Coronation St 6th September 2024
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TVTranscript
00:00Here you go, Ken.
00:25One soft-boiled egg.
00:26I'll get your soldiers for you.
00:28Talk about the life of Riley.
00:31Don't be expecting this when you're mended.
00:33Do you want me to lob the scalp off for you?
00:37Would you?
00:38Yeah.
00:39A, that was some barney you had with the footballer's wife yesterday.
00:42A, my wife.
00:44B, private call.
00:46Private call, the way you were shouting.
00:48Surprised the whole street didn't hear you.
00:50There you go.
00:51More fighting.
00:52I'm sorry, Ken.
00:53I know she's your daughter, but she's got some brass neck on her, that one.
00:56That may be true.
00:57I'll try and keep it civil.
00:59Right, you get stuck into that, and I'll make you a freshly brewed coffee.
01:02You're very kind.
01:04So, um, do you get a pedicure after brekkie, or does that clash with the massage?
01:10I shall miss her when she's gone.
01:12Yeah, I bet you will.
01:13You'll have to read that gazette on ironed.
01:15I mean, all this is very nice, but the company is so special.
01:19You know, someone to talk to who isn't dashing off to work or getting off somewhere else.
01:26But you getting all this, you're going to get a five-star review off him for your carers are us app.
01:32Very grateful, thank you.
01:34Anyway, I'm off.
01:36I'll try and take you for a pint after work, Kenneth, if I can manage it.
01:40I'm sure you'll need it after all the, er, hard graft you've been doing this morning.
01:50I've enjoyed it all as well, Ken, but let's be honest, you're well on the men now.
01:55You don't really need me any more.
01:57My case in point, I don't want to be a burden to Steve or Amy.
02:01I think you're going to have to squeeze me in for something as trivial as a drink or a walk.
02:06What are you saying?
02:08Well, my body may have healed itself, but it needs a much stronger cure for loneliness.
02:16How would you feel about extending our arrangement?
02:20Oh, hiya.
02:22Hi, Miss Connor.
02:24How do you manage to make even that sound so hokey?
02:26Practice.
02:28What are you two gossiping about?
02:30Just having a coffee with my mum, if that's okay with you.
02:33Coffee at your age?
02:35What were you drinking at my age?
02:37Let's draw a veil over that, shall we?
02:39Bye, boomers.
02:41Hey you, I'm Gen X, me.
02:43Sorry about that.
02:45It's all right, I'm used to it.
02:48Me too, unfortunately.
02:52Listen, thanks again for talking to her yesterday.
02:54Yes.
02:56Well, here we go.
02:58Who is it?
03:00A college.
03:02Hello?
03:04Just keep it to yourselves, yeah?
03:06Well, I'm not comfortable lying.
03:08Can I have a laugh?
03:10You tell everybody you wear size five shoes.
03:12Shut up, David, it's not funny.
03:14I had Leanne crying on my shoulder yesterday.
03:16Okay, look, we just want Sam to hear it from us,
03:18not tittle-tattle on the street.
03:20I don't tittle-tattle.
03:22Again, another lie.
03:24Oh, shut up, make yourself useful, take that to Carla.
03:26She hadn't ordered one.
03:28No, it's for my sake, not hers.
03:30Go on, off you go.
03:32And what about Lily?
03:34You know she's got a right gob on her.
03:36Yeah, but they don't rock around together, do they?
03:38Oh, they walk home from school sometimes, don't they?
03:40There's a coffee there.
03:42Do you work here now?
03:44I'm off, but, you know, I help out where I can.
03:46Bit like Batman.
03:48Hey, have you put something dodgy in this?
03:50No, I wish I hadn't bothered.
03:52Yeah, I'll talk to her, thanks for letting me know.
03:54Right, bye.
03:56So?
03:58She hasn't been going in.
04:00What, at all?
04:02Nope. I mean, I even dropped her off there yesterday.
04:04What has she been doing?
04:06Well, the odd thing about her coming to the factory
04:08is that she's working round her free period.
04:10Yeah, well, from the sounds of it,
04:13she's got her term started.
04:15No answer.
04:17You're not going to leave her a message?
04:19Nope.
04:21This is one conversation that needs to be had face-to-face.
04:25So when you see a traffic stop and a US cop show,
04:27the copper will touch the back of the car or the side.
04:29You see, it leaves fingerprints, see?
04:31So if you decide to drive off or change the plates,
04:33the fingerprints will still be on the back of the car
04:35to identify the vehicle.
04:37I know.
04:39I try and do it and all,
04:41and just pretend I'm on the wire.
04:43Brilliant.
04:45He loves your police stories.
04:47I mean, it's all these reruns of the bill
04:49that he's watching.
