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00:00A FEW HOURS LATER
00:07Antonia, how did you come alone?
00:10Well, it wasn't worth it for Petro to come with me again.
00:14I've been quite late this morning.
00:19Well, what did the doctor say?
00:22That I probably have sarampion.
00:25And that I have a lump in my neck that doesn't look good.
00:30Can I help you with something? Maybe I can keep you company in my free time.
00:34No, no, no. I'm perfectly fine on my own.
00:36I just need to rest a bit.
00:38I'm not even dizzy, I don't have a fever.
00:40Don't worry, really, sarampion doesn't kill anyone.
00:43Well, maybe I can ask for a more modern permission, even if I can be alone.
00:47That way I can help you with the house, or the kitchen, or...
00:50No, really, no.
00:52Besides, have you ever had sarampion?
00:54No, I don't think so.
00:55Well, then don't even get close to me, because it's very contagious.
00:58What we're going to do is that you stay at Petro's house.
01:00I'm sure he doesn't mind.
01:02Besides, you have an exam tomorrow, don't you?
01:06Antonia, are you okay?
01:08Yes, yes, yes, I'm fine. It's just that I feel a bit lazy, that's all.
01:10Look, I'm going to stay with you and I'm not going to go to work.
01:13Marta, it won't be necessary.
01:15I've had sarampion.
01:17I could take care of you, Antonia.
01:19No, no, no, really, no.
01:21There's no need, I'm fine.
01:22Antonia, don't be stubborn.
01:24If Alegua notices that she's lacking strength...
01:27I'm fine, really.
01:29Look, Antonia, sarampion is not a joke.
01:32It's much worse in adults than in little ones.
01:34Or maybe he doesn't know.
01:35The best thing is that we go to his house.
01:39There's no need.
01:40Give me your arm to twist.
01:42Otherwise, I won't leave you alone.
01:43Of course, you have to promise me that you'll both be fine.
01:46If not, I'll stay.
01:47We'll be fine, Marta.
01:57Let's go.
02:21Celia, what a surprise.
02:23I'm sorry, I'm half asleep.
02:25But if you want, come in.
02:29I'm sorry I showed up so early.
02:32I'd like you to help me choose a sketch for the suffragists' poster.
02:37Don't worry.
02:39I just made coffee, do you want some?
02:42Thank you, I'd love some.
02:45I've spent the night working between some ideas and others,
02:48and I haven't paid attention.
02:50Well, make yourself comfortable and I'll serve you some.
03:01Look, I brought you three sketches.
03:08This one, this one, and this one.
03:12Wow, you've been working a lot.
03:15You're so talented.
03:18Thank you very much.
03:21But I can't decide which one I like more.
03:28Well...
03:33I think this one is the most eye-catching.
03:36And I think it's prettier.
03:38It's also my favorite.
03:41Would you help me choose a sentence for the poster?
03:45So suddenly?
03:47I don't know, let me think.
03:51What do you think?
03:53Women, equality, and voting.
03:58I like it a lot.
03:59It's short and easy to remember.
04:01Fewer words are always better in the poster,
04:04and in the streets the slogans are heard more clearly.
04:07Very good.
04:08I won't tell you more.
04:09Women, equality, and voting.
04:11And would you put it here?
04:13Yes, here, so it doesn't block the design.
04:17Very good, I think it's a great idea.
04:19Besides, I think women, equality, and voting is catchy.
04:22We should open a big advertising agency.
04:25It would be great.
04:26Yes, I would put the images and you the words.
04:29We would make an unstoppable team.
04:34Celia, I'm glad you came.
04:38But I've been thinking about what you told me yesterday,
04:41that it hurts you to be close to me.
04:43And I want to tell you that I understand and respect it.
04:46I imagine it's not easy for you.
04:49The truth is it isn't.
04:52I also wanted to tell you that,
04:54giving you the space you need,
04:56you're a very important person to me.
04:58You're not only my partner,
05:00you're also my best friend.
05:04I like hearing that.
05:07But if I tell you the truth,
05:09I don't know what the future holds for us.
05:11I think friendship can last forever.
05:14Love is something else.
05:17I can't comment on that.
05:20It's the first time I feel something like that for someone.
05:23I guess I need time to handle the situation.
05:26I'll give you all the time in the world.
05:29Celia, I don't want to lose you.
05:40Mrs. Franza, please, come with me.
05:42There's a mess.
05:43We have to see the people.
05:45Let's see, where?
05:47Here, on that table.
05:51They're already here, the newlyweds.
05:53What a joy to see you.
05:55It's been a long time,
05:57but you don't know how much we've missed you.
06:02What's the matter?
06:03Has the family given you too many hugs at the wedding?
06:05Don't you want more?
06:06Of course.
06:07Now they just want the love from one to the other.
06:09And the rest of us.
06:11Trini, come here.
06:12Two kisses.
06:16So, how was it?
06:18Well, it was exciting.
06:21Anything else?
06:22Any anecdotes?
06:24Well, the typical thing about weddings,
06:26the joy, the laughter.
06:28The nerves, too.
06:29Well, it's better if there are no anecdotes.
06:31Because my family, one day,
06:32my uncle kicked them out.
06:34He went to the other neighborhood,
06:36he sat in a chair,
06:38and we thought he was sleeping on the floor,
06:40but he didn't.
06:41He fainted.
06:42That's life, Miguel.
06:43They're all fine.
06:45As long as it matters.
06:47And the first night?
06:48Esperanza, don't be so indiscreet.
06:50Well, snore or not snore.
