THE TOPPA-FILE 2024年9月5日 13坪に庭付アトリエ風!-狭小住宅and今年も海パン刑事チョコプラ大暴れ

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THE TOPPA-FILE 2024年9月5日 13坪に庭付アトリエ風!-狭小住宅and今年も海パン刑事チョコプラ大暴れ    #EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull

Transcript

00:00:00This video is a derivative work of the Touhou Project. Any similarity to actual individuals, living or dead, is purely coincidental.

00:00:30In Kyosho, where there is only one living room, by putting an athletic net on the ceiling of the living room, the brightness and the size of the children's room are balanced.

00:00:39In a space of only 8 tatami mats, four beds and study desks are lined up to create a four-person children's room.

00:00:51The story of the builders who face the dream of the client is...

00:00:57Kyosho Residence, Too Many Questions

00:01:01This time, they will challenge a special land with too many restrictions.

00:01:06The hint is at the beginning of the video.

00:01:10It's so marvelous!

00:01:13From infinite combinations to repeated choices, they are created.

00:01:17This is the essence of architecture!

00:01:20What are you doing?

00:01:23Hurry up and get to work!

00:01:26What are you doing?

00:01:27Hey, you try!

00:01:31If you fit it in the gap...

00:01:34Feels so good!

00:01:36Right?

00:01:37Wow, it's a strange combination.

00:01:40This is an architectural area tool created by an architect from Singapore.

00:01:48Oh, that's right.

00:01:51Today is the deadline for the design.

00:01:53Of course!

00:01:55It's up, isn't it?

00:01:57That's why I came up with an idea like this.

00:02:08Hello!

00:02:09Oh, my God!

00:02:10You seem to be in good shape as usual, Mr. Takeda.

00:02:13I thought it was someone else, but it's Mr. Takeda!

00:02:17Please knock when you enter.

00:02:19How many times do I have to tell you?

00:02:21You're pretending to be angry, but you're actually happy to see me.

00:02:24What?

00:02:25Anyway, we're a team of one heart and one mind.

00:02:30Oh, I'm both irritated.

00:02:34Senior architect, Mr. Shietsuke Takeda.

00:02:37Mr. Shietsuke Takeda has a long history of winning awards.

00:02:41But when he gets a job offer from Kyosho House, he always borrows Mr. Koga's help.

00:02:46I see.

00:02:47That's right.

00:02:49Actually, I've got a lot of tough projects coming up.

00:02:54That's too bad.

00:02:55We have an important project for today's deadline.

00:02:58Right, Mr. Koga?

00:02:59Oh, yeah.

00:03:02I see.

00:03:03What a waste.

00:03:04This kind of special project is what Kyosho Architects are good at.

00:03:10Special project?

00:03:12No matter what kind of project it is, we can't accept it this time.

00:03:16Senior architect, Mr. Takeda, please proceed by yourself.

00:03:20I'm fine, but Koga is better.

00:03:24Mr. Koga?

00:03:27This is definitely special.

00:03:30Right?

00:03:32What's so special about it?

00:03:35What's special about this?

00:03:37Well...

00:03:39Oh, it's already this time.

00:03:41There's no clock.

00:03:43Let's go meet the client.

00:03:46What kind of special project is this?

00:03:54Hey, Haruto.

00:03:56Come here and sit down.

00:03:58Oh, master.

00:03:59It's Mr. Jun.

00:04:00I'm sorry.

00:04:01Don't care.

00:04:03Let's get to the point.

00:04:06I heard that you bought this land.

00:04:09Yes.

00:04:10There are only 13 plots.

00:04:13There's no problem with the size.

00:04:16In fact, most of the requests we've received are properties under 15 plots.

00:04:20It's a bit of a complicated terrain, but it's not that special.

00:04:26But the biggest problem is not the size or shape of the land.

00:04:30Then, can you show me the white map?

00:04:33White map?

00:04:38Here it is.

00:04:42Wow, it's a pretty densely populated area.

00:04:45Yes.

00:04:46North, east, west, and south are all densely populated.

00:04:52It's hard to get through the wind and get sunlight.

00:04:55It's hard to get sunlight.

00:04:56It's a mess.

00:04:58It's a big mess.

00:04:59The area is only 13 plots, and the house is in the middle of the dense white.

00:05:04This land is surrounded by three directions, east, west, and north.

00:05:09In addition, the condition of the landscape is added, so it's a big constraint.

00:05:14What?

00:05:16By the way, why did you choose this land?

00:05:19This area is close to the library, and the environment is excellent.

00:05:22So I kept looking for it, and I finally found this land.

00:05:25It's true that the house may be small, but if you study, you can do it at the library.

00:05:30There are many cafes where you can see the green.

00:05:33I thought it would be good to live in the whole city.

00:05:37And when I went to see this land, the neighbors who talked to me were very warm.

00:05:43They said they wanted to live here.

00:05:45It's nice.

00:05:47However, it seems that it is difficult for any house maker to build an ideal house on this land.

00:05:53What is an ideal house?

00:05:55I want my family to have a house like an atelier, and I want to live in a house where I can enjoy making things with my family.

00:06:03Both of you are from Bidai.

00:06:06It's cool.

00:06:08I long for a house like an atelier.

00:06:11But there are many constraints in such a densely populated area.

00:06:15What do you think, Kogan?

00:06:17Your idea is so wonderful.

00:06:22The architect Riken Yamamoto said that in a large community called community society,

00:06:27he designed a space for a small community called family.

00:06:31He said that this is the meaning of designing a house.

00:06:35In other words, my home is like an atelier that connects the city and the family.

00:06:47I think it's the best.

00:06:49What do you mean?

00:06:51I will take a break from this request.

00:06:55Are you okay?

00:06:57Thank you very much.

00:06:59I'm glad you built a house.

00:07:02Yeah!

00:07:04Let's listen to the request.

00:07:08Well...

00:07:14This is it.

00:07:16This is a dream file that summarizes the wishes of the family.

00:07:21Of course, I know that not everything will come true.

00:07:24If we all talk about it, it will be exciting.

00:07:27This is...

00:07:29It's getting interesting.

00:07:31What is this?

00:07:33Let's get started!

00:07:38Sounds good!

00:07:40Give me more!

00:07:45Next!

00:07:51Great!

00:07:56I love that!

00:07:58Come on!

00:08:03Come on!

00:08:09Exciting room?

00:08:13Yes!

00:08:17I got you!

00:08:19Leave it to me!

00:08:21I will design a house that contains all your wishes.

00:08:26Are you okay?

00:08:33Build it!

00:08:35It's the 13th.

00:08:37Let's look at the site.

00:08:39But it was full of difficult conditions.

00:08:45It's here.

00:08:48It's surrounded.

00:08:50Great.

00:08:52It's smaller than the 13th.

00:08:56The three houses are very close.

00:08:59But it's on the side of the road.

00:09:01There was a bright house with green in the family's wish.

00:09:06It's open.

00:09:08It's true.

00:09:10It's only on the south side of the road.

00:09:13But it's 4 meters wide.

00:09:16If the building is so close, we can't see it through the wind.

00:09:2070% of the house is closed.

00:09:22160% of the house is open.

00:09:24It's a little more difficult than usual.

00:09:26Can we go to the third floor?

00:09:28It's difficult.

00:09:30It's difficult.

00:09:32Look at this.

00:09:34It's a high-altitude area.

00:09:36Is it bad?

00:09:38There is a limit to the height of the road.

00:09:40The deformation of this corner is also a problem.

00:09:46According to the urban planning law,

00:09:48different buildings such as residences, commercial facilities, factories, etc.

00:09:52must be built in different areas.

00:09:54The rules of town planning are set for each area.

00:09:57In particular, there is a limit to the height of the building.

00:10:00The road line must not be built higher than this

00:10:03so as not to block the sun and the wind.

00:10:07There are several north side lines to prevent the sun from reaching the house on the north side.

00:10:13We must follow the strictest conditions.

00:10:17This is the second highest-altitude area with three types of high-altitude areas.

00:10:25The building must be built within the height limit of 5 meters.

00:10:32Since the north side of the land is largely deformed,

00:10:35a more complicated road line is also required.

00:10:39I see.

00:10:41If we build it on the third floor,

00:10:43the third floor will be cut off by the road line.

00:10:47It's difficult to build it on the second floor.

00:10:52Why don't we build a basement instead?

00:10:56That's also difficult.

00:10:58Actually, I asked a friend of mine who works in a real estate investigation company

00:11:01and got the results of the real estate survey.

00:11:04The groundwater was flowing at 1.8 meters underground.

00:11:08If the groundwater is flowing in such a shallow place,

00:11:11waterproof construction will be required,

00:11:13and the cost of construction will increase by about 3.5 million yen.

00:11:16It's budgetary difficult.

00:11:19It's difficult.

00:11:21That's not all.

00:11:23What do you mean?

00:11:25If the flow of groundwater changes,

00:11:27there is a risk of involving the houses in the neighborhood.

00:11:30In general, to build a basement,

00:11:33massive construction such as mountain-stopping construction and

00:11:36excavation construction are required.

00:11:39If the groundwater is flowing in such a place,

00:11:41waterproof construction must be carried out.

00:11:45If the groundwater is improved,

00:11:47it will cost more than 3.5 million yen.

00:11:51In addition, due to the impact of the construction of groundwater,

00:11:54the groundwater around the house will also be drawn.

00:11:57I see.

00:11:59At worst, the groundwater will be contaminated,

00:12:01and there is a possibility of involving the houses in the neighborhood.

00:12:04That's not good.

00:12:06It's difficult to build it on the third floor,

00:12:08and it's impossible to build a basement.

00:12:10What should we do?

00:12:13We might be able to build it on the third floor.

00:12:18Did you come up with a plan?

00:12:21Yes.

00:12:22Let's go back to the office.

00:12:25What is it? Tell me.

00:12:30In addition to the strict height limit,

00:12:32complex dangers and groundwater

00:12:34prevent the construction of the third floor.

00:12:37How can we build a house that meets all the needs of the family

00:12:40in such a place?

