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01:00We are the ones who will change the world.
01:06We are the ones who will change the world.
01:11We are the ones who will change the world.
01:18People change, the shape of love changes,
01:23but the feeling remains.
01:29We change security and the feelings of tenderness
01:34in a matter of seconds, we get tired of it.
01:39And we say, love is lost and that's it.
01:44To continue, we look for a dive.
01:48I love you, and we hunt for opportunities,
01:52and we buy from it.
01:56A moment of happiness or joy,
02:01and a secret that cannot be revealed.
02:05We feel that in the end, nothing happened.
02:09Inside, we are kind of lost.
02:15My sadness, my sadness of happiness,
02:21I am waiting for you.
02:25My only, my only,
02:29the hands extended to the end.
02:34My love, promise me a strange joy,
02:40if only you would take me on this strange journey.
02:45Let me return to my home and my fate.
02:50My love, my love.
02:53Oh, love and patience, oh, love and loyalty.
02:59Oh, love of the eight, oh, the nature of selfishness.
03:04Oh, ten long seconds of selling,
03:09seconds, my love.
03:20My love, my love.
03:25My love, my love.
03:50This is it. This is all Ziyad told me.
04:14Yes, I know. There is nothing new.
04:17We don't hide anything from each other.
04:19You don't understand anything else.
04:21The man is very sad, very depressed.
04:23He doesn't know what he did, what he did wrong,
04:25what he did to you.
04:26He is talking, but he doesn't know how to shut up.
04:28His face is full of tears.
04:30Do you know what upsets me the most?
04:33That I don't love him anymore.
04:36To Ziyad?
04:37Yes, to Ziyad.
04:40Do you love Paul at the same time?
04:43Both of them?
04:44Yes, both of them.
04:47Doesn't it happen?
04:48Yes, it happens.
04:50It happened to me.
04:51It happens to others too.
04:55Yes.
04:56Where did you go?
04:58Nothing, I'm with you.
05:00I just got a little confused.
05:03Anyway, I have to make a decision.
05:04I have to choose one of them.
05:06How do I solve this?
05:08So you're not upset with Ziyad?
05:11I'm upset with myself, first of all.
05:16Of course I'm upset with him.
05:18A lot.
05:20That's why I came to you.
05:21Don't leave me with him.
05:23What do you want me to leave you with?
05:25My heaven?
05:27What are you talking about?
05:28Where do you get all this nonsense from?
05:29From the world we live in.
05:31That I want this and I want that.
05:33What do I do?
05:34Do you want to get married again?
05:37Adam, come, come.
05:38It's your honor.
05:39Listen.
05:40Listen to what she's saying.
05:42Sorry, I didn't want to sit with you
05:44I don't want to embarrass you.
05:47Okay, tell me.
05:48Or should I tell you?
06:14I'm sorry.
06:44I'm sorry.
07:15Why are you looking at me like I'm a fool?
07:18Everything I said is obvious.
07:20I didn't cheat on anyone and I didn't lie to anyone.
07:23Okay, but...
07:25Does Paul know you're in a relationship and you're dating someone else?
07:28Of course.
07:29It was obvious from the start.
07:31I told him.
07:32He expressed his love for me and left me to decide.
07:35Okay, don't you feel that you're being selfish for his sake?
07:39Doesn't he love Yasmeen?
07:41No.
07:42He loves that guy.
07:43I'm telling you, I love him.
07:44Wait a minute.
07:45Both of them?
07:46Yes.
07:47Both of them.
07:48That's the story.
07:49I'm putting it in front of you.
07:50Help me make a decision.
07:52Don't you feel that there's something wrong about it?
07:55No.
07:56I don't feel it.
07:57That's what I'm honestly feeling.
07:59Okay, but you live among people and in a society.
08:02What are you talking about?
08:03Leave me alone with people.
08:05We're done with you.
08:07Don't you live alone?
08:08Is there a society around you that's independent of him?
08:10Independent of us, for example?
08:12No, I'm not independent of you.
08:14What do you want?