06:52Well, obviously I'm not going to tell you
06:53about something so intimate.
06:55No, you're such a snob.
06:57Well, who took the bouquet?
06:59Aunt Odulia or Aunt Ramona?
07:01Ramona.
07:03Let's see, what did we agree on?
07:05Well, we agreed that
07:07both of them fought for the bouquet,
07:09because they both want to go to the altar.
07:11Yes.
07:12Well, but since you didn't fight,
07:13and you went to the altar,
07:14do us a favor and give us a kiss
07:16so that we can enjoy
07:18being married.
07:19Kiss, kiss, kiss.
07:24But what kind of kiss is that?
07:26If you gave her a grandmother's kiss...
07:28No, no, a movie kiss, Miguel.
07:30Like this.
07:31What's melon doing?
07:33Ham.
07:35Well, there will be time
07:36for the love demonstrations,
07:38but now I have a kiss.
07:39Yes, me too.
07:40Bye.
07:43Are you okay?
07:47The poor thing has caught measles.
07:50She won't be able to come to work today.
07:52She asked me to tell you that
07:54and to apologize.
07:55Measles?
07:56Yes, measles.
07:57It seems so.
07:58And it won't have infected her, right?
08:01No, no, don't worry.
08:02I had it when I was a kid.
08:05And I wasn't going to be so irresponsible
08:07to come to work
08:08if it could infect someone.
08:10Well, I'm very glad.
08:12By the way, have you already thought
08:14about what you're going to prepare
08:15for the breakfast at the Puerta del Sol
08:16the day after tomorrow?
08:17Yes.
08:18Thinking of the place,
08:19I think something typical,
08:21like, I don't know,
08:22the San Isidro rolls,
08:24the marquillos,
08:25or the torrijas.
08:27Very good, very appropriate.
08:29But get down to work
08:30because you don't have much time.
08:32Don't worry.
08:33I know how to organize myself.
08:39Mrs. Lázara.
08:41Pietro.
08:42Marta arrives late.
08:44Excuse me,
08:45I had to wait
08:46for someone to stay with Antonia.
08:47The poor woman is sick.
08:49What an excuse.
08:50That's not the problem of the place.
08:52Get to work.
08:58Marta.
08:59Who has been taking care of Antonia?
09:02Well, Pietro,
09:03you won't believe it, but Lucia.
09:05Lucia?
09:06Alone?
09:07Did I hear correctly?
09:08No, no.
09:10My God, this is crazy, Marta.
09:12And how could you
09:13let it happen?
09:15Well, I don't know, Pietro.
09:16You know Lucia is very persuasive.
09:18Even Antonia thought it was a bad idea,
09:20but she insisted and...
09:22well,
09:23that's how it is.
09:24And well,
09:25it's a disaster.
09:37I would go to Santa Lucia...
09:42Lucia, please.
09:43Can you stop singing?
09:46Sorry.
09:47I didn't think it would bother you.
09:50Do I do it that bad?
09:51No, it's not that.
09:52It's just that my head hurts.
09:53Really,
09:54if you need to do anything outside,
09:57you can go.
09:58I'm fine.
09:59I'm just dizzy.
10:01I'm glad you're better,
10:02but you should be more cautious.
10:04The fever weakens a lot.
10:06You should sit for a while
10:07and stay still.
10:16And don't scratch yourself, Antonia,
10:17it's much worse.
10:18Please,
10:19can you stop treating me
10:20like a child?
10:21I know perfectly well
10:22what I need,
10:23and that is to stay alone
10:24and rest.
10:26Well, I agree,
10:27but in half.
10:28Because apart from resting,
10:29you should have a good soup
10:30that will make you feel wonderful.
10:32I'm not hungry.
10:33I'll need to put liquids.
10:35For that,
10:36a soup is the work of a saint.
10:38I already told you I'm not hungry.
10:40You know what?
10:41I'd better go to the bedroom.
10:43But I'm telling you
10:44I made you a soup, Antonia,
10:45and you don't even want to try it.
10:47No, I'm not hungry.
10:48I already had a broth before.
10:49A broth?
10:50Yes.
10:51But a broth,
10:52what is a broth?
10:53It's much better,
10:54a soup,
10:55it's much more healing.
10:56It has pieces of chicken,
10:57fresh vegetables,
10:58ginger,
10:59which is the work of a saint.
11:00Ginger?
11:01Yes, ginger.
11:02It deflates.
11:03All my life,
11:05I've been hungry.
11:06I'm always hungry.
11:09What's going on?
11:10You don't trust me?
11:12Look,
11:13I don't trust you.
11:14And I don't think I'm lacking in reasons.
11:16Since you came,
11:17my whole world has been demolished.
11:19All my plans have been ruined.
11:21I can't stand you.
11:22I'm telling you, I can't.
11:23That's not true either.
11:24I can't stand you either.
11:25That's not why I have bad intentions.
11:27Bad intentions to take Pietro away?
11:29That depends.
11:30Because it's you
11:31who wants to take him from me.
11:33with me.
11:35Antonio.
11:37You have a very high fever.
11:39You have a very cold hand.
11:41Look, Antonio.
11:43You know what?
11:45It would be great if you stopped
11:47behaving like a child.
11:49Let's clarify a few things.
11:51I understand that Pietro chose you.
11:53Another very obvious thing
11:55is that you have measles.
11:57And at this age, you have to be careful.
11:59And besides, you need help.
12:01Right now, I'm the only one here.
12:17Hello, uncle.
12:19Hello, darling.
12:21Did you know that Mrs. Bárbara has been arrested?
