Best action movie 2024 Hollywood colombiana
Movie title: Colombiana 2011 movie
Genre: Action/Thriller
Languages: English; Spanish
About: When Cataleya witnesses her parents' death, she goes on to become an expert assassin and sets out to seek revenge against the culprits.
Starring: Zoe Saldana,Amandla Sternberg, Cliff Curtis, Cynthia Addai-Robinson, Michael Vartan and more
# movie# action# viral
Genre: Action/Thriller
Languages: English; Spanish
About: When Cataleya witnesses her parents' death, she goes on to become an expert assassin and sets out to seek revenge against the culprits.
Starring: Zoe Saldana,Amandla Sternberg, Cliff Curtis, Cynthia Addai-Robinson, Michael Vartan and more
# movie# action# viral
Transcript
00:00:00I can't believe this.
00:00:11Why not?
00:00:12Because I love you, Fabio.
00:00:13Like a son.
00:00:14I love you, Don Luis.
00:00:15Like a father.
00:00:16I'm going to miss you.
00:00:17And I'm going to miss you.
00:00:23Okay, enough of this sentimental bulge.
00:00:27One last drink.
00:00:28Next.
00:00:29Hey, don't be like your old women.
00:00:30Come on!
00:00:31To the future.
00:00:32Salud, y vida!
00:00:33So business is all clear?
00:00:34Totalmente.
00:00:35It's all here.
00:00:36No, the copies?
00:00:37You have to ask.
00:00:38Hey, hey, hey, hey!
00:00:39Come on, hey.
00:00:40Adios, Fabio.
00:00:41Adios.
00:00:42Adios.
00:00:43Adios.
00:00:44Adios.
00:00:45Adios.
00:00:46Adios.
00:00:47Adios.
00:00:48Adios.
00:00:49Adios.
00:00:50Adios.
00:00:51Adios.
00:00:52Adios.
00:00:53Adios.
00:00:54Adios.
00:00:55Adios.
00:00:56Adios.
00:00:57Adios.
00:00:58Adios. I'm going to miss you.
00:01:01Adios, Marco.
00:01:03Adios.
00:01:11Kill this motherfucker.
00:01:18I'm gonna slice you now, you imbecile!
00:01:22Not okay, boss?
00:01:24The bastard thinks I'm an idiot, playing it all mellow and shit.
00:01:26If he would have yelled and screamed and threatened to kill my whole family, it would have been better.
00:01:30We have about an hour to get out of here at the most. Vamonos!
00:01:56Atento, no. Todos con cuidado.
00:01:58Todos alertos.
00:02:01We've got ten minutes.
00:02:03Catalea, go back.
00:02:05I'm back, Mama.
00:02:16Catalea.
00:02:18Escucha, mi flor. In case anything happens, this, this is your passport.
00:02:24You'll find yourself alone. You go to the address on this card.
00:02:27Show it to the man at the gate.
00:02:30I don't understand, Papa.
00:02:32Papa, you don't have to understand. You just have to listen and remember.
00:02:46And this, this will keep you safe.
00:02:50The Catalea orchid. My mother, your grandmother, used to grow them.
00:02:54Every morning I'd wake up to the sight of them, the smell of them.
00:02:59That's why I named you Catalea.
00:03:02Never forget where you came from.
00:03:07Que Dios te bendiga.
00:03:10Bora.
00:03:12We want to see Don Fabio.
00:03:14There's no time.
00:03:16No, no. I'm ready.
00:03:18Hay tiempo. Vamos. Ven, ven, ven.
00:03:20Ven, ven, ven.
00:03:22Vamos, vamos.
00:03:24Vamos. Espera.
00:03:28Back, back, back.
00:03:30Espera.
00:03:34Back, back.
00:03:40He said he's not home yet.
00:03:42Wait a minute.
00:03:44It's too late. Get ready. I'll go.
00:03:52I love you. Very much.
00:03:57I love you too, Papa.
00:04:01Gracias.
00:04:03Okay. Change of plans.
00:04:26Alicia. Vamos.
00:04:30Alicia.
00:05:00Come on.
00:05:31Papi. Vamos, vamos.
00:05:49Fabio.
00:05:51You should know that you don't leave the Luis.
00:05:57He only died fighting.
00:06:00Don Luis.
00:06:08Hey, what are you doing?
00:06:10Don Luis said kill everyone.
00:06:12He also said no names.
00:06:14She won't remember.
00:06:16She's a kid.
00:06:18Slut.
00:06:22What do you mean, someone?
00:06:24What do you mean?
00:06:27Go to your job.
00:06:29Do you remember me, Catalina?
00:06:33I was at your confirmation.
00:06:35My name is Marco, and I was a very good friend of your father.
00:06:39You know who Don Luis is, right?
00:06:43He was like a father to your father.
00:06:46That makes your family, too.
00:06:49But when someone...
00:06:54is good to you,
00:06:56and you're not good to them back,
00:06:58then bad things happen.
00:07:00You did very well in school,
00:07:02so I know this is not too complicated for you to understand.
00:07:05Am I right?
00:07:07Excellent.
00:07:08Now, your father had something that belonged to Don Luis.
00:07:12It's a small thing. Not bigger than this.
00:07:15Do you know where it is?
00:07:18Well, if you give it to me,
00:07:20Well, if you give it to me,
00:07:22Don Luis will be very happy and very grateful.
00:07:26So why don't you just give me that little thing,
00:07:30which belongs to him?