08:16Do you want Ziyad to choose?
08:18Of course.
08:19The guy is like a dress.
08:20He can wear it whenever he wants.
08:22He can try it on.
08:23If it doesn't work, he can go to someone else.
08:24What kind of talk is this?
08:26Yes.
08:27He can try it on.
08:28What does that mean?
08:29He has the right to try it on.
08:30Just like anyone has the right to try it on.
08:32I don't know.
08:33Why do you think we're in trouble?
08:35Look.
08:36Let me be honest with you.
08:37This is called a marriage of interest.
08:39Yes.
08:40Of course.
08:41Why not?
08:42Marriage of interest.
08:43Ziyad and I have been fighting for five years.
08:45And what did we get out of it?
08:46Nothing.
08:47If we want to have a baby tomorrow,
08:48how are we going to tell the school stories?
08:50No, Raiha.
08:51You can't think of it that way.
08:52No.
08:53No, Adam.
08:54I can think of it that way.
08:55And what happened to you made me think that way.
08:58I'm warning you.
09:01You're going to have a baby.
09:14It's going to be a baby.
09:15It's going to be a baby.
09:19What is that?
09:20It's going to be a baby.
09:22What does that mean?
09:23Like what you are now.
09:24Neither too big nor too small.
09:25Like this.
09:26He is not for you now.
09:28By the way, I told you this hadith.
09:30But he will come to you submitting himself,
09:34so don't waste the opportunity to get him.
09:37Of course, I shouldn't waste it.
09:39Your efforts before were in vain,
09:42and you didn't get a result.
09:44But now, your efforts are going in the right direction,
09:48and you might get a result.
09:51What does it say?
09:53I don't know.
09:54Because I'm still in Burj.
09:56Secondly, what do you want from it?
09:58It's important that you go where you were born.
10:00That's right.
10:02Then, what does it say?
10:04Revenge is a waste of effort.
10:08Now, did they write that revenge is a waste of effort?
10:11Show me.
10:13Show me.
10:15I want to cut my hair.
10:24I want to cut my hair.
10:44You are right.
10:46Sincerity is a right and money is a right.
10:49I'm sorry, Mr. Seymour, you misunderstood me.
10:52I didn't mean that.
10:54I meant that working with you is a valuable opportunity.
10:58But didn't you notice that it's a bit too much?
11:02I noticed, but I also know that I'm working with a great person.
11:07Taymour Taj-El-Din.
11:09The name alone is enough.
11:11You are a great student.
11:14But from now on,
11:18leave these skills to me.
11:20Not to her, okay?
11:22Where do you want your office to be?
11:24Here in the company or outside?
11:26According to your plan, Mr. Seymour,
11:28do you want me to be outside the company in an independent office
11:30or do you want me to be here at your request?
11:32What do you think?
11:34It's good for me to be next to you here
11:36and it's good for you to be in an independent office outside the company.
11:38But wherever you are, I will be under your watch.
11:41How can you be sure?
11:44Even Mr. Seymour?
11:46Excuse me for saying this,
11:48but this is called a policy,
11:50which can eat me in the first mistake.
11:56He's a bit crazy.
12:00He's a bit crazy.
12:03But he's right.
12:09Safaa.
12:10Yes, sir.
12:11You see, there are Mr. Bilal's requests
12:13and you will secure them all in 15 days.
12:16And I want to have a quick meeting with our engineer.
12:20Keep Mr. Bilal's office close to here.
12:24Yes, sir.
12:28What's up with your friends?
12:30Do you mean my employees?
12:33No.
12:34I don't mean as a lawyer.
12:37I mean as friends.
12:40I don't think we can do it,
12:42especially after the show.
12:46I felt something like that, Bilal.
12:48I felt it.
12:49When we met at Mrs. Jorret's house,
12:53I felt that he took a stand.
12:56Less than Mr. Seymour.
12:58Look at him.
13:02Let it be.
13:05Don't worry.
13:06I did everything I could
13:08so that the relationship between them wouldn't be ruined.