00:12:42It's difficult.

00:12:44First of all, how can we realize the construction of the third floor

00:12:48in the second-highest area with a strict height limit?

00:12:52Because it's a deformed area,

00:12:54the north side and the south side will be scraped

00:12:56due to the impact of the high-altitude railway line.

00:12:58In addition, the south side will also be scraped

00:13:00due to the impact of the road line.

00:13:02Then, more than half of the third floor

00:13:04will be on a ceiling lower than 1.4 meters.

00:13:08If it's so narrow, the third floor is actually a storage room.

00:13:12This is a dead end.

00:13:13In addition, in the case of reinforced concrete,

00:13:15the more complex the roof is,

00:13:17the higher the cost of one frame.

00:13:20It will be about 3 million yen higher than a flat roof.

00:13:24So, normally, people give up on the construction of the third floor.

00:13:26But I wonder if you have any good ideas to overcome it.

00:13:31Yes.

00:13:32There is only one way to realize the construction of the third floor

00:13:36without spending a lot of money.

00:13:38There is only one way?

00:13:39What is it?

00:13:40Lower the whole building by only 1 meter

00:13:43and turn it into a semi-basement.

00:13:45I see.

00:13:46I see.

00:13:47In this way, the third floor can keep the ceiling height.

00:13:50If it's a semi-basement,

00:13:51we don't need waterproof construction.

00:13:53When I checked the results of the ground floor survey earlier,

00:13:56there was a stable ground floor 1 meter below the ground.

00:13:59Now, we don't need to improve the ground floor.

00:14:03That's great, Mr. Koga.

00:14:05Yes.

00:14:07By lowering the whole building by 1 meter,

00:14:10we can realize the construction of the third floor

00:14:12within the height limit.

00:14:14Now, we don't need to improve the ground floor,

00:14:18and we can reduce the cost significantly.

00:14:21And this request has a high hurdle in the housing market.

00:14:25Next, what should we do for a bright house with green?

00:14:29A bright house?

00:14:30In the first place, it's difficult to have a green house with only 13 blocks.

00:14:35Oh, I know. How about this?

00:14:38It's a tent.

00:14:39You saw it before, right?

00:14:40It's a way to make the green of the neighboring land visible

00:14:42and make it look like your own garden.

00:14:45It's a good idea,

00:14:47but it's difficult this time.

00:14:49It's a very densely populated area.

00:14:51I see.

00:14:52We need to build a terrace or a garden somewhere in that land.

00:14:56A garden?

00:14:57Is there such a place?

00:15:00For example, we can build a terrace in the lower half of the building.

00:15:04No.

00:15:05That will reduce the area of the floor to avoid the building.

00:15:08Then, can't we secure the area of the floor

00:15:11by removing the floor on the terrace?

00:15:14In that case, the area of the floor will increase,

00:15:16but the light will not reach the terrace.

00:15:19That's true.

00:15:20If we try to plant green,

00:15:22the space will be reduced.

00:15:25It's a dilemma.

00:15:27To secure the area of the floor,

00:15:29if we remove the floor on the terrace,

00:15:32it will block the sunlight

00:15:34and the light will not reach the plants in the garden.

00:15:39In addition, if we build a terrace in the lower half of the building,

00:15:42we need a special tank and a pump to drain the rainwater to the ground.

00:15:47It will cost about 700,000 yen.

00:15:51It will cost a lot of money.

00:15:52It will cost a lot of money.

00:15:54The only place where we can build a garden is in the lower half of the building.

00:15:57However,

00:15:58if we do so, the area of the floor will be reduced,

00:16:01and we will not be able to build a garden full of nature.

00:16:03Without considering the cost and the area of the floor,

00:16:06is there any way to realize a garden full of nature?

00:16:10Think about it.

00:16:11Think about it.

00:16:13Think about it.

00:16:15What?

00:16:16I see.

00:16:18I have a good idea.

00:16:22Here is the top quiz.

00:16:25What is the surprising idea that realized a bright garden without wasting the area of the floor?

00:16:32In addition, how do you save your parents who have lost consciousness for the first time in a year?

00:16:37Oh, my God.

00:16:38Oh, my God.

00:16:41What is the surprising idea that realized a bright garden without wasting the area of the floor?

00:16:47First of all,

00:16:48Mr.Tanashi Nagawa.

00:16:49Thank you.

00:16:50Mr.Tanashi.

00:16:51Mr.Tanashi.

00:16:52It's interesting.

00:16:53I actually love architecture.

00:16:56I was thinking about how to build it.

00:17:00Next,

00:17:01Ms.Sakura Kiryu.

00:17:03Thank you.

00:17:04Thank you.

00:17:05The last time I saw her was five years ago.

00:17:08I was in the third year of junior high school at that time.

00:17:10Third year of junior high school.

00:17:11That's right.

00:17:12I'm 20 years old now.

00:17:14Oh, my God.

00:17:15How did you feel when you saw her?

00:17:17I thought it would cost a lot of money.

00:17:19That's right.

00:17:20I thought it would be better to have money.

00:17:23It's better than nothing.

00:17:24Next,

00:17:25Ms.Kogoriko.

00:17:26Thank you.

00:17:27Thank you.

00:17:28I thought I had seen her somewhere,

00:17:32but it was close to Mr.Endo's play.

00:17:35Does that mean it stinks?

00:17:37No, it doesn't stink.

00:17:39How did you come up with the idea of a bright garden without wasting the floor area?

00:17:44A garden?

00:17:45Three of the four sides are already next to the building.

00:17:50I think it's quite difficult to get the light.

00:17:55But recently, I've been watching a lot of things.

00:17:58Please answer.

00:18:00Mr.Uchimura.

00:18:02What are you talking about?

00:18:04You're talking too much.

00:18:05He's talking to me.

00:18:06It's a living room, and there's green, and there's light coming in.

00:18:11It's an inner terrace.

00:18:13Inner terrace.

00:18:14It's like a kid's mini pool.

00:18:18I see.

00:18:19I made a really small one.

00:18:20I think the sun can be taken from the south for a moment.

00:18:24I thought I'd put something like a mirror and reflect it.

00:18:30The house is a big tree.

00:18:33It's like a bird or a squirrel.

00:18:37I'll make it a wall of moss.

00:18:39A wall of moss.

00:18:41I can't buy a garden, so I'll buy a pet.

00:18:43You said you couldn't.

00:18:45I'll do my best.

00:18:47I'll make you feel better.

00:18:49I don't think it's going to work.

00:18:50Do you have an answer?

00:18:51Let's take a look at the next one.

00:18:53What is the surprising idea to realize a bright garden without wasting floor space?

00:19:01I'm going to make a garden in the house.

00:19:05What do you mean?

00:19:07And!

00:19:08It's a big hit.

00:19:10Reveal the corruption in the world.

00:19:13Honest people are stupid.

00:19:15There's no reason for such a society.

00:19:19It's here.

00:19:20It's hard to build a three-story building.

00:19:22It's hard to sleep in the basement.

00:19:24I've got a good idea.

00:19:28What is the surprising idea to realize a bright garden without wasting floor space?

00:19:36I'm going to make a garden in the house.

00:19:40What do you mean?

00:19:41I'm going to make a garden in the house.

00:19:45You can make full use of the land area.

00:19:49What is the surprising idea to realize a bright garden without wasting floor space?

00:19:54I have a simple question.

00:19:56What's the difference between this and a courtyard?

00:19:59General courtyards are often built in places where there is no roof around the building.

00:20:05This time, I'm going to make a garden in the living space with a roof.

00:20:11Then you don't have to worry about rain and drainage.

00:20:16I see. You can always feel green while you're in the house.

00:20:20It's like an atelier that your wife admires.

00:20:24Exactly, yes.

00:20:26But if you're going to make a garden in the house, you need enough light.

00:20:32But the three houses are surrounded by houses.

00:20:36If the road in front is narrow, it's hard to get enough light.

00:20:41It's a strategy to get enough light to the basement.

00:20:46By making a garden in the house, the problem of floor area and cost has been solved.

00:20:51However, it is difficult to incorporate sunlight into the basement garden due to housing shortage.

00:20:58What are you going to do?

00:21:00No problem.

00:21:01Of course, I'm thinking about it.

00:21:04I'm going to flatten the roof and turn half of it into a top light.

00:21:10By doing this, you can get enough light directly to the basement.

00:21:16It's getting brighter all at once.

00:21:18Then how about this?

00:21:21How about placing the light on each floor, except for the terrace part?

00:21:26If you place the floor alternately, not only the direct sunlight coming in from the top light,

00:21:31but also the soft light reflected from the walls and floors of each floor will make the whole house brighter.

00:21:38Mr. Takeda, nice idea!

00:21:41By doing this, you don't have to cut the walls and floors of each room.

00:21:45It's a great sense of freedom.

00:21:48Wow, look at the art.

00:21:50It's going to be a great house.

00:21:52But if the top light is big, won't the whole house get hot in the summer?

00:21:57What are the ventilation measures to release the heat in the room?

00:22:02How about ventilating with chimney effect?

00:22:06Chimney effect?

00:22:07You genius!

00:22:10Because the house is close to each other,

00:22:12it's a matter of privacy.

00:22:14You can't make the windows big,

00:22:16and you can't ventilate just with the flow of natural air.

00:22:21The chimney effect is the key.

00:22:24When the air in a low place is heated, it becomes lighter,

00:22:27creating an upward current.

00:22:29By using this power,

00:22:31it's like a chimney.

00:22:33By using a small window on the 3rd floor,

00:22:35a semi-basement facing the road,

00:22:37the whole house is ventilated.

00:22:42Now, it's time for the Zoroom.

00:22:47The minimum number of rooms is a children's room,

00:22:50a living-dining room,

00:22:52a kitchen,

00:22:53and a water purifier.

00:22:54The semi-basement floor is a children's room,

00:22:56a bedroom,

00:22:57a front door on the second floor,

00:22:58a living-dining room,

00:22:59a kitchen on the third floor,

00:23:00and a water purifier on the third floor.

