Scotland Yard Superintendent Cooper-Smith investigates the suspicious looking Emberday estate where the Emberday family and an order of nuns reside.
Source: IMDB
Source: IMDB
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Short filmTranscript
00:00:00You
00:00:30Oh
00:01:00Oh
00:01:30Oh
00:02:00Oh
00:02:02Oh
00:02:32You are look forward in front of me fix as you like put your head right up right now
00:02:37That's it. No, bring this around the back there
00:02:40Are you gonna take that jewelry off both of you?
00:03:02I
00:03:32I
00:03:48Mean how do I can't talk now? I've written it all down here
00:03:53You're sure I won't be involved. Sure. I'll try tonight then
00:03:57Fine now when you get out come to the white heart, I'm in room seven. I'll have everything taken care of for you
00:04:06Excuse me, but this part of the ground is private, you know part of the convent. I'm sorry
00:04:10I didn't realize I was trespassing. Aren't you the gentleman we saw yesterday?
00:04:15Yes. Yes. I've been poking around trying to find some old Saxon ruins. I heard with somewhere around here
00:04:20There aren't any Saxon ruins here. We ought to show the gentleman the chapel tower
00:04:25Yes, it isn't a ruin but it has several unusual features since you're interested in architecture, yes
00:04:32Thank you very much
00:04:34You
00:04:53Do have a good look around take your time we have to go to assembly. Thank you
00:05:04I
00:05:34I
00:06:04I
00:06:11That cord you wear around your waist is a symbol of the vows which bind you to our society
00:06:17And you joined us you undertook to obey our rules
00:06:22They offered you a refuge and your eventual reward
00:06:27Refuge which you were only too glad to accept since I understand you were in trouble
00:06:33But it was part of your vows that you severed all connections with the outside world
00:06:40Come sister clear
00:06:42Why were you speaking to that man?
00:06:46He asked me the time now
00:06:50He asked me the time and you wrote it down put it in an envelope and handed it to him
00:07:02I
00:07:15Can't happen that's all for now
00:07:33You
00:07:38Mr. Pascoe
00:07:40Will you please get rid of that paraphernalia immediately the tourists will be here at any moment
00:08:02You
00:08:16Yes, you're leaving us we should be quite sorry to see you go
00:08:22And follow me please right to the top of the staircase is a very beautiful
00:08:27Italian and ceiling built by Paulette which will see better from the first landing now come along these
00:08:35I'm sure you wouldn't want to go without visiting the chapel for one last time merely to pay your last respects
00:08:48Enjoyed your visit and all contributions will be used to watch this fine example of neo-gothic fantasy
00:08:57You
00:08:59You
00:09:22My becoming impossible to work here nuns
00:09:25Tourists like Rome on a bank holiday. I'm going back to town. You are coming to the funeral tomorrow funeral, mummy
00:09:32I told you before Luke don't speak with your mask on. Oh, I remember the funeral
00:09:38I'm coming to answer. Hmm. You don't manage to tear yourself away from your fun and game leave him alone
00:09:45Trudy he's not interfering with you. It's arranged for 11 o'clock sharp
00:09:49Now it's the least we can do for your poor uncle Mortimer
00:09:53Uncle Mortimer, hmm. Don't even remember your poor uncle Mortimer. Do you?
00:10:07Yeah, I've been there might have left this junk behind too well tears how they did it
00:10:13What was that when he was alive? I'd say it was a three-inch mortar shell superintendent standard military type
00:10:18Probably fired from bazooka could have been aimed from the back of car
00:10:21Where the hell would they get a thing like that army surplus plenty of it lying around Europe?
00:10:25They probably picked up some obsolete model
00:10:27The ammunition would be difficult to come by
00:10:30These people nothing seems to be very difficult
00:10:36John I thought this might drag you out of your lair. They get cheekier and cheekier. Yes
00:10:43Methods are crude but very effective no messing around a mortar shell slams with the bloody door and wham
00:10:5050,000 pounds for the cop on the beacon even find this whistle. That's the note that they were
00:10:55I thought you said that Thompson was on to something. Well, he thinks he is
00:10:59It's got a leader to a place called Emberday. He's down there now. What's he reported?
00:11:04Hasn't that's the odd thing. Usually that's by the book. I think I'll take a run down to Emberdy Hall myself
00:11:08What sort of place is it?
00:11:10Exactly what it sounds like one of the stately homes of England except that about a year ago
00:11:14They let part of it some odd order of nuns
00:11:18Rather bizarre
00:11:20very
00:11:22Your taste for the bizarre isn't always that results heavy. No one day. I'm gonna write it. I was detected
00:11:28So you see that you're good. No, I'm tired. Of course
00:11:31Make sure that you report back from that place. Oh, yes, sir. Yes, sir in triplicate
00:11:41Thank you persons
00:11:48That's the convent part over there the house is over here. Oh, what's the form sir? Oh, well, what do you suggest?
00:11:55Wanted criminal in the neighborhood have they noticed anything suspicious good original. What exactly are you looking for sir? I'm not sure
00:12:17Not a bad little pile, is it?