13:10Although there were many other ways.
13:14Anyway,
13:16if they need anything
13:18or you heard that they need anything
13:19or I can help them with anything,
13:21let me know.
13:22Don't hesitate, okay?
13:24Of course, I'll let you know.
13:26I'm asking for reassurance.
13:28No more, no less.
13:32If that's the case,
13:34as you wish.
13:44Safa, come here for a minute.
13:47Yes, sir.
13:49You're glowing.
13:50You're glowing, Mr. Bilal.
13:51Your hands are glowing.
13:53I hope you're feeling better.
13:54You're welcome.
13:55You're welcome.
13:56God bless you.
13:57God bless you.
13:58God bless you.
13:59God bless you.
14:04This is Mr. Bilal.
14:05He's now a lawyer at the company.
14:07He's close to me.
14:09He has the right to see all the files,
14:11with or without me.
14:13The file of Georgette Kesserwani,
14:16the file of Mr. Fayyad of Antique,
14:19and the file of Mazgadat.
14:20Okay?
14:21Okay.
14:22Give me Fawaz.
14:34This is your friend, Khawta, in the end.
14:37How can you think like her, in this way?
14:39At least ask someone,
14:40consult someone,
14:41before you enter the room.
14:42It's strange.
14:43What did she do to you?
14:44She's free.
14:46She's free?
14:47Is there something on my mind?
14:49Are you going to kill her?
14:51Are you with her?
14:54What's wrong with me?
14:56I'm telling you, the girl is free
14:57to do whatever she wants with her life.
14:59No, no, no.
15:00Wait, wait.
15:02It's not her life.
15:03There's more to it.
15:04Okay, you're right.
15:05But what are you going to do?
15:06Are you going to continue her life with him,
15:07whether she's happy or not?
15:09She told you that she loves him,
15:11and you told me that he loves her too?
15:14By the way,
15:15we didn't help her with anything.
15:18How can we help her?
15:19In the end, the decision is her decision,
15:20and she's responsible for it.
15:22Right?
15:24The idea of making a decision between the two
15:27is the mistake.
15:29Maybe.
15:31Anyway, if she's making a mistake,
15:32she should apologize.
15:33Tomorrow she'll realize.
15:41I'm sorry.
15:51Mr. God bless you.
15:52Don't go out of the subject.
15:54My question is clear and frank.
15:56There's no need to accuse me,
15:57accuse the station,
15:58and waste the viewers' time.
16:00I'll record an episode
16:01where you talk about all your reservations
16:03about me and the show.
16:05But let's stay in the subject.
16:07Especially the drug case.
16:08The drug case will remain open
16:10until the next episode.
16:11If we don't get logical explanations
16:13and justifications
16:15about what's happening,
16:16I'll have to disclose
16:18all the names of the companies
16:20and factories
16:21to protect the safety of the consumers.
16:24I swear to God.
16:27What do you know about him?
16:29Basically, not more than everyone knows.
16:31He's a successful businessman
16:32and has many companies in the area.
16:35As far as I know,
16:36he's his father's only son
16:37and he inherited everything.
16:38Okay, but where did you come from?
16:40What's your problem?
16:41What do you mean?
16:43He's a physicist,
16:44a documentary director.
16:47Is there anyone in the country
16:48who doesn't know who Taimur Tajeddin is?
16:51We could be sitting here
16:52with him right now
16:53feeling nothing.
16:55Okay, but I don't mean
16:56he's the only one in the country.
16:57There are others like him.
16:58Why him in particular?
17:00Naghem is right.
17:01There's another reason.
17:03It's a story that happened
17:04to one of my friends.
17:05Taimur plays a major role in it.
17:08My friend's father
17:09had a big hotel in Damascus
17:10and he lost it during the crisis
17:12and all the projects he was working on.
17:14You don't understand what happened.
17:16Was Taimur involved?
17:17Or was Taimur in a loan?
17:19Anyway, after six months
17:20everything was under Taimur's name.
17:22Everything.
17:24Okay, didn't they complain to him?
