• 3 months ago
Doctor Bruce Nelson takes over the medical practice of a village general-practitioner. Upon arriving in their new home, the doctor and his wife, Tessa, receive a very warm welcome from all the villagers. Tessa is at first flattered by the villagers' constant fawning and gifts, but soon becomes wary of their strange ways, and begins to suspect there is something evil in the village. —L. Hamre

Source: IMDB
Transcript
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00:05:10Let's find the sitting room.
00:05:12This way. Follow me.
00:05:14Oh, I'm sorry, darling.
00:05:35It's perfect, isn't it?
00:05:37Well, it's a bit tatty.
00:05:39There's a bigger one upstairs.
00:05:40Oh, you're as excited as I am.
00:05:42I can tell by your mouth. Admit it.
00:05:44Oh, it's a nice feeling, yes.
00:05:46I'm a town boy who's always wanted to be a country doctor.
00:05:49And this is about as far away from the rat race as you can get.
00:05:53Oh, to be on my own, Tessa.
00:05:55To feel completely responsible at last after all those hospitals.
00:05:58I wish I'd known you then.
00:06:00I bet you looked so sexy as an overworked hollow-eyed intern.
00:06:04Oh, my foot.
00:06:06Oh, I'm sorry, darling.
00:06:08There we are.
00:06:10All right?
00:06:16Doctor?
00:06:18Could you look at my leg?
00:06:20Oh, with pleasure.
00:06:22No, the other leg.
00:06:24No, I'm sorry, Mrs Nelson.
00:06:26Not professional etiquette.
00:06:28Doctor not allowed to treat his own family.
00:06:31Are you happy?
00:06:33Well, I wish it wasn't dead man's shoes
00:06:36and dead man's furniture.
00:06:39Yes, I'm happy.
00:06:41You?
00:06:43No, but seriously.
00:06:45I mean, sweet Connecticut fashion writer
00:06:47over here on a visit, minding her own business,
00:06:49and suddenly she's snatched away by a penniless doctor
00:06:52and buried in the heart of the English countryside.
00:06:54I love the English countryside,
00:06:56and don't worry about this house.
00:06:58I have plans.
00:07:00Take this room, for instance.
00:07:02I see Adam Green-mottered silk on the walls.
00:07:05My lord's chest is full.
00:07:07Oh, my dears.
00:07:09I'm so sorry.
00:07:11Wherever will you think of me?
00:07:13I don't know what to say.
00:07:15I'm Doctor Nelson, and this is my wife, Tessa.
00:07:17Oh, I know that, love you.
00:07:19Who else would you be?
00:07:21I'm best darling, ma'am.
00:07:23I was old Dr Sharp's housekeeper.
00:07:27You don't have to keep me on,
00:07:29but your husband did sign his letter.
00:07:31He'd be delighted to keep you on.
00:07:33In fact, I don't know what we'd do without you.
00:07:35I'm pleased to meet you, I'm sure.
00:07:37I'm sorry the house is in...
00:07:49My wife broke a bone in her foot on her honeymoon.
00:07:52Skiing.
00:07:54That's why we're here a week early.
00:07:56Well, I'm sorry if we've inconvenienced you.
00:07:59I'm the one that's shamed
00:08:01that you should come and find us like this
00:08:04you-and-your-moon-pale-moon-gold lady.
00:08:12Whatever sort of housekeeper will you think I am?
00:08:15Now, you just sit yourselves down,
00:08:17and I'll go and make a nice cup of tea.
00:08:19Aunt Bess, I was just going down to the store and...
00:08:21Oh, sorry.
00:08:23There you are. Caught me out again, you have.
00:08:25This is my niece, Jill, from London.
00:08:27Hello. Hello. Hello.
00:08:29Hello. You weren't expected,
00:08:31so Jill's been sleeping in the spare bedroom.
00:08:33But she's going tomorrow.
00:08:35But I could go straight away. I've only got a suitcase.
00:08:37No, no, no, we wouldn't dream of it, would we, darling?
00:08:39No, no, you can stay as long as you like.
00:08:41It wouldn't be any longer than tomorrow.
00:08:43Tomorrow being full moon and all,
00:08:45and the day after being Lady Day.
00:08:48You're very kind.
00:08:50Well, we'd better be running along.
00:08:52You'll be wanting to look over the rest of the house,
00:08:54and I'll get you that nice cup of tea.