00:12:19Rather useful to have one of those in the family. Hmm
00:12:22What's all the smoke? I don't miss me the kilns. They make a lot of pottery
00:12:25Well, if monks can make booze that those nuns can make pottery
00:12:40How do you do how do you do
00:12:42Cooper Smith not one of the Harpeter Cooper Smith. No one of the Scotland Yard Cooper Smith. I knew lady Carolyn Cooper Smith
00:12:49wonderful
00:12:51Don't look rather like her. I'm sure you must be some relation. Well, actually, I'm her nephew
00:12:56Yeah, I knew it. I'm marvelous with faces
00:13:01Thank you
00:13:04You do
00:13:06What on earth is a man like you doing in the police force Oh being a policeman and enjoying it
00:13:13The reason we came ma'am is that the superintendent hoped you'd be able to help us. We've noted a wanted criminal in the neighborhood
00:13:33I
00:14:04You
00:14:09See there's so many tourists in and out of this house during the summer and they treat the place like an amusement arcade
00:14:16Mrs. Embeddy suffers a great deal from the tourist. She's a very courageous woman
00:14:21I know only too well how hard she's fought to keep this place together
00:14:25My letting the priority to the sisters of vigilance was one of my happier
00:14:30Inspirations Oh
00:14:32Won't you have another cup of tea? Oh, thank you. We really must be going
00:14:35What a fascinating teapot was that made on the premises the whole tea service was made by our sisters
00:14:40We are very proud of our Embeddy pottery
00:14:44I'm sorry. We can't help you about that man, but I was hoping I might be allowed to come back tomorrow
00:14:49Have a look around the grounds. Oh
00:14:51Not tomorrow if you don't mind
00:14:53We are having a family funeral tomorrow my poor brother-in-law Mortimer died abroad suddenly
00:15:00We are having the body brought back to be buried here
00:15:05You're late for tea again
00:15:08Superintendent Cooper Smith. This is my son Luke. How do you do? How do you do? I
00:15:14Show you the best way out
00:15:23You
00:15:29Goodbye mr. Cooper Smith if around this way again, I do hope you'll drop in for tea. Thank you
00:15:34I must say you don't look in the least like a policeman
00:15:37It's funny, you know, I've often wonder what people think a policeman should look like Oh sister
00:15:42If you're going back towards the chapel, I'd like to look around
00:15:45certainly
00:15:47I'll wait for you in the car, sir. All right. Goodbye, ma'am
00:15:53The trappings of former religion here
00:15:58Austerity
00:16:00The sisters of English. Oh, they come from all over the world from every walk of life
00:16:07But one thing they have in common
00:16:09desire
00:16:19It's all right carry on
00:16:24Preparation for the funeral tomorrow
00:16:37Try here to devote ourselves to goodness and hard work to discipline ourselves in the service of good
00:16:44The arch at the end is pre Norman
00:16:47It might interest you
00:16:53To us it is symbolic what we two are trying to preserve ancient truth and ancient
00:17:08Yes, could I have a room please just for tonight? Yes
00:17:15We have number 18, it's nice and very large almost a double. Thank you miss Sophie just a minute
00:17:22Excuse me
00:17:29We are Thompson
00:17:33I'm seven. I've been in touch with the station sir. There's still no news of him. I don't understand
00:17:38If you don't want my saying so sir, I don't think a nun in nylons is much to go on
00:17:42It's not just the nun. I can't put my finger on it. There's something fishy about the whole place
00:17:47Determined to say sir. Yes, once more. I'm going to that funeral tomorrow. This is him, but he's not gonna be happy about this
00:17:55Sorry to keep you sir
00:17:58Here the key. Thank you. Oh, I have some luggage in my car
00:18:02I wonder if you'd ask the port to bring it up. Hmm. I should do it. By the way, what time do you come off duty?
00:18:08Then I wonder if you could spare me a few moments
00:18:13very important
00:18:15In the bar
00:18:18Yes, mr. Cuppa Smith
00:18:23Merci, mademoiselle, merci millefois pour vos gentilles
00:18:28To the lure
00:18:37Now
00:18:38Did he seem quite normal this morning when he went out? I didn't see him
00:18:44Why are you so interested in stumps?
00:18:48He's just a policeman like me
00:18:53You know, you don't look like a policeman at all
00:18:57That matter you don't look like a hotel receptionist or to put it another way I wish all hotel receptionist look like you
00:19:05You know, I'm not you know, I didn't think so. Are you here on a working holiday?
00:19:09No, like most fine girls, I come here to find a rich to sell husband will give me luxury for the rest of my life
00:19:17Have you ever heard of English income tax
00:19:21income tax
00:19:23Say that again. I also hear they may nationalize husbands, but I want an English husband
00:19:33Don't worry you like another drink
00:19:36Well, it's getting late. Can I see you home?
00:19:38I will take you out of your way. I'm in room 9
00:19:59Who's that girl?
00:20:01Can't remember her name. She booked in this afternoon only for one night.
00:20:05Seemed very chubby sort of girl
00:20:09Hey, you really are interesting girls, aren't you?
00:20:11Some more than others
00:20:17Here we are, home
00:20:25I hope I didn't take you out of your way
00:20:28For you, I'd have gone to the sixth floor
00:20:32We only have three
00:20:34Good night
00:20:36Bonne nuit mademoiselle
00:20:39Mr. Gulpersmith, I forgot something
00:20:42What?
00:20:44Would you like to have tea, served at your home in the morning?
00:20:50Tea? Oh yes, tea. 7.30 please
00:20:52I'll see that you get it
00:20:54Please, send her to your room in the morning.
00:20:58Tea?
00:21:00Oh, yes, tea.
00:21:02At seven thirty, please.
00:21:04I'll see that you get it.
00:21:24Wait.
00:21:39Open it.
00:21:49Luke?
00:22:06Luke?
00:22:15Luke?
00:22:44I took the liberty of coming along to offer my condolences, Mrs. Emberday.
00:22:51How kind of you. Most thoughtful.
00:22:55You know my son, Luke. This is my daughter, Trudy.
00:22:58How do you do?
00:22:59And this is Mr. Hamlin, an old family friend.
00:23:09Well, what I need after that is a strong drink.
00:23:13Yeah, well, the White Hart?
00:23:15I'll get him something else and meet you there.
00:23:28You go and order yourself a drink. I'm just going to check on something, huh?
00:23:31Hello. Any news of Thompson yet?
00:23:33No. You always start to work so early.
00:23:36Never let up for a minute.
00:23:37And you never have a mail suspect.
00:23:39I had one about two years ago.
00:23:45What would you like to drink?
00:23:46Double vodka on the rocks, please.
00:23:48Make that twice, huh?
00:23:49Yes, sir.
00:23:50Well, I'm sorry about your Uncle Mortimer.
00:23:52Well, you needn't be.
00:23:53I gathered he wasn't your favorite uncle.
00:23:55Well, I hardly knew him. He lived in the south of France.
00:23:59He had this sentimental idea that he wanted his body sent back to Emberday Hall.
00:24:04Well, having lost most of the family fortune in Monte Carlo,
00:24:07I suppose if only he had to give us something back in the end.
00:24:10You live in London?
00:24:11Yes, I'm a photographer. I've got a studio there.
00:24:14I am the first Emberday in 500 years to do a job of work.
00:24:17Oh, I know the problem.
00:24:18You do?
00:24:19Yeah, we Cooper Smiths aren't exactly mad about work.
00:24:24Do you enjoy being a policeman?
00:24:26Yes. You meet such interesting people.
00:24:31Cheers.
00:24:33You wanted the phone, sir.
00:24:36Oh, excuse me.
00:24:50What? Are they sure?
00:24:56Well, I'd better go down and take a look.
00:24:59Tell them I'll be this quick.
00:25:02I must fly. I had no idea it was so late.
00:25:05I have a session in London at 3.30.
00:25:07I have to go too.
00:25:08Let's have a return break. Drop into my studio when you're in time.
00:25:10I'm in Barkley News. Bye.
00:25:15I go of duty now.
00:25:17Oh, what a pity. I go on duty.
00:25:19Oh.
00:25:20We don't have to look for Thompson anymore. They've found him.