00:07:32Would you do that?
00:07:34You're a smart girl.
00:07:36And in this life, smart girls always get what they want.
00:07:42So just tell me.
00:07:44Just tell me, sweetheart.
00:07:45What do you want?
00:07:48To kill Don Luis.
00:07:56Get that little bitch!
00:08:04We need her alive!
00:08:18Find her! Find the little bitch!
00:08:42Where are you going?
00:08:47We need the knife!
00:09:00Get in front of him!
00:09:02Hold on! Hold on! Hold on!
00:09:04Grab on to him!
00:09:17Grab on to him!
00:09:28Grab on to him!
00:09:30Grab on to him!
00:09:47Alive.
00:10:17Alive.
00:10:26Alive.
00:10:47Alive.
00:10:55Got you.
00:11:01Shit!
00:11:18Shit!
00:11:44Excuse me.
00:11:47I'm sorry.
00:11:54You say you have something for us, sweetie?
00:11:59Well, may I see it?
00:12:08Jesus.
00:12:17Oh, God.
00:12:34Everybody take a five-minute coffee break.
00:12:37Jim, we're gonna have to record this.
00:12:42Where did you get this video?
00:12:44Where did you get this video?
00:12:46My papa.
00:12:47Where's your papa?
00:12:49Dead.
00:12:51Do you know what this is?
00:12:53Yes.
00:12:54My passport.
00:13:01We're about to arrive in Miami.
00:13:04Can you talk to me about that?
00:13:07Welcome to America.
00:13:16Go ahead. I'll wait right here.
00:13:37Welcome to Miami.
00:13:44Cataleya?
00:13:53Hello, young lady. Where are we wanting to go today?
00:13:58Chicago. It's not just down the street, you know?
00:14:01How much?
00:14:06How much?
00:14:36Hey, kid. What are you doing here?
00:15:07Emilio.
00:15:09Emilio.
00:15:13Emilio.
00:15:15There's a girl looking for you.
00:15:18I don't want to die alone.
00:15:20It's not that sort of thing.
00:15:23Her name is Cataleya.
00:15:36Let's go.
00:15:46Cataleya.
00:15:48Emilio.
00:16:06Emilio.
00:16:16I thought you were dead.
00:16:22You're safe.
00:16:26It's okay. You're safe now.
00:16:29You're safe now.
00:16:36You're safe now.
00:16:56Thank you, Mom.
00:17:00Good morning, Cata.
00:17:03You have your mother's beautiful eyes.
00:17:09Don't be afraid.
00:17:11This is your home.
00:17:19How long has it been since you slept?
00:17:21I don't know. A long time ago.
00:17:23Well, good. A young body needs to sleep.
00:17:26When I was your age, I would sleep half the day.
00:17:29I don't know if it helped with the growing part,
00:17:31but I was always ready for what came after.
00:17:36Whose room did I sleep in?
00:17:40My son.
00:17:42Your cousin.
00:17:45Where is he?
00:17:48He's dead.
00:17:51Killed?
00:17:55Yes.
00:17:57By who?
00:17:59No one who is still alive.
00:18:04You're very talented.
00:18:06Is this what you want to be? An artist?
00:18:08I used to want to be like Xena.
00:18:10Warrior princess.
00:18:13Not anymore?
00:18:17No?
00:18:20I want to be a killer.
00:18:23Can you help?
00:18:26Sure.
00:18:42Normally we don't accept students in the middle of the academic year.
00:18:45But under these circumstances,
00:18:47losing her parents in this tragic car accident,
00:18:50here you are. These are the school supplies you'll need.
00:18:53Sorry. She's a little traumatized.
00:18:55Of course. We'll see you Monday, Catalina.
00:18:59Such a pretty name.
00:19:03Gracias.
00:19:07After we get all this stuff, we're going to Maxwell Street
00:19:10to get a hot dog from those Polish people here.
00:19:12You like hot dogs?
00:19:14Hey.
00:19:17Hey.
00:19:20What is now?
00:19:22That school has nothing to teach me.
00:19:24I told you what I want.
00:19:27You don't want to help me? Fine.
00:19:29I'll do it myself.
00:19:33Look.
00:19:35Hey.
00:19:45Hey, Dan. That's what you want?
00:19:47You want me to teach you how to be a killer?
00:19:49Sure. No problem. I'll teach you,
00:19:51or you'll be dead in five years.
00:19:55If you want to be a killer and survive,
00:19:57you've got to be a smart one.
00:19:59You have to know things besides how to pull a trigger.
00:20:01You have to know how the world works, how people think.
00:20:03You have to know and understand how to be psychological.
00:20:05And I cannot teach you that unless you learn the basics at school.
00:20:07You got that?
00:20:09Come on. What's it going to be?
00:20:11Catalina, you choose. Come on.
00:20:14Now. Choose. Come on.
00:20:16What you want? Choose.
00:20:26Better.
00:20:34Here you go.
00:20:47Hi. Hey, buddy.
00:20:49I got the good stuff.
00:20:51So, then I suggest, you know, let's buy some things.
00:20:53Spice it up a bit.
00:20:55The garter belt. Some of those stockings that come up to the thigh.
00:20:57Right. Nice. It's been 14 years.
00:20:59You know what I mean?
00:21:01Sometimes a lamb chop isn't a bad thing, right?
00:21:03Exactly.
00:21:09Son of a bitch!
00:21:17What the...
00:21:19Put your hands on the car!
00:21:21Hands on the vehicle, right now. Right now.