00:08:56Thank you, Bess. Thank you.
00:08:58Come along, Jill.
00:09:00See you later.
00:09:06Not while I'm around, she won't.
00:09:10Let's go and look at the bedroom.
00:09:14Catherine Nelson.
00:09:16Catherine Nelson.
00:09:37Bye. Bye, Jill.
00:09:39Goodbye.
00:09:46Go.
00:09:50Try and have her known
00:09:52a builder breaks hammers as fast as you do.
00:09:54It's not me who breaks them,
00:09:56it's you who sells me rotten ones.
00:09:58Hey, Lob, do you hear that bit of slander?
00:10:00Hey, you'll get nothing out of him.
00:10:02He's still dreaming about that poacher got away.
00:10:05You shouldn't go after poachers with a gun, Lob.
00:10:08It's not right.
00:10:10Charge a bird shot in the rump works wonders.
00:10:12Charge a bird shot in the rump works wonders.
00:10:16So he's...
00:10:18We want no wanderers in the woods on Lady Day.
00:10:22I'm going to let you down with this one, my dear.
00:10:24Oh, dear.
00:10:28Oh, Bess.
00:10:33She's come among us.
00:10:35She...
00:10:39She's here.
00:10:41What?
00:10:43I've seen her.
00:10:51At last.
00:10:55Well, um...
00:10:57Let me see, uh...
00:10:59Socks. Socks.
00:11:01Top right-hand drawer, darling. I told you.
00:11:03Why do women always have to say,
00:11:05I told you?
00:11:07Oh, thank heavens, that's the lock.
00:11:09I hate unpacking.
00:11:19That's odd.
00:11:25Look.
00:11:27These were jammed at the back of this drawer.
00:11:31They could have been there forever without anyone finding them.
00:11:33Ah-ha. Love letters.
00:11:35Maybe Dr. Sharp wasn't such a dry old bachelor as I've been told he was.
00:11:39No, no, that's just it.
00:11:41Look at the address on the back.
00:11:43They're not to him. They're from him.
00:11:53Stamped and sealed?
00:11:55But they've never been mailed.
00:11:57Why would someone write letters and not mail them?
00:12:01I don't know.
00:12:03Well, he was a bit eccentric from what I've heard.
00:12:05Perhaps he just forgot.
00:12:07I suppose it just seems odd.
00:12:09Well, better keep them safe.
00:12:11We'll send them to his executors.
00:12:13Well, I must go down and look at the factory.
00:12:15Open for business next week.
00:12:17Can't have the patients coming in for dirty surgery.
00:12:19If they come at all, at least.
00:12:38Hello, Doctor.
00:12:40Hello. Oh, can I help you?
00:12:42Just at the moment, thank you.
00:13:59Good morning, Doctor.
00:14:01Oh, good morning.
00:14:08It's nice to have a doctor again.
00:14:16A village ain't been the same without one.
00:14:21Bruce?
00:14:23Bruce?
00:14:27It seems I have my first patient, darling.
00:14:31This is my wife, Tessa.
00:14:33We know that.
00:14:36We've been telling your husband, my dear,
00:14:39how nice it is to have a doctor again,
00:14:42and especially one with a wife like you.
00:14:45Too true. True enough, isn't it?
00:14:52Well, that's very sweet of you.
00:14:54I know we're going to be very happy here.
00:14:56I was just running down to the store to get some things.
00:14:59You sure you'll be all right?
00:15:01Yes.
00:15:03Perfectly.
00:15:05I'm sure with anyone else, you'd prescribe the exercise.
00:15:10Well, nice meeting you all.
00:15:24I tell you, moon pale and moon gold she is,
00:15:28with a left foot limping.
00:15:30Oh, I know you're the schoolmistress nan and a learned lady,
00:15:33none more so.
00:15:35But I know what I've seen.
00:15:37Sounds very like to me.
00:15:40Bess knows.
00:15:44I don't disbelieve you, Bess,
00:15:46but we've waited so long,
00:15:48and with such needing,
00:15:50the heart sometimes sees what it wants to see.
00:15:54The heart sometimes sees what it wants to see.
00:15:58Oh, dear.
00:16:21He's heard?
00:16:23Yeah.
00:16:25You've heard, haven't you, Mad Nick?
00:16:27Moon pale and moon gold she is,
00:16:30with a left foot limping,
00:16:32as it was promised.