04:51Huh.
04:53Huh.
04:55Sounds dead sarky on that vocoder thing.
04:57It's a voice synthesiser.
04:59A vocoder's what Cher uses.
05:05I'll take it.
05:07It's good of you to pop round.
05:11Well, the joys of shift work.
05:13I wondered if you needed anything.
05:15Yeah.
05:17No, we're all right, aren't we?
05:19Although he could do with a haircut.
05:21You are looking a bit shaggy, Apollo.
05:23It's funny, all the boring little things
05:25that you take for granted.
05:27Dentists,
05:29haircuts.
05:31All seems pretty impossible
05:33when you're confined to barracks.
05:35Yeah, someone managed to get Billy
05:37out for a walk yesterday,
05:39but he's pretty reluctant.
05:41Oh, could you get her to come here
05:43and take him out for a walk?
05:45Why? What have I done?
05:47Same thing as you do.
05:49Whenever you've got a day off,
05:51you hang around here getting on my wick.
05:53Actually, I was meant to go out
05:55for a few drinks with Billy,
05:57but never materialised.
05:59Shall I text him?
06:01Yeah, that'd be great.
06:04Hello.
06:06My good deed for the day.
06:08You haven't done anything yet.
06:10What's the difference between a raisin
06:12and a sultana?
06:14I'm not in the mood for jokes.
06:16No, I'm not joking.
06:18I actually want to know more about Eccles case.
06:20Forgive me for taking an interest in your work.
06:22Hi. Hi.
06:24You all right?
06:26No, not really.
06:28Stayed in a hotel last night.
06:30Didn't get a wink of sleep.
06:32He got to stay in his own bed.
06:34David, can I have a word?
06:36Please, take him. Lock him up, I beg you.
06:38Yeah, sure.
06:40Nick was in earlier.
06:42Saying what?
06:44Asking us to keep it on the DL about him and Toyer.
06:46He's more concerned about his good-guy image
06:48than he is about me.
06:50Hey, I'm team you, but in fairness,
06:52I do think he's just trying to protect Sam.
06:54Yeah, well, maybe he should have thought about that
06:56before he dropped his wife once.
06:58You know, I don't understand
07:00why you have to stay in some proxy room.
07:02You've done nothing wrong.
07:04If this was me, I wouldn't be going into hiding.
07:06I'd be plotting my revenge.
07:10There you are.
07:12What are you thinking of?
07:14Me.
07:16Cheers.
07:18That's really kind of you.
07:20Thanks, David.
07:22Wow, Kit's idea.
07:24You did all the work.
07:26Look, I'll pay you something.
07:29I'll tell you what, though.
07:31Why don't we have those jars that we arranged,
07:33you remember, ages ago?
07:35You can get me a pint or two.
07:37I can't.
07:39You can.
07:41See?
07:43And I've nothing else planned today
07:45except bugging Shona for a bit.
07:47I fancy a bit of a laugh.
07:49Boone is working this afternoon.
07:51He shouldn't finish till six.
07:53I can hang on till then, mate.
07:55I can't.
07:57You big wuss.
07:59See? Do as your husband says.
08:01Listen, I'll tell you what.
08:03Why don't you sort yourself out here
08:05and then meet me over at the bistro?
08:07We can kick off there.
08:09Plus I get free olives.
08:11I'll see you.
08:15I must say,
08:17this is a first.
08:19Lunch at the bistro?
08:21No, you paying me.
08:23What's the catch?
08:25There's no catch.
08:27I just thought it'd be a nice chance
08:29to have a chat about work and stuff.
08:31What do you mean, work and stuff?
08:33Oh, good old-fashioned chinwag.
08:35Oh.
08:37I mean, the big boys in the News Angels game
08:39might call it a performance review.
08:41A performance review?
08:43A performance review?
08:45Who does he think I am?
08:47Elaine Page?
08:49Shut!
08:51Sorry.
08:54Sorry.
08:56Lunch for two, is it?
08:58Actually, it's a performance review.
09:00All right, well, in that case,
09:02I'd better get you a couple of menus.
09:04Oh, we've got a great deal on the shabbily today.
09:06Bring the bottle. I'll be drinking.
09:08Do you need a hand with anything?
09:10No, I've got everything sorted, Tom.
09:16You could say that.
09:18You could say that.
09:20I've not been here before.
09:22I mean, I usually avoid it in the mornings.
09:24It's got all the people here, you know,
09:26on the laptops with those earbuddy things,
09:28just chatting away, drinking water.
09:30I don't know how she turns over a profit.
09:32My locals are saying it looks more like a call centre
09:34than it does a wine bar.
09:36And people are weird, aren't they?
