19Believe me, Amal.
18:21If you find the person you love...
18:24and you feel for him...
18:26and you hold on to him...
18:28and you take out on him...
18:30he will change.
18:42God bless you.
18:47God bless you.
19:17God bless you.
19:29Rana, come here.
19:32Did you talk to Waleed?
19:34Yes, I did. What did he say?
19:36He didn't say anything.
19:43Hello, Adel.
19:45Did you do what I told you?
19:47Good job, Adel.
19:49Good job, Adel.
19:51Okay, bye-bye.
19:53We can't leave Shamardal here.
19:55How can we leave Shamardal here?
19:57It's very difficult.
19:59Go inside and leave the rest to me.
20:01Okay.
20:17God bless you.
20:47God bless you.
21:18Hello.
21:20Hello, my sister.
21:22How are you?
21:24I forgot my keys.
21:26How many keys do you have?
21:28I have five cups.
21:30I don't have enough money.
21:32Do you want me to give you some money?
21:34No, thank you.
21:38What's wrong?
21:40I'm going to be a father.
21:42I'm going to be a father.
21:44What do you mean?
21:45You're going to be a father.
21:47No, I'm going to be a father.
21:49I'm going to be a father.
21:51What?
21:53I'm going to be a father.
21:55I can't believe you!
21:57What are you saying?
21:59Do you want me to be a father or a guard?
22:02Both.
22:04Do you want me to be a father?
22:06No, I don't.
22:08Okay, leave it to me.
22:10Okay, leave it to me.
22:12Do you want me to be a father?
22:13Madden! Madden!
22:15Madden!
22:43Madden! Madden!
23:13Madden! Madden!
23:43Madden!
23:45Madden!
23:47Madden!
23:49Madden!
23:51Madden!
23:53Madden!
23:55Madden!
23:57Madden!
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25:59Madden!
26:01Madden!
26:03If I've told you not to ask him, Ardell...
26:09...not the only one I'm gonna tell.
26:33I don't know.
26:45What's so important about the wedding?
26:47I don't know.
27:04Get out, get out.
27:06Get out, God forbid, get out.
27:08Don't make a scene in the street.
27:10Get inside, come on.
27:12I'm not here to make a scene.
27:14I'm here for you to be born again.
27:17Sheikha, don't make a scene in front of people.
27:20Get inside, get inside.
27:22Listen to me, this is your last chance.
27:25Either you get out and take your lover's hand...
27:28...and fight yourself and fight the world for her...
27:31...or you sit in the kitchen and eat from this buffet...
27:34...and burn with your blood while you see her in your eyes...
27:37...and her hand in the hands of a man.
27:40Sheikha, you're confusing me.
27:42I'm not confusing you at all.
27:44I know you love May, and May loves you.
27:47But you both have flaws.
27:49May, the poor thing, is ashamed.
27:52She's ashamed, she doesn't like to upset anyone.
27:55That's why she agreed to marry Waleed.
27:58You're afraid of the experience.
28:00You're afraid of the experience.
28:02You're afraid of taking one step.
28:04You're afraid of joy, you're afraid of hope.
28:06You believe in this way to live your life, right?
28:09No.
28:10You're wasting your life.
28:12Listen to me.
28:14May is waiting in the kitchen.
28:16She's waiting for her lover to take her hand.
28:19She's waiting for her lover to take her hand...
28:21...and fight herself and fight the world for her.
28:24Go.
28:25Choose.
28:26Either you take your lover...
28:28...or you waste your life.