00:21:23Oh, back.
00:21:27You stupid, crazy bitch.
00:21:29Sorry, sir. This is not... It's not even my car.
00:21:31You think this is funny? No, sir!
00:21:35I'm going to give you something to laugh about.
00:21:37I'm sorry. Officer, I'm sorry.
00:21:39I don't drink.
00:21:41What the...
00:21:59There's nothing here.
00:22:01No license. No registration.
00:22:03No ID.
00:22:05Except for a library card.
00:22:07Miss Valerie Phillips.
00:22:09In addition to all that,
00:22:11you are being charged with
00:22:13DUI, driving the wrong side of the road,
00:22:15and destruction of police property.
00:22:17Miss Phillips,
00:22:19do I have your full attention?
00:22:23Yeah.
00:22:25That's it.
00:22:27Unless there's anything else you can think of?
00:22:29I have to throw up.
00:22:31Oh, no, no, no. Get out of here!
00:22:33No!
00:22:35And a cup of coffee, too. We'll book her tomorrow.
00:22:37Sleep it off.
00:22:47All right, big step.
00:22:49All right, stretch those legs. Come on, move.
00:22:55She's from Roma, okay?
00:22:57Excuse me. U.S. Marshal Warren.
00:22:59I'm here with Gennaro Rizzo on an overnight.
00:23:01Wait, hold on a second.
00:23:03You know, it says here that you're not expected until tomorrow.
00:23:05Yeah, well, I'll never expect the expected, Sergeant.
00:23:07Is that coffee there? Is that fresh?
00:23:09Yes, it is. Do you mind?
00:23:11I appreciate it.
00:23:13You know, Officer Doyle is gonna show you where the cell blocks are.
00:23:15Oh, come on.
00:23:17Home sweet home.
00:23:21After you, sir.
00:23:29I ain't gonna miss you, Rizzo.
00:23:31I'll leave that just there.
00:23:33In case you get hungry in the night.
00:23:35Sleep well.
00:23:37It'll be a caffeine kind of night, Joe.
00:23:39Keep your eyes open.
00:24:03Come on.
00:24:33There's no signs of any drones.
00:24:3524-7, roger that.
00:25:03Come on.
00:25:33Come on.
00:25:55Not again.
00:25:57Hey, Doyle, go check the ventilation system, will you?
00:25:59As in today, please?
00:26:01Oh, shit.
00:26:31Shit.
00:26:47Yeah?
00:26:49Yeah, I gotta pee.
00:27:0124-4, roger that.
00:27:034-1's got it in.
00:27:05Lead off, man.
00:27:31Unbutton your shirt.
00:27:43What?
00:27:45Now.
00:27:47Who are you?
00:27:49Map room service.
00:27:51Come on.
00:27:57Come on!
00:27:59Come on!
00:28:01Come on!
00:28:03Get inside!
00:28:05Open the fucking door! Come on!
00:28:11Look at me, Joe. Look at me.
00:28:13Give me the gun. Just give it to me, okay?
00:28:15That's good.
00:28:17I didn't do it!
00:28:19I didn't do it!
00:28:23Get him out of here.
00:28:25Call it in.
00:28:27Call it in!
00:28:31Hey, stop it!
00:28:49There!
00:29:11There!
00:29:19There!
00:29:31It's clear here.
00:29:49Shit.
00:30:07Agent Ross?
00:30:09Where is he?
00:30:11He's in the morgue.
00:30:13Let's go.
00:30:15This is just how he came in?
00:30:19It's the same handwriting.
00:30:23Same drawing, right?
00:30:25It's him.
00:30:27I want to see the location, please.
00:30:33Oh, I shouldn't drink.
00:30:35No, you shouldn't.
00:30:37Oh, God, I'm so sorry.
00:30:39Yeah, you can tell that to the Dutch in ten days' time at your hearing.
00:30:41Come on.
00:30:43What's going on down there?
00:30:45Nothing. You can sign this form, and then you can go.
00:30:47Really?
00:30:49Yeah, really, but I'm quite sure the judge will send you back here.
00:30:51You probably deserve it.
00:30:53Well, you're just lucky no one got hurt.
00:31:07You didn't lock it down?
00:31:09Hey, it was after the fact. I didn't think anybody had to do it.
00:31:11Okay, nobody in, nobody out.
00:31:13Please.
00:31:15Okay, you heard the man. Lock it down.
00:31:17Nobody in, nobody out.
00:31:41I want to see paper.
00:31:43On everybody in and out of this station in the last 24 hours.
00:31:49And I want the tapes
00:31:51from all the security cameras.
00:31:53All of them.
00:32:11All of them.
00:32:35All good?
00:32:37We're good.
00:32:39Cool.
00:32:41I have something for you.
00:32:43Give me a day.
00:32:45Okay. We can't wait to see you.
00:32:47Give my mom a kiss for me.
00:32:49I will.
00:32:5522 murders in the last four years, all with the same amount.
00:32:57I think I'm right.
00:32:59He is sending a message, but I'm beginning to believe it's not meant for us.
00:33:01We're the only ones with that information.
00:33:03We're not getting anywhere with it, are we?
00:33:05Put it out to the press. It's time.
00:33:07I want that lipstick drawing.
00:33:09I want it splashed over every newspaper,
00:33:11every magazine, front page, national.
00:33:13The message isn't meant for us.
00:33:15Let's make sure he gets to who it's intended for.
00:33:27Mr. Richard.