09:38Aren't they just?
09:40Oh, we've spent so much time gassing,
09:42I've not even shown you our price list.
09:48Can I show you some samples?
09:50Or shall we just keep slagging people off?
09:53Let's do both.
09:57Gentlemen.
09:59Always.
10:01Do you feel this process
10:03has been a two-way street?
10:05Yes. Next.
10:09Do you feel like your gender identity
10:11is respected by your co-workers?
10:13My what?
10:15Your gender identity.
10:17I haven't time for gender identity.
10:19I'm up for five-foot papers.
10:21Who writes these questions?
10:23It's just a form I downloaded.
10:25I mean, it's supposed to be very witty.
10:27Well, I don't understand the questions,
10:29let alone the answers.
10:31Next.
10:33Where do you see yourself in ten years' time?
10:39Ah, Nick.
10:41I'm glad you texted.
10:43Well, what's that?
10:49Oh.
10:51Do you like what I've done with the place?
11:07Oh.
11:09I had no idea.
11:11Poor Leon.
11:13Yeah, go on. Tear them all down.
11:15I'll just stick more up.
11:18Right, everyone.
11:20We're going to close early, okay?
11:22Your bills are on us for the inconvenience.
11:24It's a result.
11:26No, it isn't.
11:28I didn't get my food.
11:30So come on, we're going somewhere else.
11:32Because you haven't heard
11:34my performance review of you...
11:36yet.
11:42Hello.
11:44Oh, hi.
11:46Isn't it a bad time to book a table?
11:58You sure you're all sorted?
12:00Yeah, he's asleep.
12:02And Bernie will be here in a bit, so...
12:04David's just texted.
12:06He said that the bistro's closed,
12:08so they've been trying to find somewhere else.
12:10Tom's going to come on off.
12:12Right, cool. Let me know where you are.
12:16Billy, I've seen enough situations
12:18like these to know what a strain it can be
12:20for the carers.
12:22You need to let off some steam.
12:24You'll be more used to part once you have done.
12:26Go. That's an order.
12:28Oh, thanks, Kit.
12:30This really means so much.
12:34You do need a drink.
12:36Hi.
12:44Look, I know you're upset.
12:46Do you? Really?
12:48My sister, Nick.
12:50My sister.
12:52What's this? Reinforcements?
12:54Oh, they...
12:56I didn't call her.
12:58I did. Felt only fair seeing as how it's her face
13:00that's splashed everyone.
13:02You can do one and all. Don't even know what you're hanging around for.
13:05Kitchen knives. You're all right. I've got it for me.
13:07Look, just sort it out, all right? All of you.
13:09I mean, stuff happens,
13:11but it's how you deal with it that matters.
13:17Can we talk about this properly?
13:19Just go away, Lee, please.
13:21I said go away! And by the way, you're sacked.
13:28How can I make this right?
13:30You're so deluded.
13:32It's not just us, is it?
13:34Sam, the flat, this business.
13:38I know you want to burn it all down right now.
13:40Oh, don't tempt me.
13:42I'm going to go to the flat. I need to pick up some stuff.
13:46I'm so sorry.
13:48Yeah, so am I.
13:54You're naughty. You shouldn't have got that, you know.
13:56Oh, it's a pleasure.
13:58Much more fun than my usual business meetings.
14:02Well, I'll be in touch about the order, all right?
14:06Are you coming?
14:08No, I'm just going to sit here on my phone,
14:10talking really loudly to everybody in my business.
14:14See you.
14:26Hi, Joe.
14:28Ah, Charlotte.
14:31Are you a client of his?
14:33What's going on?
14:35Is it rape? Murder?
14:37Because he does both.
14:39He's very multifaceted.
14:43Ignore her.
14:45Grudges are pretty commonplace in my line of work.
14:47No, he's good at his job.
14:49I mean, he's actually been off of GBH himself, you know,
14:51so he can kind of see the perspective from both sides.
14:55Lauren, Bolton.
14:57You must have read about it in the papers.
14:59I'll call you. Excuse me.
15:01Yeah, and that's just one of the girls we know about.
15:03He's a dark horse, really.
15:05Thank you, Joe.
15:09Don't mess with me, Carla.
15:13I think your manager's dead.
15:15And you just sat there,
15:17like the cowardly little nobody you really are.
15:21I'm warning you.
15:23You're warning me what?
15:25What do you mean?
15:27What are you going to do?
15:29Beat me after death with a chair leg like you did Lauren?
15:31Debbie won't be best pleased.
15:33She's just had the place refurbished.
15:35Excuse me, waiter.
15:37Get the check for this woman-beater.
15:39Or are you staying for coffee?
15:45No, thanks. I'm all set.
