Escándalos y polémicas en los premios Martín Fierro: la palabra de Luis Ventura
La última edición de los premios Martín Fierro estuvo llena de controversias. Desde discursos políticos hasta agradecimientos polémicos, figuras como Santiago del Moro, Romina Mangel y Adrián Suar fueron protagonistas. Lissi Tagliani también destacó la desigualdad social en su discurso. Además, se cuestionó la ausencia de Furia, participante clave de Gran Hermano, en las menciones durante la ceremonia. Telefe y sus decisiones generaron un debate que sigue dando que hablar.
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00:00Now we have all the scandals of Martín Fierro, the invoice for Contelefe,
00:05many who left, happy in life with El Fierro, and others who are here today.
00:09Oh, and they don't know everything we have in American Breakfast.
00:12We start, Ale, because Martín Fierro is very hot, huh?
00:15We start with everything, yes, obviously, because, well, there is always controversy,
00:19and the next day is what people expect.
00:21With the controversies that there were, Santiago del Moro, the political speeches,
00:24Romina Mangel, also Adrian Suárez, we just heard Luciano Cáceres,
00:28who also fought to defend culture.
00:30Lizzy Tagliani, who also spoke on the way, saw many poor people,
00:33and also asked, and was included as one more.
00:35And the privileges, the tributes were even, there was inequality,
00:40because some took so long to thank, and others stayed there like in the middle of nowhere.
00:44It was quite a Saturday, guys, a little more respect.
00:47And what happened with Santiago del Moro?
00:49What happened with Santiago del Moro, who took care of FURIA, if you want,
00:52we are going to share what I say.
00:53Let's see.
00:55...people to make this unique program,
00:57which is dedicated, more than anything, to the people, this is the people's program,
01:01to all the people who work in the networks,
01:03who, for better or for worse, make this program giant,
01:06in which we work so many families.
01:08Thanks to the people of Cuarzo, thanks to the people of Telefe,
01:10for making this wonderful program,
01:12thanks to the sponsors who bank a giant program,
01:16thanks to the guys who are the protagonists, those who are, and those who are not.
01:19Juli and FURIA, this is yours too.
01:21So, thanks to all of them, the team of the Cuarzo channel,
01:24thanks to Infinitas.
01:26Hold on, brothers, damn it!
01:29For the analysts, for everyone.
01:32Bye, for the winner, and for the finalists.
01:36Come on, sit down, we love you.
01:38Thank you very much, brothers, for changing our lives.
01:41Well, everything that happened.
01:43Hello, Daniel, welcome.
01:44Hello, thank you.
01:45Alicia, dear, thank you for joining us.
01:47Good morning.
01:48We start with everything.
01:49Oh, you're not going to say hello to me?
01:50Hello, good morning.
01:53Give me a kiss.
01:54There you go.
01:56You see, yesterday they didn't kiss for the makeup, you see?
01:59Today we kissed.
02:00Oh, well, now you have me next to you.
02:02Be careful, the hostess is looking, because they are occupying a chair.
02:05Oh, what's going on?
02:09We have a lot of Martín Fierro for you.
02:11What's wrong with him?
02:12What's wrong with him?
02:14Well, what happened today with Santiago, FURIA?
02:16What was it like?
02:17Obviously, Personalizuelo dedicated the award to Juli and FURIA.
02:20And there were a lot of participants from Gran Hermano.
02:22Clearly, there are privileges.
02:23He will surely have his favorites.
02:25And this has been shown in the conduct of the ceremony.
02:29But clearly, Telefe didn't want FURIA to be at the party.
02:33Well, there was a lot of...
02:34He didn't even pee.
02:34There were a lot of interviews.
02:35He appeared.
02:36He also appeared.
02:37No, you cannot fail to recognize that when they had a rating, it was for FURIA.
02:41I think that Santiago...
02:44He gave up.
02:45He gave up, obviously.
02:47I haven't been a consumer of Gran Hermano.
02:49But who won Gran Hermano?
02:50Bauti.
02:51Bauti.
02:52You thank someone and you don't thank the winner?
02:55Exactly.
02:56It's very strange.
02:57What happens is that for me, FURIA...
02:58The winner didn't move the tattoo.
03:00He didn't move the tattoo.
03:01But the photo, the photo with the tattoo was him, the winner.
03:05Yes.
03:06With his partner.
03:07Exactly, exactly.
03:08The photo...
03:09The photo, but he didn't thank him.
03:10The success of Gran Hermano this year was undoubtedly FURIA.
03:13Beyond everything he suggested.
03:15The portals were based on...
03:17It ended very badly with Telefe.
03:18But all the portals were based on FURIA.
03:20Yes, yes.
03:21It was a great attraction.
03:22In addition, Del Moro has every right to dedicate it to whoever he wants.
03:26Absolutely.
03:27He didn't even ask for permission.
03:28It didn't matter to Telefe.
03:29Exactly.
03:30She was invited, she was the only Gran Hermano who wasn't invited.
03:33Of course, but why wasn't she invited?
03:35Does anyone know why she wasn't invited?
03:37Daniel broke a contract.
03:38It ended very badly.
03:39It ended badly.
03:40Bad behavior, I think.
03:41Of course.
03:42We agree, we agree.
03:44Don't forget that when she went to Montevideo, she made a mess.
03:49Guys, let's not...
03:50Always a problem.
03:51There was another one.
03:52But we're still going to stay with FURIA, with all the beautiful things that happened at that party.
03:56And all the problems.
03:57And the invoice passes that there were with Telefe.
03:59Mucho Y Sanché.
04:00Was it Telefe's party or was it Martin Fierro's party for the entire television industry?
04:04But Paula stayed in Hilton.
04:06Because it seems that there are people who still...
04:08She slept in Hilton.
04:09She's still there.
04:10She's still there.
04:12Let's go to Hilton.
04:14Paulita.
04:15Check out.
04:16There we have her.
04:17Let's see.
04:18She said Raja.
04:21Can you hear us?
04:23No, she can't hear us.
04:24There she goes.
04:25Now she can.
04:26Now she can.
04:27She was like, I have to pay for the room.
04:29All those who stayed to spend the night.
04:30Yes.
04:31After the party.
04:32Everyone doing the check out now.
04:34Luis Petri just retired a little while ago.
04:37He came to accompany Cristina Pérez.
04:39With all the custody.
04:41Official custody.
04:42And now we are waiting for Alice Italiani.
04:44Flaming winner.
04:46So we want to ask her about her speech.
04:49What she said.
