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Disclaimer:
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
Category
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PeopleTranscript
00:00:00He's actually got some...
00:00:03Oh, okay.
00:00:05Do you want to do any of that, or do you want to hold off?
00:00:08I want to make sure, I want to make sure people can hear what he's saying.
00:00:12Okay, then let's, let's take a question. Somebody raise their hand over here.
00:00:16Can you melt it out for us?
00:00:21Oh, they're all so wonderful.
00:00:27Um, you know, it's, it's so strange to think of it later, because it's a, it's a collaboration.
00:00:41Uh, as a playing character or a director?
00:00:44Oh, got it.
00:00:46Um, I really enjoy the intense stuff.
00:00:50So I like the extreme comedy, or the really dark and, like, dramatic stuff.
00:00:56So, um, I like the confrontational scenes that Trish has,
00:01:01because she's been braved to look like a certain somebody's mother.
00:01:05So it's kind of a strange, uh, dynamic there.
00:01:09Um, as far as the actors go, every, every experience is a little bit different,
00:01:13but I really enjoy it a lot. I think we work a lot with people.
00:01:17Um, and it, it's sometimes fun working with somebody who's a little less experimental,
00:01:23because they're, they want to help, allow it more.
00:01:27Um, but I think I've been working together probably the longest,
00:01:31and we spent four years together in the trenches on Bleach.
00:01:34So, and Power Rangers before that, so, um, we've had a long system.
00:01:42It's also great, I have to say, that coming and acting together.
00:01:46That's right.
00:01:47When I was first coming, I was like, you're going to do it with me.
00:01:49I was like, oh.
00:01:50Oh, yeah.
00:01:52Yeah.
00:01:53Yeah, about that.
00:01:54So have you not been with, uh, actors who are, like, doing it a certain way?
00:01:57Like, what was it you heard from?
00:01:59Did you hear anything?
00:02:01Bleach?
00:02:02That'd be awesome if we got to come back and do it for a year.
00:02:04I don't know if they're going to try to go for live action or not.
00:02:07Well, I think it was live action.
00:02:09I think that's what I've heard.
00:02:10That's what you've heard?
00:02:11Yeah.
00:02:12I still think they should do, like, something, like, scary-themed.
00:02:16I don't know.
00:02:17Maybe I understand if they do that.
00:02:23Um, I mean, if I'm taking that same question, I, everyone's awesome to work with, you know,
00:02:30and it is always great to hear when it's finally done.
00:02:34Um, but we got, because we got to go to Japan.
00:02:38That was, like, in part four and five, where they didn't agree, but, like, for me, like,
00:02:43in that, you got to really be that character.
00:02:47You know, because when we do, like, an anime or something, it's always wrong.
00:02:51It's something else.
00:02:52They made these choices, right?
00:02:54And we have to make our version of them, right?
00:02:57So this was, so I got to walk around with it.
00:03:01You know, I'm a student.
00:03:02I'm an adult.
00:03:03I'm an undergrad.
00:03:04I'm an undergrad.
00:03:05So I'm going to physically be there in a space and make choices based on what was inside.
00:03:10You know, pages.
00:03:11So there's, it wasn't as limiting as anime can be.
00:03:16Um, and so there's a lot of freedom there, just in that moment as well.
00:03:20But I also feel like, especially with five, the fourth book, like, in five, we got to
00:03:29change, not how, I mean, we did.
00:03:31We changed, like, 90% of our dialogue.
00:03:33You know, because, like, the translation wasn't good, but the Japanese was pretty good.
00:03:37We saw that.
00:03:39And then we saw the translation, which wasn't bad.
00:03:41But some of the stuff, for me, felt like they didn't know Europe.
00:03:45And so I had to kind of feel like I didn't even see the language.
00:03:49And so it was kind of nice to be able to say, hey, I'm going to do this instead.
00:03:54And they were really open to that.
00:03:57Who would mention that in anime?
00:03:59There's no reason.
00:04:00That's very interesting.
00:04:01Thank you for that.
00:04:02And you seem to be, like, a full-time animator.
00:04:06How do you change this for the action?
00:04:08Because, like, we were just going through it.
00:04:10And then we would, we worked off of each other.
00:04:12Which was like, it's like, ah, that doesn't feel right when you say that.
00:04:16I can say this or something.
00:04:17And so it was better.
00:04:19It was more fluid.
00:04:20That's right.
00:04:22We're taking a little bit to kind of get that going.
00:04:26So if you turn it off.
00:04:37The stories were fascinating.
00:04:38How you guys really worked shop to the material.
00:04:41You guys actually balanced everything off of each other.
00:04:44And really, you talk about collaboration.
00:04:47That must have been so satisfying.
00:04:49I think 100%, and then being able to, like we were talking about, like being there, go there, like especially with 5.
00:04:58Transform that spirit.
00:05:06Because, because it's, you know, in, in, in, uh...