12:23I saw it on the covers of the newspapers
12:25when I came here.
12:27Yes, I've already been informed.
12:29In the office of the Morrocuente company.
12:31Unbelievable.
12:33Apparently, it was a whole show.
12:35Nothing rewarding, by the way.
12:37What amazes me the most
12:39is the amount of lies
12:41that she and her daughter were hiding.
12:43Well, I hope we lose sight of them.
12:45Because it is clear that having them close
12:47only brings us problems.
12:49And I hope it doesn't affect the reputation of the gallery.
12:51Customers don't think
12:53that this has become a nest of criminals.
12:55Don't worry.
12:57Agustín will understand
12:59that this is an isolated and punctual case.
13:01Well, just in case, Agustín and I have already met
13:03with Mr. Fabio del Moral.
13:05Really? You've met with Agustín?
13:07I didn't know.
13:09The last time I saw him was yesterday,
13:11rehearsing with Inés.
13:13Agustín is being tremendously generous with your sister.
13:15Yes.
13:17The truth is that we are both very lucky
13:19to have met him in real life.
13:21What Agustín does
13:23in an excellent way with your sister
13:25makes me wonder
13:27if you are also happy with him.
13:29Yes.
13:31I am very happy to have met him
13:33and to share so many things.
13:35I think I have finally found a man
13:37I can trust.
13:39I am very glad that you finally find someone
13:41who excites you
13:43after all the bitter drinks you've had, darling.
13:45Yes.
13:47Well, and maybe it's not the only one.
13:49If you mean Mrs. Lázara,
13:51I think that will go a little slower.
13:53It's something more complicated
13:55than what happened with Agustín.
13:57Can you tell me why?
13:59I have simply
14:01asked for more time.
14:05By the way,
14:07you and Celia
14:09haven't arrived at the store.
14:11Is something wrong?
14:13No, no, she's at the printing house
14:15collecting some posters for the event
14:17that we are going to celebrate
14:19in the Madrid-Cabaret of the suffragists.
14:21I hope it doesn't bother you
14:23if we do it somewhere else.
14:25No, darling, of course it wouldn't be necessary.
14:27Now, be careful.
14:29Don't get into trouble
14:31and ruin the act.
14:33Don't worry, we'll be attentive.
14:35And does Celia know what she's going to do?
14:37Is she going to leave or stay?
14:39No, she's still thinking about it.
14:41Well, it's a difficult question
14:43but let's hope she decides soon
14:45about the store
14:47if she finally leaves.
14:49Yes, I'll remind her
14:51with all my left hand that I can.
14:53Between you and me.
14:55Good thing I'm good at love
14:57because business is a bit uncertain.
14:59Well, consider yourself lucky.
15:03Love is much more important
15:05than business.
15:07I'm sorry.
15:13Well, man.
15:15Bookkeeper, let go of your clothes.
15:17It seems you've been quiet all day.
15:19Maybe you want to know a lot, Elias.
15:23How was Leonora at the wedding?
15:25Was she pretty?
15:27You have to see how pretty she is.
15:29My mother-in-law wasn't there.
15:31What? That can't be.
15:33With the enthusiasm I gave her.
15:35She didn't want to go to the hermitage.
15:37She's old enough.
15:39Whatever she has,
15:41you don't ask her.
15:43Except for her.
15:45You don't know how eager I am to see her again.
15:47In fact, I didn't want to go to your wedding.
15:49But knowing she didn't go,
15:51it doesn't hurt as much.
15:53With all my love,
15:55but I think it's time
15:57you forget that idea.
15:59Forget my mother-in-law.
16:01She wasn't wise before and she isn't now.
16:03The reason is that she doesn't know the reason.
16:05Yes, that's what Pascual said.
16:07Very well said, Pascual.
16:09Let's go inside. I have a lot of work to do.
16:11See you later.
16:13Hey, Chacita.
16:15Miguel, how are you?
16:17Congratulations.
16:19Thank you very much.
16:21How was your life as a married man?
16:23As always.
16:25Since I was already married, it didn't change.
16:27Well, yes, now we don't have to hide.
16:29You don't know how happy I am, Miguel.
16:31It's great.
16:33And do you know what your father's plans were?
16:37You won't believe it, Miguel,
16:39but my father wants to marry me
16:41to the daughter of a businessman.
16:43Really?
16:45Yes, really.
16:47I thought those things didn't happen anymore.
16:49What are you going to do?
16:51I told him it was a horrible idea
16:53and that I really liked Marta
16:55and he told me that if I didn't listen to him,
16:57I would kick her out of the bookshop
16:59Does Don Salvador know?
17:01In all these years that we have dealt with each other,
17:03I have never seen such attitude.
17:05He says he does it for me,
17:07but I don't believe it.
17:09No, of course, I understand.
17:11Even if Marta didn't exist,
17:13it seems old to me to deal with those celestinages
17:15for a social position.
17:17My father is not a bad man,
17:19but he has always been very aware of money
17:21and appearances, you know?
17:23Well, I already feel that you are in this situation, Salvita.
17:25Thank you, Miguel.
17:27I hate having to accept his blackmail,
17:29but I know Marta needs the money.
17:31What would you do in my situation?
17:33Well, that has a difficult answer.
17:35I would rather not give you my opinion,
17:37let alone that instead of helping you,
17:39make the matter even worse.
17:45And about my future,
17:47did he mention something?
17:49Oh, well.
17:51He told me he had forgotten to call you
17:53to congratulate you on the wedding.