00:16:34So it has come to pass.
00:16:36It's all there, Nick.
00:16:38The marks.
00:16:40The day. It is Lady Day.
00:16:42The time. And the moon.
00:16:44The sign she was to show us.
00:16:48Bart, I don't like this.
00:16:56Shh, shh.
00:17:12Mrs Nelson, my dear.
00:17:14You shouldn't have bothered.
00:17:16I'd have fetched anything you wanted.
00:17:20This is Mrs Nelson, the doctor's wife I was telling you about.
00:17:24We know that.
00:17:26Hello.
00:17:30This is Job, the blacksmith.
00:17:32Mrs Nelson.
00:17:34Hello.
00:17:37Seth.
00:17:39He does all our gardens round here.
00:17:41Oh.
00:17:43Hello.
00:17:46Lob, the gamekeeper.
00:17:48Mrs Nelson.
00:17:50How do you do?
00:17:52Dan, the builder.
00:17:54Mrs Nelson. Hello.
00:17:57Belle, the dressmaker.
00:17:59If you should ever want anything run up.
00:18:01Mrs Nelson. Hello.
00:18:03Nan, schoolmistress.
00:18:05How do you do?
00:18:07Bart and Jane.
00:18:09Hello.
00:18:14And this is Nick.
00:18:19Nick.
00:18:22Hello.
00:18:30All right, then, Bart.
00:18:32Let's see what you can do for Mrs Nelson.
00:18:34And none of your fancy prizes, mind.
00:18:36No, no, no, Bess.
00:18:38You've got your lift.
00:18:40So many things.
00:18:42Ah.
00:18:44Ah.
00:18:47Hmm.
00:18:52How about the foot?
00:18:54Shall I just look at that while you're here?
00:18:56Thank you, Doctor. I'm used to it.
00:18:58There's nothing wrong with it, really.
00:19:00There's nothing wrong with your throat, either.
00:19:02That's right. I didn't know that.
00:19:04Nothing wrong with any of us.
00:19:06We've just come to see the new doctor.
00:19:09And his wife.
00:19:12All right. Anything else?
00:19:14No, I think that's everything.
00:19:18It's a pleasure to serve you, Mrs Nelson.
00:19:20Anytime.
00:19:22Thank you. That's very sweet.
00:19:30Oh, yes.
00:19:32Thank you. That's very kind of you.
00:19:38Bye.
00:19:40Mrs Nelson.
00:19:46Well, ma'am.
00:19:51She is the expected one.
00:20:02Oh, if you put them on the table, that will be fine.
00:20:10It really was very sweet of you.
00:20:28If this isn't the sweetest place.
00:20:30They couldn't have been nicer to me at the store.
00:20:32I got introduced to everyone.
00:20:34I got all the local gossip.
00:20:36Well, I've had the treatment here, too.
00:20:38There was nothing wrong with any of them.
00:20:40They just came to look me over.
00:20:42Oh, Bruce.
00:20:44Bruce, I'm so glad we came here.
00:20:46I'm so glad we came here.
00:20:48Bruce, I'm so glad we came here.
00:20:50It was meant, I tell you.
00:20:52She didn't arrive last year,
00:20:54nor all the years before,
00:20:56but this time...
00:21:00This time, eh, Nick?
00:21:06Full moon and lady day together.
00:21:08That's why she's come.
00:21:14Bye-bye.
00:21:18Bye-bye.
00:21:26Bless my dear.
00:21:28You did well to bring your niece.
00:21:30She'll be just right for it.
00:21:32Thank you, Bart.
00:21:34Come on, sir.
00:21:46It's funny how they all limped.
00:21:48All three of them.
00:21:50And yet not one of them would let me have a look at their foot.
00:21:54You know the one they call Mad Nick?
00:21:56He limps as well.
00:21:58Well, it's inbreeding, I suppose.
00:22:00In closed communities it happens.
00:22:02They all inherit the same deficiency
00:22:04They're beautiful people.
00:22:06Yes, of course. That's why they're so sensitive about it.
00:22:10Well, don't let it worry you.
00:22:16Mm-mm.
00:22:18Mm-mm.
00:22:32Good night, Mrs Nelson.
00:22:34Good night, Dr Nelson.
00:22:48Good night.
00:23:18Good night.
00:23:48Good night.
00:24:18Good night.