00:23:03According to the client,

00:23:05the living-dining room is more important than the bedroom.

00:23:08What should we do with the stylish front door?

00:23:12I'd like to make an approach to the front door

00:23:15that connects the public road to the private house.

00:23:19Surprisingly, the space that separates the house from the outside

00:23:22is psychologically important.

00:23:25An approach to the front door that connects the public road to the front door of the house.

00:23:30It's an important space that separates the house from the outside

00:23:34and the private space.

00:23:36But how can we realize it in a limited space?

00:23:40That's right.

00:23:42How about replacing the garden in the house

00:23:45with an approach to the front door?

00:23:48I see.

00:23:49What do you mean?

00:23:51As soon as you enter the front door,

00:23:53set the stairs to the living room right next to the garden

00:23:56and make an approach.

00:23:58As you walk through the green front door to the living room,

00:24:01you'll find yourself in a private space.

00:24:05This creates a sense of distance between the road and the living space,

00:24:09and when you come back, this tree will welcome you.

00:24:12It also plays a role as a symbol of the house.

00:24:15And it's in the house, so the inspection rate won't be wasted.

00:24:18I see.

00:24:19That's right.

00:24:21From the front door,

00:24:23make a structure to enter the living room through the garden

00:24:27and make a stylish approach.

00:24:29That's great.

00:24:32And here's a big problem.

00:24:35Next is the third floor, around the water.

00:24:38Wait a minute.

00:24:41What's wrong?

00:24:42I made this house a semi-basement,

00:24:44but didn't I overestimate the height?

00:24:47That's not good.

00:24:49The height of a three-story building is 2.1m x 3,

00:24:54plus the thickness of the floor.

00:24:56So even if you use the basement from 1m to the edge of the lane,

00:25:00I don't think it's high enough.

00:25:03If you avoid the high-altitude lane,

00:25:05the building can be built up to 5.7m above the ground.

00:25:08In other words, if you add the 1.5m basement,

00:25:11the building itself needs to be within 6.7m.

00:25:16However, according to the Building Standards Act,

00:25:18the ceiling height of each floor is set to be at least 2.1m,

00:25:23so if you add 60cm of the thickness of the floor,

00:25:26it's over 20cm.

00:25:28I see.

00:25:29Hey, no way.

00:25:31Team Takeda's No.2

00:25:33made such a mistake.

00:25:36No way.

00:25:38As a countermeasure,

00:25:40didn't you put the water around the water on the third floor?

00:25:44What do you mean?

00:25:46Even if you put the water around the water on the third floor,

00:25:48why does the ceiling height of the whole house have to be solved?

00:25:52In the first place, the rule that the ceiling height should be over 2.1m

00:25:56is set by the Building Standards Act,

00:25:59but what does this rule apply to?

00:26:05Oh, I see.

00:26:08The ceiling height is determined by the living room and bedroom.

00:26:13In other words, the other parts are lower than 2.1m.

00:26:19I see.

00:26:20In other words, if you put the water around the water on one floor,

00:26:23there is no problem even if the ceiling is lower than 2.1m.

00:26:28According to the Building Standards Act,

00:26:30the ceiling height is determined to be over 2.1m

00:26:33only in the living room and bedroom.

00:26:37It's not a place to spend a long time.

00:26:40The rule of the height is not applied to the water around the water, storage, and corridors.

00:26:47Therefore, the living room and the second floor are 2.1m high,

00:26:53and the third floor, which includes the water around the water,

00:26:55is 1.9m high,

00:26:57and the height limit is cleared.

00:27:00However,

00:27:02Even if you spend a short time,

00:27:05if you reduce the ceiling height,

00:27:07you will feel the pressure.

00:27:09Taking a bath is an important relaxing time.

00:27:11That's right.

00:27:13Then,

00:27:14how about a cantus slab?

00:27:16It's awesome!

00:27:18Mr. Takeda!

00:27:19What is a cantus slab?

00:27:21It is to support the floor by removing the beams and pillars.

00:27:25If it is a metal wall,

00:27:26the floor can be supported only on one side,

00:27:28and the beams and pillars are not needed,

00:27:30so it gives a sense of freedom.

00:27:32Oh, it's perfect!

00:27:35In order to make the bathroom feel wider even on a low ceiling,

00:27:40a cantus slab is used to support the floor only on one side of the wall,

00:27:44and the beams and pillars are not needed.

00:27:47I thought it was difficult, but it went well.

00:27:49Yes.

00:27:50The living room that Mr. Itoda was particular about

00:27:52is now bright enough

00:27:54by removing the beams and pillars.

00:27:56It's just like an atelier.

00:27:58It has a sense of freedom and is fashionable.

00:28:00I'm sure you'll be satisfied with this.

00:28:04It's pretty good.

00:28:05It's awesome.

00:28:07A new plan was made with a lot of effort.

00:28:10How did the family react?

00:28:13It's a great idea.

00:28:16Is there a garden in the house?

00:28:18Yes.

00:28:19We made a garden in the basement

00:28:21so that you can feel the nature while being indoors.

00:28:24We made the top half of the ceiling a top light,

00:28:26and created a space where each floor can be blown out alternately,

00:28:29so it gives a sense of freedom.

00:28:31This is awesome.

00:28:34The basement is a bedroom and a children's room.

00:28:37It's exciting to be in the basement.

00:28:39You two did a good job.

00:28:42Thank you.

00:28:43Thank you.

00:28:45The living room is on the second floor.

00:28:47It's located in the center of the house.

00:28:50The family can gather and make things.

00:28:53How big is the living room?

00:28:55The living room is about 4.2 square meters,

00:28:58but it is connected to the blowing space,

00:29:01so it should be about 14.5 square meters in size.

00:29:05I didn't know that.

00:29:07What?

00:29:08By the way,

00:29:09is it possible to make the living room a little bigger?

00:29:16Of course, I know it's difficult,

00:29:19but it was my dream to have a wonderful living room

00:29:21where various ideas can be born,

00:29:23so I want to make it a little bigger.

00:29:26It's 4 square meters.

00:29:28For example,

00:29:29I don't mind if the other rooms are a little smaller,

00:29:32but it's difficult to make the living room a little bigger.

00:29:37If so,

00:29:38why don't you make the living room a half-basement with a large area

00:29:41and make the second floor a bedroom and a children's room?

00:29:45Certainly,

00:29:46if you make the living room a half-basement,

00:29:48you can make it bigger,

00:29:50but the top of the living room will not be blown out,

00:29:52so the wind will not pass through and the sense of freedom will be lost.

00:29:55I see.

00:29:56The direct sunlight from the top light will not reach,

00:29:59so I'm worried about the brightness.

00:30:01I see.

00:30:03As a result,

00:30:04even if it becomes a little wider than it is now,

00:30:06the feeling may be narrowed.

00:30:08I see.

00:30:12Oh, no, I'm sorry.

00:30:14I said something strange.

00:30:16I just thought,

00:30:17for example,

00:30:18what if I made it wider?

00:30:20You know how I feel, right?

00:30:22Yes.

00:30:23I didn't expect you to design such a wonderful house.

00:30:26As expected of Team Takeda.

00:30:28Thank you very much.

00:30:31Yes.

00:30:32We said we wanted to use the whole city,

00:30:36but when it came to it,

00:30:38I'm sorry.

00:30:39It's okay.

00:30:40There is a garden in the house.

00:30:42The children will be happy.

00:30:44I agree.

00:30:46Can I ask you to proceed with this?

00:30:50Please wait.

00:30:53Can you give me time to think again?

00:30:56No.

00:30:57You've realized your ideals so far,

00:31:00and I can't ask for more.

00:31:05I may have forgotten the most important thing.

00:31:11The house is a place where families gather and create new creativity.

00:31:16The center of that is the living room.

00:31:20That's why it has to be my favorite place.

00:31:25Please let me rethink my plan one more time.

00:31:33I'll do my best, too.

00:31:39Thank you very much.

00:31:40Thank you very much.

00:31:42I really did my best so far.

00:31:44Can you do it?

00:31:45The most spacious space in this house is the half-basement.

00:31:49But there is no ventilation like other floors,

00:31:51and the light and wind don't reach.

00:31:53What should we do?

00:31:58Even though the half-basement is spacious,

00:32:02if there is no ventilation on the living room,

00:32:04there is no sense of freedom.

00:32:07Why don't you stop the ventilation on the second floor

00:32:09and make the floor wider for the living room?

00:32:12What do you think?

00:32:13Then the top light won't reach the half-basement.

00:32:16That's right.

00:32:18If you want to make a living room in a large half-basement,

00:32:21you need to send more wind and light to the half-basement.

00:32:26It's a densely populated area,

00:32:28so you can't make a big window in front of the house

00:32:30to protect your privacy.

00:32:33That's right.

00:32:35If only the house wasn't so densely populated.

00:32:39If the house is adjacent,

00:32:41the light and wind will be blocked.

00:32:44In order to absorb a lot of light and wind to the half-basement,

00:32:47it seems necessary to change the plan to a large extent.

00:32:51No, no, no.

00:32:55If you want to make a large living room,

00:32:57you need a half-basement space.

00:33:00However, as it is now,

00:33:02there is not enough light and wind to reach the half-basement,

00:33:06so you can't make a large living space.

00:33:10In order to absorb wind and light to the half-basement,

00:33:14what should you do?

00:33:17There must be a good way in this densely populated area.

00:33:23Think about it.

00:33:25Think about it.

00:33:26Think about it.

00:33:29It's marvelous!

00:33:37It's amazing!

00:33:40Marvelous.

00:33:41In a densely populated area,

00:33:43no, in a densely populated area,

00:33:47you can make a bright living space

00:33:50where light and wind can enter.

00:33:53Here is the top quiz.

00:33:55This is difficult.

00:33:56In a densely populated area,

00:33:58you can absorb a lot of light and wind to the half-basement.

00:34:01How can you break through?

00:34:05Here is the hint.

00:34:09In a densely populated area,

00:34:11you can absorb a lot of light and wind to the half-basement.

00:34:14How can you break through?