15:47Yeah, playing hard to get, are we?
15:49That's all right.
15:51I'm a hard worker. I don't mind a challenge.
15:53Let me just...
15:55Hello?
15:57OK, you OK?
15:59Yeah, don't panic.
16:05White mouth.
16:07See, I was paying attention
16:09when Bernie did this before.
16:13No blockages.
16:25Easy.
16:27Right, OK, mate.
16:29I'll be with you in a second.
16:31Right.
16:37OK.
16:41Mask over the mouth.
16:43Yeah?
16:45Strap over the head.
16:47OK.
16:49Let's get these tied up.
16:51OK.
16:54Right.
16:56Right, mate.
16:58Let's get that on there.
17:00OK.
17:02Right.
17:04Some nice deep breaths, mate.
17:18All right?
17:20Well, I was.
17:22Been shopping.
17:24It's food for your dad's tea.
17:26I can see you're far too busy.
17:28Well, it's what you paid for, isn't it?
17:30Amongst other things, yeah.
17:32Yeah, I imagine Steve's enjoying
17:34all the little extras.
17:36Sorry, can I just get in there a minute?
17:42I'd offer you one,
17:44but I know you've had your...
17:46various problems.
17:48I don't care what you think about me.
17:50I'm here for your dad.
17:52Where is he now?
17:54He's at the rovers next door with Steve.
17:56I nipped back to do his tea for him.
17:58Bet that was a bit awkward,
18:00with my dad there, playing third wheel.
18:02I popped in to ask him what he wanted for his tea,
18:04if that's all right with you.
18:06I've seen the way you look at Steve.
18:08I bet you can't wait to get your claws into him.
18:10Or has that happened already?
18:12You couldn't be more wrong.
18:14Business owner, bit of cash in the bank,
18:16somewhere to live.
18:19I bet winning the lottery for you, that wants it.
18:21If you're so worried about Steve,
18:23why don't you try talking to him, eh?
18:25Rather than being snide with me.
18:27He's been great with your dad and your daughter.
18:29Oh, you've got it bad,
18:31coming to the defence of my husband.
18:33I see what I see.
18:35Look,
18:37I'm only going to say this once.
18:39There is nothing going on
18:41between me and Steve.
18:43Apart from the fact that we both care for your dad.
18:45It's a completely professional relationship.
18:47And I would never cross that line.
18:49Now, just as a common courtesy,
18:51your dad and I have had a little chat.
18:53And we're talking about me
18:55staying on after he's better.
18:57To do what?
18:59To keep house for him.
19:01To keep him company, to walk with him.
19:03You might not like me,
19:05but your dad does.
19:07Tracy, I'm not your enemy.
19:09I'm your best friend.
19:11Because I'm doing all the things
19:13that you should be doing,
19:15while you do all the things that you want.
19:23Hi, lad.
19:25Everything OK?
19:27Yeah.
19:29Do you need an hand?
19:31No, no, you're alright.
19:33Roy gave me an early dart.
19:35Bless him.
19:37And a load of leftovers from the car.
19:39The man is a saint.
19:41He knows Billy doesn't have much time for food shopping.
19:44Hey, do you fancy a pasty kit?
19:46No, you're alright.
19:48I'm going to go and have a pint with the lads later.
19:50Right. I'm bursting for a waz.
19:52Hey, Apollo, do you fancy a funny film tonight?
19:58Mint.
20:00Good.
20:02Because Dev's off on his
20:04Majorcan golf extravaganza thingy.
20:06So, I am all yours!
20:10Don't mention coughing.
20:14I should say something, shouldn't I?
20:16In case it happens again.
20:22No.
20:26Are you worried she'll tell Billy
20:28and he'll come home?
20:32Yes.
20:34Right.
20:36You're the boss.
20:38Wow.
20:42Well, it was good spending this afternoon with you, bro.
20:46And I do
20:48wish I met you sooner.
20:50You and Gemma.
20:58Won't be long now.
21:00Well, erm...
21:04How about I spend as much time
21:06with you as I can?
21:08Make up for what we lost.
21:14Double mint.
21:20See you tomorrow, bro.
21:22See you tomorrow, bro.
21:44Liam, my key won't work.
21:52Liam, this is silly. Come on.
21:58Liam, let me in.
22:17Are you for real?
22:19Erm, yeah.
22:22I thought I was human
22:24and I'm feeling a lot of emotions right now,
22:26so, yeah, I'd say so.
22:28Oh, dear.
22:30Yeah, yeah, yeah, you're angry.
22:32Well, aren't you, Mr Reasonable?
22:34What gives you the right to lock me out of my son's home?
22:36Oh, I'm sorry.
22:38This is your son's home now, is it?