00:25:22Oh, where?
00:25:23In the Thames. They fished him out this morning.
00:25:25I have to go to the mortuary now.
00:25:27Oh, horrible.
00:25:28Does it mean you won't be coming back?
00:25:31I'll be back.
00:25:58I'll be back.
00:26:28I'll be back.
00:26:58Hello?
00:27:00Somebody to see you downstairs, miss.
00:27:17You called my room just now. Number 10. Someone here to see me.
00:27:20I didn't call, madam.
00:27:22You might try the porter over there.
00:27:24Thanks.
00:27:52Oh, sorry.
00:28:14Leave me!
00:28:16Ah! Ah!
00:28:23To your many requests.
00:28:25And...
00:28:28One.
00:28:36Slow.
00:28:38Quick. Slow. Slow.
00:28:40And slow.
00:28:43One.
00:28:45Two.
00:28:47One.
00:28:49Two.
00:28:55Variation two. Lady turning all the time.
00:29:00Two.
00:29:02One.
00:29:11One again.
00:29:16Slow.
00:29:19Slow.
00:29:21One.
00:29:23Two.
00:29:25Variation.
00:29:33Four.
00:29:35Excellent, gentlemen.
00:29:45Ah!
00:29:47Poor sod.
00:29:49Where did they fish him out exactly?
00:29:51Near the wharves. Beyond Wapping.
00:29:53Wapping? That's a long way from Amberdon.
00:29:55The doctor's sure he drowned, huh?
00:29:57No other injuries. No bruising.
00:29:59Been in the water about 20 hours.
00:30:01Apparently he only swallowed about a quart.
00:30:03That's funny, isn't it?
00:30:05He could put away three quarts of beer in as many minutes.
00:30:07Look, Tillis, I want you to call the labs and have them check on the water in his lungs.
00:30:10Check the water? That's right.
00:30:12And I want that information as soon as possible.
00:30:14I don't know where I'm going to be, but I want it, right?
00:30:16Right, sir.
00:30:44It's time.
00:30:54Well?
00:30:56How do you feel?
00:30:58Terrible.
00:31:00I have a...
00:31:02I have a...
00:31:04I have a...
00:31:06I have a...
00:31:08I have a...
00:31:10I have a...
00:31:12I have a...
00:31:14I have a...
00:31:16I have a...
00:31:18I have a...
00:31:20I have a...
00:31:22I have a...
00:31:24I feel half dead.
00:31:26I hope my orders have been carried out.
00:31:28Yes, sir. Class only. Champagne's on ice.
00:31:30Not too chilled, I hope.
00:31:32Oh, let's get out of this place.
00:31:34It's even more depressing than arriving at London Airport.
00:31:42Found the body a couple of hours ago.
00:31:44Almost a go-on, is it?
00:31:46Not much, sir. Just her name, Claire O'Connor.
00:31:48We got on to the odd about her.
00:31:50Well, you wait here for the lab boys, huh?
00:31:52Tell them I want a thorough check on Thompson's room as well.
00:31:54If they find anything interesting, let me know right away.
00:31:56Message for you, sir.
00:32:00Well, well, well.
00:32:02Interesting.
00:32:04Seems that Miss O'Connor had quite a police record.
00:32:06What for, sir?
00:32:08Thefts, soliciting, receiving stolen goods.
00:32:10You name it, she's done it.
00:32:12Disappeared from her usual home five months ago.
00:32:14Hasn't been heard of since.
00:32:16Why should she turn up here, sir?
00:32:18Receiving stolen goods.
00:32:20Thompson specialised in receivers. He knew them all.
00:32:22All of them.
00:32:24They must have known her too.
00:32:26Now, Thompson checks in here a few days ago
00:32:28and he's found him whopping drowned.
00:32:30She checks in here yesterday and he's found her bath.
00:32:32Drowned.
00:32:34There must be some connection, sir.
00:32:36I'd better earn my living
00:32:38and go and question a few people.
00:32:40That French girl, she lives next door, doesn't she?
00:32:42Yes, sir. She's there now.
00:32:44Have you spoken to her yet?
00:32:46No, sir. I left her to you.
00:32:52May I come in?
00:32:54The name of the law, I'm afraid.
00:32:58She was drowned, wasn't she?
00:33:00Yeah.
00:33:02Oh, it's horrible, that poor girl.
00:33:04Now, listen.
00:33:06You were right next door to her.
00:33:08Are you sure you didn't hear anything?
00:33:10I heard the radio playing very loud,
00:33:12but I was having a bath when it happened.
00:33:14Oh, I don't think I'll ever have a bath again.
00:33:16I wouldn't go that far.
00:33:18You know what you'll need is a good stiff drink.
00:33:20I'll get you one.
00:33:22I've got one here.
00:33:24You have? Would you mind if I join you?
00:33:26They don't like staff having drinks in their room,
00:33:28so I hide it.
00:33:34The sister general is in charge
00:33:36of this side of the operations.
00:33:40These gems are the result
00:33:42of one of our most successful raids.
00:33:44Everything worked quite beautifully,
00:33:46but the morning papers were full of it.
00:33:48Now that we have you
00:33:50on our new job, Herr Kraftsman,
00:33:52we should be able to break our record.
00:33:56Well, this is our basic disposal unit.
00:33:58We make it all ourselves.
00:34:00A very high standard of craftsmanship.
00:34:02And this is the trigon mark,
00:34:04our private export symbol.
00:34:06It would be rather embarrassing
00:34:08if these parts got confused with the others.
00:34:10You see, there are two kinds.
00:34:12These particular parts are made
00:34:14especially lightweight.
00:34:16It's very simple.
00:34:20First, the gem.
00:34:26Then the other.
00:34:30And the wax.
00:34:34Colored to match.
00:34:38The wax is left to set.
00:34:40And you can see
00:34:42nothing inside.
00:34:44Just darkness.
00:34:46Now, if you'll excuse me,
00:34:48I see that everything is ready for our meeting.
00:34:50I congratulate you.
00:34:52And the sense of discipline is most creditable.
00:34:54Now, the sisters worked very hard.
00:34:56They earned their rewards.
00:34:58Well, I have an intuition
00:35:00about that blasted convent.
00:35:02I have a feeling, a smell, a sense, but...
00:35:04Why don't you take some men,
00:35:06go up there, search the whole place,
00:35:08not just everybody?
00:35:10Yes, why don't I do that? Well, I'll tell you why not.
00:35:12First of all, you have to have
00:35:14a silly little thing called a search warrant
00:35:16issued by a magistrate.
00:35:18In order to get a warrant, you have to have evidence.