00:34:16It's cool because there is no compromise.

00:34:19As a human being,

00:34:21I understand the feeling of a little more.

00:34:25As an architect,

00:34:27I'm sure you have a strong will.

00:34:29I'll make it happen.

00:34:31In a densely populated area,

00:34:33you can absorb a lot of light and wind to the half-basement.

00:34:35How can you break through?

00:34:37It's easy.

00:34:39The floor of the second floor is made of glass.

00:34:43The floor of the second floor is made of glass.

00:34:45The floor has a large area and light can pass through it.

00:34:48The floor has a large area and light can pass through it.

00:34:50The answer is...

00:34:52Incorrect.

00:34:55Sakura.

00:34:57It's not a skeleton.

00:34:59It's a hole in the floor.

00:35:01It's a ventilation system.

00:35:03What is this?

00:35:05It's a bug.

00:35:08Incorrect.

00:35:10Merle.

00:35:12On the ceiling of the first floor,

00:35:14there is a large propeller with a mirror.

00:35:16I'll turn the propeller.

00:35:18I'll turn the propeller.

00:35:20It's light and wind.

00:35:22This is...

00:35:26Incorrect.

00:35:28I got it.

00:35:30It's a slowly rotating house.

00:35:32It's a slowly rotating house.

00:35:34It's still there.

00:35:38Incorrect.

00:35:40Why do you know it's wrong even though it's still there?

00:35:43I'll answer.

00:35:45The third floor is a water purifier.

00:35:48The water flows from the third floor to the wall.

00:35:52The water flows from the third floor to the wall.

00:35:54The water flows from the third floor to the wall.

00:35:56The answer is...

00:36:00Incorrect.

00:36:04Nagawa.

00:36:06It's a secret.

00:36:08I thought it was a hint.

00:36:10I think a window is something that looks at the same scenery as a wall.

00:36:14So, I'm going to build a window on the wall of the house next door and get the reflection of the outer wall.

00:36:19This is...

00:36:21I'll take it.

00:36:22The light...

00:36:24It's different, but...

00:36:26It's getting a little closer.

00:36:29Tanaka.

00:36:30In the first place, I think it's the image of the outer wall of the rectangular box type, but I'm going to change it fundamentally.

00:36:38Change it?

00:36:39I'm not going to make it straight, but I'm going to make it a little bit more angled.

00:36:43I'm going to make the surface a little bigger.

00:36:45Then, depending on the time of the sunlight, the way it comes in will be different.

00:36:49This is...

00:36:54It's different.

00:36:56The heat is amazing.

00:36:57It's different.

00:36:58The amount of heat is...

00:36:59Kaneshika.

00:37:00It's like the second half of Daruma Otoshi.

00:37:02I'm going to shift it.

00:37:04Once, twice, three times.

00:37:06This is...

00:37:08Is it okay to do that?

00:37:11It's different.

00:37:14It's a densely populated area, isn't it?

00:37:17Yes.

00:37:18I want the light and the wind to pass through.

00:37:21That's right.

00:37:22It's already there.

00:37:23Sleep.

00:37:24Put something like a white wall where there is no residential area.

00:37:28It's like passing through the reflection and the wind.

00:37:30This is...

00:37:36It's different, but...

00:37:38It's not a reflection anymore.

00:37:40Oh, O-Rin.

00:37:41There's a little gap.

00:37:43I'm going to put a fan over there.

00:37:46I'm going to make it look like a building.

00:37:48This is...

00:37:53It's so close.

00:37:57Sakura.

00:37:58I'm going to make it look like I can open the door on the left.

00:38:01This is...

00:38:02Is it a door?

00:38:03I see.

00:38:06Breakthrough!

00:38:09I'm happy.

00:38:10It was over there.

00:38:12I'm so happy that I can break through.

00:38:14Let's take a look at the moment of breaking through.

00:38:17The dream of My Home has finally been completed.

00:38:21How did they get a lot of light and wind into the half-timbered living room?

00:38:26Let's take a look at the actual house.

00:38:28Wow.

00:38:29What is this?

00:38:30Wow.

00:38:33It's so fashionable.

00:38:34Actually, it's cool.

00:38:35Actually, the shape of this window has a hidden idea to get the light and wind into it,

00:38:40but we'll know more about it later.

00:38:42It's so fashionable.

00:38:43Let's go to the entrance.

00:38:45It's so fashionable.

00:38:46It's so fashionable.

00:38:53Wow.

00:38:59So cool.

00:39:00Let's go to the front door.

00:39:02The front door has a sliding door to save space.

00:39:09In the back of the three-story front door hall,

00:39:13there is plenty of storage space for four families.

00:39:17Not only shoes, but also bicycles can be stored in a spacious space.

00:39:22And to welcome visitors,

00:39:26there is a big cinema tricot tree.

00:39:30It's too big.

00:39:31It's 6 meters high, and it's full of open space.

00:39:35It's like an atelier.

00:39:36Kind sunlight pours into the house.

00:39:40It's amazing.

00:39:41It's so nice.

00:39:42It's outside.

00:39:43It's amazing.

00:39:44It's amazing.

00:39:45It's good.

00:39:46From here, go down the stairs and go to the basement.

00:39:50It's popular.

00:39:52By walking around the tree,

00:39:56you can see the view from the outside.

00:39:59It's wide.

00:40:01It's a 14.9-story LDK that makes you forget that you're in Kyosho.

00:40:07There's a piano.

00:40:09It's a particular space that makes you want to make things with your family.

00:40:16It's used.

00:40:17It's cool.

00:40:18It's amazing.

00:40:19This table is full of presence.

00:40:22The table is cute.

00:40:24Only one leg is used.

00:40:26It's made of concrete.

00:40:28It's a refreshing design that makes the most of its strength.

00:40:31You can use the space to put 600 chairs.

00:40:36You can do that.

00:40:37It's cool.

00:40:39Next to the table is a spacious kitchen that is about 5 meters long.

00:40:45It's amazing.

00:40:46The simple design of the stainless steel matches the living room.

00:40:52It's like a work of art.

00:40:56There's a lot of light in there.

00:40:58It's bright.

00:40:59There's a piano in the back of the living room.

00:41:02It's playing.

00:41:03The size of the living room is just right.

00:41:11And look up.

00:41:14It's amazing.

00:41:16There's a pleasant blue sky.

00:41:19There's more than half of the roof.

00:41:22There's a lot of light through the top light.

00:41:28It's amazing.

00:41:30There's a lot of storage on the wall.

00:41:36Books, toys, and daily necessities are all on this shelf.

00:41:42There's no need to put a shelf in each room.

00:41:46It saves space.

00:41:49In order to reduce the sense of pressure, they didn't make a door.

00:41:54It's a style that shows the inside of an atelier.

00:41:57It also saves time looking for things.

00:42:01There's a big gap in the center of the house.

00:42:04It's a design in the United States.

00:42:07It's a big space that doesn't look like a 13-story building.

00:42:15But where is the living room?

00:42:20The answer is on the second floor.

00:42:23There's a hidden room on the other side of the wall.

00:42:34If you open the door, there's an open play space for children to play.

00:42:40If you close the door, you can concentrate.

00:42:46By the way, this house has a huge gap in the middle.

00:42:51It's a two-story building with a sandwiched structure.

00:42:55The bridge connects each tower.

00:43:00On the way across the bridge, there's a bench like this.

00:43:05The family of Konzuki can relax and read books.

00:43:12By the way, this staircase and bridge with a slightly different design.

00:43:18In general, it is often used outdoors.

00:43:21It's a material called expand metal.

00:43:26It's sturdy, hard to slide, and cheap.

00:43:30It's a mesh structure, so it's not just light and wind.

00:43:35It doesn't block your vision.

00:43:37It's an effect that makes you feel more open.

00:43:41If you open the door on the other side of the hidden room,

00:43:45There's a bedroom and a children's room.

00:43:49The living room is 2.5 tatami mats.

00:43:55The children's room is 2.3 tatami mats.

00:43:58It's pretty compact.

00:44:00It doesn't make a wall around the room.

00:44:03It's a one-way connection.

00:44:06It doesn't feel oppressive even in a small area.

00:44:11Once again, we cross the bridge and go to the third floor.

00:44:15At the end of the stairs, there is a bathroom, a washroom, and a glass-clad bathroom.

00:44:23The bathroom is lined with a sink and a bathtub.

00:44:27You can put a large bathtub in a limited space.

00:44:32You can also look at the sky from the top light.

00:44:35It's like an open-air bath.

00:44:38I can't see 190 centimeters.

00:44:41Next is the children's favorite place.

00:44:44You can always lie down, look at the sky, read books, and draw.

00:44:49This is the third floor.

00:44:51It's a spacious space.

00:44:54There's a 3.5-story laundry space in the back.

00:44:58You can dry your laundry in the top floor, where plenty of light pours in.

00:45:04It's perfect for fire fighting.

00:45:07The idea for this spacious living room is...

00:45:12That's it.

00:45:13This large washroom window is made facing the road.

00:45:19The top light is made to match the width.

00:45:23What's ahead of us is...

00:45:26I've thought about it.

00:45:28This is it.

00:45:29The gap between the houses next door.

00:45:32What does this mean?

00:45:34In fact, the shape of the blowhole through the center of the house...

00:45:38It's designed to fit perfectly in the gap between the houses.

00:45:45If you turn around the back of the house...

00:45:53There's a front window in the gap between the houses.

00:45:59This creates a path that delivers light and wind to the living room in the middle of the house.

00:46:08I see.

00:46:11And thanks to the garden tree, the passers-by don't mind the view from the front window.

00:46:19You can read, cook, draw, and play the piano.

00:46:25It's a spacious living room that stimulates the creativity of a family who loves to make things.

00:46:32It's so cool.

00:46:34I've never seen such a big front window.

00:46:37It's a wonderful house.

00:46:39It really changes the way you look at Koga prefecture.

00:46:42It's the opposite.

00:46:44In this way, the gap between the houses is maximized.

00:46:49A house with a huge blowhole that is perfect for both wind and sun.