22:40Well, it's not mine, is it?
22:42Because I couldn't get through the flaming door.
22:44Oh, hang on a minute.
22:46I'll just try and find the tiniest violin in the world.
22:48I've got one here somewhere.
22:50Shall I give you some pointers?
22:52Actually, look in the mirror and you'll find your answer.
22:54Actually, look in the mirror and you'll probably see our tyre
22:56behind you with all the bits hanging out.
22:58But it wasn't that sleazy.
23:00Well, it was a bit.
23:02It's not Reader's Wives, is it?
23:04Do you know what?
23:06What you two get up to in the privacy of your own home is up to...
23:08Oh, no, sorry.
23:10It's not your own home, is it?
23:12It's our home.
23:14Wow, do you know what?
23:16Things are really confusing right now.
23:18Oh! Great!
23:20So what am I supposed to do?
23:22Just let it roll and let you and Toya live happily ever after?
23:24Yeah, we would do if you weren't kicking off 24-7.
23:26Yeah, we would do if you weren't kicking off 24-7.
23:28Oh. Oh, right.
23:30OK, then. Well, I'll tell you what, I'll tell you what.
23:32Let's get a schedule that suits you, eh?
23:34What about weekdays, five till seven?
23:36Yeah, yeah, why don't you just drop it?
23:38Oh, yeah, I will.
23:40Consider it, like me, dropped.
23:42I only came to tell you you couldn't have the flat.
23:44What do you want, a big clock?
23:47OK, right, until I find somewhere else.
23:49And do you know what? Do you know what?
23:51I take full responsibility
23:53for what happened with me and Toya.
23:55Oh. Oh, right.
23:57So she was the unwilling participant.
23:59Oh, poor girl, you know, she really should put a complaint in.
24:01I can't talk to you when you're like this.
24:05Why did you do it, Nick?
24:07Why?
24:09I know you said that we drifted apart when...
24:11Everett, you know what?
24:13This was just...
24:15Way before the Institute, if I'm honest.
24:17Before Rowan.
24:23When was the last time we got on?
24:29I don't know who you are anymore.
24:33Who are you?
24:40I've just sat here, like, chopped liver.
24:42Who's he texting?
24:44Again.
24:46She's going to be sick of you sticking me in ebbing.
24:48I've only sent her three messages.
24:50You're meant to be on a date night with me and him.
24:52And we feel totally ghosted.
24:54Totally? Shut up.
24:56Look, come on, get one of these down your neck.
25:00I'm a bit boring, aren't I?
25:02Self-awareness is a wonderful thing.
25:04No, it's just because it's been ages
25:06since, you know, I haven't spent 24-7 with Paul.
25:08It's like we've been conjoined twins.
25:10Conjoined in the what, though?
25:13I'm a bit boring, though, aren't I?
25:15Hmm?
25:17I'm a bit boring.
25:19No, no, no, I heard you, yeah.
25:21I was just watching some paint drying behind you.
25:23Look, come on, down the hatch, let's go.
25:25Get the salt.
25:27I think I should go home.
25:29One shot, see how you feel.
25:31Paul's not going to want you slobbing back early on you
25:33one night off, is he? Come on.
25:35All right.
25:37All right.
25:39Ahem.
25:41Night, ladies.
25:43Get on your way out, please.
25:51OK.
25:55Ahem.
25:57Just one sec.
25:59There.
26:05You seen something you like there?
26:07Well...
26:09Ah.
26:11If it isn't the little midnight mass.
26:13Grass.
26:15Listing all my misdemeanours like that.
26:17You were enjoying that, weren't you?
26:19Yes, Joel.
26:21It was one of the top ten moments of my life.
26:23Well, do you know what slander means, Carla?
26:25I can see you know what patronising means, Joel.
26:27Because, just so we're clear,
26:29I'm going to sue you for it.
26:31You really are living your best life, aren't you?
26:33Hey,
26:35I'm as innocent
26:37as your great pal Cropper.
26:39Although, that being said,
26:41I wouldn't be surprised if he did have the hots
26:43for that jailbait, Lauren.
26:45Get out of here.
26:47Why do you think people are so convinced he's a pervert?
26:49It's because if it looks like a pervert,
26:51it's a pervert.
26:54It's because if it looks like a perv...
26:56You really are hoping for a smack in the face, aren't you?
26:58Whoa, calm down, Carla.
27:00Don't do anything you'll live to regret.
27:02I'll regret it if I don't smack him.
27:04Did you see that?
27:06Did you? Her regression?
27:08It's off the scale.
27:10You really aren't used to women standing up to you, are you, Joel?
27:12Just get out.
27:14Go on, leave.
27:18You all right?
27:20Yes.