00:24:48Good night.
00:25:18What are you doing that?
00:25:20Proper early bird you are, no mistake.
00:25:22You just come and sit yourself down.
00:25:24And I'll get breakfast.
00:25:26Look what I found on the doorstep.
00:25:28Crocuses.
00:25:30And fennel.
00:25:32Witch's foot.
00:25:34Rosemary.
00:25:36Rue.
00:25:38Left you by the little people, no doubt.
00:25:42Mrs Darling.
00:25:48You're a very special personage in this village.
00:25:52As well you must know.
00:25:58I can't tell you what it means to us.
00:26:00We're that grateful.
00:26:08I dare say the little people would like you to wear the flowers in your hair.
00:26:12Oh, by insight I'd look first thing in the morning.
00:26:14Oh, my lady.
00:26:16I hope we haven't offended you.
00:26:20No, of course not.
00:26:44I think this would look pretty in the bird bath in the garden.
00:26:48Oh, I shouldn't bother to take it outside now that you've brought it in.
00:26:52You know how it is.
00:26:56Oh, morning.
00:26:58Good morning.
00:27:00Morning, Jill.
00:27:02Breakfast will be five minutes.
00:27:04Oh, just coffee for me, thanks.
00:27:08Oh, I will be glad to get back to town tomorrow.
00:27:10That music kept me awake again.
00:27:14Music?
00:27:16Didn't you hear it?
00:27:18Sounds as though it's way off down in the woods somewhere.
00:27:22Like pipes or a flute or something.
00:27:26Music in the woods?
00:27:28I don't know.
00:27:30Perhaps there's a mid-iron orchestra in the village.
00:27:32Oh, I know what I was going to ask you.
00:27:34What do you suppose this is?
00:27:38Garlic.
00:27:40What?
00:27:42Garlic.
00:27:44You know, the stuff doctors aren't supposed to eat
00:27:46before kissing their wives
00:27:48or treating their patients.
00:27:50Yes, but what's it doing in here?
00:27:52I don't know. Perhaps Dr. Sharp was a secret cook.
00:27:56There, now look.
00:27:58Don't let me ever hear you say you have nothing to write with.
00:28:06Bruce?
00:28:08Look.
00:28:10What is this?
00:28:14Looks like an old surgical instruments case.
00:28:16Hey, this could be a bit of luck.
00:28:18There's still a few I haven't got.
00:28:26Oh, no.
00:28:28Don't say I'm supposed to double as vicar as well.
00:28:30He seems to have been an odd sort of man.
00:28:34Well, my patients will be thinking I'm an odd sort of man
00:28:36if I don't get the surgery open.
00:28:40Oh, God.
00:28:44Oh, God, they've arrived.
00:28:46Quick, quick, quick, quick.
00:28:54Morning, Doctor.
00:28:56Morning.
00:28:58Morning, my lady.
00:29:04Good morning.
00:29:10Morning.
00:29:36All this is for me?
00:29:38For us and ours, to you and yours.
00:29:40A bit of each of us.
00:29:44I don't know what to say.
00:29:48Here, let me take it off. I'll do it.
00:30:04But isn't there anything I could get them?
00:30:06Something they might like?
00:30:08Oh, no, my dear.
00:30:10It's not our place to be looking to you for thanks.
00:30:12Yes, but...
00:30:14Well, where I come from,
00:30:16it's customary to exchange tokens with new neighbours,
00:30:18and you've given me so much.
00:30:20Oh, no.
00:30:24Well, thank you.
00:30:44Bart, you've got to promise...
00:30:46Now, you keep out of it!
00:30:48You've got nothing to do with it.
00:30:50You've never had anything to do with it.
00:30:52Look at you.
00:30:56Hello, Jill, my dear.
00:30:58You're a sight for sore eyes.
00:31:06Well,
00:31:08you're sound as a bell elsewhere.
00:31:10So the pain isn't referred
00:31:12from another location.
00:31:14What's that, Doctor?
00:31:16Oh, nothing, I'm sorry.
00:31:18Now, let's try the shoulder again.
00:31:20Now, just push against me.
00:31:24There we go.
00:31:26Oh, sorry.
00:31:28Right, put your shirt back on again.
00:31:37You're a gamekeeper.
00:31:39That's right, Doctor.
00:31:43Do you do any shooting?
00:31:45A fair bit.