00:05:10Being, both having a speaking culture and being just, just in general, once it's up here...
00:05:17It's quite rigid.
00:05:18Oops.
00:05:19Here we go.
00:05:20One second.
00:05:21So true.
00:05:22...
00:05:43Yeah, exactly.
00:05:45So working here, doing localizations, games and stuff, and from Japanese to English,
00:05:53there is a, a certain rigidity, rigidity, is that a word?
00:05:58Rigidness?
00:05:59Rigidity?
00:06:00With, with those projects, and, um...
00:06:05And, and, there's pluses and minuses.
00:06:08But, and in our case, uh, because a lot of people get lost on translations, uh...
00:06:13It's kind of a minus.
00:06:14So...
00:06:15We, we have the original script, and we, we...
00:06:21This is not really what, what, uh...
00:06:24It's not how we would say things.
00:06:26It's not how we say things.
00:06:27I mean, you guys were there, and we didn't actually make it for you.
00:06:30Yep.
00:06:31So, yeah, but we knew our characters.
00:06:33So we knew, we saw some of the things in the pages.
00:06:35It was like, that's not really how we would say that.
00:06:38How would we phrase that?
00:06:39And then, because we were there, we got to work things out.
00:06:43How would I say this?
00:06:44And then how would you react?
00:06:46You know, in this case.
00:06:48And what was really good was that we had earned the trust of Iso-san, the director,
00:06:52and some of the other technical producers, because for 3D, that was a battle.
00:06:57Let me tell you.
00:06:58I had to, myself and my partner, at the time, tell Iso-san,
00:07:04this is just copyrighting, or legalization.
00:07:07So every little change, you had to, like, get it cleared.
00:07:10And it was quite a battle.
00:07:13And we had earned Capcom's trust.
00:07:16So by the time we got to that 3x5, and we got into set,
00:07:22they were like, do what you gotta do, do what you wanna do.
00:07:25Which was awesome.
00:07:26But you rarely get that opportunity.
00:07:33There he is.
00:07:41Thank you guys for coming out.
00:07:43I have a lot to learn from 2024, guys.
00:07:46I'm excited about the tech flow and the importance we had earlier.
00:07:49We're really excited to be here.
00:07:51And let's get the show started.
00:07:56Let's go!
00:08:04So, yeah.
00:08:05The music and how we had sort of freedom,
00:08:09and we've earned Capcom's trust over the years,
00:08:13with, you know, doing all these things.
00:08:15So that's sort of my third one.
00:08:17Part three was the first one.
00:08:19Every little change was quite a...
00:08:23about changing the line to words.
00:08:26And by the time we got to the live,
00:08:29we took some of the staff, and we were like,
00:08:31you guys just do what you wanna do.
00:08:33I mean, it was quite fun.
00:08:35It wasn't that we knew the characters,
00:08:37they liked us.
00:08:38And after three, we changed to changing the lines.
00:08:44Yes, I approve this action.
00:08:47I approve this action.
00:08:48Do you approve?
00:08:51I approve it.
00:08:52I approve it.
00:08:53I totally approve it.
00:08:54I'm sorry, I'm sorry, I'm sorry.
00:08:55I approve it.
00:08:58It's something that you have, Capcom,
00:09:01the creators, the community, the vision,
00:09:05the visionaries' trust.
00:09:07And, like, at one point, they're like,
00:09:09okay, ask the character what they would say.
00:09:12Whenever we hit that, you know,
00:09:14I just love it so much, too,
00:09:15because if you've been the one limiting the character,
00:09:17you know, you know.
00:09:18You know.
00:09:21Yeah, they're not, you know, luxury as actors.
00:09:25It's very strange to show,
00:09:27and a lot more told than what's being said.
00:09:32So, it's nice to be able to kind of
00:09:36show the value of what we're doing,
00:09:39which is kind of interesting.
00:09:42Do you have any changes?
00:09:44Do you have any five nominated
00:09:46for some sort of award?
00:09:48I don't know.
00:09:49SV in 2019, which is the best action movie.
00:09:52Best action movie.
00:09:53But even the best scenes got nominated.
00:09:55What are they?
00:09:56Like, the best actor?
00:09:58Like, the best actor?
00:09:59I don't know.
00:10:00I don't know.
00:10:01I don't know.
00:10:02Something like the best dance off.
00:10:04I don't know.
00:10:05I just, I hear stuff.
00:10:07I cannot verify.
00:10:10So, Emilio has some questions
00:10:14prepared for us.
00:10:16I didn't do it.
00:10:17I have about a ten minute clip,
00:10:20eleven minutes, of some fun
00:10:23antics behind the scenes stuff.
00:10:25You know, we've been around
00:10:27pornography in Japan.
00:10:28You know, you get a bunch of foreigners,
00:10:30especially these characters in Japan,
00:10:32doing video games for enough weeks,
00:10:35months, and it's scary.
00:10:38I don't know.
00:10:39I think it's five.