27:22Well, maybe I've changed.
27:24You didn't need to rip my sister's clothes off
27:26just because I was on some journey
27:28to discovering myself.
27:30Is that what the Institute was?
27:32A journey?
27:34Yeah.
27:36Yeah, that was part of it.
27:38Highway to hell more like.
27:40You've been pushing me away for months and you know it.
27:42Have I?
27:44Really?
27:46You sure about that?
27:48Or was I running away, Nick?
27:50Running away?
27:52Yeah, from you, Nick.
27:54The suits, the snarls,
27:56the way you look at everybody like we all stink.
28:00Yeah, things haven't been right for months,
28:02but, well, maybe
28:04that's why I was drawn to the Institute
28:06in the first place.
28:08But do you know what's really funny?
28:10Actually, it's not even funny at all.
28:14What?
28:16I never stopped loving you.
28:19That's not funny.
28:21It's tragic.
28:23You've got a weird way of showing it.
28:25Shall I tell you something else?
28:29And this really is the killer punchline.
28:33I still do.
28:35Why are you telling me that?
28:37Why would you do that?
28:39Are you trying to make me feel guilty?
28:41No, I'm not.
28:43I'm saying it because it's true.
28:45Why do you have to overanalyse everything?
28:47Oh, go on, have a laugh.
28:49Have a laugh. I'm here all week.
28:55All right.
28:57Well, I've got to go and pick Sam up from chess.
28:59Oh, great.
29:01Well, I just drown in my own self-pity.
29:03Cheers.
29:07So what do we tell him?
29:09Don't tell him anything.
29:11We'll tell him together when you get back.
29:17Bye.
29:35I just can't believe I let him get in my head.
29:37I can't stand to see him get away with what he did to Roy and Lauren.
29:39Well, there might still be a way of bringing him to justice.
29:41I just hate feeling like this, you know.
29:43I run this place, and I run it well.
29:45But everything I do, it has to be in control.
29:47I have to be in control of it,
29:49and nothing is at the moment.
29:51What with Peter beggaring off, Stephen running rampage,
29:53Roy being banged up,
29:55Jenny stealing my...
29:57Actually, scratch that, it's just everything.
29:59It's just blooming everything.
30:01I feel so out of control, honestly.
30:05Oh, great!
30:07Betsy?
30:09What's up with her?
30:11Betsy.
30:14Bets!
30:16Old ones are the best, aren't they?
30:18And Reese Witherspoon, she's wicked in it.
30:20And Jennifer Watsit, Coolidge.
30:22Right, let's get your teeth cleaned,
30:24get you ready for bed.
30:26Ashley's gonna pop over in a bit
30:28and help me with the hoist.
30:30You writing a message to Billa?
30:32Hey, Paul.
30:34Paul.
30:36You do the bend,
30:38and snap!
30:40Right.
30:44Let's get you all fresh and beautiful
30:46for bed, honey bun.
30:50Well, come on.
30:52Read us a message you've written to Billa.
30:58Hope you're having a good night, Billa.
31:00I'm off to bed,
31:02so sweet dreams.
31:04Don't rush home.
31:06Keep painting the town pink for me.
31:10Love you.
31:12You sent it?
31:18Yes.
31:20Well, that's just gorgeous, that.
31:22You guys.
31:24What a bond.
31:26Proper true love is that.
31:30And all the way through,
31:32Billy has been unwavering.
31:34You know, some folk,
31:36they live 100 years
31:38and they never get old like that.
31:42Right.
31:44Let's get those gnashers nice and clean.
31:48Hey.
31:50Do you want me to put the heating on?
31:52It's kind of a bit fresh, isn't it?
31:54No, I don't care either way.
31:56Well, I was talking to Sam, actually.
31:58You weren't very specific, were you?
32:00Oh, well, I am really sorry about that.
32:02Are you two gonna tell me what's wrong?
32:04Wrong? There's nothing wrong.
32:06Sam, do you want to sit down?
32:21You hardly said a word in the car.
32:23You didn't use your door keys.
32:25And the atmosphere in here is very frosty.
32:29Yeah, well, there's a...
32:31There's a good reason for that.
32:33Look, everything's gonna be fine, Sam.
32:36I'm so sorry, Sam.
32:38Me and Leanne,
32:40we're separating.
32:42We've just drifted apart.
32:44Nothing major's happened.
32:46It's just...
32:48It's just something that we need to do.
32:50That's not strictly true, is it?
32:52Um...
32:54I've got feelings for Toya.
32:56Nick.
32:58What?
33:00He doesn't need to know all the ins and outs.
33:02Better he's it for most than someone else.
33:04We just drifted apart.
33:06Has Toya got feelings for you?