04:50Very meaningful.
04:51Really very well deserved too.
04:52So here we are waiting for her.
04:53In a little while we have her.
04:55And in the meantime, obviously, to the expectation.
04:57How many people?
04:58How late are they leaving?
04:59Someone else is leaving so that we can dialogue.
05:02Many slept there.
05:03I tell you, the hotel is full.
05:05There are many people doing check in, arriving.
05:08Many stayed.
05:09Many guests.
05:10Many guests.
05:11And stayed to spend the night.
05:12There were no rooms.
05:13Ah, there were no rooms.
05:15The hotel was full.
05:17Totally full.
05:18The hotel was full.
05:19You can tell, the lobby is full.
05:20The hotel is full.
05:21I'm going back to Hilton.
05:22We're going back to Hilton.
05:23There we are with the day after the party.
05:26But there is also Cristian Mercatante with another one of our cell phones.
05:28Do you know where?
05:29Where?
05:30No.
05:31No.
05:32The president.
05:33The culprit.
05:34The president.
05:35Hello.
05:36He's sitting on the street.
05:37He's sitting on the street.
05:38Yes.
05:39Hello, Cristian.
05:40Hello, Cristian.
05:41Hello, Pablo.
05:42Hello.
05:43Yes, we are in the veranda of Luis Ventura, the president of Aptra, who is going to speak
05:49for the first time.
05:50The first medium you talk to is with American breakfast.
05:53I invite you.
05:54They listen to you on the floor.
05:55A big hug.
05:56Good.
05:57You didn't sleep at all, did you?
05:58No.
05:59And look, after Martín Fierro, we stayed doing a balance with the board of directors,
06:07because, well, I'm still not in a position to advance it, but we had an offer
06:15that really surprised us.
06:18Look.
06:19From a leading channel here in Argentina to go make this delivery that you saw,
06:27but to do it abroad.
06:28Ah, strong.
06:29For next year.
06:30Look, today closing.
06:31And that was a joyous occasion.
06:34Closing next year.
06:36What score do you give to the party?
06:38You, who have to be in everything and endure joy, disappointment, sadness.
06:43How much do you give?
06:44Look, yesterday I was with a board of directors of three channels.
06:48There they were all distinguishing what was for many the best party in history.
06:54For others it is among the best.
06:57I think it was a party for my taste, well done, well imagined, well designed.
07:06Maybe if you have to look for a Achilles heel, I would tell you that it does not happen
07:11for the organizers, but it happens for those who win and their need to express themselves.
07:19That is to say, their lives collectively, in groups,
07:23and that they take the word from a lot of protagonists
07:27who have earned it and deserve it too.
07:29But it is also true that one has to have a schedule
07:35to put in a box a format that maybe if you continue to stretch it,
07:39we are still there.
07:40Yes, it ends there.
07:41In addition, it is a television program and it has television times, right?
07:44So you have to respect that.
07:46Some criticized Adel Moro.
07:47Che, close the microphone.
07:48But if 200 people are going to speak, it does not end.
07:52But that is done.
07:53Yes, yes.
07:54In the Oscars it is also done.
07:57There are several awards that are given all over the world
08:04and that was precisely one of the issues.
08:07They put you at the top of the speech.
08:10And if they don't cut your air.
08:11Exactly, exactly, exactly.
08:14I love these awards moments,
08:17mainly because I am a very annoying snob
08:20who likes to criticize these moments as an audience,
08:22not as a person who went to the show
08:24because there in real life it looked like a very funny show.
08:26But can I give you a little top of things
08:28that I would do differently to hook the youngest audience
08:31with our ADHD mind and lack of vision?
08:34Because for me there is something basic here that is missing.
08:37Not that Adel Moro was a bad host at the time,
08:39in fact he did his job very well,
08:40but I can say on behalf of all fans of television,
08:44let's get comedy writers for these moments.
08:47We need a comedian,
08:48someone who can have humor,
08:50someone who has a little more energetic imprint on top.
08:53Because there were serious moments
08:54where a prize was given and there was silence in the microphone.
08:57Usually when a prize is given,
08:58data is given, comments are made,
09:00a little talk is made with the audience
09:01and there was a kind of strange silence.
09:03That is my main criticism,
09:04that there were uncomfortable silences in the air.
09:07Or what we saw on TV, I don't know.
09:09What we saw on TV,
09:10we saw in these rare moments.
09:12Do you know how to watch the game on the field
09:13or watch it on TV?
09:14Without comment, without comment.
09:15Because the stage is strong, you see,
09:17everything there is, right?
09:18And in that same note,
09:19in that same universe,
09:20I have the slightest idea.
09:21The dossiers at the time of preparing for me
09:24are fundamental.
09:25I think there was a lack of data as a host.
09:28I think Adel Moro has that problem,
09:30maybe his personality works so well,
09:32he is so energetic.
09:33So you didn't like it?
09:34Maybe he doesn't have to prepare.
09:35You didn't like it?
09:36A little.
09:37He just destroyed it, let's say.
09:38Please, please.
09:39And my last moment,
09:40Loco, stop applauding in the sad moments
09:42with the immemorial.
09:44People, see someone they know
09:46and applaud.
09:47Don't applaud.
09:48Respect for the dead, guys.
09:51I'm leaving.
09:53They kicked me out of America.
09:55Tomorrow I'm doing a podcast.
09:57Respond Luis, respond Luis.
09:59But if we were just raising
10:02that maybe there were sections
10:04where they made a joke
10:06about the prolongation of the program,
10:09if we added text
10:11to Adel Moro's host,
10:13we're still there.
10:14Because if what they uploaded
10:16was more than an hour,
10:17and you add content,
10:19why add content
10:21when the content is given to you
10:23by the people who upload and win?
10:24Ali?
10:25My dear president, friend,
10:26and partner for 35 years,
10:28I'm here, I'm the fly.
10:30You didn't sleep, huh?
10:32That was the top three.
10:33You didn't sleep, huh?
10:34You didn't sleep.
10:35Did you like Ali in general?
10:37Yes.
10:38Why?
10:39Because it bothers me a lot
10:42when there is discrimination.
10:47Give me half a second
10:48because Alice is leaving the hotel
10:49and if not, we'll lose her.
10:50Let's see, let's see.
10:51Let's go with you, Paula.
10:52Yes, but there is Paulo Vilouta
10:54and there is...
10:55Hello, we are live.
10:56Sorry, I was telling you
10:58that Pamela was not there,
10:59that those who were on the program
11:01were waiting for the air.