00:10:40I think it's about five or three.
00:10:42There's some three stuff in the middle.
00:10:44Um, but just before you even get started,
00:10:48the whole, you know, the
00:10:50commercial category.
00:10:52Um, when we were filming
00:10:54Don't Make Me Cry 5,
00:10:56we were on the Toei box,
00:10:57Toei Studios, and
00:10:59Koichi Sakamoto was the whole
00:11:01reason why it was all together.
00:11:03Um, he was super busy.
00:11:06We were having a lunch break and we all joined in the cafeteria, we walked over to the toilet
00:11:17instead of having the cafeteria on there.
00:11:19We were having lunch and Koichi came to join us and we got to catch up.
00:11:23It was a super awesome play.
00:11:25That would be my word of honor without Koichi because he rocked.
00:11:30He's got his name, he is a typical Power Ranger man in the universe.
00:11:36And so that's...
00:11:39That's what I tell him all the time.
00:11:42Quit being what he is.
00:11:44Without Power Rangers, he's not who he's supposed to be.
00:11:47And I just think he's an amazing person.
00:11:49I think he's amazing.
00:11:51So, without Power Rangers, in America, this is...
00:11:54Until the Apocalypse.
00:11:57So, just because they still have money.
00:12:00Without Power Rangers, that's the problem.
00:12:05So, with that, I just wanted to lay the foundation.
00:12:08Yeah, I feel like the time has really popped a little bit.
00:12:12So, the movie really started with...
00:12:15Has Super Saiyan 10 happened?
00:12:17What was that?
00:12:19Originally, it started with Super Saiyan 10.
00:12:22I don't know if any of you know the game.
00:12:24We were like, hey, maybe we should get a little bit in here.
00:12:26And everyone was like, hey, we can talk about all this cool stuff.
00:12:30Yeah, let's do it.
00:12:31And then we obviously...
00:12:33We see the cast and we're like, wait.
00:12:36What do you have there?
00:12:37Wait.
00:12:38Wait.
00:12:39Wait.
00:12:40That's the devil.
00:12:41We're glad to hear you're in the game.
00:12:43So, that's right.
00:12:44We were talking about putting together this.
00:12:47So, the movie, because it is coming out in 2024,
00:12:51we're going to be short on our questions.
00:12:54We're going to leave it to you guys.
00:12:55We know it has a lot of special stuff to show.
00:12:57And we also want to applaud you guys, too.
00:12:59So, like they say, it never goes, but it always shows up.
00:13:03So, let's see.
00:13:05All right.
00:13:06So, first question, guys.
00:13:08I'm here with my co-host, Lee.
00:13:10Lee is a big Super Saiyan fan on our show.
00:13:14I want to say, guys, thank you for coming.
00:13:16This is going to be one of the private interviews of the show.
00:13:18And we're going to ask the first question.
00:13:23I actually have a burning question.
00:13:25It's regarding Chug and Ganon.
00:13:29If so, how do you play them?
00:13:32Do you know the lineage of Chug and Ganon?
00:13:36And do you know Ganon's lineage?
00:13:40No.
00:13:41I don't know.
00:13:43I hear it in the news daily.
00:13:44It sounds like you do.
00:13:46The Wing Chun, I'd say, is modified from…
00:13:50It's Chug and Ganon.
00:13:52It's obviously a camera.
00:13:55And it is modified from the wu shui.
00:13:59But…
00:14:02Ganon is not of being a historian by training.
00:14:07He's a teacher.
00:14:08He's a historian.
00:14:11He's a teacher.
00:14:14What he's done all around the world to collect the different…
00:14:17The knowledge that he's collected and put together to…
00:14:20The system that he has and he teaches there.
00:14:23He's pretty amazing.
00:14:25And also, he loves to observe some of the traditions.
00:14:28So, there is access to a more traditional application of the Wing Chun.
00:14:34To where we can see the following.
00:14:39So…
00:14:47But…
00:14:50So…
00:14:53So…
00:14:56Where…
00:14:59They…
00:15:02Come from…
00:15:06I never studied before Wing Chun.
00:15:10But I did when I moved to New York.
00:15:12And I used to go to things as long as a lap dojo had school.
00:15:16And I couldn't afford the tuition.
00:15:18So, I would just sit in the lobby.
00:15:20And peer through the window.
00:15:22The window was open.
00:15:25And I'd see the Wing Chun guys.
00:15:28And I would just…
00:15:29Oh, yeah.
00:15:30And I'm like, is that from the movie?
00:15:33That's so cool.
00:15:34And then my Asian bunnies…
00:15:36I was hanging out with some Lao Asian bunnies that were in my school.
00:15:42And we would kind of go there.
00:15:44We loved the traditional story.
00:15:47And we'd hear…
00:15:48We were like, you know, listen to the soundtrack.
00:15:50And get knocked on the butt.
00:15:52And then we would try to remember the Wing Chun.