00:35:20In the case of a religious order,
00:35:22the evidence has to be very strong,
00:35:24not just intuition.
00:35:26Yes.
00:35:28Maybe I can help you.
00:35:30I can go up there
00:35:32and sniff around.
00:35:34And snoop around. And you'll do no such thing.
00:35:36You'll keep that pretty little nose of yours out of this.
00:35:38You hear? That's an order.
00:35:40Come in.
00:35:42Sorry to interrupt
00:35:44the interrogation, sir.
00:35:46This report's just come in about the nuns.
00:35:48All right.
00:35:50Cointreau.
00:35:52Like a swig? No, thank you, sir.
00:35:54It is better after dinner.
00:35:56The Society of Vigilance,
00:35:58founded in Switzerland by the late Dr.
00:36:00Oscar Steinwald.
00:36:02Universal peace and brotherhood to be achieved
00:36:04through simplicity, love, and private
00:36:06endeavor.
00:36:08Hmm. Since the death of Dr.
00:36:10Steinwald in a murdering accident,
00:36:12the present Society now Mr. Hubert Hamlin.
00:36:14Hamlin.
00:36:16It's that nervous gent
00:36:18I saw at the funeral. He didn't seem to be universally
00:36:20at peace to me. Mr. Hubert Hamlin
00:36:22is a wealthy import-export merchant
00:36:24with a warehouse and wharves on the river at
00:36:26Rotherhithe.
00:36:28Rotherhithe Dice.
00:36:30I don't quite see the significance
00:36:32of Rotherhithe, sir.
00:36:34Well, it happens to be near Wapping.
00:36:36Wapping Dice, where they fish
00:36:38Thompson out of the river.
00:36:40I don't like the way things are going.
00:36:42Mr. Cowart.
00:36:44Hubert, keep your stupid
00:36:46fears to yourself.
00:36:49Ah, may I introduce
00:36:51Herr Klopfen. This is
00:36:53Mr. Hamlin, my husband.
00:36:57Now, Mr. Carson,
00:36:59I think you'll find all you want to know
00:37:01about the plans and his pictures.
00:37:03Ah, yeah. The safe.
00:37:05Where's the safe?
00:37:11Very like the one I did
00:37:13in Zurich in 63.
00:37:15You probably read about it. There was gold in that one, too.
00:37:18We chose that bank because of the demolition
00:37:20site nearby.
00:37:22The pneumatic drills drown out
00:37:24the noise. Yes, but in fact
00:37:26my gun has been perfected to make very little noise.
00:37:28It's not like a machine gun.
00:37:30It's more like a miniature rocket launcher.
00:37:32The projectiles are solid-fueled and armor-piercing.
00:37:34Rate of fire,
00:37:36100 rounds a minute. But it has only been
00:37:38tested under laboratory conditions.
00:37:40They were 95% successful.
00:37:42There's 5% risk, but I take it.
00:37:44You have made it worth my while.
00:37:46It's worth all our whiles.
00:37:48This is not only our last,
00:37:50but our biggest enterprise.
00:37:52Why else
00:37:54should we have called on the great Emil Klossen?
00:37:58Schedule, please.
00:38:04Two minutes past three tomorrow afternoon.
00:38:06The banks close at three.
00:38:08Ah, yeah.
00:38:10Six men.
00:38:12Do we need so many? Supposing one of them talks?
00:38:14Unlikely.
00:38:16They're not only vigilant, but remarkably
00:38:18discreet. Hubert
00:38:20will bear me out on that, won't you,
00:38:22Hubert?
00:38:30Oh, I'm sorry to barge in
00:38:32on you like this, Mr. Hammond. Just some routine
00:38:34inquiries, I'm afraid. Yes, of course.
00:38:36Sit down, won't you? Oh, Dr. Oscar
00:38:38Steinwald, founder of the movement, no?
00:38:40A very great man. I hear
00:38:42he had a very tragic death. Yes, indeed.
00:38:44It was terrible, you know. A motoring
00:38:46accident high up in the mountains. How long
00:38:48have you been president of the society?
00:38:50Only two years. Coming
00:38:52after such a holy and noble man, I feel
00:38:54myself quite inadequate.
00:38:56I look upon myself as a small machine for
00:38:58carrying on his great and good works.
00:39:00Oh, you're far too modest, Mr. Hammond.
00:39:02Well, I don't know what else these sisters
00:39:04do at that convent, but they certainly make some very
00:39:06interesting pottery. This is part of their work, isn't it?
00:39:08Yes, indeed. Yes, it has our stamp
00:39:10on it. The trigon, you know.
00:39:12The three triangles representing
00:39:14our three aims. Simplicity,
00:39:16love, personal endeavor.
00:39:18All for the achievement of peace
00:39:20and universal brotherhood.
00:39:22And sisterhood, eh?
00:39:24Tell me, Mr. Hammond, these
00:39:26sisters at the convent, they come from all walks
00:39:28of life and nationalities, no?
00:39:30Oh, yes, indeed. Yes, we are very proud of
00:39:32extending our faith to any girl, no matter
00:39:34what her previous circumstances.
00:39:36Would that extend to a girl with a criminal record?
00:39:38Well, it could do, yes, if we were convinced,
00:39:40you know, that she'd reformed
00:39:42and wished to embrace our beliefs.
00:39:44You see, we found a young girl murdered
00:39:46at the White Hart Hotel yesterday, and I was
00:39:48wondering if she had any connection with your society.
00:39:50Murdered?
00:39:52Oh, how terrible. What was her name?
00:39:54Claire O'Connor.
00:40:02Claire who?
00:40:04O'Connor.
00:40:08No, I have no record
00:40:10of anyone with that name being connected
00:40:12with the society.
00:40:14I see.
00:40:16Well, I was just wondering.
00:40:18Thank you so much for seeing me. I'm sorry to have intruded.
00:40:26They checked
00:40:28Mortimer Embertay.
00:40:30He died in Monte Carlo, right enough,
00:40:32and his corpse was shipped back to this country
00:40:34with all the relevant documents.
00:40:36All the same, it didn't stop them taking the lid off that coffin
00:40:38and kissing the corpse goodbye, huh?
00:40:40I had the feeling they did it for my benefit,
00:40:42to show me that he or somebody was in that coffin.
00:40:44What else?
00:40:46Well, then there was this nun.
00:40:48I saw her through a door.
00:40:50She was wearing nylons and a very un-nun-like
00:40:52set of fancy underwear.
00:40:54She looked more like a chorus girl than a nun.
00:40:56Fascinating for you, but scarcely a criminal offense.
00:41:00I wish there was some way I could get into that convent officially.
00:41:02Have you thought of
00:41:04taking the veil?