11:02I already leave you in contact
11:04with the winner.
11:05A beautiful speech.
11:08You said yesterday.
11:09Hello guys, good morning.
11:10Hello.
11:11I always like to bring that.
11:13Good morning everyone.
11:14What time did you get up, ma'am?
11:16What time did you get up today?
11:18God, an early morning.
11:19No, I got up,
11:21I got up first at 7 in the morning
11:24for the radio.
11:25Of course.
11:26And then I slept half an hour more
11:28and I took the opportunity to talk
11:30with the house
11:31to see if the baby was already awake
11:32and that we were going there
11:33and all that.
11:34And then I started organizing things.
11:36My God, but what a good night for you.
11:38I'm out of breath,
11:39that's why I don't take off my glasses.
11:40No, you're leaving the hotel,
11:41we caught you, right?
11:42No, no.
11:43It's cool, it's cool.
11:44And you deserved everything that happened, Lizzy,
11:46didn't you?
11:47Did you like it?
11:49What?
11:50Did you like everything that happened?
11:52How did you feel?
11:53Yes, I felt very good.
11:56It made me very happy.
11:58Karina, the truth is that I see the program
12:00and they make a great program,
12:02so it is super deserved
12:03with respect to the hostess.
12:04I thought I was going to win,
12:05Giorgina,
12:06because last year
12:07she was all operated,
12:08open from side to side
12:09and at one point
12:10she did three shows
12:11in a row
12:12doing bullfights,
12:13it is said.
12:14She did the peña,
12:15of course.
12:16The peña,
12:17I owe it
12:18a week,
12:19a month.
12:20And hers.
12:21And hers.
12:22So,
12:23I don't know,
12:24I had that feeling,
12:25but they are all
12:26great hosts
12:27who are there,
12:28so the truth is
12:29for me
12:30it was a very good night
12:31for me.
12:32It was a very good night
12:33for me.
12:34The truth is that
12:35for me
12:36the first time
12:37they host me
12:38as a host
12:39in the program
12:40and it was beautiful.
12:41So,
12:42being there
12:43was a pleasure.
12:44Lizzy,
12:45well,
12:46you made a really
12:47very impactful speech,
12:48you always leave a mark
12:49and it is also clearly
12:50that it is not imposed.
12:51I wanted to know
12:52if you had thought about it,
12:53if you knew
12:54you were going to win,
12:55if you felt
12:56you were going to win
12:57and on the other hand
12:58how did you see Marley?
12:59How did you see Marley?
13:00Did he enjoy the party?
13:01Did you accompany him?
13:02Were you chatting with him?
13:03Was he uncomfortable?
13:04I want to know that.
13:07The truth is that
13:08no,
13:09I didn't think
13:10because I didn't think
13:11if I was going to win.
13:12No,
13:13I didn't have
13:14honestly
13:15I didn't have much faith
13:16in winning.
13:17I didn't imagine
13:18that we were going to win
13:19three less.
13:20Because
13:21I don't know if it happens to you
13:22but it happened to me
13:23that it seemed
13:24that it was a long time ago.
13:25In fact,
13:26when they told me
13:27that I was tanned
13:28I said
13:29of course
13:30by God.
13:31Then,
13:33it gave me the feeling
13:34that
13:35it was
13:36clear.
13:37So,
13:38I didn't have many expectations
13:39and I can't
13:40I couldn't
13:41put together a speech.
13:42I don't know
13:43it wouldn't be me
13:44because
13:45I wouldn't be
13:46concentrated
13:47to say it
13:48and
13:49I like it
13:50to come out there.
13:51And I always
13:52emphasized that
13:53of having
13:54had that possibility
13:55of taking the leap.
13:56So,
13:57I like to share it
13:58with
13:59all those
14:00who in some way
14:01wait for that moment
14:02of being able to
14:03take the leap.
14:04Lizzy,
14:05could you talk to Marlene?
14:06You showed that
14:07you were able to extend
14:08you were able to enjoy.
14:09We were there
14:10we were at the table
14:11next door
14:12table,
14:13table,
14:14table.
14:15So,
14:16yes,
14:17we chatted.
14:18I sent her messages
14:19and made her a scene
14:20of jealousy
14:21about Susana being there
14:22and Susana
14:23and Mecha too
14:24saying
14:25I don't talk to you
14:26and things like that
14:27but we had a lot of fun
14:28but well
14:29I stayed
14:30concentrated
14:31but it's not
14:32literally a party
14:33it's like a TV show
14:34so
14:35I sit down
14:36and I applaud you
14:37I applaud you
14:38I laugh, I cry
14:39I get excited
14:40I get surprised
14:41I don't even hear
14:42what you're saying
14:43but
14:44I do
14:45I put a bad face
14:46in front
14:47and I
14:48more or less
14:49from what I see
14:50I already cry
14:51I laugh
14:52Very good
14:53Of course
14:54also
14:55and it's full of anecdotes
14:56of course
14:57I'll tell you
14:58when I went to dress her
14:59Yes
15:00Lizzy
15:01Lizzy
15:02Daniel Casaldo
15:03How are you?
15:04Daniel Casaldo
15:05Hi Dani
15:06Hi Dani
15:07Now we're going
15:08to leave the suit
15:09at your house
15:10Ah
15:11Don't worry
15:12It's in front
15:13but it doesn't matter
15:14Wait
15:15Karina won
15:16and I said
15:17Let's do it
15:18Come on
15:19Come on
15:20I wanted to tell
15:21an anecdote
15:22But it's all
15:23for the camera
15:24You have to return
15:25a suit
15:26No
15:27Lizzy always returns it to me
15:28because I've seen
15:29Lizzy's dress
15:30when I arrived
15:31at the suite
15:32at 904
15:33It wasn't finished
15:34Can you believe
15:35that it was true?
15:36It wasn't finished
15:37And she even forgot
15:38the bombacha
15:39No
15:40I swear
15:41You almost
15:42You almost
15:43put a Sebastian boxer
15:44I swear
15:45What happened Lizzy?
15:46That bombacha
15:47was sold
15:48Did you forget it?
15:49It was to sell
15:50at Mercado Pago
15:51Yes
15:52Wanda says
15:53she forgot the dress
15:54I went to
15:55Marley
15:56and she forgot the bow
15:57And the lady
15:59It's the most
16:00I love them
16:01I forgot
16:02the bows
16:03I was changing
16:04and when
16:05I start to change
16:06she says
16:07What bow?
