[Vietsub] Đàn Kiện Thứ phỏng vấn cùng Phòng thí nghiệm giải trí (娱情Lab) - vai Nguyên Mạc, Tứ Phương Quán 240905
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FunTranscript
00:00How did you get into the role of Tan Jianci?
00:03Yuqing Experimental Studio, my report, you come out.
00:05Hello everyone, I'm actor Tan Jianci.
00:07What is your role in the play?
00:09I play Yuan Mo in the private theater.
00:12It's a very heavy class,
00:14and then a very beautiful ancient worker,
00:18an aboriginal worker.
00:19You grew up in a hot-blooded, professional private history from the play.
00:23How did you grasp the growth and change of this role?
00:27In fact, more than that,
00:29it reflects his intelligence and intelligence in the play.
00:33Then there is such a spirit of small but great,
00:36and then a little bit of growth,
00:38a little bit of change in the eyes,
00:41from a rotten squid master
00:45to a very firm private history,
00:48such a change in growth.
00:51From the beginning of the play,
00:52it's more scattered,
00:54and then there is such a person who has no rules.
00:57Then later on,
00:58there is such a person who cares about the world,
01:01a person with a big pattern.
01:04Then everyone also saw you wearing a red official uniform.
01:07They all said you are the god of red clothes.
01:09What do you think of this?
01:12How do I see it? I dare not see it.
01:14When he wears an official uniform,
01:15in fact, I think
01:18it will also give me a breath of fresh air.
01:22So I think maybe it's the clothes that saved me.
01:27It's good.
01:28Didn't everyone just say
01:31to let me comfort everyone?
01:32I think Yuan Mo is the best warm heart pill.
01:36Let everyone jump out of the sad mood
01:40and let everyone be happy to face
01:43my new role.
01:44Then for the netizens who said Yuan Mo
01:46is Xiang Liu's reviver,
01:47what do you want to say?
01:48I was particularly impressed by that play.
01:50When I went to that place,
01:51I found that the top of the mountain
01:54was the top of the mountain where Xiang Liu died.
01:57Then I went there to pay a visit.
01:58Yes.
01:59Then I think it's very interesting.
02:01In addition to that coincidence,
02:03there is another place
02:05where A Shu raises a snake.
02:08That snake,
02:09I've been talking about it on the set.
02:12That snake actually
02:13I think it's very similar to Xiang Liu's snake.
02:14In the play of private house,
02:15that snake also has a lot of competition with me.
02:19I and it also belong to
02:21the feeling of being in the wrong place.
02:23With the snake, yes.
02:24What kind of work do you want to do?
02:27I really hope that I can
02:28have such a beautiful mental state.
02:30I just feel that
02:31I have to finish my work.
02:32It's the kind that I can't sleep if I don't finish it.
02:35So you belong to the introversion type.
02:37I think it's the introversion type.
02:39Either I don't accept this job,
02:43but if I get it in my hands,
02:45it feels like
02:46this is my mission
02:48that must be completed.
02:50So how do you solve this introversion?
02:52So I play Yuan Mo.
02:53After playing Yuan Mo,
02:54I feel a little better.
02:56Bring you some new...
02:57Bring you some new mindset in life.
03:02Yuan Mo has been beaten all the time.
03:04In the play, who is beaten the most?
03:07It must be A Shu.
03:08Although he often teases others,
03:10but he always wins.
03:11A Shu can win him.
03:13So he is a bit of a bully.
03:17Is there any difference in their way of beating?
03:19A Shu's way of beating me
03:21is mainly using props.
03:23He will sprinkle some powder
03:26to make some poisonous things.
03:29Then Yu Shihua is relatively simple and rough.
03:32Then Wang Kunwu mainly orders me
03:36to do some things
03:38that I don't want to do.
03:39Your actors and netizens all love to watch.
03:41But this time you have to hide your strength.
03:42Do you have any different feelings?
03:44No, I'm so happy.
03:45When I can't dance, I watch it every day.
03:47You know, Hengdian was so hot at that time.
03:50I feel sorry for Brother Chun every day.
03:52Brother Chun was beaten everywhere every day.
03:55His head was cracked.
03:57Hengdian was so hot.
03:59Then I was also very hot every day.
04:00But I didn't have to move.
04:02I told Brother Chun.
04:03I said, last year,
04:04when I was shooting the movie,
04:06on this day,
04:07I was beaten outside every day.
04:09I said, I know this kind of pain so well.
04:11I even taught him a trick.
04:12I said, what should I do?
04:14So you were happy to be beaten.
04:15Yes, I was happy to be beaten.
04:17In the movie,
04:18you may think I'm miserable.
04:20But outside the movie,
04:20I'm actually very calm.
04:23When I first came into contact with acting,
04:26I learned it was a comedy.
04:28So I have always been yearning for comedy.
04:32So I think it's more about rhythm control.
04:34In this movie,
04:35we will rehearse many times on the set.
04:37There will be some new sparks as we rehearse.
04:40So I think comedy is
04:41produced in these gaps.
04:44Yes, I think any form of comedy,
04:46as long as I watch it,
04:48it can make everyone...
04:48Because I think the difficulty of comedy
04:50is a lot of burden,
04:51including a lot of jokes.
04:54After using it once,
04:55maybe if you use it again,
04:57its effect will be much smaller.
04:59So when expressing comedy,
05:01you may have to keep innovating.
05:03I think this is the difficult part of comedy.
05:05Netizens said they saw a clip of your private studio.
05:07After you finished filming,
05:09you went to the monitor
05:10to see if the director could do another one.
05:12They found out that you are an actor, Tan Jianci.