33:08Now look what you've started.
33:10Yeah. Yes, she does.
33:12Do you love each other?
33:14Please.
33:16Yes.
33:18Yes, we do.
33:20Are you gonna move out?
33:24Well...
33:26Please don't move out.
33:28Sam, he can't stay here. I'm sorry.
33:30Look, you can live with Leanne.
33:32Until we find somewhere permanent for us to live.
33:36Oh, Sam, come here.
33:42I'm sorry.
33:44I'm sorry.
33:47I'm sorry.
34:01Must be her.
34:03Shall I go to my room?
34:05No, you stay here. Don't be daft.
34:07I think I will.
34:17I take it you've changed the locks.
34:19That gets past you, does it?
34:21Especially not the men.
34:23Look, I'm glad you're here, actually.
34:25Um...
34:27I know things.
34:29How are you feeling?
34:31Now that the dust's settled a bit.
34:33And why the sudden interest in my well-being?
34:35Oh, that's a bit...
34:37You know, it's a shame you didn't have such a moral barometer
34:39when you were slipping between the sheets with my fella.
34:41Of course I care about you, Leigh.
34:43Oh, well, aren't I the lucky one? Hashtag blessed.
34:45And I know that this has ruined everything between us.
34:47And the award for stating the obvious goes, too.
34:49And that kills me.
34:51But what kills me more is the thought
34:53that this might make you lean even more
34:55into the Institute for support.
34:57Yeah, well, that's none of your business, actually, is it?
34:59It was really hard seeing you take their side over mine.
35:01So hard that you threw yourself at Nick for comfort.
35:03I've just found all this.
35:05It's just such a struggle, and...
35:07You know, it's really funny.
35:09You come round here to check if I'm doing OK,
35:11but you've actually made this all about you.
35:13Oh, I changed the habit of a lifetime, eh?
35:15Yeah, you must have really sucked at being a counsellor.
35:17It would have been all about you, wouldn't it?
35:19Me, me, me, me, me.
35:21You must see now
35:23that it was the Institute who told the police
35:25about me burying Rose.
35:27Yeah, I am sorry about that.
35:29I was bang out of order.
35:33She is.
35:35She's staring at you.
35:37Oh, I know what they're thinking.
35:39Look, fly have let themselves go.
35:42Which cheers us to karaoke.
35:44You don't mind me taking a long beer, do you?
35:46No, no, of course not.
35:48It's just David insisted.
35:50Well, I have had more than an elegant
35:52sufficiency to drink.
35:54What of yours if you don't want it?
35:56Yeah, how was he when you left him?
35:58You don't need to worry about it tonight, OK, mate?
36:00You're not just saying that.
36:02Of course you're just saying it. What do you want him to do, sing it?
36:04No, I'm sorry, it's just...
36:06No need to apologise.
36:08Right.
36:10This is going to sound awful.
36:12Just say it, we're old mates.
36:14Look, Ish,
36:16I really do feel like I'm on some sort of
36:18countdown with Paul.
36:22There's this
36:24big ticking clock,
36:26I'm even dreaming about clocks,
36:28like I'm in some thriller and
36:30I've got all these mad tasks that I need to be doing
36:32and if I don't get them done then...
36:36Who knows how long he's got left.
36:40These next few months
36:42are going to be really precious.
36:44Every time I
36:46wheel him to the window I feel like I'm
36:48taunting him, you know, like
36:50showing him his past.
36:52What's ahead?
36:54Well, no one knows, mate.
36:56Well, I'm meant to.
36:58Paradise.
37:00Billy, you're doing a brilliant
37:02job with him. And if I can see it,
37:04anyone can.
37:06He's made
37:08a list of all the things he wants me to do
37:10after he's gone. Need he get?
37:12I'm a control freak,
37:14am I?
37:16He wants me to find love.
37:18In a hopeless place?
37:20With air artwork.
37:24I am glad I came out
37:26tonight. Just call us
37:28Prozac and Humanfall.
37:30I'll drink to that.
37:32To mates. To mates.
37:34To McFly.
37:38Mmm.
37:40I do appreciate
37:42you acknowledging how much the Institute
37:44hurt me. Deeply.
37:48And I just want to say
37:50Well, come on, get on with it.
37:52I'm going to need an air cut at this rate.
37:54That I am really sorry
37:56for the pain that I've inflicted on you two.
37:58So does that make us quits?
38:00Of course not.
38:02Well then.
38:04Oh, just give me half an hour. I'll pack a bag and get out of your way.
38:06Oh, what, so you and Nick can go off
38:08to a little love nest together? No, I don't think so.
38:10It just happened, Lee.