16:08I didn't bring
16:09a bow
16:10Then
16:11Gabriela Guerrero
16:12Martinez was there
16:13and she says
16:14I'll bring you
16:15some bows
16:16that I lost
16:17They were
16:18from Brillante Oro
16:19by Flo Boschi
16:20They were expensive
16:21And luckily
16:22they found it
16:23And then
16:24she says
16:25And clutch?
16:26What clutch?
16:27What clutch?
16:28And she says
16:29Tell me
16:30you brought
16:31the bombacha
16:32And then
16:33she forgot
16:34The bomba
16:35The bomba
16:36She forgot
16:37I never
16:38heard
16:39the bombacha
16:40And
16:41I had already
16:42bathed
16:43and I had
16:44wet
16:45the dress
16:46So she couldn't
16:47put it on
16:48I'll put
16:49a boxer
16:50by Sebastián
16:51And bye
16:52Lizzy
16:53Do you think
16:54that for Marley
16:55it was more comfortable
16:56maybe
16:57for her
16:58to be
16:59in a situation
17:00that we all
17:01know
17:02and it would have
17:03been a much
17:04more uncomfortable
17:05moment
17:06of greater exposure
17:07How do you see it
17:08from the outside?
17:09I know
17:10you're her friend
17:11and maybe
17:12it's hard
17:13for you
17:14to be more
17:15objective
17:16but
17:17I know
17:18you're also
17:19authentic
17:20that's why
17:21I'm asking
17:22No
17:23I don't
17:24think
17:25I think
17:26the exposure
17:27is ready
17:28and everything
17:29you can use
17:30afterwards
17:31So I don't
17:32think it was
17:33uncomfortable
17:34I saw her
17:35enjoy it
17:36I was asking
17:37because
17:38clearly
17:39and I'm not
17:40saying it
17:41but the award
17:42of the last
17:43Martin Fierro
17:44of the previous
17:45with Jay
17:46there was
17:47not the same
17:48treatment
17:49they all
17:50wanted to
17:51leave
17:52Jay's table
17:53and they left
17:54when he
17:55left
17:56but
17:57there is
17:58a big difference
17:59there
18:00Don't forget
18:01he was also
18:02guarded
18:03by Susana Jimenez
18:04the strength
18:05and the
18:06lavender
18:07they put
18:08to the image
18:09is very strong
18:10invited by
18:11Susana
18:12I'm Alicia
18:13Pedrilli
18:14beautiful
18:15that we talked
18:16last night
18:17on the stairs
18:18I think
18:19the lavender
18:20they put
18:21to Marley
18:22in that aspect
18:23of being
18:25well
18:26and the channel
18:27gave him
18:28the people
18:29very affectionate
18:30very affectionate
18:31with him
18:32and did not avoid the carpet
18:33yes
18:34no
18:35no
18:36neighbor
18:37neighbors
18:38no
18:39sorry
18:40I was not
18:41listening
18:42a lot
18:43I listened
18:44but I did not
18:45understand
18:46but
18:47I saw
18:48well
18:49Susana is
18:50the godmother
18:51of Mirko
18:52so
18:53they have
18:54the truth
18:55that yes
18:56but I did not notice
18:57any kind
18:58of discomfort
18:59at least
19:00we did not talk about it
19:01I thought
19:02you were going to go up
19:03for the peña
19:04also
19:05so I did not hear
19:06but she was not
19:07in the peña
19:08the peña
19:09last year
19:10was not
19:11Jessica
19:12was not
19:13no
19:14Jessica
19:15was not
19:16Jessica
19:17was not
19:18Lizzy
19:19to me
19:20yes
19:21yes
19:22no
19:23they looked at me
19:24to go up
19:25and I did not know
19:26what to do
19:27and I say
19:28if they look for me
19:29I'm going to go up
19:30because otherwise
19:31I would be ashamed
19:32because it was
19:33like going up
19:34to a prize
19:35that did not
19:36correspond to me
19:37it corresponded
19:38more to Georgina
19:39of course
19:40it was more
19:41it corresponded
19:42to Georgina
19:43that there was
19:44in this
19:45that I told you
19:46about driving
19:47one of the things
19:48I had done
19:49is to put
19:50the peña
19:51to the shoulder
19:52beautiful
19:53there we are going
19:54that I have to take it
19:55to school
19:56so very well
19:57happy happy
19:58very good
19:59very
20:00I fell in love
20:01very good
20:02very good
20:03very good
20:04very good
20:05in addition to all the dogs
20:06the cats
20:07you see
20:08everything you have
20:09the jobs
20:10impressive
20:11and with a lot of energy
20:12a big kiss
20:13Lizzy
20:14thanks for attending
20:15we applaud you
20:16from here
20:17a big kiss
20:18we'll be back
20:19Paulita
20:20we leave Luis
20:21behind
20:22mess
20:23Luis
20:24you're going to start
20:25No Luis
20:26I told you
20:27Luis
20:28Luis
20:29I'm leaving
20:30Luis
20:31I'm going to eat
20:32Luis
20:33Luis
20:34Luis
20:35Luis
20:36Luis
20:37Luis
20:38Luis
20:39Luis
20:40Luis
20:41Luis
20:42Luis
20:43Luis
20:44Luis
20:45Luis
20:46Luis
20:47Luis
20:48Luis
20:49Luis
20:50I'm going to call her so she can tell me who kept my envelope.
20:57There it is, the massacre.
21:00No, Luisito, Telefe won everything.
21:04So it was like last year the gold was from Telefe, that year too.
21:09It's bad, it's bad.
21:11No, but always the channel that broadcasts the great winners.
21:16Well, is it bad?
21:19Yes, yes.
21:21Question me what?
21:22The gold?
21:23No, no, no.
21:24Well, organize a prize.
21:25Beyond the gold.
21:26Organize the Natali prize.
21:27It wouldn't be bad at all.
21:29The prize going up in smoke.
21:33But no, it would be good.
21:35How long has someone who is not Telefe, for example, not won a gold one?
21:39But that's why.
21:40How long?
21:41But if you have the formula, organize your prize.
21:43No, I don't have it.
21:44I don't have it, but I ask you because you are the president of APTRA.
21:47But it's simple.
21:48No, but let's see, I ask you the following.
21:51What was the channel that performed the most on the screen last year?
21:56Okay, okay, but not for everyone to win.
21:59Telefe is fine, but not for everyone to win.
22:02But, sorry, no, not everyone won.
22:04I'm going to tell you what won.
22:06Telefe won 13.
22:07Yes.