00:46:55Thank you very much.

00:46:57My wife said,

00:46:59Our neighbors are warm.

00:47:02We architects tend to think that our neighbors are the ones who control the sun and the wind.

00:47:08But in fact, the people who live there are the main characters of the city.

00:47:13I see.

00:47:14What is a house that harmonizes the surroundings and the heart?

00:47:17This is where I learned a new lesson.

00:47:20Smooth is back after a year.

00:47:23Chocopla, a mountain of stairs.

00:47:25It challenges many dangerous accidents and heinous crimes that occur in the sea.

00:47:30I'm sure it's hot.

00:47:32The hint is at the beginning of the minute.

00:47:34A healthy day for a bikini gal in the scorching sun.

00:47:41It's hot.

00:47:43It's still summer.

00:47:45After all, summer is limited to this guy.

00:47:50Ouch!

00:47:54Ouch!

00:47:56Ouch!

00:47:57It's not that.

00:47:59Don't enjoy the summer and be careful.

00:48:02Don't worry, Mr. Kudo.

00:48:04I won't miss the crime even if I dive into the beach like this.

00:48:10In fact, their identity is a police officer who protects the peace of the sea.

00:48:14He dived into the beach in the summer when there was a lot of theft.

00:48:18He made the eyes of the police officer shine.

00:48:20At that time.

00:48:22Mr. Satoshi!

00:48:24Mr. Satoshi!

00:48:26He's gone.

00:48:29Mr. Satoshi!

00:48:31What's wrong?

00:48:33The child disappeared when I opened my eyes.

00:48:35I'm looking for him with my husband, but he's nowhere to be found.

00:48:38How old is he?

00:48:40He's a three-year-old boy.

00:48:42This area is prone to ligandryu.

00:48:44If you get caught in it.

00:48:46Ligandryu?

00:48:48Ligandryu is a strong current that occurs when a wave hit by a beach is concentrated in one place to return to the surface.

00:48:57Its momentum reaches up to 2 meters per second.

00:49:02About 50% of the waterlogged areas on the beach are said to be caused by this ligandryu.

00:49:08It is necessary to be careful as there is a high possibility that garbage and driftwood are collected and there is no white wave.

00:49:15I see.

00:49:17Let's look for him.

00:49:19Ms. Kudo, over there.

00:49:21I'll borrow you a little.

00:49:24Mr. Satoshi!

00:49:26Mr. Satoshi!

00:49:28Mr. Satoshi!

00:49:30Mr. Satoshi!

00:49:32Answer me if you can hear me.

00:49:34Mr. Satoshi!

00:49:39Oh!

00:49:42Dad?

00:49:44The father, who found a child who had been washed away by ligandryu in the affected area, rushed to the rescue.

00:49:51However, he was clung to the rock and drowned together.

00:49:57By the way, in this case, it is safe to hand over a buoy, an empty bottle, a cooler box, etc.

00:50:06Are you going?

00:50:08Are you okay?

00:50:10Are you okay?

00:50:16This way.

00:50:18I'm glad.

00:50:20I'm glad.

00:50:23I'm glad.

00:50:25I'm glad.

00:50:28Are you okay?

00:50:36Oh, it's coming.

00:50:38This is a restricted area with no access to the beach.

00:50:40Adults and children are not allowed here.

00:50:42Hurry up!

00:50:44Mr. Satoshi, Dad, can you hear me?

00:50:54Both of them are barely touching the rock, but they are not breathing.

00:50:58They are not breathing.

00:51:00All right.

00:51:02This is bad.

00:51:05This is bad.

00:51:11If they drown, the water will slow down and they will not be able to breathe.

00:51:15In this case, it is a good idea to tilt their head back, raise their chin, and make it easier for the air to pass through the lungs.

00:51:23In addition, if you pinch their nose and breathe at a pace of 5.2 seconds, it will be effective.

00:51:295.2 seconds?

00:51:30Come back!

00:51:33What's going on?

00:51:35It's a cirrhosis.

00:51:36Cirrhosis?

00:51:37Damn it.

00:51:38Is it a low-oxygen condition?

00:51:40This time, the condition of his father is getting worse.

00:51:44Cirrhosis due to lack of oxygen in the body.

00:51:51It's no good.

00:51:53One person is not enough.

00:51:55This is bad.

00:51:56This is bad.

00:51:58Damn it.

00:51:59I don't have enough hands.

00:52:01Dad!

00:52:02Someone!

00:52:05Damn it!

00:52:07Both of them drowned and lost consciousness.

00:52:10It's a dangerous situation.

00:52:12They have to prepare for the start as soon as possible.

00:52:16In order to do this, they have to maintain the state of raising their chin.

00:52:20It is necessary to treat at least one person or more.

00:52:25However, there is no one around.

00:52:27There is no time to call back.

00:52:29This is bad.

00:52:30I have to find a way to save both of them.

00:52:33But it's impossible to save both of them alone.

00:52:36Is there any good way?

00:52:38Think about it.

00:52:39Think about it.

00:52:43This is the only way.

00:52:44Here is the top of the rankings.

00:52:47They saved both of them at the same time.

00:52:51They saved their lives.

00:52:54I feel like summer has come.

00:52:57It's a windfall.

00:52:59What do you think, NAGANA?

00:53:01They have to maintain the state of raising their chin at the same time.

00:53:05They went into the middle.

00:53:08They raised their chin and waited.

00:53:11They put the air under their heads and maintained the state of raising their chin.

00:53:17They put the air under their heads and waited.

00:53:22They are human beings.

00:53:24If they put their heads under their heads, they will be able to maintain the state of raising their chin.

00:53:29They take them to the bottom of the mountain.

00:53:31They put the fallen branches between their heads.

00:53:35It's like a fishing rod.

00:53:38Is there a correct answer?

00:53:40Let's see the continuation.

00:53:42The parents fainted on the beach.

00:53:44How did they manage to save both of them at the same time?

00:53:49I will definitely save both of them.

00:53:53It's dangerous.

00:53:55There is a hole.

00:54:02They were impressed by a hole about 20 cm deep.

00:54:05It was smooth.

00:54:12You can do it with this.

00:54:14You can definitely protect yourself.

00:54:18By putting their heads into the hole, they were able to raise their chin and maintain the state of raising their chin.

00:54:29They were able to send oxygen to the other person without letting go of their hands.

00:54:40And then...

00:54:43I'm glad.

00:54:47Mom.

00:54:48Natsuo.

00:54:49It's okay.

00:54:50I'm glad.

00:54:51I'm glad.

00:54:52There is a possibility that we will experience the accident of the sea.

00:54:56It would be nice if we could remember it at that time.

00:55:00They fell in love because it was a sandy beach.

00:55:02That's right.

00:55:03It's important to learn such knowledge.

00:55:07The sea is scary.

00:55:10I don't know how to thank you.

00:55:13Thank you very much.

00:55:15I don't need to thank you.

00:55:16It is my duty to protect the peace of the sea.

00:55:20You are...

00:55:23I'm wearing this.

00:55:28I'm a police officer.

00:55:30I am...

00:55:31Type Omega.

00:55:34He is only active in the summer.

00:55:36From now on, please don't take your eyes off the children.

00:55:40Yes.

00:55:43The beach is big.

00:55:45It's cool.

00:55:46Why did you say that?

00:55:50However, a new incident that threatens the peace of the sea approaches them.

00:55:57It's hot.

00:55:58I can't wear such a thick uniform.

00:56:01You are used to the beach.

00:56:03This is what I usually look like.

00:56:06I think it's a powerhouse.

00:56:09It's Mr. Sakagami.

00:56:11The beach is big.

00:56:13Come here.

00:56:16It looks delicious.

00:56:19I caught all the seafood this morning.

00:56:22Scallops, octopus, squid.

00:56:24There is also abalone.

00:56:27It's a sea urchin.

00:56:29You should eat it.

00:56:31I don't need your money.

00:56:33You helped your parents on the beach the other day.

00:56:36I became a fan of you.

00:56:38I can't get expensive food.

00:56:40Our abalone is the best sashimi.

00:56:44Cut the bottom of the sea urchin with a knife.

00:56:48Sashimi is ready.

00:56:52I cut it.

00:56:55I eat this.

00:56:57We are on duty.

00:57:00What are you doing?

00:57:02If you don't have a knife, you can't cut it.

00:57:05He cut the sea urchin for me.

00:57:08He is Umezawa.

00:57:10Who do you think I am?

00:57:13I'm KAIPAN TAKA.

00:57:15At that time.

00:57:20What are you doing?

00:57:22Do you want to go to my store?

00:57:23Or do you want me to lend you abalone?

00:57:25I'm not interested in your small abalone.

00:57:27You are a big abalone.

00:57:33What are you doing?

00:57:35I'm sorry.

00:57:36I always do this when I meet you.

00:57:38What's wrong?

00:57:40I lost my abalone again.

00:57:42What?

00:57:43You should have told me earlier.

00:57:44You were the one who was looking for it.

00:57:46I'm sorry.

00:57:47You lost it?

00:57:49I lost the three-year-old fish.

00:57:52Damn it.

00:57:53It's a secret.

00:57:55I thought I couldn't get abalone.

00:57:59I didn't know that.

00:58:01Damn it.

00:58:02MATSUO, look at this.

00:58:06This is the only place where you can get abalone.

00:58:09And this color, gloss, and size.

00:58:12It's definitely our abalone.

00:58:13We sell abalone at a low price.

00:58:16We don't leave evidence.

00:58:19I raised abalone for three years.

00:58:22You do whatever you want.

00:58:25Abalone has an unstable amount of fish.

00:58:28In general, abalone's children, Chigai, are kept by local fishermen.

00:58:33It takes about three years to prepare the environment for fishing, such as seaweed.

00:58:39However, there are many predators such as crabs, humans, and manatees.

00:58:43In fact, there are less than half of the abalone that can be caught.

00:58:47It's a big loss to live if you steal abalone.

00:58:56Please catch the criminal.

00:59:00I understand.

00:59:01I'll do my best.