00:15:55It was from friends' songs that we kind of learned.
00:15:58From the TV shows we saw and all that stuff.
00:16:00And then I think we learned the Siu Kee Tao from some poster or something.
00:16:05And we did one of those first night.
00:16:07So, it was not learning like properly.
00:16:12But we definitely…
00:16:14I wouldn't call it a song.
00:16:15Again, ours is something I say is Hong Kong.
00:16:18But Francis Wong does come to mind.
00:16:21It's Hong Kong.
00:16:24Yeah, well, my…
00:16:25I don't know what to tell you.
00:16:26It would be…
00:16:28Mine started as a study.
00:16:30And then it was not known.
00:16:32But then all the people we studied were very good.
00:16:34It was just like we didn't know what we were doing.
00:16:36So, we did it.
00:16:38We had like very specific patterns that we would do.
00:16:41And then the application was always different.
00:16:44The application was like,
00:16:46You know, you can do this.
00:16:48And then you can go over and grab it.
00:16:50I'm just like,
00:16:51Well, who am I?
00:16:52At the time, I was sure that I could.
00:16:55And before that,
00:16:56I was like,
00:16:57I'm going to learn whoever.
00:16:58It was like a JKD pattern.
00:17:00Yeah.
00:17:01So, I'm going to say,
00:17:02I bet you've studied in CO2.
00:17:03If you've studied in CO2,
00:17:04CO2 is one of the highest-ranking students
00:17:08that are doing something like that.
00:17:10One of his teachers,
00:17:11he said,
00:17:12He said,
00:17:13He said,
00:17:14So, we were like,
00:17:15I was like,
00:17:16I was like,
00:17:17I was like,
00:17:18I was like,
00:17:19I was like,
00:17:20I was like,
00:17:21I was like,
00:17:22I was like,
00:17:24Togo Shihade was a friend,
00:17:26but Komen ji and Alphys
00:17:27were not so good.
00:17:28They always had me on and
00:17:29never really worked directly with him,
00:17:33but other than teaching,
00:17:35we were childhood friends
00:17:37and some vocabulary stuff.
00:17:39But yeah,
00:17:40he was a high-ranking student.
00:17:42Same here.
00:17:43Same here?
00:17:44Just watch quiet speech
00:17:47I'm beginning to,
00:17:48losing my game.
00:17:49Just change the 보.
00:17:51We've all learned movie reach-ups from Koichi.
00:17:55Movie reach-ups, definitely.
00:17:57Yeah, it's not as much of a call-out now as it used to be.
00:18:02Koichi was a black belt.
00:18:06Alright, I have a question for all of you.
00:18:08If you had to choose to hang out with any cartoon or animation character,
00:18:13who would you choose and why?
00:18:15Samurai Chin.
00:18:21No C.
00:18:25Why, you'd want somebody without drama.
00:18:30And that would be boring.
00:18:33I mean, I guess I'd let go of the bad action.
00:18:40Shoot, what do you think?
00:18:43I don't know, we've got to get it on this channel.
00:18:46Yeah.
00:18:49Ray Connor from Robotech, which is his name,
00:18:52he called me just because as a kid I was like,
00:18:54I want to be a pilot, I want to be like that guy.
00:18:58But now that you bring that character,
00:19:00I can stay that way all the time.
00:19:02Now that you know, I can fight Centroni with one eye covered with your hair.
00:19:07Those would be the questions I'd like to ask.
00:19:11That's hard for me.
00:19:12I mean, I would say, fresh out of the Barbie movie,
00:19:15I'd like to be the pink Barbie girl.
00:19:17That'd be amazing.
00:19:19Alex Straza from World of Warcraft.
00:19:22I just did a huge story arc with her.
00:19:25And me, Mother of Dragons.
00:19:28And I'll live my life as a ghoul,
00:19:30as close as I'll ever get to being one.
00:19:32Shit.
00:19:34Yes.
00:19:36I would love to experience that whole Dragonflight story,
00:19:40that whole thing.
00:19:41But then there's the blood, and the punching, and all that.
00:19:44So that brings me closer to Eva.
00:19:47And maybe if I wasn't broke, I would hang out with Faye,
00:19:51and hang out with me.
00:19:53But I think I need a lot of will to do that.
00:19:55Of course.
00:20:10The Least Known Project?
00:20:17More obscure.
00:20:22Right. Well, which title?
00:20:26Broken Path.
00:20:28It's Broken Path, Broken Fist.
00:20:30It's kind of like the Yakuza.
00:20:34I actually have a game in there.
00:20:37You guys use my example game.
00:20:42I know that you promised.
00:20:43Disaster.
00:20:44Disaster.
00:20:45Disaster Date Crisis.
00:20:47It's a Nintendo game called Disaster.
00:20:50And if you guys are stupid, nobody knows it, right?
00:20:55It's a Disaster.
00:20:56And who did you play in that?
00:20:58Oh, the Colonel.