22:08Well, America 6.
22:09Channel 13 won 8.
22:11America won 5 and the tribute.
22:14Okay.
22:15Channel 9 won 5 and the tribute.
22:17Public Television won 2.
22:19Ynet won 1.
22:201.
22:21Yes.
22:22Exactly, exactly.
22:23It is not understood either.
22:24It is not proportionally.
22:25It's not right, I say.
22:26Alicia says, I have the solution.
22:28What is the solution?
22:29No, no, the solution is not that no channel gets into a party of this size
22:36if it does not know that it is somehow the main channel.
22:40Yes.
22:41I'm trying to understand.
22:42But that's wrong.
22:43Alicia.
22:44Stop, stop, stop.
22:45Do you have any objection that it was the channel that most ...
22:50No, no.
22:51But one thing is that and another thing that you tell me.
22:53If the channel organizes, it's like I say,
22:55tomorrow it goes through America and America wins this award.
22:58No, that's not right.
22:59No, Gustavo, but if I tell you ...
23:01There is a lack of criteria in what they are proposing.
23:03Let's see, Luis.
23:04There is a lack of criteria.
23:06Because no channel that is a loser is going to buy the rights to broadcast.
23:09Of course, that's what I'm telling you.
23:11But how do you know?
23:12How do you know?
23:13How do you know?
23:14Luisito, Luisito.
23:15Day one, day one.
23:16You go to the party.
23:17Let's see.
23:18It's obvious.
23:19Of course.
23:20But it can't be a loser.
23:21It's probability.
23:22It can't be a loser.
23:23It's probability.
23:24Probability.
23:25And that's it.
23:26Do you think that channel 7 is going to put 25 million pesos,
23:29knowing that it is going to take the sumos,
23:31a hell of a lot.
23:32If the transmission can sell it,
23:33if the transmission can sell it,
23:34if the transmission can sell it,
23:35if the transmission can sell it,
23:36if the transmission can sell it,
23:38if it can sell it commercially.
23:42Everybody is sure.
23:44Channel people.
23:45It seems to me that the explanation is a bit weird.
23:48No.
23:49Yes.
23:50A little.
23:51Yes.
23:52Because otherwise well,
23:53we are going to make Martin Fierro,
23:54who is from Telefe.
23:55Who is the best poster?
23:56Wait, who is the best poster?
23:58But listen, listen,
23:59who is the best poster?
24:00Telefe.
24:01Why is the best poster Telefe?
24:03Because he had a great year.
24:04Because he had a spectacular year
24:06And it was played to take all the problems.
24:09Dancing, for example, I had a great year.
24:11But there was no offer from America.
24:13But tell me, Natalie, are you questioning something?
24:17That a week ago you are putting it on the screen.
24:19No, no, no, I'm not questioning.
24:21A week ago they were doing this content.
24:24If it didn't work, they wouldn't discover it.
24:27No, Luisito, I'm not questioning you.
24:29Because obviously there is a performance on the screen.
24:31No, I'm not questioning you.
24:33I'm asking you a question, which is a doubt I have.
24:35No, but it's fine.
24:36I imagine that many people who are at home today
24:38are asking the same thing as me.
24:39I'm not questioning you as a panelist.
24:41And I'm answering you.
24:42Okay.
24:43But I'm answering you.
24:44You're asking me a question and I'm answering you.
24:46Okay, but to me...
24:47That's a question, so you don't answer it.
24:49You don't like the answer.
24:50To me, of course.
24:51I think you don't like the answer.
24:53You know what?
24:54100 million pesos were spent yesterday at that party.
24:57Because it's the 25 that correspond to it.
24:59But then you have gastronomy, security, parking,
25:04and why is there a jury then
25:06if the one who puts the most money is going to win?
25:08No, no, no.
25:09Let's see, let's see.
25:10Why not Ali?
25:11Nobody said it was like that.
25:12Ah, but, sorry.
25:13No, but you're mixing up the economics.
25:15So why is there a jury that votes?
25:17Channel 13 was the one that won the most.
25:19And once you win, you lose again.
25:21But, sorry.
25:22When you go to a place, you can lose.
25:24Yes.
25:25And well, then we don't participate.
25:27Of course, obviously.
25:28But, well, but it's a coincidence that, well...
25:30But let's assume that it would have been broadcast...
25:32It's a coincidence that it was precisely the programs
25:34that were at the top, in some cases,
25:36at the top of the 20 points.
25:38Ah, well, but let's assume that it was the 13th.
25:41What program on Argentine television gives you that today?
25:44Let's assume that it was the 13th.
25:46I don't think there are many.
25:47What does it mean?
25:48That you have to win the most, right?
25:49No, no, no.
25:50No, because there is a bet.
25:51No, no.
25:52I come with an economic bet.
25:53Yes.
25:54Let's see, I meet with Channel 13, with America,
25:57with all the channels.
25:58Well, the one that offers the most...
25:59What is it?
26:00Telefe.
26:01Telefe.
26:02Why?
26:03Because it knows that it has a winner.
26:04Because it knows that it has a product.
26:05Ah, product.
26:06America too.
26:07But, Alicia.
26:08But, sorry.
26:09America ends up buying this year a pair of Martin Fierro,
26:13which is going to broadcast them in all the channels,
26:15which bet precisely on this party.
26:16But it's crazy.
26:17Sure.
26:18And not necessarily...
26:19Alicia says...
26:20You have to add the most...
26:21You have many products.
26:22It's going to win, of course.
26:23Then it also serves to promote, because Telefe
26:25sells Margarita, sells Susana, sells Aguanta, sells, sells.
26:28This party, which for me is not worth 100 million pesos,
26:32because it really leaves a lot to be desired,
26:34that's the other part of the party,
26:36which has nothing to do with Apter, but with Telefe,
26:39or even with Telefe, with the organizers of the party itself.
26:43It was sold by the branches, selling their programs.
26:46Because if you want to promote Chris Morena,
26:49it seems fantastic to me,
26:50to put a program on Telefe's afternoon.
26:52Don't put it an hour talking to the son,
26:55and crying, and I don't know.
26:57And then to Susana Jimenez.
26:59There was no worse sketch in my life that I saw.
27:02Horrible, horrible.
27:03They put it, they left it, I didn't know what Susana was doing,
27:06they didn't tell her.
27:07A horror, a horror.
27:09Well, I make a point there.
27:10Let's see.
27:11When you say about Chris Morena,
27:12it seemed excessive to me, the gratitude.
27:14Excessive, unnecessary.