00:59:03Do your best?

00:59:05I don't want to hear such vague words.

00:59:10I'll definitely catch him.

00:59:12I'll do my best.

00:59:13You said it.

00:59:14Please keep your promise.

00:59:17I'll do my best.

00:59:20You're kidding.

00:59:21I'll do my best.

00:59:22You do whatever you want.

00:59:25Abalone disappears one after another from the fishing ground.

00:59:27Abalone is a bad thing for fishermen.

00:59:31Recently, abalone and manatees have been stolen from fishing grounds all over Japan.

00:59:37Last year, 2673 abalone were stolen from fishing grounds.

00:59:42That's a lot.

00:59:45In March of this year, about 1750 kg of manatees were stolen from fishing grounds.

00:59:50It's a loss of about 1.3 million yen.

00:59:53Let's go around the fishing grounds where abalone was stolen.

00:59:58Mr. Kudo, what's that?

01:00:02It's suspicious.

01:00:03Is it the people Mr. Nishimoto was talking about?

01:00:06I'm sure of it.

01:00:07Speaking of suspicious people, there are four people who have been fishing recently.

01:00:12They didn't work on weekdays and just fished.

01:00:19I think it's a fisherman.

01:00:22Let's check it out.

01:00:23Yes.

01:00:24He has a fishing rod.

01:00:26So, he watches a suspicious fishing boat from a distance.

01:00:30What is it?

01:00:34He's really fishing.

01:00:35I'm sure it's not suspicious.

01:00:38It's been three hours.

01:00:40There is no suspicious movement.

01:00:44At that time!

01:00:47Did it move?

01:00:53What is he doing?

01:00:56Is he a guide?

01:00:58Is he a guide?

01:01:00There is often a division of roles between a guide and a fisherman.

01:01:06Among them, the guide monitors the movement of the police.

01:01:09If there is a threat of being robbed, he contacts the fisherman in the sea.

01:01:13He throws the evidence and fishing gear into the sea and avoids being robbed.

01:01:20What kind of division of roles is he doing now?

01:01:23But why did he go to the sea?

01:01:25It's easier to see if you look from the sea.

01:01:29I see.

01:01:30Kudo, keep watching him.

01:01:32Yes.

01:01:34He looks at the man as a guide who monitors the movement of the police.

01:01:39He searches for a suspicious person in the sea.

01:01:47He's not here.

01:01:49Matsuo, they're coming back.

01:01:56What did he see?

01:01:57Is there any movement?

01:01:59He was just fishing, and no one was diving.

01:02:07Was it a misunderstanding?

01:02:09I don't know.

01:02:12To catch abalones, you have to dive into the sea, but no one is doing that.

01:02:19But!

01:02:22Abalones were stolen again?

01:02:24I was robbed yesterday, too.

01:02:27Damn it.

01:02:28The fisherman...

01:02:30I've been watching him for a long time, but I didn't see him diving.

01:02:34Maybe there's another diver.

01:02:38So he increases the number of investigators and increases the security.

01:02:43He monitors the port and rocks near the fishing grounds from the sky with a drone.

01:02:53There's no suspicious person anywhere.

01:02:56I've been watching the fishing boat, but there's no movement.

01:03:03The fishing boat is out like every day, but there's no suspicious shadow of a diver.

01:03:11However, the abalone on the fishing ground continues to be stolen, and the damage is magnified.

01:03:17How is the culprit diving?

01:03:21Why, why?

01:03:23Damn it.

01:03:25We can't live like this.

01:03:27That's right.

01:03:29I've been investigating, but I can't find any evidence.

01:03:35Maybe...

01:03:37Excuse me.

01:03:38Can I have a moment?

01:03:39Excuse me.

01:03:40Excuse me.

01:03:41What?

01:03:43Excuse me.

01:03:47If that's true, we're in deep shit.

01:03:53What the hell is that?

01:03:56No way.

01:03:57No way.

01:03:58And he breaks through the national police station.

01:04:00He can't find any hidden cash.

01:04:06There's no suspicious shadow of a diver.

01:04:08The damage is magnified.

01:04:10How is the culprit diving?

01:04:15If that's true, we're in deep shit.

01:04:26What?

01:04:27What?

01:04:28What?

01:04:29What?

01:04:30I knew it.

01:04:32Kamichi.

01:04:33That bastard.

01:04:34That bastard.

01:04:36Our friends are abalone.

01:04:38I haven't confirmed it yet.

01:04:40He's been acting strange lately.

01:04:45Kamichi hasn't shown his face since the meeting at night.

01:04:49He's been acting strange lately.

01:04:52I don't know yet, but I want to check.

01:04:55Can you tell him that our security is weak tomorrow night?

01:05:01Yes.

01:05:06Oh my.

01:05:08I'm sure of it.

01:05:09I'm sure of it.

01:05:10He's back.

01:05:12In each prefecture,

01:05:14the number of divers and the number of submersibles are determined.

01:05:21But some people don't follow the rules.

01:05:25I see.

01:05:26Is the culprit a member of the fishermen's club?

01:05:34Mai, what are you doing here?

01:05:37Can I check that ship?

01:05:40Check?

01:05:42Why?

01:05:43Can I check it?

01:05:48I got it.

01:05:51What?

01:05:55Why?

01:05:57It's no good.

01:05:58There's nothing.

01:06:00We don't have any drugs or tools.

01:06:04What are you doing?

01:06:05Kamichi.

01:06:06Where did you hide the abalone you caught?

01:06:08Abalone?

01:06:09What are you talking about?

01:06:10Don't talk nonsense.

01:06:12Give it to me.

01:06:13Wait a minute.

01:06:14I didn't catch any abalone.

01:06:17I'm just doing a part-time job at night diving.

01:06:20A part-time job?

01:06:22I can't do it for the fishermen's salary.

01:06:25So...

01:06:28I'm a diver on social media.

01:06:31I'm a night diving guide.

01:06:34What about the high-brand watch?

01:06:37It's popular because it looks like a beautiful sea urchin.

01:06:40I made a lot of money.

01:06:43You did something suspicious.

01:06:45You suspected me.

01:06:47First of all, I'm sorry.

01:06:49Shut up.

01:06:50You made money secretly.

01:06:57What's wrong?

01:06:59They...

01:07:00The fishermen...

01:07:02Isn't it strange that they are hiding like this?

01:07:05That's right.

01:07:06What?

01:07:07They are staring at us.

01:07:09Did we do something wrong?

01:07:11Are you drunk?

01:07:12We are good citizens.

01:07:13I'm angry.

01:07:16Say something.

01:07:18It's boring.

01:07:20I'm angry.

01:07:21They are...

01:07:23Damn it.

01:07:25I want to beat them up right now.

01:07:28Even if we do that, there is no solution.

01:07:31That's right.

01:07:32Yes.

01:07:33I'm counting on you.

01:07:34Let the law punish them.

01:07:40The fishermen steal a lot of abalone.

01:07:42It's them.

01:07:43But the only ones who are able to control the abalone are the fishermen.

01:07:51Only the fishermen.

01:07:52There is no sign of them diving in the sea.

01:07:55How did the culprit steal a lot of abalone?

01:08:00He is confident that he won't be caught.

01:08:05What kind of trick is he using?

01:08:08How can we catch him?

01:08:10Think about it.

01:08:12Think about it.

01:08:22I see.

01:08:23I see.

01:08:24I know who the culprit is.

01:08:26Here is the top question.

01:08:29Who is the culprit who steals a lot of abalone?

01:08:34The hint is this scene.

01:08:38Who is the culprit who steals a lot of abalone?

01:08:43Two fishermen and two fishermen.

01:08:46They were very angry.

01:08:47They were very angry.

01:08:48They were very emotional.

01:08:50Young people are annoying.

01:08:53I hate young people.

01:08:56I hate it.

01:08:57There are police officers, but there are also fishermen.

01:09:02I'm confident that I won't be caught.

01:09:05Who is the culprit who steals a lot of abalone?

01:09:09Here is the top question.

01:09:10Sakura.

01:09:11There is only one fisherman.

01:09:16I see.

01:09:18He receives abalone directly.

01:09:21Who is the culprit who receives abalone directly?

01:09:26This is wrong.

01:09:28I was suspicious.

01:09:30Merle.

01:09:31Merle is a customer of NIGHTDIMING.

01:09:35I see.

01:09:36Who is the culprit who receives abalone directly?

01:09:39I see.

01:09:40Is this wrong?

01:09:42This is wrong.

01:09:44This is good.

01:09:45This is wrong.

01:09:46I see.

01:09:47This crime will not end once.

01:09:49I see.

01:09:50I gather abalone in a certain place.

01:09:55I have a little more time.

01:10:00I have time.

01:10:02I have time.

01:10:04Please be clear.

01:10:05TANAKA.

01:10:06When the picture of the ship was taken, there were only three people.

01:10:11One person is in the cockpit.

01:10:14That person knows the situation of abalone under the sea.

01:10:19That person knows the situation of abalone under the sea.

01:10:23That person controls the abalone remotely.

01:10:25This is wrong.

01:10:27This is wrong.

01:10:29This is wrong.

01:10:30This is wrong.

01:10:31This is embarrassing.

01:10:33Orin.

01:10:34When I was fishing, I was worried that there were only three people.

01:10:39There was only one person.

01:10:41He caught abalone while fishing.

01:10:43He is a good fisherman.

01:10:45This is wrong.

01:10:48He caught abalone by chance.

01:10:50This is wrong.

01:10:52That person knows the situation of abalone under the sea.

01:10:54There are only three people.

01:10:55That's right.

01:10:56I think he is going to the ship.

01:10:58He makes a hole in the bottom of the ship.

01:11:01He opens the hole and closes the lid.

01:11:04This is wrong.

01:11:05He sinks.

01:11:09He made it.

01:11:13He made it.

01:11:15Let's see the moment he made it.

01:11:18How did he steal the abalone?

01:11:28That's right.

01:11:30Look at this.

01:11:33This is a big abalone.

01:11:36That's right.

01:11:39This is the police.