00:33:29Marco.
00:33:31It's been a long time.
00:33:33Yes, it has. How is your hand?
00:33:35Let's relocate you to Arizona instead of New Orleans.
00:33:37You're right, but the boss likes it humid.
00:33:39He's waiting for you.
00:33:41Okay.
00:33:43What do you think?
00:33:45Hmm?
00:33:47Coincidence.
00:33:4922 times? A flower that only grows in one place on Earth.
00:33:51You know, it used to be the calling card of...
00:33:53Shoot, I forgot his name.
00:33:55What was his name, your former partner?
00:33:57You know, the one who used to do your wet work.
00:33:59Fabio. Fabio.
00:34:01Fabio Maria Restrepo.
00:34:03May I?
00:34:05The CIA is not an amusement park.
00:34:07When the agency extracted your ass
00:34:09from Colombia 15 years ago
00:34:11and set you up here,
00:34:13we allowed you to resume your little business
00:34:15when what we should have done was lock you away for life.
00:34:17Now, in exchange, you should have kept the information flowing.
00:34:19I have.
00:34:21Not much.
00:34:23I had nothing to do with this.
00:34:25Then find out who did.
00:34:33She's talking to us.
00:34:35Could be anyone.
00:34:37Idiot.
00:34:39I told you, everyone dead.
00:34:41Down to the door.
00:34:43You screwed up the first time.
00:34:45Now, go fix it.
00:34:47♪♪♪♪
00:34:54♪♪♪♪
00:35:04♪♪♪♪
00:35:14♪♪♪♪
00:35:24♪♪♪♪
00:35:34♪♪♪♪
00:35:54♪♪♪♪
00:36:14♪♪♪♪
00:36:24Each and every one of the victims
00:36:26was a professional bad apple.
00:36:28As for motive, I've narrowed it down to payback,
00:36:30but, um, not much else.
00:36:32My best guess, Alexa Milchanova,
00:36:34she made a career out of getting intimate
00:36:36with high-stakes gamblers out of Vegas.
00:36:38She would, uh, rip them off
00:36:40and then send them to meet their maker.
00:36:42She would take over the heroin trade from Houston
00:36:44from the, uh, Gemini cartel.
00:36:46If you do not know all there is to know
00:36:48about these twins,
00:36:50you should not be in this room.
00:36:54Now, you see, he tilts the camera just enough
00:36:56so he won't be seen going into the cell.
00:36:58The time, 155 AM.
00:37:00That means our perp was in that station that...
00:37:02I don't have to spell it out for you, do I?
00:37:04Excuse me.
00:37:06Hand these out, please.
00:37:08These are the names, addresses, and phone numbers
00:37:10of everyone with a pulse who was in that station
00:37:12before 155 AM.
00:37:14Everyone.
00:37:16Which means one of them was our target.
00:37:18I want you to locate the ten people in the folder
00:37:20you've just been handed.
00:37:22I want a detailed dossier on each of them
00:37:24for the last ten years of their lives.
00:37:26I want you to run down every lead.
00:37:28You will check every story.
00:37:30Because our killer, ladies and gentlemen, is in those folders.
00:37:32And I mean to catch him before he kills again.
00:37:40Okay.
00:37:58Don't move.
00:38:02Hello, Jennifer.
00:38:04Hello, Danny.
00:38:10Hi.
00:38:14I haven't finished a painting.
00:38:16You never really finish a painting.
00:38:18You just stop working on it.
00:38:20I know something you're good at finishing.
00:38:22Yeah.
00:38:28Let me tell you something.
00:38:30Are we ever gonna go on a normal date together?
00:38:32What's a normal date?
00:38:34You know, go out, have dinner, drink wine, get drunk.
00:38:36Mm, dessert.
00:38:40I don't know.
00:38:42I don't know.
00:38:44I don't know.
00:38:46I don't know.
00:38:48I don't know.
00:38:50I don't know.
00:38:52I don't know.
00:38:54I don't know.
00:38:56I don't know.
00:38:58I don't know.
00:39:00I don't know.
00:39:02I don't know.
00:39:04I don't know.
00:39:06I don't know.
00:39:08I don't know.
00:39:38Safe?
00:39:40For Mayim.
00:39:42You?
00:39:44Safe.
00:39:46How's Mama?
00:39:48She is missing you.
00:39:50Tell her I miss her back.
00:39:52I think she would love to hear that from you.
00:39:54I know.
00:39:56What do we have?
00:39:58Remember the guy on the news
00:40:00for running a budget scheme about a year ago?
00:40:02Mm-hmm.
00:40:04Made $15 billion in bonuses at the dinner.
00:40:06Now he's living in the cabin.
00:40:08Aw.
00:40:10So, left a lot of people very upset,
00:40:12but we give him a break.
00:40:14Permanently.
00:40:20There's something else.
00:40:24How long has this been going on?
00:40:30Not long.
00:40:32You expect me to say,
00:40:34You know why.
00:40:36You think this is going to smoke Don Luis out?
00:40:38You think he's that stupid?
00:40:40It's not just about you, okay?
00:40:42There's me, Mama, and Flamengo.
00:40:44Familia.
00:40:46You're clean.
00:40:48You book the work.
00:40:50You collect the money.
00:40:52And I want you back.
00:40:54That's what I do.
00:40:56If I give you a job, I turn down $5,000
00:40:58because I made a promise to keep you safe.
00:41:00I keep you safe.