00:41:06Search warrant?
00:41:08An order of nuns?
00:41:10More than my job's worth.
00:41:12And you haven't got a shred of real evidence.
00:41:14Well, I shall have to pursue plan B.
00:41:16And what is plan B?
00:41:18Our friend Hamlin. Had a chat with him this morning.
00:41:20Thompson's body was fished out of the river
00:41:22a quarter of a mile from Hamlin's wharf.
00:41:24That's more like it. Search warrant?
00:41:26I think so. Do you want it now?
00:41:28No, this afternoon will do.
00:41:30I'm hoping to have an interesting date for lunch.
00:41:33Okay, hold it.
00:41:35Eat. That's right.
00:41:37Eat much more. Look as if you're enjoying it.
00:41:39Really, stuff it into your mouth. Look as if you're enjoying it.
00:41:41Oh, look as if it's the most marvelous food you've ever eaten.
00:41:44Oh, I hope I haven't come at an awkward time,
00:41:46but you did ask me to drop in.
00:41:48Superintendent Cooper-Smith, you're just what we need.
00:41:50Huh?
00:41:52Something manly and decorative to excite the girls.
00:41:54Please, stand there. It won't take just one moment, yes.
00:41:56Super. Okay, lovely.
00:41:58Okay.
00:42:00Okay, lovely.
00:42:02Okay, smile.
00:42:04What are you advertising?
00:42:06Crispy, crunchy, happy morning breakfast food. It's new.
00:42:08It's horrible.
00:42:10I don't see what it's got to do with a lot of beautiful semi-nude girls.
00:42:13Oh, don't tell me you're shocked.
00:42:15Oh, I'm not bothered that I associate your product with semi-nudity,
00:42:18but I might start associating semi-nudity with your horrible product,
00:42:21and I wouldn't like that at all.
00:42:23There's only one thing I'd like to associate with semi-nudity.
00:42:25Yes?
00:42:27Nudity.
00:42:29I like the girls.
00:42:31I suppose you came to ask me some questions.
00:42:33No, I came to invite you to lunch and ask you some questions.
00:42:36Oh, well, I've just got a few prints to blow up.
00:42:39Care to join me?
00:42:41Yes, I would like.
00:42:43Goodbye.
00:42:50Do you always pick up girls at funerals?
00:42:52Always.
00:42:54And since you bring the matter up,
00:42:56why do you think your mother opened the coffin?
00:42:58She loves being theatrical.
00:43:00Runs in the family.
00:43:02Well, as you know, Luke likes dressing up.
00:43:04I suppose we all do come to that.
00:43:06What do you like dressing up as?
00:43:08A woman.
00:43:10I shouldn't have thought that was necessary.
00:43:12Well, I don't always feel like one.
00:43:14Father often said I should have been the son and Luke the daughter.
00:43:17Poor old Luke. He's not very forceful.
00:43:21And you are?
00:43:23I suppose so.
00:43:25I'm sure they've always really rather pushed on me.
00:43:28Sometimes I'd like to feel more like a woman.
00:43:31Oh, you feel all right to me.
00:43:33Yes, well, you see, with you, maybe...
00:43:38Why did you do that?
00:43:40I'm scared of the dark.
00:43:42I thought you were a man.
00:43:44I am a man, and you're a woman.
00:43:46But couldn't we have lunch first?
00:43:48I'm sorry, I have a deadline to meet.
00:43:50Well, then, let's make it some other time, huh?
00:43:52Just lunch?
00:43:54I want to see what develops.
00:43:56Goodbye.
00:43:58Goodbye.
00:44:24Cooper Smith has been snooping around again.
00:44:28Yes, I managed to get rid of him.
00:44:31He was here this morning.
00:44:35Yes, I told you, everything's ready for this afternoon.
00:44:38I shall expect you at 3.30.
00:44:41I'll leave the gates open.
00:44:44About Klossen... Klossen...
00:44:53Naylor.
00:44:55Leave the gates open when you go, will you?
00:45:25Yes, sir.
00:45:55I'm sorry.
00:45:56I'm sorry.
00:45:57I'm sorry.
00:45:58I'm sorry.
00:45:59I'm sorry.
00:46:00I'm sorry.
00:46:01I'm sorry.
00:46:02I'm sorry.
00:46:03I'm sorry.
00:46:04I'm sorry.
00:46:05I'm sorry.
00:46:06I'm sorry.
00:46:07I'm sorry.
00:46:08I'm sorry.
00:46:09I'm sorry.
00:46:10I'm sorry.
00:46:11I'm sorry.
00:46:12I'm sorry.
00:46:13I'm sorry.
00:46:14I'm sorry.
00:46:15I'm sorry.
00:46:16I'm sorry.
00:46:17I'm sorry.
00:46:18I'm sorry.
00:46:19I'm sorry.
00:46:20I'm sorry.
00:46:21I'm sorry.
00:46:22I'm sorry.
00:46:23I'm sorry.
00:46:24I'm sorry.
00:46:25I'm sorry.
00:46:26I'm sorry.
00:46:27I'm sorry.
00:46:28I'm sorry.
00:46:29I'm sorry.
00:46:30I'm sorry.
00:46:31I'm sorry.
00:46:32I'm sorry.
00:46:33I'm sorry.
00:46:34I'm sorry.
00:46:35I'm sorry.
00:46:36I'm sorry.
00:46:37I'm sorry.
00:46:38I'm sorry.
00:46:39I'm sorry.
00:46:40I'm sorry.
00:46:41I'm sorry.
00:46:42I'm sorry.
00:46:43I'm sorry.
00:46:44I'm sorry.
00:46:45I'm sorry.
00:46:46I'm sorry.
00:46:47I'm sorry.
00:46:48I'm sorry.
00:46:49I'm sorry.
00:46:50I'm sorry.
00:46:51I'm sorry.
00:46:52I'm sorry.
00:46:53I'm sorry.
00:46:54I'm sorry.
00:46:55I'm sorry.
00:46:56I'm sorry.
00:46:57I'm sorry.
00:46:58I'm sorry.
00:46:59I'm sorry.
00:47:00I'm sorry.
00:47:01I'm sorry.
00:47:02I'm sorry.
00:47:03I'm sorry.
00:47:04I'm sorry.
00:47:05I'm sorry.
00:47:06I'm sorry.
00:47:07I'm sorry.
00:47:08I'm sorry.
00:47:09I'm sorry.
00:47:10I'm sorry.
00:47:11I'm sorry.
00:47:12I'm sorry.
00:47:13I'm sorry.
00:47:14I'm sorry.
00:47:15I'm sorry.
00:47:16I'm sorry.