00:21:00And he and I was his underling.
00:21:03Betraying him.
00:21:04Did I kill you?
00:21:07No.
00:21:11It truly was a Disaster.
00:21:13It was a Disaster.
00:21:15It really was.
00:21:20The Rookie.
00:21:30The Rookie.
00:21:31So I work as a guest star.
00:21:34I have to.
00:21:35I'm sort of a staffer.
00:21:36And right now I do a lot of guest star appearances.
00:21:39Sometimes children.
00:21:41I was talking about my guest star in an episode of the movie.
00:21:44I kind of say the baseball guy.
00:21:46Which gets punched in the face by every mom.
00:21:50I won't put a kid.
00:21:51I won't put a kid in the game because he's not a kid.
00:21:57You're usually the one punching people in the face, though.
00:21:59Maybe.
00:22:01So I walked around the set.
00:22:03I was pretty nervous.
00:22:04And it was a good day.
00:22:06I didn't want to be sick.
00:22:07I didn't want to be sick.
00:22:08I didn't want to be sick.
00:22:09I didn't want to be sick.
00:22:10I didn't want to be sick.
00:22:12I had to be careful not to offer too much advice.
00:22:15It was a lot of stuff.
00:22:16A lot of good stuff.
00:22:17A lot of good stuff.
00:22:18I'm tired of a lot of stuff.
00:22:20You're tired of a lot of stuff.
00:22:22So I don't need someone to step up to me when it comes to being in that sort of position.
00:22:32So that's it.
00:22:33Like I said, not all of your mom shows strange characters.
00:22:36It's the strange characters that I play.
00:22:38And sometimes it's a guest star.
00:22:40And I don't want to be one of them.
00:22:41I don't want to be my signature mom.
00:22:43So it's the dad.
00:22:45It's my defense.
00:22:48What about Chicken Head?
00:22:51Do you guys know about Chicken Head?
00:22:53No.
00:22:54Okay, so Dan shows up.
00:22:55He gets pies in the face.
00:22:56I get pies in the face.
00:22:57That's good.
00:22:58We never got a chance to get to know him.
00:23:01It was a kid's show.
00:23:02I went for Disney.
00:23:03For PC.
00:23:04It was a nice start.
00:23:05But we're making a bit of profit.
00:23:06Big Jim.
00:23:07He didn't like the way I took over.
00:23:08I said, this isn't appropriate.
00:23:09We need another guy.
00:23:10He explains why the karate was good.
00:23:40I have a couple of favorites that relate to Stronghold.
00:23:50I did a series of games as Wonder Woman, actually.
00:23:55And it was just such an honor.
00:23:57I loved it so much.
00:23:59It was very good.
00:24:00And I also got to do this film that's coming back.
00:24:04I can't believe it.
00:24:05Run, Lola, Run was this great journey.
00:24:09Yeah.
00:24:10I got to dub Lola.
00:24:11And then she was Lola.
00:24:16That's not what I was doing.
00:24:17You know what I'm saying?
00:24:18That's not what I was doing.
00:24:20Yeah, I was doing a little bit of archaeology.
00:24:24It's really, it really is that.
00:24:26It's just, she's so young and awesome.
00:24:29And it's just a really interesting film.
00:24:31And I loved her.
00:24:32Yeah.
00:24:33That was really cool.
00:24:35And then there's this very strange series of movies
00:24:38I did with all the Wonder Women.
00:24:40Japanese?
00:24:41Oh, you know.
00:24:45Yes.
00:24:46Tell the story.
00:24:47So, yes, we started playing this particular actress
00:24:51in a number of films that she did, a Japanese actress,
00:24:54who's beautiful and fun.
00:24:56It's very modified of her being from this.
00:24:59And she plays the Wonder Woman.
00:25:01And every day she gives her weather report.
00:25:04Tell me to be honest if I have this right.
00:25:06And when she gets to the end of her broadcast,
00:25:09she tells you the daily color.
00:25:12And she lifts her skirt and confirms it.
00:25:15And today's color is blue.
00:25:18And I'm just like, this is the day that it is.
00:25:23Yes.
00:25:24Yes.
00:25:55And make it possible for the people
00:25:57to be comfortable with it.
00:25:59And we have a thing for the Wonder Woman
00:26:01that's going to happen in Japan now.
00:26:11Yeah, so it's one of those classic platforms.
00:26:16We're at that time of the lunch.
00:26:18Shall we do a review?
00:26:19All right.
00:26:20So a little context, which I kind of said earlier,
00:26:23but so they started, you know, this was a journey.
00:26:26What year did we go to Japan?
00:26:28Was that 2000?
00:26:36It was somewhere around 2001, 2002.
00:26:43No, I'm just kidding.
00:26:45It was 2003.
00:26:48I'm just kidding.
00:26:50I'm just kidding.
00:26:54Let me just say, we did this together last night.
00:26:57And the video is still in SD.