17:55And did he mention anything about
17:57having seen me in another bookshop,
17:59by any chance?
18:01In another bookshop, no.
18:03No, nothing, nothing.
18:05It's my thing.
18:19Good morning, Don Fabio.
18:21Is it a good time?
18:23At the moment?
18:25Of course, come in.
18:27I was reading what has been published
18:29about the detention of Doña Bárbara.
18:33And do you know anything else,
18:35apart from what the press brings?
18:37Well, no. Unfortunately, I have not tried to speak to her,
18:39but they have not allowed me to.
18:41At the moment, she is still detained
18:43at the Puerta del Sol police station.
18:45Well, beyond the personal issue,
18:47and as I also told you yesterday,
18:49the gallery's businessmen are experiencing
18:51these news with great concern,
18:53fearing not to know
18:55how all this will affect
18:57our businesses.
18:59Yes, the crimes of Doña Carla
19:01and her mother have filled
19:03many rumors, many comments,
19:05and what is worse, they have created
19:07an atmosphere of uncertainty that
19:09is neither good for trade
19:11nor for investment.
19:13I understand that a stir with such
19:15luctuous events worries you.
19:17Believe me, I'm sorry.
19:19I wish I could do something else
19:21so that no one suffers from these rumors,
19:23but it is not in my hand to stop these rumors.
19:25No, of course it is not in your hand,
19:27even if you wanted it.
19:29But we wanted to ask you
19:31what is going to happen
19:33with the Morcuende group?
19:35Doña Carla has fled and her mother
19:37is in prison. Who is going to lead
19:39the press group now?
19:41Maybe you have chosen it.
19:43No, no, no. I'm sorry to disappoint you,
19:45but no. I'm just trying
19:47to help Doña Bárbara
19:49in a provisional way.
19:51I have no idea of the decisions
19:53that mothers and daughters
19:55can make from now on.
19:57Excuse me.
20:03Tell me.
20:05Yes, it's me.
20:09Doña Bárbara.
20:13Good.
20:15Thank you for letting me know.
20:21Forgive my indiscretion, but ...
20:25Was it Doña Bárbara?
20:27No, it was a police officer.
20:29He has told me that the judge
20:31will release her on probation
20:33under bail.
20:45I'm sorry.
20:59Oh, what a scare, woman!
21:01What are you doing, woman?
21:03Nothing, nothing. I think these days
21:05I've gained a little weight.
21:07Well, one only marries once in life,
21:09nothing happens to make an excess.
21:11Well, it's true.
21:13I've been thinking a lot about you these days.
21:15Me too, a lot. I've been thinking a lot about you.
21:17I was there at the invitation,
21:19I saw a couple of wrong glasses and I thought,
21:21if Teresa had seen this ...
21:23Come on, come on.
21:25On such an important day you will be thinking about that.
21:27Well, tell me, how are you?
21:29How do you feel
21:31being a married woman?
21:33Well, I'm normal,
21:35as always. Well, with more kilos.
21:37Well, but something will have changed your life,
21:39even if it's just because you go from living alone
21:41to living with your partner.
21:43Well, when you get married,
21:45it's not about living together, it's about fighting.
21:47Because it's getting married and from one night to the next,
21:49by magic, things start to happen,
21:51like socks lying everywhere,
21:53or dishes without scrubbing,
21:55not to mention having a man
21:57snoring in your ear every night.
21:59Well, it looks like you've been married half your life.
22:01Well, look, I've realized
22:03how little I've been married.
22:05Imagine that.
22:07But, well, everyone says that in the end
22:09it all works out, right?
22:11So, let's see if it's going to be true,
22:13that love can do anything.
22:15Well, yes.
22:17What?
22:19What's that high school smile
22:21you've put on?
22:23Oh, oh, oh, mother, I've been gone for a few days
22:25and he's fallen in love.
22:29Sit down, I have to tell you something.
22:31Oh, oh.
22:35Oh, mother, what?
22:39I'm only going to tell you one word.
22:41Well?
22:43Cañete.
22:45No.
22:49Oh, I can't believe it,
22:51but how did it go?
22:53Tell me everything, please.
22:55What happened?
22:57Well, Trinio, I don't know, it was all very fast
22:59and very nice.
23:01Oh.
23:05Well, the thing is that Cañete confessed to me
23:07that he was still in love with me.
23:09And look, Trini, he said it
23:11in such a beautiful way,
23:13so honest, so...
23:15I don't know, Trini,
23:17I suddenly saw it clearly.
23:19Well, of course he saw it clearly,
23:21I see it clearly for both of us.
23:23Oh, Trini, I've realized that with him
23:25I feel calm, I feel good.
23:27He's there for me
23:29and I can be myself,
23:31so what's better than that?
23:33That's the most important thing,
23:35I can't wait to see Cañete,
23:37I hope Juanfran doesn't catch him.
23:39No, no, no, please, don't tell him anything,
23:41we're going to keep it a secret for now.
23:43But, well, it's Cañete, I can talk to him.
23:45No, neither to him nor to Miguel.
23:47Well.
23:49Do you keep it a secret?
23:51Come here.
24:05Salmita, are you crazy?
24:07Leave that, come on.
24:09What's wrong?
24:11Do you know, Poncio, that I'm going to give it to Marquesita
24:13when she sees that you're wearing this instead of the waiter?
24:15What about me?
24:17You're kidding, but I've told you it's true.
24:19In fact, I've made the decision
24:21and I'm going to give it to her, yes or yes.
24:23Well, I'm not going to believe
24:25that you're going to give it to her
24:27until she sees it.