00:31:47From which shoulder?
00:31:49The right.
00:31:54I see.
00:31:56Occupational hazard, I'm afraid.
00:31:58Give any joint that sort of pounding,
00:32:00you're bound to get a bit of arthritis,
00:32:02otherwise you're a disgustingly fit,
00:32:04like all the others in this village.
00:32:06Now, what did Doctor Sharp give you about it?
00:32:08I didn't tell him.
00:32:12Why not?
00:32:14I wasn't minded to.
00:32:18Didn't you trust him?
00:32:20Trust him?
00:32:24I just didn't like him.
00:32:26Why?
00:32:30Nobody did much.
00:32:33He was too nosy, Biaf.
00:32:35Always in everybody's business.
00:32:37Well, it's very difficult for a doctor not to be, you know.
00:32:40There are ways and ways.
00:32:42And what was wrong with his ways?
00:32:45He was just too nosy, Biaf.
00:32:51Yes, well, um...
00:32:54Get these made up.
00:32:57Take them with food.
00:32:59If you find they upset your stomach,
00:33:01stop them at once and let me know.
00:33:06Otherwise, come back and see me in a fortnight.
00:33:10But I'll be all right longer for that.
00:33:14Thank you, Doctor.
00:33:16My best respects to you.
00:33:22And to your lady.
00:33:30Have you never been able to talk?
00:33:37But you do understand.
00:33:46Nick.
00:33:48Why is everyone so nice to me?
00:34:00Oh, thank you.
00:34:13What sort of man was Dr. Sharp?
00:34:29I don't know.
00:34:50Was he on his own when he fell down those stairs?
00:34:54Nick?
00:34:58Why did Dr. Sharp keep garlic in his surgery?
00:35:06Nick?
00:35:10Nick?
00:35:12Nick, why did Dr. Sharp keep a crucifix?
00:35:23Nick?
00:35:53Nick?
00:36:23Nick?
00:36:53Nick?
00:37:12Bruce!
00:37:14Bruce!
00:37:16Bruce!
00:37:19Bruce, please look what I found.
00:37:21Later, Tessa, later.
00:37:23That's my old grandad Benjamin's.
00:37:25He makes them for the kids.
00:37:27But what was he doing in my stove?
00:37:29Later, darling. We'll talk about it later, all right?
00:37:37So, anyway, like you said, I went up the ladder,
00:37:40got halfway up, and all of a sudden...
00:37:48MUSIC PLAYS
00:38:19MUSIC STOPS
00:38:25Bruce?
00:38:27Oh.
00:38:31You tired, darling?
00:38:33Mm.
00:38:35It's a different sort of tiredness to open the hospital.
00:38:38I somehow feel these people are mine.
00:38:41It makes a difference.
00:38:43You suddenly realise all that science you were taught.
00:38:46It's all good common sense, really.
00:38:49Bruce?
00:38:53Bruce.
00:38:57What... What did Dr. Sharp actually die of?
00:39:02Well, when he fell down the stairs, he broke his neck.
00:39:08Oh, come on, darling, don't say you're still worrying about that doll.
00:39:17I told you, common sense.
00:39:20It was probably left lying around by some village child.
00:39:23Sharp got irritated and threw it in the stove.
00:39:30SHE LAUGHS
00:39:32Of course.
00:39:34Come on, darling, settle down.
00:39:36I've got another busy day tomorrow, all right?
00:39:39SHE SIGHS
00:39:45SHE SIGHS
00:39:48Goodnight, darling.
00:39:50Goodnight.
00:40:04What sort of party is it, Aunt Bess?
00:40:06It's in honour of Lady Day.
00:40:08It's a great compliment that you've been invited.
00:40:38ORGAN PLAYS
00:41:08ORGAN CONTINUES
00:41:10ORGAN CONTINUES
00:41:33John, for God's sake, send help soon, yours, Oliver.
00:41:41SHE SIGHS
00:41:53Has the doctor and his wife been invited?
00:41:55Shh! He's dog-tired. He's got to get his rest.
00:42:00Oh, come on, Jill.
00:42:11Dear John, I can't understand why you don't answer.
00:42:17My position is desperate.
00:42:20I can't talk over the phone.
00:42:22Please write or come soon.
00:42:25Yours, Oliver.
00:42:30Bruce. Bruce, wake up.
00:42:32Bruce, please wake up!