00:27:01So this is before we had HD video.
00:27:06PlayStation 2.
00:27:12Anyways, so we were in Japan at that time.
00:27:15And then, then we went by four.
00:27:19That was the middle.
00:27:20I didn't, I didn't even remember the season.
00:27:22We did that.
00:27:23It was, she recorded some shots and footage.
00:27:26And I don't know, I just, I don't know.
00:27:28I just have our privacy.
00:27:29We're not privacy.
00:27:32We have some pictures.
00:27:33Yeah, we have some pictures.
00:27:35But I didn't have any SD tapes.
00:27:45Okay.
00:28:15Okay.
00:28:45Okay.
00:29:15Okay.
00:29:46All right, guys.
00:29:47So look at the, this has never been seen.
00:29:52Never been seen, so I froze.
00:30:05Yeah, all right.
00:30:06We're going to ask some of these questions.
00:30:12Let's do some questions.
00:30:15Let's do some questions.
00:30:21Yeah, we can.
00:30:24We can do some questions too.
00:30:27All right, we got some fans and got some questions too.
00:30:33You guys show it.
00:30:34Let's do it.
00:31:15which has some thought, which usually when he's like directing, she's also probably writing on the phone, right?
00:31:21Yeah, most of the time.
00:31:22Most of the time.
00:31:23So, so it really depends on the role.
00:31:26Because sometimes, sometimes if he comes in great and he's sort of straight,
00:31:29you know, like timing it out kind of sucks, you know,
00:31:32but usually that's when the writer is familiar with it, is facing things up.
00:31:38They're all fun.
00:31:39I don't know that I would say one is more difficult than the other.
00:31:45You know, I do like them all, really, because they're very different, you know,
00:31:49and there's a lot of, so one of the pluses for the voiceover is you're scheduled for a certain time, you know,
00:31:55so if I'm supposed to be there for two hours, ten, twelve, or whatever, I'm working that time.
00:32:01If I'm working on a film, or even a book, you get suited up, you do two months to get ready,
00:32:07and then you wait until it's, until everyone's ready to go.
00:32:10There's a set of flights, a set of sitting, training for maybe an hour.
00:32:14You know, I've heard before throughout the day, when you go into a film,
00:32:17you're like, I've been in, I'm not ready to go off, now I've got to change.
00:32:21So there's a lot of sitting around.
00:32:24But you are much more involved when you're working on a project.
00:32:31Yeah, um, yeah, I think many of us that are in post-production really like variety,
00:32:44and for me, that's sort of what I thrive off of.
00:32:47I enjoy that one day I know I'm going to be in a recording studio for extended hours.
00:32:52After that, I might have a rehearsal, dance class, or a lecture session.
00:32:59Maybe I'm working on some music.
00:33:02It's that variety, changing it up, that just raises some fresh energy.
00:33:06And really, the skill set that you use for 80 hours a day is very, very, very good.
00:33:13It's super technical, but you have to have a great creative side, engaged, ready to go right away.
00:33:18There's almost no time to plan a creative side of a recording.
00:33:23It's much more about matching the technical demands.
00:33:26And then the better marks you have, because you really have access to the artistry that makes them all come together.
00:33:32But yeah, even in a play, you're living with a character for a long, long period of time.
00:33:38You can't say, oh, I'm finished, it's satisfying, and I'm done.
00:33:40You're saying, maybe it's a new person, it's a new type of character, and I'm done.
00:33:45I'll be like, oh, I have to acknowledge you, the 80-hour creator, who's really satisfied with stuff.
00:33:51So yeah, I don't think we look at it as, oh, it's going to be a hard day.
00:33:55It's much more signing out to the demands and meeting them, and feeling really satisfied by doing well.
00:34:05Anything you can say about the dress?
00:34:10Are you having fun?
00:34:14All right, take two.
00:34:17I'm just going to stay here.
00:34:30That's what I said, I'm just going to stay here.
00:34:47Yes. Yes, I wrote it.
00:34:51He did, he doubled me by five, 15 years later.
00:34:55And I had changed, and I just wanted to wear what I was.
00:34:59And thankfully, it made me the character's role model.
00:35:02So it was sort of fit.
00:35:06And the fit, he changed it naturally over the years.
00:35:10Over the years, it changed the way I was recognized.
00:35:13And it's not.
00:35:15In fact, I just finished a video game two weeks ago.
00:35:19Actually, three or four weeks ago.
00:35:21They hired me to play this character.
00:35:24I don't want to say any titles or anything, because now I'm through.
00:35:29That certainly means something.
00:35:32But they asked me to do my voice.
00:35:36It was back in 2004.
00:35:39I need to be known in a virtual world.
00:35:42So that was challenging.
00:35:44I had to find my younger voice.
00:35:47I had to just keep playing until I got to this place where my voice sounded good.
00:35:52Sort of had this courageous tone.
00:35:55And it was a great time, because I started to sink into this.