00:41:02That's a full-time job, no matter what you think.
00:41:04But this is not professional. It's not what I taught you.
00:41:06I don't care about what's professional and what's safe.
00:41:08I'm doing this my way.
00:41:10That is your way? Yeah.
00:41:12A tag killer
00:41:14is stupid.
00:41:18Do you accept this?
00:41:20Remember, I let you do this.
00:41:24You didn't let me do anything.
00:41:26I chose this, remember?
00:41:28I chose this.
00:41:30The moment I walked in your door,
00:41:32I had already made my decision. By yourself?
00:41:34Yes.
00:41:36Not you or anybody's gonna change that.
00:41:42We love you, Catalina.
00:41:48Then watch my back until it's done.
00:42:00Catalina.
00:42:02Excuse me? It's an orchid.
00:42:04What, this is? Sure it is.
00:42:06It grows in Colombia. How do you know that?
00:42:08My wife. She's Colombian.
00:42:12Catalina? That's right.
00:42:24Okay.
00:42:26Authorization.
00:42:28Oh, shit.
00:42:36Hi, boys. Did you miss me?
00:42:38No, I missed you, too.
00:42:42Hi. Come.
00:42:44You guys been good?
00:42:46Hmm? All right, stay.
00:42:48Sirloin.
00:42:50Juicy. Delicious.
00:42:52Want one?
00:42:54Good.
00:43:00Eat.
00:43:08I know that song.
00:43:10Hola, Pepe. Bendición.
00:43:12I guess the boys gave me away, huh?
00:43:14Just follow them. I trained them.
00:43:16Come on.
00:43:40Willy, why are they ignoring me?
00:43:42What?
00:43:44Just one drop of blood in there,
00:43:46and they'll be your biggest admirers.
00:43:48Really? Oh, yeah, baby.
00:43:50All the way down to your clean, stripped bones.
00:43:52Cool.
00:43:58Alejandra, you bring in extra security for tonight.
00:44:00Yes, sir.
00:44:02And make sure that we are shut down tight.
00:44:04Yes, sir.
00:44:06Okay.
00:44:08Girls!
00:44:10Come to Papa, huh?
00:44:12Yeah!
00:44:22There are already guys in the garden and guys out back.
00:44:24I want you three upstairs. Yes, sir.
00:44:26Two on the roof.
00:44:28Hurry!
00:44:42Come on.
00:45:12Come on.
00:45:42Where the fuck is it?
00:45:52Willy, come back to bed.
00:45:54Shh.
00:46:12Fuck.
00:46:14Fuck.
00:46:40Where the fuck is it?
00:46:44Fuck.
00:46:58Turn around.
00:47:08Who are you?
00:47:10It doesn't matter who I am.
00:47:14Okay. What do you want?
00:47:16I want you exactly where you are.
00:47:22Oh!
00:47:24Please. Please don't kill me.
00:47:26I'm not gonna kill you.
00:47:28Huh?
00:47:30Oh.
00:47:32Oh, no, no. Please.
00:47:44Please.
00:47:56Yeah.
00:47:58Mr. Steven Richard?
00:48:00Who is this?
00:48:02This is FBI Special Agent James Ross.
00:48:04Look, I'm the lead agent on a case.
00:48:06It's a serial we call the Tag Keller.
00:48:08You might have heard of him.
00:48:10I've seen the publicity.
00:48:12When it comes to access information,
00:48:14I get stuck with the CIA access-deny tag.
00:48:16I'm at the end of a very long road, Mr. Richard,
00:48:18and I'd be glad to believe that you are the man I want.
00:48:20Listen, Agent Ross,
00:48:22I can't give any information out over the phone,
00:48:24but what I suggest is you file a formal request
00:48:26with the agency for any information you might want,
00:48:28and I'll be more than happy to get back to you
00:48:30as soon as I can.
00:48:42Stop bullshitting me, Marco.
00:48:44I got the FBI on my ass now,
00:48:46but I want that problem taken care of yesterday.
00:48:48Do you hear me?
00:48:50Loud and clear.
00:48:52Good.
00:48:56Where to?
00:48:58Downtown.
00:49:00And we question every Colombian we meet
00:49:02until we find an address to get her family, okay?
00:49:12Okay.
00:49:22Jen,
00:49:24in case you show up,
00:49:26I wanted to let you know that I went to New York
00:49:28to meet with Galleries.
00:49:30I'll be back tomorrow night,
00:49:32but if you're already here,
00:49:34make yourself at home.
00:49:42What do we got?
00:49:44We do have these surveillance tapes
00:49:46from a few angles.
00:49:50That's it?
00:49:52That's it.
00:49:54Hey, man, it's not a lot to go over.
00:49:56Run it through the database.
00:49:58See what happens.
00:50:00We're not looking for a woman.
00:50:02It's not possible.
00:50:30Wow.
00:50:32Want a wine?
00:50:38I'm impressed.
00:50:42I got you something.
00:50:44You did?
00:50:46Yeah.
00:50:50A stuffed alligator?
00:50:52Yeah.
00:50:54Exactly what I've always wanted.
00:50:56Hey, wait, wait, wait.
00:51:00Let's just, uh,
00:51:02let's just sit, have a little of this food,
00:51:04and talk for a little bit first.
00:51:06What do you want to talk about?
00:51:08I don't know.
00:51:10Anything. Ask me something.
00:51:14How was your trip?
00:51:16Actually, it was great.
00:51:18The Gallery liked my new paintings.