27:15Full of cards, thanking.
27:16I didn't see a very fraternal hug with his son either,
27:18who came from the United States and she didn't expect it.
27:20No, no.
27:21But I ask you, Luis.
27:22I say, it was spoken and I saw it too.
27:25The inequality at the time of the tributes.
27:27I say, Chris Morena was, I don't know, 15 minutes,
27:29I think he was still there.
27:31He continues to thank.
27:32The case of Adrian Suar.
27:34But I say, Saturday Passion,
27:35I felt like it was much more pejorative.
27:37They cut it, they threw it on the street.
27:39The face.
27:40It seemed to me like very pejorative.
27:42Very discriminatory.
27:43Saturday Passion.
27:44Let's see, Luis.
27:45There were times there, or how is that?
27:49No, no, I can't hear you.
27:51Luis' cell phone was cut off.
27:53The tributes, each one.
27:55No.
27:56It's also a matter of respecting others.
27:57I think it's fantastic.
27:58But notice that two awards,
27:59an award and a tribute to America,
28:01were out of the broadcast schedule.
28:03Sure.
28:04I mean, 12.30 and one in the morning.
28:06I mean, that and throwing it in his face is the same.
28:10Yes, but I remember in the organization,
28:11Adrian Suar, nobody does it to him like that,
28:12because he was there.
28:13Nobody does it to him like that.
28:14But what need does he have to talk so much
28:16if he spoke for 30 years?
28:17The only thing he did.
28:18The clip was long.
28:19But it's also a long clip, a story of his life.
28:22But they don't understand that the audience gets bored,
28:24that it gets saturated.
28:25But not only the audience.
28:26The inequality.
28:27The inequality.
28:28Well, I saw that inequality.
28:29Because I think that in the face of Adrian's death,
28:31it was Tony and the 35 years of passion.
28:33Sure.
28:34It was very powerful.
28:35It was very powerful.
28:36It was very powerful.
28:37It was very powerful.
28:38It was very powerful.
28:39He had a lot to say.
28:40Let's see.
28:41Put a picture of Adrian.
28:42No.
28:43There he comes back.
28:44When he started to say,
28:45because thank you,
28:46they threw the barrier over him
28:47and Santiago del Moro said,
28:48better than...
28:49What is this?
28:50Yes, of course.
28:51There Luis comes back.
28:52Luisito, how was the phone this morning?
28:54Many thanks, many complaints.
28:56How is the balance coming?
28:57Exploded.
28:58Forget it.
28:59Without batteries.
29:00Forget it.
29:01Full, right?
29:02Forget it.
29:03Full.
29:04I don't know what time I finish recording all the messages I have.
29:06But what is there?
29:07More complaint books?
29:08Or thank you, Abstra.
29:09Thank you, Luis.
29:10How good.
29:11And there is everything.
29:12There is everything.
29:13There is everything.
29:14There is everything.
29:15There is everything.
29:16There is recognition of people
29:17that maybe I have disappeared from my life a long time ago.
29:20That I find it again, let's say,
29:22in the observation of something that happened at the party.
29:27People who tell you that you look better.
29:29People who tell you that you look worse.
29:31There are people who liked the party.
29:33Other people who didn't like it.
29:34Here there is something that is real.
29:36Martin Fierro
29:37dresses up again
29:39one night of gala.
29:40Yes.
29:41He joins the communication industry again.
29:43Yes.
29:44And he likes who he likes.
29:45Yes.
29:46An investment was mobilized
29:48an investment.
29:49And in fact, I repeat,
29:50I came with a contract
29:53to make a Martin Fierro abroad.
29:55Another one.
29:56Next year.
29:57Exactly.
29:58Luis, we send you a hug.
30:00And thank you for joining us.
30:02Thanks to Cristian and La Vereda, the neighbors.
30:05How good La Vereda.
30:06People come and say,
30:07what an adventure here,
30:08sitting in La Vereda.
30:09A round of applause to Luis.
30:11Let's go.
30:12To rest a little.
30:14To rest.
30:15Well, but beautiful things also happened.
30:18But there was Martin Fierro de Oro,
30:20who took him to Telefe Noticias.
30:21Yes.
30:22And of course, the one who took the post,
30:23the microphone to speak
30:24and move was Cristina Pérez.
30:26Let's see.
30:27Let's see.
30:28She passed and then we commented.
30:29Let's see.
30:30Many of you make me laugh or make me dream.
30:32We accompany to cry many times.
30:36About this special year for me,
30:39I want to tell you something from me.
30:42I am a woman who always chose freedom.
30:47And he chose what he wanted.
30:49And I also come to this day,
30:51happy with my companions,
30:52taking my decisions as a woman in total freedom.
30:56And I dedicate it to my love that is out there.
30:58I love you, Luis.
31:02There she needed the award to her son,
31:04to the Minister of Defense.
31:05Obviously.
31:06Exactly.
31:07Let's remember that she had to get off the Telefe news,
31:09because clearly,
31:10if you are in a relationship with a minister.
31:11She had.
31:12She had.
31:13She had.
31:14But sorry, it's an incompatibility.
31:15No, no, no.
31:16It's a problem of the radio.
31:17It's a problem of the radio.
31:18But if you are the partner of a minister.
31:20Yes.
31:21You can't run the news.
31:22No, of course.
31:23You can't run the news.
31:24No, no, no.
31:25You can't run the news.
31:26No, no, no.
31:27It's tied because you are the partner of a minister,
31:28not just the partner of a deputy.
31:29But it is still linked to the channel.
31:30Of course.
31:31It is still linked to the channel.
31:32Or is there a problem?
31:33No.
31:34There was a moment when they were going to give him a program
31:35that had nothing to do with the news.
31:36Until now, that did not happen.
31:37Then she dedicated herself to writing.
31:38But it's okay to win,
31:39to go up to receive them and won.
31:41The day he is no longer Petri as Minister, he will come back to work.
31:42Look at Bali, how beautiful there.
31:43Beautiful.
31:44And what about freedom?
31:45Do you have to decode these ...
31:46Well, you have to decode, obviously, what she said,
31:47because she obviously spoke from her place,
31:48she spoke for the TV News team.
31:49But sorry.
31:50She wanted to clarify that if she were in front of the television,
31:51she would have to decode everything.
31:52But she did not.
31:53But you have to decode.
31:54Yes, but you have to decode.
31:55You have to decode.
31:56But you have to decode.
31:57You have to decode.
31:58You have to decode.
31:59You have to decode.