24:29What a nice lemonade you have, dear.
24:31What doesn't look so good is that mania of yours.
24:33What mania?
24:35The one about talking to the slut of the bar.
24:37I don't know what trust she has in you.
24:39I have trust in her, Vanessa.
24:41But, well, that's what we friends do.
24:43You're a friend of the slut?
24:45Really, Salvador, you're a surprise box, huh?
24:47And I thought that when you were introduced
24:49as my future boyfriend I was going to get bored with you.
24:51Well, look, just on that subject
24:53I have to tell you something.
24:55I'm not going to tell you anything.
24:57Well, look, just on that subject
24:59I wanted to talk to you about the subject of dating.
25:01Don't worry, I'm already in charge of making it official.
25:03What do you think if we go to mass on Sunday?
25:05Then you'll meet my great-aunt.
25:07Your great-aunt?
25:09Don't worry, she's a very good woman.
25:11What happens is that she has to give you the good look.
25:13I'm sure she does, and when you least expect it
25:15we're playing bridge with her.
25:17Bridge?
25:19You've never played?
25:21Don't worry, I'll teach you.
25:23I'm a very good teacher.
25:25Yes, that's for sure.
25:27But I'm not very good at bridging.
25:29And I won't even tell you about going to mass on Sunday.
25:31Vanessa, you and I are very different.
25:35I really think this is not going to work out.
25:37Don't worry, I'll think of another plan for Sunday.
25:39You don't get overwhelmed.
25:41Look, Vanessa, you're going to kill me,
25:43but I'm going to take the bull by the horns because ...
25:45The bull by the horns?
25:47Look, no way, Salvador.
25:49You can't be a bullfighter.
25:51Let that tradition show, I don't like it at all.
25:53Look, I'm not going to take any bull.
25:55Don't worry.
25:57It's an expression we use here
25:59when we want to face reality
26:01and tell the truth.
26:03Do you understand?
26:05And what truth do you have to tell me?
26:13Nothing, nothing.
26:17This lemonade is very famous,
26:19but it's not for that.
26:21No.
26:41Hello.
26:43Don't tell me you want to play the piano.
26:45Because I see it cool.
26:47No, the man just left
26:49because, well,
26:51he wanted to freshen up.
26:55Well,
26:57are you ready for another great night?
27:05Are you okay?
27:07Yes.
27:09Listen to me, as soon as I shoot, you have to go out the back door.
27:11No, I'm not going to leave you here.
27:13Listen to me.
27:15I love you.
27:17Are you okay?
27:19Do you want me to bring you a glass of water?
27:21Or...
27:23No, it's...
27:25It's that...
27:27It's that I remembered...
27:29Well,
27:31you know.
27:35Look, I don't want to bother you,
27:37but I don't want to leave you alone either.
27:39No, yes.
27:41Yes, I'm used to it.
27:43Since the shooting, well...
27:45Well,
27:47I dream every night of the shooting.
27:49Listen, I...
27:53I'm very sorry about everything that happened to you.
27:55And I understand that it still hurts.
27:59But hey,
28:01all that is in the past.
28:05But...
28:07I don't understand.
28:11I mean that you have
28:13a brilliant present and future.
28:17How are you going to be anchored in that?
28:21It's that...
28:25It's that it's something I can't control.
28:29Neither nightmares,
28:31nor...
28:33nor the fears that...
28:35I would love to forget it, but...
28:37I can't.
28:39Hey, hey.
29:07Hey.
29:37Uh...
29:39Yes, uh...
29:49Look, Vanessa, it's not that I love bulls,
29:51you've got it all wrong.
29:53But the English also do strange things.
29:55And what strange things do the English do?
29:57Tea, for example.
29:59There's no God who understands that.
30:01Hot water there with...
30:03Well, at least we don't eat bull's tail, like here.
30:05Bull's tail is an expression.
30:07Or do you really eat it?
30:09Disgusting.
30:11Well, there are things that are more disgusting, miss.
30:13That's what I say.
30:15I don't know what you mean, girl.
30:17But well, I guess people like you are used to it.
30:19No, bulls eat everything.
30:21And we poor people love it.
30:23Can't you see that we're used to eating cats?
30:25Cats?
30:27Oh my God, that's disgusting.
30:29Sure, but that doesn't happen with bulls.
30:31Look, you can eat bull's tail,
30:33testicles,
30:35blood.
30:37Have you ever tried onion blood?
30:41I'm going to the bathroom.
30:47Marta, I'm trying, really.
30:49Yes, yes, Salvita.
30:51I knew it, you're a coward.
30:53That's it.
31:03Trinidad, I'm so excited
31:05that you're going to be the first
31:07independent housewife of La Boderna.
31:09Thank you very much, Mr. Fermin.
31:11If you're excited, imagine me.
31:13Well,
31:15let's see if this makes me excited.
31:17Here.
31:19My gift for your wedding.
31:21No, thank you very much, but no.
31:23The wedding was so modest that we couldn't even invite you.
31:25Trini, we're like a big family here.
31:27So do me a favor
31:29and take it.
31:31Trini?
31:33Okay.
31:4150 pesetas?
31:43But, Mr. Fermin,
31:45you shouldn't have bothered.
31:47Thank you very much.
31:49If you don't care about the family,
31:51who does?
31:55Thank you very much, really.
31:57Trinidad?
31:59Congratulations on your wedding.
32:01I'm very happy to have you back in the living room.
32:03Thank you very much,
32:05and I'm also very happy.
32:07Well, I'm going back to work.
32:09Goodbye.