00:51:20They're gonna put up a show in October.
00:51:22And that's a good thing, right?
00:51:24My turn. How was your trip?
00:51:28Hot.
00:51:30Did you do anything exciting?
00:51:32I went swimming.
00:51:34Anything else?
00:51:36Come on. Talk to me.
00:51:38What do you want to know?
00:51:40Anything. Something about you.
00:51:42Something.
00:51:44Where are you from?
00:51:46Are your parents from here, in the city?
00:51:48Okay.
00:51:50Let's start with something a little more simple.
00:51:52What do you like to eat for breakfast?
00:51:54I don't eat breakfast.
00:51:56I'm not gonna hurt you.
00:51:58I just want to know a little bit more about you,
00:52:00about what you feel inside,
00:52:02what you feel about me, anything.
00:52:04Just a little.
00:52:14I feel lonely sometimes.
00:52:16I feel lonely sometimes.
00:52:20Thank you. Me too.
00:52:40Let me this time.
00:53:16Morning.
00:53:20I know you said you don't eat breakfast,
00:53:22so I thought I'd make us some lunch.
00:53:24Oh, my God. Oh, shit.
00:53:26Wait. Where are you going?
00:53:28I shouldn't have done this.
00:53:30Shouldn't have done what?
00:53:32Any of it.
00:53:34I don't understand. Why?
00:53:36What are you talking about? Why?
00:53:38Because.
00:53:40Because. Look, can you just hold on a second?
00:53:42Can we just talk about this?
00:53:44Okay.
00:53:50I'm sorry I'm late.
00:53:56Eight people slaughtered in Miami.
00:53:58One of them is my friend.
00:54:00So what?
00:54:02Hey, Dio, please, again with that?
00:54:04They're looking for you, so don't play with me.
00:54:08I'm bringing them to you.
00:54:10I know how your two-sided mind works.
00:54:12Do you think this is a game?
00:54:14I'm a fucking joke to you.
00:54:18You scare me, Cavallia.
00:54:20I don't want to deal with your shit anymore.
00:54:22I don't want to give you work or anything anymore.
00:54:26You are retired.
00:54:28You can't do that.
00:54:30How many people did you kill
00:54:32when your boy died?
00:54:36¿Cuántas?
00:54:38What do you know about my son?
00:54:40I know fucking nothing about my son.
00:54:42Tell me.
00:54:44Well, it changed nothing.
00:54:46When I lose my son,
00:54:48I lose my life.
00:54:50Everything that's important to me is gone.
00:54:52I want to believe in you, Cavallia.
00:54:54Why?
00:54:56I still pray that you find a life
00:54:58away from this, because no one in our entire family
00:55:00has a chance for one.
00:55:06Lizzie, never come to the house.
00:55:08Never come to the church.
00:55:10Don't bother.
00:55:12I don't want to wait for your phone call no more.
00:55:14I don't want you to break my mother's heart.
00:55:16Maybe this will help you to understand
00:55:18what I try to tell you.
00:55:30Puta vida.
00:55:38Five, six.
00:55:40Brown eyes.
00:55:42Well, hazel, actually.
00:55:44Dark hair, thick, shiny.
00:55:46Incredible body.
00:55:48Killer smile.
00:55:50I think about her all day long.
00:55:52Dude, you're in love.
00:55:54You're so smart.
00:55:56Okay, seriously, and I mean this from the bottom of my heart,
00:55:58you're nuts.
00:56:00I haven't had anyone important in my life for at least ten years.
00:56:02I finally meet someone that I really, really like
00:56:04that I want to be with all the time.
00:56:06I've got nothing.
00:56:08I've got a stuffed animal and a picture.
00:56:10You've got a picture? Give it up.
00:56:12It's not even really a whole picture.
00:56:14I took it up for while she was sleeping, so...
00:56:16Oh, my God.
00:56:18Jesus, relax.
00:56:20When do I get to meet the future Mrs. Delaney?
00:56:22You? Never.
00:56:24Excuse me.
00:56:26Third precinct.
00:56:28Hey, Shari.
00:56:30Uh, you got that picture?
00:56:32Her little skinny face lying on my computer.
00:56:34Ooh, she's beautiful.
00:56:36Clearly out of your league.
00:56:38It's not for me. It's for Danny.
00:56:40Remember the painter?
00:56:42Oh, yeah, yeah, yeah. Much better match.
00:56:44It's a perfect match. How long is this gonna take?
00:56:46Slow your roll, tiger. You're my brother-in-law, not my boss.
00:56:48And besides, I'm not supposed to be doing this?
00:56:50Shari, Shari, you are gonna be the fairy godmother
00:56:52in the most beautiful love story ever.
00:56:54Okay? Think about it.
00:56:56You get the honor of saying you were the one
00:56:58who made this all happen.
00:57:00And I get to lose my job if I get caught.
00:57:04Ryan, it's done. I'll call you when I got something, okay?
00:57:06Thank you, babe.
00:57:14Don't thank me later.
00:57:24Hey, I want a trace for an incoming transmission.
00:57:38Chicago. Third precinct.
00:57:40Get somebody down there now.
00:57:54Okay.
00:58:18That was such a nice surprise.
00:58:20Everyone blows up sometimes.
00:58:22She's gonna be okay?
00:58:24Yes, ma'am.
00:58:26I think so.
00:58:40Um, excuse me?
00:58:42Come with me, please.
00:58:44That's my computer. Why is she...
00:58:46Why are you all up on my computer?