17:25Didn't they file a lawsuit?
17:26No, my dear.
17:27Of course,
17:28they filed a lawsuit
17:29not only that,
17:30but they also won it.
17:33My dear, this is Taimur Tajeddin.
17:35Do you know who the lawyers
17:36who work for him are?
17:37I do.
17:38This man took everything by force.
17:40Everything was proven
17:41by official documents.
17:42Nothing was given to him.
17:46Anyway, my friend's father
17:48died a week later
17:50and now he's waiting to die.
17:53This story affected me a lot.
17:55My friend told me some details
17:57so I decided to do a research on Taimur
17:59and gather some information about him.
18:01I discovered that this man
18:02is mysterious and obvious at the same time.
18:04And that's what made me
18:05decide to make a film about him.
18:08So, you want to take revenge
18:09on your friend?
18:10No, not at all.
18:11We might have misunderstood him.
18:14We might have been unfair to him.
18:16We don't know him well yet.
18:17Okay,
18:19let's talk a little bit about him.
18:21Okay?
18:22Tell me, what exactly
18:23do you want from us?
18:25I talked to his office
18:26and they agreed on two principles.
18:29That's what I have now.
18:30But tomorrow I'll know all the details
18:31and I'll tell you.
18:33Okay, great.
18:35Cheers.
19:36Taimur
19:37Taimur
19:38Taimur
19:39Taimur
19:40Taimur
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19:42Taimur
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20:12Taimur
20:13Taimur
20:23This is a Mamelouke cut
20:25and this is a Hingare cut.
20:27Both processions date back over 200 years...
20:34It's not important.
20:37How is it not important, Mr. Seymour?
20:39Does it have a historical value?
20:43Maybe I should tell you that the whole history has nothing to do with me.
20:48No, I want you to listen to me.
20:50This is our history.
20:54Our history?
20:56What are you doing now?
20:58Are you buying history?
21:01Maybe it's your right.
21:03As for me, I'm not very interested in history, even though I read a lot of it.
21:09Anyway,
21:11I told you that you have a unique piece,
21:14or according to your expression,
21:16a rare piece.
21:17Yes, I mean the Korean piece.
21:20Look, if it's not available, I'll find it.
21:23It's not important.
21:25Nothing is important to you, Mr. Seymour.
21:28We are ten years old. May God have mercy on your father.
22:03We are ten years old. May God have mercy on your father.
22:06We are ten years old. May God have mercy on your father.
22:09We are ten years old. May God have mercy on your father.
22:12We are ten years old. May God have mercy on your father.
22:15We are ten years old. May God have mercy on your father.
22:18We are ten years old. May God have mercy on your father.
22:21We are ten years old. May God have mercy on your father.
22:24We are ten years old. May God have mercy on your father.
22:27We are ten years old. May God have mercy on your father.
22:30Based on the novel of the same title.
22:41What good will Saad have for you with the story you found me writing?
22:45Taimour is not a story about the things that I am working on, Saad.
22:49Yes, but I don't understand.
22:51How could Saad provide you with the information you need from Yasmeen?
22:55Saad is working and following people like Taimour,
22:59to get information from him,
23:01and then divide it into money or influence,
23:04or one of the two.
23:05Yes, what do you mean yes?
23:07He gets the information,
23:09and they divide it according to the importance of the information and its danger.
23:12What does Taimour have that Saeed doesn't have?
23:16What does Taimour have?
23:17A man like Taimour would have files of bribery,
23:20forgery,
23:21and files of women, of course, and he would catch them.
23:24You're right.
23:25The man was invited, him and his wife, to the party.
23:28They were together.
23:29My love, there's something hidden.
23:31I want to catch the thread,
23:32to find out what's behind this woman and Taimour.
23:35Ah, now Saeed is going to catch you by the thread?
23:39Yes.
23:40I felt that he was looking into the matter
23:42in the picture he posted and posted on Twitter.
23:45But in any case,
23:46I followed him and I'll try to talk to him.
23:49And if I find him lost,
23:51I'll tell him on the way.