32:11Goodbye, Trinidad.
32:15Of course,
32:17what a joy to see Trinidad so happy.
32:19Yes.
32:21It's what has a whole new beginning.
32:23By the way, Mrs. Lázara,
32:25how are the first few days
32:27of your return to La Moderna?
32:29Everything is in order.
32:31Thank you very much for your interest.
32:41Are you okay?
32:43Yes.
32:45Don't worry.
32:47Mrs. Lázara,
32:49if there's anything I should know,
32:51something that worries or bothers you,
32:53you can count on me.
32:55Don't worry.
32:57I'm just excited
32:59to see Trinidad like this.
33:01So in love,
33:03so corresponding.
33:05She's so lucky to have a man like this by her side.
33:07Yes, Trini and Miguel
33:09are two great people.
33:11They're very lucky.
33:13I hope one day
33:15fortune smiles on me too.
33:19Anyway, if you'll excuse me,
33:21I just came for these folders.
33:41What's with the sudden genius?
33:43I'm sorry, Matilde,
33:45but I'm so bored.
33:47Come here.
33:51Come here.
33:55If you want to do something,
33:57you and I, or I don't know,
33:59call your friend Lara.
34:01I've already thought about it,
34:03but I don't know anything about her.
34:05What if she's tired of being my best friend?
34:07Come on, don't be silly.
34:09She'll be bad.
34:11Don't you realize that everyone's here?
34:13I'm sure that as soon as she gets better,
34:15she'll come for you.
34:17I hope so, because she's the best friend I've ever had.
34:19I've missed her a lot.
34:21I've missed you too, I'm sure.
34:23Hey, why don't you invite her
34:25to have lunch one afternoon?
34:27I really want to meet her.
34:31Which school does she go to?
34:33No idea.
34:35Come on, I thought she was your best friend.
34:37She is, but what does that have to do with anything?
34:39I've never asked her.
34:43Well,
34:45does she go to the same school as you?
34:47No, she's older.
34:49She's a year older,
34:51not a year older.
35:09Marta!
35:11You can't help it.
35:13This tray...
35:15It's not for you.
35:17It's for my friend Clarita.
35:21Marta,
35:23thank you so much.
35:25I'm going to get my room
35:27and we'll have lunch.
35:29Well,
35:31I can't stay.
35:33I have to study for the night school exam.
35:35But I have the grammar book here.
35:37Wait,
35:39sit down.
35:41Well,
35:43how are you doing?
35:45Fine.
35:47I'm not doing well,
35:49but I'm doing well.
35:51I want to study, Matilde.
35:53Of course, Marta.
35:55For humble people like us,
35:57it's the most honorable way to get ahead.
35:59So don't say it with your little mouth.
36:01And that's what you have to be in life.
36:03Honorable.
36:05Not like Mrs. Bárbara.
36:07Have you heard what they're saying out there?
36:09The criminals?
36:11Everyone knows that.
36:13No, more than that.
36:15In the end, they'll both end up leaving Rositas.
36:17With the one they've messed up.
36:19I hope not, Marta.
36:21First, because it wouldn't be fair.
36:23And second, because I wouldn't be able to sleep
36:25knowing that
36:27my mother's murderer
36:29is still free.
36:31I'm telling you,
36:33they'll both be caught.
36:35I've picked up my room.
36:37Shall we have a snack?
36:39Come on, I'm going to make the snack.
36:41Well, I really can't stay long.
36:43I have to study and see how Antonia is.
36:45The poor thing has taken the exam.
36:47Tell her to recover on my behalf.
36:55I'm going to cut you a good piece of cake
36:57to give you energy if you pass that exam.
36:59Oh, Marta.
37:01It's delicious.
37:03I'm going to get the plates.
37:05Bye.
37:19Hi, Lucia.
37:21How's Antonia?
37:23Has she woken up? Has she eaten anything?
37:25She's been in her room all day.
37:27But she's woken up to eat.
37:29And since then, she's been sleeping.
37:31Something. It's something, right?
37:33If she needs anything, please call me.
37:35I'll let you know.
37:37Don't worry, Pietro. I'll take care of her.
37:39Thank you. Really.
37:41And I'm leaving.
37:43Don't wake her up.
37:45And please, when she wakes up,
37:47tell her that her classmates
37:49send her a hug.
37:51That's done. Don't worry.
38:11Was that Pietro's voice,
38:13or am I seeing things?
38:15Yes, it was Pietro.
38:17He came to ask about you.
38:19But if you want, I'll run out and let him know
38:21so he can see you.
38:23No, no. I'd rather he didn't see me like that.
38:25He'd be scared.
38:27What's going on, Antonia?
38:29He told me his classmates
38:31sent him a hug.
38:35Would you like some coffee?
38:37It's freshly made.
38:39Something hot will do.
38:41Yes.
38:43I'd like to clear my head a bit
38:45after being there all day.
38:57If you have to do something,
38:59tell me. I'm fine.
39:01Don't worry.
39:03I'd rather stay here with you,
39:05in case you need me.
39:07I'm not that bad either.
39:11Well, you never know with these things.
39:13In the United States,
39:15what I thought was a cold,
39:17I hardly even tell.
39:19Don't tell me.
39:23If it's not for my neighbor,
39:25I'd almost die in that room.
39:27She was a very good woman.
39:29She brought me food every day
39:31and cold cloths for the fever.
39:39But Antonia,
39:41don't be sad.
39:43That's not going to happen to you.
39:45You have a lot of people who love you
39:47and take care of you.
39:49I know, yes.