00:58:48You better not mess up my favorites.
00:58:50Let's try size.
00:58:52Good enough. Let's see hands.
00:58:56Looking good. And now...
00:59:00Hmm. Nice nose.
00:59:02Congratulations. You have a girl.
00:59:04Print it.
00:59:06Get it out to all stations.
00:59:08And get them all reunited.
00:59:10Yes, sir.
00:59:20Hello?
00:59:22It's me.
00:59:24Jen?
00:59:26Are you busy?
00:59:28No. No, I'm not.
00:59:30Danny Delamney.
00:59:32Positioning purpose.
00:59:34I was just looking out the window and thinking...
00:59:36Where are you?
00:59:38I'm at home.
00:59:40I was looking out the window, too.
00:59:42So we're looking at the same sky right now, huh?
00:59:44Almost there.
00:59:46Here.
00:59:48We got it. There.
00:59:50Okay, we got it. Do you spot the location?
00:59:52Go!
00:59:54I'm really glad you called me.
00:59:56Me, too.
00:59:58I was literally just looking at a picture of you,
01:00:00thinking of you when the phone rang.
01:00:02What picture?
01:00:04I took a picture of you while you were sleeping with my phone.
01:00:06It's really bad, but I just wanted to have something to remind me of you.
01:00:08Did you show it to anybody, Danny?
01:00:10No. Well, actually, my friend Ryan.
01:00:12Who else saw the picture, Danny?
01:00:14Nobody. Why?
01:00:16Danny, who else?
01:00:18Nobody. I didn't show it to anybody. What's the big deal?
01:00:24I just took a stupid picture of you with my phone. I'm sorry.
01:00:26I'm sorry, too.
01:00:46Let's see what we got. Special Agent Williams, FBI.
01:00:52That's clear.
01:01:16Shh.
01:01:34No, ma'am. Everything's under control.
01:01:36I just need you to come with us. We're evacuating the building.
01:01:46Charles.
01:02:16She's not here.
01:02:18Lock down this building. ASAP.
01:02:46Anything?
01:02:48No, nothing.
01:02:50Oh, wait, wait, wait.
01:02:52One security camera down.
01:02:54A second one down.
01:02:56Where?
01:02:58The garage.
01:03:00All units, get to the garage.
01:03:02Let's go. Let's go.
01:03:04Cover all the damn exits.
01:03:06Oh, wait, wait, wait.
01:03:08One security camera down.
01:03:10A second one down.
01:03:12Where?
01:03:14The garage.
01:03:16All units, get to the garage.
01:03:18Let's go. Let's go.
01:03:20Cover all the damn exits.
01:03:36She's here.
01:03:38Look everywhere.
01:03:40Under every car.
01:03:42Look at every room. She's here. Find her.
01:03:46Anything?
01:03:48Come on, check that door. Keep looking.
01:04:00She's here.
01:04:02Under every car.
01:04:04She's here.
01:04:22Tío.
01:04:24Mamá.
01:04:34Mamá.
01:04:44Mamá.
01:04:52Emilio.
01:04:54Emilio.
01:05:04Emilio.
01:05:18Oh, my God.
01:05:20Oh, my God.
01:05:22I'm sorry.
01:06:00This won't take long.
01:06:02You think you've been smart?
01:06:04You covered all your bases?
01:06:06Because this? This is already over.
01:06:08This whole place is wired with webcams.
01:06:10You mean these?
01:06:12Talk about covering all my bases.
01:06:14Your chair's pressure-wired.
01:06:16You move a single inch, and that'll be the last move you ever make.
01:06:18And given what you know about me,
01:06:20you know I don't bluff.
01:06:26I don't know about you,
01:06:28so I'm just going to ask.
01:06:30What happened to you that you could kill 23 people?
01:06:32Do you believe me if I told you
01:06:34this wasn't the life I had imagined
01:06:36when I was a child?
01:06:38I wanted to be like you
01:06:40on the other side.
01:06:42Really? So what happened?
01:06:50I was nine when he had my parents killed.
01:06:52And he fucked up me.
01:06:56You saw this?
01:06:58No. The clues weren't for us at all.
01:07:00It was all for him?
01:07:02It was the only way to track him down.
01:07:04And you needed us to put it all in the press.
01:07:06Yes, but it took you so fucking long.
01:07:08Goddamn. You've had to be really determined.
01:07:10Very focused, huh?
01:07:12Not focused enough.
01:07:16This morning,
01:07:18he took the last piece of me.
01:07:20You sent the man a message.
01:07:22He sent you one right back.
01:07:24And now I'm going to finish it.
01:07:26Yes, you can. He's protected by your government.
01:07:28By part of my government that I cannot breach.
01:07:30It's CIA, and I don't know why,
01:07:32but I can't get under it, I can't get over it,
01:07:34and you have to believe me, I have tried.
01:07:36Try harder, Agent Ross.
01:07:40You have a beautiful family.
01:07:42You're going to end me and my family,
01:07:44and I swear to God, I won't.
01:07:50Now you know what you have to do.
01:07:52Get me Luis Sandoval.
01:07:54You're going to go to a funeral every week.
01:07:58And I will not stop until you begin to feel
01:08:00what I felt all these years.
01:08:02I'm sorry.
01:08:04Catalina.
01:08:08When your dinner's ready,
01:08:10the timer in your chair will have expired.
01:08:12Don't get up before.
01:08:16Hey!
01:08:24Hey!