00:35:59And I go deeper and deeper.
00:36:02So, yeah.
00:36:06I didn't go dead, but I mean, I'm good.
00:36:08There are a couple of shows that I've worked on many years ago.
00:36:10I can come back.
00:36:12And then, just the way I look and breathe is different.
00:36:16When I first started, I didn't breathe like I do now.
00:36:20It's like, after so many years, there's no rhythm where to breathe.
00:36:27Yeah, so, I don't know.
00:36:29Usually, you find it, and you go, wow.
00:36:32For me, it was like, okay, let me do that.
00:36:35And breathe that mirror.
00:36:37And then I used to breathe, you know.
00:36:39And so it was like that.
00:36:41And then you can find it, and it's like, oh, okay, that's what a voice is.
00:36:44But then, when I got there, I was like, I'm just going to try it.
00:36:47And when I got to the new one, it's not going to happen.
00:36:52So it's like, I can't believe I'm going to do that anyways.
00:36:54That voice wouldn't fit in this one.
00:36:57So I get all of my contemporary sort of that into it.
00:37:00So it's like, so when you're listening, you're like, okay, that's the same match.
00:37:03But the world is different.
00:37:05And so it should feel different.
00:37:08I just wanted to add that I think that I find we are in the position more often of
00:37:15campaigning to replay a role that has much times passed.
00:37:21With the Digimon series, they made a decision at one point to just end the slaying and recast all of us.
00:37:27It was kind of heartbreaking.
00:37:28So that's really hard as an actor.
00:37:30You never know if you're going to be able to maintain your character after years have passed.
00:37:34So I think we like to make the case that we're thinking we can come up to that challenge.
00:37:38And generally what it means is pitching up and bringing your voice to just a higher place
00:37:43and energetically you're moving and breathing a little faster.
00:37:47So we use a lot of reference.
00:37:50We'll hear tracks that we've heard before and then repeat it.
00:37:54Play the sample, repeat the sample.
00:37:56And once in a while, if I'm directing, I might say we're 15, 20, 30 minutes into the session.
00:38:02Let's just go back and listen to that reference again and make sure we're staying true to that voice.
00:38:07So I just feel like I can convince my clients if I'm going to be in a role that I'm going to be directing
00:38:13that we can have almost a 100% return rate with original casting.
00:38:18It would just take a little extra time to drive up the voice.
00:38:24I was T.K.
00:38:25I was T.K. in The World of Us.
00:38:27Did you want another?
00:38:29Another beer, please, how about?
00:38:32Okay.
00:38:57It's like when you hear like the rooms first, it's like a room, and it's like, okay, that'd be cool, but then there's also this like, you know, we're gonna have to fight for that.
00:39:09We had to audition, actually, for fights. We had to audition.
00:39:12Audition for a proposal.
00:39:14Yeah, they wanted to make sure that they still do it. But, uh, yeah.
00:39:19Did you know you auditioned for Dante?
00:39:24We did audition for Dante.
00:39:27I didn't know that was three.
00:39:29That was three.
00:39:30I thought it was four.
00:39:32No, no, four. I definitely came in four in a mirror.
00:39:36But three, yeah, three was, uh, Dante.
00:39:40I believe it's now Kante.
00:39:42And then Rue, of course.
00:39:43Save it for the last five seconds.
00:39:45Me and the other guys.
00:39:47There was three auditions without Kante.
00:39:50It's a joke.
00:39:54Well, I just, I did, there's a change in that.
00:40:01The voice is gonna sound the same, but there's just a change in that.
00:40:05And Dante is closer to my heart.
00:40:08So that's why I came in four, honestly.
00:40:11Give me a second.
00:40:13Well, you know, I just, Dante is very close.
00:40:18We've almost licensed him before.
00:40:37Oh, Gavin, you didn't wear pads.
00:40:39That's a very good thing.
00:40:41You have to buy the pads.
00:40:43Sometimes you can't have the pads.
00:40:46No, Gavin.
00:40:47I'm like, that's okay.
00:40:48We'll just, you know, we'll just date a year and then we'll lease that apartment.
00:40:52We've got as much as we can do to sell this apartment.
00:40:56Yeah.
00:41:07Is there a lease of the parts?
00:41:09You're gonna have to sign that.
00:41:11A letter.
00:41:12A letter?
00:41:14All right.
00:41:20I mean, well, the start of it really was, for me, it was like watching Bruce Lee and Jackie Chan's Kung Fu Theater.
00:41:27I wanted to do action and martial arts on television.
00:41:31I'm sorry.
00:41:33Jackie and I had been on a lot of Asian action movies.
00:41:37Bruce Lee, of course, he was in the 70s.
00:41:42He was in a play for action and martial arts.
00:41:46I was in the 70s.
00:41:48So, I guess we were 70, 80, 90, 10.
00:41:52Right around there, I was 70, 80, 90.
00:41:57His movies were wild and wild.