01:11:41He stole the abalone grown by fishermen.

01:11:45He is under arrest.

01:11:48Wait.

01:11:49I won't let you escape.

01:11:50Let go of me.

01:11:53What does this mean?

01:11:56This is a bold discovery.

01:11:58It's like a movie.

01:12:00This is a big vote.

01:12:01This is a national crime.

01:12:03This is a national crime.

01:12:06He stole the abalone.

01:12:08How did he do it?

01:12:10When I was fishing, I couldn't see anyone.

01:12:14There was an entrance here.

01:12:16I stole the abalone.

01:12:22He made a comfortable entrance to the bottom of the ship.

01:12:30From there, one of the crew members went into the fishing boat.

01:12:35He stole the abalone.

01:12:39Even if there is a hole in the bottom of the ship, there is no water.

01:12:45He used the structure of the ship well.

01:12:49This is a bold crime.

01:12:52This is a strategy based on being monitored.

01:12:56This is like a spy movie.

01:13:01I didn't expect this.

01:13:03He stole the abalone.

01:13:05That's right.

01:13:07This is a crime.

01:13:12This is a big vote.

01:13:14Thank you.

01:13:15This is thanks to everyone's trust.

01:13:18This is too embarrassing.

01:13:20Where is NISHIMOTO?

01:13:21He went to bed late last night.

01:13:23Did he go to bed late?

01:13:25I didn't expect this.

01:13:28He stole the abalone.

01:13:30I can't forgive him.

01:13:34Next is the National Tax Administration.

01:13:36This is a crime.

01:13:39He stole the abalone.

01:13:42Next is the National Tax Administration.

01:13:46This is a crime.

01:13:48This is a crime.

01:13:53Next is the National Tax Administration.

01:13:55Next is the National Tax Administration.

01:13:58This is cool.

01:14:00This is a good opening.

01:14:03This is a crime.

01:14:08This is a crime.

01:14:13This is the story of the National Tax Administration.

01:14:17This is the story of the National Tax Administration.

01:14:21This is the story of SHOTA SUZUKI.

01:14:24This is KOTA MIZUKAWA.

01:14:26This is the story of KOTA MIZUKAWA.

01:14:27This is the story of KOTA MIZUKAWA.

01:14:28This is the story of KOTA MIZUKAWA.

01:14:29This is the story of KOTA MIZUKAWA.

01:14:30This is the story of KOTA MIZUKAWA.

01:14:31This is the story of KOTA MIZUKAWA.

01:14:32This is the story of KOTA MIZUKAWA.

01:14:33This is the story of KOTA MIZUKAWA.

01:14:34This is the story of KOTA MIZUKAWA.

01:14:35This is the story of KOTA MIZUKAWA.

01:14:36This is the story of KOTA MIZUKAWA.

01:14:37Please do your best.

01:14:39It's been a long time, SUZUKI.

01:14:44I'm looking forward to it.

01:14:47Welcome to RYOCHO.

01:14:49Thank you.

01:14:51RYOCHO.

01:14:54RYOCHO is an organization that investigates all kinds of tax evasion.

01:14:58RYOCHO investigates all kinds of tax evasion.

01:15:06RYOCHO investigates all kinds of tax evasion.

01:15:08RYOCHO investigates all kinds of tax evasion.

01:15:15RYOCHO has high investigation skills and mobility.

01:15:18RYOCHO is a super elite unit.

01:15:25cool.

01:15:27This time, I'm going to investigate the case of SUZUKI.

01:15:32What's wrong?

01:15:34It's no big deal.

01:15:36RYOCHO is an elite unit.

01:15:38It's an honor.

01:15:40Why are you investigating?

01:15:42I don't know.

01:15:44I wanted to increase the number of people.

01:15:48Even if the unit changes, there is one thing we do.

01:15:52Correct the evil tax evasion.

01:15:55Right?

01:15:56Yes.

01:15:58The first thing they noticed was...

01:16:04This is the house.

01:16:06It's different from the case of SASATSU.

01:16:08Do it well.

01:16:09Yes.

01:16:13Who is this person?

01:16:17Who are you?

01:16:19I'm a data investigator at the National Taxation Bureau.

01:16:22National Taxation Bureau?

01:16:23I was asked to investigate the tax evasion of your company.

01:16:28Can you help me?

01:16:30What are you talking about?

01:16:32I'm paying my taxes.

01:16:34Are you the king of tax evasion, consumption tax, and income tax?

01:16:41I told you I'm paying my taxes.

01:16:45Then there is no reason to refuse this investigation.

01:16:50Or is it a bad thing to be investigated?

01:16:54If you say that...

01:16:56I understand.

01:16:58Hurry up.

01:17:00All right.

01:17:01Let's go.

01:17:03Yes.

01:17:06You can go even if you don't have a license.

01:17:09It is one of the three major duties of the people to maintain and develop this country.

01:17:14Tax evasion.

01:17:16However, there are many people who work to prevent it and try to escape from it.

01:17:21What is the back side of the strongest organization, RYO-CHO, which is trying to evade such a bad tax evasion?

01:17:32This is the calculation book your company submitted to the tax office.

01:17:36In the past few years, sales have increased, but profits have been sideways.

01:17:41Don't you think it's strange?

01:17:43I don't think so.

01:17:44Recently, the price of materials has been soaring.

01:17:47I don't know why, but the cost of living is increasing.

01:17:50Even so, I don't think it's natural that the price of raw materials has increased by 20%.

01:17:54I can't help it.

01:17:56Then what is it?

01:17:58Is it because the iron bone is broken?

01:18:00To be frank,

01:18:03I suspect that your company is pooling some of the profits and holding back taxes.

01:18:09I suspect that you are hiding your income.

01:18:12Do you have any evidence?

01:18:15Well, look it up as much as you like.

01:18:18Because nothing comes out anyway.

01:18:23It's suspicious.

01:18:25Taxes are taxed on profits from the company's sales.

01:18:30In this case, when reporting to the tax office,

01:18:34by showing more than the actual cost, the profits are compressed.

01:18:38By reducing the amount of tax on the company,

01:18:41the amount of income is transferred to the company's own pocket.

01:18:47The total amount is estimated to be about 100 million yen.

01:18:52In this investigation,

01:18:54the purpose of the investigation is to find evidence of fraud,

01:18:58and to hold back the correct amount of taxes.

01:19:02But where is this house?

01:19:06Excuse me.

01:19:08Can I check the back of the sofa?

01:19:13Go ahead.

01:19:17There's a place like this.

01:19:19That's amazing.

01:19:22Excuse me.

01:19:24Can you show me the back of the picture?

01:19:27That's right.

01:19:28Previously, there was a safe hidden behind the conversation.

01:19:34Go ahead.

01:19:37No abnormalities.

01:19:40Can I check this?

01:19:43Yes.

01:19:49There's a place like this.

01:19:50That's amazing.

01:19:51It's big.

01:19:57Excuse me.

01:19:59Can I check the back of the carpet?

01:20:02Yes.

01:20:07There is no hidden safe.

01:20:22Suspicious.

01:20:27What?

01:20:28It's just a hot coffee.

01:20:33What?

01:20:39It's just a hot coffee.

01:20:41That's right.

01:20:43What?

01:20:44I don't like this.

01:20:47He's suspicious of the tax-paying people.

01:20:51Maybe he's hiding the money.

01:20:55He's checking every nook and cranny.

01:20:58This is bad.

01:21:00It's impossible.

01:21:01I don't know what he's doing.

01:21:03A handshake is a small amount of money that can be exchanged for cash at a bank.

01:21:08It's not just cash.

01:21:10It's a good way to hide your affiliation.

01:21:14That's right.

01:21:15I have a question.

01:21:17Mr. Kanamori.

01:21:19In the past few years, the workload has increased dramatically.

01:21:23But the number of employees hasn't changed.

01:21:26Isn't it hard for the number of employees to increase?

01:21:33You don't know that.

01:21:35Are you a worker?

01:21:39Sales are more important than employees.

01:21:42You're a typical CEO.

01:21:45I don't like this.

01:21:46He's obsessed with money.

01:21:48He often hides it in a close place.

01:21:51I see.

01:21:57What's in the living room?

01:22:01There's nothing in the living room.

01:22:06There's nothing in the living room.

01:22:09There's nothing suspicious.

01:22:14It's strange.

01:22:16It must be somewhere.

01:22:19Think about it.

01:22:23Really?

01:22:25Yes.

01:22:26I don't like this.

01:22:35I see.

01:22:37I'll give you a special quiz.

01:22:40What is the hidden place of the handshake?

01:22:45The hint is in this scene.

01:22:48Preview

01:22:50It's just a handshake.

01:22:51Elite, wait here.

01:22:54What's this?

01:22:55The culprit is a white-haired man.

01:22:57Hey, you!

01:22:59Don't touch my precious friend!

01:23:02September 19th, 7 p.m.

01:23:04The movie, Natsume Arata's Wedding, will be released tomorrow.

01:23:08It's a shocking suspense movie where the main character, Natsume Arata,

01:23:11proposes to the executioner of a serial murder case.

01:23:17I play the executioner of a serial murder case.

01:23:21Please watch it at the theater.

01:23:25What is the hidden place of the handshake?

01:23:29He's a comedian, but he's good at acting.

01:23:32He's really good at acting.

01:23:35He's a good actor.

01:23:38If I had a lot of cash,

01:23:41I would buy a handshake.

01:23:43If I had a small handshake,

01:23:46I could hide it anywhere.

01:23:49Can we find it?

01:23:51What is the hidden place of the handshake?

01:23:55The place is...

01:23:56It's Hayabusa.

01:23:58The handshake was light green.

01:24:01It's the same color as the tatami mat.

01:24:03So, the handshake was folded into the tatami mat.

01:24:07That's amazing.

01:24:10That's wrong.

01:24:12It's a strong handshake.

01:24:14I was wearing a polo shirt.

01:24:17It's the back of the polo shirt collar.

01:24:19It's not a handshake.

01:24:24That's wrong.

01:24:27It's not behind the picture.

01:24:30It's in the frame.