32:00You have to decode.
32:01You have to decode.
32:02You have to decode.
32:03You have to decode.
32:04I speak for the Telefe Noticias team.
32:06But sorry, what did she want to clarify?
32:08That if she was in front of the newsroom,
32:11as she could have criticized before,
32:13the purchase of the planes of the Ministry of Defense?
32:17That's what she wanted to clarify?
32:18I mean, I don't know.
32:19I don't know, the truth is that ...
32:20It was a double reading and it would be necessary to see what she meant.
32:23Well, look who's there.
32:25How nice it was in Abuel.
32:27All this part, right?
32:28With Abel Pint, another capo.
32:30Realistic things happened.
32:31Alicia, don't get angry.
32:32Beautiful things happened too.
32:35Beautiful things.
32:36You are like me, who also bothers you that when they show a photo,
32:39and I don't know him, I don't applaud.
32:41Respect the dead, crazy. Silence.
32:43Everyone did that.
32:44It bothers me in a way.
32:46I applauded the dead.
32:47Guys, what happens is that sometimes you don't know if they were dead.
32:50Sure.
32:51Sometimes you don't know.
32:52I think about my mother, my father,
32:54that at some point, if this continues in the future, they will appear there.
32:57And it's sad to think that they applaud one and the other.
33:00It's not a tribute.
33:01A tribute is love, affection.
33:03This is like, I know you, you don't.
33:05The tribute, I think, is being done aptly,
33:08and people applaud according to their feelings.
33:11But cry then, don't applaud.
33:13There are also people who make you cry.
33:15Or save it.
33:16Applauding is an act of ...
33:17I prefer the authentic emotion,
33:19and not a ridiculous one that makes you cry and say,
33:22you are feeling too much.
33:23Totally.
33:24They owe it to their father.
33:25Yes, from the father.
33:26Exactly.
33:27Well, let's look at this attitude.
33:29Because when the tribute is done, it's a matter of respect.
33:32Then we see who each one wants more.
33:34Look at what Mirtha did.
33:35The only one, all sitting down.
33:37But Mirtha, as it corresponds, standing.
33:41This goes through a matter of education.
33:43No, look at this year, gentlemen.
33:45There it was, impolite.
33:46Always stays until the last moment.
33:48After 12 at night.
33:50I love that.
33:51Mirtha paying attention,
33:52indicates the true respect that must be had at this moment.
33:55Exactly.
33:57So there was Chiquita too.
33:59Chiquita who met with Susana and Wanda too,
34:01who was splendid with a very striking dress.
34:04Let's see if we see it.
34:05What figures.
34:06And finally it was with Juana that we had said ...
34:08Of course.
34:09Oh, it's true.
34:10Very angry Juana.
34:11Juana went with Valentina, with her son.
34:13Yes.
34:14Later we will talk about all the fashion.
34:15But Juana goes with a tremendous dress and wears jeans,
34:18as if to say, more inclusive.
34:19Yes.
34:20Of course.
34:21And she goes with her designer everywhere.
34:23She goes everywhere with her designer.
34:25There it is.
34:26There is Wanda with Mirtha.
34:27And Susana.
34:28The three together, right?
34:29Yes.
34:30What a combo.
34:31Look, there is Juanita too.
34:32I love it because the three were combined,
34:33with the same tonality.
34:34Yes.
34:35Later we got into fashion with the colors,
34:38with everything that happened,
34:39because the truth is that there was a lot of color.
34:41A lot.
34:42A lot of things, right?
34:43Mirtha also made a blue carpet,
34:44because General Mirtha enters the event through another door
34:47and goes directly to the green one.
34:48This time she made a blue carpet.
34:50Exactly.
34:51All terrain of Chiquita.
34:52Beautiful.
34:54There were costumes too.
34:57There are the three Mirthas.
34:59Susana with Wanda.
35:00What happened?
35:01It's very tight.
35:02A lot of people in the middle.
35:04I think people die to greet Mirtha.
35:07But Susana was well dressed.
35:10Susana stepped on Wanda's dress.
35:12She stepped on Wanda's dress,
35:13she almost left it in Chabonba.
35:15Oh my God, oh my God.
35:17But the good thing is that they get along,
35:19because they invent.
35:21They are almost friends.
35:23And Wanda must want to follow the path too.
35:26They realized that the ones that were more colorful
35:30were all of them.
35:32Because there was a lot of black.
35:33Well, Daniel, tell us a little bit about that.
35:35The dress code said spring.
35:38The dress code said spring.
35:40But most of them were black.
35:43Sorry, but why was the carpet blue?
35:46Because it's the color of the paramount.
35:49Dani.
35:50For me, the red carpet is the red carpet.
35:52It's red.
35:53Yes, nothing.
35:54It faded so much.
35:55That theme faded.
35:56Yes, but they looked for it for the company to which it belongs.
35:59Yes, but everything is fine.
36:00If it's Christmas, you're going to put a photo.
36:02It's red carpet.
36:03It's weird.
36:04What is spring color?
36:06Because we were already seeing some passages there.
36:08Spring colors.
36:09Spring is the colors that Susana has,
36:11that Wanda has, that Mirtha has.
36:13It's a spring color.
36:15Pink, like Pampita had.
36:16Pampita was divine.
36:18The dress wasn't anyone's.
36:20It was hers.
36:21It was hers, of course.
36:22She didn't ask for anything.
36:23No designer in particular.
36:25She was divine.
36:26But those are the spring colors.
36:28That's for women.
36:29And for men, there's no way.
36:30We don't have that for men.
36:31Today, the man is on the woman's side.
36:33And also, the issue is that the man dresses well.
36:36But you have to go in black.
36:37But a gala is black.
36:40It's not a tie.
36:41It's not a tie.
36:42And most of them were ties.
36:44It's okay.
36:45Before going in a shirt,
36:46go with a tie.
36:47Yes, yes.
36:48I'll tell you something about the shoes.
36:49It depends on who puts on the shoes.
36:51Impeccable.
36:52If without a mark, it's divine.
36:53You can't put anything with a mark.
36:54No, no.
36:55With a mark and not impeccable.
36:56No, then no.
36:57But I really want the man to have a mark.
36:58There's a mistake.
36:59Guys, let's agree that there are tastes.
37:00Then each one says,
37:01if I like it or I don't like it.
37:02I understand that it looks nice.
37:03You use the shoes with a smocking.
37:05I remember I put Pampita's children on it.
37:08At the wedding and everything.
37:09But they were young.
37:10It's all right.