01:08:30Now, you do understand that I only took this meeting
01:08:32out of professional courtesy.
01:08:34Now, the truth is, I really can't help you at all.
01:08:36Can't or won't?
01:08:38It's the same thing, really.
01:08:40But in the spirit of reaching out,
01:08:42let me put my cards on the table.
01:08:44I have met this woman, this tag killer.
01:08:46It's a woman? Yeah.
01:08:48Is she pretty?
01:08:50She got the drop of me in my home,
01:08:52this man, she says she's gonna kill a member of my family
01:08:54every week until I have none left.
01:08:56Are you kidding me?
01:08:58Does it seem to you that I would make something like this up?
01:09:00So why don't you just tell me what I should do?
01:09:02Call 911.
01:09:04Now, if you'll excuse me, I have a meeting.
01:09:06It starts now.
01:09:12Ross.
01:09:14Ross.
01:09:20It's her.
01:09:22She says if you don't give her exactly what she wants,
01:09:24she's gonna redecorate your whole office.
01:09:26With you.
01:09:30Can you please tell her that glass is temperature-resistant,
01:09:32directed by 57-millimeter ordnance?
01:09:44Ten seconds to give up that address.
01:09:46How can I be sure if I give her the address, she won't kill me anyway?
01:09:48She says she can't, but you can trust me.
01:09:50If you don't give her what she wants,
01:09:52you will be her 24th victim on the hit parade.
01:09:54Hey, 67 Magnolia Terrace, New Orleans.
01:09:56She asks that you keep this conversation strictly confidential.
01:09:58With pleasure.
01:10:00What about my family?
01:10:14What about my family?
01:10:44What about my family?
01:10:58Good morning.
01:11:00Who are you?
01:11:02That's not important. What's important is,
01:11:04I need the floor plans to 867 Magnolia Terrace.
01:11:06If you don't leave my office immediately, I will call the police.
01:11:08I really need those floor plans.
01:11:10You will take positions
01:11:12here, here, and here.
01:11:14You must expect the unexpected.
01:11:16She's like mist under a door,
01:11:18like a mouse in the wall.
01:11:20She will never attack straight on,
01:11:22and you will not see her until it's too late.
01:11:24She's that invisible.
01:11:30Expand!
01:11:40Explode!
01:11:54Don Luis?
01:11:56Don Luis, are you okay?
01:11:58Get the Mercedes!
01:12:00What happened?
01:12:02We need to get out of here.
01:12:04Leave me alone!
01:12:06Everyone in!
01:12:08Get in there!
01:12:34Come on.
01:12:36Hurry up.
01:12:38You hide here.
01:12:40Wait for my call.
01:12:52Come on!
01:12:54Find her!
01:13:06Come on!
01:13:30Hello?
01:13:32Where is Jackie?
01:13:36I don't know.
01:13:46I think we got her.
01:13:52Find her!
01:14:06Find her!
01:14:32Marco!
01:14:36Marco!
01:14:46What the hell is going on?
01:14:48We hold here.
01:14:50Marco!
01:15:06Marco!
01:15:12You've been waiting for this moment
01:15:14for a very long time, eh?
01:15:16Yes.
01:15:36Marco!
01:16:06Marco!
01:16:36No!
01:17:06Marco!
01:17:08Marco!
01:17:10Marco!
01:17:34Marco!
01:17:36Marco!
01:17:40Marco?
01:17:42No.
01:17:44What were you expecting?
01:17:46You have ruined your whole life
01:17:48to try to kill me?
01:17:50Someone like me?
01:17:52I cannot live here.
01:17:54I do the killing.
01:17:56And now it's your turn to be hunted.
01:17:58You will never find me.
01:18:00But at day or night,
01:18:02believe me,
01:18:04I will find you.
01:18:06And I will kill you.
01:18:08That's what I want you to be.
01:18:14Eat.
01:18:16No!
01:18:36You should think very carefully.
01:18:38Is there anything else?
01:18:40I've already told you everything.
01:18:42She should come by for a couple of hours,
01:18:44Look, it's really late. I'm really tired.
01:18:46If you are not, you can arrest me.
01:18:48We don't actually have anything to charge you with.
01:18:50So, can I leave?
01:18:52No. I got a few more questions.
01:18:54Can I at least get a cup of coffee?
01:18:56Yeah.
01:18:58Cream and sugar?
01:19:00Yes, please.
01:19:06Hello?
01:19:08Hello?
01:19:10Thank God. Look, I had no idea.
01:19:12Are you okay?
01:19:14I'm fine.
01:19:16Where are you? FBI.
01:19:18Danny, you know that they...
01:19:20Yeah. How much time do we have?
01:19:2240 seconds.
01:19:24You have the time for three questions.
01:19:26What's your real name?
01:19:28Catalina.
01:19:30Like the flower?
01:19:32Yes.
01:19:34Like the flower.
01:19:3622 seconds.
01:19:38Will my little bird come back one day?
01:19:40Leave your window open
01:19:42and you'll see.
01:19:44Hey, Ross?
01:19:46We're picking something up off that guy's phone.
01:19:48Last question.
01:19:50I love you.
01:19:54Give me that phone. Give it.
01:19:56Hello?
01:19:58Hello?
01:20:10You can go.
01:20:40Focus on the pain
01:20:44The only thing that's real
01:20:48The needle tears the hole
01:20:52The old familiar sting
01:20:56Try to kill it all away
01:21:00But I remember everything
01:21:04What have I become?