39:53Suddenly I imagined
39:57how lonely she must have felt.
40:01She must have had a very bad time.
40:03A lot.
40:05And she never regretted
40:07going so far?
40:09Of course.
40:11But she didn't have any other option.
40:13She was naïve.
40:15She thought
40:17she'd go there and find a good job.
40:19She could bring me my husband,
40:21my son.
40:23And you see,
40:25one has plans
40:27and the other doesn't.
40:29Yes.
40:31But she doesn't seem naïve to me.
40:35She seems like a very brave woman
40:37who was fighting.
40:41But it hasn't helped me much either.
40:43I was hungrier than in Italy
40:45and I had to do horrible things.
40:49It was a real hell.
40:51Well, don't think about it anymore.
40:53She's here now.
40:57And as we say in Spain,
40:59after the storm
41:01comes the calm.
41:23Celia, what a surprise!
41:25Sorry for showing up like this, without telling you.
41:27But I wanted to propose something to you.
41:29Maybe it's not a good time
41:31because you were studying.
41:33No, I have a square head
41:35and I have so much to study.
41:37It will be good for me to rest.
41:39Come in.
41:53How is Antonia?
41:55I was told
41:57she was with the squirrel.
41:59Yes, well, there she goes.
42:01She'll be fine, but that squirrel is very stubborn.
42:03That's why I came here with Pietro.
42:05I don't want us to catch him too.
42:07Don't worry, you'll be with her in a few days.
42:09I hope so.
42:11Well, sit down.
42:13I'm going to leave this here.
42:15And what was that
42:17you wanted to tell me?
42:19Well, you see, I don't know if you know
42:21but the event we're going to organize
42:23in Madrid Cabaret
42:25is about the women's vote.
42:27And very inspiring women
42:29are going to speak.
42:31Among them, Clara Campoamor.
42:33Clara Campoamor? I want to go.
42:35That's what it's about.
42:37Marta, I want you to take the floor too.
42:39What do you say?
42:41No, no, no.
42:43Well, calm down.
42:45Breathe.
42:47But what do I have to do with Clara Campoamor?
42:49She's not worth it.
42:51No, no, no.
42:53But Marta, you have a very interesting point of view of life.
42:55But I don't even have a bachelor's degree, Celia.
42:57What am I talking about next to that woman?
42:59No, no.
43:01Well, look, that woman was like you.
43:03Did you know she didn't study bachelor's
43:05until she was 32 years old?
43:07She was a fashion designer
43:09to be able to pay for her studies.
43:11Of course, when she was that age,
43:13she took out her bachelor's degree
43:15and at four years old she already had her law degree.
43:17Mother of God, how beautiful.
43:19She is one of the few lawyers in the country.
43:21So, do you dare?
43:25Well, come on, I think I'm going to go.
43:27But only to meet her,
43:29because that woman is impressive.
43:31But not to talk about anything, okay?
43:33Just thinking about people listening to me
43:35makes my legs tremble.
43:43Oh, Marta.
43:45What's wrong?
43:47That there is something that worries me
43:49and that I wanted to tell you too.
43:59Cañete, please come with me
44:01to review the orders of the week.
44:03And that tone?
44:05Have I missed something?
44:07Disseminate, man. There are people.
44:09Of course, ma'am.
44:11Let's review the order of drinks,
44:13or whatever happens.
44:15Well, let's see.
44:21Water with gas, we have to ask.
44:23I think what we have to ask is ...
44:27I would ask
44:29another walk with you
44:31like the one we took the other day.
44:33I hadn't enjoyed it so much in a long time.
44:35It's not that retirement at this time of year
44:37is a wonder.
44:39It's fine with anyone.
44:41I'm a top-notch writer.
44:43As long as I'm walking hand in hand with you ...
44:47I liked it too.
44:49Well, let's not make so many mistakes
44:51that in the end they will catch us.
44:53Deal?
44:55Deal.
44:57But what I am going to ask
44:59the lady in charge
45:01is if she would grant me the pleasure
45:03to take another walk today after work.
45:05Today again?
45:07Yes, of course.
45:09As long as
45:11you stop chasing the ducks.
45:13I never imagined
45:15they were so violent.
45:17Look how I have the peck that gave me the idea.
45:19Well, it's that the ducks
45:21have such an atmosphere in the room.
45:23They are doing a very good job.
45:25Yes, now yes.
45:31This woman
45:33is in a very good mood, isn't she?
45:35I thought we were going to fall in San Quintín.
45:37She's too calm
45:39with us and that
45:41I don't think it can be good.
45:43It's not good, Teresa.
45:45It's immeasurable.
45:47And you think she's going to stop now?
45:49No, I know Lady Alazara.
45:51And if she's so calm
45:53it's because she has some in her sleeve.
45:55That's another more powerful thing.
45:57Powerful?
45:59How powerful?
46:01Well, like our farewell letter,
46:03for example.
46:07Yes.
46:11You're upset about Laurita, aren't you?
46:13Yes.
46:15Well,
46:17I need to separate from her
46:19because I'm still...
46:21In love.
46:23Yes, I imagine.
46:25But you did well to talk about it.
46:27And in the end, I don't know why you're so worried.
46:29If you're okay.
46:31Yes, yes, yes.
46:33But that's not what worries me, Marta.
46:35Trust me, you won't tell anyone.
46:37I'm like a grave.
46:39If I haven't told anyone about Laurita,
46:41I'll tell them now.
46:43I see.
46:47You see,
46:49I had to go to Madrid-Cabaret today
46:51to deliver some posters.