00:42:34Jess, what's the matter?
00:42:36Bruce, look at these.
00:42:39What are they?
00:42:41These are Doctor Sharpe's letters. What are you doing with them?
00:42:44Jess, you've had no right to open them.
00:42:47Bruce, the man was desperate. He was worried out of his mind.
00:42:50It's none of your business. He's dead.
00:42:52Yes, but I want to know what he was worried about.
00:42:54His health, his investments, some imaginary disaster? How should I know?
00:42:57It's morbid to read a dead man's letters. It's also illegal.
00:43:04SHE SIGHS
00:43:09SHE SIGHS
00:43:21Tessa, darling, please, get into bed and go to sleep.
00:43:26All right?
00:43:33Oh, Bill, leave it alone, Sue.
00:43:36I never knew such a flaw of fuzzball.
00:43:38Now, stand still. It's got to be just so.
00:43:41You know Bill. She'll give you no pizza if she's satisfied.
00:43:44And as for you, Job Fairfax, I don't know who tied your tie,
00:43:48but he looks like a turkey with his neck stretched.
00:43:56Look, if you won't join in, you just keep out of the way.
00:44:01Are we all ready?
00:44:03Yes.
00:44:04All we need now is Bess.
00:44:06And Jill.
00:44:19Beautiful.
00:44:34Here you are, my dear.
00:44:36Here's your pretty frock.
00:44:38Frock?
00:44:40Well, my dear, you didn't think we'd let you be unsuitably dressed?
00:44:44Not as bridesmaid.
00:44:46Not an evil lady, do we?
00:44:50And this is for your pretty hair.
00:44:58And this is for your pretty hair.
00:45:05And this is for your pretty knee.
00:45:12And orange blossom, since you come before the bride.
00:45:18Here.
00:45:31I'm sorry, but someone's going to have to explain.
00:45:36He'll explain, my dear.
00:45:47I'm sorry.
00:46:12What was that?
00:46:14What?
00:46:17I don't know.
00:46:47Hello.
00:46:48Is the doctor there, please, madam?
00:46:50Yes, I'll get him in just a minute.
00:46:56Hello, Dr Nelson.
00:46:58Sergeant Braithwaite here, sir.
00:47:00We've had a report from a poacher of a dead body found in Moylan Cove.
00:47:03Well, yes, but I'm not...
00:47:04No, we don't have an official police surgeon in this area, sir.
00:47:07Oh, yes, all right.
00:47:08I'll send a car for you, sir.
00:47:09OK. Pick me up in five minutes.
00:47:11Thank you, sir.
00:47:12Oh, damn.
00:47:14It seems that by tradition I'm also a local police surgeon.
00:47:18Something about a poacher finding a body in the woods.
00:47:22Probably some old vagrant died of exposure.
00:47:26These things always happen in the middle of the night.
00:47:29Why couldn't they have found him in the morning?
00:47:39Darling, you won't be too long, will you?
00:47:42No, I won't be.
00:47:50You're not bothered, are you, about being left here on your own?
00:47:54No.
00:47:55What can happen in a sleepy old English village?
00:47:58Besides Jules upstairs.
00:48:00That's my girl.
00:48:02You go back to bed and go to sleep.
00:48:04I'll try not to wake you when I come in.
00:48:12Ah!
00:48:42Ah!
00:49:12Ah!
00:49:42Ah!
00:50:12Knock at the door.
00:50:42Knock at the door.
00:51:12Knock at the door.
00:51:42Knock at the door.
00:52:13Knock at the door.
00:52:15Knock at the door.
00:52:17Ah!
00:52:18Ah!
00:52:19Ah!
00:52:20Ahhh!
00:52:21Ah!
00:52:22Ah!
00:52:23Ah!
00:52:24Come on.
00:52:41Aaah!
00:52:43Aah!
00:52:44Ooh!
00:52:54Oh, God.
00:52:55Oh, God.
00:52:56Oh, God.
00:52:57Oh, God.
00:52:58Oh, God.
00:52:59Oh, God.
00:53:00Oh, God.
00:53:01Oh, God.
00:53:02Oh, God.
00:53:03Oh, God.
00:53:04Oh, God.
00:53:05Oh, God.
00:53:06Oh, God.
00:53:07Oh, God.
00:53:08Oh, God.
00:53:09Oh, God.
00:53:10Oh, God.