05:15He said he thought you were the most touching moment
05:18when you checked your performance results
05:20in front of the camera.
05:22I don't know if this sentence
05:24makes you feel a sense of resonance.
05:25I like to stay in the monitor.
05:27I don't know why.
05:28In the space of the monitor,
05:30we can also have a lot of time
05:32to discuss with the director and the screenwriter.
05:37And the key is that it's cool there.
05:41The process of discussing and communicating with each other
05:43is a way to find the character
05:45or the rhythm of the play.
05:49What do you think is the most touching moment as an actor?
05:52The most touching moment as an actor
05:53is the moment when I forget myself.
05:55Yes.
05:56I forget myself in a play.
05:59It's the moment when I don't want to be called.
06:02We integrate ourselves into the play,
06:05with the characters,
06:06with everything around us.
06:08Then we play very well.
06:10If the director doesn't want to be called,
06:12we don't want to be called.
06:13If the director doesn't want to be called,
06:15you can keep acting.
06:16I really enjoy it.
06:17Yes.
06:17Do you have any special moments in the play?
06:20No, no.
06:21The play itself has some special moments.
06:22Yes.
06:22Like I said,
06:23it's a bit...
06:24It's a bit strange.
06:25Except for the strange props
06:28he used on me,
06:31sometimes,
06:32when I'm disobedient
06:33or when I say something wrong,
06:35he will pinch my ears.
06:37Everyone says that if you pinch your ears,
06:38Tan Jianci will look aggrieved.
06:41Can you share
06:42some tips on how to act aggrieved?
06:45I think,
06:45oh,
06:46audience,
06:46you have to love me more.
06:47I'm so pitiful.
06:49Right?
06:50So I want to invite everyone to watch the film,
06:53and to pity Yuan Mo.
06:57OK.
06:57Speaking of aggrieved,
06:58the wind of archaeology
06:59also blows to Tan Jianci.
07:01There is a scene
07:02where Tan Jianci is told
07:04not to be fierce to him.
07:05Tan Jianci,
07:05don't be fierce to me.
07:07Hurry up.
07:09I'm young and frivolous.
07:12My desire to express is too strong.
07:14Do you encourage netizens
07:15to look for more archaeology in the future?
07:18No, I don't.
07:18I think
07:19we resist.
07:21No, I don't mean to resist.
07:22It's casual.
07:23I think
07:23these are all my
07:25footprints.
07:27Yes.
07:27I think everyone can feel it.
07:30Can you still find
07:31the feeling of youth and cuteness now?
07:34Me now?
07:35I think I'm still the same now.
07:37Yes.
07:37But now
07:38I'm more restrained.
07:40And I'm more
07:41self-judgmental.
07:45At that time,
07:45I was so nervous.
07:47I thought
07:47how to have fun,
07:49how to do it.
07:50Every role has a different grievance.
07:51Yes.
07:52So Yuan Mo
07:53is more childish
07:55and cute.
07:57For example,
07:57someone told you,
07:58Tan Jianci,
07:59don't be fierce to me.
08:00Am I fierce to you?
08:01How do you feel when you hear the word old?
08:05Old.
08:06Old Yuan.
08:07I only hear old.
08:09It seems that old Yuan
08:10is really
08:12old.
08:14I also have this feeling.
08:15Really?
08:15You didn't hear the word male group strength?
08:18Well.
08:20Thank you for your compliment.
08:21The bitterness I had
08:23and the effort I had
08:26I think
08:27I didn't waste it.
08:28Yes.
08:29In the near future,
08:31many people will see it.
08:33I think it's
08:35worth it.
08:37When I see this word,
08:37I have a picture.
08:39You have a white beard
08:40and you are holding a cane.
08:41I often see it on the stage.
08:43So old.
08:44It's really old.
08:45I feel like old Yuan.
08:47Because old Yuan
08:48is a little too old.
08:50In fact,
08:51I used to be old, right?
08:53I'm not really old.
08:55I think
08:56I can only say
08:58I'm from the previous era.
09:00The male group from the previous era.
09:02Four-dimensional language test.
09:03Please guess the meaning of the following words
09:05and make a sentence with the tone of the language.
09:07Taolai.
09:08What is Taolai?
09:09Hello.
09:10No.
09:10Hello.
09:12Based on your guess,
09:13you make a sentence.
09:15Four-dimensional tube.
09:16Taolai.
09:17Taolai is beautiful.
09:18How much is it?
09:19It's beautiful.
09:20Can I?
09:21Yes.
09:22OK, next one.
09:23Russian pronunciation.
09:25Ou Qin Ha La Shao.
09:28Four-dimensional tube.
09:31Ou Qin Ha La Shao is beautiful.
09:33French pronunciation.
09:34Baudeport Blemu.
09:36If you want Baudeport Blemu,
09:38come and see the four-dimensional tube.
09:39It means no problem.
09:41Yes.
09:41If you want your life to be no problem,
09:43come and see the four-dimensional tube.
09:44After the test,
09:45Tan Jianci successfully passed the four-dimensional tone test.
09:50Tan Jianci sings and Zhou Shen sings.
09:52Who do you like to sing?
09:54It's Zhou Shen again.
09:55Every time,
09:56I seem to have received all the questions and jokes he threw out.
09:59I like to listen to Zhou Shen sing Tan Jianci's songs the most.
10:03Is there any song you want to recommend to Zhou Shen?
10:06Let him sing a song for me.
10:08A song I can sing and dance.
10:12Help me promote the four-dimensional tube.
10:13Don't talk about this.
10:13Just give it to him.
10:16Working part-time, happy tube.
10:18Four-in-one ball.
10:19Give you fun.
10:21Please support
10:24and come and see the four-dimensional tube.