38:12You'd gone AWOL,
38:14I was vulnerable,
38:16he was lonely, and...
38:18And they all lived happily ever after.
38:20I'll just get my bag.
38:22You're going nowhere.
38:24I'm sorry
38:26that I turned my back on you when you needed me the most.
38:28But that doesn't mean
38:30I'm going to forgive you as a result.
38:32I've already lost my fella.
38:35I'm sure as hell not going to lose my sister as well.
38:39I might hate your guts,
38:41but you're going nowhere.
38:43I don't want you to.
38:57Oh, nice one, Mother.
38:59It's only taken you 15 hours
39:01to find me.
39:03I'm not buying into your immaturity, Betsy.
39:05Being a drama queen doesn't hide
39:07the fact that, yet again, you didn't go
39:09to college.
39:11Mum's not even been there, what, three years?
39:15Look, I don't know what you think you saw
39:17earlier, but...
39:19Are you blushing?
39:21I had my hand on Carla's arm.
39:23It was a comforting hand.
39:25Yeah, it was a cramp in your style.
39:27What are you talking about?
39:29Carla is straight.
39:31Right, that is enough, OK?
39:33You have got this all wrong.
39:35Carla had just had a running with Joel.
39:37Did you really want to replace Mum
39:39with that hard-faced cow
39:41who knocked a kid off his bike
39:43and then drove off her?
39:45Do you?
39:47What?
39:49Oh, Trace.
39:51Are you OK, hun?
39:53I'm fine, hun.
39:55You know, you've got lovely teeth.
39:57You want to show them off more
40:00when you smile.
40:02I hope you don't mind me saying, babes.
40:04There's nothing wrong with my smile.
40:06Er, Steve,
40:08just before I go... Yeah?
40:10You don't fancy a pint before the Weather County game,
40:12do you? Sounds like a plan.
40:14It's green, their kit,
40:16isn't it? You know it is.
40:18Fab. I've got these amazing
40:20leggings I'm going to wear. Emerald green.
40:22Like a second skin, Trace.
40:24Can't wait.
40:26Right, Ali, catch you later, babes.
40:28See you later.
40:30Is it her?
40:32It's what, her?
40:34The woman you fancy. Is it?
40:36The jolly green giant.
40:38Don't be daft.
40:40Well, she can deny it all she likes, Steve,
40:42but she's got the hots for you.
40:44Look, we are just very good friends
40:46and, you know, Ken likes her, so...
40:48Hmm.
40:50What?
40:52I'm saying nothing.
40:54That'll be a first.
40:58DOOR OPENS
41:00DOOR CLOSES
41:02Oh.
41:04DOOR CLOSES
41:06Hey, honey bun.
41:08You had a good night, yeah? Oh, yeah.
41:10It was wicked.
41:12Yeah.
41:14Oh, I don't know with them boys.
41:16I like the...
41:18bro modes.
41:20How is he?
41:22Yeah, he's out like a light,
41:24bless him.
41:26I'm gonna just go and check on him,
41:28just make sure... No, no, Billy, don't, don't.
41:30Not in that state.
41:32Right, I've made you up a bed here
41:34so he can get a good night's sleep
41:36and Summer's in her room. If you're up, I'll need her.
41:38Oh, baby.
41:40Oh.
41:42Yeah.
41:44Does it help, does it?
41:46Reading stuff like that?
41:48No, we all have our different
41:50books and beliefs to see us through,
41:52eh, Billy? Yeah, that's true.
41:55Oh, I can't thank you
41:57enough for tonight, Bernie.
41:59I very much appreciate it.
42:01Don't be daft.
42:03Here's my boy.
42:05You both are.
42:11I love you, Bernie.
42:13I do.
42:15Like, loads.
42:17Sleep it off.
42:19That's an order.
42:21That's an order.
42:23Night-night.
42:33Hey.
42:36Hey.
42:40How's Sam?
42:42Erm, I don't know, he's in his room.
42:46I told him about me and you.
42:48What?
42:50There's too much dishonesty in our lives.
42:52It's not good for anyone, is it?
42:54This clears the path for me and you.
42:56Those that need to know, know now.
42:58I can't believe you actually told Sam.
43:02I want to be with you.
43:04And I was
43:06hoping you felt the same.
43:10You do feel the same?
43:16Come on.
43:18Come on.
43:20We love each other.
43:22I can't do this, I'm sorry.
43:24You can't do what?
43:26What can't you do?
43:28Any of it. I can't do any of it.
43:30But you love me.
43:32Yeah, I do.
43:34But...
43:38I love Leanne more.
43:40And I can't do this to her.
43:42Hey, I'm sorry.
43:48I'm sorry.
44:18I'm sorry.
44:20I'm sorry.