00:47:17I'm sorry.
00:47:18I'm sorry.
00:47:19I'm sorry.
00:47:20I'm sorry.
00:47:21I'm sorry.
00:47:22I'm sorry.
00:47:23I'm sorry.
00:47:24I'm sorry.
00:47:25I'm sorry.
00:47:26I'm sorry.
00:47:27I'm sorry.
00:47:28I'm sorry.
00:47:29I'm sorry.
00:47:30I'm sorry.
00:47:31I'm sorry.
00:47:32I'm sorry.
00:47:33I'm sorry.
00:47:34I'm sorry.
00:47:35I'm sorry.
00:47:36I'm sorry.
00:47:37I'm sorry.
00:47:38I'm sorry.
00:47:39I'm sorry.
00:47:40I'm sorry.
00:47:41I'm sorry.
00:47:42I'm sorry.
00:47:43I'm sorry.
00:47:44I'm sorry.
00:47:45I'm sorry.
00:47:46I'm sorry.
00:47:47I'm sorry.
00:47:48I'm sorry.
00:47:49I'm sorry.
00:47:50I'm sorry.
00:47:51I'm sorry.
00:47:52I'm sorry.
00:47:53I'm sorry.
00:47:54I'm sorry.
00:47:55I'm sorry.
00:47:56If you could just sign this transfer, I have the share certificates ready.
00:48:11Mrs. Armitage.
00:48:12My friend.
00:48:15She's waiting outside, please.
00:48:19Tell her.
00:48:23Excuse me, are you a friend of Mrs. U...
00:48:53Yes, I am.
00:49:23Shhh...
00:49:53Yes, Mrs. Dragness?
00:49:59Splendid.
00:50:02If there's any change in the timetable, you let me know at once.
00:50:06Thank you, dear. Goodbye.
00:50:08Mummy, play snap with me.
00:50:11Yes, dear, but only for a little while.
00:50:14I'll get the counters.
00:50:17Yes, do.
00:50:19Next time, we'll play equally.
00:50:21Next time, we'll play for money.
00:50:51Come on, let's go.
00:52:51Shhh...
00:53:21Shhh...
00:53:51Shhh...
00:54:21Shhh...
00:54:51Oh, oh, oh...
00:55:21Oh, oh, oh...
00:55:51Oh, oh, oh...
00:56:21Oh, oh, oh...
00:56:51Oh, oh, oh...
00:57:21Shhh...
00:57:51Shhh...
00:58:21Shhh...
00:58:52Shhh...
00:58:55Shhh...
00:58:59Shhh...
00:59:02Shhh...
00:59:06Shhh...
00:59:09Shhh...
00:59:13Shhh...
00:59:21Shhh...
00:59:51Shhh...
01:00:21Shhh...
01:00:47Oh, oh...
01:00:51Oh, oh...
01:01:06Did your men find anything suspicious?
01:01:09No. No, nothing.
01:01:11I was sure they wouldn't. I'm very careful about the people I deal with.
01:01:15If anyone was using this warehouse for an illegal purpose, I'm sure I'd know about it.
01:01:19And let us know at once, of course.
01:01:21Well, of course. The police have a very difficult job to do. I always have every sympathy with them.
01:01:26Well, that's something, isn't it?
01:01:49Oh, oh, oh...
01:01:51Oh, oh, oh...
01:01:53Oh, oh, oh...
01:01:55Oh, oh, oh...
01:01:57Oh, oh, oh...
01:01:59Oh, oh, oh...
01:02:01Oh, oh, oh...
01:02:03Oh, oh, oh...
01:02:05Oh, oh, oh...
01:02:07Oh, oh, oh...
01:02:09Oh, oh, oh...
01:02:11Oh, oh, oh...
01:02:13Oh, oh, oh...
01:02:15Oh, oh, oh...
01:02:17Oh, oh, oh...
01:02:19Oh, oh, oh...
01:02:21Oh, oh, oh...
01:02:23Oh, oh, oh...
01:02:25Oh, oh, oh...
01:02:27Oh, oh, oh...
01:02:29Oh, oh, oh...
01:02:31Oh, oh, oh...
01:02:33Oh, oh, oh...
01:02:35Oh, oh, oh...
01:02:37Oh, oh, oh...
01:02:39Oh, oh, oh...
01:02:41Oh, oh, oh...
01:02:43Oh, oh, oh...
01:02:45Oh, oh, oh...
01:02:47Oh, oh, oh...
01:02:49Oh, oh, oh...
01:02:51Oh, oh, oh...
01:02:53Oh, oh, oh...
01:02:55Oh, oh, oh...
01:02:57Oh, oh, oh...
01:02:59Oh, oh, oh...
01:03:01Oh, oh, oh...
01:03:03Oh, oh, oh...
01:03:05Oh, oh, oh...
01:03:07Oh, oh, oh...
01:03:09Oh, oh, oh...
01:03:11Oh, oh, oh...
01:03:13I'd better get ready.
01:03:15Oh, this dreary performance again.
01:03:17Still, I suppose I need a rest
01:03:19after all the excitement.
01:03:25Come on and help me with the coffin.
01:03:43Come on.
01:04:03You make a beautiful corpse.
01:04:05One tries to do everything
01:04:07with a little style.
01:04:09I've seen to it that your share
01:04:11will be transferred to the account
01:04:13in Zurich as arranged.
01:04:15Don't worry, we won't cheat you.
01:04:17We may need you again one day.
01:04:19Your travel fills.
01:04:21Now, Flossen,
01:04:23you'll be on the other side
01:04:25before you know it.
01:04:31Bon voyage to all of us.
01:04:37Come.
01:04:41Come.
01:04:53They work fast, those pills.
01:05:03Au revoir.
01:05:05Adieu.
01:05:11Adieu.
01:05:35Go open the gates.
01:05:37Oh, don't worry.
01:05:39We'll be on our conscience, dear.
01:05:43Go and open the gates.
01:06:01There's a police car outside.
01:06:03They're watching this place.
01:06:05I told you this would happen.
01:06:07What are we going to do?
01:06:09Take the station wagon metres at Limehouse Pier.
01:06:11We'll go by the river.
01:06:19A man, Amelin, has driven from Wharf
01:06:21in white station wagon number JYN 176.
01:06:23Shall we follow over?
01:06:25No, stay and watch Wharf.
01:06:27Report on all entries and departures.
01:06:35Come on.
01:06:51And you've been wasting a lot of time
01:06:53chasing around after a lot of nuns in a condom.
01:06:55I ask you, does this look like nuns' work?
01:06:57No, sir, but if the nuns weren't nuns...