01:24:33That's wrong.

01:24:35It's like...

01:24:38That's wrong.

01:24:41Kaneshika.

01:24:42The tissue box was changed.

01:24:45If I shook it, the handshake came out.

01:24:48That's wrong.

01:24:53That's wrong.

01:24:56Tomi.

01:24:57I saw a statue when I was looking at Nakanishi.

01:25:01I was holding it in my hand.

01:25:04I noticed it.

01:25:08I didn't know that.

01:25:10I saw it twice.

01:25:14Tanaka.

01:25:15When I was holding the carpet,

01:25:18my wife's performance was unnatural.

01:25:21When I looked at the front of the carpet,

01:25:24there was a hand-shaped pattern.

01:25:27That's wrong.

01:25:30That's wrong.

01:25:33Orin.

01:25:34I was holding a cup of hot coffee.

01:25:37It was about this thick.

01:25:39When I looked at it from above, it was very thin.

01:25:43When I pulled it out,

01:25:45there was a hand-shaped pattern around it.

01:25:48That's wrong.

01:25:53That's wrong.

01:25:55That's amazing.

01:25:57That's amazing.

01:25:59That's amazing.

01:26:00That's Orin.

01:26:01Let's take a look at the moment when he broke through.

01:26:04How did he hide the hand-shaped pattern?

01:26:16Can I check this water bottle?

01:26:21There's only coffee in it.

01:26:23You saw it earlier.

01:26:25There's something I'm curious about.

01:26:28Can you show me what's inside?

01:26:31Show you what's inside?

01:26:46I took it out.

01:26:48I took it out.

01:26:53Can you shake it up and down?

01:27:02There's a sound.

01:27:04There's a sound.

01:27:07Can I take a look at it?

01:27:12Here you go.

01:27:15There's a gap.

01:27:19What is it?

01:27:35There's something in there!

01:27:39In the 7th episode of Dora 10,

01:27:42the real culprit who killed the former president is revealed.

01:27:46And the truth about Mitsuko's sister's death is revealed.

01:27:51There's a lot to see about the new president.

01:27:55Don't miss it on Saturday, July 7th at 10 p.m.

01:27:59Where did he hide the hand-shaped pattern?

01:28:12From here...

01:28:16Is this...

01:28:18a hand-shaped pattern?

01:28:23He's holding a mysterious bottle.

01:28:27Is this the real magic bottle?

01:28:30I can't believe it.

01:28:32Wow.

01:28:36The magic bottle has a double structure.

01:28:40In this case,

01:28:42he hid the hand-shaped pattern in the vacuum area between the first and second bottles.

01:28:47It's a trick that you wouldn't notice from the outside.

01:28:51I saw him drinking coffee from the magic bottle without hesitation.

01:28:55I thought,

01:28:57if it wasn't a vacuum,

01:28:59I wouldn't be able to see it.

01:29:01Was he sleeping?

01:29:03I see.

01:29:05He went that far to find a way out.

01:29:07This is also a fact.

01:29:09That's right.

01:29:10There are people who hide things like this.

01:29:13I'm glad I found it.

01:29:15I couldn't imagine it at all,

01:29:17but I'm glad I found it.

01:29:19I'm glad I found it.

01:29:21I'm glad I found it.

01:29:23It was like watching a drama.

01:29:26It was cool and interesting.

01:29:28I want to watch it again.

01:29:30As a drama.

01:29:34Damn it!

01:29:36He's running away.

01:29:40He's running away.

01:29:45Where are you going?

01:29:47Even if you run away, it won't solve anything.

01:29:51Which company is doing this?

01:29:54It's stupid to report it honestly.

01:29:58Honest people are stupid.

01:30:00There is no reason for such a society to exist.

01:30:02It's cool.

01:30:03You have to pay the tax you paid with the penalty.

01:30:07It's cool.

01:30:09Damn it!

01:30:11After this, the man will pay the penalty.

01:30:14In addition to the deficit,

01:30:16he will pay a heavy tax.

01:30:19And next time.

01:30:21The total sales of the group is 1 billion yen.

01:30:24The net profit is 50 million yen.

01:30:26It's a perfect line.

01:30:28It's black.

01:30:30The amount of sales and receipts are exactly the same.

01:30:34I apologized for a word.

01:30:37I will definitely drop it.

01:30:39Here you are.

01:30:41Thank you very much.

01:30:43To be continued.

01:30:45I want to watch it again.

01:30:47Next, we will introduce you to the breakthrough technique.

01:30:50In this corner, we will introduce you to the breakthrough technique that solved various problems in the daily life in a flash.

01:30:58And the person who will introduce the breakthrough technique is here.

01:31:03It is decided by Uchimura alone which one to give as a gift.

01:31:09First of all, there is a problem with the barbecue.

01:31:12The paper plate flew away.

01:31:15This is common.

01:31:17I like barbecues and camping.

01:31:20Have you ever had a paper plate fly away?

01:31:21I have experience.

01:31:22The curry spilled.

01:31:25The paper plate flew away again.

01:31:29What's going on?

01:31:30This is an old paper plate throw performed by Takumi Kitamura, who is a vocalist.

01:31:36He is doing a paper plate throw.

01:31:38He solved the problem of the paper plate flying away in the wind with a breakthrough technique.

01:31:42It means that you don't let go of the ingredients.

01:31:45You always have something.

01:31:47You don't make it light.

01:31:49You always keep eating.

01:31:50You may have hit it.

01:31:52It's a plate, so the wind hits here.

01:31:56You can get rid of this.

01:31:58Make it as flat as possible so that the wind doesn't hit it.

01:32:02How do you make it flat?

01:32:03I make it as tight as possible.

01:32:07This is the breakthrough technique.

01:32:11Wet the bottom of the paper plate with water.

01:32:14If you wet it with water, it won't fly away.

01:32:17There is a video, so please take a look.

01:32:19By wetting the bottom of the paper plate with water, the surface tension works and the wind becomes stronger.

01:32:28It's easy, isn't it?

01:32:30I wet the bottom of the paper plate a little before I started using it.

01:32:33I thought it was very good.

01:32:35It's a paper plate, so I can do it.

01:32:37Do you often have a barbecue?

01:32:39I don't do it at all.

01:32:46I'm envious.

01:32:49Mr. Uchimura, please judge.

01:32:55Melange.

01:32:57Congratulations.

01:32:59And when you sleep, there are many people who put towels on their pillows to prevent dirt and smell.

01:33:04This is a problem unique to this season.

01:33:07The towel on the pillow has come off again.

01:33:10It's a hassle to fix everything.

01:33:12When you sleep, the towel on the pillow comes off.

01:33:18I don't pull the towel.

01:33:20Mr. Endo pulls the towel.

01:33:22I'm pulling the towel.

01:33:24You don't wash the pillow cover every day, do you?

01:33:26It's hard.

01:33:27You wash the towel every day.

01:33:29I found the culprit who removed the towel.

01:33:31I'm glad you found the culprit.

01:33:32It's a hedgehog.

01:33:34It's cute.

01:33:36This is AL, a hedgehog who has a strong attachment to towels.

01:33:40There is a video of AL.

01:33:42It's cute.

01:33:44AL always plays with the hedgehog.

01:33:46AL looks strong.

01:33:48It's cute.

01:33:50The towel on the pillow comes off immediately.

01:33:53AL solved the problem with a breakthrough.

01:33:55I see.

01:33:56It came out with a rubber band.

01:33:58With a rubber band.

01:34:00I fixed both sides.

01:34:02Can't I sew it?

01:34:04Sew?

01:34:05I sew only two places.

01:34:07I see.

01:34:08This is the breakthrough.

01:34:11AL put a T-shirt on the towel.

01:34:14With a T-shirt on the towel, no matter how many times you wish, it will not come off the pillow.

01:34:18I understand.

01:34:19Let's try this.

01:34:20I used to do this.

01:34:22Is that so?

01:34:24In winter, I wear thick clothes.

01:34:29It's warm and comfortable.

01:34:31There are many variations.

01:34:33I see.

01:34:34Please give me a big applause.

01:34:40It came out.

01:34:42Congratulations.

01:34:44When I went to see the live performance, I was worried about AL.

01:34:48I was able to get a lot of silver tape.

01:34:50However, if I take it home with my hands, it will be wrinkled and I will get a crease.

01:34:54There is a silver tape.

01:34:57I want to take my favorite artist's silver tape home with me.

01:35:04I have a friend who collects silver tape.

01:35:07It's in the drawer.

01:35:10It's wrinkled again.

01:35:12It's wrinkled.

01:35:13What's wrong with this?

01:35:15It is a place where children in kindergarten play with toilet paper.

01:35:18After playing hard, it is effective for cleaning.

01:35:22It's not wasted.

01:35:23The silver tape is wrinkled and has a crease.

01:35:26I solved it with a breakthrough.

01:35:28It's like wrapping it up.

01:35:31It's like a core.

01:35:33Do you have a core?

01:35:34I don't have a core.

01:35:36Do you have a core?

01:35:38It's like a stick.

01:35:40Do you always have it?

01:35:42Don't you have to attack?

01:35:44That emcee is scary.

01:35:46It's tough.

01:35:47I put it together and tie it.

01:35:50I put it on the string of my bag.

01:35:52It's fashionable.

01:35:53I make it fashionable.

01:35:54It's cute.

01:35:55Do you often go to concerts?

01:35:56I don't go at all.

01:36:02I don't go out of the house.

01:36:03The breakthrough is here.

01:36:06I wrapped it with a receipt.

01:36:08I think this is good.

01:36:09If you wrap the silver tape with a receipt to wrap the candy, you can bring it home without creasing.

01:36:16It's a receipt that you can wrap it up.

01:36:18It's a receipt that you can wrap it up.

01:36:19It's a receipt that you don't need in your wallet.

01:36:22It's cute.

01:36:23If you bring it home like this, it won't be in the way.

01:36:26It's compact, so I'll try it.

01:36:28Uchimura, please give us your judgment.

01:36:34It's a good thing.

01:36:35It's a good thing.

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