00:53:11Oh, God.
00:53:12Oh, God.
00:53:13Oh, God.
00:53:14Oh, God.
00:53:15Oh, God.
00:53:16Oh, God.
00:53:17Oh, God.
00:53:18Oh, God.
00:53:19Oh, God.
00:53:20Oh, God.
00:53:21Oh, God.
00:53:22Oh, God.
00:53:23Oh, God.
00:53:24Oh, God.
00:53:25Oh, God.
00:53:26Oh, God.
00:53:27Oh, God.
00:53:28Oh, God.
00:53:29Oh, God.
00:53:30Oh, God.
00:53:31Oh, God.
00:53:32Oh, God.
00:53:33Oh, God.
00:53:34Oh, God.
00:53:35Oh, God.
00:53:36Oh, God.
00:53:37Oh, God.
00:53:38Oh, God.
00:53:39Oh, God.
00:53:40Oh, God.
00:53:41Oh, God.
00:53:42Oh, God.
00:53:43Oh, God.
00:53:44Oh, God.
00:53:45Oh, God.
00:53:46Oh, God.
00:53:47Oh, God.
00:53:48Oh, God.
00:53:49Oh, God.
00:53:50Oh, God.
00:53:51Oh, God.
00:53:52Oh, God.
00:53:53Oh, God.
00:53:54Oh, God.
00:53:55Oh, God.
00:53:56Oh, God.
00:53:57Oh, God.
00:53:58Oh, God.
00:53:59Oh, God.
00:54:00Oh, God.
00:54:01Oh, God.
00:54:02Oh, God.
00:54:03Oh, God.
00:54:04Oh, God.
00:54:05Oh, God.
00:54:06Oh, God.
00:54:07Oh, God.
00:54:08Oh, God.
00:54:09Oh, God.
00:54:10Oh, God.
00:54:11Oh, God.
00:54:12Oh, God.
00:54:13Oh, God.
00:54:14Oh, God.
00:54:15Oh, God.
00:54:16Oh, God.
00:54:17Oh, God.
00:54:18Oh, God.
00:54:19Oh, God.
00:54:20Oh, God.
00:54:21Oh, God.
00:54:22Oh, God.
00:54:23Oh, God.
00:54:24Oh, God.
00:54:25Oh, God.
00:54:26Oh, God.
00:54:27Oh, God.
00:54:28Oh, God.
00:54:29Oh, God.
00:54:30Oh, God.
00:54:31Oh, God.
00:54:32Oh, God.
00:54:33Oh, God.
00:54:34Oh, God.
00:54:35Oh, God.
00:54:36Oh, God.
00:54:37Oh, God.
00:54:38Oh, God.
00:54:39Oh, God.
00:54:40Oh, God.
00:54:41Oh, God.
00:54:42Oh, God.
00:54:43Oh, God.
00:54:44Oh, God.
00:54:45Oh, God.
00:54:46Oh, God.
00:54:47Oh, God.
00:54:48Oh, God.
00:54:49Oh, God.
00:54:50Oh, God.
00:54:51Oh, God.
00:54:52Oh, God.
00:54:53Oh, God.
00:54:54Oh, God.
00:54:55Oh, God.
00:54:56Oh, God.
00:54:57Oh, God.
00:54:58Oh, God.
00:54:59Oh, God.
00:55:00Oh, God.
00:55:01Oh, God.
00:55:02Oh, God.
00:55:03Oh, God.
00:55:04Oh, God.
00:55:05Oh, God.
00:55:06Oh, God.
00:55:07Oh, God.
00:55:08Oh, God.
00:55:09Oh, God.
00:55:10Oh, God.
00:55:11Oh, God.
00:55:12Oh, God.
00:55:13Oh, God.
00:55:14Oh, God.
00:55:15Oh, God.
00:55:16Oh, God.
00:55:17Oh, God.
00:55:18Oh, God.
00:55:19Oh, God.
00:55:20Oh, God.
00:55:21Oh, God.
00:55:22Oh, God.
00:55:23Oh, God.
00:55:24Oh, God.
00:55:25Oh, God.
00:55:26Oh, God.
00:55:27Oh, God.
00:55:28Oh, God.
00:55:29Oh, God.
00:55:30Oh, God.
00:55:31Oh, God.
00:55:32Oh, God.
00:55:33Oh, God.
00:55:34Oh, God.