24:29Taimour.
24:31Taimour.
24:59Taimour.
25:00Taimour.
25:01Taimour.
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27:48Taimour.
27:49Taimour.
27:50Taimour.
27:51Taimour.
27:53Ok.
27:55I'm sorry for bothering you.
28:23Excuse me.
28:24May I speak to Mr. Taimour?
28:26Mr. Taimour won't be late.
28:28But you're a little early.
28:30You're right.
28:31I just didn't know the address and I was afraid I'd be late.
28:34Don't tell me you're late.
28:35Would you like another coffee?
28:37No, thank you.
28:38No need.
28:39I'll have it with Mr. Taimour.
28:49Good morning.
28:50Good morning.
28:52Good morning.
29:06Can you imagine me and Bilal?
29:09Can you imagine me and what's next?
29:13Can you imagine where we'll end up?
29:19If I make a mistake,
29:21I won't forgive myself.
29:24But if I have a right,
29:29I won't forgive it in my life.
29:33Can you explain to me
29:35why you want to forgive her?
29:41I don't know.
29:42I don't know.
29:45You have to know.
29:48My heart is burning.
29:51It hurts.
29:52I can't describe how much it hurts.
29:54I can feel it.
29:56But what do you want to say?
29:57What makes you feel better?
29:58Do you want to leave her?
30:01Leave her.
30:03Leave Yasmin.
30:04I'll leave Yasmin.
30:06Yasmin is my soul.
30:08And what you're doing to her, what do you call it?
30:10Yes, but it's not love.
30:12All you care about is to cancel that day.
30:16I'm sorry.
30:17You have to change the subject.
30:19You're just like everyone else.
30:21You don't care about them at all.
30:23You don't care about culture or music.
30:25Are you afraid of the scandal?
30:28All you care about is Yasmin's body?
30:32That's what you care about, isn't it?
30:35Leave her.
30:36Leave her if that makes you feel better.
30:39No, no, no.
30:40No one will fix the universe.
30:43By the way,
30:44I don't believe in good deeds.
30:49Even this Chinese saying,
30:51Don't give me fish, teach me how to fish.
30:55I don't believe in it.
30:58At the same time, I don't like to put myself in a position of gratitude,
31:02giving, and comfort.
31:05I have a simple idea.
31:06Take a right,
31:08give a right, and that's it.
31:10I think good deeds
31:12don't bring results.
31:14They don't make that difference.
31:16But all businessmen are interested in things like this.
31:19For them, good deeds are important.
31:21I'm buying prestige.
31:24And you?
31:26I'm also buying it.
31:28But when I feel like I need it.
31:30In time,
31:32in place,
31:33and in the way I want it.
31:36Do you agree or disagree?
31:40Why do you want to divorce me?
31:41Why do you want to separate us?
31:42Don't take too long, I didn't say anything.
31:44Don't you see that you're insulting me?
31:46You're insulting me because you're the one who got me in trouble.
31:48You're the one who's explaining things to me.
31:50Why do you want me to divorce her?
31:52Of course you know something.
31:53I don't know anything.
31:54There's nothing for me to know.
31:55Calm down.
31:56Why are you denying it?
31:57I'm not denying it.
31:58You're the one who decided it.
31:59I protected you by the law.
32:01What do you mean?
32:02Calm down, you crazy.
32:03Am I crazy?
32:04You're dirty.
32:07Don't touch me.
32:11Don't touch me.
32:30I'm not against you.
32:32I'm not against you.
32:34Come and hit me.
32:36Come and hit me.
32:38Come and hit me.
32:40Come and hit me.
32:42If you see me, I'm a witness to your actions and your cowardice.
33:08I'm sorry.
33:09I'm sorry.
33:12But if you're the one who started it,
33:14and you're ignoring me and my words and all my stories,
33:17how are you going to finish the film tomorrow?
33:20So you agree with the idea?
33:23I agree with the idea.
33:24Yes.
33:25But I still don't understand the details.
33:27And I don't really understand what the purpose of this film is.