01:06:59And I weren't commissioner, but I am,
01:07:01so you'll listen to me.
01:07:03Excuse me, sir.
01:07:05Anyway, they'll never get far with that gold.
01:07:07We'll have every airport and every port watched.
01:07:09I've decided to take your advice, sir.
01:07:11And resign?
01:07:13No, do as you suggest. Take the veil.
01:07:15Cooper Smith, if I hear one more word
01:07:17about those nuns...
01:07:19One thing that puzzled me, sir, was Thompson's death.
01:07:21Now, it was Thompson that led us to that convent,
01:07:23and yet his body was found whopping 50 miles away.
01:07:25But the water in his lungs
01:07:27was not dirty Thames water.
01:07:29It was fresh water, so they must have drowned him
01:07:31or else then dumped his body off there as a blind.
01:07:33You mean at Ember Day?
01:07:35Yes, sir. It could be. It could just be.
01:07:37So now, may I have...
01:07:39Your search warrant? No.
01:07:41If you want to follow your hunch, very well.
01:07:43But I'm not having the rest
01:07:45of the special branch going haring around
01:07:47a convent after the nuns.
01:07:49You're on your own.
01:07:51Thank you, Edison.
01:07:53That's all the staff, isn't it?
01:07:55Yes. Extraordinary.
01:07:57A girl gets murdered in a bath
01:07:59and nobody sees or hears anything.
01:08:01And now I'm going to have your friend the superintendent
01:08:03on my back again.
01:08:05Is he coming back? Yes.
01:08:07There's been a big London robbery, and he's still convinced
01:08:09it's got something to do with Ember Day Hall.
01:08:11All he's worried about is that the birds
01:08:13will have flown before he gets here.
01:08:15Why don't you catch them hot foot?
01:08:17Listen, miss, he's not even sure
01:08:19they're the right birds.
01:08:21He has no proof, no search warrant, no thanks.
01:08:23I've got my pension to think of.
01:08:29And won't forget,
01:08:31the melting point of gold
01:08:33is 1,063 degrees centigrade.
01:08:35No more, no less.
01:08:43Just passed the furniture van
01:08:45a few minutes back. Good.
01:08:47Have you completed the forwarding arrangement?
01:08:49With one slight change, yes.
01:08:51Oh?
01:08:53I'm not going on with this.
01:08:55I refuse to touch the gold.
01:08:57I refuse, absolutely.
01:08:59That's perfectly all right.
01:09:01Here, as a matter of fact, I've already decided
01:09:03we could manage quite well without you.
01:09:05Damn women.
01:09:07You and those damned Ember Day women.
01:09:09If only you'd never met them.
01:09:11But I did meet them.
01:09:13And a lucky day it was for all of us.
01:09:15When we were first married,
01:09:17I thought you believed in the Society of Vigilance
01:09:19and all that it stood for.
01:09:21The memory of Dr. Steinwald.
01:09:23A power for peace and goodness.
01:09:25A beacon shining with a pure, bright flame.
01:09:29At 1,063 degrees centigrade.
01:09:33You are the one who lost faith, Hubert.
01:09:37Not I.
01:09:55Hello.
01:09:57Hello.
01:09:59Would you like to have some tea?
01:10:01Are you one of the family?
01:10:03Oh, yes.
01:10:05It's a lovely house.
01:10:07You'd like the house.
01:10:09Well, I don't think I'd bother to thank you.
01:10:11I've got some tea waiting for me at home.
01:10:13Well, come in.
01:10:15It's a lovely house.
01:10:17You'd like the house.
01:10:19Well, I don't think I'd bother to thank you.
01:10:21I've got some tea waiting for me at home.
01:10:23Well, you can have it here, too.
01:10:25We've got lots of cakes.
01:10:27What nice hair you've got.
01:10:29Many girls have lovely hair.
01:10:31Oh, but yours is very special.
01:10:33It makes me want to touch it.
01:10:35Don't be silly.
01:10:37Silly? I'm not silly.
01:10:39You're silly. I'm going to touch it.
01:10:41Bet you I touch it.
01:10:43You must let me touch it.
01:10:45Now, come on.
01:10:47For me.
01:10:49I want you to play some games.
01:10:51Hey, come here.
01:10:53Come and play.
01:10:55Hey.
01:10:57Mummy, look.
01:10:59Look what I found.
01:11:01Isn't she pretty?
01:11:03Yes, very pretty.
01:11:05But you've no time to play now.
01:11:07You can play with her later.
01:11:09Oh, Mummy.
01:11:11Ah!
01:11:17There used to be a day when an English barbie
01:11:19or a murderer tapped him on the shoulder
01:11:21and said, you come in quietly and he went.
01:11:23Now they turn around and shoot him in the guts
01:11:25and yet I'm supposed to invent an excuse
01:11:27to go to that convent because they've done it
01:11:29and I know it and I'm going up there.
01:11:31I'll come with you, sir.
01:11:33No, you don't.
01:11:35You've got your job to think about.
01:11:37I've got to reach out.
01:11:39I've got to find Sophie.
01:11:41I've got to break a date.
01:11:43Have you seen Miss Sophie?
01:11:45Oh, she's off duty, sir.
01:11:47Come on.
01:12:03Poor Mr. Hamlin.
01:12:05A small crisis of faith.
01:12:07But we can't afford backsliding at this stage.
01:12:09You do understand me, don't you?
01:12:13Convince him, quickly.
01:12:17Yes, sir.
01:12:31What is this?
01:12:47Everything seems to be going very efficiently.
01:12:53And exactly on schedule.
01:12:55Most efficient.
01:12:57I think we have time for a glass of sherry.
01:12:59I'll join you later.
01:13:01We deserve a little drink.
01:13:09I still think I ought to come in with you.
01:13:11You stay here. I'll go do this myself.
01:13:13And keep your men out of sight, huh?
01:13:15Well, look here.
01:13:17Better have that.
01:13:21You know, I've never used one of these things before.
01:13:23It's really very simple, sir.
01:13:25You just put that in in your mouth and blow.
01:13:27The miracles of science.
01:13:35Ah, Mr. Cooper Smith.
01:13:37I see you can't tear yourself away
01:13:39from our peaceful corner of the countryside.
01:13:41Of course it is peaceful here.
01:13:43But I'm more interested in people than places.
01:13:45Especially missing people.
01:13:47Don't tell me you've lost somebody else.
01:13:49Yes, it's careless of me, I admit.
01:13:51I wonder if you've seen anything of a young French girl.
01:13:53She's the receptionist of the White Heart.
01:13:55I had an idea she might have come up here
01:13:57sightseeing today.
01:13:59This is not a visiting day.