00:55:35Oh, God.
00:55:36Oh, God.
00:55:37Oh, God.
00:55:38Oh, God.
00:55:39Oh, God.
00:55:40Oh, God.
00:55:41Oh, God.
00:55:42Oh, God.
00:55:43Oh, God.
00:55:44Oh, God.
00:55:45Oh, God.
00:55:46Oh, God.
00:55:47Oh, God.
00:55:48No!
00:55:49No!
00:55:53Come on, lady.
00:55:54What are you doing in my house?
00:55:56Get out of my house!
00:55:57Get out of my house!
00:55:58Get out!
00:55:59She's nervous, poor lamb.
00:56:01It's only to be expected.
00:56:02After all, she is the lady.
00:56:05Love, the cordial.
00:56:07No, no, no.
00:56:09No, no.
00:56:18No, I won't let you do it.
00:56:36I should have stopped you years ago.
00:56:37Leave it alone!
00:56:38There's no place of yours to lay hands on him.
00:56:47You should have stopped me.
00:56:48It's only because you're my wife that you're still here at all.
00:56:55Get up, woman!
00:56:56Get up!
00:56:57She's coming here soon.
00:56:58I've got no wish for her to come here and see you snivelling.
00:57:17I thought we'd come to an outpost of sanity.
00:57:44I've never seen anything like it.
00:57:47I have.
00:57:48A year ago, she was a blonde, too.
00:57:52We never found anyone.
00:57:55The same thing?
00:57:56Exactly the same.
00:57:57Here?
00:57:58Here you are, milady.
00:57:59I've been working on this dress longer than I can remember.
00:58:00And my mother before me.
00:58:01This is...
00:58:02This is the proudest moment of my life.
00:58:03Here you are, milady.
00:58:07I've been working on this dress longer than I can remember.
00:58:15And my mother before me.
00:58:25This is the...
00:58:32You
00:58:56Tessa
00:59:02Tessa
00:59:32Tessa
01:00:02I
01:00:32Don't know
01:00:43There you are my lady
01:01:02I
01:01:15Just a minute boys chain was anybody see my wife
01:01:27You'll have to take charge you resign the mystery as I am now you carry it through
01:01:32We shall have to carry it through now a great danger will come to all of us
01:01:36I know I have clear evidence of a tradition of devil worship in the village going back centuries
01:01:40I've been aware each year of a growing excitement in the village leading up to Lady Day. I now know the reason please
01:01:48Don't think I'm mad an
01:01:50ancient prophecy has foretold that one day in a year when Lady Day coincides with the full moon a
01:01:57Bride of Satan will arrive in the village
01:01:59She will be the final mark of approval from the powers of darkness and they will know her by her appearance
01:02:09She will be moon pale
01:02:12moon gold
01:02:13And she will limp with her left foot as so many of my patients do
01:02:19Although I can never discover from the why
01:02:22She will marry and mate with Satan on Lady Day
01:02:26How this would be achieved I cannot imagine and will then accept death at his hands
01:02:32And return for eternal satanic power for the village
01:02:36All this is a nonsense. I agree
01:02:40This Bride of Satan will simply never arrive
01:02:45What worries me is the requirement of the prophecy that in those years when Lady Day coincides with the full moon a
01:02:54Young fair girl must be sacrificed
01:02:58Whether the Bride of Satan arrives or not
01:03:01If their Lady of Satan has arrived
01:03:03The girl will be regarded as a bridesmaid going before her
01:03:08her blood being used to
01:03:11revitalize the village
01:03:14Lady Day coincides with the full moon this year. I
01:03:18Fear the villagers have somehow guessed my knowledge this morning. I found a doll with a broken neck on the back doorstep
01:03:26I've tried to destroy it, but it won't burn
01:03:47Doctor! Your wife!
01:03:49Where is she?
01:03:59Come on! Come on!
01:04:18Sacrifice it! Where? Where?
01:04:20The store!
01:04:34She's not the one!
01:04:36We have betrayed the world!
01:04:38She's an imposter!
01:04:41She knows our mystery. She can't be allowed to live
01:04:46She must die in the old way
01:04:51You come over here
01:05:15Oh
01:05:45Oh
01:06:16Just a minute
01:06:23I have to know
01:06:46A clove and hoof
01:06:54No
01:06:57An inbred deformity
01:07:15Oh
01:07:45Oh

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