46:53And I found Inés and Agustín
46:57very close.
46:59Agustín, Laurita's boyfriend?
47:01They were in love.
47:05And they kissed.
47:07And now I'm not sure
47:09what I have to do.
47:11What are you not sure of?
47:13Marta, if I tell Laura,
47:15she'll think I'm meddling in her relationship with Agustín.
47:17And if I don't tell her anything,
47:19I feel like I'm betraying her.
47:21No, Celia, you have to tell Laurita this.
47:23If it's what you saw,
47:25take it and explain it to her.
47:27And in the end, she'll thank you.
47:29Because she deserves to know the truth.
47:43Thank you for letting me know.
47:45If something new comes up, let us know.
47:47Good night.
47:53I'm sorry,
47:55I didn't mean to interrupt you.
47:59Who were you talking to?
48:01With Jacobo.
48:03He called a while ago because he had news.
48:05Did he confirm
48:07what Mrs. Bárbara told the police?
48:09Yes, Carla is in a boat
48:11on her way to the Americas.
48:13But there's more.
48:15About Carla?
48:17No, Jacobo told me that Mrs. Bárbara
48:19will be released on bail.
48:21But that can't be.
48:23It's impossible
48:25to buy that impunity.
48:27I don't think it's that impossible.
48:29They've paid a lot of money.
48:31That's how that family solves everything.
48:33That's a shame.
48:35Two clear culprits, one runs away
48:37and the other is released on time.
48:39It's too much.
48:41I don't know how there can't be justice
48:43with the number of corpses they've planted.
48:45I think
48:47we should wait
48:49and see what happens.
48:51We can't do anything else.
48:53If the police,
48:55justice or whoever
48:57does it, I'm sick of it.
48:59So am I.
49:01But we can't let our anger get the best of us.
49:03That's what they expect.
49:05And what do we do, Íñigo?
49:07Keep our arms crossed while they live their lives freely?
49:09They took my mother from me.
49:11They tried to do the same
49:13with Clarita and you.
49:15I was about to lose it all because of them.
49:17But, my love, you said it yourself.
49:19They tried,
49:21but they didn't succeed.
49:23I'm sure that sooner or later
49:25they will.
49:27But we can't take revenge
49:29because that's what justice is about.
49:31No matter how far it is,
49:33Carla will try again
49:35and I won't risk it.
49:37What do you mean?
49:39Carla from Morcuendo has made it very clear.
49:41It's her
49:43or me.
49:51You don't need me to tell you
49:53this is Laura for me, right?
49:55Why are you doing this?
49:57Because yesterday I saw you at Madrid Cabaret.
49:59I saw how you and Agustín kissed.
50:01There's nothing between us.
50:03Nobody kisses like that if it's not because there's something.
50:05It was a mistake and it will never happen again.
50:07I don't believe you.
50:09You're in love.
50:11And what do you want me to do?
50:13Tell her.
50:15It's time to take action,
50:17to use their weapons, to do what they would do.
50:19What are you talking about?
50:21I'm talking about justice, about the judges
50:23who should have condemned you and who have failed us.
50:25Mrs. Bárbara would love you to do something against her
50:27because that would give her a reason
50:29to report you and put you in jail.
50:31The time of words has passed.
50:33What do you think if we go to dinner today?
50:35Lately the three of us have been very busy
50:37and so we spend some time together.
50:39You speak as if we were the couple.
50:41It's just that...
50:43And I miss you.
50:45Lately you spend so much time together that you even look alike.
50:47It's a very important marriage
50:49so that my family is related to the high court.
50:51A lady like you,
50:53who has never had to fight for anything
50:55and who only aspires to be a wife
50:57without trade or benefit,
50:59well, it will sound Chinese.
51:01Well, this is too much.
51:03Salvador, are you not going to say anything?
51:05Are you going to allow this pedigree
51:07to insult your fiancée impunely?
51:09I'm waiting for you to put her in her place.
51:11Marta, Vanessa is right.
51:13It's time to put you in your place.
51:15Do you know when we'll be able to see
51:17the wedding photos?
51:19Since we can't attend, we want to see how it went, right?
51:21Besides, you have to have a lot.
51:23A lot.
51:25Don't you want to know why I entertained myself?
51:27It's none of my business.
51:29You're wrong.
51:31Yes, it is.
51:33Yesterday I had to use all my persuasion
51:35to convince my neighbor, a jeweler,
51:37that I had to make an order
51:39in less than 24 hours.
51:41And I did it.
51:43I did it.
51:45I don't know if you're going to allow me
51:47to feel comfortable with you.
51:49Well, only if you're in favor of the female vote.
51:51Of course I am.
51:53Antonia, I'm ashamed of myself
51:55for not being honest from the beginning.
51:57And now that I know her well,
51:59there's something I'm especially ashamed of.
52:01Aren't you ashamed of sitting next to her
52:03knowing you've kissed her boyfriend?
52:07Celia, please, don't do this to me.
52:09You're giving her too much importance.
52:11I already told you no.
52:13I hope you hadn't seen it.
52:15But I saw it, Inés, I saw it.
52:17And I'm not going to erase it from my memory.
52:19Go with your conscience.
52:21But I'm not going to betray Laura.
52:23I'm sorry.
52:25Do you think Matilde would be able
52:27to take justice into her own hands?
52:31I don't know.
52:33But, well, luckily,
52:35Carla is far from here, out of our reach.
52:37Are you sure Carla
52:39got on that ship?
52:41Yes, I assure you.
52:43You and Matilde can rest assured.