33:32And don't tell me that it's to enrich the experience of society
33:36and that it's to benefit from it.
33:39Mr. Taimour, don't forget that this is my job.
33:41I'm not here to film parties or fill out forms.
33:44If you want, I can get you copies of my films tomorrow
33:46so you can get an idea of the nature of my work.
33:50But you, in all your films,
33:52take the film in the direction of an official idea at the end of the film.
33:57And regardless of the direction of your characters in the film,
34:03every character, whether it's political, intellectual, economic or social,
34:07you draw them in the way you see them.
34:11No, not at all.
34:12If you're interested in this subject,
34:14I've done a detailed study on all the aspects I'd like to discuss in the film.
34:22Forget about India.
34:23Forget India.
34:27You're here to make a film about Taimour Taj-El-Din.
34:33So if you want to get real results,
34:38I'd like you to make the material about this person
34:43without any preconceived notions or preconceived directions
34:46or preconceived scenarios.
34:49I hope so.
34:50But will you accept?
34:52You film me, you ask me questions and you do what you have to do.
34:55And I answer in the way that suits me,
34:57that benefits me and doesn't harm your film.
35:01And I won't hide from you that one of the most important reasons
35:04that made me agree with this film
35:06was that I was bored.
35:09I was bored of the TV interviews and the shows
35:12in which a person,
35:14and in fact, me too,
35:16looks like a failed actor,
35:21so this time I'd like everything to turn out well.
35:26And I don't want more than that.
35:28But be careful.
35:29I'm telling you that I want everything to turn out well.
35:33Not necessarily like this,
35:35but I want it to turn out like this.
35:40Are you sure you're not involved in politics?
35:47Maybe.
35:50I don't know.
36:20I love you.
36:50I love you.
37:30Hello?
37:31Good evening, Mrs. Hind.
37:33Good evening, Noor.
37:34Who is this?
37:35This is Saeed Salloum.
37:37And if you come to Lebanon and don't tell us...
37:41And where did you come from?
37:42No, our thing is the stories and the news.
37:46The guys told me that you arrived
37:48and they told me that you're a great teacher.
37:51Just a second.
37:52Who are these guys?
37:54Nagham and Charbel.
37:55They're our friends.
37:57Welcome, Saeed.
37:59But I don't understand.
38:00What's going on?
38:01I'll tell you about me.
38:03I started with the media.
38:05I started with the written and printed press.
38:08And I now have a TV show
38:10that deals with hot topics
38:12like literature, art, politics.
38:15And the show is called
38:17Azif from behind the curtains.
38:19And I'd like you to be our guest.
38:22But unfortunately, I have work.
38:24I don't know if I'll have time.
38:26Work?
38:27What work?
38:28Just work.
38:30No.
38:31They don't hide anything from the media.
38:33The media is the only thing they hide.
38:35Anyway, that's not our topic.
38:37Our topic is that we should celebrate you
38:39and present you in an episode
38:41that talks about cinema and art.
38:43By the way,
38:44my show has an audience.
38:47I know your show, Mr. Saeed.
38:49The Show of Troubles.
38:51Yes.
38:52Did you leave me to talk
38:53about all these introductions
38:54while you were silent?
38:56Anyway, ma'am,
38:57I don't like troubles.
38:59But the truth upsets everyone.
39:01On the contrary, I see that people love it.
39:03That's why your show is a success.
39:05Anyway, what did you say?
39:08We'll host you in an episode
39:10where you talk about
39:11your cinematic experience.
39:13My cinematic experience?
39:15Yes, ma'am.
39:16Talk about your new film.
39:18You mean my film about Mr. Taimour?
39:21Taimour Taj-El-Din?
39:23Your film about Mr. Taimour?
39:41Taimour Taj-El-Din
39:46Taimour Taj-El-Din
39:51Taimour Taj-El-Din
39:56Taimour Taj-El-Din
40:01Taimour Taj-El-Din
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40:31Taimour Taj-El-Din
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43:01Taimour Taj-El-Din