00:41:59It was just a disaster.
00:42:01Distributed everywhere.
00:42:03It was really explosive.
00:42:05That was the last time to see him for the first time.
00:42:10An Asian guy who was a star.
00:42:12I remember watching him in Dread Dragon.
00:42:16And I think, wow, that's really cool to exorcise someone who's an Asian guy.
00:42:23So, that was the same thing.
00:42:25And then, I was like, I think this guy's a drunk.
00:42:32And I was so disappointed.
00:42:35We're going to give it one last try, guys.
00:42:37Hopefully, we can get this working.
00:42:39So, here we go.
00:42:41Take three.
00:42:53Take four.
00:42:55Take five.
00:42:57Take six.
00:42:59Take seven.
00:43:01Take eight.
00:43:03Take nine.
00:43:05Take 10.
00:43:07Take 11.
00:43:09Take 12.
00:43:11Take 13.
00:43:13Take 14.
00:43:15Take 15.
00:43:17Take 16.
00:43:19Take 17.
00:43:21Take 18.
00:43:23Take 19.
00:43:25Take 20.
00:43:27Take 21.
00:43:29Take 22.
00:43:31Take 23.
00:43:33Take 24.
00:43:35Take 25.
00:43:37Take 26.
00:43:39Take 27.
00:43:41Take 28.
00:43:43Take 29.
00:43:45Take 30.
00:43:47Take 31.
00:43:49Take 32.
00:43:51Take 33.
00:43:53Take 34.
00:43:55Take 35.
00:43:57Take 36.
00:43:59Take 37.
00:44:01Take 38.
00:44:03Take 39.
00:44:05Take 40.
00:44:07Take 41.
00:44:09Take 42.
00:44:11Take 43.
00:44:13Take 44.
00:44:15Take 45.
00:44:17Take 46.
00:44:19Take 47.
00:44:21Take 48.
00:44:23Take 49.
00:44:25Take 50.
00:44:27Take 51.
00:44:29Take 52.
00:44:31Take 53.
00:44:33Take 54.
00:44:35Take 55.
00:44:37Take 56.
00:44:39Take 57.
00:44:41Take 58.
00:44:43Take 59.
00:44:45Take 60.
00:44:47Take 61.
00:44:49Take 62.
00:44:51Take 63.
00:44:53Take 64.
00:44:55Take 65.
00:44:57Take 66.
00:44:59Take 67.
00:45:01Take 68.
00:45:03Take 69.
00:45:05Take 70.
00:45:07Take 71.
00:45:09Take 72.
00:45:11Take 73.
00:45:13Take 74.
00:45:15Take 75.
00:45:17Take 76.
00:45:19Take 77.
00:45:21Take 88.
00:45:23Take 89.
00:45:25Take 90.
00:45:27Take 91.
00:45:29Take 92.
00:45:31Take 93.
00:45:33Take 94.
00:45:35Take 95.
00:45:37Take 96.
00:45:39Take 97.
00:45:41Take 98.
00:45:43Take 99.
00:45:45Take 10.
00:45:47Take 10.
00:45:49Take 11.
00:45:51Take 12.
00:45:53Take 13.
00:45:55Take 14.
00:45:57Take 15.
00:45:59Take 16.
00:46:01Take 17.
00:46:03Take 18.
00:46:05Take 19.
00:46:37Inhale.
00:46:38Exhale.
00:46:39Inhale.
00:46:40Exhale.
00:46:41Inhale.
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00:46:43Inhale.
00:46:44Exhale.
00:46:45Inhale.
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00:46:50Exhale.
00:46:51Inhale.
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00:46:53Inhale.
00:46:54Exhale.
00:46:55Inhale.
00:46:56Exhale.
00:46:57Inhale.
00:46:58Exhale.
00:46:59Inhale.
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00:47:01Inhale.
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00:47:34Exhale.
00:47:35Inhale.
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00:48:27Inhale.
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00:48:35Inhale.
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00:48:39Inhale.
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00:49:11Inhale.
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00:49:15Inhale.
00:49:16Exhale.
00:49:17Inhale.
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00:49:19Inhale.
00:49:20Exhale.
00:49:21Inhale.
00:49:22Exhale.
00:49:23Inhale.
00:49:24Exhale.
00:49:25Inhale.
00:49:26Exhale.
00:49:27Inhale.
00:49:28Exhale.
00:49:29Inhale.
00:49:30Exhale.
00:49:31Inhale.
00:49:32Exhale.
00:49:33Inhale.
00:49:34Exhale.
00:49:35Inhale.
00:49:36Exhale.
00:49:37Inhale.
00:49:38Exhale.
00:49:39Inhale.
00:49:40Exhale.
00:49:41Inhale.
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00:49:44Exhale.
00:49:45Inhale.
00:49:46Exhale.
00:49:47Inhale.
00:49:48Exhale.
00:49:49Inhale.
00:49:50Exhale.
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