37:11When you're older,
37:12you have to have a lot of style
37:13to wear white shoes.
37:14Yes, yes.
37:15Otherwise, you look like a fool.
37:16If you don't have style,
37:17you look like...
37:18Like a paparazzi.
37:19What did you put on?
37:20No, you don't look like Canchero.
37:21You don't look like Canchero.
37:22You want to be Canchero,
37:23but you don't look good.
37:24But you don't look good.
37:25Yes.
37:26You only lack the golden chain.
37:27Let's see.
37:28Of course.
37:29The little hat.
37:30Let's see.
37:31No, no chain, nothing, guys.
37:32There's a lot of chain now, huh?
37:33Well, now we're going to talk about the accessories.
37:34Can I fall on my ass?
37:35I want them to fall on my ass
37:36because I hate glitter.
37:42No, no, no.
37:43Glitter for the gala is fine for me,
37:44but inside the dresses
37:45that we are talking about,
37:46we have dresses that are very,
37:47very uncomfortable.
37:48Let's see.
37:49Like the case of Julieta Poggio.
37:50Yes, very tight.
37:51It's a very nice dress.
37:52She had a bra,
37:53but she couldn't sit down.
37:54The corset was too high.
37:55It wasn't very high.
37:56I crossed it to Poggio.
37:57Yes, yes.
37:58Going down the escalator.
37:59And how did she do it?
38:00As soon as the event started,
38:01she was coming back
38:02and they said,
38:03where are you going?
38:04To change.
38:05It's that, guys,
38:06you can't just enjoy a dress.
38:07No, there's no worse thing.
38:08There's no worse thing
38:10than getting up.
38:11Getting up,
38:12there's no worse thing
38:13than that.
38:14It's bad.
38:15The designer has to say that.
38:16It has a spectacular body.
38:17Yes, but notice
38:18that it's too small.
38:19But what do you think, Nati?
38:20Sometimes it's an inconvenience,
38:21isn't it?
38:22But they made it
38:23too small.
38:24How?
38:25It's too small.
38:26You have to feed it by probe.
38:27It can't move.
38:28By time.
38:29It can't move.
38:30But wait, Daniel,
38:31if you wear a dress
38:32that's like a corset.
38:33Siren.
38:34It's to mark your waist.
38:35But one thing
38:36that marks your waist.
38:37It's like the Grammys,
38:38you see,
38:39they all go straight.
38:40But it marks your waist
38:41and it has waists
38:42and that's all
38:43with its bustier,
38:44so it looks good.
38:45But it's too tight.
38:46Of course.
38:47You can't eat it.
38:48Put two centimeters more
38:49of this.
38:50No.
38:51But put two centimeters more.
38:52No, guys,
38:53turn around,
38:54there's a corset left.
38:55Put yourself comfortable.
38:56The same.
38:57You're going to eat
38:58and you're going to sit.
38:59The same,
39:00the color is impeccable
39:01and puchetas
39:02are incredible things.
39:03Yes.
39:04Divine.
39:05The majority.
39:06They made a mistake,
39:07they made a mistake.
39:08For me,
39:09for me,
39:10it's the designer
39:11who's been stepping hard.
39:12A8, right?
39:13Pucheta was the most sought-after designer
39:14for the Martins.
39:15For the Martins.
39:16Pucheta was A8
39:17among the girls
39:18who were there.
39:19Pucheta is the one
39:20who's been stepping hard.
39:21Also, Dani,
39:22how was the phrase?
39:23Dani,
39:24and before there were others.
39:25Of course.
39:26But not all styles
39:27go for any character.
39:28No.
39:29Pucheta imposes fashion
39:30on men,
39:31whatever it is.
39:32Guys,
39:33fashion,
39:34fashion,
39:35fashion is an effort.
39:36That's why
39:37there's eye damage
39:38in the eyes.
39:39Now,
39:40we will go in one by one
39:41to analyze
39:42all the looks
39:43and we will talk
39:44about fashion,
39:45colors
39:46and all that happened
39:47but honestly,
39:48not out of friendship.
39:49You see that in Argentina
39:50if I want to praise you...
39:51There's a lot of that.
39:52There's a lot of that.
39:53There's a lot of that.
39:54There's a lot of that.
39:55But, you see,
39:56there was a flaw.
39:57A flaw.
39:58What happened?
39:59We all noticed
40:00and it was very commented
40:01that it was Virginia.
40:02It was the sister.
40:03Virginia Demo.
40:04When she was giving a note,
40:05So
40:09Ademas
40:11Me dieron las muletas no no terrible
40:15Si bueno
40:18Como me tengo que ir por esto recién empieza
40:21Virginia de momento hablando sola seguimos le parece dale
40:25Monica Virgie igual a mí no me engañas tenía puesto otro vestido
40:29hay si
40:31Porque porque te diste cuenta bueno tuve un temita que nos pasa a las mujeres nada y con la china me reí
40:39estornudé porque se me dio con tos y se me escapó un chorrito no puede pasar pasa nos pasa todas
40:48Hay que llevar un vestido de
40:57Una promo de una marca de
41:02Una trampa
41:06Y el remate cuando viene el remate en los próximos días para que todo
41:11No viene remate que hacemos
41:15Porque se meó de verdad
41:18Ahora
41:23La señora
41:31La imagen del vestido mojado como
41:38Parada como vas a mojar el
41:44Fin comercial
41:55Exacto quien más tuvo percance luciana
42:01Descansa
42:10Está descalza
42:17Se que perdía
42:20Yo no sé si esto se va a parar de ir a muestrarlo por favor está descalza está en patas
42:24pensaba que perdía pensé que perdía ganaste te felicito
42:29Ah
42:31Le dolían los pies y dijo se lo sacó por pensó que no ganaba de verdad
42:36No para no estuvo mal porque es así
42:39ya con la actitud que tuvo dijo yo me voy descalza se fue descalza y lo dijo
42:44no buscó los zapatos
42:47Martín fierro es una vez
42:51Todo el gasto de esa gala
42:54Por el
43:04Subió espléndida porque
43:19Zapatos que les hacen
43:24Este mundo
43:26Nuevo
43:28También se depilan
43:31Y después no se lo podía poner a lo mejor
43:34Cuando vos te sacas los zapatos no entran se te hinchan los pies al ponerte los zapatos no pudo ir
43:40a un trabajo
43:41de un momento
43:45Ella le pintó hacer otra cosa
43:48Mi mamá me hubiera hecho un tirón de orejas
43:50Por favor