01:14:01Oh, isn't it?
01:14:03Yes.
01:14:05That's strange.
01:14:07Well, tell me, have you found the man
01:14:09you were looking for?
01:14:11Yes, I'm afraid we did.
01:14:13But we had to fish for him, though.
01:14:15In the Thames.
01:14:17Oh, dear.
01:14:19How depressing it must be to be a policeman.
01:14:21Especially if you can't swim.
01:14:25Oh, I didn't know you had a visitor.
01:14:27Oh, you've met my daughter, Trudy, haven't you?
01:14:29Yes, of course.
01:14:31We bumped into each other again in London, didn't we?
01:14:33Mr. Cooper Smith did all the bumping.
01:14:35Did you make that deadline?
01:14:37Oh, yes, I've never missed a deadline yet.
01:14:39I'm always telling Trudy
01:14:41she's too efficient.
01:14:43It's very unfeminine.
01:14:45Oh, Ma thinks any kind of work is unfeminine.
01:14:47Well, I'd better go and change
01:14:49if I'm going to get back to London tonight.
01:14:51You're going to do that new job, dear?
01:14:53Yes, Ma.
01:14:55If you want to do some more modelling,
01:14:57come and see me in London.
01:14:59She's such a talented girl.
01:15:01I wish I could teach her to relax a little.
01:15:03Ma, offer you a glass of sherry.
01:15:05Oh, I'm afraid I can't.
01:15:07I've got to go somewhere else.
01:15:09I'm sorry to have troubled you.
01:15:11No, no, please. I'll find my own way out.
01:15:21Mr. General.
01:15:23I'm afraid I've just had a visit
01:15:25from the inquisitive Mr. Cooper Smith.
01:15:27So do take every precaution.
01:15:29He says he's looking
01:15:31for his French girlfriend.
01:15:33He's gone off to look for her somewhere else.
01:15:35Have Naylor make sure
01:15:37that it is somewhere else.
01:16:05♪
01:16:35♪
01:16:55Kind of spooky in here, isn't it?
01:16:59Well, uh, nice to have met you.
01:17:05♪
01:17:35♪
01:18:05♪
01:18:35♪
01:18:41Well, well, well.
01:18:45♪
01:18:47♪
01:18:49♪
01:18:51♪
01:18:53♪
01:18:55♪
01:18:57♪
01:18:59♪
01:19:01♪
01:19:03♪
01:19:05♪
01:19:07♪
01:19:09♪
01:19:11♪
01:19:13Mr. Cooper Smith.
01:19:15Hello.
01:19:17I'm surprised.
01:19:19This is a rather unorthodox way to enter a convent.
01:19:21Well, actually, I came here to see Mr. Hamlin.
01:19:23Our president.
01:19:25He isn't here.
01:19:27He moves around a lot, you know.
01:19:29Does he? Last time I saw him, he didn't seem to be
01:19:31moving at all.
01:19:33But since I'm here, I might as well look around.
01:19:35No, no, we can skip the formal guided tour, if you don't mind.
01:19:37I say, what a fascinating
01:19:39variety of pottery you make here.
01:19:41Amity pottery is noted for its variety
01:19:43and elegance. I'd rather you wouldn't touch
01:19:45any. The glaze mightn't
01:19:47be quite right. And your hands
01:19:49are rather grubby. Oh, well, you know how it is
01:19:51in certain jobs, it's difficult to keep one's hands clean,
01:19:53isn't it? This one seems to be quite dry, though.
01:19:55I say,
01:19:57for pottery. Seems rather
01:19:59heavy, doesn't it to you? Oh!
01:20:03Hmm.
01:20:05Valuable piece of pottery, too.
01:20:29Hmm.
01:20:59Hmm.
01:21:29Hmm.
01:21:41Leave her alone!
01:21:45What are you doing in this house?
01:21:47Who are you?
01:21:49Don't you dare touch her!
01:21:53She's mine!
01:21:55She's mine!
01:21:57She's mine, you hear me?
01:21:59Mine!
01:22:13You!
01:22:15What are you doing in those clothes?
01:22:17I enjoy it!
01:22:19Looking like a man, being a man.
01:22:21You wouldn't know, would you?
01:22:23You've never been a man. Father knew that.
01:22:25He knew that you were just a poor, weak idiot.
01:22:27I witnessed
01:22:29and he witnessed! You!
01:22:31You! You always
01:22:33told lies to Father about me!
01:22:35You were always taking my things and bullying
01:22:37me! Only because you never had the strength of a proper
01:22:39man! I had! I am
01:22:41a man! I'm his son!
01:22:43I am! Go away
01:22:45and play with your toys!
01:22:47It's a pity you woke up.
01:22:49Now I shall have to put you to sleep again.
01:22:53You're just a poor,
01:22:55weak idiot!
01:23:09This is what it's like!
01:23:11This is what it's like! She was mine!
01:23:13Mother said I could play with her!
01:23:15You shouldn't have touched her!
01:23:23Polly!
01:23:25What have you done?
01:23:27She was taking my things again!
01:23:29Mama!
01:23:33No, Luke! No!
01:23:47Not quite fast enough.
01:23:49I don't think I'm afraid of killing a policeman.
01:23:51You won't be my first.
01:23:53So you killed Thompson.
01:23:55What about the girl?
01:23:57Yes, and they were pure fun.
01:23:59You psychotic little
01:24:01bastard! And I'm going to
01:24:03enjoy this too, Mr. Cooper-Smith.
01:24:05You're just the sort of man I've always loathed.
01:24:07Vain, arrogant, reveling
01:24:09in your own stupid masculinity.
01:24:11I hate to interrupt my own
01:24:13obituary, but your toast is burning.
01:24:15Mrs. Hamlin!
01:24:21Ah!
01:24:45Well, that's service, I must say.
01:24:47Well, we did hear the shots, sir,
01:24:49and all that yelling.
01:24:51Did you do all this, sir?
01:24:53I had a little help.
01:24:55What's been going on?
01:24:57I've been hit on the head about a hundred times,
01:24:59and if anybody asks me...
01:25:01Well, Mrs. Emberday,
01:25:03it's a pity you had to kill
01:25:05the most harmless member of your family.
01:25:07He was only a raving lunatic.
01:25:09Take her away!
01:25:11Take her away!
01:25:15You all right, sir?
01:25:17It touches my head.
01:25:19Oh, that's it, sir?
01:25:21Yes, that's it.
01:25:25My God!
01:25:27I've forgotten Sophie!
01:25:47Sophie.
01:25:59Sophie.
01:26:01Believe me, that is not
01:26:03the way to get an English husband.
01:26:17Oh, my God!
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